Hey so S2E9 'Three Stroires' was fucking bonkers
LETS TALK ABOUT IT
The episode is DENSE AS ALL HELL with things to talk about, the three main things being
The titles
The art style and style of storytelling
The dialogue (or lack thereof)
Lets speedrun some analysis notes of our three favourite members of the worst found family ever!!
Storytelling Styles
All three stories are emotionally driven and told in dramatic styles without realism, though all for differing reasons.
QJ mimics the over-the-top Shakespearean reminiscent of his wife, believing himself to be the main character of a tragedy. Though this style of story telling is obviously campy and corny, it's also presented in a way where it's not immediately clear to the viewers that this isn't actually real -- it's a fabrication of the canon within the canon as a reflection of QJ's delusions.
LTC mimics QJ, however, his disposition leads to him seeing everything as a Greek Comedy as opposed to perma-victim QJ's Greek Tragedy. It also reflects LTC ultimately leaning into and revelling in killing other people as part of his hunter ethos and evolution. LTC's style does not need to be realistic because LTC isn't looking for meaning in his story, but for an experience that's enjoyable and satisfying.
QJ and LTC's style complement each other with both being able to come together to tell a more cohesive narrative overall, although each does so by focusing on themselves more than anyone else.
LTX is a silent cartoon telling of her life story, quite literally the story that's gone untold, bar the words of the gossiping crows (people with frivolous and passing interest in her life writing their own stories about the events she goes through). Her story telling style is a reflection of her mindset and being trapped cognitively as a child for all time, and is further indication that her personhood wasn't allowed to independently grow since becoming an orphan.
LTX's story is outside of QJ and LTC's narrative because she cannot speak, and thus her story does not matter. No dramatisation of reality to paint a certain picture is needed, nor is her story seen or understood in either of theirs. Her story is insular and disconnected from theirs because her personhood is disconnected from theirs.
LTX's story is told through the lens of LTC and LX's worldview: that the world is made up of beasts and hunters. There is only ever one human character (likely LX himself rather than QJ, based on how visually loyal everyone else's designs are) while LTX watches LTC straddle the line between animal (his nature) and human (his will).
Story Titles
QJ's part being called the "Inevitable Tragedy" is a reference to how he is the creator of his own misfortune as it was never based in reality but his own unchecked paranoia.
LTC's part is called the Fortuitous Comedy is because it was fortuitous for QJ to find out about the twins' powers before anyone else via Tianchen's confession and subsequent laughter. It could also be due to LTC reaching his perceived hunter-status by the fortuitous case of Deng being Liu Min's first requested kill (for the same reason LTC hates Deng, no less).
LTX's title being the "Sibling's Fairy Tale" is rather self explanatory, much like the character herself if you took the damn time to talk to her. It's childish, stuck in the past (trauma), focused on her brother and the other light of her life: their late-mother. Another piece of insight that I remembered hearing is that fairy tales don't always have happy endings, but they always have a moral to learn from. In this sense, Xixi's story is thematically the most important because no character has put that moral into practice (confronting the worst aspects of those you love, refusing to look away from the secrets they hide while you stay in a peaceful dream with their softness).
Additional Notes
QJ caring for the twins in Part II is a reflection of LTC being gaslit about reality (reinforced by QJ's fatherly love being absent in LTX's story), as well as a reflection of his sense of self and human autonomy only beginning and flourishing due to the circumstances QJ provided
LTX's story suggests that most of the time she spends with LTC involves her napping in some form, or that most of her time in general was slept away as if she was trapped in some strange dream.
The only betrayal even hinted at is LTC's betrayal of LTX's morality, a twist that literally shatters LTX's childlike world and forces her hurdling into reality. This is the only betrayal because the twins are the only two who have trust in one another among the three.
Someone else made a point about how even when the foxboy picks up the bow and arrow, he remains a fox. In LTX's eyes, her brother can act as a hunter but he's still a beast and that's not a bad thing.
The fact that most people are 'beasts' and there's only one human in all of LTX's worldview really is some solid symbolism and messaging, especially considering LTX is socially classified as an undesirable a la her disabilities. It's peak reclamation and pride in Oneself.
