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#mosaic quilt
makereadgrow · 3 months
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I'm moving forward on the bear - 1/2" hexis, all black background fabrics, 656 hexis (not including background).
So far I've bought fabrics (important), and gotten started cutting my papers with my Cricut machine. I can cut 142 hexis out of a 12x12 sheet of cardstock so that's actually pretty efficient. I need to do a couple more pages but there's 550 in the pokemon card tin (I found a bigger jar).
I had a few black charm squares so I've cut those into hexis (8 per square at this scale) - I have 1 yard each of 5 fabrics (pictured) and a bundle of fat quarters. I don't love the fat quarters all that much so I'll save them for something else. I plan on cutting them down to 10" squares and cutting the fabric on my Cricut as well (42 from a square). I only need like 15 squares so that's very doable.
Anyway it's exciting to move forward on the bear.
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the-laridian · 6 months
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Repostober 22
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(2023) Beach Mosaic -I started this several years ago, got the top done, had to fix something, set it aside, and finally in early 2023 finished the whole thing. The back is a sandy yellow like that of the inner border.
Since I did start this one several years ago, there are things I would've done differently if I did it now, but, it still looks great, and I got to use up a lot of beachy-colored batiks.
It's a generous sized throw.
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tru-makes-quilts · 1 year
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facebookargumentasmr · 9 months
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I know for a fact no quilters follow me but today I saw an art quilt so beautiful that I died and went to Christ's heaven with the almighty God and she told me the needle arts were holy
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tj-crochets · 2 years
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My next rainbow quilt! I’m using a jelly roll, and was going to make a slightly more complex than absolute basic strip quilt, but I think instead I’ll use the jelly roll to make a patchwork quilt with 2” squares (finished size 2” per square)
The larger fabric will be the backing fabric
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daliaberlinartist · 2 years
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ashleeslint · 2 years
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Shop the latest photo from AshleesLint on Etsy
"Double Wedding Rings" has been updated to include center-out instructions! Contact me with your order number for the updated files 💕 https://etsy.me/3OzTtcg
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justwannaquilt · 1 year
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Timna Tarr is a world-famous quilter, whose work has been featured on The Quilt Show and Quilting Arts TV. She Is know for a specific type of portrait work, including animal portraits. She has published in countless magazines, and her book, Stitched Photo Mosaic Quilting teachings you her specific technique that we all so love. For more, see https://www.timnatarr.com/. It was such a pleasure and joy to chat with her. I hope you like the interview!
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muneca-lemon-steppa · 2 months
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Alfie noticing that guys who are way younger than him (like Michael? John?) having a thing for reader, who is close to age to these young gentlemen but has only eyes for ol' man Alfie? Thoughts?
Near Deadly Sin
Alfie Solomons x F!Reader; fluff
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AN: IM BAAAAACCCCKKK hello my loves it’s taking me forever to write again but I’m glad to be back. I miss you all and hope you all are doing well!!! MUAH - Mo
No. No this acidic flame burning between his ribs is not jealousy.
Not at all.
The embers stoked in his chest. The flames licking up his neck and around his ears. These are normal… manly… sensible reactions.
Alfie had been invited for ‘drinks’ with the Shelbys. He had refused adamantly, and was only coerced upon your promise to accompany him and to never. leave. his. sight. As if you would ever be far from him or out of his thunderous gaze. But as he is sitting across from Thomas and Arthur and Polly, he is regretting ever bringing you near this nonsense. This den of wolves and snakes. The murmurs of Thomas faded like the crackle of a radio as he focused in on John Shelby’s lustful gaze over you. With every sweep of his young and unbridled eyes and suck of his teeth, Alfie became more and more enraged. Not that you noticed. You didn’t notice John’s roving eyes or the quickening pulse of your husband next to you. You were content sipping the tea Polly served, making quiet conversation with Ada in the corner, holding a babbling Karl.
Alfie knew there was supposed to be a deal or something tonight. Or maybe an update on a job. Or something. It didn’t matter. Fuck the business. Fuck the Shelbys. Fuck John Shelby. Fuck it all. Standing quickly, pushing through the screaming pain of his back, Alfie grunts, “Darling get your coat. We’re done here.”
Your head spun, “Meyn Likht?”
“Up. Coat. Now. Cyril needs us.”
You press your lips in a firm line. Holding back your tongue from lashing at him for his impromptu exit. You knew what he actually meant. Thinking of Cyril was his code for indicating murderous intent that needed to be snuffed out immediately. You watch Alfie as you slip on your coat, going to Thomas to whisper something just out of your reach. Had you heard him, you would have heard the volcanic timber of his voice promise, “You control that little brother of yours Tommy yeah? It’s against holy law to look at another man’s wife like he been doing. Will have to go back to Mosaic law if he don’t shape up.”
With heavy stomps he approaches John, who is trying yet failing to keep a stone expression. “You keep them eyes to yourself little boy. Or someone may just take ‘em from you.”
“Darling? Cyril needs to be let out and will not wait for you!”
With a firm pat on the cheek Alfie turned away, gripping your waist firmly, hand as hot as a brand on the skin under your dress.
