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#so i didn't even realise this was here

eme-eleff · 1 year

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Yay you made it through the first week of the year I’m very proud of you 🥰! You deserve a hug and a cookie:

🫂🍪💕!!

Omg this has been in my askbox for over a month and I see it now 😭 thank you Lyra, I made it through the first month and a half of the year and damn that's amazing considering how fcking busy I am 🥲 I love u and I miss you mi amor 💘

#asks #lyra 💛#here the worst person ever i'm so sorry 😣#i'm just so stressed 🙃#so i didn't even realise this was here

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iridescentmirrorsgenshin · 3 months

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An analysis of Alhaitham's egoism in relation to Kaveh

(Update: The essay this is taken from is now uploaded! It can be accessed here and here as as a pdf <3)

Max Stirner's anarchist egoism is speculated to be the basis of Alhaitham's personal egoism, therefore I will be drawing upon Stirner's 'The Unique and Its Property' for this analysis.

Property and power are key principles within this philosophy. The egoist recognises himself as an individual, separate from the general collective of “humanity”, in which concepts such as freedom and property are governed to and over the people, for then the individual is not considered as such, rather they are a part of “humanity”, rather than a whole individual (Stirner, 170). This thinking is demonstrated within Alhaitham’s Story Quest, where he dismantles Siraj’s Hivemind by targeting individuals that compromised the Hive and reminding them of their own beliefs and preferences – the individual in themselves is a whole, and is not a “part” of a system (Stirner, 170).

In this, the egoist governs himself by what he owns and what he wants to own: “ownness is my whole essence and existence, it is myself. I am free from what I am rid of, owner of what I have in my power, what I control. I am at all times and under every circumstance my own”(Stirner, 106). This relates to the concept of freedom, which, for an egoist exists according to having the power to be free of something, for example, being freed of hunger, thirst, or societal expectations (Stirner, 105). This is reflected within Alhaitham’s description: “He lives free – free from the searching eyes of ordinary people,” but also extends to the power to own.

As power is considered something which the egoist owns, property then becomes something which the egoist exerts power over, and in this, can property be made use of by the egoist – all the while, the property remains an independent vessel (Stirner, 162). This is seen within Alhaitham’s view on his vision, in that it is “no more than a useful tool”, as it can be used to serve his own needs, and that since it in his possession, he has obtained it with his own power, it makes no difference to check on it as he continues to retain that power.

In this sense then, Alhaitham has constructed his life around this form of egoism, in that anything he wants, he has, such as his job as the Scribe, his house, the interests he pursues, the people he enjoys. In order to maintain this way of life, he will deal with, or be rid of, anything he deems as "harmful".

With this, the egoist seeks satisfaction in themselves through the satisfaction of another. Ownership, in relation to another person, can become love, which like all things the egoist has power over, is ultimately theirs – as in their love for a person (Stirner, 187), which is given willingly by the egoist, for loving a person is done for the satisfaction that love brings: “But I love them with the awareness of egoism; I love them because love makes me happy, I love because love is natural to me, it pleases me,” (186).

In loving another comes sacrifice, which the egoist can give into without compromising himself, as he himself sets the “purchase price of [his love]” (187) according to the happiness attributed to the loved one, as in return, the egoist shall also receive happiness (186). To enjoy someone, in an egoist fashion, is to be able to sacrifice all possessions and ownerships without foregoing the sense of an individual, of “ownness”, as the egoist would then lose his objectivity:

“I can deny myself countless things to heighten his pleasure, and I can risk for him what would be dearest to me without him, my life, my welfare, my freedom. Indeed, it forms my pleasure and happiness to feast on his pleasure and happiness. But me, myself I do not sacrifice to him, but rather remain an egoist and—enjoy him. If I sacrifice to him everything I would keep without my love for him, that is very easy… But if I sacrifice others to one passion, I still do not… sacrifice my particular worth, my ownness. Where this nasty incident occurs, love looks no better than any other passion that I blindly obey.” – The Unique and Its Property, 185

It is relevant to note that just as the egoist receives happiness from a loved one’s pleasure, so does an egoist suffer from a loved one’s despair. Just as the egoist would sacrifice something of their own to provide happiness for a loved one in order to exact their own happiness, so too would an egoist sacrifice something, or act, to eradicate the root problem of a loved one’s misery, as this, in turn, would then resolve their own misery:

“If I see the beloved suffering, I suffer with him, and I find no rest until I’ve tried everything to comfort and cheer him…. It doesn’t follow from this that the same thing causes suffering… his tooth gives him pain, but his pain gives me pain. But because I cannot bear the sorrowful crease on the beloved forehead, therefore, then for my sake, I kiss it away. If I didn’t love this person, he could go right on creasing his forehead, that wouldn’t trouble me; I’m only driving away my troubles. – The Unique and Its Property, 186

The phrasing of “driving away… troubles” is particular to note here, due to similar usages of language used within Alhaitham’s Character Stories, in relation to him acting in accordance with his self-governed rules and serving his own self-interest by: “[acting] on his own will and deals with anything that appears harmful in his eyes”.

