15 QUESTIONS FOR 15 FRIENDS
Tagged by @sherlockig, thank u Alexz!!
Under the cut bc I got wordy and rambly as per usual lol.
ARE YOU NAMED AFTER ANYONE?
Kind of? In that I more or less named myself after Izzy from our flag lol. Not that I'm going to tell everyone I meet that, but it is a big part of why I stuck with it after trying it out (that, and I've always wanted a name that had the letter zed in it, silly as that may seem.)
One of my middle names (that I had been using as a first name for a few years) is after my grandfather and aunt who also have that name as their middle name.
My deadname was after an actress famous in the 90s (tho tbh my mum apparently didn't choose it for that, she chose it bc she didn't find out my gender until I was Out and then was like 'aw fuck I don't have a name for this situation' and went with the first one she saw in a book of names a nurse gave her. It was only after that she remembered the actress when I was like. 4. that she changed and started telling ppl it was after that instead.)
And technically Holden is after the book character, but mum never actually read that book (and after I described it to her, said she has no interest in doing so lmao), she just liked how the name sounded and that was the one solitary name she for sure had on hand when I was born apparently. Could have saved us all time had she just used that one for me anyway!
2. WHEN WAS THE LAST TIME YOU CRIED?
Couple of nights ago. I'm doing better abt missing my cat Nisha, but my phone will toss up compilations of pics of her to mark the year/month/etc and sometimes those still get me. It popped up just before I went to bed that night and I was already so tired that I just. broke down. Bc I know she's v loved and looked after w/my mum, but I do miss her goofy lil self a lot. She was my first cat that was given to me and meant to be mine alone, and there's something abt that first pet bond I guess.
3. DO YOU HAVE KIDS?
Nope, and it's not a likely thing for me. I've said before that that happening would be in a very specific situation, wherein I'm with someone who wants to dedicate the rest of our lives to raising a child, or god forbid more than one, tho I think I'd max out at two if I managed one at all tbh (and that's not even getting into the very complex for me thing of would I want to actually be pregnant ever (probably not, absolutely terrified of dying in childbirth and don't see myself getting over that easily), we have the funds to make that happen (and give the kid a good life, not just a decent one or 'could have been worse' like my own), and we feel stable mentally, emotionally, and physically (as much as one can outside of Life Happening of course) bc having a kid means putting allll of that first for them, ahead of yourself. Or at least I think it should mean that lol.
But that situation is incredibly unlikely considering my bigger goal in life is to wind up being a third for multiple couples while also fucking any of my friends who are down for it in a big poly ENM sort of thing for lack of better/more detailed definition (I know it sounds unrealistic and maybe it is to a degree, almost definitely is lol.)
I can admit I just. don't want to uproot the life I've been trying so hard to build for myself in so many ways, to have kids. I'll happily help babysit the kids of any friends tho and be the fun uncle that buys them junk food and lets them stay up late to watch movies. I think that's about the level of parenting of any kind that I can handle for now (also tbh I burned out on parenting bc my family admits they parentified the fuck outta me with my three younger cousins. It by far could have been worse, but I spent my teens spending most of my days after school helping look after them from the newborn years and on. Unless my above uber specific scenario happens, then I've probably had my fill of parenting for my lifetime.)
4. WHAT SPORTS DO YOU PLAY/HAVE YOU PLAYED?
I played volleyball for a few years in elementary school, and we were made to participate in a multi-school track and field thing for most of middle school every year, but I was never amazing at them. Housemate and I have figured out I likely have undiagnosed asthma tho (turns out running or going out in too cold or hot weather shouldn't instantly make you gasp, struggle to breathe, and make you taste iron in your mouth, who the fuck knew? Not me, genuinely) so I think that might have a lot to do with it.
I also enjoy tennis and badminton and would love to try rugby, but I've never played any of those beyond a hobby with family/friends.
5. DO YOU USE SARCASM?
I do! Probably too much and not always in the best situations, but I've been working for years to hone when and where it should be used so I think/hope I'm a lot better with it than I was when I was younger. Tho even then, I did get adults who found it funny when I was sarcastic bc of how adult I seemed to a lot of them (their words, not mine lmao.)
6. WHAT IS THE FIRST THING YOU NOTICE ABOUT PEOPLE?
I genuinely don't know. Usually I'm too busy running my script for meeting new ppl in my head and trying to maintain Common and Expected Etiquette to really notice much right away. I have found that after a bit of time/after the initial meeting has passed, I tend to notice colours ppl wear more often than others if I see them often enough, or hair colour. But I don't know if it counts towards this question at that point lol.
