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steakout-05 · 4 months

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//ableism mention tw

ok just gonna say something really quick: i absolutely hate Abe's characterisation in the reboot of Clone High because it is nothing like how he acted in season 1 and it just. isn't funny. they've turned this good-intentioned but flawed loser kid who just wants to be like the original Abraham Lincoln but doesn't know how to, into a self-centered and arrogant asshole who literally almost said a horrible ableist slur twice in the first episode. like. i'm being serious, he almost says the R-slur twice in the same minute and i dunno about you but i really don't find it very funny when a) the only "joke" behind it is "oh look at how bad Abe is compared to the more progressive sensitivities of the new generation of clones, isn't he just terrible", and b) they felt the need to completely rewrite a pre-existing character that fans are already attached to to do something against his own morals for the sake of a shitty joke, and c) TOPHER WAS RIGHT THERE!!! isn't he supposed to be the asshole or am i missing something?? like...

i'm not saying you can't have "edgy" or "dark" comedy or whatever, but personally, i don't find it very funny when a character that actually means quite a lot to me and is one of my favourites is twisted and rewritten into an arrogant asshole in an apparent attempt to appeal to the people who hate Abe for his flaws in the original show. especially when he's rewritten to be someone who would say a slur that's literally been used against my fellow disabled peers, myself included. it just feels... wrong. it actually hurts a lot to see a character i once loved and found to be one of the funniest and most important characters in the show be turned into an arrogant dick, with barely any thought or meaning put into him. i don't like what they did with the rest of the OG cast as well (such as Joan making a complete 180 in her entire character, JFK's character assassination, the removal of Gandhi, Cleo barely being in it etc.), but to me, they did Abe the dirtiest in this season and i'm really disappointed that one of my favourite shows had to continue like this :(

#clone high #abe lincoln #rant #sorry this post is a little heavier than what i usually post on here but i just felt like i really needed to say this #abe from clone high is actually quite an important character to me and i'm still upset that he's been written so poorly in season 2 #like he's a silly parody of a teen drama protag but honestly i think his struggles in the original series are actually really meaningful #like he's a little shy and doesn't exactly know how to express his ideas in the best way but wants to help and i just think that's so real #especially as someone who struggles with that myself #he has so much pressure to live up to the OG abraham lincoln and he really wants to be like him and tries but doesn't get it #i mean he even says something like that in episode 2 when joan and gandhi come to see him in his room and that's really relatable #so to see him so horribly misinterpreted as a selfish asshole really hurts me.#they've essentially done the thing where a fandom will tear apart the neurodivergent coded character #and write them off as selfish and arrogant and completely misinterpret everything about them #not saying that Abe is written to be neurodivergent but you get my point #it's kinda like that #he's relatable to me as an autistic person and a lot of his struggles are similar to what the autistic community experiences #also i'm sad that gandhi had to get removed because he's important to me too #he's actually one of my favourite ADHD reps on tv i've seen and he's just really funny #i know he was removed because people in India got offended and they probably don't wanna cause another incident like that again #but still it's such a shame he couldn't be included because he was a great character #also slightly unrelated but i think turning characters into a moral debate it stupid and often results in stuff like this happening #ableism mention #tw ableism mention

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k1rishiki · 1 year

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something abt realizing you're listening to someone sing for the last time really hits in an awful way

#so there's this girl who's a year above me and to say that she's good at singing is an understatement. if the goddess of song #herself were to appear in front of me or anyone who's ever heard a note come from her mouth and asked which one was more talented the only #appropriate answer would be that the goddess pales in comparison. i first heard her voice at the auditions for our middle school musical in #the sixth grade and i've been in shock and awe ever since. it's in the name of her voice that i decided i wanted to learn how to write musi #bc i cannot sing but wanted nothing more than some sort of reason to stand next to her. and by some twist of fate. i took music theory last #semester and guess who ended up sitting directly next to me. and who i also said no more than maybe 5-10 words to the entire time. . whoops #in my (and her) defense. it's not like she's unapproachable or anything. she's one of the genuinely kindest people i've ever encountered bu #the problem is. it's a music theory class. i was the only one in it not affiliated w the music department. and everyone in it had known eac #other for 4-7 years. even my like. actual friend in the class was ignoring me a lil (he wasn't he was just hanging out w his closer friends #and so i kept to myself the entire semester bc i didn't want to feel like i was intruding on anything + am terminally shy #(like. to the point where i get physically ill bc of it)#flash forward to today in ap world w our song parody project. our teacher was showing past examples from previous classes and guess who too #the class last year. and ofc. you Do Not get [name redacted] working on a project w/out having her sing for you #her group made a stalin-themed mr sandman parody and our teacher paused the video halfway through and it was my own personal 9/11 #bc there's no good reason for our paths to ever cross again. unless she becomes some celebrity. which i have no doubt she could if merit wa #the only factor at play there. i will never hear her voice again and i'm not sure what i'm going to do abt that.#romeo.txt

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ittyybittybaker · 11 months

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Hi!!! We're mutuals and I just wanna say I love reading your thoughts in the tags. Uhhhh that's all! I hope you have a great day! -🥰

aaaahhhhh thank you so much!!! i truly forget that other people can read them so anytime someone talks about my tag rambles it has me all shocked pikachu tbh

i just have a lot to say but usually it's not anything i think would truly ~add to a post so in the tags it goes !! they're mostly just for me so i don't forget how a thing makes me feel or a funny idea. and i'm not a good enough writer to write an actual fleshed out fic so writing little overviews and ideas and blurbs in the tags has been a really fun way for me to get those ideas out if that makes sense? like i don't really write scenes or dialogue but i can FOR SURE do a quick little funny outline of a situation!!! or a teeny tiny little scene that would honestly be silly to post anywhere else !!! or even just rambles about kevin's days fragile psyche, poor guy

but maybe now that i'm ~aware that people read my tag rambles i'll actually double check my spelling and grammar lol

but also if you ever wanna post my tags on a rb you're more than welcome!!! just tag me in it lmao

i also love when people put <prev tags !!! it's so fun for me when people actually like my silly little ramblings!!! i'm also down to talk about literally anything ever so send me a message if you ever wanna chat !!! anon or not i love making friends!!!

thank you again for brightening up my morning!! i hope you have a great day!!!!

