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#shut the whole thing down
jeoseungsaja · 2 years
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word of advice, hyuk! you should take your shirt off around patrick more often- it really gets his heart pumping if you know what i mean 😊 ( i have a job so that it keeps me from embarrassing hyurick on the daily JFKSLDJFKLSDJ but also feel free to skip this if it doesn't sit right with you alex!! )
@ofgentleresolve ♚ from x.
♔ ———–​
    Advice shared catches him off-guard. Here he is, thinking that guidance was going to be about the usual: ‘you should smile more’, ‘you should take a break’, ‘you should wear colorful clothes sometime, you’ll look less gloomy’, ‘you should wipe that scowl off your face, at least for a few minutes’ --- the list goes on and on; suggestions he never follows just because others say so. But no, this isn’t about the sourness of his face or the choices he makes in clothes; this isn’t about his attitude or restlessness. This is about...Patrick? 
    “What?” 
    He heard them, alright. He’s just delaying his answer by vaguely acting like he didn’t catch the whole swing. It’s a good thing he hadn’t taken a sip of his sweet iced Americano yet, otherwise he would’ve been coughing and spluttering all over the place. 
    Taking his shirt off. Why? Patrick has seen him like that before, hasn’t he? More than once, since that’s the way Hyuk sleeps: shirtless. Actually, the last time his dear friend saw him without clothes on his torso was when he ----- wait a minute. 
    When Patrick stayed for a week for work purposes.     When he choked on his tea and kept looking down.     When Hyuk...kissed him on the cheek. 
    Was that the reason why Patrick initially refused to look at him? The reason behind warm cheeks and stutter; bashfulness and the need for him to run and attempt to make breakfast? Because Hyuk didn’t have any clothes on from the waist up? 
      He unconsciously begins to gnaw on his bottom lip.        ‘It really gets his heart pumping, if you know what I mean’.       Does that mean Patrick likes...what rests under his shirt?        The way he’s built? Is he attracted to this?        If so, does Patrick know Hyuk’s attracted to him, too?        Maybe he’s been able to tell --- his best friend’s undeniably observant.
      The detective’s starting to remember the moment he accidentally hit his head when rearranging his brushes; how his heart started beating wildly against his chest just by looking at Patrick unfolding and buttoning his sleeves. Moves that used to be nothing now are more than something. He remembers, too, how Patrick’s hand smoothly caught his own; how he squeezed and wouldn’t let it go (thankfully, because he adores feeling his touch, no matter where it might land). 
     Eyes blankly stare at the swirls of cream that are still waiting to disappear under layers of coffee. What if this was revealed during that time? Confessed, that Patrick likes the sight of him shirtless? That the view gets his heart pumping? What if instead of keeping his hand there, hovering on air, he used it to lead Patrick’s palm under his shirt? So he could know what patterns Patrick would draw on his skin, so he could feel his caress --- would it be as careful and gentle as it usually is, or---
      Oh, God. Cheeks threaten to get warm; he starts to feel a little hot under that turtleneck and jacket of his. He shouldn’t think about this at all; Hyuk wanting to scold his own head for being this audacious with its thoughts. Besides, it’s not like...it could ever happen. Why would it? It’s too bold of a notion, isn’t it? Even if it’s somewhat noticeable that something else seems to be stirring besides their long-lasting friendship, he just...well, he doesn’t want to jump into swift conclusions or assume.
     He snaps out of it.      Or tries to. 
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   “What is that kind of advice, huh? Why would he---how do you even know this?” 
   Now he has the sudden urge to add more ice cubes to his coffee. 
    “Word of advice for you: mind your own business, leave me alone--” 
  It’s all he can muster, before bringing the cold drink to his lips and drinking most of it in one sitting.
———– ♔
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demadogs · 6 months
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“robin talks to mike about him being gay-” “lucas talks to-” “vickie talks-”
NO! you guys are all wrong. no one talks to him. mike just accidentally sees robin and vickie kissing and laughing and he has an out of body experience when he realizes that people like him can be happy and find love and that is enough to push him to talk to will.
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ilynpilled · 26 days
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“jaime did it mostly for self preservation” “he did it bc he was ordered to kill his father” are not only blatantly incorrect and borderline illiterate reads of what is in the text but idk why people find it unfathomable that someone like jaime would want to prevent thousands of people from violently burning alive. like it is not actually a difficult moral equation which is why it is at the center of jaime’s arc and his relationship to his society because he realizes that the ethical constructs of westeros seem to be in opposition to this very obvious moral choice as seen by how the situation could even escalate to the point that it does through the enablement of the tyrant by the respected institution of the kingsguard and the uncritical upholding of the honor system over an actual coherent moral code. same with the scorn he receives for killing what everybody acknowledges as an objectively horrid tyrant who harmed innocents and violated law that knights are also sworn to protect and uphold and actually contradict by not acting against.
