What are your impressions of the berlin spinoff new characters?
Hi Anon!
Thx for asking & mainly for giving me the chance to rant, I have a lot to say about this topic.
Sit back, this is gonna be a long ride.
I'll be honest, first impression was "lol, they're joking"
Second, I was quite annoyed.
Third, I am genuinely angry.
And I'm not even talking about Berlermo here, of course it's a bold move ignoring Martín in the spinoff, because, you know, timeline???
And don't get me started with Sergio, because I'm almost sure it will be a tough challenge to pretend that Andrés is an only child...
And while Pedro Alonso is a great actor and I'm 100% sure he'll fulfill his role at best, they're basically asking us to ignore that he's a man in his 50s playing a character in his 30s. Just because.
Also, they keep telling that "they want the show to have its own identity"; but that makes no sense, neither promotionally nor narratively. A spin-off works as soon as it has a link with the main show, there's plenty of examples around, eg. Better Call Saul. None of us would've watched without the promise that one day it would've crossed Breaking Bad's path. And I really don't get this urgency to move away from the original show: Berlin is a character from LCDP. Ignoring that LCDP ever happened will:
1) Keep away casual viewers
2) Disappoint shippers, fans and the whole fandom.
But, aside from that, let's get back to the real matter here: the new characters look like cartoons.
And I don't mean good cartoons, like those we used to watch as kids. I'm talking about, meaningless, silly, stereotypical, poorly made cartoons.
Now, I may not be Alex Pina, bit that sounds a little bit off from the mood here?! When the hell did Andrés become a comic figure being friend with a bunch of other caricatures?
If they wanted to make something with "feel-good" vibes, they could've pick any other LCDP character (Nairobi laundering money, Denver illegally fighting, Bogotà inseminating random women all around the world), literally anyone...
But no. They've chosen the terminally ill misogynistic dude dying by suicide in a tunnel.
Don't know what you think, but that doesn't sound very "comical" to me.
Berlin is a dramatic character. And although he has his good dose of irony, humor, sarcasm, paradoxes, he doesn't fit in an anime-style cartoonish kids show, because it flattens him as a character.
So, I don't what they're trying to do here, but it would be like taking Alicia's story with German's cancer and turning it into a rom-com, only without German, who's now replaced by a random dude who never had cancer in first place.
Not even telenovela style. Just cartoon.
Last but not least, and I'm pretty sure this is something that most of us noticed, they tried to give Andrés a whole new gang... Which is basically a bad copy of the original one.
There's a Denver, there's a Rio, there's a Tokyo, there's even a weird version of female Martin and, best of all, a "lifetime friend" dressing up like a fake Professor.
How are we supposed not to compare these action figures to the characters we know and love? The worst part is that they all look like Rafael, mere blueprints of characters, never mentioned before and, most likely, human plot devices subservient to a retcon.
And to attract what kind of an audience, exactly? I've never seen an Andrés fan who was not fond of Berlermo. Not. A. Single. One.
But during last days, I've seen a lot of people being very disappointed by how OOC their favourite character is going.
The only chance for the spin-off to be renewed and become something good, maybe even overcoming the original, was giving to Berlin's character some kind of depth.
Exploring his relationship with his brother, his years with Martin, what his family background is, why his homosexuality denial, why did he became a sexual predator, and maybe leaving some space for characters who maybe have still something to say, like Marsella & Bogota.
They've chosen not to. They've preferred to take a good, deep, captivating character and make a parody out of him.
What a waste, really.
I know it's too early to say. I know that they said "we can't announce members from the old gang cause it would be spoiler". I know that probably it's a little better than it seems.
But even if Martin shows up, what kind of show is this gonna be?
Don't know what to think, but the premises aren't that good.
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So here's my 2(000) cents about this.
What about you, anon?
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Roi's captivating journey in Berlín: on defying authority, seeking approval and exploring his desire…
Or a long meta nobody asked for in which I delve into why he’s the best character in this spinoff and why his "romance" with Cameron unfortunately didn’t really make sense.
Foreword : I'm a sucker for nerdy male fictional characters with a hidden hint of confidence, a dark/tragic backstory, who wear the slutty glasses™ and look like they never felt the touch of a woman—of course when Roi was firstly introduced, I knew from the start that he's going to live in my mind rent free for the upcoming months.
˚ · • . ° . ׂׂૢ་༘࿐˚ · • . ° .
From the very first episode, it becomes clear that Berlín unravels as a tale centered around love. Nevertheless, it extends beyond romantic love, notwithstanding the musings of our chaotic, narcissistic dandy of a professional thief who philosophizes about the tantalizingly addictive energy of courtship, chase, and a lust he fervently desires. Although romantic love is prominently depicted as the main thread in the series, it is the comprehensive concept of Love that undergoes demystification, discussion, challenge, embrace, repulsion, and yearning.