-
It’s late now, Alfie is fuming under the crisp sheets and thick quilts layered living on the soft bed. He’s pretending to read. Putting on his glasses and taking them back off again to stare at the ceiling. You emerge from the bathroom, face flush from the hot water, and hair pulled away from your bare shoulders. Arms crossed across your chest, you sit on Alfie’s side of the bed, “You want to talk about it like a grown up now?”
He huffs and shifts lower into the bed, as if to hide from you. With a shrug you walk back to your side, shuffling your sock feet across. You crawl back in bed, back to Alfie to let him fume. It was better than fighting with him to get him to share his feelings.
“He was looking at you.”
“Well Karl is a baby darling.”
“Not Karl! John fucking Shelby! Little bastard was undressing you with his eyes! And you said nothing!”
Ah… there it was.
You let yourself sit up to look at your husband’s face. Folded up into himself, glasses precariously balanced on his nose, cheeks ruddy from rage. Jealousy was his greatest sin and vice. Bigger than rage. Bigger than his love of rum. He was an only child and as such he grew into a man who did not like to share. Not even your image. You curled up next to him, like a cat preening for attention. “Meyn Likht… I didn’t even see him. You shouldn’t be jealous of a figure of vapor.”
“What you don’t notice the… the young men just staring at you? Gapped mouths like dead fish?”
“Those children?” You hum, gently kissing his scruffy jaw and temple.
“Those… men closer in age… to you.”
With that you crawl into his lap, looping your arms around his broad shoulders. “Darling… what could I do with those men? I’d break them.”
“Break them?” He chuckles, gripping you tighter.
“They’re too soft. Too pretty. No. I like my men… rougher… more sturdy… someone who can stand strong and not worry about their pretty face getting dirty. I like my old man.”
“Do you now?”
“Love him even. Deliriously in love with him. Couldn’t live without him.”
Before you could take another breath, he was on you, kissing all over your face, tickling you with his rough beard and mustache. “Good Lord woman you make me feel 20 again.”
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yeyinde · 1 year
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Okay but you know who else i think has a breeding kink? König. I know hes secretly a freak deep down and loves to mark you up, what better way to mark you than to come inside you repeatedly until it takes.
sorry, op. this kinda inspired me. nsfw under the cut.
Imagine König coming home from a long mission, and seeing you asleep on his side of the bed, nearly suffocating yourself in his pillow. The top is a mess, a mosaic of his laundry you said you would wash for him before he left. It sits around you like a quilt. You're drowning in him. He peels back the covers and finds you're wearing nothing except this shirt—the one he trains in.
Your thighs are exposed. Shadows are cast on the apex of your legs where the hem is bunched up, one hand nestled between. The lingering scent of sex is palpable.
He rumbles low in his throat. You were touching yourself to the thought of him, his smell. It jars something deep and primal inside of him.
You would wake up to him pressing his blunt head against your core, pushing inside your gummy walls.
"Need you," he'd murmur, voice nearly a whine. One you can't find it in yourself to deny.
König would wreck you. Press you into the mattress until you were wrapped up and docile in his massive fold. His cock would batter against your womb with each thrust until you were dizzy, drunk off the way he split you apart on the end of his cock.
He'd whisper in your ear how good you will look fat and swollen with his child. Will, because he wasn't going to stop until his cum took root in the plug of your womb. Until you were growing by the day with his child.
His pretty wife, barely able to walk.
But you wouldn't need to. He'll keep you here, tucked into the shrine of him, until you were bursting with the essence of himself. Until a bundle of the two of you sat against your chest.
He goes a little feral with it: rapid-fire German hissed against your crown about how good you felt, how your pussy was begging for his release, womb hungry for his seed. He wouldn't stop until you were sobbing in his chest from the pleasure of it all, and filled to the brim with him. Fucked stupid on his fat cock, and eager for the fill of him, everything he says around like heaven.
König keeps you tucked in the mess of his shirts
(He'd make sure you were never lonely again.)
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garadinervi · 3 months
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Susana Allen Hunter, Pig Pen Variation and Mosaic Medallion Quilt, (cotton (textile), cotton (fiber), batting, flannel), Wilcox County, AL, 1950-1955 [The Henry Ford, Dearborn, MI]
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ernestsewell · 9 months
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Bookshelf quilt is done. It's a good scrap buster, but really good to use with a layer cake. Lots of Felicity, Kaffe, and more in there. The tchotchkes are applique.
The top row right int he center are my Ina Garten cookbooks, same color values as the books themselves. The taller white book with gold, red and gray is America's Test Kitchen.
I followed Missouri Star's method for it. But the tchotchkes are my own idea. One person saw a lava lamp, the other saw a buttplug. So, I ain't sayin' shit about what is actually next to the mosaic hurricane lamp.