#this really made me so happy !!!!!#this was the first thing i saw when i woke up and i'm smiling so big y'all have no idea #like when i say i don't expect people to read my tags that's not a humblebrag #sometimes i even forget what i wrote so if someone puts '< prev tags' i have to go back and read what unhinged thing i wrote this time #i truly do not remember !!!#i might go back and tag my rambles as 'tag rambles' when i have time so i can keep track of them better tho #that way they won't end up lost in the void of this 13 YEAR OLD BLOG #... how did this also turn into a tag ramble i am a parody of myself 🤪✌🏼#god i really am a verbose motherfucker huh #i will NEVER get to the point and that's a promise 🫡#ANYWAY thank you again anon you made me so happy!!!#tag rambles #ask #anon

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inkblot-skyz · 1 year

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I find it really funny how I only ever occasionally pop into the Team Switched server to interact with people and maybe post art if I feel good about it, to the point where I don't think I've been regularly active in there in the past 5 years or so I've been in there

But. Someone on the moderation team decided to give me the Regular role. I can see the ranting channel and my name is orange lmao like I'm not complaining!! 14 year old me is so jealous rn and that's all I really need tbh

#inkblot sucks #obviously no one there will see this but #lmao who did it??#pork was it you???#can't think of anyone else on the mod team who i've talked to enough this year to draw any other conclusions #oh god what if one of the mods read 404 #it's not totally unbelievable it has like #over 4k hits now #that could totally be one of the mods oh fuck #a lot to unpack here first of all 4K HITS WTF HOW WHEN WHAT WHY #second a lot of people in the ts server aren't too big on sanscest heck a lot of them criticise just sans centric fanworks #imagine i breach containment into that server #people already cringed at the go for it rottenjoke parody art i made to the point that i myself hate it now sadly #if they go for the jugular (my main fic) i think i might die lmao #i'll at least have a panic attack anyway #mul71v3r53 is my baby idk what i'd do if people went out of their way to hate on it #before anyone says I'm being dramatic i love the ts server but. discussions about this stuff get heated #just saying i like some ships has started debates lmao #and I'm not talking like dreammare either obviously just. idk man. they get weirdly aggro about shipping different versions of the same #skeleton guy together #find it really funny how i was given the regular role after taking a break from there because of similar stuff actually um anyway #tag rant

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vaspider · 1 year

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About seven years ago now... I had one of my pain management doctors try to push a spinal cord stimulator on me as a way of managing my chronic pain, bc ofc everyone is just terrified of people like me who need opioid painkillers forever.

And I very clearly remember thinking that the company name sounded ridiculous, like a parody name made up for a TV show. "Nuvestra."

I declined, and they got really shitty with me about not wanting a device installed in my back that was, you know, relatively new. They started giving me shit about getting my painkillers, just making things more hostile and unpleasant, and eventually I switched doctors bc of insurance reasons and that was fine bc at that point they were so awful that having to find another doctor was less awful.

So... I just read an article which mentioned in passing that the company went bankrupt in 2019 & patients can not get any support for their devices anymore. Lots of patients are just... stuck with non-working devices installed in their backs, or having to undergo more trauma to have them removed.

And I'm just like... ah yes, this is how ancient sailors felt, watching a giant shape pass by underneath their tiny little boats.

The feeling of having dodged something horrible bc I just thought to myself, "you know, I just don't trust this, and I don't like when doctors get pushy like this," is pretty profound.

#personal #medical

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coffee-with-mint-syrup · 2 months

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The case of live-action atla zutara.

First of all, the scarf scene. I won't be repeating myself, here are some main points - there was absolutely no reason for Zuko to act the way he did and for the scene to be shot this dramatically. Even if they did the shipbaiting in this scene - it means there's a ship which is much more than live-action kataang has at this point. Also I don't really think these guys are shipbaiting type but that's just the impression I got.

Then - the second obvious one - Oma and Shu's visuals. We have star-crossed lovers from two towns at war, basically the local equivalent of Romeo and Juliet (as in legendary lovers who are known above all for their love) wearing coincidentally colors that are primarily associated with two of our characters (who shared this dramatically shot scene in the previous episode).

And I know, it may seem so insignificant - but but but but! - you have to think about this. Of course there are creators, writers and showrunners that are unaware of some non-canon ships or don't care about them. But it's not the case for atla. No, creators of atla were so aware of zutara - they wrote a parody scene in a in-world trashy play to mock this fan pairing and it still proved absolutely nothing and just gave zutara more content. The creators and writers of this adaptation clearly had the discussion "what we should do with kataang" - because there is no trace of kataang in the 1st season. So it was a conscious decision to omit that - but where would the romantic subplot go? Well, I don't know, but they are showrunners, they most certainly discussed options. They are clearly very, very, very much aware of zutara. And they still do this? They still show us Oma and Shu wearing red and blue? All they had to do is to give at least one of them any different color. Any. But they didn't. (for fuck sake, it is the Earth Kingdom - yellow and green would do it)

There were zero, no, nada Kataang interactions, implications or those scenes that are filmed just a little bit too dramatically like the scarf one. I don't know, there's still a chance that they will wait for season 3 to make Aang's crush on Katara happen. I'm also not so sure what will happen to Aang failing to open seventh chakra, I mean - his love for Katara has a huge purpose in series, so it still doesn't look very good. But you can't even imagine how glad I am that they didn't do this secret tunnel thing. It was very uncomfortable.

So it was the more fact-based part of my case, let's get to the irrational, almost delusional part, tin foil hat probably needed.

Almost all the scenes Zuko and Katara shared in the first season kept reminding me of another famous enemies-to-lovers ship that actually became canon in the infamous final episode - Reylo, the way it was filmed in The Force Awakens. I mean - the first fight in the woods where she looses, the intensity of him staring at her, the final fight in snowy location where she kicks his ass and shows her mastering this superpower, him trying to talk to her during this fight and mentioning her learning/having to learn...Zuko calling Katara a peasant reminded me of this "Rey is no one" discourse. I don't know man, I haven't thought about The Force Awakens reylo for a very long time and it just kept popping in my head.

All of this - it's like a blueprint for enemies to lovers.

Also I actually think that the look they shared in the 2nd episode was also shot kinda weirdly and dramatically. It's not to the extent of the scarf scene but I do remember thinking that "why did they film it they way? it's too intense".

In the conclusion I'd like to say that as much as I like all the season 1 zutara stuff they left out in the adaptation - necklace subplot and implications, pirates and the famous "You rise with the moon, I rise with the sun" - I think I actually prefer the scarf scene. Yes, it would be so great to see those things in adaptation but in the end of the day they would still be just the things they kept from the original and probably noting more. Like the cabbages or the secret tunnel song or anything else, just things from the source material that implicate nothing. While the scarf scene, the Oma and Shu's clothes - it means they made a conscious decision to make it that way. It means they put some thought into that and some meaning. And this gives me hope there's a chance for Zutara in this adaptation.

P.S. I told about this my sister who hasn't watch the series yet and she said "I think people who made this show are just shipping zutara in secret". I do not necessarily imply she might be right - but creators of animated series (the very same people that made kataang canon, not zutara) DID leave because of some creative differences and because they couldn't control creative decision. Might as well be THAT kind of decision.

#finally got it all out of my system #this whole thing just screams: Coincidence? I think NOT!#but seriously #can we have this one?#zutara #avatar the last airbender #atla #atla spoilers #netflix atla

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genericpuff · 2 months

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I wonder why christian misrepresentation are rarely talked about if compared to other religion misrepresentation. Like, I've seen people really vocal about Greek myths misrepresentation in LO and such (and it's valid because it's a culture and religion) but I rarely saw the same thing with christian even though there are many media who use christian religion innacurately, to the point where it comes off as using it as an aesthetic and not a proper religion.

Is it because of rampant religious trauma especially in western world? No ulterior motives on this question. I'm not a christian and yet I'm curious about this. I apologize if this sounds harsh.

I obviously don't have The Answer(tm) to this but personally speaking (and I'm about to get VERY personal here so take this with MOUNTAINS OF SALT), I think it's just the obvious - Christian mythology is one of the most well-documented and strongly protected out of virtually any other religion on the planet. Especially here in the West, it's commonplace for kids to go to Sunday school, for couples to have Christian weddings even if they're not practising Christians themselves, even the American anthem references the Christian God. It's simply not as easy to 'misrepresent' it because the representation is written into our very fabric of society. Even Greece itself is primarily made up of Orthodox Christians.