Kaveh, however, interprets Alhaitham’s egoism as a detached, pragmatic view of humanity, in which the individual isolates themselves not only as a means of prioritisation, but by elevating oneself over others by refusal to intermingle and to cooperate for the benefit of others. Not only is this a harmful opposition to Kaveh’s view of individuals sharing their knowledge and talent in order to pursue a better society, but due to Kaveh’s experience of Alhaitham’s personal egoism, it is harmful to Kaveh personally. Kaveh refuses to prioritise himself over others because he has seen a negative consequence of egoism, in which he has been “cut to the quick” and it has ended one of the few stable relationships in his life.

By Kaveh seeing Alhaitham’s comment about his altruism as malicious, Alhaitham has elevated himself over Kaveh, since Alhaitham does not have the same struggles as him, and has trivialised Kaveh’s trauma. To Kaveh, Alhaitham’s prioritisation of the self actively harms others as it desensitises the self to the emotions of others. Therefore, Kaveh opposes the egoism which Alhaitham advocates for, since he interprets it through his own lived experience. Hence, by Alhaitham asserting egoism over Kaveh as a means of Kaveh prioritising himself, it only reinforces Kaveh to strive to consider the feelings of others, as well as to not prioritise his own way of thinking if it undermines someone else’s.

In actuality, Alhaitham’s frustrations with Kaveh lie in his belief that Kaveh’s talents are incongruous with his values, and that if Kaveh were to prioritise himself, he would save himself suffering and enable himself to discover his “true self”, unrestricted by others placing labels onto him.

This is a personal frustration which Alhaitham would not compromise himself to assert onto a person he was indifferent to, due to his belief of not getting involved with other’s fates. However, he has been observed to ‘subvert’ his own rules to accommodate Kaveh. Through egoism, it can be seen that rather than ‘subverting’ these rules, Alhaitham adheres to them as an egoist, since he sees Kaveh as his mirror, they offer each other a contrasting perspective he believes they need to have a complete, objective vision of the world.

This is necessary for Alhaitham to consider within his own life, and therefore has extended his house to Kaveh, in order to expand his scope of thinking, and to consider perspectives he otherwise would not entertain. Kaveh’s ideals, his beliefs, and his philosophies explicitly interest Alhaitham, in contradiction with Kaveh believing that Alhaitham is disdainful of his perspectives.

In this way, Alhaitham enjoys Kaveh. He willingly pays for some of Kaveh’s tabs; pays for crates of wine for the two of them; and goes out of his way to pursue interactions with Kaveh. Just as Alhaitham is to Kaveh, Kaveh is an old friend, as unchanged in his beliefs as he was in the past and thus is a constant: “the most unshakable part of one's past is a friend that will never change”’.

Alhaitham strives to act in accordance to his own egoism and therefore assesses what “appears harmful” to him, in relation to these rules, so as to be rid of them. This can be extended to Kaveh, as Kaveh falls under what ‘belongs’ to Alhaitham, in the sense that ownership equates to Alhaitham’s enjoyment.

Alhaitham wants to have Kaveh in his life due to the alternate perspective which Kaveh offers him, thus expanding his horizons and granting him knowledge he otherwise would not obtain. As well as this, Kaveh is seen to be considered part of Alhaitham’s way of life that he wants to protect. In line with Stirner’s egoism, it follows that as Alhaitham enjoys Kaveh, as in, ‘owns’ the contentment Kaveh elicits, he therefore is affected by Kaveh’s self-inflicted grievances. Therefore, Alhaitham sees Kaveh’s altruism at the expense of his own wellbeing as something “harmful” to be dealt with, as this not only causes Kaveh inward misery, but also detriments Kaveh finding his “true self” (Alhaitham Character Story 3), which the egoist pursues above all else.

#i realised i hadn't actually discussed their philosophies in a post so here's an snippet from The Essay #kaveh's altruism is brushed over here but i didn't want this post getting too expansive oops #since their differences are the basis of the essay it's hard to filter that down into one post?#basically i'm aware that this reads as incomplete but i promise there is more where this came from!!!#also im reading that line: the two cannot reach a consensus even to this day #and im going insane because isn't that the resolution of their conflict? to find middle ground?#gee i wonder if that line is thematically crucial to their characters #also kaveh reads page 185 of the unique and its property and fights off a blush before denying everything #can they talk. please. im sick of them #the essay is coming along btw!!! thank you for all your thoughts and encouragement!!#haikaveh #alhaitham #kaveh #kavetham #haikaveh meta #genshin meta