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eiraeths · 5 months
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do you guys want some of my cod 141 headcanons you’re getting them anyways
SOAP
-puts stuff in his mouth a lot to hold it when he runs out of hands (this includes when he’s making explosives, it stresses everyone out)
-gets cute aggression and bites people
-will also bite in a fight
-has bits and pieces of rubble from explosions that he thought looked pretty
-is feral, like he takes a hit to the face during a spar and grins with blood trickling into his mouth
-had a graffiti phase as a teen that never fully left and because of it he writes in all capital letters. this is great when they need something written down where no one can read it. (the 141 probably had a meeting where they went over how to read his handwriting)
-has dreams so realistic he wakes up confused wondering if it was a memory he forgot about even if it didn’t make sense
-military grade anger issues
-never fully grew out of his punk phase
-his childhood room was full of road signs and traffic cones
-is actually a hardass when it comes to training recruits (i think the proper term for privates in the sas is troopers but im calling them recruits cause that seems to be the term everyone uses)(everyone thought his bright attitude meant that he’s laid back and easygoing. no. he’s not. yall ever seen those videos of drill sergeants coming up with the most creative insults? thats him)
-randomly says “i am normal and can be trusted around military grade weapons”
-his journal from the og games is a must in the remaster sorry i don’t make the rules
GHOST
-can play guitar super fucking well, im talking full on fingerstyle ballads
-major staring problem, if he doesn’t want to talk to someone he’ll stare until they go away. sometimes stares at people for no reason. also stares when he wants something. he’s always watching.
-would be interested in getting into blacksmithing if he didn’t grow up poor and hates spending money on himself that isn’t out of necessity (seriously you need like 30k to start a forge)
-can and will obsess over damascus patterns in blades (i feel like his favorite pattern would be fish bone or those really complicated mosaic patterns. he gets soap into it too by showing him fireball patterns)
-never grew out of echolalia and because of this is amazing at mimicking noises (he mimicks smoke alarm battery low noises and phone chimes to troll people sometimes.)
-road rage, but its quiet fuming comments that make you grip the oh shit handle for dear life (“you better turn off your fucking highbeams or i can’t be blamed for the head on collision that’s about to happen”)(no one can tell if he’s serious or not)
-hates tin foil, hearing it or touching it makes him clench his jaw because it feels like he can feel it in his teeth
-secret sweet tooth, but it comes and goes. sometimes he’s disgusted by anything sweeter than white bread and other times he can fuck up an entire box of lil debbie cakes
-can hand sew efficiently and fast as fuck
-his favorite type of blanket is a heavy quilt
GAZ
-is aggressively hydrated and is one of those people who carry around those big 128 oz water bottles
-gets competitive over karaoke (it took him months to convince everyone to join and he only got the idea after finding out soap wanted to be in a band as a teen and that he spent days learning how to properly vocal fry)
-says WOO! when he’s super fucking excited (will throw his arms up as well if soap is around because the two of them are an echo chamber of emotion)(the WOO! might actually be canon theres a voice line in warzone)
-probably the most up to date on modern fashion trends (get this man a long cashmere coat he deserves it)
-he does own a bedazzled cap he found at a gas station though (it’s hideous)
-elaborate skin care routine (he’s conned everyone to have some sort of routine. especially ghost. he got so concerned when it hit him that ghost was always wearing the eyeblack)
PRICE
-listens to black label society (i won’t budge on this its not even a head canon to me anymore its fact it was revealed to me in a dream)
-plays solitaire (he’s a very high level and it took him less than a year to get there. no one knows where he found the time to play for that long)
-drives a manual and shames people who don’t know how to work a stick
-literature nerd (im talking all the classics and philosophy books this man can get his hands on)
-discovered tennessee moonshine and has thought about it ever since
-smacks people on the back of the head when they’re doing something stupid
-if anyone makes a negative comment on his facial hair he gives them the dirtiest side eye
GEN/MULTI
-gaz and soap carry those big contractor waterproof sharpies and leave gaz was here or soap was here everywhere they go (this stemmed from soap’s graffiti phase and gaz turned it into a competition. they once got into a competition on who could leave the most signs until price called them muppets and confiscated their sharpies)
-ghost put soap in air jail once, it was very effective
-gaz and soap go to the gym together and take photos in the mirrors after they’re done (somewhere there’s a photo of the time they got ghost to join and they even got him to flex an arm)
-ghost and soap are professional assholes to each other.
-none of the 141 are allowed play card games and gamble with each other because they’re all dirty charlatans
-price tried to stop smoking only once and carried around gum and peppermints. ghost stole the peppermints and soap wouldn’t stop asking for gum
-gaz and ghost are the only ones who really try to adhere to the lights out rule. price and soap can be seen drinking coffee throughout the day
-all of them can hold a grudge for life
-ghost clears his throat loudly when any of them smoke by him. or stares. depends on the say
-if any of the smokers see another outside smoking and decides to join them it turns into a drawn out conversation about the most mundane topics
-the 141 can have full conversations of pure sarcasm nons
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the-modern-typewriter · 10 months
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The Gallery of Broken Things
“Don’t you get it yet?” Victor’s voice cut cruel with pity. “They are never going to love you, not like I can.”
Adam swallowed against the lump in his throat. He willed himself to say something, anything. It didn’t even have to be snappy and clever, just something. Nothing would come out.  
Lightning flashed above them, illuminating Victor’s handsome features in the storm, and their eyes met. Victor’s voice grew softer as the wind howled louder, but Adam heard him all the same. “After all,” he traced a cold fingertip along the scar on Adam’s cheek. “How could they?” Victor clicked his tongue. “Look at you...”
Adam didn’t want to look, he never wanted to look. His shoulders hunched in protectively.
Victor waited too, eyebrow raised, for Adam to say something.
