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juuuulez · 3 months

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📰 | epilogue: capulet.

info: Carl Grimes x Saviour! Reader, 6 year timeskip, cute Judith moments, S10 Negan (aka Negan redemption arc), winter vibes because I wish it snowed where I live.

summary: Six years later, Carl and Reader consider what the future holds.

holy shit guys…it’s over! it’s done! writing this was so weird but also i’m very happy with the ending, and also getting to expand on Carl’s character beyond his death in canon was amazingly freeing.

i’ve got some requests to catch up on, but feel free to ask for stuff in the Capulet-canon! i’ll definitely go back to this and do little spinoff oneshots because they r very cute.

i hope you enjoy this as much as i did!

-> masterlist <-

Snow crunches under your feet as you treck back to Alexandria’s walls. A thin layer has dusted itself over your hair and shoulders, falling from the fabric of your jacket with each step. Slung over your back is a bundle of game: mostly rabbits, some squirrels, all tied up at the feet.

They’d designated you to checking the traps, a fairly mundane job that was mostly bearable, sans when the weather was this harsh. Having a small amount of freedom was nice at times, where you could be alone with the woods, though you knew someone was trailing nearby, shadowing your every move.

It didn’t hurt that much, knowing they didn’t trust you. You understood. But it sucked that it was these random assholes who hadn’t even been there during the war. Since when did they get a say?

Regardless, you felt relief as you arrived back home, if you could even call it that. The gates opened with a creak, allowing you inside, a familiar scene yet twisted in so many ways.

It had been six years since the war ended.

Six years of living in Alexandria, carefully under everybody’s watch. Of being torn down and scrutinised for mistakes you’d made as a teenager. Not that you’d call them mistakes, maybe that was your biggest flaw, being too prideful.

Someone comes to collect the bounty, to which you hand over the bundle, not before untying one of the rabbits you’d personally shot. That one would make your dinner tonight, besides, you’d been promising Judith a lucky rabbits foot.

The man doesn’t speak to you, though you aren’t offended. You’ve never been a big fan of small talk. In your opinion, there are very few you have the patience to converse with, and as long as they were still interested, then nobody else mattered.

Speaking of people important to you.

In the distance, you could spot Negan plowing snow along the main road that ran through Alexandria. You internally rolled your eyes, knowing that they’d been giving him stupider and stupider jobs recently.

There’s another figure, a young boy, who’s been tasked with watching him. He sits on a porch, a few feet away, kicking at the frosty ground.

“Hey, you wanna take a break?” You ask him, standing in front of the young male. The rabbit is still slung from your shoulder, along with the bow on your back.

He looks a little confused with the suggestion, and maybe offput that you’re talking to him. “No, I’m.. alright, thank you.” He attempts to brush you off, though clearly remains wary, almost unsettled by your presence.

You roll your eyes this time, not willing to continue this pointless back and forth. “Fuck off, okay? Just for a few minuets. Go waste your time somewhere else.” You demand.

Only a second of glaring down at the boy and he’s scurried off, likely to tell someone of your hostility. That’s one benefit, at least, that not many are willing to engage in a physical altercation with you, as they’d all heard stories of the war.

As you turn around, you catch Negan already watching you. A smile spreads onto your face, despite his rugged appearance, and the snow all over your jacket.

“You’re gonna be in deep shit for that one, you know?” He tells you, as if it isn’t obvious, though his tone indicates that he is pleased to see you again.

Lately, you’d been finding Negan more often around Alexandria, usually gardening or doing some other boring maintenance task. Depending on who was around, you were even sometimes allowed to visit him in his cell.

It hadn’t been like that for a long time, though. For the first four years after the war, you weren’t allowed any sort of contact. It was hard, and you’d struggled with bouts of depression on particularly difficult days, but things were starting to look up again.

“I don’t really care.” You shrug, smile turning into a downright grin as you approach. “Can’t make me do anything worse than hunting in dead-winter.”

As you crossed the path, Negan’s smile grew tender. He extended his arm to you, palm cupping the back of your neck and thumb moving the snowy hair from your face.

Though he had many regrets, letting you get caught up in everything was the biggest. In many ways he felt like he’d failed his job, which was to foster and protect a young girl. Yet, time and time again, you were put in harms way.

“What about plowing snow?” Negan sarcastically suggests, leaning on the handle of his shovel. The notion made you frown, straightening out the blue shirt he wore.

“No jacket?” You question, brows furrowed while you looked up at him.

The concern on your face made Negan smile, having watched you grow from a reckless teenager to a conscious young woman. “Nah. I have thick skin, doll.”

Regardless, you roll your eyes, trying to swallow your concern as you look to the snowy path. “I’m gonna ask someone about getting you warmer clothes.”

“I should be the one that’s worried,” Negan points out, “Hunting in this weather? It’s like they’re tryna’ kill you.”

He says it with a slightly bitter tone, genuinely irritated despite the fact that you’ve lived quite comfortably in Alexandria over the years. More so than him, certainly. Yet, the concern makes you smile, regardless.

“Someone’s gotta do it,” You justify with a shrug, “Trust me, I tried to dodge. Been feeling kinda shitty recently.”

“Shitty?” He echos.

“Yeah. Just.. bleh, y’know?”

Negan gives you a stern look, “I don’t know.”

You roll your eyes, not wanting to worry him over something you’d already written off as insignificant. “Just feelin’ icky lately, maybe a bit nauseous. I think this weathers fucking me up.

This causes him to let up a little, though you don’t miss the smug grin on Negan’s face as he continues to shovel snow. “Don’t sound like the weather,” He remarks, “Sure you aren’t pregnant? You and Carl are probably breedin’ like bunnies now you’re living together.”

The vulgar attitude never usually phased you, but this time your brow furrowed, glaring over at the man. “Don’t be gross.” You grumbled.

Luckily, Negan lets up, knowing this may be a soft spot for you. “Fine, I’m just teasing, doll. But you’ll tell me if it gets worse?”

“Yeah,” You agree, hoisting the supplies on your back a little higher. “I’ve gotta go get this rabbit skinned. And I’ll see about that jacket, okay?”

In return, he gives you a semi-enthusiastic thumbs up, though you know the emotion isn’t there. It makes you smile. You’ve truly missed him over these years, and seeing the toll imprisonments had on his attitude is jarring.

Nonetheless, you treck further into the community, locating your place. The small house sits near the back end, away from the main commotion, which you’ve grown to appreciate over time. Originally, you stayed there with Aaron, who was tasked with keeping an eye on you.

Then it was Rosita, and occasionally Tara. Back then, you were equally rude and hostile, and made a point to prove your disdain towards the entire situation. Of course, over the years, those walls melted away and you were forced into a state of acceptance.

Now, there was nobody watching over you. At least not in the safety of your own home. With the rate he was over, Carl practically lived there, though you knew he just didn’t like being in his own house with Rick gone. You’d understand how that would be unsettling.

The door creaked when you opened it, the haul causing you to bump it open with your hip. You dumped the bag at the door, and managed to unhook the bow with one hand.

You ventured further inside, intending to throw the dead rabbit onto the back porch to skin it. But you barely made it three steps down before your mission was halted, two arms snatched around your waist and tugging you back into a firm body.

“Jesus,” You huffed, “I didn’t hear you.”

Carl looks down, eyeing the left side of your head, completely flattened with the absence of an ear. “Shit. Sorry.” He apologised, having momentarily forgot in his haste to greet you.

The injury had thankfully healed, but your eardrum was ruined beyond repair. You were completely deaf from one side.

“I’m also wielding a dead rabbit, so watch out.” You remind him, shimming in his hold so that you’re face to face, though you hold the rabbit at an arms length away from his body.

“Then.. is this a bad time to kiss you?” He asks, and though it sounds genuine, the little smirk on his face indicates that your answer doesn’t matter.

You roll your eyes, a smile growing on your own face. Somehow, after all these years, you still get all bashful. “Never a bad time.”

No matter how much time passed, his lips would always feel perfect on your own. Carl kissed you like you were precious, made of porcelain, and the idea that someone was capable of being so gentle excited you. That, and it let you take control, something you lacked in your current life.

You shimmied your spare hand out of the snowy glove, so that you could wrap it around his neck. Lately, Carl had been letting you trim his hair, though you opted to keep it that same shoulder length, thinking it made him just adorable. He wore the bandage less, too, at least when at home.

Coming up for air, Carl pressed another tender kiss to your cheek, holding you a little closer. “Your hand is really cold.” He whispered.

In response, you dragged your palm over his face, squishing the cold flesh into his cheek. He groaned, finally letting go of you, seeeking reprieve from your snowy fingers.

You were finally able to continue down the hallway, though his footsteps followed right behind.

“Do you want to catch dinner with everyone?” He asked, “They’re cooking the rabbits down by the church.”

“I hate everyone.” You point out, bracing yourself against the cold air outdoors. There’s a metal peg hanging from the back porch, which you affix the rope onto, allowing the rabbit to dangle from its feet.

You can hear Carl has stopped behind you, leaning against the back door. “Besides, I think I wanna stay in. Still feelin’ kinda rough.” You say with a shrug.

It’s like a fish on a hook, where Carl can’t resist clinging to every little word you say. “Still? Do you need to see a doctor?” He suggests, worry in his tone.

Trying to ease his concern, you let go of the rabbit, giving Carl your full attention. “I don’t think so. I’m sure it’s nothing. A cold.”

Carl takes this as permission to dig deeper, wanting to find the root of this issue. He approaches, one hand settling on your hip, the other feeling your forehead. Though your temperature feels fine, he still remarks, “You don’t look like you have a cold.”

“Okay, genius. When did you get your degree?” You quip, the snappy attitude earning you an unamused glare, though it only takes a second before Carl is kissing your forehead, where his hand was.

It irritates you to no end that he’s so forgiving. But over time, Carl has learnt that you get defensive easily, expressed in irritated remarks that can turn borderline cruel. It’s his sign that something is wrong, but he needs to back off for the time being.

“I’ll skin the rabbit. You can lie down.” He suggests.

Your eyes narrow into a glare, not liking the insinuation that you can’t handle it. Though, you’re unable to be properly angry, knowing that he is trying to help. “Thank you.” You end up whispering in agreement, setting aside your pride for the time being.

With that aside, you decided to go and clean up from the hunt. There were little bloodstains on your jacket, so you left it hanging in the laundry for now, intending to deal with it later. Your boots were left at the door, and you quickly walked into the bedroom, intending to wiggle out of the snowy clothes.

Your hair was slightly damp, scalp a little sore from having it tied up all day. So, you padded into the bathroom, hoping to have a hot shower. But the second you looked in the mirror, you remembered what Negan had suggested. Albeit jokingly, but he still said it.

It was like a cruel history repeating itself. Being pregnant was a death sentance, in your eyes. Your own mother had died of birth complications, and that was before the apocalypse. That’s not to mention Lori.

Just the idea made you feel sick again. Scrounging through the bathroom cabinet, you found the beat-up packaging of a pregnancy test you’d stashed after finding it on a run. Just looking at it, all decorated in pink, made you feel worse.

You left it on the counter, hoping a shower would clear your head.

It didn’t.

The test was taunting you, staring at you through the foggy frosted glass of the shower. As much as you hated the notion, it wouldn’t leave your mind unless you got it over with. It was time to bite the bullet.

Still soaking wet from the shower, you fumbled with the box, hands shaking as you read the instructions. Whilst you peed into the little cup, you thought back to all the times you’d been intimate with Carl. The pair of you were relatively safe. But, maybe… maybe there’d been a few times you slipped up.

God, Negan was right. The pair of you were animals. It was like a late puberty, you couldn’t help it, you wanted to jump him at every opportunity. And now, this was your punishment.

A positive pregnancy test.

More like an execution date.

You spend a good ten minutes sitting on the bathroom floor, this indescribable weight on your chest. It gets heavier as time goes by, and you convince yourself that you may actually be unable to breathe if this continues.

Pulling on some clothes, you slowly inch from the bathroom, hair and skin still wet, though that doesn’t matter anymore. You can’t tell Carl, but at the same time, you need to.

You come to a stop at the back of the house, and before you can open the door, you notice Judith through the window. She’s sitting on the porch, talking with Carl as he attempts to skin the rabbit. His technique isn’t very good, but she doesn’t know any better. You hadn’t heard her come in, too busy wallowing in your own panic.

She stands, accepting a knife that Carl offers her, attempting to mimic his actions and take a chunk of fur off the rabbit. Judith struggles, not having the right angle, causing an uneven slice through the rabbits thigh.

Finally, you give in, pushing the door open. “You two are gonna butcher my rabbit.”

Judith turns to you, an eager smile on her face. She offers the knife, handle up like she’d been taught, “Show me?”

