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lesbiamano · 13 days

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AN INTRODUCTION TO "The Loving River", AKA Nazya's story!!

this story takes place in a historic setting in iraq, no specific years (for now) so everything here is subject to some change in the future.

this post is just an introduction to the main stuff and characters in the story! (all under cut, and fair warning, its a lot)

Shanya Al-Malaika:

shanya is a 29 year old poet, going by the pen name "Ta'abata Sharan" and taking on the image of a man so she can comfortably write about her love for nazik, and to be taken more seriously in the world of poetry. she is the mortal daughter of the goddess shaahida, also referred to as "The Witness", and ill be explaining more about her and her lore later.

to make a long story short, shaahida never wanted a child, and so shanya's coming into the world was a complete accident, and to shaahida, a shameful mistake. with that, she sends off newborn shanya to live with her aunt, saabira, another goddess, this one referred to as "Patience". saabira had a mortal husband and five mortal children with him, so the choice to send shanya there was easy. shaahida was sure saabira, with all her patience and knowledge of children, would be able to take care of shanya better than shaahida ever could. but of course, if she was going to give away shanya like this, shed have to gain something out of it too. she slashed baby shanya across the mouth with her divine nails, drawing blood, and leaving a scar. a tie between them both, stronger than their familial connection. wherever shanya was, shaahida would be able to keep watch, and when the time comes, shaahida would be able to use shanya as the vessel for her plan (which i'll discuss later,, maybe.)

shanya lives with saabira's family for most of her life in dhi qar, where she meets nazik, a girl around her age, and eventually, falls for her. the two are worlds apart though, for while saabira prefers to live humble and poor despite her divinity, making shanya live as a young sheep herder, nazik came from a wealthy family. middle upper class, to be exact. one day, however, nazik leaves dhi qar suddenly, and without much explanation, leaving shanya all alone. what made it all worse was this coming directly after a major fight/argument between the two. (this is insanely simplified, for a lot of stuff happens between them here.)

shanya continues to live with saabira, until the age of 16. when one day, as she on the carriage of saabira's oldest son, shaheen, she began to tinker with the oud guitar he always had with him. she strummed a few notes and smiled to herself, preparing to play a small tune. the carriage soon hit a bump, and the oud, with all its heaviness, slipped out of shanyas hands and fell off the carriage, tumbling down into the nearby river, and breaking. shaheen went off the rails at this, screaming at shanya about how expensive the oud was, and going as far as slap her and push her out of the carriage, telling her to walk home instead. its then, when shes trying to walk home, in the most vaguest in terms, she ends up dying. very unfortunate, and a horrible look for shaheen.

shaahida oversaw all of this. she was angered, not as a mother would be for a daughter, but a creator to a vessel. she transforms her own body to shanyas likeness, and makes it, in a way, a vessel for shanyas spirit to reside in for the time being. making daughter and mother, one and the same.

after saabira realizes what had happened, shanya's death, shaahida's work, she is frightened, and she does not tell shanya of what had truly happened to her. instead she grabs her and takes her towards kirkuk, where hashim, her uncle, and saabira and shaahidas brother, resides. hashim the god, also referred to as "The Punisher". after learning of what had happened to shanya, hashim takes her in, almost like his own daughter, and he is the one who teaches her of poetry and art and whatnot.

it is also hashim who sends 29 year old shanya out of kirkuk and to baghdad, along with her cousins, the twins jamil and jameela (also saabira's children), to gain more knowledge and more inspiration after she finds herself in a writing block. and that is where shanya meets nazik again after so long, which kickstarts the main story.

Nazik Al-Khafaji:

nazik is the 30 year old eldest daughter to jasim al-khafaji and his university sweetheart, nadeen. young nazik worked in a library with her mother until she was 14, before becoming a 'healer' or a doctor later into her adulthood. she has a younger brother, azra, only 4 years younger. nazik's mother had been a worshipper of saabira, one of the saabiroon, and as such, nazik aligned herself with that sect of worship too. and when push comes to shove, as an adult, nazik realizes she had been blessed by saabira with the power of healing. specifically, healing people with her own blood, something she couldve used much, much earlier.

jasim's family was quite a rich one, and yet, he distanced himself from them and went against his own family's wishes by marrying nadeen, and as such he did not inherit much of their wealth at all, and all the wealth naziks family did have came entirely from his own hard work and businesses in gold selling and jewelry making. nazik's family was originally from baghdad, however after jasim's falling out with his family, they packed their bags and moved to dhi qar when nazik was 6 and azra was 2, which is, of course, where nazik met shanya.