“I—” Adam didn’t finish. He couldn’t pick out the right words from the maelstrom.
Victor’s lip curled, and he dropped his hand. Adam felt colder than ever, and he didn’t think it was the chill of the rain soaking through his clothes.
“Come inside,” Victor said, “and stop being ridiculous. Before someone sees you.”
He turned and walked back into the house.
And, as always, Adam followed him.
***
The first time that Victor left him, Adam wrote out a list of broken things that he thought were beautiful. He’d only ever learned how to love something beautiful, after all, and it was inconceivable to consider himself as whole.
The initial list contained: stars, in all their dying light; mosaics in their fragments; glowsticks that only shone once cracked; kintsugi; and stained glass windows. It was not a perfect list – but it would do, in a pinch.
London, in the year 2094, was a perfect enough sort of place already. A Victor sort of place. Everything was smooth shining lines of glass stripped of any unsavoury edges, and neatly lush gardens for those who wanted to enjoy wildness without the danger of anything too unruly ruining the view. Adam could admit it was lovely, idyllic even.
It had never once felt like home.
The first time that Adam left Victor, he found The Gallery of Broken Things.
A woman, who he later learned was Margaux, had been handing out flyers on a street corner.
She’d been tiny enough that Adam felt like even more of a freak of nature than he usually did around Victor, and Victor was six foot of lean muscle and magnetic presence. It had almost been enough to make Adam apologise (for existing) and shrink back.
People could be threatened by height, by bulk, Adam knew.
He was not the kind of man that anyone wanted to meet in a dark street, or possibly even a well-lit one. Margaux didn’t seem to notice that.
She’d marched up to him with a pretty wicked smile, like they were in on some private joke together, and an air of whirlwind determination. She shoved the flyer in his hand and asked him to come.
She hadn’t flinched at his face once.
The Gallery of Broken Things was not, Adam learned, a traditional art gallery. It was more of a support group for people trying to figure out how to put themselves back together again.
They rented out one of the more ramshackle buildings on London’s outskirts, and met on Tuesday and Thursday evenings to drink copious cups of tea, chat, and make art. The day Adam went, curiosity tugging at him despite his best efforts, they were working on patchwork quilts.
“I know the name is weird,” Margaux said, plonking down onto a chair next to him. “I don’t mean, like, that none of us have anything to fix. Or that we’re something to be gawked at, though people do. Or to, like, you know, romanticise being broken.” She set the sewing kit down on the floor, along with the unwieldly tower of mismatched fabrics she was holding. “I just…” she bit her lip and looked at him, finally going still for the first time since he’d arrived. “I just got so sick of people saying there’s nothing wrong with me. Maybe there is something wrong with me. Maybe I will never be like everyone else, and maybe, just bloody maybe, that’s fine.”
Adam blinked at her, not sure what to say.
Margaux grimaced.
“I’m messing this up. I just mean, if we were broken, would that be so bad? Would that mean we had no value? Other people telling me I wasn’t broken didn’t make me feel less like there was something wrong with me. It just made me want to, I don’t know, love myself anyway. Screw them.” She tried for a smile. “All this to say, really, broken things deserve love and it doesn’t have to be good. Your quilt. Just, uh, try and have some fun making it.”
Adam found himself smiling back, shyly, as he sifted through the odd ends of material. He had never made a quilt before.
Victor always said that crafts were a woman’s hobby; the lowest branch of art when art was already a pursuit only suited for people not serious or clever enough to pursue science instead. Still, as the weeks turned into months with no sign of Victor, Adam learned two things:
Not everything beautiful was worthy of admiration.
He really loved making quilts.
***
“It’s this idea,” Adam said, “that you can take all the bits that nobody else wanted and still make something good.”
Victor looked at the quilt on their bed, and there was something so unbearably sad in his expression. He said nothing.
“Some of them get really intricate.” Adam shifted on his feet, mouth starting to go dry. “And they have a lot of historical value too. They’re sometimes passed down through families, with every generation adding a patch, until they have this massive blanket. It can tell us a lot about values, tradition, community.” He wanted to punch himself in the mouth, because he could hear that ‘desperate, kicked puppy, please love it please love me’ edge creeping in and he hated it. “I like it.” There, he’d said it.   
“You would,” Victor replied, and his expression was unreadable once more. “Patchwork for a patchwork person.”
“You don’t have to be a dick about it.”
Victor’s gaze snapped to him. “What did you just say?”
Adam sucked in a sharp breath, fingers tightening around the edge of his quilt.
Margaux had encouraged him to make it as ugly and cheery as he liked, but Adam hadn’t wanted that. He didn’t think he could do that, not yet and maybe not ever.
It was one thing relishing in ugliness when one was already beautiful, and was spitting in the expectation of it all, and another when Adam had never got to be beautiful in his life. At least it felt that way. Was it shallow to want that for a second?
The quilt resting on his and Victor’s bed was small, but Adam had spent hours on it. He’d learned how to embroider, and stitch, and yeah – yeah maybe it was patchwork for a patchwork person. But it was the prettiest damn bit of patchwork Adam could come up with, and maybe he didn’t know how to love himself and maybe Victor was right and no one else ever would after everything, but Adam could love the stupid blanket. Screw Victor.
