MISSING CAT - IMPORTANT FOR THOSE IN UPSTATE NEW YORK !!
My boyfriend's been missing since Friday Dec 1st, at around 11am EST !! reiterating- He was last seen near Woodrow Wilson Houses NY, hes a neutered 1 year old male phone contact is 518-530-7260 if you are in/near this area please keep a look out! if youre not please share this around
Please spread this around if you can!! if you see him please just be careful not to spook him, hes friendly but might run or bite if he feels threatened we are desperate to get him back so any reach helps :(
i dont know how well these posts do on tumblr but im giving it a go anyway
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It feels like the nature of existing as an autistic transmasc is being constantly misunderstood to an extreme :/ It feels as though people all my life have been telling me how I’m feeling, what I really meant when I said that, how I should have reacted; am I sure I’m not making it up? To get attention? To feel special?
It’s a fun mix of misogyny & ableism, both of which tend to tie in with transandrophobia (transmascphobia? isomisogyny? anti-transmasculinity? whatever words we’re allowed to use today. “Did you hear how many times you said ‘like’ in that sentence?”). But just overall I feel like everyone looks through me all the time & tries to tell me about my own life. And it used to work.
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A few tiny things off top of my head that Yelan's SQ that ended up staring me right in the face, even if they oversold some of them a little bit at times (or done a little oddly)— but it's all about nuance, nuance.:
— Tianshu. She wasn't joking about being interested in the position of the Qixing's Tianshu, Uncle Tian didn't just take her at her word, he actually simply read her well. Regardless of whether she denies it by the end of the SQ, it is a position that someone with a mind like Yelan's is perfect for, and she knows that. The SQ does a decent job of showing that she understands multiple facets of intelligence (planning ahead and oversharing vs. adapting and divulging information only when the situation calls for it), she understands the difference of when people are driven by their emotions or their logic (and how to adapt to both), she knows how to socially play right into people's hands in ways that appeals to them; all in all, she's perfect for a position that revolves around information and people. Perfect. The only problem is that it takes her out of the field, and being in there is exactly what she enjoys the most. Her entire character plays around the defiance of boundaries, so why would she willingly place herself within such constraints? Besides, there is also the question of the Chasm. It is my firm belief that as dangerous as it is, and how monumental of a problem it's posed for Liyue in its history, she will never let that responsibility fall onto anyone else's shoulders. So in essence, to become Tianshu, she would have to restructure the entire position to be able to properly forego the bounds that Liyue Harbor would pose on her and leaving, which just like she is vulnerable to now, puts her at risk of capture or death. That is too high a risk for someone that would fill such a monumental position. So was Uncle Tian wrong for reminding her of the 'joke' that she made? No, for it was never a joke— it is simply not something she wants to turn into a feasible option. In other words, Uncle Tian is also very good at what he does. Good man.
— Identities. Here I go again, but this time to note: I'm not too big on how they depicted this bit in her SQ when we're going about the harbor's wharf. She fumbled a little too much at coming up with identities on the fly (and Paimon/Traveller gave her too much praise), or in better words: she hesitated too much. I understand that this may have been done to give her some flaws (or I'd have to account it to sub-par writing), but making something so baseline of her profession to hold a clear flaw isn't consistent with her character, her achievements nor her reputation. Numerous of Yelan's flaws lie in her personal life, they are pointed out in her character story, but they are minimal in her work. This isn't unrealistic, she's written to be an exceedingly rational and logical individual who thrives in her work, and it doesn't require to hold the same flaws as the other portion of her life to be well-written. Any way, I digress; another reason why I found this element of the SQ to be a bit inaccurate in terms of consistency: Yelan primarily operates within Liyue (Harbor), why would she be so careless with her identities and how she presents herself? Now of course I don't expect Hoyo to change her entire look simply for her SQ, but her first character story does seem to insinuate that she changes up her looks to match her identity— she frequents the same pharmacies without the pharmacists recognizing her. So realistically, I think we can deduce from this that, in all reality, she would have changed up how she appears at least a little: a coat, a hat, a change of hair. Someone she re-visits going 'Have I seen you before?' versus 'Ah, it's been a while since I've seen you!' are two vastly different things. On top of that, madam does not fumble— she actively shows in scenes that she is very patient, and we've seen her smile and take an extra few seconds before she speaks, that's how she handles 'hesitation', rather than being too hasty and speaking much too soon.
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Yknow, sometimes I wonder if the anti rwde crowd knows what Doylist Analysis even is
You have so many takes about how Adam was always an abuser because of this scene, or Ironwood was always evil because of that foreshadowing, or etc etc etc, but these people fail to consider what these things mean in the broader scope of narrative and authorial intent
What does Adam being an abusive partner bring to the themes of racism and methods of resistance, if any at all? Does Ironwood’s fall from grace challenge our protagonists in any meaningful way or is it a cheap scapegoat for the writers who still have no idea what to do with Salem?
Once you start dissecting the show, it's very easy to see the methods and ideology behind its creation. That's the beauty of badly written media - its tracks are much easier to follow and trace back to the roots
And the roots of this show just happen to be ill conceived at best and downright malicious at worst. It's not personal towards the writers or characters or whatever to notice these things, it's just... how it is
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honestly like. the more i take it apart and examine it, while going into it entirely is going to be A Post or Three of Its Own and will probably get its own thread: i think one of the reasons nine in canon upsets me so much is that i genuinely related to the version of him that made sense to me, when i tried to apply some continuity to his character from before his imprisonment vs after. he's actually the muse i wrote for the most prose for in this fandom, even more than five--which is saying something!--and he came to me pretty easily.
