#new zealand music month

[gothwizardmagic]

Kia ora koutou, I’m back for day 2 of te Marama Puoro o Aotearoa!

Today’s recommended artist is Alien Weaponry, a heavy metal band specialising in telling stories of Māori culture and Māori history through music, most of which is sung in te reo Māori.  The band was formed when its members were still in primary school, and they’ve been developing and refining their sound for over a decade, coming to national attention in 2016 after winning Smokefreerockquest and Smokefree Pacifica Beats in the same year, the only group ever to do so.  They’ve released two studio albums - Tū and Tangaroa, both available on Bandcamp.

You’ll like them if you like: Lamb of God, Rage Against The Machine, Metallica, Meshuggah, System of a Down

Similar NZ Artists

Unsanitary Napkin - Leftist Anarcho-Punk Beastwars - Sludge Metal Devilskin - Alt Metal

#nzmm #new zealand music month #te marama puoro o aotearoa #music rec #kiwiblogging #i love alien weaponry So Fucking Much #nzmm2022

[holliano]

My entry to a New Zealand Music Month exhibition (the brief was to make a record sleeve for a real or imagined record).

All of mine lines up date wise…but may be a little implausible.

Please enjoy:

News of the World presents:

The Complete Collection of Queen Victoria’s Wire Taps

Transported in style.

#my art #watercolour #New Zealand music month #record sleeve

[murderousink23]

05/01/2023 is Beltane 🔥🇮🇪, National Open Farm Day 👩‍🌾👨‍🌾🇮🇪, New Zealand Music Month 🎶🇳🇿, Law Day 👩‍⚖👨‍⚖🇺🇲, National Chocolate Parfait Day 🍫🇺🇲, National Loyalty Day (*shudders*) 🇺🇲, National Mother Goose Day 🇺🇲, Silver Star Service Banner Day 🇺🇲, National Golf Month 🏌️‍♀️🏌️‍♂️🇺🇲, Haitian Heritage Month 🇭🇹🇺🇲, South Asian Heritage Month 🇺🇲, Asian Americans and Pacific Islanders Heritage Month 🇺🇲, National Military Appreciation Month 🇺🇲, National Melanoma Monday 🇺🇲, Jewish American Heritage Month ✡🇺🇲

#beltane #national open farm day #new zealand music month #law day #national chocolate parfait day #national loyalty day #national mother goose day #silver star service banner day #national golf month #haitian heritage month #south asian heritage month #asian americans and pacific islanders heritage month #national military appreciation day #national melanoma monday #jewish american heritage month

[geewhizze]

Pride Event Music in the Park at the Botanical Gardens in Wellington, Aotearoa

16.03.2024

#travel #abroad #pride #lgbtqia #lgbtq pride #queer community #music #music in the park #pride month #wellington #botanical garden #new zealand #aotearoa

[cowtron2000]

Tim Finn - Ono Marama Takerehāia / Six Months in a Leaky Boat

#tim finn #split enz #six months in a leaky boat #Ono Marama Takerehāia #new zealand music #waiata anthems

[waitingforgodotyaoi]

every day I hold myself back from writing out thousand word diatribes about kiwi music on this webbed site but there's niche posting and then there's niche posting.

#New Zealand music month is over at least so that's almost out of my system

[doyoulikethissong-poll]

Eiffel 65 - Blue (Da Ba Dee) 1998

"Blue (Da Ba Dee)" is a song by Italian music group Eiffel 65. It was first released in October 1998 in Italy and became internationally successful the following year. It is the lead single of the group's 1999 debut album, Europop.

The song initially found success in France, where it debuted in August 1999 and reached number one for three weeks. It then found success in other European countries, reaching the top spot on many charts in September the same year. It became one of the biggest-selling songs of 1999, reaching number one in at least 18 countries, charting at number three in Italy, and peaking at number six on the US Billboard Hot 100 in January 2000. It reached number one in Australia, New Zealand and Canada. In the UK, the song initially entered the top 40 purely on import sales; it was only the third single to do this. The song re-charted on 6 May 2013 at number 40 in the UK, following its inclusion in Iron Man 3.

The song received a Grammy Award nomination for Best Dance Recording at the 2001 Grammy Awards. "Blue (Da Ba Dee)" has also been heavily sampled and remixed in later years.

The accompanying music video for the song was released in 1999 by BlissCoMedia, a computer graphics division of Bliss Corporation, and featured computer-generated graphics that were done in 3ds Max. With very few resources, tutorials and books, and only one editing machine, the video was made between 1998 and 1999 in a garage in about two to three months.

"Blue (Da Ba Dee)" received a total of 75,2% yes votes!

#finished #high votes #high yes #high reblog #90s #eiffel 65

[clemswinecorner]

Small world [Clément Novalak]

Summary: Picking up your cousin from the club ends a little different then you expected… It’s a small world.

Wordcount: 2.9k

Warnings: They’re in the club, mentions of a toxic relationship and cheating (not y/n and clem), sexual implications

It has taken me too long to write a Clem fic, I’m glad it’s finally here!! Especially considering my username is literally clemswinecorner😐😐 Added in a waaaay more dramatic storyline then necessary cause I didn’t know how to end it whoops, but enjoy! For the Clem girlies (but especially Chloe and Yana)🫶🏼🫶🏼

Bit shit formatting because this is posted from my phone, will be fixed asap!

Main Masterlist

“Paris, I’m seeing your brothers Monday, I really don’t think I need to see them right now,” Paris, although you can’t see, rolls her eyes as she looks back at you. “They’re right over there, c’mon!” She yells, trying to be heard over the music. Before you know it you’re standing in front of a table at the back of a club. “Y/N, hey, what are you doing here?!” Despite not wanting to be there, you still smile at your cousin who pulls you into a hug. “I was supposed to pick up Paris and she dragged me inside. It’s good to see you though, it’s been too long,” Marcus laughs at his sisters ways as you briefly hug your oldest cousin, James, and his girlfriend. You saw the both of them just the other day, since you live on the same of London, but you hadn’t seen Marcus since you were both in New Zealand to celebrate New Year’s a few months ago. “Oh, that’s Juan, Franky and Emmy by the way, and you’ve met James and Alice. Do you want a drink? Our other friend Clem is getting some already, I can text him,” You smile as you look at Paris next to you, talking animatedly to her older brother. “No, thanks, I’m taking Paris home. C’mon, let’s get you home,” Paris pouts as you put your arm around here. “Noooo but I want to stayyyyy,” you sigh as you look at her. “You called me to pick you up because you wanted to leave, Pari, let’s go now. I made your bed with the Mickey bedsheets you love,” her eyes light up at the mention of her favourite bedsheets, but quickly get distracted again as someone hands her a drink that looks like coke (but most likely holds alcohol). Marcus sends you a sympathetic smile, as you sigh. “Clem’s getting more drinks, you could follow him to the bar, it’s not too busy there if you walk past the bathrooms there and keep right. Smiley guy, dark hair, slight beard, wearing glasses -fake ones- and i think a striped button up. Just tell him to put it with mine and Paris’ drinks when he sends me a payment request, I’ll try and get Paris ready to leave,” you give him a thankful smile as you start to make your way back through the crowd.

At the bar you don’t see anyone looking like the description Marcus gave you. There was a guy in a white button up -which looked extremely good on him- but it wasn’t striped nor was he wearing glasses. You take a seat, figuring the friend was probably at the bathroom. You glance at the handsome guy, currently chatting away with the bartender until he walks to the other side of the bar to prepare a few drinks. The handsome man moves closer to you, though he still keeps a respectable distance. “You havin’ fun here? Or just want to get steamed?” He speaks up, revealing a somewhat British accent. You chuckle at his choice of words- similar to your cousin’s. “Oh i’m just, you know, in the club, at the bar,” he raises his eyebrows, “ah, yes, as one is. Not a club person then?” He slowly moves closer, and though you weren’t in the mood to talk, you still found herself in a conversation with him.

