remember how charlie started dating her gf back when she thought vaggie was a sinner who'd earned a place in hell, and then she found out the gf used to be a murder angel and got angry / hurt bc SHE tells vaggie everything so why didn't vaggie trust her with the angel thing??? does vaggie not really LOVE her????? oh yeah and murder bad too whatever- OH WAIT SO VAGGIE /DOES/ LOVE HER!? fuck yeah who cares about murder! the angel gf's wings are hot and charlie Will Hug Her
what im saying is... charlie doesn't just TALK about the fluffy vague idea of redemption
she's been living it this whole time
we see her CHOOSE to stay with vaggie even after having the exact terrible bad things vaggie did shoved in her face. there's no "she's just naive" excuse here
she knows. her kindness and hope doesn't come from a LACK of knowing how bad things or people can be
but that was vaggie's past. charlie talks about a breach of trust, of vaggie not trusting her with the truth, of the fear that other things between them hadn't been true too- Those are all PRESENT vaggie issues. they're all questions about the woman vaggie is NOW, and what kind of relationship charlie has with her, today
even charlie's line wondering if vaggie would've told her about an angel's weakness- it's not, "oh you're still one of them", it's "now i know there was something else important that you didn't tell me"
it's so quiet. that kind of, amazing moment. where charlie just unravels the whole idea of sin and flicks it away, like a speck of dust
being reminded of how many ways vaggie SHOWS who she is and who CHARLIE is to her, that settles charlie, answers all her worries and questions (she can trust vaggie) (vaggie is in this with her no matter what)- because none of them, those fears and pains, were about what vaggie had been
that's how the hotel can work. it's built on something REALLY strong- it's built on charlie honestly meaning what she says, and vaggie truly actively being her partner in it
we can't SEE that happening without looking at THEM
(we see people not taking them, or charlie, seriously- and getting fucked up when they Find Out)
them being and staying together is proof that the hotel can work, that angels can sin and seek redemption, that people- even sinners- can change
and when they change there'll be at least one place where they can BE that new person
at the hazbin hotel
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
Speaking of Akemi - guess who else is compared to a bird!
The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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A Persuasive Argument - dpxdc
"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."
"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.
"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.
"Precisely! What better time to talk to you all than when you're all actually here!"
"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.
"I'm afraid I've lured you here under false pretences, Tim."
"This is where I live."
"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"
"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"
"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."
"So? We don't need Jason, I've read the Sparknotes."
"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."
"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"
"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"
"No, no, please go back to that, because what the fu—"
"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"
"Oh, yeah, Mr. Wayne! Thanks!"
"Please, call me Bruce."
"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."
Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.
"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."
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DP x DC Prompt
…
There are no more heroes.
Well, okay. Rewind a bit.
Danny has been doing the hero thing for a while now. He’s had a big reveal; everyone has accepted him (including his parents), the GIW disbanded, the Anti-Ecto acts repealed, and generally, everything is going great. Some of the A-Listers are even training as junior ghost hunters to help give him a break from his rogues! (Being Ghost King makes things hectic sometimes, and he just needs the extra help. Sue him!)
The point is, literally nothing is wrong with Danny Phantom’s afterlife.
And then Valerie Gray, the Red Huntress, disappears in front of his eyes.
Danny is baffled! She’s just…gone! Valerie just popped out of existence, like she was never there. But no matter how hard he searches in the Ghost Zone, he can’t find her soul anywhere. His core isn't broken in grief. So she’s not dead. Which is good. So then, where is she?
Some of the others come forward with ideas on how to find her. A few ghosts volunteer to go out into the mortal realm, an area Danny had declared off-limits, to see if she was out there. Danny approves it. He rounds up some of the friendlier (i.e., discreet) ghosts and Amity Parkers and demolishes the outside travel ban.
So everyone spreads out, looking for their dear frenemy and teammate. But it becomes apparent very quickly that something is wrong with the rest of the world.
There are no more heroes.
Every single living superhero on the face of the Earth has just…vanished. Villains are running amok; the countries are in chaos! Some aliens are invading Earth, mythical deities are trying to take over, and society is crumbling to the ground. Everything is on the brink of collapse.
Well, Danny was still there. And so were his people. They were pretty spread out, so could they just…take up the mantles? He also knew where to find the souls of dead heroes in the Zone; surely they wouldn't mind coming out of retirement for a little bit, especially if they couldn't die again. Oh! And that skeleton army leftover from Pariah Dark's reign might be useful in repelling those invading forces.
Honestly, there were more than enough hands to go around! And with the heroes gone, Danny didn't mind letting everyone out for a little break, as long as they followed his rules. They wouldn't stop the search for the other heroes, but hopefully, when they found them, the heroes wouldn't mind Danny's intervention too much. :)
In other words:
Someone fucks up, and all of Earth's living heroes are either wished out of existence or are whisked away to some far-off realm where Danny hasn't checked yet. In the attempt to figure out what's going on, Danny lets the dead run amok over the Earth as they search for clues. The skeleton army repels the invading armies, the souls of dead heroes deal with the world leaders, and his rogues and other Amity Parkers set up shop in place of famous heroes, trying to get the cities under control again.
Basically, they just do their best to keep everything from imploding until the Justice League and others are back.