“I said,” Adam’s teeth gritted, “that you don’t have to be a dick about it. At least I did a better job on these stitches than you ever did on me.”
“I saved your life! You wouldn’t even have a body to whine about if it wasn’t for me.”
Except, well, it was never Adam complaining. The realisation hit him low and sour in the pit of his stomach. He may not have liked what he’d become when he woke up to new life in Victor’s medical wing, but he wasn’t the one who made such a point of it. He tried to remember when Victor had first made a point of it. It hadn’t always been like that, had it?
Adam squared his shoulders.
“I don’t know, Vic. Maybe if you’d spent some more time on arts and crafts you wouldn’t hate your own creations so much.”
Victor stiffened.
“That’s it, right?” Adam pressed.
He watched as Victor’s dark gaze travelled up him, lingering on the places beneath Adam’s clothing where the stitches lay. The pieces of Adam clustered together from everything that the esteemed Doctor Victor Frank had once thought ideal.
“You were supposed to be my perfect thing,” Victor said. He picked the quilt up off the bed, folding it with care. “I know it’s my fault,” he added, with a small bitter sort of smile, “for not stitching you together well enough. But I bloody well tried, alright? You don’t have to be a dick about it.”
“That’s not—” That wasn’t why he’d made the quilt. Did Victor really think Adam had done this to rub it in his face or something? “I didn’t mean—you started—I like the quilt.”
Victor scoffed. “Do you know what you get when you put together things that no one else wants? Something that no one else wants. If they did, you wouldn’t be here, would you?”
The room felt airless.
Adam reached to take the quilt from Victor, because he clearly didn’t think it was worth anything, or at least not worth enough. To Victor, the quilt could only be a broken thing making some lame attempt at pretending otherwise, couldn’t it? He couldn’t see the love of making, of creating, anything anymore.
Adam’s ears were ringing.
Victor shifted the quilt out of reach.
“Would you?” he repeated. “You’d leave me in a heartbeat if you could. Even after everything I’ve done for you.”
“And what about you!?” Everything in Adam wanted to crumple, to retreat, to mutter apologies until he didn’t even know what he was apologising for anymore except for – well, everything. “As if you’d still be here if you hadn’t made me this.”
Victor’s silence smothered every corner of the room.
They’d met before the accident, Adam had seen the pictures and heard stories, but he couldn’t remember any of it.
They’d been together for two years apparently. Then, the accident happened. His body had been in pieces, the shrapnel of a person, when Victor stepped in. It had been an incredible feat to ensure he survived, some miracle of modern science, but…
Adam straightened to his full height and snatched the quilt from Victor’s hands.
It seemed to occur to Victor then, for the first time, that Adam was a head taller than him and much, much stronger. No. It wasn’t the first time, was it? It was something someone at the gallery had mentioned, once: if they actually thought you were small, they wouldn’t spend so much time reminding you of it.
Victor’s eyes narrowed.
The silence stretched, and stretched—
And then Victor laughed, shaking his head. He closed the gap between them, and wrapped an arm around Adam and the quilt.
“You know what?” He pressed a kiss to Adam’s shoulder. “I’m sorry.If you want to spend your life collecting things that nobody else wants, then that’s just fine. It’s even sweet. You’re sweet. I think it’s an admirable hobby.”
The breath, the everything, deflated out of Adam.
“Thanks,” he said, though he wasn’t sure that was entirely what he wanted to say. He didn’t think Victor meant that as a compliment.
“But maybe let’s not keep it on the bed where people will see it, yeah?” Victor took the quilt once more and moved over to the wardrobe, cramming it into the storage space at the top. “We’ve got that dinner later this week, remember? It’s an important opportunity for me. A chance to get everything back on track. You know how judgy people can be.” The wardrobe door closed. “It can stay in here, just until after that.”
“Right.”
“Don’t be mad, I like it! I do. It’s just - it has to be perfect, you know?” Victor stopped in front of him again, cupping Adam’s face in his palms. “I have to be perfect.”
But we’re not perfect. We wouldn’t even be having this conversation if we were perfect.
Adam didn’t say that though, because the viciousness had sucked out of Victor and left only pleading.
Victor could already see the hurt, the unsaid things and broken edges, couldn’t he? Then Victor looked away, as if scalded by the reminder, and busied himself smoothing out the bed sheets again. Without the quilt it looked like it was still straight out a home catalogue, pristine and colourless.
“It’s just a hobby, Adam,” he said. “Don’t look at me like that. I’m doing this for us.”
Adam said “right” again, even when the word tasted like blood in his mouth.
It was a hobby. Of course, it was only a hobby, so it didn’t matter. Not as much as Victor’s job at any rate. If things got back on track again, then maybe…
***
When Adam told Margaux that he wanted to make the gallery a, well, gallery, Victor had just left him for the fifth time.
It seemed to be their pattern, weaving in and out of each other’s lives. Victor left, and Adam trailed after him. Adam left, and eventually Victor hunted.
Margaux had lit up at the idea, though there were considerations to bear in mind. Space and time and what could be called the law against hideous things. London 2097 was perfect. It stayed that way by excising anything that didn’t fit. A Gallery of Broken Things was not the kind of exhibition that city council would approve of. Still.