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kaladinkholins · 4 months
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Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.
So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.
DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.
Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.
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But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."
In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.
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When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.
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So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.
Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.
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And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."
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But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.
He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.
*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.
Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.
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Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.
Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."
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This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.
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Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:
"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."
(no screenshot because it's quite a long line but you get it)
Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.
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Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.
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But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.
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Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:
"I thought you had to be something special. Your face isn't even so scary. You're just... angry."
At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")
The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.
That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.
By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.
Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.
But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.
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"I want to be great."
This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.
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NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.
First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:
Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;
Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.
These are thus two directly contrasting, diverging journeys:
Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.
Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.
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Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.
Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.
Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.
In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.
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Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.
(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)
And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.
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Let's talk about Option A: Akemi.
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As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.
Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.
With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.
Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!
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Then, of course, we have Option B: Taigen.
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Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.
Therefore, Taigen has very few options here.
And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.
Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.
Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.
While Akemi is red and Mizu is blue, Taigen is green.
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Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.
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Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.
By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.
It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.
Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.
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The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.
Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.
But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.
Or hey, maybe they could both make their own dojo together! I don't know.
(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)
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Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.
In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.
Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.
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And finally, there's Option D: Polyamory.
This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!
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AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)
Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.
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il-predestinato · 9 months
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"Max, what are your [summer] plans?"
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🎥: post-race press conference (Spa 2023)
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g0at0ad · 1 year
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rip to the crew of the enterprise for having bad taste in poetry because data’s poems fucking rock. sunset bloom and ode to spot are spectacular actually.
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puppetmaster13u · 3 months
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Prompt 210
The battle had been long. Long and destructive, power rolling from both combatants as they launched at each other and tore through armor and flesh alike. 
Islands fell from the skies with every clash, swaths of utter annihilation following as they fought long after their armies had finished. Wings swept great gales of wind that shadows raced to block, fire meeting fire and claws meeting blade as two beasts brawled. 
Finess was no longer a thing needed- this was all about who could last longer now. One who fought for itself, for its legacy of tyranny, and another who fought together, as one. 
The battle was long, no one quite sure how long but enough to be called as such. It could have been hours, it could have been days, it could have even been centuries in this mauling of what was and what could be.  
And finally, the One-That-Was-Many rose victorious over the king before it, dead once more at its talons, wings spread to usher in a new era for the realms. 
Or at least, that was how the tale went, according to Marvel. Even he wasn’t sure what parts of it were true or simply legend, but it was an interesting story all the same. It kept the kids entertained at least, and caught the others attention so there was that.
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tanglepelt · 1 year
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Dc x dp idea 53
Jazz leaves amity for college. She did all the application and stuff via tuckers computer. For some reason nothing was going through on hers.
Due to majority of her extracurricular activists not being sent thought she didn’t get accepted to her top choices. Ended up going to Gotham u.
Things don’t add up. Leaving was a big deal. Like she ended up just going in the middle of night. The roads were closed for “construction”. They were absolutely fine when she ignored the signs and drove.
It took her less then a 6 hours to figure out amity couldn’t be contacted. She tried calling Danny upon getting to Gotham. Nothing. Research, nothing. It’s like the town didn’t exist.
She does have a communicator from tucker. One of the multi dimensional ones. She gets ahold of them just to hear the chaos. There is a hunt for her. Lockdowns. The whole town is shutdown.
She didn’t inform her parents where she was going. They only insisted she goes to the university in town and nowhere else. That could be the issue. She is 18 but they are extra special.
Obviously she’s gonna head back. What else’s is she supposed to do. She had to go get her brother and his friends. Do something. Authorities in amity never cared why would any outside force care. To bad her car suddenly doesn’t work.
Leads to her walking at night. Her goal is to find a rental car place or bus that maybe would be open late.
She doesn’t find a car or anything. But does punch a would be mugger. That punch back home would have not knocked a person back 5 feet into a wall. Were people here just that weak.
This leads to some guy in cosplay called Batman. Which come on that name is just as bad as box ghost. Telling her it’s not safe in Gotham for metas.
Jazz just lectures him on how that not his decision. She is going to be attending college here after she figures out why her home town completely shut down. All when she left for college. Besides she’s not whatever a meta is.
Long story short. Batman now has to deal with two not-metas in Gotham. Plus a whole town that didn’t exist. Multiple arrest. Then a possibility of pissing off the afterlife.