nazik quickly found herself enjoying shanya's company, and even introducing shanya to her brother, for a chance to get the girl to step out of her shell and meet new people, for nazik had noticed how lonely shanya seemed to be, with how all of her cousins were decades upon decades older than her, and having no free time to spend with her at all. nazik found herself skipping many of her classes to be with shanya, almost getting caught by her father many times, but she simply could not get away from her. in her free time she brought shanya books to read with her, though most of the time she sat by and listened to shanya play the oud, yes, the one she often borrowed from shaheen. nazik hadnt realized it, but she had fallen for shanya, hard and deep. one day, after returning home later than she should, after spending a night with shanya, she came back to find her mother dead. nadeen had been sick for years now, but nobody had expected her to die so suddenly. naziks life changed overnight. in the morning, she went to visit shanya one last time, a meeting which resulted in a huge useless argument, before nazik ran off, going home to finish her packing. that night, her, her brother, and her father took a carriage all the way to baghdad. she left shanya with no last goodbye, no last hug, and that is her one regret, though she does not blame herself.

jasim never quite made up with his family, his parents however begrudgingly gave him an estate to own in baghdad, which they settled in. as an adult, nazik was practically the only one working in the house. jasim had given up on life and on fatherhood after nadeen's death, forcing nazik to mother her own brother, and to grow up faster than she shouldve. and while jasim was useless, azra picked up traveling as a hobby, untied and free of all burdens, he was almost never home, and always off doing his own thing outside of iraq, leaving nazik to labor on her own, completely oblivious to the exhaustion she was facing, for she hid it all from him.

nazik, of course, has her own set of people in baghdad, and one of them was a pen pal, jameela, who she did not recognize as shanyas cousin, and whom she had urged to come to baghdad to meet. jameela had of course come to baghdad with her twin brother jamil and her cousin shanya. however, shanya and nazik would not stumble upon eachother until much, much later after shanyas coming to baghdad.

Shaahida (Al-Malaika):

shaahida, the witness, was the second born goddess from "The Creator", coming only after her eldest sister, huda, "The Gift". sources speculate she was born from The Creator's left eye, to bear witness over humanity, and to help her brother, hashim, the punisher, who was born right behind her, in trials, so he may adequately punish both mortals and their divine siblings alike.

of course it must be explained that The Creator is the one true god of the universe, having created it all with humans and all. in their divine eternalness, they split themselves into 99 different pieces, and the one last 100th piece would be created when all 99 pieces set aside their differences and finish their business on earth, and come together to create a new "creator". which is to say, the 99 lesser gods created were much weaker in comparison to The Creator, having a limited set of skills, and being very close to human like with their feuds and problems and personalities. some say there is no way all 99 of them would ever come together to become whole again, for each of them held such wildly different ideologies, and often butted heads with eachother. sometimes mortals wonder if they truly did come from one beings.

each god has their own set of followers that follow certain rules for worship. some gods have easier rules than others, some want all the worship, some want none. while, worshipping one god means you believe in the existence of the 98 remaining, it does not necessarily mean you believe in their coming together again to be one, and it does not mean you believe in them coming from one being. those beliefs depend on the individual and the family they hail from. there is however another religion made from these using all these factors (believing in all gods, their coming from one being and their eventual unity) called "Istiqbal", in the way that its followers await the future for the 'inevitable' unity of these gods.

that being said, shaahida was never one to love her job. as the witness for the punisher, she did not last long. she kept it up merely 3 millennia before giving it up, opting to wander the world meaninglessly for a few couple of centuries, before settling in a temple and watching people worship at her feet all day. along the way, she found herself obsessing with a mortal girl, a girl named batool, and a worshipper of hers. she possessive as much as she was obsessive, and batool did not by any means hate the attention. until one day, when she revealed to shaahida that was to get married to a man soon. of course, that angered shaahida greatly, and with her anger came eyes on them, and the public soon found out about their situation. it was not homosexuality itself that was forbidden, but the act of mingling with mortals at the time was. hashim came, with his divine punishment, and stoned them, though whether he truly wanted to or not was debated. some even said he had someone else come and punish them in his stead. shaahida was hung up and stoned for a whole year, before her mortal lover which of course died before her. after her punishment, shaahidas reputation was tainted forever. humans misunderstood the punishment, thinking it for homosexuality, and quickly forbid it. which, in turn, made shaahida a symbol for homosexuality, and specifically, lesbian love. she would gain a few followers for this, though not many, and all worshipped her in secret. for the next few centuries or millennia, shaahida wandered aimlessly amongst the earth in a disguise, though she did not dare get close to any mortal during that time.

until one day, it suddenly became allowed to get with mortals. a lot of time had passed, and most of her siblings had slowly but surely been becoming more lax on many things. it was frustrating, to think that if her and batool's love was delayed a few mere centuries, it wouldve blossomed to fruition.

