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#now when i look at him he looks... bad

un-pearable · 7 months

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ngl one of the most useful things i’ve internalized from doing art online is never tell people what to criticize. don’t preemptively apologize for things or point out where you think you fumbled, it’s just priming people to notice minor issues that might not actually matter and hit you where you’re sensitive and throw you off your game. don’t tell people your weak points. if it’s a genuine problem they’ll point it out

#especially not if they’re the professor grading your assignment!!!!!!!!!! feel so bad for my friend #i cant tell him it now bc it’ll come across as mean but i feel so bad :( he kept apologizing for things he didn’t need to and it made him #seem unprepared. when he actually had 95% of what he needed and apologizing made it LOOK like he didn’t #text✨#i’m making it sound very dramatic here but it’s straight up helped me so much with my anxiety #the above doesn’t apply if you’re looking for constructive criticism kr any thing #i’m very specifically talking about stuff like posting art online or giving a presentation or whatever

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tyttetardis · 3 months

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Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

#David Tennant #Macbeth #Donmar warehouse #Cush Jumbo #I messed up this recording sooooo bad #I didn't see people pull out their phones to record it so I didn't dare do that either...#and man did I get a shitty recording out of it :(#and the audio ain't great either...Craig was sitting the furthest from me and didn't have a mic so can be a bit difficult to hear at times #Cush was sitting the closest to me (not that close - I was still in second row!) and David was sitting next to her #while I didn't have a perfect frontal view - the angle I was at did mean that I still got a perfect view of David's adorable smiles <3 #and all his other lovely facial expressions as he often looked to Cush when she was talking and replied to her...#which made it FEEL like he was looking in my direction *sigh*#and he looked so good with his comfy cardigan - skin tight jeans - and his glasses!#You know I have seen David quite a few times by now - but I'm pretty sure this was the first time I saw him wearing his own glasses!#I desperately wish I had managed to capture some pictures or a video---because OMG! He was so lovely <3 #Oh didn't know there was a text limit...or that I had written this much...guess I'm continuing in a part 2

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nerdie-faerie · 1 month

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I'm once again thinking about the missed opportunities to have Klaus and Kol bond more. Part of Klaus' whole motivation as a vampire is to get his werewolf part back and to finally be stronger than Mikael (sort of, I'm simplifying) both of which can be obtained by breaking his curse. But Kol? Kol is the only other original that can relate to having a fundamental part of themself ripped away from them. Klaus might not have known he was a werewolf until he killed, but he likely still had a connection he couldn't explain, as evident by him going to watch the wolves transform. And something he'd never been able to explain was now gone. He might only be able to realise the connection afterwards through its absence.

Kol though. Kol had grown up with magic, a connection to nature and the world around him in a way the rest of his siblings supposedly didn't have. And then he gets turned. And not only has his baby brother died, his father has just murdered him and the rest of his siblings after forcing them to drink human blood, which he'll later learn. Now, not only does he have to deal with the grief of Henrik's death and also his own but also the loss of his magic. A loss that's likely only worsened by Kol being a self-proclaimed child prodigy.

Kol is pretty much the only one who could understand what Klaus is going through with the binding of his wolf. We know Kol searched for ways to get his magic back/carry on practicing magic in the same way that Klaus was looking for ways to break his curse. While Klaus likely could still feel his wolf there despite being bound, Kol has no access to his magic anymore. I just think they should've been able to bond or connect over their shared loss of an intrinsic aspect of their selves at the hands of their parents

