I'm really not vibing with whatever staff is doing now. Not only does there seem to be a total internal communication breakdown, there also seems to be an absolute disregard for how the players are affected by this.
Like, ignoring the fact that the consistency argument doesn't even hold water, their takeaway from the Fern/Paisley thread seems to have been "oh we gotta change Breakup and Hypnotic too!!"
And then completely reversing Sandsurge Blend on top of that? A gene that's been out for over half a year and was only listed as having the gradient softened, not reversed? Just a total failure to communicate and an absolute bullheadedness in pushing the changes through despite the very reasonable player concerns?
To top it all off, none of these are bug changes, they are style changes. Someone saw these genes before they went live, greenlighted them, and put them in the game. And now, months upon months later, someone else (presumably) says "fuck that, I want the gene to look like this instead" and that complete change is just... pushed through??
Like. Did they learn nothing from the Butterfly debacle, from Obelisk Flair, hell, from the Eyepocalypse?
What the fuck is going on behind the scenes?
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Image ID: A detailed digital illustration of a bedroom for Ralsei from Deltarune in a watercolor style. A chandelier lights the scene from above in blue, including a covered 4-poster bed + chair with plenty of books next to it (right / center), a closet filled with clothes (left / center), a bookshelf with a ladder filled with books and crafting supplies (center), a stack of unpacked boxes (left), and a desk cluttered with craft supplies and drawn-on papers (front right).
The brick walls are covered with drawings and glow in the dark stars, hearts, and moons, and paper doll garlands line the perimeter. Two tapestries on the rightmost wall frame a large stained glass window. Just middle of left, Ralsei's hat hangs on the back wall. End ID.
Image ID: A page titled "Environment Intensive Packeting: Ralsei's Bedroom. There are 6 called out items from the previous illustration (shown at the top left), which include:
1. Window design, which features the Delta Rune motif / symbol. The bottom part of the window is colorful.
2. Banners (tapestries). They depict two different scenes from Ralsei's prophecies, one shows 3 heroes emerging from the world's edge, and the second depicts a Titan at the world's end.
3. Unused Manual pages, one contains a drawing of Ralsei with the text "Thank you! I'm looking forward to meeting you!" with a heart at the bottom. The second has text that says "Dedicated to the unending pillar of darkness that gives my body form."
4. Desk clutter: pink strings of yarn, dry macaronis, and a green crayon.
5. A string of paper dolls with varying shapes: a darkner, a lightner, a save point, and a heart.
6. Wall decor, including glow in the dark stars and drawings of other characters.
End ID.
boy this was meant to be finished like 2 weeks ago but at least im in time for the anniversary babeyyyy!! happy birthday deltarune oh god you're 5 years old now
Here's a bedroom design for Ralsei that I did for class - there's certainly more details hidden in this that I didn't have time to call out, so shout out to anyone who may spot em!
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more whinging bc i got negative hours of sleep last night and i need to stay awake somehow lol
cw: discussions of misogyny + abuse
god the more i think abt it the more exhausted i get by the gender politics of ted lasso.
like god i do genuinely think that rebecca's arc in s1 is one of the best depictions of a mean + cruel woman ive ever seen on TV specifically bc it manages to thread the needle so well? like they never tilt her balance too much and doom her to being either totally fucked up + evil OR totally soft and sweet and harmless. and ted's 'divorce makes u crazy' response to her apology STILL makes me crazy wrt the sheer. understanding and empathy there, and she's just. given so much more depth than ive come to expect, especially for an ensemble cast sitcom w a (then) p short run time.
but my fucking god. we literally don't learn a fucking thing about michelle. im pretty sure the one (1) concrete thing we know about her comes in the fucking finale, and it's that she's a teacher for... something. the two most important people in ted's life and we don't know anything abt them! they're literally just empty symbols representing the importance of Family™, and that vacancy does nothing but weigh ted's storyline down!
like, i liked michelle's episode/storyline in s1, bc the blinding novelty of a woman instigating a divorce not being the Actual Devil, as well as a just. generally very empathetic + nuanced take on how divorce shakes out between two ppl who really care for each other, was so 'WAIT TV CAN DO THIS??' that i felt satisfied with that being Her Arc™. divorce happens, life happens, people fall out of love, and it hurts but its ultimately okay. the show, at the time, was ultimately abt a football club and how caring abt that football club helped everyone around it.
but then the show sticks around, and her continued absence just... raises a lot of questions? how did the conversation abt ted going overseas happen? what conversations did they have abt henry? how long term was it intended to be? did money really not factor into it all? like it's one thing for a character's backstory to be vague when it's not really the focus of attention (s1 was ultimately rebecca's story before anyone else's), but when it's the load bearing stone of their '''''''arc''''''' in s3...????
like. god. and then it fucking infects every other woman on the show!
sassy + nora? well sure we'll give you a softball - you can have one (1) scene where a woman is able to resolutely and firmly reject a man asking her out without immediately being seen as cruel or gameplayey (not that the audience will see it that way! she's already a lecherous temptress for them!), but neither of them will ever be able to speak to rebecca onscreen again, even after the heart-wrenching scenes in s1 CLEARLY establishing them as a beating heart of rebecca's arc.