shaahida let herself out again, and began to mingle once more with the mortals. she met a writer one day, a man who calls himself abd al sahib. without knowing of her divinity, he spoke to her of his want to write a book about the witness. she smiled, thinking it was flattering. the two got closer, though she did not love him in the way she loved batool, nor in the way lovers loved eachother. he however, was obviously in love and head over heels. and he was not stupid, he soon learned of her divinity and her being the subject of his book, which only made him get closer to her. a series of events unfolds, many that were out of shaahidas control, and she finds herself bearing a child, a mortal child, shanya. for the first few months she had not truly processed it, until one day abd al sahib pointed it out, grinning with pride at the fact that he had impregnated her. her actions next had been a long time coming, she had enough. she killed abd al sahib, which, of course, was a sin. for gods could not murder their subjects and humans in general. it was fine however, for she hid all the clues. and when she brought shanya into the world, she was disgusted. not specifically by shanya, but the events that led up to her birth.

she sends shanya away and goes into hiding, hoping hashim would not find this out.

she loses herself completely in this loneliness and new found hopelessness she has dug herself into, and thinks the only way to get out of it and to be free is to simply become the new creator, to end the world prematurely. and maybe shanya was simply a tool given to her by the world to achieve this.

with that, her loneliness is broken only slightly, and only briefly by her meeting a new woman. nadeen. they got close over a short period of time in baghdad, before shaahida realized nadeen was already married, and already had a few month old daughter. it was shortly after this realization did nadeen leave for dhi qar with her husband and daughter, and shaahida never had much of a chance to see her again. and there she returns to solitude.

and thats all for now! this is barely even half of the story, but again, its just intros, and it's already so long so i dont want to add more. i know not many will read all of this anyway so ive only written this for myself so its easier for me to see the info of my own story here. anyway! heres some art for the characters mentioned!

nadeen (left) and batool (right)! this is all i have for now! if youve made it this far, tysm for reading!

#ocs #oc posting #Nazik Al-Khafaji #Shanya Al-Malaika #nazya #yes im giving them their own tags to make stuff easier for me lol #will be adding onto this post whenever i have new stuff or art #insanity #sorry for this being so long i did not mean to write this much ermmmm #if anyone even reads a quarter of this ill be impressed #if some things dont make sense srry i wrote this while sleep deprived #any asks/questions abt the story is very welcome!!!

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galenfeadraws · 21 days

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"When [Sky] next blinks awake, it’s to Warriors surrounded by fairies, talking to them in low voices as they sort neatly through his hair."

An illustration for The Art of War by qar, which they wrote for me as part of the Linked Universe Discord birthday gift exchange :)

Today's challenges: profile, sunburn

1st April 2024

#pencil drawing #fanart #linked universe #lu warriors #fanfic illustration

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dalt20 · 8 months

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Tooning in 5. Rufino Gomez 1-3

DL: How was your childhood?

RG: Its a different ballgame now, My childhood was struggling so as it now. Being an artist is so hard. Compare to no other profession.

DL: What was your favorite cartoons growing up?

RG: Voltes five

DL: And any Hanna barbera cartoons you also liked?

RG: Yogi Bear, of course that was the first thing i saw when i was growing up ...voltes was later.

DL: Did you drew a lot as a kid, how did you wanna be a animator, how did you got introduced to cartoons?

RG: Yes, I drew a lot back then even on walls in the neighborhood, in the palm of my hand anything flat. I never knew how its done before, i thougt all along it was moving on its own...it needs only one drawing and thats it...but when i enter the Filcartoons i was amazed how its done!

DL: How was growing up during Ferdinand Marcos rule Until 1986?

RG: It was painful...rice with corn ..people suddenly gone nowhere to find, people were scared you can see soldiers around ...my father was picked up in the evening ..us knowing nothing ...and then came back in the morning exhausted...future was gone ..people doesnt know what to do in order to survive..it was really scary...marcos recruited armies in his hometown province so that they can communicate in their own dialect..very astute dictator.

DL: Before then, how did you got into cartoons?

RG: My family, little they know i applied for this while stiil im studying ...good for me because after two weeks training, fire broke out in our neighboors and unfortunately we were included. So i already had the job after we were confined in the hospital. I was trained in Fil Cartoons as a Layout Animation...and the studio was really nice....i was in college ..third year in the School of Fine Arts in the University of the East in Caloocan City here in the Philippines...i applied for the training given at that time by Fil Cartoons as an Animation Layout ... I see ..it was really fun back then back then ...it started two years after the EDSA People Power Revolution and Fil Cartoons started in the 21st and 22nd floor of Strata 2000 building in Ortigas Ave. if my memory serves me right.

DL: So what was your first project at fil cartoons?

RG: That was Yogi Bear back then. And we were trained by John Rice, an Australian animator.

DL: How was John rice?

RG: I think John already settled here he married a filipina and stayed here.

DL: I believe he was from HB Australia.

RG: Yup, Hanna Barbera Australia!

