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natalievoncatte · 8 months

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This was it, the moment of truth. The plan was going flawlessly, and in a few minutes, Lena would have what she needed to complete and launch Non Nocere. She was about to save the world.

(You mean your master plan, Lex’s voice snickered in her head)

Lena shook it away, as she had so many times already. When Kara glanced at her, Lena played it off as the cold. She was, after all, standing outside in the actual Arctic, brutally aware of how underdressed she was even in a heavy woolen coat and doubled up leggings.

Even here at the roof of the world, Kara was gorgeous. The sunlight glared off the ice and yet it only seemed to make her more radiant, her sun kissed skin practically glowing, blue eyes the color of the sea darkened by a distant storm.

“I’ll never understand why your cousin built this place here,” said Lena.

“He didn’t. There was an ancient Kryptonian outpost here from long, long ago, when my people were more expansionist. They abandoned any plans to colonize other solar systems thousands of years ago.”

Lena looked at her, damning her own curiosity. Kara, for her part, looked far away.

“Why?” said Lena.

“They decided they’d done enough damage to their own world.”

Lena blinked. Turning away, Kara inserted the key into the locking mechanism and unleashed a series of heavy grinding sounds as the doors parted.

Within, it was warmer.

(At last I walk these hallowed halls, a conquerer)

Not by much, though.

Lena drew in a breath and looked around, allowing herself a moment of unrepentant awe. The ceiling arched high overhead where the crystalline walls joined to form a peak, giving the Fortress of Solitude the air of a great cathedral. This gave a reference to the statue of a handsome man and beautiful woman, pressed side by side with joined hands and expressions of fear and hope as they gazed off into some distant star.

“That’s Jor-El and Lara, my aunt and uncle.”

Superman’s parents, Lena thought.

“Don’t your family have statues?”

“Kal-El created the memorial,” said Kara. “He didn’t know about my family until I told him.”

Lena huffed.

“I have a hologram of my mother,” said Kara. “It’s really just a computer interface. She doesn’t… I remember them in my own way.”

Kara cleared her throat, and Lena saw tears welling up in her eyes. A twist of pain turned in her stomach and her hand fell on Kara’s shoulder.

(That’s it. Play to her emotions. Use them like she used yours.)

“I hate this place,” Kara whispered.

Lena pulled her hand back.

“Why?”

“I thought I’d be excited to show you. There’s just so much I’ve always wanted to share, but this place is a tomb. When I’m in here, it’s like home, but not. It’s just a reminder of everything I’ve lost, and it makes me feel sick how much I want to go back.”

“Of course you want to go back,” said Lena. “It was your home.”

Kara let out a low, shuddering breath.

“It was, but it’s not anymore. I’ve lived on Earth now longer than I did on Krypton.”

She was looking up at the statues, or past them, perhaps. Lena couldn’t help but study her profile, the curve of her jaw and the soft lines of her face. How could someone who could crush coal into diamonds with her hands and kill with a glance be so angelic?

(Such an innocent face to hide such betrayal)

Lena swallowed, trying to still herself and tamp down the sympathy she felt.

“I envy him.”

“Who?”

“Superman. My cousin. He’s so lucky. He only gets the good part, the blessing from my uncle and the special heritage. For him, this place is joyful. It’s the answer to all his questions and full of strange wonders and joys. He tries to mourn them but how can he mourn something he’s never known?”

“I’m sure it must be sad for him, wondering what they were like.”

“He never knew them to disappoint him, either. It want his father that created Medusa. Sometimes I just wish I could forget it all. This place reminds me I don’t really have a home.”

Lena turned to her sharply.

Kara sighed. “My home is still out there. Argo, I mean. It’s basically a new Krypton. I could go if I wanted. Kal is there with…” she trailed off.

“Lois,” Lena added. “I pieced it together pretty quickly after you told me your identity. He’s Clark Kent, isn’t he?”

“You’ve always been too smart,” said Kara, and she sounded so genuine, so admiring, that it made Lena briefly wish she didn’t have to do this. That it had been real.