Though you accept the knife, Carl interjects, “She’s just had a shower, Jude.” He points out.

“It’s fine,” You assure them, rolling up the sleeves of your pyjama shirt despite the biting cold, “I’ll wash off with the hose. Now watch me, both of you.”

You teach the siblings how to properly skin a rabbit, explaining little tips and answering all of Judith’s questions. Though you’d come here to break some terrible news, you somehow find yourself feeling a little better. Watching Carl try and teach Judith something was heartwarming, and you wondered if he’d be this attentive with his own child.

That, and making Judith an aunt would be a gift in itself.

Later that night, you walk Judith back to her house, where Michonne was already waiting for her. She seemed relieved to know Judith was with you and Carl, given the girl had a tendency to investigate into some of the darker cracks of Alexandria.

There was still that one, heavy piece of information weighing on your mind. Though, it seemed to get lighter and lighter as time went on. When it came time to sleep, you were comfortably nestled against Carl’s side, your head resting on his shoulder.

The words were right there, on the tip of your tongue. It would be so easy to blurt out, yet you felt like doing some preemptive damage control.

“Would you ever wanna have kids?” You ask in a whisper, almost completely inaudible.

Given the circumstances, Carl finds the inquiry pretty strange. He shifts a little, laying on his side, so that you’re forced to face him.

“Maybe.” He says, though he sounds a little unsure of himself.

But maybe isn’t a no.

You stay silent for a moment, unsure of how to proceed now that you’ve gotten your answer. The silence causes Carl to grow curious, curious as to what has sparked this sudden interest.

“Do you?” He asks, looking you right in the eye, which makes you squirm a little.

Everything points towards your admission, but you can’t force the words from your mouth. So you just lay there, watching him, looking a little pent up and almost slightly guilty.

Fortunately, Carl isn’t stupid. He’s quite attentive, actually, especially when it comes to your health.

That, and he’d already found the empty test box in the bathroom, crumpled into the wastebin.

“C’mon.” He whispers, pulling you back into him, arms wrapped around your form. His hand makes its way into your hair, fingers twirling in the strands, keeping your head pressed firmly against his chest.

Carl swallows the lump in his throat, similarly unable to address the issue at hand. But maybe you’d rather he didn’t. “I love you, okay?” He ends up whispering, words uttered against the crown of your head.

You muster a little nod, shifting to worm your arms around his torso. You mirror his tone, quiet and hoarse, though that weight is finally beginning to disappear.

“I love you, too.”

#carl grimes x reader #the walking dead x reader #twd x reader #carl grimes #twd x you #carl grimes x you #negan smith x reader #the walking dead #negan smith

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silvermoon424 · 7 months

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what do each of the main PMMM girls names mean?

Here's that info in one handy-dandy post:

Madoka Kaname:

Madoka: Written in hiragana, so there's no way to know for sure. But a popular interpretation for her name is that it should contain the kanji for "round" or "circle," referencing her role as the Law of Cycles. It could also be written with the character for "wish" or "ambition," the connotations of which should be obvious.

Kaname: The characters mean "deer" (鹿) and "eye"(目), respectively.

Homura Akemi:

Homura: Like Madoka, it's written in hiragana which has no special meaning. However, in the show itself Madoka takes it to mean "flame" so that's what the fandom has gone with.

Akemi: The first character (暁) means "daybreak," while the second one (美) means beauty.

Mami Tomoe:

Mami: It's written in katakana and has hundreds of potential meanings when we take all the potential kanji into account. I'm really not aware of the fandom's popular take on the meaning of her name. However, she may be named after another magical girl, Creamy Mami.

Tomoe: The character for her last name (巴) literally means "comma design," a Japanese swirl pattern. She may be named after Sailor Saturn (Hotaru Tomoe), a fellow magical girl.

Sayaka Miki:

Sayaka: Her name is written in hiragana- noticing a trend? Some of the potential meanings of "Sayaka" are "clear," "fresh," and "bright."

Miki: The first character (美) means "beauty." The last character (樹) means "tree."

Kyoko Sakura:

Kyoko: Finally we have an exact meaning! Kyoko's given name is in kanji and means "apricot."

Sakura: Even casual anime fans should know this one: it means "cherry blossom."

Bonus round: Nagisa Momoe

Nagisa: Aaaaaand we're back to hiragana. Some potential meanings of Nagisa are "beach, shore."

Momoe: The first character for Momoe (百) means "hundred", but also carries the connotation of "a lot of things". The second character (江) means "inlet" or "bay." "Momoe" could be translated as "a hundred rivers."

Thanks a bunch to the PMMM Wiki for providing etymology for every single PMMM character, including all spinoffs! Or at least for every magical girl character, which to be real are the only characters who matter.

#pmmm #madoka magica #puella magi madoka magica #madoka kaname #homura akemi #mami tomoe #sayaka miki #kyoko sakura #etymology #name meanings

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gritsandbrits · 8 months

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In light of recent news over the passing of voice actress Arleen Sorkin, I wish to reflect on the impact of Harley Quinn on my life.

When I was a kid I grew with Harley. From getting fired from a tv show for giving questionable advice, as her backstory in the 2004 cartoon The Batman, to falling in mad love with her own patient as is the origin story in the 92 animated and subsequent media, Harley has such a big role in Batman lore I don't remember a single time where she wasn't involved. Sometimes I wonder what batman mythos was like before her inclusion.

The first thing that drew me to Harley was her design. Red and black the colors of danger which she was. But there was an added playfulness, that she genuinely enjoyed being herself. She was also VERY hilarious and at times out of pocket. Child Me was amazed. Did I want to be her? Not necessarily. But she did look like someone I'd hang out with.

The meta origin of Harley is just as fascinating. The creators of BTAS saw a performance of Arleen in a clown costume. From there inspiration leapt off the pages onto the big screen. Unlike most of the cast Harley didn't originate from the comics. She was created exclusively for the show, an OC if you will. OCs tend to have a mixed reputation. But Harley's concept and execution was so perfect, she almost feels like she could've been a real character in the comics.

And real she became!

Introduced as a psychiatrist, after receiving Joker as a patient, Dr. Harleen Quinzel begins to fall in love with him; and down a path to iconoclastic doom. Her love for Joker is obsessive, hilarious shallow, horrible but also downright entertaining to watch. I enjoyed every moment she was on screen: I still quote "rev up your Harley" to this day! I see her despair, her goofy outlook and morbid ruthlessness. I wanted her to get comeuppance but at the same time I can't help but feel sorry for her.

Joker abuses her, ignores her, and only complements her when she does something good for him. While the makes how awful their relationship clear, there are a good amount of fans who sees the pair as a glamorous whirlwind romance a la Sonny and Brenda or Jane and Mr Rochester. While such fantasies may seem morbid I don't blame them. No matter how horrible Harley is there is a tiny unavoidable spot that aches for her to win. Or at least see Joker for the monster he really is. While Harley is often held accountable for her actions her arc shows that no one deserves to be abused.

Arleen's performance played a major role in brining Harley to life. She nailed her weaknesses and strengths with such a sincere note that elicits pity, humor and shock at the same time. And of course that ear candy of the New Jersey accent that set the standard for future VAs. Whenever I look at a picture of Harley I hear Arleen. Not to say the other VAs aren't bad, but Arleen's performance is that iconic I can't help but think of her!

Over the years Harley grew apart from Clown Prince of Crime. She got her own spinoff comics, made appearances in other DC media. She even gotten her own tv show which sees the DC universe through her eyes. Harley has marginally healthier romances, primarily Poison Ivy (this isn't to say that pairing doesn't have it's share of toxic moments). The Harlivy ship is a fan favorite but even without shipping and the wars, Harley still shines bright as the Bat Signal.

In a way Harley's descent and eventual rise back to normalcy reminds me of my own struggles. I wasn't a happy child growing up, I've made a lot of mistakes and bad choices. To see a person like Harley work to take back control of her life, makes me feel a bit better for my own prospects. Of course I wouldn't torture a kid to near insanity or blow up a whole city but I can at least put my energy towards something constructive. Harley shows people like me thay we can be more than just screwups if we try.

Of course I can't forget Harley's design. The red&black suit is an icon by itself and inspires similar designs in and outside comics. I could talk all day about how cool her design is from a show and historical perspective but that would take me all day. While I prefer her classic palette, her recent blue and pinks aren't bad either and show just how far she's come out of Joker's shadow. It's even to the point where when, I see something black and red and white I have to point it out and say "Harley would love that outfit!"

Nowadays I complain about the oversaturation of Harley quinn (seriously what was DC thinking taking a team started by a disabled character to reclaim her agency) and overshadowing other cool DC villains. But I would be lying of I say she didn't leave an impact. And it's all thanks to Arleen Sorkin for breathing life into a character that proves you don't need to be be from "the comics" to be considered cool.

Thank you Arleen! May her memory be a blessing - Grits.

#arleen sorkin #harley quinn #essay #dc comics #btas #voice actors #batman the animated series #birds of prey #harley quinn show #characters #may her memory be a blessing

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txttletale · 2 days

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(Other than the really weird bit about "Male presenting Doctor") what were your thoughts about the specials?

pretty mixed bag, pretty messy, but good overall. i think they were very obviously a nostalgia trip for people around my age lol and it worked! i loved seeing tennant and tate back onscreen together, their chemistry hasn't aged a bit, and honestly just watching doctor who that wasn't written by chris chibnall was a breath of fresh air. they weren't boring, like seasons 11 and 12 were, and they didn't go too far off the other end into nonsense like flux did. characters want things again! the show can let itself just be silly! i was literally cheering out loud when donna and the doctor were just saying random scifi gobbledegook at each other for like a solid several minutes during the star beast.

the structure of the specials kind of baffles me. i love wild blue yonder--i think it's definitively the best of the specials as a standalone, it's absolutely fantastic, creepy and atmospheric and bringing things around to RTD's strength, which is well-written characters interacting with each other and letting good actors just act. but at the same time i dont understand why it exists? it feels like...idk. imagine if you watched the star wars original trilogy but instead of the empire strikes back the middle film was just a feature length film about luke and han surviving on an ice planet with no reference to anything that happens in the last film except the two characters' relationship. and then the next film was still return of the jedi, unchanged. it felt like that

i liked all the weird campy silliness of the star beast and the giggle, and they were both very fun! neil patrick harris gave a fantastic performance, there are a lot of very memorable sequences from the giggle, but it's very very all over the place. so many threads get kind of picked up and go nowhere. the toymaker's haunted house dimension goes nowhere. RTD's eyerolling social media commetnary goes nowhere (thank god tbh but yknow im illustrating something here). even the toymaker kind of goes nowhere, after ncuti gatwa shows up he's bascially an afterthought who loses by dropping a ball. obvious parallels to david tennant's first episode with that ball scene could be made, but just... aren't. it feels like load-bearing sectikons of the plot and themes were cut out to make room for a backdoor pilot for the stupid fucking UNIT spinoff

oh and it goes without saying i fucking hate all the UNIT wank in the star beast and the giggle. i hope space nine eleven 2 happens to their stupid fucking avengers tower i cannot stand kate stewart who is constantly a murderous bonehead (in the giggle alone she gets two pepole killed by not listening to the doctor and assuming that this teleporting godlike entity could be restrainted by Two Guys) who is both in and out of universe just a boring nepo baby with no merit of her own

um. i still dont know what happened with the regeneration. i think the implication is that when david tennant dies hell time travel back to become ncuti gatwa inside himself--at least the rehab dialogue seems to make that implication. but it's not really explained or explored? baffling. i do think that fourteen getting to settle down and live a peaceful life with his friends is cute.

oh yeah and the ask said other than that but goddd there was some good stuff in the star beast and honestly with the state of the UK media i will take any perspective on trans people that includes baseline human erespect but some of those lines made me cringe so bad. anyway overall i am cautiously optimistic for the future of the show--oh ncuti was fucking great did i mention that i instantly bnought him as the doctor he owned the scene, the moment he was there it was clear he was the protagonist, and i liked the church on ruby road well enough too--i am cautiously optimistic but i worry that a big UNIT-shaped tumor will devour huge chunks of it and it'll be annoying. also russel t davies is like 60 and i just dont want to hear what he has to say about twitter so im not looking forward to dot and bubble

#ask #doctor who

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britcision · 2 months

Text

As promised, part two!

First Chapter:

Part One of this chapter:

————————

So That Just Happened part 2

In the bathroom, Jason turned the hot tap on as high as it’d go and stood over the sink, breathing in the steam. He just… he just needed to clear his head. Get his thoughts straight.

Sleep for the next six fucking weeks and make Pitty someone else’s problem, ideally.