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Alright everyone, buckle up and sit down. I was talking with @nerdasaurus1200 on another post and came to the conclusion that I need to write Sera meta so let's freaking GO
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I'm mostly gonna be talking about Sera, what we know about her so far, and what makes her tick (aka her fears) and why she's not a bitch/asshole the way apparently so many people like to portray her? (I've mostly just been hanging out with fan art and headcanons specifically about Lucifer in the fandom so I haven't seen these specifically, but someone approached me about how they liked m portrayal of Sera in my fic which was NOT that of an asshole and apparently multiple people are portraying her that way? Idk I haven't seen any but uh yeah let's talk SERA)
Characters are always the most important part of a story, and even if they're not a main character and/or the audience nor the writer know what they want/need, the writer at the very least needs to know How and Why a character makes decisions, instead of just "oh they're an asshole" So let's do that for Sera. Why is she making the decisions she's making? LETS GO
Let's start off by talking about what we know about Sera
She's at least as old as Lucifer, she was there for the creation of earth given the appearance of her silhouette in Charlie's exposition
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We know that the exterminations might have been Adam's idea, but it was HER decision to approve them
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We know that she's FOR SURE older than Emily
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and the other thing we know for sure about her is that she is the High Seraphim (we don't know WHAT that means exactly but clearly it is a position of authority and rule)
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So those are the things we know for sure:
She's about as old as Lucifer
She approved the exterminations
She's older than Emily
and she's the high Seraphim
Now I'm going to circle back to all of these points but I want to start off with her relationship with Lucifer
Unfortunately for all of us, the only thing we can say about their relationship with 100% certainty is that they for SURE know each other, either because they were essentially "coworkers" in the past, or because they're both the respective rulers of their realms (even if Sera has some people above her) and they're implied to interact with each other
(at the very least you cannot convince me otherwise that they don't interact. Someone had to have talked to Lucifer about the exterminations for him to have had "approved it" and we know it wasn't Adam because Lucifer hadn't seen Adam since he fell to hell until the finale, and we know that Sera was not only the one to approve said exterminations but also decreed that no one else in heaven know about them. She clearly must have spoken to Lucifer about it because there's nobody else left who had the authority to do that AND knew about them)
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So at the very least in present day Sera and Lucifer have some sort of professional relationship as leaders. And I'll come back to this because it's implied that this relationship isn't a very good one, but first let's talk about the past
full stop, we have NO IDEA what sort of relationship Sera and Lucifer might have had when he was still in heaven. But here's the thing, even if their relation was strictly "yeah I know them cuz I work with them, but that's as far as it goes" Lucifer's fall STILL would have been horrifying for Sera to witness. He was the same rank as her, probably no other angel except the elders likely ranked higher, and they still banished him. Charlie's storybook leaves it at that, but Lucifer implies it was violent in his debut episode.
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trauma is a funny thing when you think about it, you're just as likely to develop trauma by watching someone else be assaulted as you are for you to have been assaulted. And Sera was there, she likely saw the whole thing happen. So not only did Sera watch how brutal the elders could be to someone who questioned and disobeyed the order, but the fact that it was done to LUCIFER someone of equal rank and authority as her means that absolutely NOBODY is safe from the elders
and this is without taking into account that on some level, she and Lucifer had to have been close. There are no other seraphim in heaven besides her, the elders (who appear to be rather hands off and uninvolved) and Emily. Emily was likely created as a replacement for Lucifer, so at the time, it was basically just her and Lucifer as the only seraphim up there. They not only worked closely together, they likely had a close bond as well. Now I have my own head canon preferences as to what kind of bond, BUT let's ignore that and look at 3 options (although there are likely more, but huuu this post is gonna be long already so let's not push it yeah? )
option 1: equal peers. You are Sera and you've known Lucifer all your life. You two have "grown up" together, learned about the world and your powers together. You're comrades in arms! You know all of each other's secrets! You lean on each other for support as you lead heaven together. You work together all the time. Sure, he can be a little excitable at times but it's so much FUN right? This guy could be your bestie/brother. And you sit back and watch as the only ones with more authority than you, skewer him and banish him to hell for having questioned the order and now there's a metaphorical spear against your back at all times because you know it could have been you instead, and it could still be you if you don't behave
Option 2: Lucifer is your mentor. He's taught you everything you know. The ropes, your powers, the world. He's fantastic! You admire him greatly. He has such energy you could never hope to match. You put him on a pedestal, and in one fell swoop the only people he answers to destroy your mentor in front of you. You are now alone, without any more advice or guidance other than a warning to not step out of line as your mentor once did
Option 3: Lucifer is your apprentice. He's adorable! A little over enthusiastic but who doesn't love someone who's passionate about the things they like? He brings a wonderful energy and vibe, and... he's your responsibility. You try to reign in his wild energy only for the elders to step in and banish him because you failed him and now you know that the elders could do that to you too
So, I'll be honest, option 3 is NOT the one I'm biased towards, but if it ends up being that one, it would make Sera's behavior towards Emily extra heartbreaking. She already failed one apprentice, she will not fail another one, right?