7. WHAT'S YOUR EYE COLOUR?
Kinda blueish grey? Some ppl say it's too grey to be blue, others that it's too blue to be grey. I had a lady at the ND DOT freak out abt not being sure if I should have blue or grey on my ID a few years back, and she finally just told me to put blue so 'she could stop feeling so confused.' Was a weird day and the first time I realised apparently they really do have a blend of both colours, enough for it to be upsetting lmao.
8. SCARY MOVIES OR HAPPY ENDINGS?
I can't choose between the two; I like both! I also like mixing them together when I write (a scary story with a happy ending, an ending that seems happy but is actually terrifying, so on and so forth.)
9. ANY TALENTS?
Writing? Maybe, I always list it bc it's something I know how to do and to (usually) do decently well. I can sort of draw? But not well enough that I think 'talented' would be accurate to describe how I draw lol. I'm not sure of anything else off the top of my head tbh.
10. WHERE WERE YOU BORN?
In California, USA! We were there bc dad was in basic training for the Marines and then just got stuck at Camp Pendleton for years lmao (or that's how he always talks abt it anyway lmao.) Only was actually there until either: a. I was 3 months old, b. I was 6 months old or c. I was actually basically still a fresh newborn. Depends on whether you're talking to my dad, mum, or grandparents as to which answer you get, and at this point I'm genuinely uncertain as to exactly when mum left and took me to North Dakota but 6 months seems the most potentially accurate lmaooo.
11. WHAT ARE YOUR HOBBIES?
Writing, drawing, reading (not enough but I'm trying to remedy that), napping, watching movies/fave shows, and giffing.
12. DO YOU HAVE ANY PETS?
Kind of? My cat Nisha had to stay in North Dakota after I moved, so my mum and her bf are looking after her now (and got her a little sister, a kitten who is getting so big already!, named Bella.) I help Housemate look after aer two cats as well, and I'd like to think the boys consider me like their fun uncle lol (aka I bend over backwards for them and let them steal my spot on the couch all the time, and will break out the treats if needed to corral them now and then. In my defense: they are the cutest lil baby boy cats and they deserve the world, even when they're being little gremlins lmao.)
13. HOW TALL ARE YOU?
Approximately somewhere between 5'3 and 5'4ish? I can't recall the last time I was actually measured, and most of the ppl I've been around were somewhere between those heights and I'm usually either slightly shorter or slightly taller than some of them, so??? I put 5'3 on my ID tho lol
14. FAVOURITE SUBJECT IN SCHOOL?
English bc it was easy and I liked almost everything we did in that class. All my general and more specific history courses were a close second, and my foreign language classes a close third.
15. DREAM JOB?
Ideally, I'd love to not have to work. But who wouldn't, so that said, probably something in a library or museum. I'd love to be a library page again, or help work the front desk/docent duties of a museum. Working at someplace like Mystic Seaport would be amazing too; I'd be happy to learn how to help repair/repaint ships that come in or just help do tours or look after artifacts and stuff (tbh they could hire me just to type up any random data entry work they need done for any/all depts and I'd say yes to the job offer lol.) Unfortunately there's fairly significant roadblocks to me achieving any of these jobs rn, but I like to keep them in mind, just in case.
Also, if I can have one dream job that would be even more unlikely and is slightly TMI probably but: paid third for a rich couple. I show up, look nice, [redacted], make sure they're both good for the night, then go back home to Housemate (if it wouldn't be a night they'd want me to stay over, which I wouldn't be against but also. That would require some overtime pay lol.) The chances of this one are...so unlikely it's stupid funny, but a man's allowed to have dreams right lmao?
Tagging (if u guys wanna, no obligation if u don't wanna/have already been tagged/etc!!): @starmoonchildfromthebeamsabove, @freebooter4ever, @willowenigma, @turtleduck-tales, @mash1972, @mysteriouslybluepirate, @turtles-on-turts, @cononeillbreastingboobily, @treesofgreen, @dianetastesmetal, @arsenicflame, @gydima, @king-bussy, @p0ochy, @crvwly, and anyone else following me who wants to!
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LWA: Some more idle thoughts about narrative construction and both seasons, prompted by your reflections about AWCW's inability to see consequences and Aziraphale's already-vivid awareness of them.