So anyone that does 'misrepresent' it are either completely mislead hardcore Christians, or people who are doing it intentionally, such as with the intent to make a parody of it or to deconstruct it through a different context or whatever have you. And of course, people will still get mad at those things, if you're implying that people aren't vocal about Christian misrepresentation then frankly IDK what to tell you there LOL If you want a contextual example in the realm of webtoons, Religiously Gay was dragged to hell and back during its launch for having a very crude and insulting depiction of St. Michael, and frankly, yeah I don't disagree because what the fuck is this-

(like at best it's just terrible character design lmao that said, there's also plenty else to criticize Religiously Gay for, including its fetishy representation of gay relationships and the fact that it's still just the "naive person who looks and acts like a child hooks up with mean person in a position of power" trope, blech, but the character design is definitely the first thing you notice)

There are even plenty of hardcore Christians who will deadass claim "misrepresentation" over things that ARE factually correct but they just haven't read the actual Bible and simply cherry pick what works for their own agenda. And of course those people are routinely called out by people like myself who know for a fact that Jesus wouldn't have promoted the war crimes that many modern day Christians are committing and justifying today. So it really depends on the definition of "misrepresentation" here.

The issue specifically with LO and Rachel that I personally call her out for (and many others) is that she's called herself a "folklorist" and claimed she's so much more knowledgeable on Greek myth than anyone else, while making a complete mockery of the original mythologies while not being honest about her intent as to whether LO is actually supposed to be a legitimate retelling OR a parody (because it sure acts like the latter more than the former, but she still seems to expect us to take it seriously and consider her knowledge of Greek myth superior?) Which leads to a lot of her teenage audience claiming shit like "Persephone went down to the underworld willingly" and "Apollo did assault Persephone in the original myths actually" and the classic "why would Lore Olympus lie or make up fake myths?"

You just can't pull off this extent of erasure with Christian mythology because we have a whole ass book of it that's been preserved, sold on shelves, and systematically integrated into society for thousands of years. Of course, there are people who will still try their damned best to twist the Bible to match their own bigotry with the whole "Jesus hates gays" bullshit (he would never), but it's met with equal amounts of 'misrepresentation' that are actually fully well-read and are intentionally subverting and changing things to either critique, parody, or restore the original intent of a lot of stories in the Bible without all the manufactured right-wing crap.

Greek myth, on the other hand, has some stories that are well preserved, and others, not so much. And in the modern day outside of the poems and hymns, you'll also rarely, if ever, see anyone use stories from Greek myth to ostracize, torture, and murder other people. "Misrepresenting Christianity" is more often done by actual Christians who are using the Bible to commit hate crimes than the people who have actually read the Bible and are just taking creative liberties with it for the sake of deconstructing / parodying / analyzing / subverting it. Veggie Tales "misrepresents" Christian stories because obviously Moses wasn't a fucking cucumber lmao but it still accomplishes its goal by retelling Christian stories in a way that's fun and educational for children.

By comparison (on the whole, I'm not comparing LO to Veggie Tales LMAO) LO just isn't clear in its intentions beyond Rachel's initial statements that she was trying to "deconstruct" the myths, while labelling herself as a folklorist. Therefore, I'm going to criticize how she does it because the way she's done it up until now has been very mishandled and has resulted in a lot of misinterpretations of the myths simply for the sake of fandom. And yes, these people exist in Christian media as well - they're called TV evangelists.

And that's my (very heavy) two cents.

#here's your reminder that missionaries are colonizers #find me the Hellenistic pagans knocking on people's doors asking them if they want to hear about the glory of Aphrodite lmao #honestly it also depends on what you're surrounding yourself with #obv if you take part in the LO fandom and avoid what's going on in the christian world then what you experience and see will seem skewed #like even i could be very wrong in my opinion based on my own experiences as someone who lives in the west-#maybe there ARE pagans knocking on doors and using greek myth to commit hate crimes #so yeah we all gotta try not to fall for survorship bias #there are plenty of stories of people getting mad about christian mythology and its misrepresentations on BOTH sides #lo critical #lore olympus critical #anti lore olympus #webtoon critical #ama #ask me anything #anon ama #anon ask me anything

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deeper-x-deeper · 3 months

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I've recently been considering the potential of using hand signals as triggers for trance.

I already have a tendency to talk with my hands a little bit, but not in the way that most people think of it.

I've noticed a lot of people who "talk with their hands" mention they have this problem of being perceived as aggressive or angry from people who aren't used to communicating like that. their hands move with their passion and their emotion, emphasizing their point and helping them fully express themselves.

it's a little bit different in my case. while yes, I do use my hands to emphasize points and emotions, I tend to be a little bit more...flashy about it. I emphasize things with a flourish, bringing your attention to the motion of my hands, and how they move in time with the rhythm of my words.

no matter what I'm doing, I always do it with a little bit of style. a little extra twirl of a pen when I go to write something down, or a waggle of my fingers while I'm looking for the correct button to push.

some people who have known me say it's a leftover feminine trait of mine. I don't mind having it, considering those same people usually just assume I'm a cis gay man. it comes off as flamboyant in their eyes.

but what if it could be something else?

what if, once I have captured your attention with the way I use a wiggle of my fingers to enhance the punchline to a joke, I make sure you stay focused on my hands?

maybe I'm moving them rhythmically back and forth, like a pendulum or a metronome. your eyes follow the motion as you listen to the rest of what I'm saying.

maybe I'm moving them in circular, spiraling patterns, twirling my wrists to add a bit of dramatic flair to a parody impression of someone we know, though maybe now you've lost track of the topic and you're simply nodding along.

maybe now I'm moving them like a conductor, in time with the music in the background, up and down and back and forth and around and around and around in an endless cycle, forming more and more complex patterns for your eyes to struggle to follow.

maybe, once my hands have your full attention, all it would take to pull your mind away from you would be a little crook of my fingers, as though I'm beckoning you forward, but instead I'm pulling your mind out and into my own hands, dropping you deep to be gently remolded.

but it could potentially be a lot more forceful. a sudden gesture pointing down, taking your mind with it, bringing you to your knees in obedient submission, awaiting your next command.

can you imagine being so deeply conditioned to respond to my commands that I don't even need to speak them anymore?

where all I would need is a gesture, a distinct but silent signal, to prompt you to return to your rightful place in trance, under my control, exactly where you belong.

I imagine it would be like having your mind on an invisible leash that I can tug and pull whenever I want to make you heel to your handler.

no gimmicks, no rambling on and on, just a single motion that rips your conscious mind away as though I'm reaching inside you to take it myself.

#i talk sometimes #hypnosis #idk where all of this is coming from but I really enjoy writing these

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astrodances · 4 months

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"Now I've had the time of my life No, I never felt like this before Yes, I swear it's the truth And I owe it all to you"

This is a very, very special drawing for me. ✨

In September of last year, I watched Dancing With The Stars' "Step Into the Movies" special again, at the end of which they recreate "The Time of My Life" scene from Dirty Dancing. And that sent me on a nostalgia trip back to my high school theater days over a decade ago now, where the drama club accepted my idea to do a "Time of Our Lives" theme, and a performance for that song à la Glee. Mind you, I was mainly the stage manager/techie sort, but I did some scenes for the showcases, and participated in this song with my then-boyfriend, along with two other couples.