#TVD #The Mikaelsons #Kol Mikaelson #Klaus Mikaelson #briefly back on my the originals shouldve gotten to be a family goddammit and as someone from a big family im personally offended bs #i did right a lil snippet about them bonding over this that i havent posted yet for the joml verse but still think its an unexplored concep #need more witch!kol acknowledgement honestly. just need more content of my boy #anyway. klaus having a fascination with the moon and kol telling him about celestial events and how it affects his magic when theyre boys #klaus losing that connection to the moon feeling lost & extra tempermental feeling his wolf claw at its binds and vowing to break his curse #kol determined to get his magic back at any cost relating to that devasting loss and promising to help him find a loophole for his curse #kol who becomes extra reckless and determined when he learns that theres a way to break klaus' curse so maybe he can get his magic back too #that knowledge and recklessness combined with his loss of magic driving him to become the volatile vampire that we see #that leads to him being daggered repeatedly but that first time breaks something in that bond between him & klaus that never fully recovers #it makes him bitter and resentful only fueling his reckless behaviour particularly when there seems to be no leads on reclaiming his magic #that he becomes distant from his siblings in the process especially with finn still daggered but that distance only cements the idea #to his siblings that hes a danger and cant be trusted that he needs to be daggered if theyre to stay safe from mikael #the loss of his magic leading to his spiral as a vampire and him being ostracised by his family > actual tvdu kol canon #klaus being trapped in a room staring at the corpse of his little brother knowing he never repaired that relationship with him #and now he never can so he refuses to look away as penance and a reminder of his failings to his little brother #*edit: one of the reblogs on this post is the author of big bad wolf and honestly she does an amazing job at portraying the mikaelsons #as actual siblings if you havent read it its one of my favourites for characterisations but we need more 😭 i want it to be the norm

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ywpd-translations · 3 months

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Ride 757: A small tremor

Pag 1

2: Raging waves!!

3: Swirling ocean currents!!

Pag 2

1: Danchiku!!

2: We're now in the land of the decisive battle, Kyushu!! In Shimonoseki!!

Calm down, Issa, this is Moji. Shimonoseki is on the opposite shore, it's in Yamaguchi Prefecture

3: 1000 years ago, the final battle between Genji and Heike happened here

Pag 3

2: You know that because we did it recently in Japanese History? So you were awake....

3: The master fencer Miyamoto Musashi and Sasaki Kotaro had their duel in the close Ganryu Island!!

Ah... almost, but not really. It's Sasaki Kojiro; Kotaro is a friend of yours

5: Here!!

6: Here it's the starting point of the Inter High!!

8: Us!!

Pag 4

1: Let's become the best in Japan

Danchiku!!

Pag 5

2: Uh......!!

I came here just to chaperone you.... and I was wondering what you were you even talking about until now....

3: But this guy's simple words and feelings-

(Let's go see the sea, Danchiku! It's the sea!

Let's go renew our determination!!)

4: -can always shake my heart!!

Yeah, Issa!!

Pag 6

1: The towel is cast!!*

2: It's “the die is cast”!!*

Die is dice and it means “it's already started so you have to move forward”!! To “throw the towel” means to “give up”!!

(*NdT.: here Issa uses two very similar words: he says “saji” while it's actually “sai”)

3: Ahhh, dammit, I'm really so fired up!!

4: Let's go show this excitement to him!!

Him!?

To Doubashi!! Hahaha

Hm... wait, you want to go to Hakogaku's tent!? You want to march inside? Stop, Issa!!

Pag 7

3: We're here

4: Why are you here- during Doubashi-san's massage

See, look, Issa

Sohoku second years!? Don't come into the enemy's tent without even a greeting!

Doesn't matter

5: Let them through

Pag 8

1: It's been a while. I'm so worked up now, Doubashi!!

“san”, na!!

2: He's huge.....!! Hakogaku's third year, Doubashi Masakiyo!!

He sitting down, and yet he looks like Issa that's standing up!!

3: Is it your ring name!? Sanna Doubashi!?

I told you to use the honorific “san, idiot!! Buah!!

4: Was he this huge last year!? ….. no

He got even bigger during this past year!!

5: There are so many injuries in his knees

6: And even on his elbows there are traces of fights...!!

Pag 9

1: I came to tell you how much stronger I got in this past year

Oi, stop, if you say something like this now, you'll definitely regret it later

Nah, I'll say it

3: There's another person

4: Ah....

5: Is he also..... a regular?

6: Ah, Yes, I'm Sohoku's... second year...

Hahaha I'll introduce you!!

7: Is he your partner, Orange?

Hahaha, that's right!!

8: Our team's name is SS!! His name is Danchiku!!