“Hey, do you want to get back there, dance around?” You’ve naturally moved closer to each other, your arms touching as he swirls his drink- whatever cocktail. You bite your lip- you really weren’t the most social person (it was honestly a surprise you even considered dancing with him), looking down into your glass, previously filled with a coke, in consideration. “I was supposed to get these and some more to my friends, we can walk by them, sit there if you’d prefer?” He adds on, noticing how you weren’t very enthusiastic. “I think you should go back to your friends, enjoy your time with them together. I’ve probably held you back,” you smile lightly, as you sit up straighter, suddenly hyper aware of how close you are. “No, no, I want to spend time with you. I’ve gone out with them dozens of times. Unless you don’t want to be there with me and get back to your cousin, that’s also completely fine, sorry if you felt like you needed to stay in this conversation,” you quickly shake your head, putting your hand on top of his arm. “No, I like this. It doesn’t really happen that I actually like spending time with a stranger like this, usually I’d be trying to get home and watch a movie,” he chuckles as you subconsciously move your face closer to his. “I’m glad you like my company, then,” he smiles as his eyes flickers down to your lips. “I don’t, Clément, I just did it for the french and the drinks, obviously,” you joke and he laughs, his head falling forward. He looks up with a genuine smile, leaning forward and soon enough your lips touch. You weren’t sure who started the kiss, but it was better than most kisses you had (the best one so far, you’d even say). He knew just what the right moves and pace were and you were on the same wavelength the entire kiss, not wanting to pull back. Oh well, his friends were already waiting, what would those extra minutes be?

“Hey, I really like this, I do, but I would also love to dance with you. Plus, my friends are probably wondering where I wandered off too,” He whispers with your faces still only inches away from eachother- as far as whispering goes in a club. “They’re not used to you running off with random girls you’ve pulled your charm on?” He chuckles and looks down, contemplating his response. “Just the pretty ones. Nah, not really, my ex girlfriend and I broke up about 9 months ago, she did quite a number on me if i’m honest. I’ve been getting time to myself and friends even here, I have barely been with anyone, I only just got somewhat back to, you know, messing around last month. My friends don’t really know though, if I told them I was ready for something they’d push me towards anyone attractive in a 10km radius,” you laugh at the last comment, relating to the last part a bit too much- your friends also tried to get you with whoever was even remotely attractive. “So, what are you ready for, right now? Just so we’re both clear on that, because anything goes for me,” he shrugs in response. “I’m not really sure. I just wanted to keep things unattached, casual at best but I kind of really like you,” You smile his answer. “We can just dance around, see what happens tonight, maybe explore more of this if we feel like it tomorrow,” He nods, before he tenderly kisses you again with a smile.

“It’s not too much people, and you can keep your distance. It’s mostly my friends, their siblings, girlfriends. You don’t have to be introduced to them if you don’t want to, I can just drop the drinks off and we can dance. If the dance floor gets too crowded just say the word and we can get to some other place,” He whispers against your ear, making you blush “Actually, I kind of have to go to the bathroom. You get those to your friends, I’ll meet you on the dance floor?” Clem shakes his head, “meet me between the men’s and women’s. Don’t want to lose you,” you nod as you go separate ways. The music playing was nice, you realised as you went onto the dance floor, Clem’s hand in yours. You danced around for a short while, though it only took about half an hour before you both gave up trying to stay civil, deciding to go to Clem’s apartment. You had quickly texted Paris as you walked your way out, the people you came for soon forgotten.

It wasn’t until about an hour and half later, when you were sitting in his bed leaning against his headboard, drinking a glass of wine that Clem got a call. You’d settled under the sheets, Clem only wearing his underwear and you wearing your panties and his shirt. He wasn’t wearing a shirt, which you didn’t mind (you found out he looked very good without a shirt). “Ah shit, I have to take this, I didn’t tell anyone I left and it’s my mate,” you quickly motioned for him to go ahead, and he put the phone to his ear.

“Hey, where are you?” Clem hears his best friend ask. “Sorry, I left already, forgot to tell you. I’m at home now,” He simply answers, playing with your hand as you sip your wine. “Ah, okay. D’you know if my cousin went home too?” You see a surprised look on Clem’s face, “Your cousin?” He looks at you surprised as Marcus answers. “Yeah, Y/N. She was supposed to go to you at the bar.” He raises his eyebrows at you, saying “Oh, yeah, yeah, Y/N, I saw her get into her car safely, don’t worry.” You nod as you realise he was, in fact, Marcus friend you’d been looking for, quickly showing him your texts to Paris. “She texted Paris as well, I thought you knew she left,” He says casually, before they finish off the call and say goodbye, making plans for the next time they’d meet. “Alright, I’ll see you Friday. Bye Marcus, love you too mate,” You raise your eyebrows as he ends the call. “You’re Marcus’ friend?!” You simply ask, a hint of surprise in your tone. “Small world. Though you do not sound as shocked as you should be. I didn’t even know Marcus’ cousin was with us tonight?” You chuckle at his surprise. “I was picking up Paris and then she didn’t want to leave so Marcus sent me to you- for the record, to his friend, I did not know you were his friend because Marcus did not give an accurate description,” Clem laughs, “that doesn’t surprise me in the slightest,” he agrees.

Clem breaks the comfortable silence that fell first. “Are you- Do you want Marcus to know about, eh,” he carefully considers his words, “are we going to tell him this happened? Happens, or whatever’s next,” You study him as he asks the question, but nothing gives away how he feels. “I mean… Do you want him to know? I like you, and I would love to see where this goes, like, romantically or even physically, if we realize that works better. It depends on what you want from me,” Clem nods, grabbing your hand in his (though they were already practically on top of each other). “Yeah, me too. I’d like to hang out with you, ‘date’ or whatever it’d be called. Just… Do I get to kiss you still,” you jokingly roll your eyes with a smile as he pulls you towards you. “I guess you do, Mr Novalak,” he raises his eyebrows, “we’re on last name basis now? Did you stalk my instagram or what?” You chuckle in response. “I pay attention to my cousin’s life and stories sometimes,” you smile, which makes him laugh. “Hey, but if you don’t really want to tell your friends you’re dating, that’s okay. I don’t mind keeping it just us,” He smiles before he leans down to kiss you. “Thank you. It’s not that I don’t want to show you to them, you know that though, right? Just want to go at my own pace,” you nod, “I know.” You softly kiss him before he pulls back to cuddle. “So, now that neither of us have to inform people of our whereabouts, how about you take a shower, order food, watch a movie?” You smile, you were always in the mood for a late night snack. “If you can help me with the shower it sounds like a plan.” You smirk as you get out of the bed. “Alright, alright. Can you grab some towels from that closet? I’ll get the shower ready,” you nod as you do as you’re told, putting them in the bathroom when you’re done. Clem’s already in the shower as you take off your clothes and get in. “What’s taken you so long?” You jokingly roll your eyes before kissing him.

