Imagine Loki finding himself mysteriously shanghai'd into being part of a reality TV show focusing on the daily lives of immortal beings
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sniffs you casually -the mysterious sniffer
umm well there's lots to smell too after a long day o////o for the both of u to share... while ur both sniffing and slurping me ahhh >///<
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The crash of Hindenburg 1937… that… that was a Vast avatar’s doing, right?
Cause I read somewhere that the causes for the crash were unclear soo…
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I'm turning 30 this month, and for some reason have become suddenly interested in material possessions. like what if,,,,,,,,my couch was nice. what if my sheets were nice. is this what happens to you??
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A murder mystery film set in a medieval village. After an outbreak of plague, the villagers make the decision to shut their borders so as to protect the disease from spreading (see the real life case of the village of Eyam). As the disease decimates the population, however, some bodies start showing up that very obviously were not killed by plague.
Since nobody has been in or out since the outbreak began, the killer has to be somebody in the local community.
The village constable (who is essentially just Some Guy, because being a medieval constable was a bit like getting jury duty, if jury duty gave you the power to arrest people) struggles to investigate the crime without exposing himself to the disease, and to maintain order as the plague-stricken villagers begin to turn on each other.
The killer strikes repeatedly, seemingly taking advantage of the empty streets and forced isolation to strike without witnesses. As with any other murder mystery, the audience is given exactly the same information to solve the crime as the detective.
Except, that is, whenever another character is killed, at which point we cut to the present day where said character's remains are being carefully examined by a team of modern archaeologists and historians who are also trying to figure out why so many of the people in this plague-pit died from blunt force trauma.
The archaeologists and historians, btw, are real experts who haven't been allowed to read the script. The filmmakers just give them a model of the victim's remains, along with some artefacts, and they have to treat it like a real case and give their real opinion on how they think this person died.
We then cut back to the past, where the constable is trying to do the same thing. Unlike the archaeologists, he doesn't have the advantage of modern tech and medical knowledge to examine the body, but he does have a more complete crime scene (since certain clues obviously wouldn't survive to be dug up in the modern day) and personal knowledge from having probably known the victim.
The audience then gets a more complete picture than either group, and an insight into both the strengths and limits of modern archaeology, explaining what we can and can't learn from studying a person's remains.
At the end of the film, after the killer is revealed and the main plot is resolved, we then get to see the archaeologists get shown the actual scenes where their 'victims' were killed, so they can see how well their conclusions match up with what 'really' happened.
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CAME OUT OF MY DADS PRINTER AT WORK TODAY..........
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For more information and to support the WGA please:
Follow their official social media on all platforms and only trust statements from the union itself, and articles they promote (be wary of other articles).
Read up on the issues being fought for (there are articles supported by the union in their linktree)
Be vocal in your support and inform others in your communities.
Stop using ChatGPT and other AI tools, even for fun. (Not just for the duration of the strike. Stop doing it, period. Encourage friends in fandoms to stop. Make rules against it in your Discords. Stand up.)
Go to the picket lines if you live nearby.
Donate to the Entertainment Community Fund which supports non-WGA production workers whose income will be affected by the strike.
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*hitting you with a stick* no benoit blanc movies should not interact. they should not lead up to something. you need to detox from the marvel/sherlock bbc poisoning. they should be completely independent movies (maybe w some cameos/little references for fun) and go on for as long as there are stories rian johnson wants to tell in this universe. i do not want an overarching plot i do not want a team up i dont want a benoit-focused prequel i want some good old fashioned episodic murder mysteries that have nothing to do with each other!!!!!!!!!!! also rian johnson has literally said he's not gonna do a prequel and he wants the movies to all stand on their own
addendum 1: by "marvel/sherlock bbc poisoning" i dont mean that those caused this over-serialization, but i think they are partially responsible for why audiences are expecting it. learn to engage w murder mysteries on the genre's own terms
addendum 2: idc what headcanons you have. i actively encourage you to write fanfic about marta and helen solving crime if you wanna. that is literally what fanfiction is for my guy! if you want to know how phillip and benoit met THAT IS WHY FANFIC EXISTS
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