[longpost and Decidedly Harsh toward canon's depiction of him, but less ARGFMSKDKDKFK HATE than usual so much as 'man the awful way these people handled him was a waste.' believe it or not i'm actually pretty attached to him, but as the secret Better Version that lives in my head lmao]
the arc of his character could have been such a good one about how men and boys and the people around them are harmed by toxic masculinity, and examining the ways in which that's held up by other cis men, every other configuration of gender and AGAB, and both. he came through loud and clear to me as an example of a poorly socialized, abused, isolated homeschooler with very little life experience, who is throwing bits and pieces at the wall that he's cobbled together from the outside without understanding the experiences behind that kind of thing, to see what sticks. all this while having suppressed and sublimated his emotions so much that he doesn't actually recognize what he's feeling, and goes 'well, i guess this trauma reaction to killing people means i like killing people. let's go then!'
like... in canon, you can kind of see how the seeds of his trauma, and baseline personality, from before his capture might have gone septic in the process the way it does in canon. if he was already the kind of person who would spit that result out on the other side. the writers used his Acute Trauma as an excuse to go 'anyway his cêpan was a sexist dickhead under the guise of ~respecting women,~ and he got captured by pursuing a normal teenage crush and blames himself for it, and then he went through solitary for a year. so now he's a gleeful sexual predator who harasses john and thinks women are meat!'
and this becomes even more glaringly obvious when you set it next to how the aftereffects of his trauma are (not) depicted. this kid spent a year in solitary confinement--broken up by the intermission of mercy-killing his adopted dad after watching his torture--while not being fed enough and hurting himself on the forcefield on the regular. he's not going to immediately come out of that Ripped and an Incredible Polished Fighter; he's not going to come out of that a ~charming edgy debonair lovable asshole.~ this kid knows what the fuckin hat man looks like, dude. that's shit you come out of an emotional, physical, and psychological wreck, and not in a 'haha look how rude and boundary-pushing and violent and sleazy i am uwu' way.
he is barely going to be able to walk out of there on his own two feet. he is going to be hallucinating and not remember how to tell faces apart. he is going to freak out at anything like an enclosed space. he is going to be food-insecure. he is going to be constantly finding ways to self-harm when he feels at all out of control, and once again not in a 'haha i'm so quirky and edgy' way. he is going to have obsessive rituals and get stuck on repetitive thought patterns because you run out of shit to think about after a year with nothing to do but pushups, even before you add in the shiny new PTSD events to obsess over. which tend to take up all of your brain space even when you aren't isolated with them for long periods. he is going to be doing weird fucking shit after he gets out, bizarre and frightening shit that's not just 'being violent and a dick,' and other people will probably notice.
and all of this is before you factor in his backstory! (which, by the way, is not conducive to him coming out of his imprisonment an Unstoppable Highly Trained Killing Machine. he was taught how to actually fight opponents for Three Whole Ass Weeks before he got captured, and none of that was training against human-shaped opponents. i don't care how many pushups he does over how long, he still has had zero practice fighting Other People and that's immediately going to fuck him over in a fight. it's one thing to have him be dangerous because he makes up for lack of skill with being completely fucking berserk with zero regard for his own safety or anyone else's, but he's not going to be an unstoppable whirlwind of death. and you're not going to build muscle while you're being starved.)
and like. i could go on for a long time about how they fucked up his character to the point where seeing him onscreen anywhere outside his novella makes me instantly want to flip a table. but i think so much of what it comes down to--and i don't say this casually, i mean after laying out and examining all his scenes in the first series--is that he doesn't actually have an arc. he doesn't grow. the entire point of his character's existence is to be an awful person and never be held accountable, self-examine, or allowed to face any kind of real consequences for it.
it's genuinely fascinating to examine all the different methods they use to do this (which is for a whole post of its own), but he's not an exploration of culpability or responsibility--for past, current, and future actions--the way five's arc is. he's just a parade of all the abuse tactics and rhetoric the authors could think of, both direct and via enablement by people around him, to pour into one guy. nine is literally The Missing Stair: The Character.
contrast this with five getting nailed to the fuckin wall for things that are often, arguably, much less horrific or unhinged than what nine does. he's treated like a ~broken, irreparably insane monster~ by characters and narrative both. he's punished brutally and endlessly over and over and over and over no matter how much he tries to grow, or make amends, or even lay down and take everything that might be done to him as punishment because he Deserves It for, [checks notes] repeatedly having been groomed and manipulated for years. If You Can't Tell I am a Little Bitter
and it's not just other characters who suffer for it. the creators are SO invested in nine never being accountable, by himself or anyone else, that he is PUNISHED FOR IT when he makes even the slightest effort to unpack. when he has a moment of vulnerability during a breakdown over fucking up, he is restrained in exactly the same way as when he had to watch eight die. this so that he can have his self-blame literally beaten out of him to make him 'stop moping.' the writers don't care about his trauma, or being compassionate or fair in their portrayal of it, or letting him heal. the only thing they care about here is getting to write a Missing Stair as a good thing, and trying to get you, the reader, in on it by forcing you to like him.
anyway just. man. they did nine so fuckin dirty and their version of him brings down every other narrative around it. i know i rant about nine a lot but justice for my boy
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