I'm telling you this for your own good

9: Stop

Pag 10

1: This guy's a “chicken*”

(*NdT.: here the literal translation of the kanji used is "weak-hearted", while the reading says "chicken")

Pag 11

2: He'll run away right away

3: Buah!!

4: Road racing half a mental sport!! The distance is long and there'll be a lot of difficult moments. I don't know what kind of runner this guy is, but he's mentally weak and he'll be crushed by the pressure, especially at the Inter High!!

5: He got my weak point with one shot....!!

6: Nah, Orange!! Let's have a serious race, the two of us

Ah!?

And bring a better guy than this!! Ah!?

7: This one's no good, he can't run!!

That's what the sensor in my polished body are telling me

8: Doesn't Sohoku have a reserve!? You should.....

Pag 12

1: Replace him right now

4: Yuuto lost to a guy like this?

Ah!?

Well, I guess you had quite an advantage since it was a rcae in your hometown

Danchiku won!!

5: Would it be better if I was replaced...? No

He's not a bad guy, but.... sometimes he says bad stuff. Last year, too-

6: No, that's not true!!

What am I saying!! I'll run!! I'll be the one running!!

Pag 13

1: In the Inter High!! Together with Issa!!

2: Ehi, welcome back. Did you have fun on your walk?

… yeah

I've done the oiling and the gear check

Did you see the sea?

It was fired up!!

3: Fired up?

The sea was fired up!!

4: “My heart is small”

“Yours is much bigger”

5: Sugimoto-san.....

Once you get dressed could you try ride it?

Pag 14

1: Uhm, Sugimoto-san

3: Hm?

4: Hy.... hypothetically

5: If right now

6: I said I couldn't run, what would you do?

Pag 15

4: Since the day I was chosen as a reserve

5: I haven't taken even one day off practice

7: The members may seem to be in perfect condition, but they could accidentally fall and get injured, or get ill

Be ready to run the moment you know someone can't run, that's what a reserve is

8: I spent my time wishing that all my efforts would be in vain

Pag 16

1: I would run for all three days!!

Now I'll put this toolbox down, put on the my cleats and prepare my own bike!!

Can be done in fifteen minutes!!

Pag 17

2: Be prepared!!

4: I-I'm sorry!!

I'm sorry for saying stupid things

5: In road racing a reserve can only be subbed in until the start of the first day

The rules say that you can't change during the race

6: Is that so!?

You didn't know that!?

7: Once the race starts, if someone can't run, he can't be substituted

He retires and the number of people in the tea decreases... that's road racing

8: If your condition isn't good, tell us now

It's more advantageous is all six people run

9: It's alright, if you made that decision

Pag 18

1: No one will blame you

Pag 19

1: This trial run on the course is terrific, Danchiku

The sea is in full view!!

2: That tanker is huugee!!

“No one will blame you”

3: Don't hang your head, don't look down

What a I thinking!!

Raise your head!!

4: Issa is here

5: The Inter High I've longed for

6: “Stop”

“Chicken”

7: The die is cast!!

#yowamushi pedal #yowamushi pedal translations #yowapeda #yowamushi pedal manga #yowapeda manga #yowamushi pedal spoilers #ride 757 #first chapter of the year!! happu new year my lovely people!!#and what a nice nice chapter!!#I like that the issue with danchiku isnt completely solved yet tbh bc self confidence isnt something that you can just suddenly get #so it makes sense that hes not so sure of himself #btw kabu is as always our silly annoying little bean and i love him #his face in page 7 assdfsadf if he came to me like that i'll simply punch him okay lmao #also i LOVE the difference between doubashi here looking all scary and cool and powerful #and then the doubashi seen in hakogaku's pov #who is basically manami's mum lmao he looks after him get annoyed at him and all that #and takes care of the team very well #say what you want but doubashi is the mum friend okay #and i also love how Kabu now likes him so much that he didnt even get mad when he offended his best friend #he just accepted it and then told danchiku 'nah hes not a bad guy'#sugimoto best boy ;-; i really love his relationship with danchiku #AND!! I OBV LEFT THE BEST FOR LAST!! AOYAGIIIIIIII #FINALLY HES BAAAAACK i cant wait to see him with kabu!!! ashdfasdf

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