Around 11 AM you and Clem freeze in your kiss as the two of you hear rushed knocks on coming from his front door. “I’ll check that out,” Clem says and you nod as he gets out of bed, quickly putting on a shirt. Luckily you were both still wearing pants and your shirt was still on, if whoever’s at the door wants to walk into the bedroom. “Hi, mate, I’m kind of bu-“ Clem stop his sentence halfway as Marcus walks into the living room distressed. “Dude, are you okay? What’s up, did something happen?” Clem asks as he sits him down on the couch. You move out of the bed as well, recognizing your cousin’s voice. “No. Yes. I. I’m fine I just need to talk to someone. Last night, eh, Paris, I, shit, Clem,” You stand in the doorway of Clem’s bedroom, seeing Clem crouched in front of Marcus. You make eye contact with Clem, and wether you should keep listening or not. You decide yes, since you’d hear about it one way or another if it was about Paris. “Marcus, breathe. Is she okay?” Marcus takes hasty breaths and nods, “yes, she’s fine, uhm… Mate, I really don’t know what to do,” Clem looks at you once again, knowing you’d probably be a better help if it concerned his family. You don’t know how to go about it, but luckily Marcus turns around after he sees Clem looking behind him. He notices you and immediately turns back, and you speak up. “Sorry, do you want me to…?” Marcus doesn’t seem to register who’s standing behind him. “Oh, sorry, am I interrupting- wait,” he turns back to you and then to Clem, who gives him a tight-lipped smile. “This is a discussion for later, Marc. Do you want me to go or do you want me to hear?” Marcus stays silent for a moment still staring at you and then tells you to stay.

“When I left my apartment to work out I checked on Paris in the guest bedroom because she would stay at mine, but she was with a guy and it was not her boyfriend. I guess she went home with someone, James and Alice dropped them off before I was there so I didn’t know. I feel horrible and I don’t know if I should tell her actual boyfriend because were kind of mates but I don’t want to break her trust and she should be the one to tell him but either way it’s horrible and-“ Marcus keeps on rambling as you and Clem try to take in all the information. “Marcus, stop. Breathe. First off, I know she’s your little sister, but this is not your doing or responsibility, okay? Nothing you could’ve done,” Clem starts and Marcus nods as you bite your lip deciding wether you should say what you know. “Okay, look, I don’t know if I should say this but you don’t know the full situation, Marc. Their relationship is not as good as it seems and it’s toxic as hell. Paris never told you because she was scared, and she only told me because I found out by accident. You should talk to her, yes, but don’t force her to say or do anything, okay? Just ask her to be honest,” Marcus looks at you as everyone digests what’s just been said. “Okay. I will. Thank you for telling me, Y/N.” You smile at your cousin “of course. Think that’s what best for the both of you.” Its quiet for a few minutes before your phone rings on the table behind Clem. “It’s Paris,” He says, handing you your phone. You take the phone, standing up to go to the bedroom. “I’ll take this, be right back.”

When you come back from the call, Marcus is ready to leave. “Paris woke up a bit ago and told me what happened, I said she should talk to you. Best you don’t mention you were here, though, I think,” Marcus nods, looking more composed then when he arrived. “I won’t. By the way, we also should discuss why you are here. I thought you went home last night?” Clem pushes Marcus to the door, “don’t you have somewhere to be?” making you chuckle. “Like I said, that’s a topic for another time,” you say before hugging him goodbye telling him to keep you updated. He hugs you and Clem, “Yeah, and that time is tonight. We’re having dinner, I’ll text the details. See you tonight, bye!” He leaves no room to argue as he walks out of the door, leaving you and clem stunned. You look at each other as he closes the door. “Well. I guess we have a date tonight?”

Taglist:

@alexk2002 / @thesatansgirl-blog / @haasterplan / @fortunatelylovingsweets / @charles-and-chelsea / @greedayag / @idkiwantchocolatee / @emmabluesky / @breals02 / @sikeyeehaw / @mariiaamr / @caratczenniemy / @idontwantablogthanks / @agirlwithmidnightthoughts / @zira44 / @adore-u-ls / @starcandy-y / @aestcc / @riffiandenador / @langdonsluxiouslocks / @leclercswhore / @clearavenuementality / @wilmasvensson / @vxlesunflower / @valexformula1 / @shewatchesf1 / @ashf1 / @minl0u / @libbyxoxo / @jamieeboulos / @isxpisx

like or comment under this post to be added to my taglist!

#clement novalak #clement novalak x reader #f2 x reader #formula 2 x reader #f2 #formula 2 #screaming meals #screamingmeals

[gothwizardmagic]

Kia ora!  It’s day 26 of Te Marama Puoro o Aotearoa, and I wanna talk about a song that’s close to every kiwi’s heart.

Pōkarekare Ana is often referred to as the unofficial national anthem of Aotearoa, and you’d be hard pressed to find a kiwi who doesn’t know the song.  Though its origins are not clear, it was composed sometime around 1914, likely by a group of people.  It originated “north of Auckland,” and was published in 1919 by Eastern Maori politicians Paraire Tomoana and Āpirana Ngata, neither of whom knew where or by who it was composed.  The lyrics are directed to the woman the singer loves, telling her of the depth of the singer’s love despite the troubled waters that separate them, and longing that they be reunited.  Some theorise that the lyrics refer to the story of Hinemoa and Tūtānekai, though with the original writers unknown it’s impossible to be certain.  No matter the origin however, over a century later Pōkarekare Ana remains one of the nation’s most beloved love songs.

#nzmm #new zealand music month #te marama puoro o aotearoa #nzmm 22 #music rec #HA i sneaked another maisey rika jam in here #this is my fav version of pōkarekare ana at any rate its ssssso pretty #i Love this song so much it always makes me tear up a bit

[dailytomlinson]

Louis Tomlinson has dropped a surprise album ‘Live’ – featuring songs that he recorded at 15 shows across 15 different cities.

Announced and shared yesterday (April 25), the album comes after the singer and former One Direction member embarked on two world tours over the past three years – playing just shy of 200 shows globally.

Now, a variety of performances from both tours – the ‘Louis Tomlinson World Tour’ and the ‘Faith in the Future World Tour’ – have been compiled into a new live album, which is available now.

Fifteen songs are included in the tracklist, and each was recorded in a different city, at a different show from across the three-year run. The album comes in both digital and physical formats, and features his singles including ‘Bigger Than Me’, ‘We Made It, ‘Walls’ and ‘Out Of My System’, alongside fan favourite album tracks, all released live for the very first time.

“I’ve been lucky enough to spend the last 3 years touring the world twice over. The feeling I get sharing those live moments will be with me forever,” Tomlinson said in a statement. “To be able to record these songs from all over the world and put them out as an album like this feels so special, and a real tribute to the fans who make each and every show feel unique and incredible. Thank you! Enjoy!”

There are four exclusive tracks split between the physical editions of ‘Live’, including a special version of the One Direction classic ‘Where Do Broken Hearts Go’ – which is available only on the double CD.

Accompanying video clips of compiled tour footage will be shared on Louis’s social channels to support the release, showcasing a glimpse into his past three years on the road and 170 performances.

At time of writing, Tomlinson has shared two huge solo albums since departing from One Direction. His debut album arrived in the firm of 2020’s ‘Walls’, which has sold over 1.5 million copies, and the follow-up was called ‘Faith In The Future’. The latter went to Number One in the UK, Spain and Belgium, and Top 5 in the USA, Australia, New Zealand and across Europe.

Since May last year, Tomlinson has been on his ‘Faith In The Future World Tour’, which hits South America next month for its final leg. From there, the vocalist has a number of festival appearances lined up for the summer. Find remaining tickets to his shows here.

In other Louis Tomlinson news, earlier this week the singer, alongside Courteeners and English Teacher, were among the acts to be honoured at the first-ever Northern Music Awards.

The inaugural ceremony was hosted by the UK’s largest music therapy charity, Nordoff And Robbins and took place at the Albert Hall in Manchester; celebrating northern artists, festivals, venues and industry figures. The event saw Tomlinson named as Artist Of The Year.

#louis tomlinson #nme #article #press

[hldailyupdate]

Louis Tomlinson has dropped a surprise album ‘Live’ – featuring songs that he recorded at 15 shows across 15 different cities.

Announced and shared yesterday (April 25), the album comes after the singer and former One Direction member embarked on two world tours over the past three years – playing just shy of 200 shows globally.