The weight of Frostbite’s gift sat heavy in his pants pocket and he pulled the case out, shaking a single glowing ice chip into his hand. The rising temperature of the bathroom didn’t affect it at all, which didn’t surprise Jason.

He considered putting it under the stream of hot water but didn’t bother.

Frostbite said not to use them too much, or get too dependent on them. On the other hand, fuck today. So much.

He crushed the shard in his hand and shoved the pieces into his mouth. This time it tasted like ozone and limes, and stung the inside of his mouth. In a good way, though.

The rush of energy was the same, and Jason would swear he could feel his frayed edges slowly closing over. Not a real substitute for food or sleep, but sure as hell beat coffee.

He had a couple dozen more ice chips, which he tucked away in the medicine cabinet behind the mirror. The mirror wasn’t supposed to have a cabinet, but it had been easy enough to make one, and so far none of his siblings had found it yet… if they even found this apartment.

(None of them would have been able to resist commenting on the collage he’d made across the back wall of their most “interesting” family photos. Or the little batburger figurines of each of their alter-egos.

Jason had made sure he got the worst ones on the market, and knew their exact positions. If a single one shifted, he’d know.)

It was on the outer edge of Crime Alley, far from the heart his family all expected him to hole up in, and the rest of the building was a completely unremarkable old library which had been abandoned before Jason was born.

Getting himself a well secured home had been easy to slip into the renovation plans; he’d had Bruce “buy” the building through Jason’s funds to start restoring it, keeping it well removed from Red Hood’s name. It was the first project he planned to put his own name on, now that he was officially alive again.

The Catherine Todd Memorial Library.

The building itself wasn’t open yet, the main part of it still being remodelled, but the needle drop off and exchange was already running from the front entrance.

This was home, as much as anywhere ever was. More than anywhere had ever been since Wayne Manor.

Jason tensed against the anger, but nothing rose this time. The ecto-ice had given him a flood of energy, the same almost static clarity, but he still felt drained. Like there was no anger left in him.

It would have been nice if it felt good.

The steam had fogged the mirror now, collecting in the air even against the bathroom’s fan. Shutting the tap off, Jason closed his eyes and sucked in a few more deep, fortifying breaths.

Maybe the ecto-ice had been a mistake. All he wanted to do was fall into bed and sleep, but he wouldn’t be able to for at least a few hours now.

Patrol was out of the question. His body may be revitalized and humming with energy, but his head wasn’t in the game. Even Lady Gotham’s embrace couldn’t pull his scattered thoughts together.

What he needed was some mindless TV, some stupidly indulgent junk food, and a blanket. He’d heard… well, things about the new Sex and the City spinoff. Not exactly good things, but things.

Carrie Bradshaw’s not-problems could be the perfect backdrop to a night in.

Alfred would probably send him cookies if he asked. This being an emergency and all. Although… it wasn’t like they could explain the nature of the emergency without the whole ghost reveal.

… Probably still worth a try though.

His Red Hood phone was still at the safe house he’d slept in, but at least one of his spares for his civilian life should be in the apartment somewhere.

The steam had mostly cleared too, leaving the mirror only slightly foggy around the edges. Jason gave it a careful wipe down out of habit; dots on the mirror didn’t usually bother him, but… he’d put Catherine’s name on the building. He wanted to keep everything in it nice.

(Which was why a lot of stuff was unused.)

It wasn’t until he opened the door that he realized he really hadn’t said anything to Danny before disappearing.

Would he have left? Fuck, that’d be the obvious choice, wouldn’t it? Getting dropped off just inside a stranger’s door, and then they just walk away from you into the bathroom.

Shit, Danny had probably left. That… Jason didn’t know how to feel about that, and the empty hall only confirmed his suspicions.

On the one hand, he really wasn’t up to more talking. He didn’t even want to think about everything that had happened today, and especially not whatever the hell was lose in his city, trying to feed his rage. He couldn’t handle one more gentle reassurance that it was okay to be angry.

On the other hand, he really, really didn’t want to be alone. The noise from the TV and the snacks would cut it in a pinch, but the only thing he actually wanted right now was company. Quiet, nonjudgemental company.

He hadn’t told any of the bats about this safe house. Not even Bruce’s contractors knew he’d snuck it in. He’d wanted it to be safe from them and from everyone else, and now he could keep his fucking secrets at the cost of being alone.

A little heavy handed as a metaphor.

… Fuck, Alfred couldn’t even bring him cookies without knowing where he was.

He turned away from the hall and made for the bedroom to grab the spare phone, though he wasn’t sure who he’d message anymore. Just as he was debating the merits of messaging Cass and getting her to do him a delivery, a noise from the kitchen caught his attention. Hope rose, slowly and uncertainly. Had Danny not left?

… Why was Danny in his kitchen, when he was a self professed fire hazard?

Caution and concern flaring right alongside that hope, Jason backtracked and hurried to the kitchen.

There were not enough dirty dishes.

There was like, a mug, a coffee pot, and two plates. Really, Danny should have been done in minutes and fidgeting for something else to do.

But then he’d been looking for where to put the plates away, and he’d found a really impressive spice cabinet. Right next to the stovetop, made sense he guessed, though personally he preferred to keep the damn plates where they’d be used.

He’d perused a couple of labels on the little jars, mildly amused by how many he absolutely could not even guess at. What the fuck was “marjoram”? Or “zataar”?

So the logical thing to do had been open the jars for a sniff.

All well and good. He didn’t recognize most of the smells either, and couldn’t imagine why you’d put almost half of them in any kind of food, but some of them smelled really good.

But then he’d found the garlic powder.

Danny did not cook, as a rule. Sam cooked, mostly from spite, and she always used fresh smashed garlic. Danny’s youtuber chefs mostly said the jarred chopped stuff was fine, but what the fuck was garlic powder?

And what garlic powder was, was pungent. Really, really strongly scented, and super light. Just opening the jar had puffed up a cloud of the stuff, and Danny had been about to sniff it anyway and took a bigger huff than he intended.

And then he’d sneezed.

And now Jason’s entire kitchen was dusted in garlic powder, including the dishes he’d just washed and left on the counter while he found their homes.

So Danny panicked.

Trying to dust the garlic powder off the counters with his hands only got more of it into the air, and he wasn’t falling for that fucking trap again, no sir. He went ghost again and stopped fucking breathing is what he did, then grabbed a garlic covered towel and tried to wipe the powder into a pile.

No dice.

But Danny was a professional superhero. He calmed himself down. He stopped panicking. He went looking for a dustpan and brush like a sensible adult.

And then he heard the bathroom door open, froze like a deer in the headlights, and reflexively jerked straight off the floor.

Because right, he had fucking ghost powers.

At least he already hadn’t been breathing. Luckily, Jason seemed to need something from the other side of the apartment since his footsteps pretty much immediately moved away, and Danny let out another relieved breath.

He could still fix this. This would be fine. He could telekinetically pick up all the garlic dust, and throw it in the trash because a lot was on the floor and the rest was on him and also Every Other Surface On Earth, and buy Jason more tomorrow.

Before Jason came back from wherever else he was going and realized Danny was a fucking menace. Focusing hard, Danny let his aura suffuse the room and focused on the garlic powder. Willed it to lift off whatever it was touching, and come towards him.

Of course, some of it was now on the clean dishes, and in the mug. Which fell over as Danny pulled its powder coating away.

Jason’s footsteps immediately stopped. And then began hurrying towards him.

And maybe Danny panicked again, just a tiny bit, but the good news was he did not ice over the whole kitchen! He’d grown so much since Ghost Puberty Part 2 Electric Boogaloo! He was totally in control!

He just iced the dishes to the counter and froze the floating garlic powder, which was why Jason appeared in the doorway to see Danny floating like a fucking dumbass in the middle of his kitchen, surrounded by sparkling ice crystals.

Danny raised both hands immediately.

“I can explain.”

So the thing about Spiderheck. The really big pain in the ass thing. Was that every round was super unpredictable, even when you weren’t playing with superheroes trying to adapt their actual abilities to spider bodies.

There really was no way to know what would be a long or short round.

Tucker had tried a couple more times to “fall” early on, only to be promptly followed by one or both of his fellow competitors.

The good news was, they were at least all tied up for now, so he’d gotten more time without anyone asking questions. The bad news was, it was match point. Whoever took this next one, if they didn’t all tie, it would be time for another set.

Aaaaand Conner and Tim were still having fun, and insisted they were just warming up, but Tucker was sweating anyway. He didn’t even know spiders could sweat.

Ancients, had he actually fucked up using his powers for the first time in years when he was trying to show off for Red Robin and Superboy?

He was going to look like a fucking newb. An absolute amateur.

And that was assuming that no one had come looking for them and noticed the empty room and still going game on the TV. Would Batman think he’d kidnapped Red Robin?

Who was Tucker kidding, he totally would. Bruce was paranoid as hell, and while he mostly seemed to be aiming it at Danny, that was probably because he hadn’t realized Tucker was liminal. Did the GIW even know about liminals? There probably wasn’t much documentation for him to freak himself out about with.

Of course, in this case he wouldn’t be wrong. Tim would be trapped. It’d just be because Tucker was a dumbass, not a malicious force. At least Tim and Conner would almost definitely believe him.

Aaaand he’d never live it down. It was only a matter of time before they both noticed he wasn’t really trying to win anymore too. He’d kept up, but that was mostly by accident. He just had a lot of practice being inside the game levels.

A lot of them could kill all the players on their own, no PVP required.

He felt like an absolute caveman when the answer finally came to him, and it wasn’t even his own idea.

Because the last level had been one of those “kill all the players” levels, and all three of them had managed to be thrown into lava close enough that the computer didn’t count a winner.

Tim and Conner groaned loudly before bursting out laughing, because of course that was what happened at their dramatic finale, and then as they’d spawned in again Tim turned to Tucker.

“Hey, can you pause before we get into this one? I just wanna catch my breath a second.”

Which, for a nanosecond, felt like the absolute end of the world, because he didn’t have his controller buttons. Because he was a dumbass.

Luckily, it also snapped him back to his senses, and reminded him of the very first time he’d put Sam and Danny into a game with him. They’d made the same mistake, not leaving anyone their actual console controls, and Danny had begun trying to actually physically break them out before Tucker worked it out.

They were his fucking powers. He could always pause them, whatever they were doing; all he had to do was close his eyes and blank out for like, a minute.

He’d been collapsing in despair that first time, and Sam had kicked him over, sat on him, and demanded he take a nap, and then they were all back in their bodies like nothing had happened.

Keeping them inside the game was the part that was difficult; it was an act of focus, and sure it felt automatic at this point because he did this all the time now, but it was still something he had to actively do. Sure, technically, he wouldn’t be controlling the game from the inside, but they’d be back in their fucking bodies in the real world.

Where the actual console controls were. And then he could reload them in, and not forget his overrides this time, and everything would be fine.

Luckily, while his brain was techno-linked, he was processing in computer-time, not people-time. There was barely a pause after Tim asked the question and the answer came, tension leaving his body so quickly he almost sagged.

He even sounded a little giddily relieved to his own ears as he answered, laughing and already shutting his eyes.

“Well, kinda. Let me just pop us back out, we should probably check the time too. Hang on.”

Luckily, this stage did not seem to have any instant death traps. Tim and Conner fucked around with the crates and the platforms for a couple of seconds while Tucker reached inside, deliberately pulling his disconnect instead of waiting, and then they were all back on the couch, controllers in hand.

He’d never been so happy to see his own hands. Or the Start button, which he promptly hit to pause all three spiders before Tim and Conner’s could swing to their deaths. Even if that would give him the win.

Tim and Conner shifted beside him, getting used to their bodies again. Tucker took the lead there, setting his controller down and stretching his arms up behind his head, the phantom sensations of extra limbs already beginning to fade.

“It stops feeling weird pretty fast, but it helps if you move around,” he explained brightly, still high on that buzz of relief.

Conner made a noise of agreement, standing and stretching his arms over his head, which made his shirt ride up. Tucker had the good sense to turn away quickly, before he got hypnotized.

Not quickly enough that Tim didn’t notice, but Tim Drake-Wayne remained the very coolest person on planet Earth and didn’t say anything. He just grinned knowingly at Tucker and rolled his shoulders, stretching out his neck.

“Okay, that was really cool. Not even a little bit the same, but really cool.”

Tucker grinned back, sheepish but still just happy he didn’t get caught.

“Yeah, there’s always the skill barrier where you can’t do the button combos, but I still feel like it helps? Y’know, understanding how the characters move and stuff.”

“I’m just glad you picked up the TTK that fast,” Conner cut in with a laugh, now bending down to touch his toes, blessedly while facing them.

Tucker swelled with pride.