DL: Yeah , so thoughts on the yogi bear character and his cartoons?

RG: Yogi Bear as a training materials for a starter like me was not that so hard because it was cartoony. It easy to turn around the character , And posing in a different position was easy because of its character designed.

DL: To ask a question, how do you move a character in animation? Like inbetweens?

RG: Yup..its a painstaking process. Not unlike today everything is in the stock.

DL: Yeah, like today people use flash animation and just move the puppet around.

RG: Yup! it speeds up the process.

DL: So how do you do inbetweens, can you explain it to me because I don’t understand how do they move without flipping the model like they do in flash?

RG: I was trained as a Layout Animation after that it goes down to the Animator for them to do the key poses and goes down to the inbetweeners. And after in the inbetweeners it goes down to the clean up and zerox department. The Background layout goes down to the Backgrounder to be painted in acrylic. The flipping goes down in the animator by using a QAR machine..it was a Quick Animation Recorder for the line test.. Thats were the action happens!

DL: So the layout artist is the guy who does the key poses for the betweeners to work out.

RG: The animator. Layout artist do the staging and the blocking of the character ..the first and last poses only and the background staging.

DL: So how was the head honcho, jerry smith?

RG: Jerry Simth was the one bring the animation in the Philippines together with a certain general here , Mowelfund, and other Bigtime businessmen. I will try to recall their names.

DL: So, how was jerry personally?

RG: Uhm..Jerry was generous only those he partnered where is the greedy.

DL: So he was from America right? From the HB studio in America?

RG: Yes, I think he is dead already.

DL: Yeah, he died 25 years ago. He was such a good man, As I heard everyone love him at fil cartoons.

RG: Yup he was really generous and he wants to uplift the lives of filipino artist.

DL: Well in Thad Komorowski’s book, he said that the place was a shithole I think. And the working conditions were poor.

RG: Only the filipinos businessmen he partnered is the problem. Yes its true the first location of the Fil Cartoons studio in Strata 2000 in ortigas was really a shithole specially the Restroom.

DL: Wow! Did people really had to sleep outside? Because they couldn’t afford to pay rent because of the low salary?

RG: Not really outside but inside the studio we were sleeping because other artist living in far away places. We were allowed to sleep in the studio below the animation table where we were working.

DL: Ah like John lasseter during the first days of Pixar?

RG: Exactly! And the food were listed in the canteen and paid weekly.

DL: Ah. That’s your word for cafeteria right? Canteen. For us Americans, that word is referred as a circular water container.

RG: I see the water canteen in the US army. Yes we used to that naming.

DL: So, we’re there any foreigners/nor Filipino animators at fil cartoons? Like American,Canadian, Australian,etc?

RG: As far as i can recall there were at least ten foreigners..not exactly..well Filipino animators after having years of experience were able to go the US and Australia and after a decade recruited in india and other southeast asian countries.

DL: Ah, so all Filipino (minus jerry) staff then?

RG: Yes , some foreign animators visiting but the staff almost filipino from accounting department down the line

DL: Oh, I see. So, can you tell me about those Filipino businessmen that were leading jerry the wrong way?

RG: The setup of the studio is like shanties each cubicle. The management was layered with politician and vic palileo i think was just a frontman.

DL: And so it’s was the past president’s cronies? Ferdinand Marcos?

RG: Yes. Josep Estrada the former president was the head of Mowelfund if i was not mistaken. Founder i think.

DL: Ah and so,, what was their deal with poor old Jerry, bribery or extortion?

RG: Probably...the philippines at that time was just recovering from a dictator and a lot of their cronies is in key position.

DL: Ah, must be hard for a American living in the Philippines doing his job supervising cartoons for Hanna barbera.

RG: Yes.

DL: So, can we talk about some of the projects at fil cartoons you did? First I want to bring up is the smurfs, How was working on that program?

RG: Yes that was a nice program, so easy to do, not only if you were given character in groups, that was easy. And its was fun to do ..and snorks.

DL: The character designs were all the same so that was a bonus!

RG: Yup! Police Academy The series.

DL: How was working on the show?

RG: It was great! The rate is good because its not so cartoony almost real like anatomy.

DL: Did You watch the films?

RG: No i havent because we dont have betamax player at that time. And the access to movie was only for the well off.

DL: Ah gotcha. Paddington bear how was your experience in that?

RG: Yup Paddington. Not so hard to do ..

DL: Why? Was it, because the character was easy to draw?

RG: It was cartoony. Full Body anatomy with almost realistic detail was really hard to do when it comes to full body turn around. Off modeled is the biggest problem.

DL: So speaking off model, did you ever drew anything “off model”? As fil cartoons had a horrible reputation for being off model.

RG: Of course ..almost every artist goes to that.

DL: Any examples you remember that you went like “that doesn’t look right but I have to finish this so this will do.” ?