Now, a variety of performances from both tours – the ‘Louis Tomlinson World Tour’ and the ‘Faith in the Future World Tour’ – have been compiled into a new live album, which is available now.

Fifteen songs are included in the tracklist, and each was recorded in a different city, at a different show from across the three-year run. The album comes in both digital and physical formats, and features his singles including ‘Bigger Than Me’, ‘We Made It, ‘Walls’ and ‘Out Of My System’, alongside fan favourite album tracks, all released live for the very first time.

“I’ve been lucky enough to spend the last 3 years touring the world twice over. The feeling I get sharing those live moments will be with me forever,” Tomlinson said in a statement. “To be able to record these songs from all over the world and put them out as an album like this feels so special, and a real tribute to the fans who make each and every show feel unique and incredible. Thank you! Enjoy!”

There are four exclusive tracks split between the physical editions of ‘Live’, including a special version of the One Direction classic ‘Where Do Broken Hearts Go’ – which is available only on the double CD.

Accompanying video clips of compiled tour footage will be shared on Louis’s social channels to support the release, showcasing a glimpse into his past three years on the road and 170 performances.

The ‘Live’ tracklist is:

‘The Greatest’ (Live From London, 17 November 2023) ‘Face The Music’ (Live From Nashville, 18 July 2023) ‘Bigger Than Me’ (Live From Vancouver, 26 June 2023) ‘Holding On To Heartache’ (Live From Barcelona, 6 October 2023) ‘We Made It’ (Live From Manila, 16 July 2022) ‘Chicago’ (Live From Chicago, 15 June 2023) ‘Fearless’ (Live From Rio, 27 May 2022) ‘Common People’ (Live From Sheffield, 10 November 2023) ‘All This Time / She Is Beauty We Are World Class’ (Live From Munich, 22 October 2023) ‘Walls’ (Live From Buenos Aires, 21 May 2022) ‘Written All Over Your Face’ (Live From Budapest, 15 September 2023) ‘Out Of My System’ (Live From Brisbane, 30 January 2024) ‘Saturdays’ (Live From Paris, 14 October 2023) ‘Silver Tongues’ (Live From Krakow, 10 September 2023)

At time of writing, Tomlinson has shared two huge solo albums since departing from One Direction. His debut album arrived in the firm of 2020’s ‘Walls’, which has sold over 1.5 million copies, and the follow-up was called ‘Faith In The Future’. The latter went to Number One in the UK, Spain and Belgium, and Top 5 in the USA, Australia, New Zealand and across Europe.

Since May last year, Tomlinson has been on his ‘Faith In The Future World Tour’, which hits South America next month for its final leg. From there, the vocalist has a number of festival appearances lined up for the summer. Find remaining tickets to his shows here.

In other Louis Tomlinson news, earlier this week the singer, alongside Courteeners and English Teacher, were among the acts to be honoured at the first-ever Northern Music Awards.

The inaugural ceremony was hosted by the UK’s largest music therapy charity, Nordoff And Robbins and took place at the Albert Hall in Manchester; celebrating northern artists, festivals, venues and industry figures. The event saw Tomlinson named as Artist Of The Year.

#louis tomlinson #louis update #louis tomlinson live #nme #article #april 2024

[the-elvenprince]

Orlando Bloom attended the Guildhall School of Music and Drama in London. It was there, in 1998, that he fell three stories from a rooftop terrace and broke his back. Despite fears that he would be permanently paralyzed, he quickly recovered and returned to the stage.

As fate would have it, seated in the audience one night in 1999 was a director named Peter Jackson. After the show, he met with Orlando and asked him to audition for his new set of movies. Two days before graduating from Guildhall, Orlando was cast in the "Lord of the Rings" trilogy, spending 18 months in New Zealand bringing to life the character of Legolas, a part which made him a household name.

"Legolas doesn't speak a lot - he prefers to let his actions speak for him. Legolas' moves are smooth and elegant, like a cat. You know how cats can jump and land steadily on their paws? That's what I'm trying to do. There's a strength in that, but it's very balletic. It's also bloody hard to do without falling over!"

Bloom made archery a very popular sport in the United Kingdom. Many youngsters saw him with a bow in the "Lord of the Rings" trilogy and decided to join archery schools. Bloom spent two months learning how to fire a bow. However, Legolas' arrows in the final battle in "Fellowship of the Ring" (2001) are computer generated. It would have been physically impossible for even the most gifted archer to fire off so many arrows so quickly.

"(Viggo Mortensen) used to call me 'elf boy,' and I'd call him 'filthy human.' As an elf, I never got a scratch on me, never got dirty. And Vig would come out with blood and sweat all over him. And he'd say to me, 'Oh, go manicure your nails.'"

"We have these digs at each other. Viggo will go on about elves and how they're always doing their nails and brushing their long, blonde hair, and being all prissy. And I just say,'Well, at least I'm going to live forever! Got that? LIVE FOREVER!'" (IMDb)

Happy Birthday Landy 🥳

#orlando bloom #happy birthday #legolas greenleaf #legolas #lord of the rings #lotr #elvenprince #prince legolas #prince of mirkwood #the hobbit #elves #tolkien

[itwashotwestayedinthewater]

been reading up on some more aotearoa music history today, specifically the early punk scene. the funniest thing i came away with is that the first two "punk" bands that formed in new zealand did not actually hear a single punk song until about 3-4 months into existing - one guy just read about the '76 sex pistols gig in NME and was like "oh shit. thats gonna be big. let's try to make whatever that would sound like" then walked across town in auckland to pitch this idea to his friends LMAO

"It was mostly social chatter rather than a serious statement of intent, but Brett Salter and Simon Grigg had talked of a jazz band. Neither was musically proficient although Salter played rudimentary saxophone. Little came of this until late 1976 when a mutual friend, the aspiring film director David Blyth, reading the NME at Grigg’s flat, noted a tiny live review of the Sex Pistols and showed Grigg. Deciding that this punk thing had more going for it Grigg immediately went around to Salter’s Ponsonby student flat to do a pitch on “punk” and the stillborn jazz band was henceforth a punk act."

this ended doing something that i find crackup: most of the early NZ punk bands don't sound like The Clash or Sex Pistols or anything, they kinda skip right over that and go straight to weird art-punk bullshit:

#Youtube

[doyoulikethissong-poll]

The Cardigans - Lovefool 1996

"Lovefool" is a song written by Peter Svensson and Nina Persson for Swedish rockband the Cardigans' third studio album, First Band on the Moon. It was released as the album's lead single on 10 August 1996 in Japan. A few months after its release, the track was included in the Baz Luhrmann film Romeo + Juliet, helping the song gain international recognition.

"Lovefool" was initially a hit in several European countries, reaching number 15 on the Swedish Singles Chart and peaking at number 21 on the UK Singles Chart during its first release in 1996. Following its appearance in Romeo + Juliet, the song gained international attention, eventually reaching a new peak of number 2 on the UK Singles Chart following a re-release in April 1997. It then achieved international success, becoming a number 1 hit in New Zealand and peaking just outside the top 10 in Australia at number 11. "Lovefool" became a crossover hit in the US after peaking at number 9 on the Billboard Modern Rock Tracks chart, reaching number 2 on the Hot 100 Airplay chart. It reached number 1 on the Top 40 Mainstream chart and number 2 on the Adult Top 40.

Three music videos were shot for the song. The third and last music video was created to promote Romeo + Juliet.

"Lovefool" received a total of 84,7% yes votes!

#finished #sweblr #high votes #high yes #high reblog #low no #the cardigans #90s #soundtracks

[evie-sturns]

ɢᴇᴛ ᴛᴏ ᴋɴᴏᴡ ᴍᴇ!