“I mean, it wasn’t all that complicated. You explained it really well,” he said totally calmly, totally cool, definitely not fawning over the actual demigod in the room.

He didn’t exactly get why Conner shot Tim an entirely triumphant grin or why Tim rolled his eyes, but he wasn’t gonna worry about that. Tonight, he was batting a thousand.

He’d be tired getting back to class tomorrow, and he couldn’t exactly tell his classmates he’d been hanging out with Tim Drake-Wayne and being carried home by actual Superboy, but this was still the best week of his life. And Tim had already been talking about getting him an internship.

His life really could not be finer.

Jason took the mess well. Probably because Danny had a) already been working on it and b) panicked like a startled duckling and explained at a mile a minute, getting the order of events completely wrong at least twice.

Having the garlic powder iced over definitely helped the cleanup too. Jason grabbed a garbage bag, Danny floated what was in the air in, and they both took damp cloths to hunt down any stray garlic powder hiding in crevices.

Danny rewashed the dishes, but Jason dried them with a fresh towel and showed him where everything was. All in all, it was a blissfully domestic moment after a genuinely fucked day.

He could feel an unasked question waiting on the back of Jason’s tongue while they cleaned up, the shape of anticipation and something that wasn’t exactly fear, or even anxiety, just a low grade avoidance. Danny didn’t push it.

That seemed like the right answer too, because when they’d finished and stared at each other awkwardly for a long moment, Jason sighed and rubbed the back of his neck.

“Look, I know you’ve got school tomorrow. If you’ve gotta head out…” he trailed off, resigned-tired filling his aura.

Danny raised both hands to cut him off.

“Hey. I can fly across this city in like, fifteen minutes. It’s not even half eleven yet, so if you want some company I’ve got nowhere else to be. We can talk about whatever, play some more MarioKart, or I can just make you some cocoa and go if you need space?”

Jason didn’t physically sag with relief, but that was probably because he’d already been holding himself carefully to hide the tension. Didn’t matter, because everything else about him screamed it as he raised an eyebrow at Danny, glancing around his kitchen.

“I’m not leaving you alone in here again until you’re Alfred-certified,” he declared sarcastically, and Danny grinned back.

“Ah, so never again. Good to know. It’s probably for the best, I’m a lousy cook for anything I don’t have to wrestle to the ground.” Not that he was any better at cooking it after he’d won the fight; he was just pretty good at the fighting part.

Jason’s eyebrow twitched and then he chuckled, shaking his head and pointing out of the kitchen.

“Tell you what, I’ll make you some cocoa while you go turn the TV on. Remote’s on the end table.”

That sounded like an invitation to stay to Danny! So he hadn’t totally fucked by not booking it out of Jason’s haunt at top speed; good to know.

And maybe he did physically sag with relief a little, because expressing your emotions was cool actually and everyone should totally be doing it more. And it was more fun in ghost form; he actually sunk til his feet almost touched the ground.

Didn’t go all the way when he remembered he was still in his boots. Jason’s other apartments had been pretty well lived in although still generally tidy, but this one was almost pristine. Whether it was new or he was just more careful here, Danny could take a hint.

He gestured quickly at his body while Jason pulled a cartoon of milk from the giant, gleaming blue-black fridge that looked mostly empty.

“Sure, uh… mind if I change?”

Jason blinked, which was fair since Danny had been a ghost for the past couple hours, then nodded.

“Not at all. There’s also some sweatpants and stuff in the bedroom if you wanna get more comfortable, but I don’t have as much of Tim or Dick’s stuff here so you might be stuck in mine,” he added a little shyly, and Danny’s grin widened as he remembered his new favourite shirt.

“You have five minutes to hide any other great soup shirts before I take you up on that,” he teased and Jason grinned back.

“Nah, go for it. I’ll only be a little longer than that with the cocoa though, so don’t do too much snooping around.” It didn’t sound like an actual warning, but he’d also already turned back to what he was doing… which already looked way too complicated.

He had a saucepan for crying out loud. Like Danny couldn’t see the electric kettle and fancy coffee machine. Tempted to stick around to watch just for curiosity, Danny floated back to the front door to change back and drop off his shoes and coat instead.

And hesitated.

Jason had given him permission to go to the bedroom. Change out of his jeans and jacket. He didn’t actually need to; the jeans were pretty comfy, well worn in, but they did have some built up salt, slush, and yuck from walking and driving around Gotham’s streets around the ends.

It was possible the suggestion had been more for the sake of Jason’s couch than Danny’s comfort.

He could just go intangible and let the dirt fall through, but that’d leave a pile which while technically being more contained would still be more mess. And sometimes it was hard to tell what was dirt and what was pants, since they weren’t exactly “his” either way.

He could just do laundry when he got home.

Luckily the bedroom door was open, so Danny didn’t have to poke into any of the other doors from the hall. Just like at his other apartment, there was indeed a separate set of six drawers with Jason’s siblings name on each drawer.

Well, “Dickhead”, “Timbo”, “The Purple One”, “Cass”, “Demon Brat”, and “Best Sibling”. Snickering to himself, Danny considered taking a picture. Or asking Duke what he’d done to be “Best Sibling”.

Unlike the other apartment, each drawer was mostly empty though. Just a pair of sweatpants about the right size, a hoodie, and a shirt that Jason had definitely assigned rather than getting one of theirs. Although Danny didn’t doubt Dick would own a Nightwing hoodie in the least.

The My Little Pony shirt for Damian was… well, Danny didn’t know him well enough to say.

With the clothes that might actually fit located (and honestly Cass’s were probably actually his best bet), Danny snooped through a couple other drawers to see if Jason did have any other fun shirts to steal.

There was actually depressingly little; Jason had plenty of clothes here, just like the other apartments, but all of them were… respectable. Plain. Block colours, simple patterns, normal people clothing.

Danny was just about to give up when he popped open the bottom drawer and stared in awe.

Jason’s regular wardrobe (from Danny’s admittedly limited experience) was kinda basic; plain shirt, sexy jacket, plain pants. Extra sweaters given the weather, but he did also have a pretty good collection of graphic tees with various swearwords usually featured boldly.

Where what had to be the complete collection of every Wonder Woman shirt ever made fit in, Danny wasn’t going to try and guess, but he knew good taste when he saw it.

Unfortunately, if he stole one of those, Jason was probably gonna want it back. Most of them were clearly worn, and just as clearly carefully cleaned to keep them nice. Danny wasn’t good at keeping things nice.

Somewhat reluctantly, he shuffled back to the siblings’ dresser and stole Cass’s hot pink paw print sweats, Steph’s 1000% bootlegged Sex In The City misprint shirt with the purple sparkle dildos painted over the girls, and the Nightwing hoodie. Never let it be said he could put together an outfit.

Fingering the shirt, he made his way back out and to the open plan lounge, his own clothes tossed carefully onto his shoes by the door. Jason had told him to put the TV on… and the worst he could do was say no.

Pulling up the streaming services, Danny went looking for And Just Like That. Mostly for curiosity’s sake, to be honest. He could probably sneak a trailer before Jason got back, just as a sample.

As if summoned by his thoughts, Jason appeared just as Danny found the right service, two steaming mugs of incredible smelling cocoa topped with a mass of whipped cream in his hands and a large bowl of popcorn, skittles, and smarties in his other arm.

Danny couldn’t even complain about not getting to have nice things, because if that wasn’t the epitome of a fantasy walking into the room he didn’t know what was. Hitting pause quickly, he hopped up to take the bowl for purely altruistic reasons.

Definitely not for an early handful, no matter how Jason raised his eyebrows at him. The handful was Danny’s reward for being a good citizen.

“Hey, that smells fantastic! Your family is gonna ruin me for shitty cafe hot chocolate,” he teased through a mouthful of candy.

Jason rolled his eyes but smiled, switching both mugs to one hand to set a trio of coasters on the coffee table. Danny reluctantly relinquished the bowl to the third if only to grab his cocoa and take a sip as Jason sniffed.

“Hot chocolate is to cocoa what instant coffee is to fresh,” he said snootily, like those were words that meant anything. Danny just stared at him, whipped cream on his nose purely for comedic effect.

Until Jason leaned in and wiped it away with his thumb, and Danny’s brain shut down. Unfortunate, since Jason started talking.

“So, uh… you a Sex and the City fan?”

“Huh?” Danny kept staring, pretty sure words had meanings until Jason jerked his thumb in the direction of the TV (which was huge and gorgeous because of course it was. This was the rich son of a bitch apartment Danny would expect of… okay, not a Wayne, it was still way below that level of fancy, but at least someone making a good chunk of change).

Then he shook himself out of it, grinning.

“Oh! No, never seen any.”

Jason cocked his head, eyebrow raised again.

“Then why…”

Danny shrugged, settling himself comfortably back into the couch. He was going to sound like a crazy person anyway, he might as well be comfortable.

“I listen to The Worst Idea Of All Time on my way to classes. And when I’m welding. It’s a couple of guys from New Zealand who watched Sex and the City 2 every week for a year, and a bunch of other stuff. Like, uh… Grown Ups 2, We Are Your Friends, oh and the first Sex and the City movie.”

And, sure enough, Jason looked appropriately baffled.

“What, all at once?”

“Nah, different years. They never did the actual show, but they’re doing commentary on all of the episodes of And Just Like That now that they’re out since they did both movies, which were after the show. Why, did you watch the actual show?”

Jason nodded slowly, and Danny snickered.

“The show’s not canon for the Worst Idea boys. Brady the Rat King is though.” And yeah, he probably could be explaining this more like a sane and reasonable person, but that just made the podcast sound worse.

This time it was Jason who raised both hands, even relinquishing his cocoa to do it.

“There are too many questions, so I’m just gonna start with “why?”” He was already smiling though, so Danny was going to take that as a good sign.

He shrugged cheerfully.

“Schadenfreude is the leading theory from the boys, and to be fair it is fun watching them suffer through the worst movies they can find. They’re both professional comedians though so it is actually really funny, and they’re really positive. Every watch has to have a shining light, which is something you actually liked about the movie that week. I did that with one of my lecturers last semester, a real blowhard, and it helped. Mostly it’s just the aural equivalent of comfort food; nothing challenging, no thought required, just two good soft boys making up crazy stories about movies every week.”

Jason was actually listening, pursing his lips as he considered what Danny was saying. Privately, Danny suspected having actually watched Sex and the City might work against him… although he might have been dead when at least one of the movies came out.

Finally, Jason sighed.

“So you’ve just watched the movies, and none of the show?” He asked, in a tone which told Danny exactly what he thought of the movies. So he might like the podcast after all.

Danny grinned and grabbed another handful of popcorn.

“Nah. They actively discourage us from watching them, even when they do directors commentary. And Just Like That isn’t getting the full season treatment though, so I kinda wanted to take a look just to see the outfits.” A stroke of inspiration struck him, and Danny dropped some of the popcorn into his cocoa.

Getting it back out again was not as easy as he’d have liked, but he got two pieces that were heavenly and was content to let the third wallow under the whipped cream where it had retreated.

Jason totally was not laughing at him, because he was a gentleman. It was the brilliance of Danny’s answers that had him smiling like that, for sure. And when he was sure he had Danny’s attention again, he pointed at him.

“Okay, we’ll watch And Just Like That tonight. But you have to come over and watch the original series at some point too,” he added quickly.

Danny pouted but considered it. He didn’t even know how many seasons there had been. Time for a counter offer.

“Only if you try the podcast.” Which was a totally reasonable offer and absolutely no reason for Jason to make that face as he nodded.

“Fine. I’ll give it a shot on my way to work. Happy?”

“Deeeeee-lighted,” Danny cackled, holding out a hand to shake. Which Jason obligingly shook, then nodded to the couch.

“No spoilers, okay? Unless there’s good hats. I’m just going to run and change.”

He even came back bearing a fuzzy throw from the end of the bed, which he dropped on Danny’s head and imperilled his precious cocoa. It was mostly empty by then though, and then Jason even refilled it for him, so Danny graciously gave him a royal pardon.

Jason graciously told him to shove it up his ass and settled in, and Danny swiped the remote for his impertinence. Long day now finally behind them, it was looking to be a much better night.

Taking a quick glance at both his League communicator and both of his phones, Bruce dismissed about thirty messages from Harley. He might have liked to talk to her earlier, and probably would actually message her back to talk later.

It had only been for a matter of minutes, but even a second of believing that Jason had died again… no. He knew he hadn’t handled it well. If he actually slept tonight, he had no doubt it would be even worse than usual, and plagued by nightmares.

Fortunately for him, he had a new case to distract himself with… or rather, a new direction for his existing case.

Diana was right; she usually was, in matters of the heart. He had to trust Jason, and trust that Jason knew what he was doing with this business in the Infinite Realms.