Either way, Sera is terrified of going against the elders because of what they did to Lucifer in spite of his rank. She knows first hand how harsh they can be and because of that, she will do everything in her power to make sure nobody around her falls into the same fate. No one will ever question the elders again, and she will lie and withhold information to make sure that happens
And we're just talking about the INITIAL banishment.
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Now why would Sera bring this up, unless what she was most afraid of wasn't even the initial banishment, but of the suffering she clearly knows comes afterwards? And why would she care or even know about the suffering? Well, if it's true that she and Lucifer were close, then regardless if she was spying on him or not the way we know heaven can do, she still watched a cute enthusiastic little angel go from this:
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to this
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all because because he suffered.
She watched him question, get banished, suffer, and change into someone she didn't recognize, in real time. And the worst part is, she's not only scared of what happened TO him, she's personally scared OF him and what he's become. He might be fallen, but he's still a powerful angel
And this segways into another bullet: she approved the exterminations, but WHY
Charlie's intro implies it was as some sort of punishment towards Lilith who was rallying the demons and they felt threatened
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But clearly there's more to this
So first thing I'd like to point out, Sera doesn't look happy about this decision. She mentions as much in the song "You didn't Know" when she outright tells Emily "It was such a hard decision" and earlier in the same episode she outright tells Adam she wouldn't have approved of this if she had known it'd make things "worse"
But this is incomplete. Something doesn't make sense. Sera clearly meets with Lucifer for certain matters as previously established, and Lucifer, in spite of his initial trauma "NO CHARLIE DO NOT TALK TO HEAVEN" knee jerk reaction, never doubted that he COULD in fact get her a meeting with heaven. He outright tells her at the end of episode 5
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He never says, "I'll try to get the meeting". He says straight up, I can do this. There isn't a doubt in his mind that he can get this meeting. He knows Sera will meet with him/take his call (idk how he contacts heaven) and will agree to the meeting. We don't really know WHY Sera agreed to this if she thought it was a bad idea and never really intended to entertain the idea to begin with, going as far as to tell Adam to rig the results and calling Charlie misguided. So what's up? Why on earth would she agree to it? Well...?
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Sera is scared of the demons of hell, hence why she approved the exterminations, but she's even MORE scared of Lucifer and folded to his request. (or idk maybe there's more going on here and she feels guilt about what happened to him so she folds to him sometimes idk, but for the sake of this meta, SHE'S SCARED OF HIM)
but here's what's kinda weird. Charlie's storybook only mentions LILITH'S involvement with the demons rising in power, not Lucifer. Sera later claims that they were uprising to Emily as the reason she's scared of them and that it's her job to keep everyone safe.
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Clearly SOMETHING happened between the creation of Hell and the exterminations being approved that involved BOTH the sinners AND Lucifer that made Sera scared of both. Sera doesn't seem the type to fear without reason. She fears questioning the order because that incurs the elders' wrath. She fears the elders because of what they did to Lucifer. She fears angels falling because she saw how much it hurt Lucifer. Sera is not the type to fear randomly. Clearly there is some sort of thing that happened that made it clear to Sera that Lucifer is to be feared enough to fold to his requests and that the sinners are dangerous enough that it justifies genocide.
