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#liechtenstein museum
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Peter Paul Rubens (1577-1640) "Portrait of Albert and Nicolaas Rubens" (1626/1627) Oil on panel Baroque Located in the Liechtenstein Museum, Vienna, Austria
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dreamconsumer · 4 months
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Portrait of Princess Franziska of Liechtenstein (1813-1881). by Josefine Swoboda.
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roehenstart · 4 months
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Portrait of Princess Maria Leopoldine von Liechtenstein, neé Countess von Sternberg (1733-1809). Unknown artist.
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mote-historie · 1 year
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Francesco Hayez, Vengeance is Sworn, detail, 1851 
Oil on Canvas, 237x178cm. 
Liechtenstein Museum, Vienna
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arc-hus · 7 months
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Hilti Art Foundation, Vaduz, Liechtenstein - Morger & Dettli
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supercantaloupe · 1 year
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me and the princess of a sovereign nation i pulled by being autistic
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un-revenant · 6 months
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Vengeance is Sworn Francesco Hayez, 1851 Oil on Canvas, 237 x 178 cm Liechtenstein Museum, Vienna Inv.-No. GE1642
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Liechtenstein by Past Our Means Via Flickr: Kodak Portra 400 Film ~ Canon AE-1P 50mm f/1.4
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pagansphinx · 2 months
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Friedrich von Amerling (Austro-Hungarian, 1803–1887) • Lost in Dreams • 1835 • Liechtenstein Museum, Vienna, Austria
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antonio-m · 2 months
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“The Abduction of Ganymede” c.1612 by Peter Paul Rubens (1577–1640). Flemish painter. Liechtenstein Museum & Palais, Vienna. oil on canvas
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dreamconsumer · 4 months
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Portrait of Princess Leopoldina of Liechtenstein (1754-1823), wife of Charles Emmanuel, Landgrave of Hesse-Rotenburg. Unknown artist.
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roehenstart · 2 years
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Portrait of the Future Prince Johann I von Liechtenstein. By August Friedrich Oelenhainz.
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history-of-fashion · 2 months
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1871 Josef Kriehuber - Princess Marie Franziska von Liechtenstein
(Liechtenstein Museum)
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centuriespast · 8 months
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FRIESS, Joachim Clockwork Drinking Vessel 1610s Silver, 34 x 24 cm Liechtenstein Museum, Vienna
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mapsontheweb · 1 year
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Liechtenstein map in the Liechtenstein National Museum
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o-uncle-newt · 4 months
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Cabin Pressure Advent Day 22: Vaduz
In which everyone pronounces Liechtenstein differently. Including, sometimes, the same actors from sentence to sentence...
So I love Vaduz because of course I do- I've said before that I love the show's turn toward the heartwarming side, and Vaduz is a symbol that we are somewhere that we could never have been in the S1 headspace. There are two HIGHLY specific ways that that happens, one of which I greatly prefer to the other (though overall I enjoy both).
The Carolyn and Herc plotline is, obviously, catnip for me. You've seen my long screeds about vulnerability as a running theme in Cabin Pressure (as recently as yesterday!) and Carolyn has always had an issue with people seeing her for who she is rather than for the image she portrays. It's easier to be feared due to leverage and a loud bark than loved because of something intangible that you can't actually control... and that's even before one hits the hurdle of discussing one's own feelings! Because there's also the element of considering a partner's needs- Carolyn's very much been in the habit of steamrollering over people, and now she's in a relationship (loath as she is to admit it) with another person who needs something from her, whether reassurance or an outright commitment, and she needs to decide whether it is worth giving those things to him and, in the process, acknowledging what that means to her.
And the way it's done is great- and credits to the two EXCELLENT actors playing the scenes, who really manage to give that final bit a real sense of drama that has the scene end on a silent, emotive and suspenseful note that I shiver at every time. It's a sitcom, but it's also a little snippet of human drama. And arguments from people who love to argue and are sharp-witted are always so fun to listen to! The bit where Carolyn reuses Herc's "overreacting" joke, Herc calls it out, and she says "it's funnier because the stakes are higher" is both entertainingly meta and very true to the two of them as people- and the fact that it ends in medias res, and we know that this won't get resolved for a while, just makes the whole thing feel even more resonant.
Now for everyone else- so obviously this is a hilarious plot line (and very, VERY well plotted) and I DO like Teresa. I do. I love the reversal of the "slaying the dragon" thing and think the plotting here was great. For me, though, the major flaws were Maxi and Martin's plotline with him. Maxi's scenes with Arthur are fantastic, but I feel like he's a bit over the line from "cartoon villain" to "cartoon fantasy villain" in a way that kind of brings the episode a bit over the line into actual absurdity, especially given how relatively grounded Carolyn's plot line is. All of the royal stuff just feels very random, and while it matters less for Teresa, it's a bit more over the top for Maxi. And Martin's plot line with him... I don't know, it just felt a bit clunky in a way that I feel like late-season Cabin Pressure is usually better than. Sort of forced and with odd dialogue. I don't know, it's just a feeling I have, and it's not overwhelming enough to keep me from enjoying the episode.
But anyway, I am very glad that Martin got someone to go to Duxford Air Museum with him!
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