And while we were hanging out in the green room backstage, a friend took some pictures of us. Including the one that directly inspired this drawing of Webby + Lena.

This started out as a memory remix of that photo, after watching the DWTS special, because I thought these two lovebirds would be really cute subjects for it.

But once I got going, it turned into a love letter, for many things.

As part of the remix aspect of it, I now picture myself in Lena's spot in the photo, getting to have the short hair I wish I had had back then, and getting to wear a suit and tie! (Yes, in the original photo, I am wearing the dress and red bow Webby's sporting here, and I have long hair. 🙈 Though I will say here that the little heart necklace she's wearing is exactly like the one I had, too! :)) Drawing this was really cathartic for my nonbinary self. 💜

And as for Webby, in this remix, she represents someone that, in retrospect, I wish I had shared this moment with from back then. In many ways, she really was the Webby to my Lena. 💜💖💝

(Literally) beyond the subjects of this though, this is indeed very much a love letter to a lot of things, to passions. The background is pretty much a replica of the drama classroom wall we were in front of for the photo, at least as far as layout goes, with a few direct recreations of things that were on the wall and on the table there. Everything else was me being a passionate (theatre) nerd.

(Details (many details) of said nerdiness and alternate versions below the cut!)

I've included un-blurred and background-only versions (and a version with drop shadow lines on the girls, because why not? it's a cool effect!) below, but I just want to point out the details, because I'm so dang proud of this.

The posters/programs for The Phantom Blot of the Opera, Featherspray, Chickago, and My Fair Dewey are obvious duck-parody references to their real-world counterparts (with the latter being the exact poster they use in DuckTales, in Dewey's dream in "Nightmare on Killmotor Hill!" So thanks, Dewey! 😂). The Featherspray one was also included because Hairspray was one of the shows we did in high school! And lemme just say, creating theater posters is really fun!!

The MJ the Musical poster and the half-shown Notre Dame de Paris "Duckbill" right behind Lena's head are particularly special to me, since they (along with Phantom) are my favorite musicals, and getting to draw those two was especially fun!

The L'Orange Theater poster in the top-right is a bunch of duck easter eggs in one - the L'Orange Theater is mentioned and seen in the very first episode of DuckTales 1987, and of course, there's Aquarioon from DT17! Looks like it toured in Duckburg a long time ago. 😉

And the sheet music is the DuckTales theme! (Or at least the left side of it :P)

The "Congrats" card, calendar (the whale for upper half was my own touch), folder, page of random backstage stuff behind Lena's head (which includes little Star Trek and Darkwing Duck references), and golden "Theatre" card (with my old director's favorite quote) are directly from the photo (or at least based on what I could see through its blurriness 😝), as is the very edge of a cast photo in the upper-right. The purple note (totally not with any secret messages whaaaaat) below that, the certificate of excellence, and the little pride heart pins everywhere are little garnishes/dedications. 😊

The stage/theater diagram below the certificate is really cool, because that's a direct recreation (+ another hidden message) of a project a friend and I did for stagecraft back in our freshman year - I was even able to copy my own handwriting for the labels! 😄😂

The "Time of Our Lives" poster is a reference to the showcase I mentioned above that inspired all this, though the real-life poster looked very different, from what I remember.

The green bag below is sorta a nod to the secret pal exchanges we used to do during shows. 😉

And finally:

The Glittering Goldie show poster is me just having an absolute blast drawing her once again and coming up with something for her Blackjack days! And bonus - I'll be posting a gradient-only version of Goldie tomorrow! Really happy with how she turned out!

And the "All the World's a Stage" poster is me combining all of my theatre nerdiness with my passion for space and a good pun! 😁

ANYWAY...

I learned a lot with this drawing, about creating and about myself.

And I just had so, so much fun with it - it was all love, all passion, all happiness for this one. 💜💖💝

Wishing the same for all of you. ✨

Love, Astro 💜

#DuckTales #Webby Vanderquack #Lena Sabrewing #weblena #my art #long post #I just have a lot of feelings for this one 🥹#(the post itself kinda is a love letter? for future me as much as past me and present me. yeah let's go with that)#for real though still cackling over my design for the Phantom Blot of the Opera poster XD

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chaifootsteps · 2 months

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I'm back, accounting anon, just to reiterate my point.

No, people don't want Viv to lose all her money, we want her to be held accountable for her abuse. Viv has used her power to be a predator. She hires inexperienced animators, people trying to get their foot in the door, and people struggling to make ends meet just to treat them like shit and underpay them. Is everyone collectively ignoring a testimony Erin gave? She worked full time at another job just to barely make ends meet to pay her bills. She was very overwhelmed and stressed. Oh no, we get Viv trying to blacklist her in the industry and Viv sending her lawyers after her too. Trust me, predators never have one victim, they always have many and search for their next prey.

I just had to stop myself since I was going to list more shit Viv did, but I'm sure your followers have already seen them.

Onision used his platform since 2006 to 2019 before Chris Hansen came after him, to target and lure victims to him. His fan base was composed of young preteen girls cause he made edgey parody videos. Onision has a big list of victims that came out because Chris Hansen gave them a platform for it.

Let's look away from YouTube and look at other stuff. What about Bill Cosby? A lot of allegations floated around until a swarm thanks to the me too movement came out. He was known for so many family friendly things! People saw him as their tv uncle/dad!

Did anyone watch the news late last year about Danny Matterson? Fucker used scientology during his that 70's show time to SA women that the church hid. Allegations came out but were ignored and thanks to the me too movement they finally got the attention they needed. Danny is in jail right now where he belongs.

I can go on and on, but we don't have all day/night. What I'm getting at is predators NEVER have one victim. They always have more than one and spend their time trying to find new victims. None of that bullshit Viv is running a business since the first thing they teach you at business college is a company needs a framework for their employees. Viv just has her sister, her besties, and a few other people she's cool with get a lot paid more. No HR, which is so cool! God. I'm like Chai, I hope someone powerful comes after Viv, whether it be for her business malpractice or victims speaking out cause someone gave them the platform for it.

Well said. Viv might not be a sexual predator, but she's a predatory employer and person just the same, and her list of victims is longer than most people realize.

She chews people up and spits them out and relies on her batshit fanbase -- and more securely paid SH employees -- to keep them quiet. It'll catch up with her one day.

#Anonymous #accounting anon #vivziepop #vivziepop critical #actual blog post

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sylvaridreams · 2 months

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I'm going to try and word this better than I did at 1 am venting on cohost last night, and maybe slightly gentler. I haven't finished the SotO update from yesterday. I got home, played for a couple of hours, did some meta on the current map, triiiiied to get myself to go back to story... and I couldn't.

I was BORED. It was quite honestly boring. Any dialogue that matters is Peitha talking to her people. I am a stage prop that occasionally vocalizes expositional questions and fires arrows at grunt mobs.

I could physically feel myself losing any remaining interest in the story as I clicked "what does this mean? What do you think of Peitha's plan?" type questions (which offer a poor illusion of choice in conversation. Look! Dialogue options! You can click all of these in any order you like but you must click them all!)

Why should I care about this story? I'm being brought along as the muscle that Peitha doesn't really need. I'm not offering anything special I'm terms of skill. I'm not an invaluable resource. I'm not even being utilized as the leader that gw2 has ALWAYS made me! It's always been "You're out there leading the armies, commanding all the way from the front line to the supply chains!" Now I'm just kind of around. Run a few events and come back. Characters refer to me and I apparently have no in-game response. MY CHARACTER doesn't seem invested.