(And why is it that Danny hasn't disappeared? Well, whatever caused everyone to go poof! only affected living heroes. Anyone heroes that were dead in the first place, or even just half-dead, stayed behind.)
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okay i'll say it: percy being "different" because sally taught him the myths before he knew he was a demigod is an unnecessary change. percy was never "different" because he knew the myths and thus came into the mythology world knowing how fucked up everything is. he's different because he has a strong sense of loyalty (fatal flaw). he's different because his mum loved him and he learned love and compassion and kindness from her. he's different because when the time comes, he will choose to be the demigod of the prophecy. he's different because despite the life he's had he's a good kid. he's different because he will not give respect that hasn't been earned, even if it gets him into trouble. he's not different for knowing the gods are a fucked up family and that sometimes a monster is not a monster. he's not different for not wanting kleos. in fact i think it's much more impactful if he gets to that conclusion himself, if he sees it and he comes out kinder and choosing not to continue the cycle on the other side.
also they should have let annabeth say the exposition. not just because she's the "smart one" even though she is, but because she was raised in the world of the gods since she was seven and she would absolutely have biases percy could challenge with his own choices.
you know.
like in the book richard wrote already.
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How I've seen most people write Rangi coming out to her mom:
Rangi: Mom, I have something to tell you.
Hei-Ran: Go on.
Rangi: Kyoshi and I.....are.....together.
Hei-Ran: Oh I'm so happy for you.
*they hug it out, much wholesome*
How I think the coming out scene went:
Rangi: Mother. I need to tell you something, Kyoshi and I are together.
Hei-Ran: Oh thank the spirits. It finally happened.
Rangi: ???? You knew????
Hei-Ran: Sweetie, everyone in the mansion-no, all of Yokoya knew about it! Well except for Kyoshi.
Rangi: ????!! WHAT?!
Hei-Ran: I'm pretty sure Jianzhu thought you were dating, that's probably why he kidnapped you, you know?
Rangi: WH-HOW?!
Hei-Ran: Oh please, we saw your gay little ass running all over the damn mansion just to be near Kyoshi and to impress her. We were mute, not blind and deaf!
Rangi, having a crisis: I-wha-but-
Hei-Ran: Well, you aren't very good at hiding your emotions sweetie.
Rangi, flipping a nearby table: The fuck you mean I'm not?????!
Hei-Ran: Oh curses, go get Atuat, I owe her $5.
Rangi: YOU BETTED ON THIS????? WITH YOUR DOCTOR?????
Hei-Ran: Well Kelsang is dead, so I had to keep our bet alive somehow.
Rangi: I-*inhales* YOu know what? Doesn't matter! Do you accept Kyoshi or not?
Hei-Ran: Anybody who gives my girl that much cardio is 100% welcome into our family. In fact, I already added her to our family registry 2 years ago. As far as the Fire Nation is concerned, you two have been married for a while.
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came back just to post these. okay bye
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theres something so incredibly painful and meaningful about nona deciding to live just because a dog is in the truck. just noodle, this weird little six-legged dog that nona only knew for a handful of months in her already short life that she loved so deeply. tazmuir goes to painstaking extents to illustrate all the horrible things that come as a result of love (paul, jod’s backstory, pyrrha/g1deon/wake, ianthe and corona, gideon and harrow, etc) but this little, pivotal moment illustrates the beauties of it. nona is all about love, she loves without reason, she loves her little life and her little family and her school and her friends and noodle. noodle, who is just a dog, who can’t speak or express his love like humans do, but shows it nonetheless. because noodle is a dog, and dogs love without reason, just like nona (just like the earth). when everything and everyone that nona loves is falling apart, when she’s lost in all those horrors of love and chaos and destruction and her brain is breaking down and she’s losing what it means to Be Nona, noodle is still there, loving her regardless. and because she’s still nona, she loves him back. and she lives for love, even for just a few minutes longer. for a dirty little six-legged dog that wasn’t even hers, because she can’t let what she loves die if she has the choice (the power, for once). it’s beautiful and heartbreaking and the last decision she ever made was to live with her horrible, painful existence so that a dog (who couldn’t choose) wouldn’t die.
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merylwood study
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i'm really here...i'm alive
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my mom watches a lotta soaps, and there's this one plot in one of her favorite shows that pisses us both off so much: two college kids, drunk off their asses, have sex. the next day, the girl realizes she can't even remember it clearly, and feels, understandably, somewhat violated. the boy does not regret it, and is labeled a sex offender for the rest of his life.
this scenario bothers me so much cause like. they were BOTH drunk. if she couldn't consent, then neither could he. two people having sex while both are incapacitated (without negotiating beforehand) is dangerous, and perhaps traumatizing, but it's bio-essentialist bullshit to say that the guy must be the one at fault just because he's the guy and isn't reacting the same way she is. sometimes things happen that are bad and its not really any one person's fault.
anyway what a stupid and radical feminist-y way to approach consent >:/
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this was made especially for those of us who cut ties with our shitty families, huh
i cried so much this whole episode. i know that i can't be in that house and be who i am at the same time, but the guilt and shame never really go away. i love that this episode said, wholeheartedly: fuck what society says, you should be wherever allows you to be happiest
anyway! you always hear that family estrangement is rare in asian communities, but i did it! and you can do it, too! dump your shitty family! i believe in you~
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[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]
saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.
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