“I can’t go back there. I can’t be part of that society anymore, where people don’t get any choices in what they do, or…” Kara looked directly at Lena, dragging out the pause a beat too long. “Who they love.”

“What do you mean?”

“On Krypton, we had what I guess you’d call arranged marriages.”

“So you’d never have been able to be with Mon-El.”

“I wouldn’t have been allowed to choose him, no,” said Kara, “though thinking back, really thinking about it, I don’t think I would have in the end.”

Lena looked at Kara, who still stared up.

“Why?”

“We were only together because…” she let out a long sigh. “Because I don’t have a home anymore, not really. I can’t go back to my own people and I don’t belong here.”

“Of course you have a home, Kara,” said Lena, lightly touching Kara’s arm.

“You’d don’t know what it’s like,” said Kara, choking back a small sob. “No matter what path I take I have to kill part of myself. I can’t be Kryptonian and human, no matter how hard I try. The Kryptonian side keeps taking things away from me. I can never be my whole self with someone.”

Lena swallowed.

“Just look what it did to us,” said Kara, turning to Lena. “I almost lost you because of it, because of the lies I let myself tell.”

“Kara,” Lena lied, “I’ve forgiven you. We don’t have to re-litigate this.”

“Maybe you have, but I’ve never apologized to you properly. I’ve just been trying to smooth it over and fill in the cracks and I know how hard you’ve tried but it’s not enough for me to just let you do all the work.”

“Kara…”

“I was such an asshole,” Kara said, and Lena blinked. In any other circumstances, she’d have made a joke and chided Kara for her unusual profanity.

“I mean about the Kryptonite, but about other things, too. I shouldn’t have treated you one way while I was in the suit and another way when I wasn’t.”

“I’m still not sure which one was real,” Lena blurted.

(No! No, what are you doing? You have to make her think all is forgiven so she’ll take you to the armory!)

“They both were,” said Kara. “I was angry about the Kryptonite, and I was scared. I admit it, Lena. As much as I trusted you then and I trust you now, I didn’t know what to think. My best friend was making a poison that only hurts me.”

“I didn’t know it was you,” said Lena. “If I’d known…”

Kara swallowed.

“I know.”

“If I’d known, I would have come to you about Sam. I would have come to you about a lot of things, Kara.”

Kara tried to blink back tears and failed. Something about seeing her cry openly while wearing the suit made her seem so small and delicate.

“I wish I could be human,” said Kara. “I wish I could just be the person you thought I was and we could just be us.”

(Us? Lex snarled. You’re nothing more than a dog to her, that can be put down when she’s done with you!)

Lena’s throat tightened and tears stung her eyes.

“You know, when I was fighting Red Daugher, Lex’s clone of me…”

Lena looked at her sharply.

“I… I couldn’t beat her. I was losing. She… she killed me. My heart stopped. I was gone.”

Lena choked out a soft sob, unable to restrain it.

“Why are you telling me this?”

“I knew I couldn’t go. I had so much to stay for. I don’t know how I did it but I dragged myself back from the other side, I just… I thought of Alex and J’onn and all my friends and everything I have to live for, everything here, on Earth, my home. Even that wasn’t enough.”

“What was?”

“You,” said Kara. “I couldn’t go without making amends with you, or at least trying. You’re my lodestar. I’ll always come back to you eventually.”

(She’s just trying to keep you in line. It’s a lie. It’s always a lie, she’s all lies!)

“I’m glad. I need someone around to safe me from assassination attempt number 547,” said Lena. The joke turned to sand in her throat, her voice on the edge of breaking.

“I’ve spent weeks trying to think of a magic combination of words that will make it better, but there isn’t one, is there? I can only tell you how sorry I am that I did what I did and promise I never will again. I’m so sorry I hurt you. It’s the worse thing I’ve ever done.”

“Kara…”

(Just let her trust you. You’re almost here. Myriad is here. The answer is here. Fuck her sentimental bullshit. She-)

Kara slowly reached out and caressed the back of her fingers against Lena’s tear-stained cheek.

“It’s crazy how dying made me realize so many things.”

“Like what?”