The gallery space they managed to grab was a small, cluttered room which they all filled with an assortment of different objects and artworks.
There were patchwork quilts along one wall, of course. Some of them told stories, others were simply pleasing in colour and texture. Then there were other pieces too - a list full of ‘broken things’.
There were the shattered pieces of pottery glued back together in new forms, only more lovely for the fracture. In the corner, by the window, a shadowy ghoul made of garbage bags haunted the breeze.
Adam drifted around the space, adjusting lights, only to put them back. It had taken several months to get everything ready but they would be opening the gallery to the public tomorrow. Everything was set. There was nothing left for him to do.
He didn’t know if anyone would come. He didn’t know if anyone else would find value in broken things, or maybe they’d come but they wouldn’t get it. He wasn’t sure which was worse.
“You okay?”
Adam turned to find Margaux standing in the threshold of the exhibit, grey rain clouds blustering behind her before the front door swung shut.
It was late, and everyone else had long since gone home. He’d thought she had too, though it didn’t exactly surprise him that she hadn’t. She’d clocked in as many hours and pieces to the gallery as he had, if not more.
Margaux’s main installation was a whole bunch of glowsticks painstakingly tied together into the shape of a human skeleton. The body glowed poison green and bloody red. Margaux had liked the thought of a chemical reaction being the base of her piece, even if it was different to where she had started out.
Adam shrugged, because, well. “Getting there.”
Margaux moved to stand next to him, overlooking their work. She buried her hands deep into the pockets of her trench coat and swayed a little with the same restless energy that Adam could feel twitching in his own bones.
“It’s beautiful,” she said, next. “You did a good job.”
“You hate beautiful.”
“I hate that we live in a world that sometimes priorities beauty over kindness, that’s not the same thing.”
Adam laughed under his breath at that, shaking his head. Even though she undoubtedly meant it. They exchanged a glance; Adam’s smile a little less shy now than it had been when they first met.
“Come on.” Margaux held out a hand, waggling her fingers in offering. “Let’s go for a drink. We’ve been much too busy. I’m now terribly deprived of chocolate biscuits.”
“You don’t have to be at group to have chocolate biscuits.”
“It’s not the same on my own.”
He hesitated, but took her hand.
Outside it was drizzling, a noncommittal grey that slicked the streets and left the world hazy. The forecasts said that by tomorrow it would be storming. Adam couldn’t decide if that was a good or bad omen – his new life had started with a storm, or so Victor had always told him. Would there be a time when everything didn’t make him think about Victor?
Margaux squeezed his hand, bringing him back to himself.
She wasn’t looking at him so he didn’t know how she knew. She always seemed to, though. Not just with him, but with everyone who had come to her gallery. Maybe she knew what to look for or maybe she simply paid attention. Maybe both. They’d talked a lot in the years they knew each other, sometimes about the big things but mostly about the little. It was nice.
“You invited him,” Margaux said. “Victor.”
“How did you—”
“It’s what I would have done, once.”
Adam quietened at that. He stroked his thumb along the backs of Margaux’s knuckles, and it was her turn to snap back to the present. They shared another smile.
“Yeah.” Adam turned towards one of the pubs they sometimes went to, eager to escape the rain before it got worse. “I wanted him to see. To – I don’t know. Maybe he won’t show.”
“You don’t have to prove anything to him.”
“I know.” Adam did know that, now, at least in theory. In his guts was always a different matter, but it was a start. “I still want to feel…to feel like he did right by saving me. He lost his job over it, you know? Lost everything. It wasn’t ethical what he did. But I lived, probably when I shouldn’t have done. I guess I want him to know it was worth it. That I was…”
“Doctors don’t only save people who go onto do amazing things. It’s not their place to call that.”
Adam grimaced at her.
She snorted, sitting down in one of the more shadowy booths in the corner, for his comfort. She studied him from beneath a fiery fringe, drumming her fingers against the table, before she seemed to make an effort to stop.
“Besides.” Her voice was deliberately casual, in a way that from Victor might mean an oncoming barb and from her meant – not that. “You’ve done amazing things, if that’s what you’re worried about. You’re…amazing.”
Adam swallowed hard, and resisted the urge to clear his throat. She cleared hers, scrambling to pick up the menu. Heat rushed to both of their faces.
“Yeah,” he said. “You are too.” It seemed like a dumb, too pale thing to say, because she was so much more than amazing.
Their eyes met.
The rain outside began to pour.
“So,” she said. “Fancy splitting some nachos?”
***
“Adam.”
Somehow, Adam really hadn’t been prepared for the possibility that Victor would come. He thought he’d look at the invite, not bother to show, and then either way Adam would have done his part. He turned to face the other man, standing alone by the entrance of the exhibit.
Victor looked as impeccable as he ever did; more impeccable if that was even possible, as if even the swelling storm didn’t dare to touch him.   
“Victor.”
Adam’s heart hammered in his chest, ever a reminder of what Victor had done, what Adam owed him, the blood that tied them both.
He watched as Victor pivoted on the spot to examine his surroundings.
They hadn’t officially opened yet. Margaux was in the backroom somewhere and the others would be on their way.