MASTERLIST

TAGLIST

about me: hi! my names evie.

i downloaded tumblr 25th of december 2023 after seeing sturnfilmed's tiktok story, i instantly started writing fics as soon as i joined (my debut was chris and matt headcannons) i started watching the sturniolo's in early 2023 and my fav triplet is nick although i would pay matt to run me over.

i live in new-zealand, my favorite color is pink and i go to a private school. i love concerts, music and my friends. i have criiiiipppling anxiety which i've had since like 10 years old buts its okay, i also have a pretty bad eating disorder cause i grew up a fatass but we don't talk abt that. i have an older sister.

i have brown curly hair which i straighten and green eyes and relatively big lips, i'm 5'4, i'm in like a 2 month long talking stage with a guy rn, i'm a very social person and i'd say i'm quite popular which makes school quite a safe place for me and i feel liked by people , i have strict parents so i'm really good at lying, and sneaking around behind their backs. i used to be like kinda off the rails when my mum got sick and i was doing illegal stuff to distract myself but i got caught and stopped (glad) and now my life is back on track and i have a lot better things to do, my rice purity score is 72.

celebrity crushes:

christian anthony, billie eilish, matt sturniolo, chris sturniolo, RODRICK HEFFLEY?!??!??!???!?!?!?!?!!??!!?!?, nathan doe, fiona gallagher, carrington, vinnie hacker 💀💀💀, louis patridge, LOOORRENNNZOO ZURZOLOOOO, jared padalecki ONLY IN THE 2000’s, ned menlove 

biggest fears: loosing loved ones, alligators?!??, being murdered, embarrassing myself.

my favorite youtubers are: the sturniolos, norris nuts (my guilty pleasure BYE), dizzydyl, benoftheweek, any kind of true crime omg, eleanor neale, baylen livene.

my favourite shows/movies: SHAMLESS (all time favorite), gilmore girls, 10 things i hate about you, the worlds a little blurry.

my favorite artists are: billie eilish like if you think your a bigger fan than me your NOT(kidding), chase atlantic, brent faiyaz, sza, frank ocean, childish gambino, and clairo but sometimes im a slut for songs like slut me out and geekaleek LMFAO. i've been to billies concert in 2022 which was the best night of my life, i went to sza last week which was life-changing.

my favourite songs as of right now are: confident - justin bieber and chance the rapper, les - childish gambino, drugs & money - chase atlantic, church - chase atlantic, overheated - billie eilish, bitches broken hearts - billie eilish. ivy - frank ocean

what i wont write: weird kinks (r@pe, like piss and shit stuff tf, big age gaps), nick x fem!reader if its not platonic even though i dont really write for nick in general. anything that i dont want to write so dont pressure me.

what i will write: requests, smut, angst, fluff, series's if im dedicated, one shots, almost anything apart from what i listed above.

i love writing on here and i love each and every one of you who like what i write, thank you guys for supporting me! i take requests and i'll do them if i like it so dont be shy to request!

here’s the tag you can go on where i answer things in my inbox exzexpf for requests

#evie-sturns inbox

also writing and reading on here got my english and humanties grade up like crazy so thank you guys.

-------------

#sturniolo triplets #sturniolo #matt sturniolo #nick sturniolo #sturniolo x reader #chris sturniolo x reader #sturniolo smut #chris sturniolo #matt sturniolo x reader #sturniolo fanfic #evie-sturns

[in-death-we-fall]

Sex, Drugs and One Armed Groupies

...is gonna be the title of this since there kinda isn't one. Scans were posted by @fuckyeswednesday13 a long time ago. I really liked this article and now it's nice and easy to read (especially the columns. Ask me how much I hated the columns.) Enjoy! (drive link)

UPDATED FULL VERSION HERE

The Big Day Out. The Australian travelling musical circus that steamrolls its way around Australia and New Zealand every winter with the hottest bands on the planet flying from all over the globe to join down under’s best bands in a mayhem filled fortnight. This year’s line-up, features among others, The Foo Fighters, Queens of the Stone Age, Jane’s Addiction, Jimmy Eat World, The Hard Ons and deathglam monstrosities, the Murderdolls. So far, the Mid West (sic) based five-piece outfit have been the cream of the festival, appropriately headlining the ‘Essentials’ stage. This is the band’s first time in the Antipodes and quizzical music fans have crowded to see the much-talked about live set. With Sydney copping the biggest crowds of all the legs on the tour, the band are preparing something special. But at 3pm in the afternoon you wouldn’t know it. Most of the band are still in bed from the night before, well, actually… the week before.

The ‘Dolls have been in Sydney for five days before their Big Day Out show and not finding much to do early on in the week they’ve just been getting down to the (sic) rock’n’roll’s most popular pastime: hard drinking. Drummer ‘Big’ Ben ‘The Ghoul’ Graves and bass player Eric Griffin are recovering from last night’s binge. While singer Wednesday and guitarist Joey Jordison are recovering from the night before the night before. Acey Slade, who maintains his sobriety, but still stays out ‘til dawn, has been up since 11am and is the only one ready for the show. With the band on stage at 7:15pm, things need doing. Staggering through their beer can and ‘paraphernalia’-strewn rooms to the showers, they’re down in their van and on the way out to the Big Day Out site just after 4pm.

Situated at the same place that hosted the Sydney 2000 olympics, the festival facilities are first rate and the sell-out crowd of 52,000 festival-goers are making the most of it. The temperature’s pushing a blistering 35°C and being the middle of a drought-ridden summer in Australia, everything’s dry, dusty and cracked. It’s a good 40-minute drive from the city to the festival and the sun’s stinging in through the van windows. Not big fans of the sunlight, the Murderdolls have got their leather jackets up over their heads to avoid even the slightest hint of a tan.

In the cool, air-conditioned shade of backstage I get to sit down with Joey Jordison and singer Wednesday 13 to gind out how the band are doing after their meteoric rise over the past eight months. Joey is straight down the line, measured and professional. “This si the first Big Day Out for all of us. Slipknot have only been down here once but not that (sic) this festival. This is something I’ve really wanted to play – something I’ve wanted to do for a really long time.”

For Wednesday, this is another notch on his rise as an international rock’n’roller. “It’s awesome,” he says. “I’ve always wanted to be out on the front of a rock’n’roll band at a festival like this. After struggling doing my own band for six years I actually quit my job back in April and I’ve been touring every since. I’ve done all the things I ever dreamed about. I’ve been to Europe three times, Japan twice and here we are now in Australia and that has all been pretty much in the last six months! Holy shit we’re doing some things that some bands have never done!”

“We just checked out the videotape from the Auckland show the other day and fuck man, it was awesome!” enthuses Joey. “People are saying we are pulling the most people to that stage out of everyone. Our band has been doing really well especially since we’ve only been going for a short time. We hope that after the BDO we’ll be able to come back and do some real headlining shows down here. We are having fun though, thinking about it, we’ve never had so many days off between shows before, it’s more like the Big Day Off!”

The band wasn’t supposed to be so idle. Most overseas bands on the BDO bill play a bunch of satellite shows in various cities around the country and for a month prior, the Murderdolls had been slated to perform a Sydney show with fellow US rockers The Deftones. But with very little warning, the Murderdolls were dumped from the bill just before the show. What really pissed off Joey and the lads was a lot of the Murderdolls fans had bought tickets on the basis that the band would be playing but in the end had to watch the Deftones supported by ex-At The Drive-In chancers, Sparta.

Without much choice in the matter the Murderdolls issued a statement on their website apologising to their fans and kept trying to fly their flag with some instore appearances at local record stores. One in particular at Utopia Records, was insane. There was such a roar when the band turned up, they looked truly surprised at the number of kids who had showed up, most dressed in black and red outfits.