“All the things I never knew I wanted to do, until I knew I’d never do them.”

Lena swallowed, hard, fighting the urge to lean into her hand and press the warm skin to her own.

“Like what?”

Kara leaned in, filling Lena’a space, and Lena was acutely aware that she was the only warmth in this frozen place. Kara’s other arm swept around her, Kara’s fingers spread wide across Lena’s back.

“Is this okay?”

(No! NO NO NO!)

“Yes.”

(You can’t do this! You killed me, Lena! You killed your only brother for her and she’s a liar and a-)

Kara kissed Lena the way she did everything: Fully and completely. As Kara drew them together, Lena tipped back just a touch, as Kara seemed to tower over her, surrounding her in a warm embrace. Their lips met softly, chastely. Lena felt like she was in middle school again. It was as if she’d been rewound back to before her first clumsy, lip-pinching kiss in a boarding school bathroom.

She wasn’t sure whether it was Kara who deeepened the kiss, or her. In the end, it didn’t matter. Kara escalated by degrees, pausing as if to murmur an apology at any moment. Lena grasped her like was the only solace in a raging storm, feeling those steel cable muscles flexing beneath her suit.

Then she squeaked in Lena’s mouth when Lena grabbed a handful of ass, and Lena giggled.

“Do you want this too?” said Kara.

(You killed me!)

Yes, Lex, and I would again.

“Yes,” Lena admitted, and it was as if some great heavy weight had fallen from her shoulders.

She threw herself into Kara, shivering.

“It’s cold in here.”

Kara pulled Lena tight, wrapping them both in her cape.

“Let’s get what we came for and go home.”

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hilsoncrater · 2 months

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"no hints were dropped" ok not to be that person but here are the hints that were dropped regarding Colin and Trent being gay:

1. Colin mentioning Grindr in a joke

2. Trent touching the arm of a man in the background

Here is one of the hints that Keeley was bi (even though I do believe she's been canonically bi since season 1, but not everyone sees it this way)

1. Her desktop background was in the colors of the bisexual flag

Here were some of the hints that Ted was bi:

1. Bisexual flag colored triangles above his head in the hallucination sequence

2. Inverted pink triangle next to him in that same sequence (and you can't tell me the creators didn't know, when the Homomonument is based on that symbol)

3. Countless (countless!!!) comments about men's physiques ("huge muscular thighs all caked in mud", whistling at a picture of Pep, "look at that head of hair", "he's strong", "he looks like a Rodin sculpture in cleats", etc.)

4. About a man (Higgins) and a woman (Rebecca), he had to say: "that's a crowd I don't mind being smack-dab in the middle of"

5. Him checking Trent out in the pub in 2x07 (his eyes are up there, Ted!)

6. "It could go either way", "I contain multitudes" and other comments in this vein

7. Bi lighting as he entered the Yankee Doodle Burger Barn

8. Giving similar looks to the female waitress and the male waiters in that restaurant (including a waiter in a cowboy costume that looked like he belonged in a gay club, who tipped his hat at Ted when greeting him)

9. "That's cause you were put into a box", "That box ceases to exist today", the box in the hallucination sequence breaking into triangles (as in the bi triangles and the inverted pink triangke), "we've been playing too rigid", "our guys need freedom", "fast, fluid, free, with full support", the "box that one needs to break out of" being a prominent motif in season 3

10. Wishing Beard called him pet names ("Honey, is that an ingredient or something you just called me?")

11. His crush on Pep

12. The connection between Ted and Colin: "my whole life is two lives, really", both wearing orange in Sunflowers, "I just want to kiss my fella" (Colin doesn't say "fella" , but Ted says it all the time), Ted just needs to get inspired and Colin's play is "inspirational" after he comes out, as per the commentators

And so much other stuff that, had Ted not self-identified as straight (*cough* put himself into a box *cough cough*) , you could make the case that he was canonically bi.