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olliepurples · 1 month

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as a kaleidoscope of death reader, spirealm lin qiushi's reaction to li dongyuan pulling out a pic of ruan baijie is so interesting to me. he clearly knows who she is, but doesn't react with surprise at all; he's seen her before. however, thus far, ruan nanzhu has only ever presented male onscreen. therefore, lin qiushi must have met ruan baijie offscreen.

my hc scenario for this is that lin qiushi was just chilling at the obsidian house one time and ruan baijie walked out of a door and collapsed on the couch sighing. after a solid minute of thinking "who is that??? have they broken in??? do i need to tell someone???" cheng qianli walks in asks how ruan-jie is doing. cue several minutes of strained eavesdropping where lin qiushi tries to confirm if he heard right, before ruan baijie calls out to him to stop eavesdropping and make her a drink. this is the thing that confirms to lin qiushi that they are the same person.

#kaleidoscope of death #the spirealm #spirealm #ruan nanzhu #ruan baijie #lin qiushi #cheng qianli #if you want my opinion on spirealm lqs's reaction to rbj's gender #it's that he's weird about it at first (as in overly cautious about how to interact with her now not mean)#but eventually starts treating her normally again when he realises she acts p much exactly the same as she does as a man #i think spirealm rnz (as a man specifically) is a little sluttier than kod rnz (probably by virtue of the fact they didn't include rbj)#so i think they'd probably act even more similar in spirealm than in kod #anyway ruan baijie the woman you are <3 #we only got a glimpse of her but i latched onto it and refuse to let go #was slightly worried they were going to cut out rnz's weird gender completely #but thankfully there's a little nod to my queen in there <3 #also glad that kod is getting more fans now the drama is out!#i've been a fan for a couple of years and it's such a small community on here :(

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completeoveranalysis · 1 day

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[3]

For a moment I thought Doumeki was going to mention that Kohane was worried about Watanuki and asked Doumeki to look after him - but instead he pivots to the thing I had completely forgotten about and mentions the balloon.

How long ago was the balloon. Forever ago. It was from before Watanuki fell out the window.

NO WAIT I WILL FIND OUT. PLEASE HOLD.

Balloon appeared in Chapter 50, which I seem to have read in 2017, and Watanuki gives it to Kohane in Chapter 58. So this balloon is seven years old for me. This balloon is the age of a small child.

I suppose it’s not as extreme if you go by publishing date. Volume 8 was published in Feb 2006 and Volume 14 was Feb 2009. But that’s still three years!

Clamp really playing the long game here as if we would expect anything else at this point.

#Of COURSE Clamp will introduce a small plot element #That will come up again years and years later #And still be important #It’s the Clamp way #I only can’t tell if this scene is a reminder of where the Balloon is for future reference #Or a way of writing the Balloon out of the narrative #Which is pretty gracious of them to do considering I didnt remember it at all #Not liveblogging the reservoir chronicle #xxxholic #xxxholic 83 #Watanuki #Doumeki #Kohane #Also like the Unspoken sadness behind the fact that like #Kohane's mother said nothing at all when she finally allowed her to go #She didn't Approve as much as she finally admitted defeat #and couldn't even admit that she is starting to realise she is not good for her daughter #And so silently watching her go was the nicest thing she could manage #The SADNESS around all of that and Watanuki is still optimistic #The narrative itself is kind here in a way hints that maybe it really will turn out alright #After lots of work and healing #Which is not always the case in real life #But Kohane DOES deserve a happy resolution and also anything she ever wants #so I support it

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neil-neil-orange-peel · 1 day

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I love reading your asks, so I wanted to ask you if you had any favorite female characters from Rik and Ade projects?

Helloooo! Thank you, that's so sweet. ❤️ Let's see... I'm going to single out some TYO characters specifically and then talk more generally. This post is absolutely going to become a big, incoherent mess. 😂

Sue from Sociology is my favourite minor TYO character. Don't get me wrong, I love Helen the Murderess too, but there's something that draws me to Sue. To be fair, I'm just seriously weak for Jennifer Saunders in general, and she's basically done up as a female Rick here, if Rick was actually cool. I like inserting her into fanfic sometimes (okay, once... but I have plans). She's very much a background character for the majority of Interesting, but Interesting itself is one of the first (and only, possibly the only?) time there are lots of women in a TYO scene at once, even if they're not getting to do much. Shout out to Dawn's Christian who gets crushed by the gigantic sandwich too, of course! (As an aside, I find it funny that both Jennifer and Dawn got to strangle/smother Mike on the sofa on different occasions.)

Vyvyan's mum. Pauline Melville pops up a couple of other times in TYO as well, and she's just very good whenever she does. I believe she gave French & Saunders a bit of guidance when they were all on the standup circuit. Vyv's mum is a great character because she's just SO awful. Let female characters be awful! She's so spiky and sharp in every way, and she's probably the only semi-developed female character who appears on the show. I think letting the audience meet her gives Vyvyan a bit of texture and depth - sure, we could imagine any family background for any of them, but we're being told THIS HERE is Vyvyan's. Poor Vyv. Pauline Melville herself, of course, is a prize-winning writer now! The dream.

