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#no time to die movie
ophanim-vesper · 9 months
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obsessed with how the entire movie is just this
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jimjamjomjum · 4 months
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Movie night
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realneatc · 1 year
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No, I don't think you understand, I'm OBSESSED
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r0b0t1me · 1 year
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HEY BATTER BATTER--
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ironinkpen · 11 months
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The interpretation of Rise Raph as a 'perfect responsible soft boy uwu' is so BORING I'm sorry, Raph is a rowdy adrenaline junkie with anxiety and I won't take this slander any longer
Raph secretly kept an enemy soldier in their actual literal house as a sparring partner. Raph glued his brothers together and dragged them out to fight crime. Raph once asked Leo to punch him in the face to prove he 'takes damage like a boss.' Raph tried to lift a school bus, twice. Raph offered to help his favorite wrestler beat his little brother up. When Leo suggests evacuating Bullhop, Raph says no bc the best defense is a good offense babey. Raph's idea of a 'friendly chat' with April's upstairs neighbor is to put on a black ski mask and go stand menacingly at their door. It takes Raph 10 episodes to conclude that they should MAYBE start training. Raph's plan to get a potentially priceless (and potentially FRAGILE) museum artifact is to punch a car in the middle of a busy street and also cut it in half with his brother still inside.
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Raph's never met a problem he wouldn't try to punch in the face and does not know the meaning of the words 'excessive force.' He roughhouses with his bros and drags them out to fight villains and thinks any plan that doesn't involve an all-out brawl is boring and lame. He'll do anything to protect his family from harm and be a hero, but also he eats wet salami off the floor and once single-handedly destroyed a library.
I just adore how, at his core, Rise Raph is such a classic Raph—impulsive and stubborn and caring and passionate. He is a very sweet, strong, honorable guy who has a very powerful sense of personal responsibility... and he is also the exact kind of jock who throws you in the pool at a party without checking if you have your phone in your pocket first.
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regina-del-cielo · 7 months
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Maybe it's a 'study finds water is wet' type of thought, but
considering it's an action movie whose overall plot is "immortal warriors Fuck Shit Up™️", I think it's significant that in The Old Guard the thing that makes Copley pull red strings through his Murder Conspiracy Board and say "[Merrick] doesn't care what [Andy]'s done with [her immortality]" is the people they save, not the ones they kill
Most of the Conspiracy Board is him circling random newspaper headlines and faces on old photographs to (more or less realistically) follow the immortals' treck through the world and big historical events. Which is, in-canon, not much different than putting portraits from different centuries next to a picture of Keanu Reeves and saying "they look the same, clearly Reeves is an immortal!"
But then there are the connections. A little girl holding Joe's hand in WW1 becoming the youngest (and first) woman to be awarded a Nobel Prize for Medicine (suck it, Kozak). Or the grandchild of a family that Andy saved from [something] helping people escape from the Khmer Rouge genocide in Cambodia.
They are warriors. They have fought and been in the midst of countless wars, major or minor, throughout history. They must have killed as many people as they saved... and yet.
It's not them taking out a random warlord or dictator or rabidly hateful politician that has tangible repercussions in history. It's the children and families they get out of war zones, save from accidents, protect from natural disasters. People to whom they give a second chance at life, and grow to change the world (or even just their own world), like a mysterious stranger once changed theirs just by holding out a hand or patching a wound.
I don't know I just think it's particularly neat
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see-arcane · 6 months
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Jack: Van Helsing and I, the definitely-for sure canniest minds of the team, are keeping a close watch on Mina for signs of too much visible vampiritis. If her teeth get too pointy we'll sadly have to break out the stake and saw maneuver, as his been discussed and demonstrated to the entire group via Lucy and our Dracula plans. Thank goodness Harker is totally oblivious to our suspicions! Isn't that right, Harker?
Jonathan 'Spent Two Months in Vampire Hell, Fresh from Watching All His Allies Swear to Murder His Wife If She Got Too Dracula'd, Has Been Sleeping with Said Wife Every Day/Night, Has Not Let Go of His Giant Fuckoff Knife Since October 3rd' Harker, whetting the kukri until it's an atom wide as he casually takes stock of everyone's throats: No sir :) Haven't even the tiniest inkling :)
Jack: Excellent, you just keep those cold hands steadily sharpening that knife and stay ignorant to our tragic-wise machinations
Jonathan: Will do :)
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pumpkinrootbeer · 4 months
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I just have to sing my praises for Shadow's VA in prime rq I think Ian hanlin does such a fantastic job as shadow I am just. consistently amazed. I think some previous iterations lean a little too hard into the growl but Ian hanlin brings a modernization to the character that I think works really well. Still very clearly Shadow but sounds more natural imo. Genuinely wonderful would love to hear him as shadow in other productions
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exalt1ora · 2 months
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movies you should watch based on your fav hatchetfield story !!