And so many new characters. Every drop, it's like, have a bunch more named people! I was learning names during drop 1, and know some of the Wizards off the top of my head, but honestly I’m not bothering anymore. Why should I? Even if Nexus isn't killed off in the next chapter I play, I'm never going to meet this character again after he stops serving the story.

And where IS the story? Where is the meat? Drop 1 was at least interesting to me. Secret society hiding demons from the Commander. Getting sucked into this strange and horrifying place. Getting the life beat out of Alba by a hulking, terrifying demon and crawling away in fear. Escaping into the arms of strangers and getting this unknown voice in Alba's head, talking to him, saying what he wanted to hear, teasing him. Him refusing to tell anyone she was in there, because he *trusted this unknown voice in his head over all these strangers.* The story lulled a lot and it wasn't like... prime gw2 content. But it had a few hooks. When in Amnytas, Alba GASPED "Peitha!" right outside of the next story step and said "I can *see* you," and I turned my camera and saw what I knew, what Alba had to have suspected, confirmed. That there was a demon using his mind as a lounge. THAT was a moment, it was SOMETHING!

At least it was fun at points, at least there was some small amount of intrigue and mystery. And from there it was all just, "take a backseat, Wayfinder. This isn't YOUR story." I'm getting nothingburger bites out of each new story drop. Oh we went into Nayos to take the fight to them and killed Peitha's model reskin cousin. Anything else that drop? Anything? No but next time we recruited some general to fight with us! Can I get a smidgen of story? Something to hang onto? The only thing this drop that hasn't been "Don't care didn't ask plus I've seen your character model elsewhere" was Alba being called "that ugly creature" by a kryptis.

That's all I've got. I'm not enjoying it. I don't like SotO. And it is not for lack of trying it, it's not because i just don't like change and don't wanna see something new and different! This expansion feels like an empty parody of Guild Wars 2, and it feels like a slap in the face to anyone who was invested in Tyria. Pre-release they really hyped up that "It's time for new places and new people! We're gonna get a new cast and explore a vast new world!" I CARED about that world, which we still had SO MUCH left to explore. Are the borders of the map even the ends of the world of Tyria or does it keep going? Who cares. There's shit going on above the clouds. I cared about those CHARACTERS. Does Alba get to see people that he loves and cares about ever again? Is he making it to the wedding? Does he get a chance to go home and see anyone? Like yes we are not chained up in the Tower between instances, we can still play the game in those old maps, but the characters have been written out of the story.

And frankly these new ones are shitty replacements. I don't care about these people. I maybe had some small amount of "OK cool its Zojja I know her!" but it's not like I had any deep care or feeling for her. Not personally. Peitha was interesting at first but being brought along as part of her nameless, faceless grunt entourage has made me lose a lot of interest. She's not going to be a core character post-SotO. She either dies at the end, or takes over as King, and at best becomes a very occasional callback. "Ah, King Peitha! It's been some time, how is Nayos!" She's not going to reclaim the throne and then ignore rebuilding her people's infrastructure to hang out in Commander’s brain all day or join them on quests. We are a temporary ally and a stepping stone for her story.

Which sucks.

In terms of the rest of the SotO cast, it again feels like a pale imitation of prior Gw2 content. Like they're saying "remember season 1, meeting all those people one by one who would become your best friends and allies in life? 🤔 " and then they didn't even do it that way. Season 1 was a gradual introduction to these characters that you were given time, story, and Reason to care about. If Braham, Rox, Marjory, Kasmeer, Taimi, Rytlock, and Canach had all shown up and said "oh we're the Best Friends Patrol. Come along with us stranger!" I would have felt like a tag along. Not an equal in the group. Instead we met on level ground. We became a team together, we became friends together, each of us a vital part.

Which is opposite to how it feels now. These characters have deep history going back AGES. I just showed up, no one respects me, I'm not privy to any information or details on who is who and why should I care, I don't Get story time to ACTUALLY hang out and meet these people and develop my OWN relationships with them. When I leave, they will not care. I'm just being brought along like a lost kid at this point, until we reach customer service and they can drop me off, or until I wander away and find another deep group to follow.

I don't like this story. I don't like the setting. I don't like the characters or the group dynamic. I don't feel like an EQUAL in this expansion, I don't feel like I matter. Anyone could stand here and ask supporting questions to drive the dialogue between the 2-3 characters that actually matter, which again, does not include me.

And FRANKLY I hate that no one can say anything that isn't glowing praise of GW2 and Anet and every little detail is just scrumptious don't worry I love it, without a bunch of vague posts filtering in about "so much Negativity, everyone is a HATER, you just don't support The Writers and want them to FAIL, well then stop playing the game and delete your account and blog and go away forever, REAL fans LOVE nothingburger" to shun whoever dared say "I didn't like some or all of it." I'm happy for you if you're liking SotO but I am not. I'm sorry if you don't understand that criticizing something that I've played for a decade doesn't mean I hate it. I'm sorry if you can't take the MILD CONFLICT of me or someone else saying "I love this thing that you love too but I don't like how the new part feels" but most of us learned about conflict in kindergarten or at least through children's picture books and TV, so idk. Maybe you just need to cope at that point.

As it stands I don't like the expac. I don't see Anet turning it around and blowing my mind with the ending. And I really don't even care how it ends. I was asked the other day "how are you going to handle Peitha?" (in terms of the canon that I write, which has already moved past the end of SotO.) And frankly I was like. I dunno. It doesn't matter to me. She's either dead or on the throne, I don't care much either way. We could get the huge plot twist at the end that Peitha was the big bad or Isgarren or WHOEVER THE FUCK, and I wouldn't care. None of this matters to me. I'm going back to Tyria with my writing. The rest is filler.

#soto spoilers #gw2 spoilers

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peonycats · 5 months

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So I was recently informed that my latest post caused someone to accuse me of posting Chinese imperialism apologia, specifically for my tag comment that says: "If you accuse me of being hypocritical because I'm so anal about tying the nations to their states when it comes to the West but shy away when it comes to China, 1) you clearly don't know how Sinophobia works and 2) I ain't no coward."

Now, it may perplex you how people can accuse me of being a CCP apologist for a post where I called China a slut and specifically noted China's poor treatment of Uyghurs, but unfortunately, it's not the first time I've received accusations of being pro-CCP despite no supporting evidence.

I know I don't talk a lot about my personal life or internal goings-on on this blog, but I want to say this- I'm not completely unaffected by these frequent accusations. It hurts to see me being reduced to my Chineseness. My Chineseness being weaponized to discredit me as a wumao feels incredibly dehumanizing, and it hurts even more to see people believe those accusations.

To give you my background, I was raised in a fairly nationalist household; my grandfather was born as an illiterate peasant and consequently came to hold very pro-Mao beliefs. From an early age, I often came to verbal blows with my parents (and my extended family) over these beliefs and argued frequently with them over Taiwan, Tibet's annexation, and China's policies towards minorities. I remember representing Kazakhstan for Model United Nations and was assigned to write a paper on the Kazakh reaction towards China’s unlawful detention of Uyghurs. Just mentioning this simple fact to my parents sparked a heated “debate” where they accused me of being brainwashed by Western propaganda, and that I was incapable of understanding China’s actions because I was born in the US.