Here are some of hints that there was a romantic connection between Ted and Trent:

1. They hit a lot of romantic beats, and not in the jokey self-aware way in which Roy and Ted hit them in "Rainbow", but in an organic and sincere way

2. They both checked each other out: Trent checked Ted out when Ted was changing in front of him, Ted checked Trent out when Trent came up to him in a pub and hit him with a pick-up line while his date that looked a lot like Ted waited for him outside

3. Did I mention that Trent was on a date with a moustachioed man who dressed in a similar style to Ted? Let's mention it again

4. In that very bar, during a 50 second long conversation, Trent managed to say the word "love" three times. I searched the word "love" in the transcripts of the episodes. There's no other instance in which its frequency is this high

5. "Love our chats" incomplete rule of threes

6. "Sport, it's quite the metaphor" (implied: a metaphor for love; see also "love's a beautiful game" from the song Ed Sheeran wrote for Ted Lasso), "Also makes for a heck of a nickname", "Good night, Ted", "Good night, sport"

7. The soft, romantic, melancholic song playing in the background of this scene, while Ted and Trent are the last ones left in the office, with lyrics such as "When your words begin to crumble like the sidewalks all around this crummy neighborhood / From the chalky cliffs of Dover / I'd come over, I'd start over if I could"

8. Trent wearing sunflower colors in the episode "Sunflowers" and in the finale; sunflowers symbolize Ted's home (it's not subtle). He's the only character dressed like that. I'm still looking for any other explanation other than "Trent is Ted's home"

9. Their constant flirting and the way they look at each other with incredible fondness

10. The entire episode "The Strings That Bind Us". It's structured around Ted and Trent's relationship, and the way Trent changed because of Ted (in season 2, Ted defined a soulmate as someone who changes your life forever). The red string metaphor. Ted points out that soulmates are connected by a string tied to their little fingers. Ted and Trent both extend their little fingers out in similar shots. They are connected by a huge block of red in their last scene of the episode. Ted makes several comments about other men that apply to Trent ("Look at that head of hair", "Frames his face nicely", "My favorite one, he was clean shaven"). Many more details that lead back to Ted and Trent: Nate tells the restaurant owner to tell Jade he said "Hello". Immediately after, Ted and Trent say "Hello" to each other. The map that Nate's father used to ask out his mom has the number 1.3 written on it and an illustration of two people at a table in a restaurant. Ted and Trent went to a restaurant together in season 1, episode 3. The last scene of the episode mimics a "Race for Love" scene from a romcom, with Trent chasing after Ted. Trent also does not say a word to anyone other than Ted in the entire episode. He is completely focused on Ted

11. "Trent, what do you love? Is it writing?" and Trent ends up writing a book about Ted and naming the manuscript after Ted and he only cares about Ted's opinion on it (he leaves the room when Beard starts reading, but stays in the office after hours just to watch Ted read. "I just wanted you to like it.")

11. Trent's crush on Ted, confirmed by Jimmy Lance (and also obvious in the show, if you ask me)

Now, why would I believe that none of these hints were intentional? Maybe some could be explained away, but all of them? The hints we got for Colin, Trent and Keeley were so much smaller than this, and those turned out to be intentional.

anon i wish i could offer you the response you deserve, but i cannot stop rereading this masterpiece & focusing on the portions of evidence you provided that i didn't even pick up on until you laid them out. holy shit

#IM LOSING MY MIND????? HOLY SHIT #anon you provided a THESIS STATEMENT #kissing you on the forehead & sending you flowers & baking your favorite bread #ted lasso #tedtrent #tedependent #trent crimm #there's also the casablanca references between them #& the way in amsterdam trent says there's a van gogh museum night. and where does ted wind up? at the van gogh museum looking at sunflowers #their arcs are foils too. both got divorced around the same time. both have one kid (ted has a boy and trent has a girl)#trent left his wife meanwhile michelle left ted #trent is happier post-divorce meanwhile ted struggles with the loss #there's the wizard of oz motif too and who wears red shoes? trent. it's subtle but he wears what look like red heeled shoes #speaking of shoes....the cheetah print motif is also present with trent #'hes our dork' and ted's fond gaze as he watches trent disappear #there's SO MUCH there dude SO MUCH

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