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tried to keep it horror/horror-adjacent + the different elements of the stories people might like !! i just had this idea and thought it’d b fun so here it is😋😋 <33
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But don't worry. By then, he wants to.
(@romanromulus :D )
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ablazenqueen · 9 months
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I just think that— Women. You know?
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bembwashere · 3 months
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i am unwell
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Just wanted people to know the knowledge I know.
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lily-s-world · 1 month
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I am of the idea that all vampire characters are queer until proven otherwise.
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cologona · 1 month
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Bruce didn’t mean to slice Jason’s throat and if he did mean it, it was only to disable , it wasn’t lethal and the wound would’ve been treated, and though that didn’t happen it wasn’t Bruce who sealed Jason’s fate but Joker who set off the explosion, and anyways Jason didn’t actually die he comes back in other comics.
Except none of that matters. It matters for the validity of UTRH as a Batman story that Bruce has deniability sure, but does it absolve him? UTRH says No. At the end of the day Bruce would rather attack his son than let his murderer die. Bruce thought he was refusing the choice but the lesson of this tragedy is that refusing to pick one over the other boils down to choosing the other.
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starry-bi-sky · 4 months
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thomas wayne au excerpts - things that could've been part of a grander fic except there's no grander fic
thomas wayne au - an au i made last year where danny is literally just. thomas wayne. his full name was Daniel Thomas Fenton and he started going by Thomas Nightingale after he was disowned. because of course. here is a link to the first post if anyone wants to see a more in depth view of the au (its also the start of me using the ‘danny fenton is not the ghost king’ au lmao
additional info: bruce is the result of a failed cloning attempt from vlad - vlad used a combination of danny's dna and an unnamed girl (Martha's) to make him to try and balance out the ectoplasm use. this resulted in a slightly liminal but otherwise completely human and stable baby boy. Bruce is, by all accounts, Danny's biological son. Danny named him Bruce
Danny was 24 when he died, he took in Bruce when he was 16. He is, so far, a single father in this au. (But if I WERE to add martha she wouldn't be sam or a DP character but rather a separate character on her own.)
Essentially they would go as:
Martha, 19: water does terrifying things to corpses
Danny, 19, half ghost: *heart eyes* really? tell me more they're morticia and gomez your honor
---- Like starlight -----
Bruce's father could light up a room. He was like a sun, his gravitational field could just pull you in, and before you knew it you'd be orbiting around him like one of his many planets.
He's seen it in action before, in the rare moments Thomas Wayne would allow him to accompany him to the socialite events he went to; the fundraisers; the charities. Bruce, as tall as his father's waist, would cling to his leg and watch as people drifted towards him and his star-blinding smile.
It's fitting that his father's favorite thing in the world were stars, he fit right in with them.
As an adult, Bruce has tried copious amount of times to mimic him. To try and capture a fraction of that light, that charm, in his own act - but here's the thing. Thomas Wayne wasn't made of starlight only in front of the cameras, he was made of starlight outside of it as well.
(So when older socialites laugh and tell him he's so much like his father, Bruce just thinks they are liars. They've only ever seen the Thomas Wayne his father showed them, Bruce is nothing like his father.)
In the manor, whatever room he stepped into seemed to brighten, and maybe it was just Bruce's own child-memory fuzzing it to raise his father onto a pedestal, but he stands by it. His father was a solar system, his very own galaxy. Bruce was just the lucky planet that was close enough to orbit him.
--------- arrival time ------
Ancients, ancients, what the fuck convinced Danny to ever go to Gotham of all places? Crime Capitol of the world? He's not sure, but he's been wandering around the country for the last few months, swapping between flying late at night as Phantom, and taking the busses and trains when he had the money, and was too exhausted to fly.
And of course, what convinced him to come here with his kid no less, who was just at the cusp of turning a year old? Whose curiosity of the world was growing greater by the day? Who wanted to look around and explore, and was growing tired of being held at all hours of the day by his father.
But he was going to be held, at least for as long as they were in Gotham for. He didn't trust the stuff on the sidewalks, and he didn't trust the people walking on it. Bruce was tiny, and Danny would lose his mind if he lost him in a crowd.
In his arms, Bruce whined and wriggled, pushing at his shoulders in the signature way he did when he wanted to be let down. Danny tightened his hold, and adjusted his place on his hip.
"I know, bumblebee." Danny muttered, resting his chin on Bruce's small head. His hair was still thin, but it was dark and soft, and tickled his throat a little. "But not yet, I need to find somewhere for us to stay first."