“Someone told us there was only going to be about 150 kids, which was supposed to be a good turn-out for Utopia records for a new band,” retells Joey. “But when we turned up there (sic) almost 500! We talked to fans and signed everything that they had. We were there for a good three and a half hours. And at the Channel V interview it was pretty much the same story. Hordes of kids that wouldn’t let us get away.”

“That’s the cool thing with our fans,” explains Wednesday. “We’re not a radio band or an MTV band with this created army of little kids which I think is more pure than being the Number One radio band or liking it because someone tells you to like it. I know that our fans are real. It is really cool to see these hordes of kids show up, they are dressed like us, they know everything about us, it is just awesome.”

Thinking further ahead fans will be please to know the band are not going to let up on the groundswell already created by the Murderdolls. “I have to go back and finish recording some Slipknot stuff,” reveals Joey. “Then we (the Murderdolls) are going to do some more touring. There’s usually a three to four month sort of break between recording and when an album comes out so we are going to tour pretty much all the way from the end of May all the way to maybe the beginning of October. Which will be good because there’ll be less sunlight at that time of year,” jokes Wednesday raising his non-existent eyebrows and throwing his arms, heavily tattooed with b-grade horror heroes, into the air.

As the hot afternoon drifts into an only slightly less simmering evening, there’s a small problem with guitarist Acey. He’s got indigestion. This amounts to a small crisis because first aid officials must follow procedure and administer the medicine. This takes two St. John’s Ambulance men on pushbikes in a five minute ride from their base at the side of the main stadium. Very un-rock’n’roll indeed.

With the gig just 45 minutes away, the boys are pacing around their trailer, having their pics taken for Hammer. Acey inside in front of the mirror still applying the last of his make-up, Ghoul is getting powdered up, Wednesday’s still with the photographer, while Joey’s nervously pacing around, in the trailer, out the trailer, back in… Eric meanwhile is ready for the stage and cracks open the obligatory bottle of Jack Daniel’s. As a Murderdolls ritual, they’re applying the slap, the band have to listen to Kiss. “Must. Have. Kiss.” stipulates Joey. “‘All American Man’! We sometimes change that to ‘All American Ghoul’,” chimes in the Ghoul.

Just 10 minutes before showtime and the long lanky frame of Ben Graves is stretched spider-like up against the dressing room wall. “I’ll be in pain afterwards,” he explains. Wednesday has by now finished his solo shots with Hamer’s photographer. The day is hot enough anyway, and under the photographers lights the heat is even more stifling. ‘Jesus, it’s fucking hot!” exclaims the frontman. “But I don’t mind… I’m a naturally dead person in front of a camera” he laughs.

More Kiss blares out from the dressing room, this time ‘Dr Love’! Then the moment comes: ground fucking zero at the Big Day Out! The band clamber into the van and head around the back way to the Essentials stage. The bottle of Jack’s being passed around as they approach the stage the band take a quick peak (sic) to see how the crow’s building up. It’s the biggest yet, taking up most of the grassy area out the back of the main stadium. Joey – who regularly suffers from pre-gig nerves as his pre-stage vomiting on Slipknot’s ‘Disasterpiece (sic)’ DVD proves in all its technicolour glory – is bricking it.

Five minutes before the band are due to hit the powerchords and the guys are milling around in the wings. Ghoul is banging on some warm-up pads and everyone is getting psyched. They’ve left the Kiss CD backstage so they have to hum ‘All American Man’ together. Then they make their way to the stage.

A couple of huge Murderdolls logos adorn the stage and in an eruption of noise and energy, the Dolls take the stage and instantly kick off with ‘Dawn of The Dead’. Jordison in black leather Gestapo hat is jumping around stage left, Acey is wailing away stage right while Eric bangs away on the bass doing his best Nikki Sixx impression, while the Ghoul wrecks the trap kit. Wednesday is the last to take the stage and screaming, “We are the dead, coming for you!” And the crowd goes fucking wild.

The kids down the front, dressed up in full glam-goth regalia, know every word and sing along fervently with the band while among the throng watching from the side of stage are some of the biggest names in the Australian music industry. Members of bands like 28 days, Machine Gun Fellatio, Cog, Jimmy Eat World, Pre-Shrunk, and Sparta all stand wide eyed and mouths agape at the outrageous rock revisionism being unleashed onstage.

By the time the band have launched into ‘I (sic) Was a Teenage Zombie’, ‘Let’s Go To War’ and ‘Slit My Wrists (sic)’, the crows know what they’re in for. Most who have showed up for curiosity (sic) sake are still hanging around, but if anything the crowd is building and everyone looks like they are right into it having fun. The intro to ‘Twist My Sister’ is a kid’s nursery rhyme ‘Old McDonald’ which gets the whole crowd singing along.

Unbelievably, some lunatic in the crowd starts throwing bangers at the stage, but the fireworks only make it as far as the front row of fans before blowing up in their faces. Wednesday tries to get the guy to quit while geeing up the rest of the crowd. “All the people down the front tell the people at the back to ‘Die Die Die… my bride!’ he yells as the band grind into the song…

Today’s set includes two new songs, and we can report that both are killer kitsch rock rippers. The first, set for legendary status is called ‘The Devil Made Me Do It… And I’ll Do It Again’ while the second is the set closer, a crowd sing along gem ‘I Love to Say Fuck’. Wednesday grabs his big black umbrella, emblazoned with the word FUCK, Eric, Acey, and Joey are going crazy, jumping up and down in unison, Ghoul is all arms and legs behind the kit while Wednesday is right down in the crowd’s face urging them to stick their fingers in the air and yell ‘Fuck!’. It looks great to watch. “It isn’t choreographed,” says Wednesday later. “Everything’s pretty much spontaneous. There are some things like we all jump on an ascent in the music or whatever but everything else is stuff that just happens on stage.”

They (sic) crowd are almost passing out from the combination of frenzied activity and the extreme heat, but still manage to scream out for more as the band leave the stage. “A lot of people don’t know that’s what drives a show,” explains Wednesday about his relationship with the audience. “You have to make fans feel part of the event and I think we do it better than anyone else.”

The band then jump back into the van for the two minute trip back to their dressing room behind the main stage. When they get back there the guys are all super hyped up. Excitedly buzzing around their dressing room, drinking beers, telling jokes. Joey is busy analysing the gig, and the BDO circus in general. He and Wednesday have got an interview to do with Australian TV scheduled for 8:45pm. It’s almost 9pm and Joey has another issue: “I want to eat! I must eat before I talk!” he exclaims. The interview is postponed for 20 minutes.

Bass player Eric is hanging around, so I grab him for a quick chat. Of all the Murderdolls, Eric seems the shyest but is probably the one most up for anything, especially if it is party related. He may only be small, (even in his Ace Frehley six-inch platforms he’s still barely average height!) but he’s a true rock’n’roller with a party attitude to match. “‘Machine Gun Fellatio’ that’s a cool fuckin’ name,” he squeaks discussing some of the other bands on the BDO bill. And he does squeak, kinda, like annoying Brit ‘comedian’ Joe Pasquale.

I bring up the fact that esteemed record producer, Nick Launey (Silverchair, INXS) was side of stage watching the show and had an interesting story to tell me about Eric. “I think I know where this is going,” smiles Eric slyly. “I met him about two years ago in LA at a party and we were all fucked up. I got dragged down three flights of stairs by my hair and he reckoned it was the biggest rock’n’roll moment of ‘00 for him. First impressions count, man.”

“It was so rock’n’roll!” Launey informs me later. “It was the launch of Orgy’s album and they had these models dressed as prostitutes lying on a bed and Eric jumps up on the bed with them, which of course you weren’t allowed to do. So the bouncers are dragging him out by his hair, kicking and screaming, down the stairs. His head was literally bouncing down each stair like a cartoon character and all the while he’s just got his middle fingers up on each hand and is yelling out ‘Fuck You!’, ‘Get Fucked!’, ‘Fuck you, mind the hair!’ Somehow he got back into the party and I asked him ‘how’s your head?’ and he just said “Whaddya mean?” - it was just so rock’n’roll!”