He ask for my email address, I send it to him and he gives me a demo reel of his 90s work. The only things I could decipher is are German cartoon, fix and foxi and friends and the Canadian toon, the 2001 Anne of green gables adaptation.

DL: The footage looks a little choppy.

RG: So you could have an idea how tedious is the hand drawn animated cartoons.

DL: Yeah, I can believe you. It’s rough!

RG: Its a pencil test compiled.

DL: Yeah it isn’t Disney level pencil test. But it’s something.

RG: Its not complete with inbetween drawings just key poses.

DL: Ah ok. So a pup named Scooby doo, How was that program?

RG: Yeah i also able to work on that project but it was a short stint. Disney is full animation a 24 frame rate per second while the saturday morning show cartoons is limited to 15 frames per second..

DL: Wow! And it’s because it’s cheaper and faster?

RG: Yes. And they were done in movie format.

DL: But back to a pup named Scooby doo, how was it drawing the expressions and the squash and stretch animation the characters had contrast to other stilted animation?

RG: It was really exagerrated..that was the intention of the director. Each show has its own style of animation.

DL: And was he Glen Kennedy? The director of the animation?

RG: I think so..kathllen and glen lived here in the phil for a short period of time. Just for the project.

DL: Well he moved back in 1995 to work for a company called animasia, or was that Malaysia?

RG: Yup Animasia. I think he also helped with the setup of L.A. animation studio at the back of Folk Arts Theater in Roxas Blvd. If my memory serves me right.

DL: Ah, how was glen? Because he was rumored to have said to kill Tom ruegger over him getting fired over his work on tiny toons.

RG: Ah that was way way back..as far as i know he was into drugs...that was i heard..

DL: Well if that’s true, he’s clean now. That must be the reason he said that.

RG: Good for him, Drugs at that time was rampant here.

DL: Like morphine as that drug was very popular there.

RG: No... shabu...poor man's cocaine.

DL: I never heard that.

RG: Coke coming from hong kong.

DL: Oh yeah. I know that.

RG: It was just a short stint in the scooby doo it was intended for senior layout artist not for a newbie.

DL: Scooby doo and the reluctant werewolf, how was working your first feature film?

RG: I tried but the director is too strict and disciplined..but the rate is good. I never get thru. We never get credits for any show only the seniors.

DL: That’s why you don’t have a IMDb?

RG: Yes,Its politics.

DL: Oh, That’s sad.

RG: Only the privileged in the higher ups.

DL: That’s makes so upset.

RG: Im able to work in the feature film in the india studio ...The Buddha.

DL: Ok that’s great. So the Jetsons movie? Was that your first feature?

RG: I animated some scene here but were not included in the credits.

DL: God, that musta sucks. Was it when George jetson was in traffic and pulls up a inflatable policeman to get out of traffic before get got pull over from a actual police officer?

RG: Thats how life it is... Actually the expats enjoyed here much ...somebody do the work for them. And those who had attitude problem was thrown here.

DL: Man, the agony. Greatest stories from the Bible? How was working on that series?

RG: Im not able to participate on that ..it has a good rate.

DL: Oh ok, fantastic max. How was working on that?

RG: Yeah fantastic max ..only limited. Also Cliffhanger.

DL: For fantastic max musta sucked.

RG: Little house of Horror.

DL: What does that mean?

RG: Its a tv show ..Little House of Horror..maybe not in the US.

DL: Oh yeah, never heard of that.

RG: We almost do the outsourcing from other countries not only in the US

DL: Never knew that! From Europe?

RG: We did Mozart from germany.

DL: I think I saw that on your demo reel. How was that?

RG: It was good.

DL: So did fil cartoons worked on Winnie the Pooh and darkwing duck for Disney? As did you worked on those?

RG: Yup! Nah ..winnie is just recent...i worked in fil in the old studio after that i moved to others ...politics is intensifying.

DL: Ah ok.

#animation #tooning in.#animation interview #Rufino Gomez #fil cartoons #hanna barbera #the smurfs #snorks #police academy #a pup named scooby doo #scooby doo and the reluctant werewolf #the Jetsons movie #fantastic max #Filipino animation #philippines #filipino representation

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ajscico · 5 months

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1, 15, 18, 25, 26 For fic asks! :D

1– favorite fic you wrote this year: I nearly doubled my fic count by putting my ‘ask box fics’ up there. Wasn’t expecting to do that necessarily but here we are. Some were definitely written over a year ago but out of those I did write this year, I really enjoyed Betrayal? It was written in a frenzy caused by so many curse reveal stories and Kikker’s art and a fic from another fandom that is sadly not updating regularly but the idea was really cool and I thought I did pretty good showing the feels behind it?

15– something you learned this year: unrelated to writing I learned how to make a cheese sauce that doesn’t go oily and gross on me.