shandy? nope, don't even think abt her motivations/drives, just forget her. simi? LMAOOO imagine a black woman getting a personality beyond righteous anger. jack? three-four episodes, and we learn so little abt her that her conflict with keeley - which SHOULD'VE have been a huge emotional beat - just feels like a kick in the teeth (and while, yes, i absolutely agree that in a real world context, jack's rejection of keeley would be largely motivated by class, in Ted Lasso Land™ rebecca is just as rich - if not richer? - and we're never once encouraged to interrogate her priorities).
barbara's the one that really makes me miserable, bc i feel like on a show with less run time, she could've played REALLY well. she's a great contrast to keeley, has an amazing delivery, and the scene where keeley + her first discuss the snowglobes shows that she has the potential for some really moving vulnerability + pathos. but instead they give SO many of keeley's scenes to characters who ultimately get written out, so when barbara stays it's like... okay? sure? like, i was so stoked that barbara survived the Mass Exodus of side characters that i didn't wanna look the gift horse in the mouth but... wasn't the last thing we saw of her and keeley's relationship like. general resentment + distrust abt the shandy debacle? when did that improve? how???
i don't think i'll ever have enough mental real estate to explain how disappointed keeley + rebecca's 'arcs' in s3 made me, and at least there's the saving grace that. virtually no one other than jamie got a coherent arc this season, so at least it was on some levels an egalitarian screw up. but fuck dude. keeley was just forced to react to bad things that were happening to her, and we got to see her do her job (which, unbelievably, does actually involve things other than being an awkward manager!) precisely one (1) time.
i even like rebecca's arc on paper - i think it's really cool to see a character backslide so intensely in terms of obsessing over and struggling to come to terms w a past relationship, especially an abusive one, bc like. yeah! that shit sticks with you for longer than a season! and beyond that, seeing her regain her sense of self and what SHE actually gives a shit about was oftentimes just as sweet as s1. but her scenes were poorly connected, and she had to carry WAY too much of a burden as the Resident Speech Giver for any of her internal characterisation to make sense. like, sorry, but it's kind of hard to believe a character's Going Through It™ when they have to spent near 100% of their screen time giving Take It From Me, Kid, speeches. and then she's not even given a real opportunity TO fuck up + sabotage her relationships, even when she starts getting really weird w ted! it's all just so meaningless and like nothing that she does is ever going to matter. she never speaks to zava again, we don't get to see her interact w bex or kate, her pleas to ted get COMPLETELY shut down...
but the thing that REALLY makes me sick is this complete lack of interiority absolutely butchers the characters of jade + jane, who are otherwise RIFE with potential. like, jade is a completely unflinching, unapologetic asshole to nate + his family, and that's never interrogated. even in Sitcom Land™, it's more than reasonable to view jade's actions as racist, especially when she doesn't give the same treatment to others (at least not as i recall? honestly i usually watch the taste of athens scenes while peeking out behind my hands, so i could 100% be wrong here). and yet, suddenly, and completely inexplicably, she's charmed by nate. she wants to give him the time of day. she finds him attractive, and wants to date him, and generally take control of his life and force him into a decision that is literally the exact opposite of what he expressed wanting to do. except even that LAST thing isn't allowed to be interrogated, bc god FORBID a woman is enough of a fully realised creation to actually be culpable of the terrible shit they do!
and fucking jane??? beard's so head-over-heels for this woman that the emotional abuse + extremely controlling tendencies don't even make him bat an eye, and we don't get to know anything about her? she's literally just the suggestion of an alluring woman! good at sex! good at chess! fuck you if you wanna know more, even though the show ENDLESSLY hits you over the head with how painful their relationship is for beard - beard who is given virtually no other storyline. like, i literally can't read brendan's refusal to label jane as abusive as anything other than like. that bio-essentialism shit where ppl 'women are better than men <3' so hard that they end up genuinely and wholeheartedly arguing that someone's sex defines their morals - or worse, that their sex is a deciding factor in determining whether someone's actions are good or bad. not context, but a legitimate 'add points if woman, take away points if man' variable.
like that's so feminism 101 it's legitimately almost worse than nothing. that's like getting as far as 'hey so you know how we're all inundated with both implicit + explicit messaging abt what is Valued and Good for women vs men to-' before shoving ur earplugs in and going 'if you are oppressed by society we'll automatically stamp a 'good person' label on ur head and now we don't have to think abt any of our biases + internalised beliefs ever again <333'. the most useless and fucking pointless stand against the patriarchy ever, especially coming from the same show that ENDLESSLY slots characters into the 'loving gf/wife' archetype and then give them Literally Nothing Else. my comrades you have literally just done madonna/whore 2: oops all madonnas! this is not liberation!!!! this is a miserable cage!!!!!!!!!
im just. higgins' wife. mae. trent's daughter and anonymous 'her'. the women at the hotel and the restaurants and the firm and the fucking physios, fuck - dani's gfs! who are they? what do they want? where do they go when the camera stops rolling? can anyone hear me?? hello??? hello???? brendan hunt i am OUTSIDE YOUR HOUUUUUUSE
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