A year ago, Jason likely wouldn’t even have involved Bruce in the conversation, if it happened at all; he’d have dropped the evidence on Dick or Duke, or just gone around trying to blow up a rogue government agency on his own. That he had brought this to Bruce showed a lot of progress in their relationship. It gave him a reason to hope.

He would have to try and reward the trust Jason had shown in him, rather than punishing it. A proper apology, just between them… if Jason would speak to him.

A few days to give Jason time to calm down would probably help. And, if he was truthful, for Bruce to put his concerns to bed.

He may have been… hasty in leaping to conclusions about Danny Fenton. It wasn’t like him to become so entrenched in an opinion without checking it from at least a dozen more angles; the Mansons and Vlad Masters could only know so much.

Diana had been right again; he had to get to know Danny, to put his fears to rest. He trusted…

Okay. When it came down to it, he didn’t exactly trust his children not to lie to him about the dangers of a potential friend. There’d been one too many secrets-turned-disasters. But he could trust them to fact check and rat each other out if they truly believed their siblings were making a serious mistake.

For the joy of an “I told you so”, if nothing else.

Cass’s first impressions in her debrief had been illuminating. A little more discussion with her and perhaps Steph, their views were often varied enough that between them a very comprehensive picture could be built.

Talking to Danny himself again… Bruce knew himself well enough to know that wasn’t a good idea yet. It would have to happen eventually; he suspected he also owed Danny an apology for his behaviour, although no one else had mentioned it. Which was perhaps another sign of how badly he’d failed Jason.

No, he had to level his opinions on Danny first, make sure he could keep a clear head. Returning to the cave, he made his way directly to the batcomputer and sank into its familiar embrace.

Tim likely hadn’t had time to make the updates that would allow them to read through Amity Park’s data directly, but Tucker Foley had provided them with a respectable amount of downloaded data. Bruce could begin his researches there, and make some travel arrangements as well.

If he couldn’t get into Amity Park digitally, physically would have to do. Likely as Brucie Wayne rather than Batman, although repairing the town’s relationship to the Justice League was a worthy goal while he was there. And while people wouldn’t be as open to giving him information about Danny face to face, he could pick up some native tech and make his own adjustments. That should let him get past their unique protections.

And a better look at these ghosts, and an understanding of what exactly the Justice League Dark were so concerned about.

Hands pausing on the keys for a moment, Bruce briefly considered messaging Constantine again, or Zatanna. He should at least inform them that he was planning to go to Amity Park in person.

After a moment’s consideration, he sent a brief message to Zatanna. As unprofessional as it might be, Bruce knew himself well enough to know he just wasn’t up to spending any more time with Constantine at the moment.

Zatanna could brief him on any necessary etiquette just as well, with far less dramatics. A little space between himself and Constantine could only help as well. Honestly, a few days away from Gotham and all of his current headaches could only be a good thing.

Harley might even be proud of him.

——————

So here we have it! Also, by the way, that nexus thing is actually canon in the DC multiverse, and it is so much fun

#dp x dc #dpxdc #dc x dp #dcxdp #danny fenton dead and loving it #dfdali #dead on main ship #chapter 18 part 2 #so that just happened

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lady-wildflower · 5 months

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I'm... really not a fan of the bigeneration or the subsequent ending for 14.

Don't get me wrong, fun concept just... horribly executed for this show. The fuck? Completely undermined and overshadowed Ncuti's introduction as the Fifteenth Doctor, even in its visuals!

Like, most of my analysis is about 14, because most of the remaining episode was about 14!

Scene itself. Instead of being a direct continuation, with Ncuti being the unambiguous new Doctor, Ncuti fuckin... sprouts off of David? He's literally an offshoot. There's a narrative argument to be made that the Fifteenth Doctor isn't a direct continuation of the Doctor and that he's more akin to the Metacrisis Doctor. And the gag of them dividing clothes between them is funny, but Ncuti didn't get any major elements of David's costume! As a character transition, he did not become the main Doctor of the scene, and as the episode continued I kept having to remind myself that Ncuti was the new Doctor because he wasn't wearing the costume! They should have given Ncuti what David was wearing and vice versa!

And then the rest of the episode continued to treat 15 as something that had offshot from 14. The rest of the episode was about 14! 15 didn't even get his regeneration to be the star! It just does Ncuti Gatwa a massive disservice to muddle up the introduction of him as the Doctor this way. It's a fun concept, but it shouldn't have been kept in such an important part of the show in this form - do it as an expression of the Toymaker not understanding Time Lords and 15 points out that he can't fight just one part of the Doctor, and the Doctor brings all of him with, and have 14 reintegrate into 15 after the Toymaker's influence disappears, or something. Fifteen didn't even get anything to do that wasn't continuing 14's plan and 14 was the lead!

AND THEN!

If you're going to go with this, and have 14 be the Doctor who gets therapy and settles down.

WHY GIVE HIM A FUCKING COPY TARDIS?!

It's such blatant spinoff fuel! It undermines the entire purpose of that scene. If the 14th Doctor is a chronic adventurer who needs to settle down, why give him a goddamn adventure box?! It's like a story about an alcoholic recovering... but retiring to run a brewery, and that never being addressed.

Also: 14 existing opens up a huge can of worms. Is 15 even the legitimate continuation of the Doctor, as I mentioned before? Is either of them? Can 14 regenerate again, and as such will he inevitably have to leave the Temple-Nobles behind and revert to his old ways? And also, narratively, we've already done this for fuck's sake, we got Metacrisis Doctor settling down with Rose! If you want stories about the settling down Doctor, go read Tentoo/Rose fanfiction, at least that doesn't muddy up the base spine of the show! ALSO, why the fuck are we doing the Doctor therapy this way when the character who's supposed to be the main Doctor now, the Fifteenth Doctor is flying away and NOT getting therapy?

It's just so messy but it strikes me as a darling that should have been killed in the first draft.

#doctor who #doctor who spoilers #doctor who specials #doctor who specials spoilers #dw #dw spoilers #the giggle #the giggle spoilers #fourteenth doctor #fifteenth doctor #bigeneration

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wariowarediy · 1 month

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WarioWare Fan Ask Game

(i thought making this would be worth a shot at least. a good amount of these are about gameplay itself because i like hearing about gameplay specifics)

1. What WarioWare games have you played? (And do you have favorites?)

2. Any favorite characters from the series?

3. Do you make any fanworks for WarioWare or its characters? (Or how else do you generally show that you like the series?)

4. Do you have any personal headcanons or interpretations of the characters? (In relation to design, hobbies, connections to other characters, etc)

5. Do you have favorite or least favorite microgames?

6. Are there any songs from WarioWare you listen to often?

7. Would you be open to WarioWare characters showing up in other Mario spinoff content? (Ex: as playable characters in Mario Kart)

8. Have you played any other games that are similar to WarioWare's gameplay design? (Or are there ones you've wanted to look into?)

9. Do you have favorite minigames? (Not microgame, this is in reference to unlockable side games such as the Pyoro games)

10. You can choose 1 from the series character to get an official plush or figurine, who will it be?

(Some more questions that are completely game specific)

11. If you've played multiplayer Mega Party Game$!, do you have a 'main' character you go for while playing?

12. If you've played Get It Together!, do you have a favorite character (or set of characters) to use?

13. If you've played Smooth Moves or Move It!, do you have a favorite Form in those games?

14. If you've played D.I.Y., do you have any microgames, records or comics you're proud to have made?

15. If you've played Gold, which microgame type is your favorite? (Mash, Twist, Touch)

16. If you've played Game & Wario, what is your favorite minigame? (Either singleplayer or multiplayer)

17. If you've played Nintendo Badge Arcade, do you own any WarioWare related badges?

#warioware #ask game #i have no idea how much reach something like this would have but i'll try anyways !#by all means feel free to ask me these as well :]

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sunnnfish · 5 months

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oh my GOD where do I begin. Uhhhmmm. Okay. So Love & Passion is a chapter is the Sasaki and Miyano: First Years novel. Every chapter in that book is from a different characters perspective, and Love & Passion is from Tashiro’s POV. It is mostly about tashiros first year of high school and his joining of the ping pong club. Here look at the cover illustration

Going under a cut now due to exceeding length.

So like. There’s like. A Lot. Certifiably. Especially if you’re a tashiro enthusiast like me. Phenomenal characterization and narration that is usually very fun and lighthearted and tashiro-esque!

Gonzaburo Tashiro, first-year. At the moment, I’m facing an insurmountable barrier.

^ First lines of the chapter. He’s continuously very silly and like. Dramatic narrator. Yknow.

And such a personality lends itself to awfully poignant lines of crippling sincerity and simplicity that make me bawl my eyes out.

I don’t get it. What happened to the loneliness?

But of course tashiro doesn’t exist in a void to we have our delightful cast of his dear friends and acquaintances! Middle school bestie shirahama, who gets him into This Whole Mess (I’ll get to that later). Dearest Hanzawa Masato, who he makes various umh. Comments about.

“Game, set!” announced the referee, a second-year.

Man, he sounds so cool saying that.

…

As I stood there, drooping mentally and physically, I was approached by the guy who had refereed our match—the club’s vice president, Hanzawa.

And last but CERTAINLY not least. Dearest dearest previous president of the ping pong club!!!!

There he is. The saulty little binch on the right.

And if you’re wondering why we call him that. Well. He’s never given a name. Ha ha! But he has such a presence. The way he speaks and moves and looks feels so intentionally intense and like. designed. He’s so on purpose. Makes me wonder if we’ll ever get a spinoff of hanzawa masato[GETS SHOT] ha ha sorry who said that. Anyways

Dearest previous president (prev pres for short) and hanzawa torment poor tashiro. Endlessly. From the moment he joined the club—which was kind of an accident (he and shirahama joined just to check it out but eventually wanted to quit, but to quit you had to win a ping pong match. Shirahama won his match against a newbie easy peasy. Tashiro got matched up against the president of the club himself. Obviously couldn’t win and thus forced to join the club permanently)—from the moment he joined the club, prev pres and hanzawa are like. All over him. Obsessed with him. He tries to skip practice but both of them come drag him out of him classroom to come practice.

But despite his desire to not really be there, he takes club so seriously. He’s so sincere about it. He knows everyone else there is really passionate about ping pong so he cant let himself be the odd man out and rain on everyone’s parade. And this paradox—being so avoidant of the club but coming to care about it and bond with other members—really catches the eye of dearest prev pres.

“I thought Tashiro’d be spoiling for a fight, but he isn’t. That’s what makes him a genius worthy of my inner circle. Remember that, Hanzawa, ‘cause when I graduate, you’re gonna be the next club president.”

“Yes, sir.”

“And I think that guy might be a good successor to you!”

Dearest tashiro overhears this and promptly realizes the two freaks he’s met will not let him out of this. Ever. But he tells himself he’ll decline the offer. Surely they’ll find “someone more appropriate. Someone more serious about the club, maybe.”

And this is what like. Gets to the heart of this chapter. Love & Passion. AND REALLY QUICK touching on the fact that all the other chapters are named in ways that refer to specific characters. They’re all in pairs, and the chapter cover art reflects that too. She & Kuresawa. Miyano & Kuresawa. Sasaki & Miyano. Senior & Junior. SO IT MAKES YOU THINK. Who is love and who is passion. Anyways Tashiro meets and knows these various people around him and they’re all so passionate about what they do and what they like. Shirahama ends up joining the basketball club and gets really into it. Miyano and kuresawa are passionate about their books and clubs. Hanzawa and previous president are passionate about ping pong. Tashiro is passionate about… ? he doesn’t really know.

We so rarely know what other people’s passions are.

“Are you into anything, Tashiro?” Ms. Toyoda asked, and I flinched.

“Uh, me? I dunno. I guess I hadn’t really thought about it.” I racked my brain for anything I might be passionate about, but nothing came to mind.”

Later in the chapter he participates in a ping pong tournament and its like. He’s like the rush of it all and cheering for him teammates and stuff but. He doesn’t cry like everyone else when he loses.

Still, when I saw players from other school practically weeping when they lost, I couldn’t help wondering: What made them so different from me? I didn’t have the passion within me to cry when I lost.

Maybe that’s what real passion looks like. What did I have, then?

…

But something held me back, a sense that ‘passion’ was reserved for something you really, truly loved. Something you couldn’t replace, couldn’t even dream of giving up.

Ping-pong isn’t exactly the hill I would die on. But then again…

And he kinda goes through this arc where its like. Im not passionate about this like everyone else. But it has given me a goal to work towards.

And amidst all that We also get into what tashiro gets up to outside of school. Namely, he frequents a bath house where hes become the grandchild of all the old people that also frequent the place. And he also practices ping pong with his new grandpas, because he totally doesnt care about ping pong. He just. Wants to win. So he can beat the president and leave. Yeah thats it.