I haven’t brought up any of this because I’m a private person by nature, and I felt that my posts should speak for themselves about my political beliefs. And yet, I find myself in the position of where I need to bring this up in order to defend myself from accusations of supporting Chinese imperialism, for disagreeing with another person, or calling something sinophobic/promoting sinophobia.

Sinophobia overlaps with other forms of racism, especially anti-Asian racism when other Asians are mistaken to be Chinese. However, we have to recognize that the specificity of China itself in "mistaken to be Chinese" is also what distinguishes Sinophobia from the more general anti-Asian racism. It indicates a designation of China as a prominent actor on the world stage, and most importantly- an inherently antagonistic one. The symbolism of China being inherently antagonistic is what justifies the conflation of Chinese people with the Chinese state; if China is by nature antagonistic then Chinese people must subsequently be extensions of the Chinese government, and every action they do must be politicized.

What are the implications when the fandom gives the okay to depictions of America hanging out with countries that the actual USA has fraught history with, but as soon as China does the same, questions and concerns arise about “making light” of China’s irl actions? That China can’t be disassociated with his state the same way other imperialist powers are in the fandom?

Bear in mind, I am saying this as someone who personally interprets all the nations as inherently political entities. China is no exception to this- my most recent post was parodying an Onion article about Biden and Xi, where Alfred and Yao literally take on the roles of their heads of state. I am the last person who shies away from politicizing all the nations.

Rather, I am pointing out how China is being exceptionalized from wider fandom trends of depoliticizing the characters; I find this pattern troubling, as over-politicizing a Western nation (like America) does not have the same implications as over-politicizing China.

The latter reflects dangerous trends on how Chinese people, especially Chinese communities abroad, are perceived, how we’re expected to answer for and answer to the Chinese government and its actions, and how, at best, we’re dismissed as being simply brainwashed, and how at worst, we’re seen as enemies of the populace, threats to national integrity. When we are seen to be “acting out of line,” we are viewed as perpetual outsiders, agents of a foreign regime. The same judgment is not levied towards white Americans, even those who live in America, vote in America, and benefit from American imperialism.

I witnessed the dramatic rise in anti-Asian hate crimes and Sinophobic rhetoric during the COVID-19 pandemic: I was living in Atlanta during the 2020 spa shootings and I didn’t leave my dorm room for a week afterward. I worried over my mother, who every week, went to shop at local Chinese grocery stores in the area. I heard people spread conspiracy theories about how the virus was engineered by the Chinese government and spread by Chinese in the West as part of some grand conspiracy to ensure Chinese global dominance. All of this, led me to become conscious (in a way I hadn’t been before) of how conflating Chinese people with the Chinese government was frequently employed by bigots to mask their violent prejudice under the guise of “being anti-CCP.”

As a result, being Chinese diaspora is an emotionally fraught experience. Not only are we under constant scrutiny by others, but Chinese Mainlander diaspora specifically like myself face rejection when we choose to go against our families’ beliefs. But despite that, despite me being born and raised in the United States and living with this sort of bigotry all my life, it still cuts me deeply to see someone so quickly accuse me of supporting Chinese imperialist actions, despite me never posting in favor of the CCP in the past, simply because I pointed out how sinophobia manifests. It cuts even deeper to see people, people I know, agree with that assessment, and how I have to go out and publicly reveal details of my personal life to try and exonerate myself.

It really does hurt.

#not hetalia #// long post #i think im gonna take a break from posting for a while #I just need some time away

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cmdonovann · 29 days

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it's time.

welcome to…

QUANTUM BREAK APPRECIATION MONTH 2024

okay, fuck it, i went too hard last year trying to post every damn day in april. this year, i am taking a break and inviting you all to join me in making too many insane posts for quantum break month.

yes, that means i will be giving out prizes to those brave soldiers who join me in posting about a nearly-dead eight-year-old fandom for an entire month. i cannot promise that they are GOOD prizes, but i WILL reward you for joining me in quantum break hell.

HERE IS MY CALENDAR:

you will notice i am starting on the second week of the month. this is because i have been renovating an office and am exhausted. i will not be taking questions at this time.

anyway, the 5th of april is the 8th anniversary of quantum break's release! if you post about quantum break on this day and send me a link to the post, i will draw you a tiny doodle on a post-it note of one of the quantum break characters.

the week of april 7th - april 13th i have designated as ships week. this week, post about your favorite quantum break ships! for every shippy post you make (and send me a link to), i will put your name into a hat one time and then pick a random person (on the 30th) to recieve a ship certificate from robinboob, a parody website that sells "certficates" saying you "own" a certain ship. (to clarify, this is parodying nfts, but the money actually funds fandom-centric web development projects.)

(i already own certificates for jackpaul and paulcest. see below. but i'm sure you can come up with some fun new ships that i can buy for you ;3)

the week of april 14th - april 20th is blorbo week. who is your quantum break fave? which of these characters do you want to squeeze like a stress toy? post about your fave this week, and for each post you send me, i will put your name into a hat once and randomly pick someone (on the 30th) to receive free art, done by me, of your blorbo.

(i have already drawn so many quantum break fanarts, and yet, there are still characters i have only drawn once or twice. if your fave is underappreciated, this is the week for you.)

the week of april 21st - april 27th is plot week. gimme your meta, your theories, ramble about the plot points you love to hate or hate to love. for every plotty post you make and send to me, i'll enter your name in my little hat of names once and then pick a random person (on the 30th) to win either a copy of the secret history of time travel or quantum break: zero state, your choice.

that's about it! general diclaimers: you can tag your posts with "quantum break appreciation month 2024" obviously (that's what i'll be doing) but the only way to guarantee i see them and count them is to send me a link. my askbox will be open all month for this reason. you're also free to join the quantum break discord server i run and send your posts there, if that's easier! i won't announce winners for anything until the 30th. if i can't get in contact with you to tell you you've won (ie via tumblr message, askbox, discord, etc) i will pick someone else.

also, full disclosure, yes, i am giving out prizes specifically because i am too tired to make a ton of posts myself. but that doesn't mean i won't try! (i'm not going to enter MYSELF into the hat for a prize though, that would be silly.)

anyway. happy quantum break month! go wild my friends!!

#quantum break appreciation month 2024 #quantum break

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maxwell-grant · 2 months

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I guess it's also time for the annual ask: Thoughts on The League of Extraordinary Gentlemen?

@mirrorfalls asked: Perhaps it's time to touch the elephant in the room: thoughts on League of Extraordinary Gentlemen?

anonymous asked: Any thoughts on Moore's LOEG? anonymous asked: any advice on how to do a fictional character mashup story ala chimera brigade, league, etc? anonymous asked: you wrote a bit on the wold newton universe and the chimera brigade, any thoughts on league of extraordinary gentleman?

(TW: sexual assault, also a whole lot of racism)

(clip from Anti-Spook Squad by Doctor Lalve)

Let it never be said I don't love or do anything for you people because Jesus Christ what an ordeal.

It was pretty inevitable that I'd eventually have to talk about LOEG given the, niche, I made for myself here, and given I'd read and touched on all these other works that either inspired it or were inspired by it, like the Wold Newton Universe, The Chimera Brigade, Tales of the Shadowmen and etc. I'd read through plenty of different LOEG takes and fics, it's an idea that has a lot of appeal on it's own and is easy to flirt with, if not so easy to pull off.