The prevailing narrative of the entire season seemed to orbit a distinctive framework: romantic/carnal love, familial love, and self-love, stretching from birth to zenith and eventual demise. What particularly resonated with me was how the creators delved into the exploration of how these love forms can serve as both sources of freedom and imprisonment for the characters. It adds a poetic and meta layer when considering that this entire discussion unfolds against the backdrop of the Parisian landscape.
Within the fragrance that permeated this spinoff, Roi's storyline unquestionably stood out as the most intriguing among the banda. Despite its imperfections, particularly in the romantic aspect (which we'll talk about later), his evolution throughout the season seemed the most logical. To arrive at this conclusion, I believe it's essential to revisit storytelling basics and comprehend why, in my perspective, his arc made the most sense.
For a hero's journey to unfold successfully, it typically follows eight steps, and Roi's arc approximately adheres to these stages, employing a significant amount of telling and a bit of showing:
1. The Call: Running away from home at 13 and engaging in petty crimes.
2. The Threshold: Encountering Berlin at 17 and finally getting out of juvie.
3. + 4. The Challenges and The Abyss: Following the Boss's orders—retrieving the calice, "babysitting" Cameron, and maintaining a distance from her.
5. The Transformation: Failing to comply with orders and defying lover!Berlin.
6. The Revelation: Disclosing the truth to Berlin about the lost necklace during the night at the race, leading to approval and apology.
7. The Atonement: Evading the police, and Roi expressing gratitude for Berlin's guidance and lessons in self-control.
8. The Return (with a Gift): Successfully reaching Madrid, leaving the narrative with a seemingly happy ending, though the final details remain unknown.
Having observed a portion of his journey, Roi's character possesses a distinctive charm, largely stemming from the preconceived notions we harbor about him—"the youngster," "the naive and charming boy who simply follows instructions." I am inclined to think that the most notable feature of his arc this season is its "coming-of-age" essence that resonates with many. He strives to liberate himself from the constraints of unquestioning obedience to Berlin, opting instead to be guided by instinct, explore desire, embrace his identity, and assert his free will.
I truly enjoyed the universal elements in his relationship with Berlin: the admiration, care, the vulnerability and pride. I couldn't get enough of their scenes and wished for more. I was particularly intrigued to know a bit more about Berlin's perspective on education and how he imparted his principles to Roi. Surprisingly, it's refreshing to witness how the young man, contrary to expectations, isn't a Berlin Jr., but rather a wiser, more innocent, and stern version of himself.
Roi's evolution from a runaway orphan misfit to a disciplined young man was truly captivating, primarily because it allowed us to connect with him emotionally. He became the only character who shared such a precious and intimate piece of himself, giving us insight into why Berlin holds such significance for him. This added layer of vulnerability only serves to enhance his endearing personality.
On that note, I admire the way his naivety, which parallels Rio in La Casa de Papel, contrasts with his playfulness and extroversion. Roi's serious demeanor is understandable, considering his challenging upbringing both at home and in juvenile detention; he had to be self-reliant and fight his way through life. His skill in unlocking doors provided a glimpse of his delicacy and patience, making him genuinely distinctive. Indeed, the calmness, uncertainty, and darkness were further echoed in his casual attire and color palette—comprising blue, grey, and black.
I could extensively discuss Roi's incredible personality and his son/father relationship he has with Andres, but unfortunately, I just have to talk about the bad. Yes, Roi's story arc has some limitations that left me a bit disappointed, considering the amazing potential within his character. While he ended up demonstrating maturity and professionalism throughout the series, there was a certain immaturity when it came to matters of "love".
I guess that now is a good time to address the elephant in the room: his (quite underwhelming) "romantic" relationship with Cameron. I find myself somewhat blaming the trailer, as it led me to believe I was in for a compelling love story with a unique approach to the "bad girl/good boy trope" (which I adore). I was particularly displeased with how misleading the "lock picking" and the "No me mires" tattoo scenes in the pilot were, as they seemed to be included solely to inject a bit of sexiness into the show.
Listen, I'm a big fan of romance, and one thing that most romance enthusiast tend to do is approaching love stories in two distinct parts: 1) understanding the characters before the relationship, how they function individually, and 2) how the relationship will shape their individual growth and their growth together.
This is often observed through well-known romantic tropes that typically bring characters together and facilitate both physical and emotional connections. So, let's examine which tropes influenced their interactions: work colleagues, forced proximity, tending wounds (and the somewhat cliché "insta love"). This description may seem fitting at first glance, innit? But did these tropes truly work for them?
One crucial factor to consider is time: I strongly believe that a majority of love stories are slow burns that unfold over different spans. And sorry, chief, but timing wasn't on their side.
Apologies to all the Cameroi shippers out there, but I found it difficult to believe in their relationship, and it felt underwhelming for both characters. After finishing Season 1, opting for a platonic relationship might have been the better choice for them. Let me elaborate on why.