But he never does get around to beating the president before he has to graduate. Queue the moment that makes me the most insane

“So you’re never coming back, President?” I said.

“I ain’t President anymore.”

“Not the point! I haven’t beat you yet…” I clenched my fists, a yawning, lonely feeling of loss opening within me.

“Ahh. You mean the thing about getting to quit if you win? The next president’ll keep that promise. Dont’ you worry.”

“What?”

I don’t get it. What happened to the loneliness?

The new president—in other words, Hanzawa.

This like. Special relationship hes had with the president. This game of cat and mouse remains unfulfilled. And he feels loss and he feels lonely about it. But at the same time he can renew that relationship with Hanzawa. And it suddenly doesn’t feel so lonely anymore. And its the simplicity and bluntness of this whole exchange is what really sells it—tashiro is not particularly eloquent. He’s brash and blunt but extremely observant. And thats reflected in his chapters. He recognizes the ways other people interact with the world and their expressions and language. And its so like. Factual to him. It is the way it is. And that observancy is applied to himself too. This feels lonely. Oh. This doesn’t feel lonely anymore. But he doesnt necessarily have the self-reflection to understand why he feels certain things. Anyways.

And amidst all THAT theres these few moments where he gets this really weird adjacency to queerness. Like. If i had a nickel for every moment he asked about queer people, id have two nickels. Which isn’t a lot but its strange it happened twice.

First one:

Miyano’s hobby was man-on-man romance comics. I sometimes wondered about that (like, even though he’s a guy?),

Second one, where hes relaxing in the bathhouse common area and is listening to the old ladies talk about yuri.

Finally, I asked, “What’s yuri?”

“You don’t know? It’s stories of love between girls!”

“Huh, Haven’t heard of that one before…” I guess Ms. Toyoda and her friends had been into reading that sort of thing many years ago, and now their interest was being rekindled thanks to their grandchildren. “I didn’t realize women liked stories about girl-on-girl love, too…”

And its like. ITS NOT MUCH I KNOW. But it really is so weird it happened twice. Why did author Hachijo Kotoko do this. What does it mean. AND THEN IT ALL COMES BACK TO THE TITLE. Love & Passion.

I may not have that burning love that Miyano or Ms. Toyoda have, I thought.

Like. Specifically calling out the love miyano and Ms. Toyoda have. For queer stories. It sits so strange with me. Oddly meaningful but i dont know what it means.

Anyways. There’s also a really good shirahama and tashiro moment that i could get into but. I wont. Yet.

Anyways again. All that writing and i feel like i haven’t even touched on everything. Did not talk nearly enough about hanzawa’s presence but like. It’s very specific and hard to explain. But i also have an incessant desire to just quote like the entire chapter. So just go try to read it if you can. I unfortunately don’t know of any sources online but who knows. The book also has a second tashiro pov chapter so like. Cannot recommend it enough. I love tashiro gonzaburou so so much. He’s everything to me. Peace and love on planet tashiro.

#sasaki to miyano #tashiro gonzaburou #sasaki and miyano: first years #sasaki and miyano #Love & Passion #sunnfish.hzsr #sunnfish.txt #sunnfish.ask

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maleyanderecafe · 10 months

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Worthy Lover (Visual Novel)

Created by: QueenLilithPrime

Genre: Horror

It's a general surprise to see any sort of dilf yanderes in stories, especially as a main point of interest, so anything that does have a dad as a yandere is always a fun surprise. This game is tied to Restart Heart and @queenlilithprime did a god job in making an interesting premise really sparkle. If you are interested in more information, you can look at @worthylovervn for more information. This is part of a bunch of games I'll be recommending for the current year's #yanjam.

The story starts out with the MC (named Sweet Thing) being kidnapped by what looks to be Ezra's dad. It seems that he's rather distant from his son, but wants to make sure that his son has a good lover so that he can be happy. He asks a bunch of different questions, ranging from what they find most important in life, if they want children, if they hold grudges amongst other things. He reveals his name as Silas, and depending on choices, will make a decision if they are worried about their If Sweet Thing makes a good impression or at least a decent impression, Silas will end up keeping them alive, bringing them back home into bed. However, if Sweet Thing makes a bad impression, then Silas will end up killing them, believing that they aren't worth it for his son.

As stated before, this is a game that is connected to Restart Heart and is a spinoff sequel of sorts, thus makes reference due to different things, mostly names from the original game. It's pretty fun to see a connection with these kinds of games, while still being able to stand alone on a lot of parts. The game itself is pretty simple though, running more as a questionnaire if anything, but it does have some interesting lore points for the overall plot of Restart Heart. For one, based on this game, we do see that Ezra is part of a generational yandere lineage, though it also is a bit more complicated than that since Ezra seems to be more a platonic yandere (towards his children, but more specifically Ezra) rather than the traditional yandere on the fact that he is aromantic. It's kind of interesting to think about in this aspect, since we don't normally see aromantic yandere in... well anything. This does come down to the argument on whether you view yanderes as always having a darling as a romantic thing, or if it can be plantonic, which are both viable arguments. Personally, I do view that platonic yanderes can exist- they just are rare considering they have to strike a different kind of balance.

Despite that though, Silas doesn't seem to be that great of a father considering that he's been absent for most of Ezra's life. Despite that, he does want to make sure that Ezra's lover is (at least on his terms) up to measure and doesn't lack any qualities that he might dislike (such as disliking children, which puts an incredible dent in Silas's opinion of the player. Still, the idea of a yandere dad is already in itself rather rare, so having it in game is already something unique.

As a short, spin off game, it is quite interesting how Silas's relationship as a platonic yandere to his son goes about. It does seem likely that if he finds Sweet Thing also likeable that he will generally protect them as well, but whether that plays into the bigger game is still something that has yet to be determined.

#Worthy Lover #male yandere #yandere #yandere boy #recommendations #visual novel

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mariacallous · 1 month

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Group chats, including at least one of mine, can’t get enough. #KateGate—loosely, a collection of theories around the whereabouts and well-being of Kate Middleton, the Princess of Wales—presently seems to be occupying more brain cells than oxygen.

Gossip has been flying ever since January, when Middleton took a step back from public life for abdominal surgery. For a while it was just mindless chatter, but then Middleton posted a photo on social media, purportedly taken by her husband, Prince William, that news agencies determined had been manipulated. Then, speculation—that she’d Gone Girl’d, that the royal family was hiding something—turned fully conspiratorial, and turned the conspiracies into a cultural moment. (See also: crossover memes showing Middleton at the weird Willy Wonka experience in Glasgow.)

It is as though, two decades later, the British royal family is just now learning about the Streisand effect. Back in 2003, Barbara Streisand sued a photographer for releasing a picture of her home that few people had seen. But the suit itself, which Streisand ultimately lost, led far more people to the photo than probably would have otherwise seen it, and now there’s a whole effect named after this incident. The royals released an altered photo and now it’s part of a “-gate”: #KateGate. By trying to relay that everything is fine, the photo lured even more people into questioning what was happening with Middleton.

Bottom line: If you’re, say, a member of the monarchy, and you don’t want them thinking your “abdominal surgery” is code for getting a Brazilian butt lift, your best bet, in 2024, is transparency. Anyone with an internet connection now has the kind of bullshit detectorsthat Area 51 believers could’ve only dreamed of—or they act like they do—and they’re going to figure you out.

Granted, they may not find the “right” answer or the “truth,” but they will know when someone is trying to pull a fast one. Thirty years ago, Buckingham Palace may have been able to throw snoopers off, but the internet of 2024 will investigate like no other. We got Taylor Swift conspiracies and QAnon. People wonder if most images are AI-generated for at least a second. Going onto X (formerly Twitter) now feels like stumbling into the writers room of a CSI spinoff—everyone thinks they’re a forensics expert. If anybody, including Middleton, thought no one would notice a doctored photo on Instagram, they were sorely mistaken.

On Monday, TMZ and The Sun released a video showing the Princess of Wales out shopping with Prince William. She was seemingly alive and well. The Sun said it was releasing images of their stroll “in a bid to bring an end to what the Palace has called the ‘madness of social media.’” It did nothing of the sort. Interest in Middleton peaked the next day on Google Trends. #katemiddleton and #whereiskate now have millions of mentions across social media platforms. The madness has not calmed.

People pay attention to the British royal family for the same reason they pay attention to Game of Thrones or House of the Dragon: They love mess. Monday’s grainy footage just made the mess worse. TikTok is full of breakdown videos attempting to debunk the images. Others just wondered aloud if they’d been fully sucked in.

“This was fun for a while, and now I am genuinely at a loss,” one TikTok user posted. “I don’t know if this is how you feel when you actually lose the plot in a conspiracy theory and like five years from now everyone’s like, ‘That’s the moment when we lost them,’ or if we’re like actually watching an insane cover-up take place.”

Following the release of the shopping video and images, “friends of the royals” told The Daily Beast that Middleton would resume her public duties with a “big bang” on March 31, Easter Sunday. On Wednesday, The Cut, which previously wrote that the Middleton affair was a “crisis,” reported that Buckingham Palace was looking for a communications assistant. (Mind you, this is Buckingham, not Kensington, but same operation.) Queen Elizabeth II used to say the royal family must be seen to be believed. That may not be true much longer.

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my-mt-heart · 7 months

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The Shipbaiting Is Not Okay...

It doesn’t matter that Isabelle is a nun. It doesn’t matter that Daryl’s feelings aren’t confirmed, and it doesn’t matter that they ultimately won’t get together. The baiting, the relentless effort to make the audience think that they will, is the most heavy-handed we’ve ever seen and that in itself disrespects Daryl, a character who "falls in love forever," who represents unconventional masculinity, whose fanbase thrived on the vulnerability, loyalty, and unconditional love he showed Carol over 11 seasons.

Whereas Angela Kang’s juxtapositions between Caryl and Daryl/Leah demonstrated Daryl's devotion to Carol, preparing us for eventual canon, the drama behind the scenes last year makes it highly unlikely Zabel wrote le spinoff with Caryl endgame in mind, at least not until much further down the line if at all. Yes, there are a few allusions to Carol in the first half of S1, but they seem shoehorned in or left open to interpretation. I fear that’s because, until Melissa signed on for S2, AMC and Zabel felt compelled to tease an alternative endgame just in case “cool dude doing cool things in cool places” wasn’t a strong enough motivation to watch. The problem is, aside from turning Daryl into the conventional hero he isn’t, they’re just recycling key elements of Caryl's relationship.

In the jarring bath scene for example, Isabelle and Daryl see each other’s scars, lending credence to an observation Isabelle makes later that they were both “broken until the world ended.” Well, that’s Carol and Daryl in a nutshell. The abuse they both suffered before the ZA helped them relate to each other, see straight through the misconceptions others had of them, and raise each other up to become the most loyal, most loving, and fiercest survivors of the flagship show. Fans clocked their soulmatism early on, rooting for their romantically-coded interactions during their search for Sophia to blossom into a full-blown relationship. Since the hope for a child's future also lays the groundwork for Daryl’s and Isabelle’s bond, it seems like AMC was hoping the similarities would evoke the same emotional response from viewers. Maybe they were hoping fresh eyes would see the same potential for Daryl and Isabelle that we saw in Caryl while long time viewers would get lost in the nostalgia of it all.

In any case, it doesn't work. It can't because as great as Clemence’s performance is, she and Norman don't have McReedus' chemistry. Daryl’s and Isabelle’s relationship hasn't had anywhere near the same amount of time to grow into what people love about Daryl and Carol. Female characters aren't interchangeable. People weren't fooled when Maggie adopted Carol's fashion sense in the pilot of yet another male-driven spinoff, and people aren't fooled now.

From the scenes I've watched and what many fans have been saying, some of Isabelle's behavior comes off as emotionally manipulative, especially when she accuses Daryl of abandoning Laurent the way his abusive father abandoned him. It’s an absolutely ridiculous line because Daryl is not like his father. Carol and TF showed him that. Daryl also just met this kid. Caring about him and wanting to keep him safe are honorable, but that doesn't obligate him to stay. The scene is unsettling, and when you consider Daryl's history, it makes the shipbaiting even more questionable.

I know some think it sets up the opportunity for Isabelle to take a darker turn in S2 much like Leah did in S11. Like I said, there's a clear juxtaposition between Daryl telling Isabelle that France doesn't feel like the place he's supposed to be and him telling Carol he does know where he's supposed to be. We know Norman and Nicotero are more than familiar with that arc, so if they wanted to, they could give us the missing payoff through Isabelle (sans having to sit through a canon relationship between her and Daryl first). The problem is, we also know Norman hated that arc and I can’t imagine he’d want to repeat it. What’s worse is that Zabel's comments about a potential romance between Daryl and Isabelle don't address the toxicity of some of their interactions, which makes me worried he's not even aware of what he's writing.