Eric has pre-arranged with their tour driver to take him over to the Boiler Room, where the BDO’s electronica acts are playing. He wants to see German electronic innovators Kraftwerk. “One of the bands I was in before the Murderdolls was very digital and computer based,” he reveals. “Kraftwerk don’t do a lot of live shows and I don’t think I’ll ever get the opportunity to see them again. They’re pretty important to the genre and even if I catch just 10 minutes of their set I think it will be worth coming over. A short ride through the back entrance, we arrive at the Boiler Room and manage to get in, via a bit of a labyrinth, through the backdoor and into the main arena just at the side of the stage. The Kraftwerk guys are standing robot-like in front of their computers while the huge dome-like venue is dripping with sweat from the 10.000+ strong punters who have basically been locked in the room all day listening (sic) the dance bands. We get a good vantage point but after about five minutes we’re leaving. “Jeez! That was the most boring piece of crap I’ve seen!” exclaims Eric when he gets back to the dressing room. “But it was worth going because I scored some drugs!”

Acey’s just hanging around backstage with his camera and a little doll from The Nightmare Before Christmas. He has a ritual where he takes a photograph of the doll in front of landmarks all around the world. “I have him in front of the Eiffel Tower for instance,” he says. “The other day I took a pic of him in front of the Sydney Opera House.” And with that he takes a photo of the doll sitting in front of a sign that says ‘Sleazy’. Hmmm. Odd man.

Acey and Eric are loving every minute of the Murderdolls ride. They’re both on their first trip to Australia and according to both of them it is (sic) has been “Cool as hell!” “The Gold Coast was really on,” says Eric. “It’s been kinda mellow since we got to Sydney because we’ve had four or five days off before this show so we’ve just been trying to find out what’s been going on. It’s been building gradually… and we’ve been partying a lot – maybe too much,” he adds sheepishly. Rick the tour manager – who’s passing by – agrees: “Yep, they’ve been very naughty boys – they’ve got to go to bed early tonight with no supper,” he jokes.

“He knows we’re the most dangerous band on the tour,” counters Eric. It’s a fact that seems to deter any other bands partying with the Murderdolls too. “The only band that has even reached out to us are the guys in Jane’s Addiction, in particular, Dava Navarro,” offers Acey. “He actually came out of his way to come over and introduce himself. And pretty much comes up and talks to us everyday he sees us along with the drummer, Steven [Perkins]. Everyone else is just kinda like, ‘What’s Up?’ Maybe it’s because we don’t look like we’re the most approachable band. Then again no-one has done anything to piss us off at all.”

No one may be talking to the Murderdolls but there is talk of the Murderdolls all over BDO. Most centres around their appearance with most Australian musical luminaries agreeing the band are the best dressed at the festival. One member of Aussie band the Resin Dogs even goes as far as to say, “The Murderdolls rock the wardrobe”. Acey is kinda flattered but non-plussed by the comments. “What image?” he exclaims. “This is how we are all day! Obviously we knock it up a notch for the show but this is the real thing. We don’t care if people like us as sexual deviants or not, but one thing’s for sure – they’ll fucking remember us.”

Big Ben Graves strides over to join us at the table. “Did I hear the words sexual deviant?” he announces in his deeply rounded US accent. “I’ve always been like that! Some people have a devil on one shoulder and an angel on the other – I just two devils. There is NO voice of reason!”

We ask him if he has had any interesting adventures since he’s been in Australia and then instantly regret it…

“Dude, it has been nothing but interesting adventures. For instance last night, he (indicating Eric) he almost screwed a one-armed girl!”

“She had three tits and one arm,” giggles the dimunitive (sic) bassist.

“Yeah. It was weird,” continues the Ghoul, “one of her arms was like a stump and it looked like it had a nipple on it. I must admit I almost fucked her just for the freakiness of it.”

And with that starter for 10, the Ghoul is off. He starts ranting on with these sick freak jokes that crack everyone up and inside a minute you get a window to his personality. “Our drummer is one bona fide sick fuck,” jokes Wednesday of him later. “He stills (sic) freaks us out. I’ll just look at him sometimes and say to myself, ‘holy shit, dude, what planet are you from?’”

“It was weird on the Gold Coast,” says Eric, picking up on the tour adventure thread. “The girls there were the hottest chicks I had ever seen in my life but by the same token I had never got as much shit for the way I look than I have there as well. It was like two opposite poles. At first it was, ‘hey freak, where’s the funeral?’ and the next was, ‘sit down have a drink with us.”

“As far as people looking at you weird, I found Sydney is where I got the stares,” admits the Ghoul. “Sydney sucks! Although we did have some girls staking out our hotel which was pretty funny and I did have an over-zealous fan thrown out of the bar. The guy was just touching me a little more than he should and I didn’t like it,” he says animatedly. “I was like, ‘man, don’t make me waste this perfectly good bottle of Heineken by breaking it over your head. I’ve done it before’. Eric looks at him and says, “yeah he has!” But he was on something. I remember thinking ‘I want whatever he’s on… times ten!”

“I gotta say though, the Sydney crowd today was one of the best crowds we’ve had so far,” offers Acey as he joins the throng. “It was insane. It is good for us this tour, because the kids don’t know what we are all about yet so we have to prove ourselves. By the end of the set they all had their hands in the air.”

By this time Joey and Wednesday have finished their feed and their hastily re-scheduled interview and are looking for some more mischievous fun for themselves. “First of all, I’m going to go back over to the stage we played because there are a lot of kids hanging around over there still wanting to see us,” explains Joey. “Then after that, I’m gonna go directly where ever (sic) the free drinks are at…” Suddenly, Eric’s doubled over in the doorway of the dressing room. It’s been 45 minutes since he visited Kraftwerk in the Boiler Room and the pharmaceuticals are beginning to take effect. We ask if he’s OK. “Yeah man, I just think I’m gonna spew!” he grins. The rest of the band are baiting him ceaselessly.

“C’mon chuck it up man!” they urge and all crack up laughing together.

In the middle of all the commotion Wednesday is taking a piss in the corner of the dressing room. The place is a wreck: there are empty bottles of booze, food scrapes (sic), squashed fruit, hairdryers, make-up, boots, clothes (black and red if (sic) course) and of course a giant mirror. Wednesday is actually pissing into a bottle of Corona. At the same time I am just about to pick up my freshly opened bottle of Corona from the table which is besides (sic) a now suspicious looking bottle. “Yeah I always piss in the empty bottles,” giggles Wednesday. And then I leave ‘em on the table just to piss off anyone who might want to grab some of our rider or whatever. Just be careful just to get bottles from down there in the ice box, he laughs mischievously. Suddenly the oddly warm bottle in my hand seems less than appealing…

As the clock turns 1am the only people left at the stadium are the cleaners, the roadies and the still-partying Murderdolls. Last to leave, the van is parked just outside the dressing room and all I can see through the opened door is the Ghoul chucking around a baguette, now baked hard as a rock over the course of the stifling hot day. “Look at this - it could be used as a weapon to seriously maim you!” he screams bouncing the French loaf off the wall. A post vomit Eric cracks up, as the two hold a mock baguette joust oblivious to the outside world. They eventually make off back to their hotel room in the city, but don’t hang there for too long. The weekend lights of Sydney beckon and they cruise down William street in King’s Cross, to an underground rock venue called Club 77. It’s glam night, just their crowd and they spend the wee hours of the morning hanging out with fans and getting stuck into the sauce with a vengeance. Australia has officially been Murderdolled!