And now to bring back the whole Sera is older than Emily. Emily didn't know this otherwise Sera wouldn't have needed to tell her. AKA Emily wasn't even around when said conflict happened. Sera not only had to go through something that clearly traumatized her to the point where she agreed that genocide was a reasonable response, but she had to go through that ALONE. Trauma is hard enough to deal with, but to have to navigate it alone really gives it some steroids it has no business in having
This genuinely makes me wonder how long the exterminations have to have been taking place. It probably took a WHILE for hell to gather up enough numbers that they started making buildings by the look of Charlie's storybook, AND THEN did something against heaven, so this was not happening from day one of hell, far from it. And this also makes me wonder how old exactly is Emily? She strikes me as extremely young
season 2 come out please, I'm working from CRUMBS here, there is so much we don't know
But yeah, all of this to say, Sera isn't just some alpha bitch who's prejudiced against demons (not to say there isn't bias there, there ABSOLUTELY is, ugh) but at her core, she's a leader who underwent a lot of trauma and she's full of fear and she makes decisions, rational, moral or not, based off of that fear. And yeah unfortunately, fear, especially trauma based fear, messes with us in ways we never would expect
a kind man may suddenly resort to violence. The confident argumentative person, may instead end up frozen. Someone who thought they valued their family all their life instead runs away. We may regret what we do in moments in fear, we might even logically know that we're making bad decisions, or decisions that go against our morals. Sera CLEARLY hates that she made the decision to approve extermination, but she holds onto it steadfast because it alleviates the fear
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Funnily enough, I don't particularly LIKE Sera. I dislike her microaggressions towards Charlie and her attempts to sabotage her efforts at the meeting by calling upon Adam. But as a writer, looking at the clues I got to say she's a very interesting character to me. She seems like a reasonable authority figure, but she's so full of trauma that she's letting her fear make all of her decisions for her
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alilbatflies · 4 months
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Hi there, just found your "just cake" fic and I am interested in how it continues.
What i'm saying is, please continue this fic, villainxhenchman is now one of my favorite writeblr tags.
-@the-agency-archives
Hi! I'm glad you liked part 1. Now get ready for...
...
Just Cake #2
The commonly known thing about old-fashioned traps was that when they failed to trap you, you got to tease the creator of it relentlessly. A net, seriously? People have tried before, sweetheart. Better luck next time.
The inconvenient thing about old-fashioned traps was that when done properly, they did their job damn well. It was exceptionally embarrassing to get caught in one. You should have seen that coming. Alas, you didn’t. Fool.
The henchman had tried pushing the villain out of the way once they noticed the trap. So now they were both caught. The villain hovered over them in the really quite cramped space of the net. Wasn’t that wonderful?
The villain gave the net a testing jerk. It didn’t do them any good.
“Who the fuck even uses nets these days?” the villain hissed.
“It does seem we’re quite literally trapped, boss.”
“No, we’re fuckin– not–” the villain tugged on the net violently– “UNSTUCK YOURSELF!”
“That’s not how traps work, boss.”
It was a definitely never to be mentioned ever again kind of situation, really.
The villain settled into a relative silence. They clawed at the net with one of their blades while growling and cursing occasionally. They tended to be silent most of the time, but the henchman knew very well just how varied their cursing vocabulary was.
They were sure the villain had far exceeded their word limit for the day. Their voice was furious. Cutting.
But not cutting enough to slice through the ropes.
Henchman smiled at their internal commentary; glad they didn’t blurt it out like they so often managed.
There was nothing better to do, and so they watched the villain struggle. They hung really quite skillfully above the henchman, somehow not falling down on top of them. Not that the henchman would especially mind. It was quite cold out there.
They briefly wondered who would even set up a trap that far out in the woods. The obvious answer was someone who lived around. Secret hideouts and all that jazz.
The thing which bothered them the most however was that whoever set the trap up was skilled. Skilled enough to have them both trapped. The villain especially was not easily trapped. Once that whoever came around, they would still be stuck and practically at their mercy. The henchman doubted there would be mercy to be found.
The net moved under the villain’s persistent attempts.
Cold air breezed past. The henchman came to the conclusion that someone showing up was better than freezing to death. 
The villain’s yell startled them out of their thoughts.
“SCREW THAT!”
“Screw me,” please.
The villain obviously stopped themself from cursing again, turning to look at the henchman. “Hm?” they said, which henchman translated as ‘you’ve said something?’
“Nothing.”  Here we go again. Saying stuff.
The villain measured the few nicks they managed to inconvenience the rope with. They huffed an exhale. “That’s not going to work, is it?”
“I’d presume we won’t be able to get out of a net specifically made to capture and hold magical things, boss.”
The villain huffed another exhale. They hid their knife. Then they looked down at the henchman, slumping slightly.
“Do you suppose I could sort of hm… flop down on you? Really uncomfortable up here.”
“Conserve your energy.”
The villain slumped on top of them.
The net was quite uncomfortable under their back even before, but with the added weight, it reached a whole new stage of discomfort. There was nothing the henchman could do about that. Except for maybe miraculously breaking them both out of the trap and acting like it never happened. A minion could dream.
“You’re warm,” the villain said.
“Huh.” The henchman didn’t really manage to figure out a better reaction. They felt too warm entirely, just about bellow the boiling point. It definitely had nothing to do with their proximity. Nope. Not at all.