Victor paused by the wall of quilts, one hand rising as if to touch but stopping halfway. Dropping. Victor stuffed his hand into the pockets of his expensive coat.
“A gallery of broken things.” Victor hummed, swinging to face Adam once more. “You could do better.”
“Maybe,” Adam said, softly. “Maybe not. But I don’t want to.”
Victor’s brow furrowed at that, his head tilting to the side.
“You’re early,” Adam said. “We’re not opening until 11. I said that, right?”
“Are you really going to invite people to come and look at…this.” Victor stepped closer. “At you. Shouldn’t you at least be in the backroom or something? I’m just worried,” Victor added, quickly, taking his hand. “People can be cruel.”
“Yeah.” Adam looked down at his hand, huge and patchworked in bits of skin and sinew, strong but hideous in comparison to Victor’s. “People can.”
“So don’t do this.” Victor squeezed his fingers. “Come with me. That’s why you invited me, right? You mess up, I fix things.” He took a step back, as if to tug Adam out of the door.
Adam didn’t move. Victor may as well have tried to tug stone.
“I invited you because this is something I’m proud of.”
Victor stopped tugging.
Adam let go of Victor’s hand.
Maybe, it clicked, it finally clicked, that there was never going to be a point where he was good enough for Victor.
Because it was him.
Because if Adam did something for himself, then he wasn’t doing it for Victor.
Because he wasn’t some controlled experiment, eternally grateful for what he’d been given, but something – someone – alive. Victor had admitted himself, once, that when he saved Adam he’d wanted to know that he could do it. It had been scientific, not heroic. And when it worked too well…
Well, Adam was alive. Living people were not perfect, they messed up all the time.
Victor talked about their past relationship like it had been something wonderful, like they’d been the happiest people on the planet, like they’d had been perfect.
Once upon a time, Adam had believed it. He didn’t anymore.
Victor stared at him.
“That’s what people do, Vic.” Adam’s voice cracked. “Don’t you get it? When they want someone in their life, they invite them to the important things. They support each other. They say they’re proud, even if they think the art’s a bit rubbish.”
Maybe Adam had reasons, other reasons, which all seemed stupid now. Had he really thought Victor would approve? That he might have changed? Maybe he’d hoped.
“I support you,” Victor protested. “I’m supporting you now, even if you’re too—”
“No.”
“…what do you mean no?”
“I really hope you know what no means.”
Victor folded his arms. “I’m trying to help you. If I’d known this was what you’d been up to, I would have come sooner.”
Adam shook his head. He almost wanted to laugh, except it wasn’t really funny. Maybe it hadn’t been funny for a long while. “You’re trying to help you, like you always do, because you think what I do reflects on you.”
“Oh, come on!” Victor sighed, like Adam was being ridiculous. “So, what, you invited me here to lie to you? I don’t lie to you. Tell me one time that I’ve ever lied to you.”
“You said this was only a hobby. It’s more than that to me.”
Victor rolled his eyes.
Adam released a shaky breath, and part of him still wanted to wilt. He forced it down. “This was clearly a mistake.”
“This is a mistake, yes.” Victor’s expression grew colder, and he seemed to regroup himself. “They are going to hate it. They are going to hate you, and then you’re going to break, and then I’ll have to derail my life to put you back together again because that’s what I do.”
“No, you won’t.”
“What, because this time is magically different to all of the times before when you thought you could survive without me?”
Adam’s mind flashed back to Margaux, to the group, to nachos and – if not peace, then belonging.
People who wanted him around, who liked him, who didn’t act like if he got hurt it was his own fault for not being careful enough. People who didn’t say ‘the world is cruel’ as just another excuse for cruelty.
“Yeah.”
Victor outright snorted.
“So,” Adam said, “I think you should go. For good.”
“You can’t be serious.”
“Deadly.”
Victor blinked at him, like he couldn’t comprehend what exactly was happening, like he didn’t recognise Adam anymore.
“Adam,” he began.
“Is there a problem here?”
The two of them both turned, to find Margaux had appeared from the back office. Her eyes were cold in a way that Adam hadn’t seen before, murderous even, as they fixed on Victor.
“We were just leaving,” Victor said.
“No,” Adam said. “We weren’t.”
“Is this gallery yours?” Victor held a hand out to Margaux, charming smile pinned back on his lips. “I’m Victor, Victor Frank. I’m Adam’s—”
Margaux ignored Victor, coming to stand by Adam’s side, studying him.  “Are you okay?”
Adam managed a nod.
Victor’s dangling hand curled into a fist. He looked between them, at the way they stood close and comfortable with each other, as if he expected Margaux to be shrieking and reaching for a pitchfork.
“Is there a particular reason,” Victor’s voice was much too light, “that he would not be okay with me? Because, you know, this was a private conversation. I care about Adam a lot, and if you’re encouraging him to—”
It was Adam’s turn to take Margaux’s hand gently in his own.
Victor faltered for only a second.
“I can’t believe this.” His gaze flicked down, scalpel sharp, and then back up. “I really can’t believe this. Are you bloody well kidding me, Adam?”
“I’m sorry,” Adam said. “that you think everything has to be perfect, because you’re never going to be. And I’m sorry you think the world is full of people like you, because it’s not.” He squeezed Margaux’s hand and Margaux squeezed back. “I’m not sorry for leaving you.”
