Okay so here’s the thing that gets me about Good Omens (s2 in particular):
Earth and humanity are (as far as we know) meant to exist so that heaven and hell have a playing field to best one another, initially by seeing who can exert their influence on humans most and ultimately as a battleground for their war. Humans themselves are kinda inconsequential.
But! Anyone from either side who comes to earth with even a *skerrick* of curiosity immediately starts to fall for the emergent properties of humanity- the music, the food, the art, the shades of grey that simply do not exist in heaven or hell. We see this in Aziraphale and Crowley who have found ways to keep their positions on earth for 6000 years yes, but we see it even more in Beelzebub and Gabriel, who have been to earth many times but only started to *see* it for the first time together, and in Muriel who we are told has never been to Earth before and is overcome with excitement seemingly within seconds of arriving.
There is something so deliciously pure and healing about this story that centres not just love between individuals being the most powerful thing in the universe, but also the simple love of *being alive*. It’s so potent that celestial/demonic powers succumb to the joy of living the *moment* they open themselves up to it. To see these timeless entities stumbling together through human history interacting with and delighting at, not humans themselves so much but the things that they have created. To know that the joy they find in these human constructs is literally changing the very fabric of who they are in ways that they clearly find freeing and deeply fulfilling. That they would literally rather live their quaint little lives on earth, drinking and eating their fill and experiencing human creations, than fulfil their purpose in some cosmic destiny. That they’ll fight to protect it so fiercely even though they’ve been told it’s destruction is preordained.
It’s wild that a story that doesn’t have human characters at it’s centre (in the show anyway), so expertly conveys the joy of being human. Whether you believe humanity exists for a purpose or not, we are simply silly little creatures with an overactive pleasure drive making things that are infinitely more complex than the sum of their parts.
Idk man, it’s the absolute reverence for simple contentment this story holds above all else that gives me life (especially in contrast to its irreverence of Christian morality). I liked season 1 a lot but season 2 soothed some deep hurt in my heart and I’m just so grateful it exists.
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the music in WOT is never random. even if it's just very soft background music, it's relevant to the scene. practically every time there's music playing while egwene is onscreen during s2, the tune is egwene's theme, rearranged and reinstrumentated in dozens of different ways to match the tone of the particular scene. mat has quick little snippets of his theme tune play during various scenes of his, often mixed with the old blood theme from s1, and it finally blares out in full glory for the first time during the horn of valere scene, to parallel how mat is truly finding himself for the first time. even secondary characters like liandrin, siuan, and aviendha have their own dedicated theme tunes that play during their scenes and are never repurposed as background music in other characters' scenes. and all the themes have lyrics in the old tongue that suit the character or concept the theme is about! in conclusion, lorne balfe is truly doing the Most, and i'm so grateful he's the composer for WOT and i hope he'll return for every season the show goes for.
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I don't know if it's because it's been too long since I last watched Stranger Things, but I genuinely don't remember a happy Nancy scene post Barb...
This is such an interesting thing to think about because it's not as if Nancy looks miserable in most scenes of the show. In fact, she often looks determined and occasionally excited even. She has smiled before, but excitement about progress in a case, something she's passionate about because of Barb, isn't necessarily happiness. So this is something you have to look beyond face value for.
Nancy suffers quite plainly with survivors guilt and with a lot of trauma. She isn't healed from what happened in Season One, and I don't think she even let herself really start until after season three. Not with so much unresolved. She also hasn't had the help she really needs either. However, Nancy has experienced happiness since Barb's death. There are moments she forgets. It’s only healthy that she's not so obessively mired in her misery that she can't have moments to breathe.
It's been a while since I've watched the show, too, so I can't say if there's a Jancy scene where she's just happy. Their get-together scene was very in the middle of Barb trauma, the wake up together scene is very stressed and rushed. Jonathan has been good to her, but all their scenes are a very mixed bag of emotions with happiness not really being the predominant one.
There are three small scenes from season four that come to mind. The first is Lucas's game. Nancy is quite genuinely proud and happy for Lucas in that moment of success. It's such a small shot, but it's one of a few scenes that show us that Nancy cares a whole lot more about Mike’s friends than she ever says.
The second is the scene with the dog, right before the plot plummets Nancy right back into her guilt complex. She's starting to live, and she lets herself be, for just a second, when she steps away from a murder investigation to just play with a dog. This is the first real evidence that her passion for her work is not just about Barb anymore.
The last scene is the officially friends scene with Robin. It's simply a moment of establishing connection, and both girls are just so warm in that moment. It's another sign of Nancy starting to actually heal. She's happy to have a new girl friend, not scared or guilty like she would have been before.
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All I have to say about tonight's episodes is that I deserve a new Frenchie song RIGHT GODDAMN NOW
I have been waiting oh so very long, looking forward to my little guy's delightful little jams, and now that The Revenge isn't just the most depressing boat sailing across the Caribbean, he better put that fucking lute in his hands and get to work.
I need a new sprightly little pirate song to play when I need a dopamine hit. Please, Frenchie, have mercy on me.
Please, David Jenkins and Joel Fry, have mercy on me.
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WELCOME TO MY 2023 MAIN BRAINROTS
2023 is basically about to end so here's what made my brain go brrrrrr this year.
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-im only talking about stampede here cuz it was my introduction to the beautiful hell that is trigun
-im only talking about ofmd 2 here cuz thats when it got released
-i just played signalis in august so yeah ik its from 2022 yeah sorry i didnt know about it
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Quick question for all my Dungeons and Daddies homies out there—
Is season 2 as funny as season 1? What are the best things about season 2? How easy or difficult has it been for you to reconcile the season 1 versions of the sons versus the season 2 versions of the sons grown up? (Or in other words, how have you been able to handle the characterization differences/changes/developments that occurred in between seasons?)
I’d love to hear people’s personal experiences (especially any listening differences!) between seasons 1 and 2 :)
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