They both stayed perfectly still.
The henchman considered shuffling, but they had a feeling it would be even more uncomfortable than before.
“Do you regret anything?”
The villain seemed to mumble that mostly to themself, but given the whole situation, the henchman caught it anyway.
“Don’t think about dying yet, boss. We’ll have plenty of chances to make it out.”
The villain hummed, unconvinced.
The henchman hardly convinced themself, so it was no surprise. They decided to answer the villain’s question at least. Death loomed over them with the deft finality of a trap shutting down with chilling-to-the-bones precision. Just like it did.
Nothing to lose but the vague concept of dignity, huh?
“I regret ruining your birthday cake.”
The villain was perfectly still for a moment. Then they lifted themself to look the henchman in the eyes. “My what?”
“Well… you see, the thing that splattered on your doorstep… on your birthday day?”
The villain blinked.
The henchman looked away. It was such an awkward thing, wasn’t it? Of all the things they could have chosen… then again. You make someone cake and then you drop it like a clumsy tool. The sole act of baking the villain cake was borderline ridiculous and entirely unprofessional, too.
“You know when my birthday is?”
“You mentioned you were born on Vampire Day once, in relation to the Candle Parade, so that’s a day after the autumn equinox, so… That’s that.”
The villain hummed quietly, thinking. They rested back down.
The henchman held perfectly still, as if that could somehow remove all of their embarrassment. They measured their breathing, for all it was worth. They had a feeling the villain could sense how uncomfortable they were anyway, but hopefully played it on the whole stuck-in-a-net situation.
“Nobody’s ever given me birthday cake before.”
“Oh, really?” The henchman tried to see the villain’s face. It was a whole new of an uncomfortable movement, so they stopped.
“You’re the first.”
“But I’ve…” Ruined it. Splattered it. Fucked up spectacularly. “…dropped it.”
“Worse things happen,” the villain said. “I appreciate the effort.”
“I didn’t even wish you… anything.” It had been a busy day. The henchman forgot about the villain’s birthday, except for all of the inconvenient times when they really couldn’t say their thing. Like in the middle of a fight, when they were in the bathroom, or when the villain finally fell asleep and the henchman didn’t want to wake them up.
Might as well fix that now. “Happy belated birthday.”
“Hm. Thank you.”
It made the henchman very comfortably warm. Convenient for the villain, they supposed, since they were being used as a personal heater at the moment.
“What’s your regret?”
“Hm?” The villain sounded almost startled.
“Your regret.” Henchman tried to adjust their head to get at least a little bit more comfortable. It only got worse. They rested back to the way they were. “You know my regret. I want to know yours.”
It took the villain a long time to make a sound again. The henchman thought perhaps they crossed the professional line too far, stepped just beyond the acceptable. They prepared their sorry, I shouldn’t have asked that but the villain spoke first.
“I suppose that’s fair.”
They are very fidgety all of a sudden. But at least they sounded like the henchman’s head might stay on their neck.
“So.” The villain cleared their throat. They searched for words and seemed to come out short.
“You don’t have to tell me if you’d prefer not to.”
“No, I’m…” The villain inhaled deeply. In a wave of composure, they spoke at once: “Actually, it partly involves you—I mean, it entirely involves you—and the thing is that you, sincerely–”
The villain’s attention shifted.
The henchman felt the silence settle over them. The last words were like stones falling into the lake, vanishing to leave but circles running on the surface.
In the silence, the henchman finally registered the someone moving closer.
The villain shifted in an attempt of a defence position despite the power-suppressing net and the inconveniently squished henchman underneath them. They bared their teeth in a snarl.
“Look who we’ve caught,” an entirely too sweet voice said. “Well, aren’t you two adorable?”
...
Part 3
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mumblesplash · 5 months
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man i’ve had pretty serious art block before in the past but it was always more a lack of inspiration/irl stuff draining all my energy, currently Not having art block but getting hit by my first bout EVER of feeling like i just straight up can’t make anything that’s good enough and oh my god how do people deal with this
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livwritesstuff · 6 months
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part 3 to eddie’s tattoo saga, feat. girl-dads!steddie
part 1, part 2
The first time Eddie’s oldest daughter draws on his arm with her Crayola markers, Eddie immediately gets it tattooed onto him permanently. 