Victor’s mouth clicked shut. He opened it again, but didn’t speak. For once, he really seemed to have nothing to say at all. Then he walked out.
Adam felt like he could finally breathe.
It was time to break the cycle.
***
The opening of The Gallery of Broken Things was not a stupendous success, but as far as Adam was concerned it was a moderate one.
There was a steady stream of traffic and conversation throughout their opening hours, and while some people were less than complimentary about what real art was supposed to look like, others were…different. Maybe lots of people felt a little broken, sometimes, even if they didn’t appear that way.
The lot of them celebrated after hours, with cups of tea and chocolate biscuits. Eventually, again, it was only Adam and Margaux left.
They sat together on the floor, between the installations, the glow of Margaux’s skeleton beginning to fade. She’d have to remake it every so often to keep up the look.
It had been a busy day, so there hadn’t been too much time to talk if talking was even required. Still, he’d felt her eyes on him every so often.
“Thanks,” Adam said, eventually. “For, you know. Helping out with him.”
“I didn’t do much.”
“You did enough.” More than enough, even if Adam still didn’t quite know how to wrap his tongue around all the words.
Beyond the gallery doors, the storm had finally broken.
Because, maybe Victor was right about thing, maybe no one would love Adam like he did.
They would do it better.
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xxdemonicheartxx · 6 months
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Flight Rising flights but as art mediums:
There are some overlaps in mediums since dragons are so tight knit and far spread
Earth: tile work/mosaics, jewelry work, ceramics, stone sculpture, chalk, clay work, plaster, leather work, rain chains
Water: plaster work, woven tapestries, shell jewelry and chimes, pearl inlays, decorative sails and flags, basket weaving, sandstone carving, watercolors, mirrors and glass sculptures
Shadow: optical illusions, black and white photography, puzzle boxes, uranium glass work, maybe iron work, mycology arrangements, shadow boxes, gouache, anything that involves glowing in the dark
Light: stone carving and gold foiled painting, sometimes tapestry weaving to depict an image or scene, impressionism, oil paint, tempera, portraiture, clothing and attire, mirrors, pigment making
Plague: hyper realism, and taxidermy, ceramics, bone carvings, tattoos, ink block prints, collage art, murals, leather work, totems and large outdoor installations
Nature: floral arrangements, dye work, wood work, candle making, hot wax painting, landscaping, rain chains, wind chimes, tapestries, needle felting, carpentry, animal cosmetics (haircuts, animal safe dye, nail and claw painting, etc), apparel/clothing, pigment making
Ice: needle felting, wood carving, quilting, ice carving and sculpture, snow sculptures, knitting, the art of tea blends, dried plant arrangements, carpentry, fabric weaving, tapestries, crochet, wood burning, blanket weaving, candle making, dye work, wood turning
Fire: welding, decorative weapon smithing, glass blowing, wood burning, wrought iron, stained glass, latticed metal, terracotta, ceramics, obsidian and basalt carving, graphite, slate, charcoal
Wind: paper mache, ribbon mediums, basket weaving, sonorous sculptures, wind chimes, feathered attire, really tall and thin structures/sculptures, jade carving, blanket weaving
Arcane: resin, stained glass, welding, intricate silver work, collaborative neon work with shadow (they need that special eye for glow in the dark), crystal carving, zen gardens, bonsai art, screen printing, photography, illuminated manuscripts, clothing and apparel, gold foil work, abstract art
Lightning: bronze cast sculptures, sand sculptures (when lightning strikes the sand and turns it to stone) aluminum casts poured into ant colonies/hills, pop art, up-cycled art, photography, art that is still capable of being utilized and interacted with because people and dragons are part of the medium, assemblage art, banners and flags
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mtaartsdesign · 12 days
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We mourn the loss and celebrate the life of Faith Ringgold (1930-2024). A painter, mixed media sculptor, performance artist, activist, writer, teacher and lecturer, Ringgold’s impact on American art cannot be understated, and her legacy is especially felt in New York City. Born in Harlem, Ringgold attended City College for both her B.S. and M.A. degrees in visual art before travelling the world, which would inform the rich narratives in her work and the development of her iconic story quilts. She revolutionized notions of craft in fine art with her unique style of narrative quilt paintings while centering African American and feminist voices. The distinguished artist received more than 80 awards and 23 Honorary Doctorates throughout her prolific career. Ringgold’s work has been exhibited internationally and belongs in the collections of numerous institutions including the Brooklyn Museum, the Metropolitan Museum of Art, the High Museum of Art, the Studio Museum in Harlem, and the National Gallery of Art in Washington, D.C.
Ringgold’s mosaic artwork “Flying Home: Harlem Heroes and Heroines (Downtown and Uptown)” (1996) at 125 St (2,3) station honors Harlem notables and makes them fly. Ringgold has said of the work: "I love every one of these people. I wanted to share those memories, to give the community - and others just passing through - a glimpse of all the wonderful people who were part of Harlem. I wanted them to realize what Harlem has produced and inspired." Faith Ringgold herself is certainly a Harlem heroine who has inspired and will inspire many for years to come.
📸1: MTA A&D/Cheryl Hageman, 2: Trent Reeves
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