And that brownies are really good if you bake them in a muffin tin. Bite size and then they get eaten instead of the whole pan sitting out and going to waste because it takes a little more planning to cut them out and take them to work. Thank you, Cap’ika.

18– current number of wips: I only have three actual, active fanfic wips. Puppet Lullaby, Town of Traitors and (really need to change the title) Twilight/abandonment. But I have a separate document where I can put down snippets or killer plot rabbits.

Barring those: I have kind of an original work I’d been dabbling in for a writer’s group I’m in. But it’s slow going because I have way more planned than written and brain doesn’t want to do the boring bits between them.

I also have stuff for Dungeons and Dragons games like character back stories or reference documents for the campaign where I’m part Dungeon Master.

25–a fic you read this year you would recommend everyone read: so many good authors I’ve met through this year. I automatically read anything by @silvercaptain24 or @skyloftian-nutcase or @bokettochild . And @majorproblems77 is quickly becoming another favorite. But @tashacee caught me off guard this year with her Chain Linked series and particularly Untarnished. I couldn’t put it down. I pulled it up on the computer at work (something I really shouldn’t have been doing) and read between customers (no one tell my boss) because I needed to know how it ended and could not wait until break or the end of my shift.

Second would be ‘this year it taught me (lost and ambitious)’ by qar. It’s good Sky content and his chapter with Time I think I read 5 or 6 times and… yeah.

26–number of favorites/bookmarks you made this year: I’ve added 7.5 pages of bookmarks this year. Assuming they average out at 20 a page… roughly 150?There’s a couple deleted ones in there (😭) so maybe more like 148 that I’ve managed to keep. Do I use bookmarks too often? Probably. But I also use those as my marker to download them for my horde of fics.

#asks and answers #lovely major!#writing wrapped ask game

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s-siduri · 6 months

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The Standard of Ur c. 2600–2400 BC

The Standard of Ur is a wooden box discovered in the Royal Cemetery of Ur (excavated between 1922 and 1934) in the Dhi Qar province of Iraq.

Inlaid with red limestone, shell, and lapis lazuli, it displays two panels on opposite sides, one illustrating scenes of war (soldiers, charioteers, etc.), and the other scenes of peace (musicians, agrarian workers, etc.).

Though its function remains disputed, it has garnered mass attention and became synonymous with the Sumerian art tradition, along with other artifacts excavated from the tombs such as the Bull Headed Lyre and the 'Ram in a Thicket' sculpture.

#mesopotamia #mesopotamian #ur #royal tombs #artifact #history #ancient history #ancient near east #sumer #sumerian

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izzyliker · 1 year

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Hey idk how to tell you this and I hope this doesn't piss you off but I saw you said something about how Ed isn't hypermasculine because he dresses like a Tom of Finland drawing, but the whole point of Tom of Finland's homoerotic art was exaggerating masculinity. The guys he drew with exaggerated muscles and huge dongs are hypermasculine fantasies. His Wikepedia article talks about how his art was influeced by the post WWII biker/leather culture, which was an expression of macho, tough masculinity. In general, hypermasculinity shows up a LOT in gay culture.

right, through the lens of gay desire, which isn’t what the op post was saying when it was saying ed is izzy’s Macho Hypermasc Transition Fantasy and which i was making fun of bc tom of finland isnt portraying just some random masc dudes like they’re presented through the lens of gay masculinity played up for other men specifically, which from a costuming pov is also the whole deal of the QAR crew. like sure if you want to play it literal but that’s very unlikely to be actually what the op meant considering they were positing that izzy was taking this presentation as a kind of played straight cishet masculinity as if everything abt ed (+the rest of them) wasn’t informing the overall picture

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noorahqar · 13 days

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Click for higher quality!

Fanart based off a comment on Steel Can't Carry Me Now by @elle-rosewater (eliotrosewater on Ao3). Alternatively, my live reaction when Jojo confirmed that Warriors did not, in fact, meet a younger Time (Mask) during the War of Eras. It's still canon in my heart IT'S STILL CANON IN MY HEART

Does this count as fanart of Steel? Either way, go read it if you enjoy Warriors angst, War of Eras content and fantastic writing!!

Comment and random chatter under the cut!

Here's the comment this was based on, in response to TKato - beware, I believe the full thing has pretty major spoilers if you decide to go check the fic out.

One day I'll learn to not overdo things. This was supposed to be a little sketch. I ended up spending a full night on it and subsequently ignoring studying. 😬 ONE DAY I will learn moderation. Not today though!