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it's a little sad how sometimes whenever I bring up anime there's this kind of... atmosphere of "ugh not this" because there's a general idea that all anime is like big shounen anime, fanservice or something geared towards small children, and won't even really give me the time of day when I try to introduce them to movies that they might enjoy. Like yes, I have a lot of varied interests, so I'm always fine talking about other things, but anime was a massive part of my childhood and my life, and so it's a little sad to have people not even want to hear me out when I talk about it it's like crickets so fast
idk this is super cringe probably but I do wish ppl would try to have a more open mind when it comes to anime, obviously not everyone is going to like it and that's fine, but it fr hurts my feelings when I mention something even in passing and get straight up ignored or condescended to.
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Hello, I just want to say that your art is amazing and not to worry because fandoms are made more fun and tolerable by people like you who really care about the source material and not using it to spread hate. I hope you keep making art.
Heeeeeey! Don't do me so dirty - I DO spread hate..... towards people that don't care for the source material and just want to hate. XD Aren't we all just hunters vs beasts loop, not realizing we are ALL beasts with the only difference in time passage?...
Ffgfuhhjv okay but seriously, thank you very much for the nice words, anon. It just sometimes feel like there is little to no point because not many other people are deep dive fans learning every single detail. Randos that do not even like the source material all that much come in a fandom to use the stories and characters that we hold dear to sell their products and their ideas.
And don't get me wrong - we love products! Keychains with Henryk and Gascoigne? Hell yes I'll take both! Doll plushie? I'm buying the entire stock! Like, good, THANK YOU for the products! Official merch is so often underperforming in quality or missing characters we really want to hold. But like... won't it be nicer coming from someone who loves the source material for what it is and is willing to listen to the actual fans when they correct them about wrong take or design error? I remember there was a newbie that started doing STONKS very soon thanks to their skill but I could tell they were dramatically lacking source material knowledge and just checked what takes were popular in the fandom to deliver them (leading to missing important characters, doing wrong lore assumptions and even drawing strongly wrong colors of characters). But they proven that they respect the hardcore fans and listened on being corrected, and it was so refreshing!
That's why no gatekeeping should be absolute, because any other person that is not well-versed might be willing to learn more and gives us credit. But reverse happens too - us 99 lvl autism fans get mocked for "having no life" or "being obssessive" or "having no girlfriend", and this is just... bad. Fandoms should be safe space for loosers, geeks, autists and alike first. The normies got the whole world yet they choose to come to one place where we can obssess over a thing and bully us FOR obsessing because... why? Right, because this is a good grinding ground for audience. Endless loop of 'but no one cares about original universes!' vs 'but we want people who care about the source!' that I don't know how to break either. Right, nobody should feel obligated to dive into [insert a fictional univerce] just to get enough people to hear out what they ACTUALLY wanted to say, but also there is a good reason WHY this or that fandom is so popular - because source material spoke with people's very hearts!
In grand scheme of things, of course, the true problem is that nowadays EVERY single person is looking for their purpose in creative field specifically, because alternative jobs are just so terrible and soul-crashing for the same low income. So as far as it goes on, fandoms ARE threated as grinding area for "platform" for those creative jobs to go swell. The big problem is that not everyone's very ESSENCE is to create, yet everyone has the potential and skill (if they study enough). And creative work is the last resort where peoples souls do not get destroyed. That's why I hate AI "art" so much - it is destroying the last place where a SOUL can exist and grow and heal. But really, the true issue is that alternative jobs should be less soul-crashing - so people who are not built to be creators can work at factories, in offices, malls, stores, transport, etc without feeling like such pitiful existance is not even worthy of this low ass paycheck. And that... well, not getting fixed anytime soon, if at all. I am speaking as someone who used to work a normal job but capitalism disease rotted it TOO, and now it is not about being useful but about doing the sales plans and too many jobs for one person, and it IS soul-crashing. -_-
Alright, sorry for the rant, I just have a lot to say on the matters of fandoms! I think the most ironic thing is how fandoms also often attract the opposite; so very dark, fucked up fictional universes that teach you how to just give up and die tend to attract nice and level-headed individuals, but wholesome, bright and lovely ones that teach kindness attract the most toxic people ever, but I don't have theory on why is that. I just know one thing - whatever will be my new fictional special interest, I am not touching any E or PG-13 rated universe with a ten yards stick. Only 16+ and darker, babyyyy!
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