Blood and Glitter

Gavin Braddeley charts the rise of shock rock

Glam is hard evidence that what goes around comes around. Long dismissed as the definitive climax of 70s bad taste, in recent years glam rock has arisen from the grave, albeit with a veil of cobwebs draped over its original dusting of glitter. Originally a violent reaction to the 60s happy fad for all things natural, worthy, meaningful and drab, glam was all about being deliberately artificial, selfish, throwaway and garish.

In the States Alice Cooper was impaling baby dolls and throwing blood bottles around the stage from ‘70 onwards culminating in the vaudeville theatrics of the ‘Welcome To My Nightmare’ album/tour of ‘76.

Back in the UK, the Glam pioneer was lame pop pixie Marc Bolan (sic), photogenic frontman with T-Rex, who caused a sensation when he took to the stage on Top of the Pops in ‘71 with glitter under his eyes, clad in what looked suspiciously like drag. Never one to miss a trick, the lizard-like David Bowie soon jumped from the hippy ship to take on his otherworldly Ziggy Stardust persona.

The older generation may have thought that smearing make-up on your face and covering your clothes in sequins made you look like a ‘pooftah’. Alice Cooper got around this by replacing Glam’s overt ‘fagginess’ with ghoulish melodrama, prompting one critic to observe that Americans were more comfortable with necrophilia than homosexuality. And then came Kiss. Gene Simmons’ monstrous blood vomiting, fire breathing ‘Demon’ persona enslaved an entire generation of US children crossing Glam’s theatricality with heavy metal machismo to create one of the most influential bands in rock music history.

W.A.S.P. and Mötley Crüe supercharged Kiss’s sleaze and violence quotient to spectacular effect in the 80s, and provide the missing link between Glam and the Murderdolls, who happily cite the back-combed bad boys as a large part of their creative DNA. The chief inheritor of the Glam tradition in the last decade, however, is cross-dressing controversialist Marilyn Manson. Bowie may have metaphorically murdered his creation Ziggy Stardust in the summer of ‘74, while Bolan (sic) died more literally in a car accident three years later, but quarter-of-a-century on, Manson used his own dark arts to conjure their spirit on ‘Mechanical Animals’, his own tribute to pop’s most decadent decade.

Dead… and loving it!

The Murderdolls’ five favourite movie death scenes of all time…

The Murderdolls are proof positive that nothing gets some folks’ creative juices flowing quite so freely as a truly delicious cinematic death scene. Joey and Wednesday have a few favourites – both carnage connoisseurs identifying the ‘74 classic power toolfest The Texas Chainsaw Massacre as the gory cream of the crop – a movie currently being remade with a certain Mr. Manson in the soundtrack composer’s chair. (As a curious aside, you never actually see the girl hung on the hook – just a shadow – but such is the film’s sordid impact that most viewers swear you do!)

Joey 1. Texas Chainsaw Massacre “The girl on the hook.”

2. Friday The 13th Part IV “When the knife comes through the bed and impales the chick.”

3. The Exorcist “When the priest is hucked out through the plate glass window.”

4. A Nightmare on Elm Street “Where the girl is getting dragged across the rooftop.”

5. Necromancy “Where a group of devils and monsters take a girl apart.”

Wednesday 1. The Texas Chainsaw Massacre “The girl on the hook.”

2. Dawn of the Dead “When the spiked ball comes down and rips the guy’s head apart.”

3. Phantasm “A silver ball hits the guy in the head and sucks out all his brains.”

4. Hellraiser “Where (sic) the end sequence where the guy is being chased by all these hooks. They attach themselves to him and rip him apart.”

5. Nightmare On Elm Street “Where Freddy rips out the guy’s veins and uses them like strings controlling a puppet.”

Schlock n’ Roll

B-movie classics that have influenced shock rockers of now and then…

Some horror movies are best watched not so much with your tongue in your cheek, as thrust firmly through it, films that by accident or design are more about fun than fear. The same could be said of numerous horror loving bands, including the Murderdolls, where an ‘everyday is Halloween’ ethos prevails. Here are a few examples of B movie blood fests which may not have won any Oscars, have been paid tribute to by schlock loving bands over the years…

Plan 9 From Outer Space (1957) It is no surprise that the mother-of-all cult movies inspired the mother-of-all cult bands, and when Glenn Danzig created a label to release early Misfits material he dubbed it ‘Plan 9’. Frequently voted the worst movie of all time with its ludicrous script, mind bogglingly bad special effects, cardboard sets, and even more cardboard artistry, Plan 9 From Outer Space is irresistibly entertaining. Directed by the cross-dressing caliph of crap Ed Wood Junior, featuring proto-goth babe Vampira and Bela Lugosi (dying of drug addiction, he was replaced mid production by a stand-in who looks nothing like him).

The Abominable Dr Phibes (1971) Featuring horror cinema’s kind of camp Vincent Price as the fiendish Phibes, avenging the death of his wife using maniacal methods borrowed from the biblical plagues, all against wonderful, strangely psychedelic sets. Also possessed of a strange psychedelic sensibility are punk pioneers the Damned, though in the 80s, lead singer Dave Vanian’s horror sensibilities took centre stage, attracting a goth following. The 80 track ‘13th Floor Vendetta’ is a classic example of the band’s game-topping which, if you listen carefully, is all about ol’ Doc Phibes.

Mars Attacks! (1996) Director Tim Burton’s tribute to the drive-in shockers of the 50s and 60s, Mars Attacks! was actually based upon a ‘62 series of bubblegum cards, discontinued because of their gruesomely graphic pictures of earthlings being exterminated by alien invaders. As such this inspiration might suggest Mars Attacks! has little by way of plot, but for anyone with a weakness for vintage schlock sci-fi it’s a true Technicolor treat. This must certainly include the Misfits and when they reformed, they did so without the blessing of founder Glenn Danzig, but with their monster movie obsessions intact – among a multitude of horror movie tributes on their ‘97 comeback album ‘American Psycho’ was ‘Mars Attacks’ (and even an instrumental coincidentally titled ‘Abominable Dr Phibes’!)

I Was A Teenage Werewolf (1957) The drive-in movies of the 50s and 60s typically featured juvenile delinquents or monsters, and this bargain-basement effort delivered both in one lurid package. Before becoming ‘Pa’ on TV’s Little House on the Prairie Michael Landon stars as a troubled teen – though when he starts growing hair in strange places, it’s more than just hormones to blame. A howl from beginning to end, Teenage inspired a number on ‘Songs the Lord Taught Us’, the ‘80 debut from drive-in movie loving ghoulish rockers The Cramps.

Murder, mayhem and a right old mess

Minging Murderdoll tales from the Big Day Out

Who is the messiest Murderdoll of them all? Wednesday: “That would be Eric and The Ghoul. They are just messy as fuck. But you know you’ve just got to get used to living with these people. We’ve been on the road since July. You live on a bus for six weeks which means you’ve got (sic) live in everyone else’s shit.”

Who is the tidy anal doll? Joey: “No-one. We’re all pretty fuckin’ messy.” Wednesday: “I just took two garbage bags of mess out of my room. And just put it in the hallway. Just full of chicken bones and beer bottles and all sorts of shit like that, it was just smelling really bad so I had to get rid of it.”

So you do that yourself? Wednesday: “I don’t let the cleaning staff come into my room and tidy up. I put the ‘Do Not Disturb’ sign for the whole week I am there.” Joey: “The housekeepers are scared shitless to come into our rooms anyway so we keep it easy for them and put the ‘Do Not Disturb” signs up the whole time. They are going to be so scared to come into our rooms and clean up after we’ve been there for a fuckin’ week!”

#metal hammer april 03 #interview #murderdolls #wednesday 13 #joey jordison #ben graves #eric griffin #acey slade #this thing is fucking 5500 words jesus christ