Crowley's and Aziraphale's pre-Fall selves are already set into their post-Fall approaches to consequences. Aziraphale, given adequate data, is very good at predicting the most plausible consequences of any given action; unfortunately, he's also very good at predicting consequences when he only thinks he has adequate data, which leads to repeated disasters (both the 1862 fight and the end of s2ep6 being the most obvious examples). It's not an accident that he's good at interpreting prophecy. It may also explain the weird Jane Austen misreading, which has nothing to do with how Aziraphale fell in love (past) but everything to do with constructing an iron-clad narrative in which there's a definite, logical romantic outcome (future). AWCW is politically naive, but fallen Crowley /still/ can't predict what ought to be the completely logical consequences of his actions. (Hence perhaps his own misreading of Richard Curtis, which mistakes the climax of a romcom for its inception.) S1ep1 keeps coming back to the fallout of Crowley pitching his stories too well to his demonic audience. He takes down the cell tower and does himself in, turns the M25 into a sigil and both gets trapped on it and temporarily murders an awful lot of people, and...then there's my favorite bugbear. Fans tend to overlook the likely outcome of Aziraphale giving in to Crowley's manipulation and killing the Antichrist, thanks to Madame Tracy stepping in, but beyond the cruelty /this is not something that Aziraphale could have survived/ (figuratively or literally). I was thrown straight out of the S2 episode in which Crowley gives away the entire bodyswap to Gabriel/Jim during his "protective" outburst, because as script-writing goes that there was a decision, but I have to grouchily concede that if Gaiman were to show up and remind me about the child murder business, he would have a point about narrative plausibility.
Crowley genuinely doesn't appear to believe that his relationship with Aziraphale has a developmental narrative. There's no story to be told about it. As I've said here before, his accounts of their relationship do not square either with what's on the screen or with what the actors have said they're playing. For Crowley, they've always been friends, they've always been a couple, they've always had the same kinds of conversations, whereas what's dramatized onscreen is a more heavily-romanticized take on the /book/ narrative, in which they gradually become friends over the course of centuries. There's no sign that /Aziraphale/ believes they've always been friends or a couple, which may be one of the reasons that Crowley's confession doesn't land.* In fact, one of the things that is now starting to bug me is the problem of Aziraphale's relation to Crowley-as-angel, because Aziraphale's problematic assumptions about fallen Crowley's continuity with AWCW (he's not trying to reverse-engineer Crowley, he really believes demon!Crowley effectively still /is/ angel!Crowley, just grumpier) mirror Crowley's refusal to acknowledge that his relationship with Aziraphale has an actual plot.
My take is that Aziraphale could obviously have done a much better job, Crowley-wise, of accepting the Metatron's proposal, but there's nothing to indicate that he could have done anything /else/. It's not just a mirror of Beelzebub's ep1 proposal to Crowley, but a warped mirror, in which the whole point of the "coffee or death" dialogue is that the Metatron is not really offering Aziraphale a choice in the matter.
afternoon LWA, hope you're well!!!✨
i didn't think to look laterally (not to this extent, anyway) at aziraphale and crowley when comparing their pre-fall selves with them later on in the narrative, but that's really fun to consider!!!
i absolutely love this interpretation of aziraphale's inner thought process, because whilst i had never really thought to see aziraphale as having an analytical personality type, he absolutely does; his approach to pretty much anything appears to be very systematic. in fact, im struggling somewhat to think of an instance where im confident that aziraphale reacts completely intuitively... maybe when he squares off against satan (crowley comes up with the time-stop, but where aziraphale chooses to face the devil down feels like he does so without any idea of how it could end)? any other action aziraphale takes, or words he says, feels like they've been very carefully deliberated over before delivery, even if he knows the outcome is going to be... well, shit.
you mention 1862 and ep6 as two examples, but, to me, aziraphale's way of thinking vs crowley's (which i'll come back to) is just encapsulated neatly in the entirety of s1; there are so many examples of where aziraphale consistently reacts to incoming data (when he discovers it or - when he deigns to - when crowley tells him stuff), and acts accordingly, and then immediately cycles back to analysing the result when it doesn't work.