She’s barely two so it’s mostly scribbles, but she’d never done it before, and she’d looked up at him with this big, proud, cheesing smile when she was done, and Ed had been caught so off guard with just how insanely much he loved her – that indescribable love parents felt for their children that, before becoming a parent, Eddie had thought he’d be able to beat the stereotypes and describe, but Moe proved him to be incorrect just about the second she came along – and he hadn’t known what else to do. 
He doesn’t even really think about it, just takes a photo so his artist will get the colors right and has her put it in an empty spot on the sleeve he’s been working on for years.
With Eddie and Steve’s second daughter, Robbie, it goes mostly the same. She's just about two years old and draws a collection of swirling scribbles on the back of his hand. Steve advises him to not get it tattooed in the same spot, and Eddie can understand why it might not always be opportune to have permanent child-scribbles in such a visible spot, so, again, he has his artist use it to fill in a gap in the sleeve on his left arm.
When their littlest girl, Hazel, is born, Ed intentionally leaves a spot on his bicep open for whenever she feels so inclined to draw on him like her big sisters had. She takes her sweet time, so much so that Eddie starts to get nervous that she might never end up doing it at all, and he wasn’t going to ask her. It had to be a natural thing, obviously. In the end, she’s nearly five years old, sitting in his lap with a pack of markers while he reads a book to her (Charlotte’s Web, because it was the first chapter book he’d read aloud to both Moe and Robbie, and now it's Hazel’s turn), coloring inside the lines of the tattoos he already has when she gets to the empty space on his arm he’d left just for her. A little bit later, it’s filled with a marker drawing of a blue house next to a green tree, with a yellow sun above the chimney.
“It’s our house,” Hazel tells him.
Eddie calls to schedule the tattoo session the second he finishes the next chapter.
He gets the okay from his artist to bring Hazel with him to the appointment, which he hadn’t done with Moe and Robbie because they’d been too little. They hadn’t had the disposition for it either, but Hazel is their sweetest baby, all solemn and shy, and the session is right before her usual naptime, so once he’s in the chair, she just sits in his lap and quietly watches his artist work until she dozes off about halfway through the process.
Eddie spends much of that session lost in thought – he’s becoming introspective in his old age (forty-five and some change).
He’s thinking about all the tattoos he’s gotten, all the spontaneous ones he’s gotten for Steve and for their girls. He’s thinking about what that means. 
In the family that Eddie and Steve have built, Steve is the one taking all those pictures and home videos and stuff. He’s the one who gets photos printed, framing their favorites and hanging them around the house and setting small ones on side tables, sticking others to the fridge with little magnets they’ve collected over the years, storing the rest in overstuffed shoe boxes he swears he’ll organize into photo albums someday (but their life is so hectic he probably won’t ever get around to it).
This is Eddie’s version of that.
This is his way of displaying to the world how much he loves his family, this thing that he’d spent years pretending he didn’t want because that was easier to sit with than the belief that it wasn’t even attainable for him, that now he gets to have.
It’s fucking incredible, is what it is, and it deserves to be documented.
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notalexhorne · 1 year
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One of my favourite things about Taskmaster, and it really doesn't get talked about nearly enough, is the relationship between Greg and the panelists. There is the element that nobody wants to be there sometimes, including Greg and Alex. Nobody's having a good time, and everyone's suffering. It's a mutual case of Stockholm Syndrome, as has been mentioned on the show multiple times.
But the bit I like best is when everyone just becomes sick of one another's bullshit. It's expected for the panel to reach a point where they get sick of one another and threaten to throw down, or tell someone to stuff a satsuma up their ass.
I particularly enjoyed this series crossing a brand new line of Frankie threatening to sue Alex over his terrible wording of a task, and Greg offering to help with the costs. It reminded me of when Greg offered to put his own money toward counselling fees, because there is clearly something wrong with Rhod Gilbert.
But what I love best is that this is a show where the host will tell his contestants to fuck off, or flip them off, pull them to an unlit corner of the stage to give them a personal telling off because they have managed to uniquely irritate him. The moment of silence in series 10, because he's so fucking fed up with how awful all of them are at completing tasks still makes me howl every time I watch it. He instantly regresses five grown adults to school children as soon as he stands up in front of them.
In a vacuum, out of context, it's all dreadfully horrible and toxic, but that's what this entire character is. He's an insane tyrant, and the whole concept of the show hinges on that. What would that insane man want done? And I love how much he leans into it.