He needed to find somewhere for them to stay, permanently. He couldn't keep living like this, and he couldn't let Bruce grow up like this either. Constantly moving, homeless, unsure of when he was going to eat next? It wasn't good for him. But he needed to find a city he liked, and after that? He wasn't sure. Where did he start?
But Bruce doesn't like his answer, he whines at him, louder, and his wriggling increases. He wants down, he wants to move. They were in a new place again, he wanted to explore. He's too little to fully understand what his dad's saying. "Dada." He said, his voice thick with the accent of a child first learning to speak.
"I know," Danny repeats, stressing the word as his eyes flitted about. There was a park nearby -- maybe he and Bruce could stop there for a bit. Bruce could move around, and Danny could figure out his next move.
It was getting dark, he didn't want to be out in Gotham when it was dark. Shuffling, he moved the inside of his jacket to wrap around Bruce better. It was getting cold, too. Last winter with Bruce had been hellish - Bruce's liminality meant that Danny's immunity to the cold hadn't been passed down to him. Danny had spent all winter terrified that Bruce was going to get sick and die. He didn't want to go through that stress again, especially now that Bruce would be moving.
He hoped they could find new living arrangements soon.
---- dniwer eht klolc - clockwork's conversation ---
Laughing quietly as Bruce ran out of the room, Danny turned his attention back to the mirror, his fingers curled around the knot of his tie. They'd been planning this outing for weeks since the movie was first announced, and Danny wasn't going to let anything ruin tonight.
Humming under his breath, his hands fell from his tie and he steps back. They were leaving in half an hour, at best, but experience from the last six years has taught Danny that he wants to be ready before then.
In his reflection, the clock behind him stops ticking, and a wave of nothing washes over him, a subtle shift he's gotten used to that was the sensation of time stopping. Ticking, soft and coming from all four sides of the room, filled his ears.
Danny's smile drops. And behind him, Clockwork swirled into existence like a blackhole reversing its pull. "Don't go out tonight, Thomas." He says, his voice stern.
That wasn't happening.
He reaches up to push back a loose strand of hair out of his face. "Does something happen to Bruce, Clockwork?" He asks, his voice deceptively calm. That would be the only reason he would postpone tonight. If it endangered Bruce, then he would just have to break the news to him that they'd have to go tomorrow.
In the reflection, Clockwork's lips thinned, pressing together tersely. He looked tense, the grip on his staff was tight, tighter than Danny's seen it before in recent years. And it worried him a little.
Clockwork is silent for a few seconds, hesitant, before he finally speaks. "No, Bruce will be fine." He says, and uncharacteristic of him, he shuffles, "But--"
Ah, good then. Danny's smile returns briefly across his face. Then it could be something Danny can handle. "But nothing then, Clockwork." He says, interrupting the Ancient firmly. He leans back slightly to look over himself again in the mirror, before going to undo his tie. He's changed his mind about it.
"Boo has been looking forward to our movie all week, I'm not crushing his hopes by changing my mind last minute." In just a few seconds the tie was off his neck and tossed onto bed behind him. And Danny was reaching over the dresser beside him to grab a pearl necklace, he normally didn't wear it, it belonged to Mrs. Wayne and he inherited it after she and Mr. Wayne passed away last year. It wouldn't hurt to wear it for a special occasion like this.
Clockwork's lips tightened, and his shoulders tensed up. "Thomas," He says lowly, "Please."
...Clockwork never said please. Danny's never heard him say please in the last ten years he's known him. This... must have been pretty serious -- but, his core tugged at him. He couldn't cancel without finding the reason why. Bruce was so important to him, Danny couldn't break his heart with this without learning why. He wouldn't allow it, and neither would his core.
He hooks the necklace around his neck and turns to face Clockwork, frowning deeply. "Does something happen tonight?" If he knew the reason -- he just needed to know the reason.
Clockwork stares at him, and something that Danny can't catch appears across his face. "...I cannot tell you." He says after a long moment, his voice quiet.
That... is not the answer Danny wants. He won't cancel.
He frowns. "If something happens tonight..." He says slowly -- Clockwork said that Bruce is unharmed. That must mean Danny was able to handle it. He allows himself to smile reassuringly, and he steps forward to clap a hand on Clockwork's shoulder. "Then I will handle it, alright? I promise."
He gets no response back. Clockwork's expression unreadable as he nods silently - Danny's anxiety curls in his gut. He's being so unlike himself. But he shakes Clockwork's shoulder gently and steps around him, leaving the room.
After a minute, he feels time return to normal.
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nojillnolife · 1 year
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