my day-job (GO is practically The Other Job at this point) is largely based around analysis and research, and i regularly use a few thought models (maybe not consciously, but it's second nature at this point) in approach to a problem/question. so looking at the overall context of s1, aziraphale appears to follow a similar process:
scanning (identify the problem: the apocalypse)
analysis (gathering information/data, and identifying mitigating factors or outlying data: e.g. the hellhound conundrum, agnes' prophecy, adam is in tadfield, heaven actively wants the apocalypse)
response (how can the problem/question be addressed, and take into account any extraneous data that may affect the result: e.g. stop the dog, return to tadfield, engage shadwell and the WA, consult a higher authority through the portal, finds a human to 'possess' and get to tadfield)
assessment (the impact of the response, and any splinter effects or conclusions that the response initiated: e.g. realising that they had the wrong boy, identifying the right boy, where the apocalypse would happen, and that he and crowley were alone in stopping it themselves).
the last bit is especially indicative to me of aziraphale being analytical; he hears crowley say that god would not speak to him, but he still tries because it's a viable solution to scrutinise, and when it fails he immediately re-evaluates and then contacts crowley to try out an alternative, and share the information he has, because ultimately crowley ended up - on this count - being correct in his own initial, instinctive assessment.
obviously those phases of problem-solving throughout s1 are non-linear, and instead completely cyclical; aziraphale takes into account different factors and data at individual points in the story, and repeatedly comes up with various options in which to respond to problems as more data materialises - he continuously reassesses. initially, his approach to the problem of armageddon was to Not Act, and allow it to happen, because it was the great plan, and as an angel it was logical to him that whatever god had planned was for the best, was what was always intended, and would only ever be Good because... well, it came from god, right? had he perhaps thought a touch more intuitively, followed his instinct (which is arguably to thwart armageddon, the same conclusion crowley arrived at), he would have probably leapt on the chance to follow crowley's proposal... or possibly even proposed it himself.
but as it stands, he doesn't, and crowley gives him reason after reason to do so. all of this builds as significantly compelling data to aziraphale - to the point that when he's fully analysed (at this point) the potential outcome of Not Acting vs. Acting, he chooses to Act - a conviction that he sticks to. even at the bandstand, he doesnt sway on wanting to stop armageddon, but that the way that crowley proposes they do so not only directly conflicts with aziraphale's moral boundaries (killing a mf child), but also conflicts with aziraphale's sense of logic and reason (running away). and then as a last thought for aziraphale; he goes to instinctively shoot adam when crowley pushes for the last time, and is immediately thwarted by madame tracy - she does it as an emotional, knee-jerk, moral-based, human reaction, "you can't just shoot children!" - but given that that reaction is what aziraphale actually agrees with, it only reinforces that his way of thinking, logically and analytically, is the correct one, just because they happened to arrive at the same conclusion.
but this is where crowley comes in. crowley on the other hand acts very intuitively, instinctively, and i daresay emotionally - his immediate reaction to delivering the antichrist is panic, and to immediately call aziraphale (the narrative at the very least doesn't show any kind of analysis of the issue on crowley's part - would he have arrived at a different response if he had? and plus, as you say, him taking down the phone network was a class A monkey-paw job, well done crowley). but then he goes on to convince aziraphale into stopping armageddon with him (which, admittedly, does work, but only once crowley changes tack, stops invoking the emotional, and instead lays out the logical, does aziraphale agree).
when the issue arises of the hellhound (which, let's reiterate, crowley did not think to tell aziraphale before this point...), and the prospect of their upbringing plan not working because of this, crowley's reflex is to destroy the antichrist completely - but tempt aziraphale into doing it. when aziraphale pushes back on this more resolutely at the bandstand, crowley's immediate instinct is to just run. fair enough, given that crowley ends up being correct that aziraphale's resolution to beseech to heaven will just go ignored, but he similarly doesn't consider that aziraphale needs to test the hypothesis first, engage a more methodical and strategic approach, before resorting to more scorched-earth measures.
but as you say, this definitely harks back to the pre-fall scene. narratively, we still don't have any confirmation on what leads to aziraphale having any concept of punishment, or a sense of consequence; there is no iron-clad context (that I can see anyway!) as to why aziraphale would start to formulate this rationale - that asking questions might lead to a larger, damning (ha) consequence - when we can only surmise up until this point that angels would consider their creator as benevolent and omniscient.