I did spare myself the torture of rendering Time's armor, though. I was halfway through when I paused and wondered why I would ever do this to myself on what was supposed to be a funny doodle LOL

I think........ keeping my handwriting neat was a form of torture. It gave me hand cramps. I am a cursive scribbler at heart

#legend of zelda #legend of zelda fanart #linked universe #linked universe fanart #hyrule warriors #warriors linked universe #time linked universe #mask linked universe #lu warriors #lu time #lu mask #qar art

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tsunami-subastas · 1 month

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2020

OLA 7 / EDICIÓN ESPECIAL/GARAGE

Quarentena del Arte Rosario | QAR

La selección estuvo a cargo de TSUNAMI junto a Carlos Stia y Valeria Gericke. Para la misma, se tuvo en cuenta que, los participantes hayan cumplido con las bases y condiciones; y de esa manera, respetar el espíritu libre del GARAGE.

Artistas participantes:

Federica Rosetti @dibujosconsonido

Ariana Osuna @osunaariana.portfolio

Anahi Laurencena @anahilaurencena

María Emilia Díaz @ememiemilia

Ailén Betania Rodriguez @ailenbetania.ilustracion

Eva Aguirre @eva.aguirre_

Kümei Kirschmann @kumeiaa

Catalina Silvetti @silvetti.catalina

Sofía Vargas @soy.sofi.vargas

Nicolas Bastanzo Paximada @nico.bastanzo

Magalí Ayelén Imbern @mag_a_rt

Sabrina Grech @gs.artw

Mariana Culaciati @mericula_

Matías Najar @matiasnajar_

Laura Soboleosky @laurasoboleosky

Manuela Colomba @manuevirtual

Anabel Solari @anabelesolari

Noelia Itatí Alvarez Dellamea @proyectonox

Nicolás Avalos @mentor.arte

Lucia Mendez Falabrino @luchia.mf

Leonel Petrovelli @leopetroart

Yamila Baleani @yamibaleani

Marco Zampieron @marco.zampieron

Chiara Bareses @chiara.barese

Facundo Arrigoni @facu.arr

#subastas #tsunami #artistas #argentina

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butimnogirlstoy · 4 months

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Man the difference//Old vs New art

#theamazingworldofgumball #procreate #oc artist #procreateartist #qar #questionsandrob #old vs new art

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businesssetupsolutions · 4 months

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Unlocking Business Opportunities in Qatar: A Comprehensive Guide to Setting Up Your Business in the Heart of the Middle East

Introduction

Qatar, a small but prosperous country nestled in the heart of the Middle East, has emerged as a global business hub in recent years. With its strategic location, stable political climate, and robust economy, it has become an attractive destination for entrepreneurs and investors looking to expand their business in the region.

In this article, we will delve into the key aspects of setting up a business in Qatar and uncover the endless opportunities that this vibrant nation has to offer.

Business Landscape in Qatar

Qatar has undergone a remarkable transformation in the past few decades, from a primarily oil-dependent economy to a diversified and knowledge-based economy. The government's ambitious economic diversification plans have resulted in significant investments in infrastructure, education, and healthcare, making it an ideal destination for business setup.

The country boasts the highest per capita income in the world, with a thriving market for luxury goods and services. Additionally, with the upcoming FIFA World Cup in 2022, Qatar is expected to witness increased investments and business opportunities in sectors such as construction, hospitality, and tourism.

Types of Business Entities

In Qatar, there are several types of business entities available for foreign investors, including Limited Liability Company (LLC), Branch of a Foreign Company, and Representative Office. LLC is the most common and preferred form of business setup for foreign investors, as it allows 100% foreign ownership and has a minimum capital requirement of QAR 200,000 (approximately USD 55,000).

Branch of a Foreign Company and Representative Office require a local sponsor or agent and have restrictions on foreign ownership.

Legal Requirements and Procedures

To set up a business in Qatar, foreign investors are required to follow a specific set of procedures and obtain necessary approvals from various government departments. The first step is to reserve a trade name and obtain an initial approval from the Ministry of Commerce and Industry.

This is followed by the drafting and notarization of the company's Articles of Association, opening a bank account, and obtaining a commercial registration from the Ministry of Commerce and Industry.

Additionally, depending on the nature of the business, investors may also need to obtain specific licenses from other government bodies such as the Ministry of Economy and Commerce, Ministry of Interior, and Qatar Financial Center.

Benefits of Setting Up a Business in Qatar

Apart from the country's stable economy and favorable business climate, there are several other benefits of setting up a business in Qatar. These include:

1. Strategic Location: Qatar's location at the crossroads of Europe, Asia, and Africa makes it an ideal base for businesses looking to tap into the markets of these regions.

2. Tax Incentives: Qatar offers significant tax incentives to businesses, including a corporate tax rate of only 10%, no personal income tax, and no import duties on most goods.

3. Skilled Workforce: The country's growing economy has attracted a diverse and highly skilled workforce from around the world, making it easier for businesses to find talented employees.