I’m not saying Caryl fans won’t get what they want. Now that we know Carol is back and Melissa has just as much input on her story as Norman has had on Daryl's, there's more reason to hope for S2 to be good. Daryl and Carol could, and should, go canon and I could go back to celebrating my favorite characters with deep analyses, minisodes, and whatever else I did to try to spread joy (I barely remember anymore. I was so young a year and a half ago).

In the meantime, especially because of S1’s gimmicky ending, I reserve the right to be angry and skeptical. The backlash following le spinoff’s announcement last April should’ve told AMC loud and clear what we want to watch and what we don't want to watch. They had so many chances to earn back our trust—revert to the original premise, revise Daryl’s arc, remove the shipbaiting, tease a Caryl romance, give Carol’s first appearance more substance, SOMETHING—but they were more concerned about saving face, and now their audience for S2 has a lot to think about.

What was the significance of Daryl's growth in the flagship if the spinoff was going to regress him to the person he was in the early seasons? What am I supposed to make of his most intimate scenes with Carol if he can be placed in (poorly nuanced) intimate situations with a stranger? What am I supposed to feel when Carol presumably does everything in her power to find Daryl, and he’s conflicted about where he belongs?

Daryl and Carol said they loved each other in TWD’s series finale. Neither of those characters ever throw those words around, so when they say it, we know it isn't just a simple declaration. It's a promise that should keep Daryl grounded during his misadventure in France, yet the spinoff never explicitly addresses it. They want to keep Daryl's feelings ambiguous so they can build unnecessary tension. It's frustrating. After having their worst fears exploited for years, Caryl fans deserve a story that fulfills their deepest desires. They—and Melissa herself—deserve peace from the cyber bullying AMC, Zabel, and co. perpetuate the longer they deny representation of an earned relationship between a man and woman both over fifty. Caryl fans are supposed to be resilient, but S1 overall is a pretty low blow. I just want to look forward to S2 without feeling like I'm getting jerked around.

#Caryl #caryl spinoff #carol peletier #melissa mcbride #darylneedscarol #the book of carol #twd caryl

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iamafanofcartoons · 2 years

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100+ REASONS TO WATCH AND ENJOY RWBY

Let’s put this as simply as we can.

Now, I understand you’ll need further reasons to look into the show that was created by Monty Oum, Miles Luna, and Kerry Shawcross.

SO! Here is 100+ Reasons to give RWBY a shot, plus a resource list link at the end. ENJOY!

1) Sci-fi/fantasy show that balances the two aspects very well 2) Endearing characters 3) Deep underlying messages about the importance of human connection 4) Constantly improves on itself 5) Writers actually try to listen to what the fandom wants 6) Creative setting 7) Actually handles difficult topics, like communication, privilege, and the cycle of abuse in a way that is sensitive to the audience 8) Ending is already set, meaning the show is not at risk of selling out to corporate overlords 9) God-tier foreshadowing 10) Top notch fight choreography 11) EVERYTHING IS A GUN 12) RWBY unambiguously avoids Depraved Homosexual tropes - no evil LGBT characters

13) No surprise plot twists for the sake of shock value 14) The soundtrack Not only does it slap, bits of lore and characterization can be found in the series music 15) Character design 16) Symbolism and metaphors and hidden meanings abound Can make for an enriching experience if you have knowledge about color theory and fairy tales and historical/mythological figures 17) Nuanced portrayal of morality between heroes, villains, and those who are neither 18) Layered writing where not everything, especially conflict, is clear-cut and easily resolved 19) Portrays trauma without over-dramatization 20) Production values improve with each volume 21) Hopepunk 22) Female-Centric main cast All the “Fix-it” fanfics and “Rewrites” involve Male-Centric Casts and/or taking time away from female main casts to focus on male characters, especially male side characters. 23) No surprise plot twists for the sake of shock value meets Thanos snap. 24) Good bits of humor sprinkled throughout without being overbearing 25) A few villians that while irredeemable, are interesting to watch in how they act. 26) Masterpiece of a comedy spinoff 27) You can legally watch the show for free 28) Subverts narrative tropes common to both "western" hero stories and anime 29) Gender dynamics and expectations are well-balanced Gender tropes subverted, and addressed directly at times 30) Comfortably addresses class warfare, alcoholism, and other "mature" topics in approachable ways 31) Corgi 32) Combat Skirt 33) Women get to have pockets and pouches... 34) Women not requiring a man to save them 35) Large number of POC portrayed positively 36) LGBT are neither creeps nor villains, instead the straight people are. 37) POC are neither creeps nor villains as a majority...instead the white people are. 38) The “White Male Savior” with the mask, trenchcoat, and katana is the villain, while the underdog protector of the lower-income is a POC woman who may or may not be lesbian. 39) Meaningful facial expressions (that is, the animators spend time creating mood and reaction to elevate the storytelling) 40) Main antagonist is a woman, as are several of the other antagonists and they are NOT ditzes or idiots, nor are they fanservice. 41) The women are as intelligent as the men, where most anime try to have men be superior than women for the sake of shounen, the women are equal to men in screentime, plot relevance, intelligence, strength, personality, etc....though RWBY tries to have the women take precedence. 42) Men are support characters with their powers, while Women have more protagonist superpowers. 43) Positive half-sibling and stepmother representation 44) Positive honorary family member representation 45) Gay shipping and Lesbian shipping is encouraged by the writers and voice actors/actresses 46) The Main female protagonist's blood-based superpower is not broken or OP and has limits. 47) Well-executed humor (usually, ha). Basically trying NOT to make it fanservice or toilet humor or cringe. 48) Creators at least try to fix its less than stellar/problematic parts, which is more that I can say than the majority of entertainment. 49) Female characters are complex and interesting, also for the most part don’t woobified female villains. 50) Terrifying Villains and Monsters There is a difference. V1-V3 involved Monsters , V4-V8 involved Villains. 51) Every Character is based on a fairy tale/myth/legend/story and looking for those breadcrumbs just adds to the show 52) Already said, but emphasizing the fight choreography and the soundtrack. If you love over-the-top video game style fights this is for you. If you love epic metal playing over those fights this is for you. 53) Plays with tropes and story telling norms to subvert expectations in the best way 54) Not afraid to have tonal shifts to tell the story they want to tell 55) Not afraid to have the heroes lose sometimes 56) And plot points have consequences!!! None of this "bad thing happens and 1 episode later the status quo is restored" 57) Emphasizing foreshadowing again. Things that happened in season 8 were foreshadowed as far back as season 2. 58) The main characters are proactive. None of this waiting around for them to get up the courage to do something about the bad guys. Don't give me the “manor tea” stuff, they were trying to recover, Ironwood had it out for them and would have shot them for helping while refusing to obey him. 59) The Main characters are smart. They notice things (and come up with really cool strategies) 60) At least one villain does NOT underestimate the main characters 61) Everyone doesn't let characters use false justification for their actions regardless who it is! Everyone gets a consequence that fits! 62) Soundtrack is LIT 63) Gay Gay Homosexual Gay 64) Because I'm still on this, two autistic-coded main characters whose traits aid in their heroism! Ruby and Penny...possibly Marrow Amin 65) Kdin Jenzen, a Transgender VA, plays May Marigold, a transgender heroic side character who does not get killed off. 66) Chaotic teens saving the world with the power of stubborn optimism 67) Opposites Attract Tropes 68) Goth Uncle 69) Goth Milf 70) Himbo Dad 71) Non-sexualized Catgirl 72) Cat Cougar Milf with Tea Tray defeats Bat Assassin 73) Panther Dilf 74) Blonde Brawler Female who is also smart and can work mechanics 75) Female protag uses scythe and cape/cloak 76) It Portrays several different types of abuse ranging from romantic relationships to familial abuse along with accurately portraying them 77) Shows how harmful Alcoholism is 78) When/If a a character dies, it’s for a reason and isn’t for shock value Penny cheated death once...she would not cheat death again. Ozpin's immortality is a curse, and he is truly dead, a ghost. 79) One of the the main-main characters is disabled and isn’t treated as/seen as lesser 80) Male/Female friendships are a thing and abundant Normally if a man and a woman engage, its shipping, not friendships. But with Naruto and Sakura we have friendship. With Ichigo and Rukia its friendship....now that is abundant friendship in RWBY. 81) LGBT Voice Actresses Voice LGBT Characters. Kdin Jenzen is Transgender, Arryn Zech is Bisexual, and so are their characters. 82) All Romantic relationships, heterosexual or not, are given attention and emphasis on their interpersonal relationships 83) Balances tragedy and comedy, there are SEVERAL episodes where you both end up laughing your ass off and crying 84) Never goes all out depressing, the message is clear, it takes it to heart, and it shouts it for all to hear. Sometimes bad things happen. But you have to keep moving forward. 85) Has a variety of characters, each with their own themes/allusions (e.g. Ruby = Red Riding Hood, Team RWBY = Fairy Tale Characters, Team JNPR = Crossdressing Historic Heroes) 86) Amazing Music that builds on the characters' motives 87) You won't suffer vision problems after watching an entire cast that's blindingly white (shounen anime in general) 88) Gay doesn't suddenly die to leave heartbroken love interest Straight and angstily going back to the white guy who killed Gay out of possessive jealousy, which is super romantic. 89) Partners of dead Gays, should a Gay die, will not obligatorily be paired with someone str8 90) Character designs reference various fairy tales and stories, so you can get things like Mulan and Thor being a childhood friends romance, Beast and Beauty being one and the same and in love with Goldilocks, and Red Riding Hood maiming Cinderella, who is evil. 91) Everyone; good, bad, and the minor characters...are all hot. 92) You WILL get attached both to the good and bad characters. 93) All characters have very unique designs that fit their personalities and fighting styles. 94) Emotional/Physical Abusers get killed AFTER being humiliated 95) The Entire Show is full of metaphors and symbolism. The backgrounds, character clothing, the weapons they use... it's fun to analyze! 96) Stresses the importance of just being a nice person above all other stereotypical morally gray anime tropes 97) The people who work the the show. Seriously not just the main people; I'm talking about all the unsung heroes who do amazing background and scenery to sound design, etc. RWBY has some of the nicest, most hard working, and supportive crews I've seen. And considering the amount of harassment the anti-fandom can throw at them, they take and handle it so remarkably well. 98) Every character looks amazing from main to one-off. How their outfits convey who they are so well and sometimes subtlety. Also how the creators and character designers make it so cosplayers can have pockets on their outfits. 99) No stupid twists for shock value, the twists that do happen are foreseeable but executed in a way that is still shocking. 100) Enjoyable Comedic Spin-off far better written than Teen Titans Go. 101) Awesome weapon concepts 102) Awesome growth of story, plot, and transition of it. 103) People hate it when you have fun watching RWBY....is that not enough?

Need to come up with a list of good youtube channels next.

#RWBY #rooster teeth #monty oum #rwby fandom #rwby community #ruby rwby #weiss rwby #blake rwby #yang rwby #bumbleby #rwby analysis #rwby discussion #rwby meta #rwby fans #rwby positivity #rwby is enjoyable #rwby is a good show #iamafanofcartoons

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cleolinda · 1 year

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Varney the Vampire: Chapter 1

[I originally posted a shorter recap of this chapter on Livejournal, on December 7, 2010. If you'd like to just read the original, less serious version of the recap, that's here.]

[Content note: I'll talk about this a bit later, but, heads up: this opening chapter describes an assault that’s more vivid than I remembered. That's the second half of the recap.]

I'm not actually going to rewrite all my Varney posts like this, but I'd like to talk not just about the way James Malcolm Rymer wrote the chapter, but also the way I recapped it 12+ years ago.

First off, I don't think I gave Rymer enough credit for the atmosphere of the opening; maybe I just appreciate it more after struggling through some of the filler chapters. I did give him some credit, noting that there are 900 words of gothic effectiveness before anything actually happens—I'll quote the very beginning at some length so you can get a feel for what the next 230+ chapters are like:

The solemn tones of an old cathedral clock have announced midnight -- the air is thick and heavy -- a strange, death-like stillness pervades all nature. Like the ominous calm which precedes some more than usually terrific outbreak of the elements, they seem to have paused even in their ordinary fluctuations, to gather a terrific strength for the great effort. A faint peal of thunder now comes from far off. Like a signal gun for the battle of the winds to begin, it appeared to awaken them from their lethargy, and one awful, warring hurricane swept over a whole city, producing more devastation in the four or five minutes it lasted, than would a half century of ordinary phenomena.