If Pina and Martínez Lobato truly intended to highlight romance (which was a bit overwhelming because literally, everyone had a romantic arc—like babe, it’s too much), especially a romance that made sense for the characters, they should have incorporated more angst and a slow burn. Why? Because, in this season, neither of Roi and Cameron are in the right place to fall in love.
On one hand, Roi's (scarce) romantic history reveals his naivety and idealized perception of love. To be frank, I would even go so far as to say his experience is practically nonexistent. His feelings seemed more like infatuation than genuine love, which requires a deeper connection that they didn't really have time to develop.
A part of me thinks Berlin's "strict" teachings about women played a role. The scene in 1.01 in the bathroom somewhat confirmed that Berlin might have admonished Roi in the past, likely instructing him on managing his hormones. Additionally, when our sweet summer child assured Berlin that he didn't initiate or encourage such behavior with Cameron, it became evident that being prudish was a lesson he had clearly absorbed.
Being a reserved young gentleman who wouldn't dare to meet the eyes of a woman he fancies, in contrast to the charismatic lover Berlin, I'm inclined to think he still has his V card—I can't interfere; it's a canon event.
If Roi seriously lacks experience with women, despite his first and only teenage romantic involvement during juvenile detention, it's only natural that he would stumble. This is evident in his interactions with Cameron. His steps are endearing and pure, but also somewhat messy and oddly quick. For someone who hates being seen as an obedient puppy, he swiftly follows Cameron's suggestion about the glasses, removing them instantly. I found this moment quite intriguing. It would have made more sense in 1.04, right after the quarrel at Polignac house. Removing them on that same night would have heightened the scene's impact and symbolically marked the transition from the old to the new Roi. Then again, taking time is crucial. It could have mirrored the fear of crossing boundaries and played with the symbolic idea that desire mirrors fear.
(**internal screaming** The creators missed an opportunity to delve deeper into the use of mirror imagery and internal conflict.)
That's why his “love” confession to Cameron in 1.07 appeared laughable, rushed and childish. Indeed, as she aptly said, he has "no idea if they'd still be together if Jimmy wasn't part of the equation." How dare he? I feel like this scene was pivotal, opening the door for Roi to reflect on his advances and avoid rushing into things, making him more cautious about the "lines you cannot cross in love" that dad!Berlin warned him about.
Yes, in the lights of his "romantic" arc, Roi had an illusion of love. Were there emotions involved? Certainly, especially since she helped him discuss his past. Lust? Absolutely.
As for Cameron, she's still grappling with trauma from her last relationship (to be honest, given all the suspense, her backstory was quite disappointing). It would have been in line with her character to step back from love and take some time to focus on herself before engaging in anything new. If the creators really wanted to push the romance, they could have only focused on subtle gestures like handholding and meaningful gazes to build the romantic tension, and not just sexual tension.
I didn't appreciate how they were quickly and overly physical with each other. The emphasis on physical touch didn't enhance the pseudo-emotional intimacy. In fact, I don't believe Cameron fell in love or became very infatuated with Roi. I would have preferred her to embody the femme fatale vibe Esther and Alex gave her and maintain a more casual relationship. Yielding to Roi's advances in the end seemed out of character because she should have been triggered, wary of falling deeply in love again and hurting our sweet baby boy Roi.
This is why their kiss felt unnecessarily desperate and passionate. A simple hug would have sufficed. I understand the fear of not seeing each other for three days, but the purpose of Cameron's words in between kisses, like "promise me" and "I can't myself," left me confused and mainly with unanswered questions. It's even more frustrating when we overlook her role in the heist and the unique talent that makes her authentic in the crew.
To wrap up, I believe both of these characters should have been individually explored. Consider the Octopus and the No me mires tattoos, for instance. Why introduce his through Cameron? Why didn't Roi ask about the meaning behind hers? Exploring this could have provided intriguing clues about her past. We could have witnessed a compelling scene of Roi changing, letting the audience notice the tattoos and prompting questions about their significance. Am I surprised that an entire episode is named after his tattoo, yet its origin remains undisclosed? Not at this point. Consequently, I found it difficult to connect with their bonding over the tattoos.
Despite being 23, their story really felt like a teenage love affair. I suppose I'll let fanfiction fill the void left (or do it myself with missing scenes and an eventual ofc, considering Roi is such fanfiction material).
All in all, Roi was undoubtedly the most captivating character. Performed by a wonderful Julio Peña, he skillfully broke the rules and awkwardly embraced his desires, ultimately earning the approval of his second father figure. I'm uncertain about what to expect in a potential Season 2, but one thing I absolutely need more than ever is flashbacks and explanations, especially given it's fucking Berlin's golden age.
What about you? What's your take on Roi? Did you enjoy his character arc and his "romance"? If you made it to the end, thank you ! Thank you very much for taking the time to read all this ramble of mine. I'm genuinely curious to hear your thoughts within the niche fandom here on Tumblr :)
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