4. World-Class Infrastructure: Qatar has invested heavily in modern infrastructure, including state-of-the-art transportation, communication, and utilities, making it an ideal place to do business.

5. Business-Friendly Policies: The government of Qatar has implemented several business-friendly policies, such as streamlined procedures for setting up a business, making it easier for investors to enter the market.

Conclusion

In conclusion, Qatar presents a lucrative business environment for entrepreneurs and investors looking to tap into the Middle East market. With its stable political climate, strategic location, and business-friendly policies, it offers endless opportunities for growth and success.

However, it is essential to understand the legal requirements and procedures for setting up a business in the country and seek the guidance of a professional consultancy firm to navigate the process smoothly. So, if you are considering expanding your business in the Middle East, Qatar should undoubtedly be on your list of top destinations.

#business setup in Qatar #companysetupinqatar

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ivfsurrogacycentreindia · 7 months

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Understanding the IVF Cost in Qatar: A Comprehensive Guide to Select IVF

In recent years, Qatar has emerged as a global healthcare destination, offering state-of-the-art medical facilities and cutting-edge treatments, including In Vitro Fertilization (IVF). For couples struggling with infertility, IVF can be a ray of hope, but it’s essential to be aware of the cost implications. In this article, we will explore the IVF cost in Qatar, factors that influence it, and how to choose the right IVF clinic for your needs.

The IVF Cost in Qatar

The Cost of IVF in Qatar can vary significantly, depending on various factors, including the clinic, the complexity of the treatment, the number of cycles required, and the age of the patients. On average, the cost of a single IVF cycle in Qatar ranges from QAR 20,000 to QAR 30,000, which is roughly equivalent to USD 5,500 to USD 8,200. However, this is just an approximate estimate, and the actual cost may be higher or lower.

Factors Affecting IVF Costs

Clinic Reputation and Location: The reputation and location of the IVF clinic play a significant role in determining the cost. Well-established clinics in prime locations may charge higher fees.

Treatment Complexity: The complexity of the IVF treatment required can significantly affect the cost. Some couples may need additional procedures such as ICSI (Intracytoplasmic Sperm Injection) or PGT (Preimplantation Genetic Testing), which can add to the overall expenses.

Number of Cycles: For some couples, achieving a successful pregnancy may require multiple IVF cycles. Each cycle comes with its own cost, including medications and laboratory fees. It’s essential to discuss this with your healthcare provider and plan your budget accordingly.

Age of the Patients: The age of both partners can also impact the IVF cost. Younger women typically have a higher chance of success, and they may require fewer cycles, making the overall cost lower.

Additional Costs: Apart from the core IVF procedure, there may be additional costs for medications, consultation fees, and diagnostic tests. It’s crucial to factor in these expenses when budgeting for IVF.

Choosing the Right IVF Clinic

Selecting the right IVF clinic is a crucial decision in your journey to parenthood. Here are some factors to consider when choosing a clinic in Qatar:

Reputation and Success Rates: Look for clinics with a good reputation and a track record of successful IVF procedures. You can research this online and ask for recommendations from friends or family who have undergone IVF.

Expertise of the Medical Team: The qualifications and experience of the medical team are paramount. Make sure the clinic has skilled doctors and embryologists who specialize in infertility treatment.

Facilities and Technology: State-of-the-art facilities and the latest technology can enhance the chances of a successful IVF procedure. Visit the clinic to assess its infrastructure.

Cost Transparency: Ensure the clinic provides a clear breakdown of the IVF cost and any additional charges. Transparency is key to avoiding unexpected financial burdens.

Patient Support and Counseling: IVF can be emotionally challenging. A clinic that offers psychological support and counseling services can be a significant asset in your journey.

Location and Convenience: Consider the location of the clinic, as you will need to visit it multiple times during the treatment. A conveniently located clinic can save time and effort.

Patient Reviews and Testimonials: Reading patient reviews and testimonials can provide insights into the experiences of others who have undergone IVF at a particular clinic.

Financial Assistance

For couples concerned about the IVF cost in Qatar, some financial assistance options may be available. These can include insurance coverage, grants, or fertility financing programs offered by IVF clinics. It’s essential to explore these options and discuss them with your healthcare provider.

Conclusion

IVF in Qatar is a promising solution for couples struggling with infertility, but it’s essential to be prepared for the associated costs. The IVF cost in Qatar can vary significantly, so it’s crucial to research and choose a clinic that aligns with your budget and requirements. Remember that the cost should not be the sole determining factor when selecting an IVF clinic. Factors such as reputation, success rates, and the expertise of the medical team should weigh heavily in your decision-making process.

Parenthood is a significant milestone in life, and for those who face challenges with fertility, IVF offers hope. By understanding the IVF Price in Qatar and making informed choices, you can embark on this journey with confidence, knowing that you are receiving the best possible care in your pursuit of parenthood.

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