It was as if some giant had blown upon some toy town, and scattered many of the buildings before the hot blast of his terrific breath; for as suddenly as that blast of wind had come did it cease, and all was as still and calm as before.

Sleepers awakened, and thought that what they had heard must be the confused chimera of a dream. They trembled and turned to sleep again.

I summarized this as:

The lightning! The thunder! Ominous calm! The buildings scatter like toy houses! O THE STORMY STORMINESS OF THE STORM. And then the hail starts up, at which point I started laughing, because… hail. Sexy, sexy, stormy hail. Oh the hailiness of the hail, the stormy sexy chunks of ice hailing on your head, yea, unto a mild concussion. In conclusion: hail.

I had some interesting expectations here about gothic atmosphere, or perhaps just the vampire genre itself, necessarily being "sexy." You do see some eroticism in a vampire story like "La Morte amoreuse" (1836), but—remember how I mentioned the cottage industry built on Polidori's "The Vampyre," which ultimately results in Varney the Vampire as a sort of parody? There's no Erotic Biting in any of that. Biting of any nature happens off-page in "The Vampyre," and to my knowledge, Ruthven doesn't manage to bite anyone in spinoffs like The Bride of the Isles. At the time Varney was first published (1845-1847), I don't know if people were expecting scenes like—well, what's about to happen next.

Enter Flora:

And now we meet Our Heroine, Flora Bannerworth, an aptly-named maiden who is "young and beautiful as a spring morning," bare shoulder, sculpted ivory bosom, teeth of pearl, moaning in her sleep, a flood of loosed tresses, so on and so forth. Wind, rain, sexy hail, 600 words, FLASH OF LIGHTNING! SHRIEK!

Okay, I clearly expected the heroine to be eroticized, and I was at least right about that:

The bed in that old chamber is occupied. A creature formed in all fashions of loveliness lies in a half sleep upon that ancient couch -- a girl young and beautiful as a spring morning. Her long hair has escaped from its confinement and streams over the blackened coverings of the bedstead; she has been restless in her sleep, for the clothing of the bed is in much confusion. One arm is over her head, the other hangs nearly off the side of the bed near to which she lies. A neck and bosom that would have formed a study for the rarest sculptor that ever Providence gave genius to, were half disclosed. [...]

Oh, what a world of witchery was in that mouth, slightly parted, and exhibiting within the pearly teeth that glistened even in the faint light that came from that bay window. How sweetly the long silken eyelashes lay upon the cheek. Now she moves, and one shoulder is entirely visible -- whiter, fairer than the spotless clothing of the bed on which she lies, is the smooth skin of that fair creature, just budding into womanhood, and in that transition state which presents to us all the charms of the girl -- almost of the child, with the more matured beauty and gentleness of advancing years.

Y'all.

I had read a lot of Victorian literature by 2010—took graduate classes, even—and was too jaded to be as fazed by this quasi-Lolita mess as I maybe should have been. I remember reading this and thinking, "Yeah, that's standard. Goes on a bit, though."

Having established Flora Bannerworth, Victorian Lolita (she's the only person with any sense for several chapters, don't hold it against her), the story starts to ramp up. Flora sees "a figure tall and gaunt, endeavouring from the outside to unclasp the window" in the next flash of lightning. She's not sure what she really saw; it turns out that the literary point of the hail is that she can't tell if the sound she's hearing is ice raining down on her gothic mansion or vampire fingernails trying to claw the window open. And like, who thinks "Obviously, a vampire is trying to get in"? She saw it so clearly, and yet, storm, darkness, hail, she could just as easily explain it away—how did Ann Radcliffe differentiate terror from horror? Basically, terror is the dreadful lead-up and horror is the shocking revelation? So we switch here from the horror of OH SHIT VAMPIRE AT THE WINDOW back to the dread of waiting to find out what it really was.

Around this point in the original post, I pointed out that there are four elements you might see in a vampire story: the Appearance of the Vampire; the Attack of the Vampire; the Victim's Consumptive Suffering; and the eventual Destruction of the Vampire. You see these pretty reliably in Dracula, for example; you see them subverted in Interview with the Vampire, where the vampire is eventually destroyed by fellow vampires, but then it turns out he wasn't, and he goes on to be vampire king and see Jesus and mess around with the Devil and Atlantis is involved, idk I didn't keep up with those books after the one with the body-thieving. In this particular chapter of Varney, we get the first two elements, and they are honestly very effective: "Frozen with horror!" I said. "Heart beating wildly! The strange reddish light from a burning mill in the distance! The vampyre's nails clattering against the glass as it seeks to open the latch! She tries to scream but cannot to move, but cannot! Her cries for help are but hoarse whispers that no one can hear!" And then:

(I want you to remember Lord Ruthven's "dead grey eyes" here:)

The figure turns half round, and the light falls upon its face. It is perfectly white perfectly bloodless. The eyes look like polished tin; the lips are drawn back, and the principal feature next to those dreadful eyes is the teeth the fearful looking teeth projecting like those of some wild animal, hideously, glaringly white, and fang-like.

(Sidebar: This is apparently the first appearance of the word "fang" in vampire literature.)

It approaches the bed with a strange, gliding movement. It clashes together the long nails that literally appear to hang from the finger ends. No sound comes from its lips. [...] The glance of a serpent could not have produced a greater effect upon her than did the fixed gaze of those awful, metallic-looking eyes that were bent down on her face. Crouching down so that the gigantic height was lost, and the horrible, protruding white face was the most prominent object, came on the figure. What was it? what did it want there? what made it look so hideous so unlike an inhabitant of the earth, and yet be on it?

Here I am, making a very good point while being gleefully insensitive:

Panting, repulsion, heaving bosoms, etc. And then begins the slow agony of Flora oozing across the bed in her attempt to escape. Hair streaming (slowly) across the pillows, covers dragging (slowly) behind her, until she gets one foot (slowly) onto the floor. This is one of the few times the paid-per-word aspect works in Varney's favor—it has the endless creep of a nightmare, so let's take a moment to bask in a brief ray of quality. Undaunted by effective writing, the vampyre reaches her and drags her by the hair back onto the bed; "Heaven granted her then power" to scream her head off. And thus follows the most awesome sentence I have yet seen in gothic literature:

With a plunge he seizes her neck in his fang-like teeth a gush of blood, and a hideous sucking noise follows. The girl has swooned, and the vampyre is at his hideous repast!

My Hideous Repast is totally the name of my new goth band.

And that was the end of my commentary on the chapter.

I'm torn here because I do think the writing in general is entertainingly overblown, and I do think "my hideous repast" is funny in the abstract. But what I don't understand—not to bring the room down, but I feel like it should be pointed out: when I started recapping Varney the Vampire back in 2010, I completely missed the fact that this opening scene is describing a sexual(ized) assault. Some readers might be really, really uncomfortable with this scene. Why did I not see this?

I came here to have fun and that would not have been fun?

I was approaching the serial from the assumption that it's silly and melodramatic, so anything that happened also would be?

This cover illustration did not exactly set me up to take it seriously?

I was so used to the ravishment fantasies of gothic/vampire media that it didn't strike me as something unpleasant or unusual to read?

It was 2010 and we didn't necessarily question problematic angles as thoroughly as we do now, even though I was already critiquing Twilight in 2008 so that's kind of a bullshit excuse?

I still think the melodramatic writing is pretty funny in places and I'm not sure how I feel about myself for that?

I think at least some of my reaction actually does come from writing about Twilight from 2008 onwards. It was a vampire story that had a marked lack of Erotic Biting scenes, to the point where director Catherine Hardwicke had to add one to the movie: Bella's fainting-couch fantasy of Edward as a classically gothic vampire, which apparently involves shoe-polish hair.

The mood 15 years ago (!) was, some people loved a twinkling repressed sparklepire insisting he mustn't touch his high-school ladylove, he mustn't! but he must!!, and other people were big mad about it. Reading Varney, it felt refreshing to go back to a "traditional" story and say, see, there is bloodshed and it's not sparklewashed and tame, that is what real vampiring looks like. And somewhere along the way, I think I lost sight of the fact that Twilight, for all its many faults, at least involves someone who enthusiastically consents to being bitten. Like, Bella as would-be victim consents when Edward doesn't; the big tension of the series is that Bella is always throwing herself at a hungry vampire who keeps running away from her.

Hey, you might say, in the midst of a cultural moment when everyone’s going wild over the bizarrely chaste story of a teenage girl and her guilt-ridden goody-two-shoes vampire boyfriend,

remember when vampires were actually scary and forced themselves on their victims?

wait what do you mean that's not great

By “not great,” I don’t mean that vampire villains are Problematic™ and should be banned from fiction. I'm saying, that's the point, that it's villainous to force a vampire bite on someone; that's what the horror of the situation is about. That said, one of the unique holds that vampires have on audiences is the moment when “force” becomes ambiguous—ambiguous for the characters, but when we consent, as readers and viewers, to seek out that ambiguity. Like, I’m here for vampires because of that, the psychodrama is the whole point for me; it’s not because I like watching people get chewed on. That ambiguity holds an audience-proxy tension between “I don’t want this” and “but I do want this.”

Case in point, Dracula attacking Mina in the original text: Mina is horrified to find that she’s compelled to submit despite herself (“strangely enough, I did not want to hinder him”), although that scene is heavily weighted towards “I don’t want this”—towards horror. A story like “Carmilla” has Laura feeling confused, conflicted, unsure of what’s even been happening behind the veil of her dreams: Do I want this? What am I even wanting? “Whatever it might be, my soul acquiesced in it”: more of a balance between want and not-want. Whereas Bella immediately wants to be bitten, end of, and spends three books chasing a vampire who is agog at how little she cares for her own life. It's... some kind of tension, for sure.

Thousands of words have been written about how this tension is tied to societal sexual repression, of course. And as the decades went on, as sexual mores loosened throughout the twentieth century and beyond, writers and filmmakers started saying, “Oh, the vampire’s bite is enjoyable and it doesn’t turn you immediately into a vampire, have fun.” (The U.S. seems to be moving politically back towards repression, which makes me wonder how vampire media might change soon.) And this is why Twilight feels like a metaphor for literal chastity: there are immediate consequences for being so much as nicked by a fang, and so all the eroticism is dialed down to teenage makeouts.

And so, in 2010, I was so busy enjoying the literary contrast between Twilight and a book where vampires actually bite people that I lost sight of the fact that what happens to Flora is a particularly cruel and vivid assault. I mean, getting dragged by her hair, Jesus Christ, why was I not more disturbed by that?

What this then makes me ask, though, is how did readers in 1847 take this?

Who was this written for?

Readers who would identify most with Varney—attacking Flora, which is awful, but the action as written is extremely callous?

Readers who would identify most with Flora—being attacked, which suggests a "horror is a safe roller coaster" framing?

Readers who wouldn't really identify with either of them, but instead might picture it as a stage play?

Given that Polidori's Lord Ruthven set off a "vampire craze" onstage, I lean towards the third option. It takes a certain bystander detachment to read this scene and not think of its reality—to empathize—at all. And my "lmao this is so silly" is, in fact, a form of detachment. But all three of those options are possible, all at once.

So: is this opening chapter intended to be funny? (Subsequent chapters are far more intentionally humorous, and I had doubled back to recap this after reading ahead.) Are we meant to laugh, or is the outdated style only unintentionally funny now?

Is it satirizing earlier vampire literature/theater on purpose?

Is humor a way of making it easier to read a scene like this?

Is it not a good thing, really to make a scene of assault "easier to read"?

Did I, a reader who would identify with Flora, need it to be easier to read?

Is it okay to have multiple, conflicting reactions to something?

The only answer I have is "Yes," to that last question. And the only thing I know to do with conflicting feelings about media is to accept them and say, as a data point: here they are. There’s a level to this first chapter that I completely did not grasp 12-13 years ago, when I was 30+ entire years old, and I'm still not sure why that is.

I do think Varney the Vampire is frequently pretty funny; weirdly, the subsequent chapters read like a parody of Dracula if everyone in Dracula except one (1) heroine was completely useless, 50 years before that book was even written. Flora might be the victim in this chapter, but she is not the butt of the jokes. But I guess what we need to think about is—if this book is meant to be parody, why is it funny, who is it making fun of at any given point, and what purpose does that serve?

At this point, the antiquated style is what’s funny to me, and I’m making fun of Rymer. Did Rymer intend his readers to find the opening chapter funny? Maybe not: I think he intended it, certainly, to be titillating, even exploitative—and I was aware of that, but maybe not enough.

We'll resume with Varney trying to get over a garden wall. It will be a shorter, lighter post.

#varney the vampire #vampires #vampire studies #welcome to hell it's my blog #long post

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