One thing to put upfront: Kevin O'Neil was a brilliant, one-of-a-kind creator and his work here is great, it's the one thing almost unimpeachably great about the whole thing except when he's asked to draw racist caricatures, which he does quite a bit, we'll get into those. I love the collaboration between Moore and O'Neil and I frequently enjoy the little tidbits where they show up as themselves within the supplemental material. O'Neil does a lot of heavy lifting in these even at their worst, in fact especially at their worst. This comic is a legitimately impressive achievement, and I don't regret reading it, if nothing else I think it was a hell of a wake-up call in regards to all of it's warts I may have been overlooking or replicating in my work or that of others.

I'm gonna break it down by going through the individual installments:

Volume 1: One of the nicest things there is to League is that it only keeps getting better, in the sense that it starts off on the worst foot and it gets better by virtue of not really being able to get worse (yes, even with the Golleywog and Harry Potter sections and whatever). From the moment you open the book it takes about six pages for Mina to be assaulted by Brute Arab Rapist Hordes that Quatermain and Nemo have to gun down, and that pretty much sets the stage on what to expect. Volume 1 is where the series has yet to jump off the deep end in tackling all of fiction, being a more grounded adventure story based on it's premise of being a comic book crossover/hero team comprised of Victorian era literary characters. It's LOEG at it's shallowest and most straightforward, and also at it's least impressive. I'm not remotely charmed by much of what's done here, I've seen a million variants of these before and many of those weren't that great either, but their lows weren't as catastrophic.

(text comes from an essay Alan Moore wrote regarding his usage of Fu Manchu in the book, which was scanned and sent to me by @mirrorfalls, thank you for that.)

The LOEG's first enemy is Fu Manchu and the book sure likes depicting leering hordes of yellow peril cartoons for our heroes, Mr Hyde in particular, to brutally mow down. Alan Moore thought the genius trick to making Fu Manchu not-racist was to make him as inscrutable and sinister as possible so as to not even appear human, which is a great understanding of how racial caricatures work guys, the "not potentially offensive" shirt has people asking a lot of questions answered by it.

I've heard a lot of claims over the years that LOEG was intended to be a parody, or satire, and that it's using Fu Manchu to make a point as a criticism of the British Empire and imperialism, and I'm gonna make this clear before we move on: LOEG is not a parody or satire, not as a whole. It parodies and satirizes a lot of things, but it is neither parody nor satire. It is very much in love with much of it's subject matter even when it wants to burn it down. LOEG is also a frankly terrible critique of imperialism, it is one of the most imperialist things I've ever read. Part of it is because you can't just recycle problematic garbage and claim it's commentary, especially when you're going out of your way to sensationalize said garbage to be provocative or in many cases add shit that wasn't even there in the first place. Moore asked if anyone else was gonna try and criticize colonialist bigotry in fiction by tripling down on reproducing it as hard as possible, and then didn't wait for an answer before doing it.

Volume 2: Objectively an improvement over the first if only because Fu Manchu isn't there. It's also where the book kinda improves in terms of making a critique. LOEG never really has much to say about it's characters, instead developing them in service of the story or social commentary, and Volume 2 is better at it than the first. Still has a lot of the same problems as 1, it's still a shallow team-up thing that wants to have it's cake and eat it too, it's still the worse version of a concept that's been done many many times before and after. Edward Hyde gets the bulk of the focus here and he was very clearly Moore and O'Neil's favorite character to work on, he gets the most memorable sequences for better or worse. I don't wanna talk about him much and I don't wanna talk about how the book wraps up the Invisible Man's subplot (and how it's not even gonna be the last time sexual violation of a villain is played for oh-so-horrific catharsis), I'd frankly like to stop thinking about it.

The Traveler's Almanac was definitely the most exhausting part to read in full and only not a total waste of time because of Jess Nevins' annotations, which turn this into fairly valuable research material. But so do Wold Newton articles and they're really not the most riveting thing to read, and at least those have a point or constrain themselves to a single topic or character, or are briefer and come with resources on hand or have a point or even can pitch some neat/cool ideas and concepts as a whole. Jess Nevins even did the better version of this in his own WNU chronologies.

Where as this is just complete ass and there's only so many times you can read a variant of "and then we went to this place with horrible cannibal savages and then we went to the other place with beautiful cannibal savages and then we found this utopia and then we found this dystopia and then we referenced this and that and this and that", and it brings me to another point I'd also seen brought up a lot in regards to LOEG: that it's too damn anglocentric to live up to it's premise, too contradictory within itself, and it was always too big of an undertaking to be done the way Moore and O'Neill did it.

I appreciate Moore trying to make this world feel like a world, in as gigantic all-encompassing a scale as he could possibly account for, with a full world tour and internal chronology. I sure would have liked a big fiction crossover almanac with entire chapters for Africa and China and South America, but we don't get that, because EVERYTHING in them is taken from colonial texts elevated to fact. Literally, entire paragraphs taken from political and colonial texts. All the time spent dicking around with all of those Euro political texts and ancient lore that just had to be paid it's due, and then Orlando goes to China and finds Sun Wukong stuffed as a public freakshow and dismisses his mythos as a bunch of loony (but intriguing and exotic!) hogwash, and Godzilla is later brought up in one line of dialogue to mention how Hugo Hercules killed him offscreen. (I think those might be the only two texts Moore brings up that aren't from European/American sources? There might be others but good luck finding them in the annotations).

Is it unfair to expect Moore to have read all of fiction? Of course it is, but that's what he wants this to be about, he wants this to be about All of Fiction and he wants to write about Africa and China and South America with nothing but colonial texts about those places as reference. He wants to write about how the things he likes are cool and happened and are real while the things he doesn't like don't count or are garbage or didn't happen the way we were told happened. He wants to make a story criticizing racism and misogyny in fiction while writing a text far more racist and misogynistic than most of the things he's bringing up. It's irreconcilable.

Black Dossier: It's constantly jumping between different formats and having to adjust it's prose and visual style accordingly, and it does that fairly well (the beatnik section is completely fucking unreadable though, the prose sections are already a handful to get through as is but that one was too much even for me), although Tempest I think is gonna do it much better. It's got some good parts, it's also got some bad ones. Definitely more readable than the prior two + Almanac.

This is the one with the Gollywog in it and I'm not gonna talk about that thing, I think what's wrong with it is self-explanatory as is. Look, I truly love a lot of Moore's work I've read, and I think a lot of the pushback against Alan Moore painting him as just a cranky old man who hates comics is overblown and shitty and symptomatic of bigger issues with how fans discuss comics and superheroes, but his defense of the Gollywog and his response to the criticisms of LOEG was embarassing and beneath him.

Century: This is the one with Harry Potter and The Lightning Penis in it. To those of you who heard at some point that Alan Moore had done a much-maligned pisstake on Harry Potter and got curious, don't get your hopes up. It's nothing, it's not even that mean, it's just a crude crayon doodle in service of a larger and very dumb critique of modern fiction that could have been anyone. Shame that he bullseyed ahead of the schedule the cultural about-face against Harry Potter without having anything actually criticizing Harry Potter to show for it.