AWCW presumably doesn't mean anything nefarious behind his questions (i think that can be reliably interpreted from his behaviour and delivery), so why would god ever punish him? this is beside the point, however; in any case, crowley tends to rush to a response, to act, without stopping to consider other factors, other data, and the potential consequences. in the pre-fall scene, if he had acknowledged the warning, the 'data', as it were, that aziraphale was giving to him (that something could go wrong if he continue the path he's walking), he might have arrived at the same action but with considerably more caution, and potentially prevented what happened to him (which, in contextual hindsight, is not necessarily a good thing). we don't have the full narrative yet to tell us what exactly happened during AWCW's fall, but it does seem like crowley is a chronic case of "fuck around - find out."
in this respect i personally find it entirely in character - and rather in-keeping with crowley's overall narrative in both s1 and s2 - that crowley reveals the ruse of the bodyswap in s2; he's not thinking about the consequences that it could have, but thinking entirely based on instinct. he's not thinking about whether gabriel/jim might remember the information, whether gabriel (regardless of his presumed reformation of character in ep6) might exploit that information, but entirely acting on the emotional wave that gabriel is posing a direct risk to aziraphale's safety and wellbeing. plus, we don't know how long he was sat in justine's restaurant for; it's entirely possible that he was three sheets to the wind by the point aziraphale happens upon him.
once again! not sure i arrived at a point! but i think in hindsight this is a really interesting way to read the final fifteen; it's fairly obvious that crowley is acting and reacting emotionally during the feral domestic, and aziraphale is - as metatron-aziraphale theories are indicating at the moment - acting and reacting based on a conclusion he's arrived at from data we've potentially only partially seen/data hidden in plain sight. but then we switch to aziraphale saying "i need you!", which is a hitherto uncommon emotional outburst from him, and crowley... saying nothing. is that crowley's way of thinking logically, analytically? because anything he says is not going to change the outcome - aziraphale will ascend, he will not, and they will still be apart?
on the note of their relationship, it's a really interesting dynamic - how crowley and aziraphale both see it from their perspectives. on one hand, you have aziraphale that goes from crush, to acquaintance, to confidant, to friend, to best friend and person he's in love with. crowley's perspective is... well, it is the same, right? so why does he retrospectively suggest that it's something that it, by all accounts, wasn't? look, maybe crowley was in love from the wall, immediately fell for aziraphale when he told him about the sword - but that's not what's actually shown in the narrative, to the audience. so... if he did, did he even realise it? is that why he looks back on their history as being something that, as far as shown to the audience, it isn't?
the s1 flashbacks are all shown from aziraphale's perspective (why am i only realising this now) - mesopotamia, golgotha, rome, arthurian england, 1601, 1793, 1827, and 1941 all show aziraphale first. the scenes are all set up with aziraphale opening them. it's only eden, uz, 1862, and 1967 that show crowley first... and all of them are pivotal moments for crowley's character development, as well as the development of their relationship specifically. that they learn to confide in each other, then they learn to trust in each other, then they learn the extent of what they mean to each other, and then they learn (or acknowledge) the danger of them being together.
so actually - does crowley think that there's no plot to their relationship? or is it that by 2023, he counts on the fact that the plot has already happened? that the biggest problem they confronted in his view - the holy water and the breaking away from heaven and hell - has been resolved (see: it hasn't), and that they've now reached the happily ever after? rather than the fact that we are actually only just getting to the climax of their personal story? which is also likely the stage that aziraphale was at by ep5, and is considering that crowley, by the time of the confession, is still a chapter ahead? "you go too fast for me, crowley."
(christ i don't even want to know the word count of this answer)
and this is similar potentially to how aziraphale sees crowley own angel-to-demon-to-just-crowley development; that he thinks that crowley as a person would want to be an angel again, "just like the old times, only even nicer", because why wouldn't he? he's a good and kind person, why wouldn't he want to be restored to the station and to the place that - in aziraphale's view - inherently embodies that? heaven has been corrupted, and he could make a difference, but heaven was always meant to be the place of good... right?
well, once again, aziraphale is without data - he doesn't, presumably, fully understand why crowley couldn't ever become an angel again, couldn't set foot in heaven again (not in that capacity, at least). so the conclusion he draws absolutely misses the mark; thinks this is the long-awaited happily-ever-after for crowley, when actually crowley is perhaps a chapter or two behind. s2 has shown more that crowley is able to somewhat accept that he is a good person, but he still has a way to go before he fully acknowledges it, and reconciles that with the, we can only guess, full circumstances of his fall.
last point - so glad that someone else spotted the mirror of the beelzebub proposal in ep1 to the metatron proposal in ep6; i think i gasped when i realised the implication of that conversation between beelzebub and crowley!!!✨
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