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todayisafridaynight · 6 months
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whatever og text i had in mind for this post about ko shibasaki looking like sayama in this movie is completely cancelled on account of utsumi (this character)'s first name being kaoru and i only found this out cause i was looking up her name just to be sure when making this post
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like jesus christ i legally have to make this post now
#snap chats#they literally never say her first name in the movie. i think lol LIKE WHEN I FOUND OUT I WAS JUST 'NO FUCKING WAY'#i do have to be tbh and say her face /is/ a little more round than sayama's#and its absolutely predominantly because of how her bangs and wardrobe are so close to sayama's that i think she look like her#BUT I CAAAANT THE WHOLE MOVIE I WAS JUST THINKIN ABOUT SAYAMA... i miss her...#OH RIGHT THE MOVIE THOUGH noooo fuck you this movie was so good it actually made me want to write a summary for it LMAOOO#LIKE I LIKE WRITING SUMMARIES BUT IVE JUST BEEN SO LAZY ABOUT IT WITH THE PAST FEW THINGS IVE SEEN BUT GOD.#ignore the fact i finished this movie two hours ago i was too busy fiddling with a card holder kit but. ill make a post about that next--#THIS MOVIE THOUGH NOOOOO IT WAS SO GOOD //SCREAMS AND YELLS AND DESTROYS A SNOWGLOBE//#god the part where ishigami and yukawa are walking by the homeless and it just lingers on an empty spot.. LIKE I THOUGHT I WAS WACK#CAUSE I WAS LIKE 'hang on wasnt there a guy there last scene' and obviously there was since the shot lingered right#BUUUUTT WHEN IT WAS REVEALED DOWN THE LINE SHUT UPPP I LITERALLY YELLED IM SO GLAD. my roommates arent home..#on god i thought the movie was gonna end with utsumi and fukawa's convo from the beginning#and i was gonna make a gaf about how fukawa was acting irrationally because he was too in love LMAOOO#BUT THEN IT KEPT GOING AND. im so glad it did. ishigami valid tbh#id also cover up and take blame for AND ACTUALLY commit murder for a girl if she said hi to me and made me lunch while i was trying to kms#while fukawa and ishigami were talkin that first night tho i just thought of after the rain.. lol... maybe the mangaka was inspo'd by that.#anyway. this movie was great. it reminded me of sherlock but if it was directed well and actually let you solve the mystery too#CAUSE WHILE I WAS WATCHING THERE WERE POINTS WHERE I TOO WAS JUST 'hang on' AND I JUST POCKETED THE INFO FOR LATER#i kicked and screamed when ishigami was talking abut how he formats his tests LIKE I SAID 'oh you fucking slipped'#when ishigami called and told her he had a white envelope in there bitch i knew it was gonna be the stalker letter i YELLED#LIKE I LIKE HOW THE MOVIE SETS THINGS UP SO ABUNDANTLY. IT'S FUN SEEING IT FIT IN THE MOVIE LATER ON#the twist of there being two bodies was so fun tho cause at the start of the movie i was sure two murders happened the same night#so when it was played off as just one i was like Oh. Ok. im still stumped on how he snuck a body out of the apartment#but yk what one detail is like. whatever in comparison to the rest of the movie being fun to watch#god im running out of tags POINT IS. PLEAAASE watch this movie if you got two hours#ive left some minor warnings on my Watchlist doc but there's nothing. TOO extreme ??#i mean there's an aforementioned suicide attempt but aside from that it's nothing too grotesque. for an rgg fan ig#ok bye i have to ramble about the card holder i got <3
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simptasia · 4 months
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my mum died last night
#i was with her. i spoke comforting words to her as her breathing slowed#she didn't suffer - she wasn't in any pain. she heard me and became slower and slower then i... saw her die#i never predicted i'd be there at the moment of death#it was her time. her body had been slowly shutting down the last three days and she'd been officially dying for 5 months#she was so strong. she was hanging on for me. needing to know i'd be able to survive with her gone#once it was clear that things were gonna be fine (besides the emotional toll) she started to truly let go#i've been with her whenever i could be the last three days. and night nurses watched her as i slept#last nights nurse woke me to be with her in her final moments#besides hearing me talk the last few days - i was also running star trek for her to listen to#she couldn't communicate or move but we all knew she was aware of things around her#i gave her words of reassurance and comfort and the last words she heard me say were ''i love you''#and three days ago before she lost the ability to speak the last words she managed were ''i love you''#so things went as well as they could be considering the situation#she died a little over 12 hours ago. it was 7 hours before they could take the body away. that was. haunting#it's been a rough day. worst day of my life. but mum is at peace now. and i have a lot of kind people to support me#everything will be okay eventually and i have my whole life ahead of me and mum wants that life to be good#so i musn't give up. now matter how depressed i feel
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andorshitdaily · 9 months
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ANDOR + Texts From Last Night
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