Century does work for me a bit better because it dispenses with the pretense of the series and has it build up to the big awful tragedy it ends on, with all of it's remaining characters miserable immortals and all the fictions having curdled up and gone sour. It works for me only because I have no love whatsoever for this world and so it destroying our characters in the service of the larger narrative about stories and fictional immortality and whatnot is a decision I agree with and I think makes it stronger, even if the social commentary / the story's criticism of modern stories compared to the old ones is frankly absurd. Century I think was perceived as Moore/O'Neill having lost the plot, but to me it feels like the plot (more importantly, the point of it) finally showing up after so much pointless dicking around.

The Nemo trilogy: Easily the one I most enjoyed reading, the Nemo Trilogy is almost like a breather set in between books, just fairly straightforward pulp adventure stories done in far less rancid a fashion than Volume 1. It feels less like a LOEG book and more like one of those LOEG fanfics made by people who like the concept and characters but are dissappointed by the books, so they fill or add or rewrite in the blanks with their own ideas, which is basically every LOEG fanfic ever made. I quite like Janni Dakkar as a character and I'm already a huge mark for Captain Nemo, one of my favorite characters ever, and I was of course very glad to get away from the extremely tiresome Mina/Allan/Orlando trio for a change. Frankly I'd even recommend these as a standalone, they're so disconnected from everything else in LOEG.

If you guys want to read a comic take on Captain Nemo though, read Mobilis by Juni Ba. Infinitely better than anything Moore did with the concept of Nemo, takes far less pages to actually explore the character meaningfully and has far more interesting, more humane and personal things to say and do in general, one of the best things I ever read and a tremendous palette cleanser after LOEG.

Tempest: Tempest is what I'd call the best of the LOEG books, in terms of craft and in terms of achieving what it sets out to do. Namely, it's one of the most elaborate and most artistically impressive slowly unfurling middle fingers I'd ever read, Alan and Kevin in full burning down the house mode throwing everything they've got at the wall, playing around with as many different styles and gags and ideas as they can cram into the great apocalyptic ending of their collaboration. It's a very spiteful work that has a lot of joy and humor to it, fully divested from giving a shit about it's characters and instead recasting them as the bit players they always were in the grand fuckening of humanity at the hands of our fictions.

It gets to burn down everything and also preserve everything in a big dreamy Noah's Ark forever, it plays to every strength the series had, and frankly I barely minded the detours because this thing is all detours. The superhero parody that takes up so much of it isn't really anything funny or insightful or really anything, but there's good bits in it, and I like Alan Moore talking trash about superheroes (of course, it pales in comparison to What Can We Know About Thunderman, but that one is a league of it's own). It's Alan and Kevin's farewell to comics with all the mixed feelings towards it and the industry and the subject matter they both have decades of so much experience with it. It is The End of Everything and I think it ended on the best note it could have ended with.

In summary, I think LOEG has a lot of individually cool or neat or even great ideas that I think get lost, because there is so, so much of it, and so much of it is impressively painted sludge. Sometimes it is ingenious, sometimes it is fun, it is never not visually impressive, but it's more frequently dull and grotesquely self-indulgent and far too shallow. It suffers from an almost inescapable side effect of doing this dealing with the fiction he was dealing with without accounting for taste or bothering to reign in his worst impulses, too much to cover and not enough actually being said about it. In truth, much of it doesn't feel much different than reading the wiki summaries for it I had already read forever ago. It is a unique beast taking swings that I'd never seen before that most wouldn't, probably for very good reasons most of the time. It is also guilty of literally everything it's criticizing other works of being and doing, and sometimes it actually provides it's best commentary because of that! It's a complicated thing to tackle and wrap your head around. God knows what Jess Nevins must have gone through to make the annotations for this, as they put it on the Almanac annotations.

I don't consider it wasted time because, I did really enjoy the final two installments, there are good bits scattered across the other books and I learned some good things from it as a whole, but would I recommend it in it's entirety? Unless you're really a huge fan or completionist for it's creators (although reading LOEG really disillusioned me on Moore in a lot of ways, not that this is a bad thing, if anything that's a necessary thing to really try and grasp a creator's body of work) or you're the kind of sicko who'd be in the tank for the whole thing, no, not really.

It is one of the most impressive and accomplished works I've ever read, I will probably come back to it for research purposes, but holy shit am I glad to put it behind me.

#also thank you davidmann for sending me the epilogue #replies tag #loeg #league of extraordinary gentlemen #alan moore #kevin o'neill #abc comics #comics

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yourhighness6 · 1 month

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A Yue Stan's Thoughts on Yue's Character in NATLA

As much as I appreciated what NATLA was trying to do and think it is worth a rewatch, can I just say as an unapolagetic Yue stan that they completely ruined her, and Yukka by extension.

And say whatever you want about her scenes leading up to the sacrifice (which did make me cry, I'll admit, her speech about living was actually a nice addition), but it was actually this line that left me absolutely seething and in my opinion proves that the writers completely misunderstood what made the sacrifice so powerful:

I actually had to pause the television and collect myself after this one because holy fuck is this the stupidest thing I've ever heard. The entire point in the animated show was that she didn't get to make her own choices before this point. She didn't get to choose who to marry, she didn't get to choose her role in society, she didn't get to choose basically anything about her life besides maybe how to style her hair or something. Yue was a character who was extremely dutiful, but also extremely boxed in by her duty. It was both her greatest strength and her greatest weakness, a parody of itself, just as her mere existence was a parody: while she was saved by the moon spirit as a child and allowed to live on, it was that very reason that she eventually gave up her life. And the very fact that she was given these choices in the first place in the LA seriously undermined the idea of her sacrifice. Yue was told her entire life what to do, and although she did manage to find a bit of freedom through her brief romance with Sokka, ultimately, she still didn't get to publicly be with him or reject Hahn or anything similar. Her sacrifice was what she saw as her duty, yes, but her sacrifice for her people was also a way of standing up for herself and finally resolving to make her own choices. In that moment, she not only saved her people, but she finally made a decision for herself instead of doing something someone else told her to, even going against Sokka's wishes to do what she thought was necessary. So in the LA, with her having a place of influence in her community, with her being able to call off her engagement, with her being told that she could one day be chief, to that stupid fucking line implying that she was in no way ever repressed and free to make her own decisions the entire time, removing all of her character growth and any character significance to her actions, it was all basically pointless. It made Yue into a plot device for Sokka to bond with and to move the Aang-and-Kuruk plotline forward. In the animated series, Yue was not a plot device, and she was extremely well written, whereas in NATLA, her character fell completely flat. She talks about responsibility and pressure in her first scene with Sokka, but other than that, she has no depth. In other words, she has no depth besides her relationship to him.

Anyway, I hope we can all agree that her characterization and a lot of the decisions made in the last two episodes of NATLA were nothing but a pile of bulshit. From Iroh killing Zhao to Yukka having zero chemistry to Katara just magically becoming a master to Zuko being shelved to the plotline about Aang not feeling like he belonged having absolutely no buildup beyond a throwaway line in the second episode to everything about Yue I spelled out above, I would go as far to call it just plain bad. Again, I'm glad it got renewed, and I'll be the first to say a lot of other episodes get unnecessary hate, as well as that we are working with slightly different characters (especially Azula) in this version than the first, but I was really disappointed with seeing Yue in LA for a second time.

#natla #yue #yue meta #yukka #avatar the last airbender #anti natla #sokka #arnook #natla episode 7 #natla episode 8 #consider this part of my natla debrief series #which wont be continued at all #emmie babbles

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