The devil and her condemned soul is one of my favourite TYO cutaway segments. The condemned soul is Helen Atkinson-Wood, who is most well-known for playing Mrs Miggins in Blackadder the Third. She also has a small role in the Comic Strip episode Consuela (and possibly others, but I looked up the cast list to that one yonks ago because it's my favourite). I wonder if Lise wrote this sketch, considering the subject matter. Either way, Dawn and Helen's delivery is great, especially the faux discrete way Dawn says "period pains". I hope it put stuffy men's heckles up.

Aside from TYO, Jen and Dawn were often the only female presence in the Comic Strip episodes, particularly the earlier ones. Of the first two series, Dawn wrote Summer School and Jen wrote Slags - neither were standout episodes of their series, the kind often recalled today, but with Slags especially, the female characters within them were given more agency and stake in the plot than usual. Jen played five different characters in Happy Families in 1985 - a little gem written by Ben and also starring Ade.

I'd like to give a little shout out to Helen Lederer, who popped up a lot in Rik and Ade's - and French & Saunders' - comic output, while never really being given her own opportunity to shine on TV. Oh, and I'd also like to give a shout out to Marsha Fitzalan, who played Sarah B'Stard in The New Statesman - she did such a good job of playing an intensely flawed, funny female character. There are countless male characters who are basically terrible people - I mean, Alan B'Stard for one - and it's vital women are also allowed to be that awful in comedy.

Comedy has always been a pretty male sphere. Even these days, there are definitely still men Ricky Gervais who believe women can't be funny. Misogyny is still massively prevalent in society. Male comics attract female attention; female comics attract male abuse. That's a simplification and generalisation, of course, but it's broadly true. And I don't see younger generations of men getting better with this, to be honest. Actually, I see them getting worse (thanks, Andrew Tate). Sorry to be all doom and gloom!

When Rik and Ade started out in comedy, women getting to play characters other than wives or the like - that is, straight characters and caricatures there largely for the male characters to bounce off of for their laughs - was still uncommon. Despite the existence of successful female comics across the pond like Lucille Ball, and beloved 1970s sitcom The Good Life having a main cast split evenly gender-wise (I know Richard Briers technically had first credit, but Penelope Keith as Margo Leadbetter was absolutely the funniest of the four of them), there was a genuine belief that women couldn't (and maybe shouldn't) be doing comedy.

Women like Victoria Wood were pushing boundaries in important ways around the time of the alternative comedy boom by writing specifically about women (and, quite often, northern women - which I personally think is important, since Last of the Summer Wine had such a chokehold on portraying almost all of its female characters as ostensibly the same). Her sitcom dinnerladies was both melancholic and hilarious. Her sketch shows and other comic output, quite often featuring Julie Walters (her friend and muse), Celia Imrie, and many others, were all written entirely by her. She was also a gifted pianist and wrote several comic songs.

All of this is to say, Victoria Wood definitely helped pave the way for French & Saunders. She even referred to herself as an alternative comedian in her material. But honestly, I don't think it was until much later that women stopped being regularly restricted to straight roles in comedies created by men (which, of course, most comedies were). This was part of why Absolutely Fabulous, written by Jen, was such a breath of fresh air in the 1990s. For once, every single major character was a woman - men were the scarcity! And Jen has mentioned before that producers would constantly pressure her to write more roles for men. Meanwhile, we can observe that Girls on Top (dubbed the female TYO, which is... sort of true and sort of not), which Dawn and Jen starred in with Ruby Wax and Tracey Ullman in the 1980s, isn't very well-known today. I'm not 100% sure how well it was received at the time, but clearly it wasn't as popular as TYO had been before it. Ruby Wax and Tracey Ullman have both also had successful careers in comedy, but I'd argue that's mainly thanks (particularly in Tracy's case) to opportunities in America.

So I'm not saying women never got to be the funny (also I'm just talking about the UK), but the fact is: if your comedy has a completely/majority male cast, with women only popping up in supporting roles or in guest appearances, it's obvious which characters are going to be better developed, more beloved, and just funnier. I mean, even the Vicar of Dibley, which was obviously written for Dawn and showcases her comic prowess, features a supporting cast of funny men (there was also Emma Chambers as Alice and Liz Smith as Leticia - before she was killed off - but the women were outnumbered by the men). I get that this perhaps fits with the idea of a tiny, slightly backwards village in Oxfordshire - and the fact Geraldine was a female vicar shocking these men was very important to the premise - but still.

We know certain men just REALLY struggle at writing women, too, so they've either done a really bad job or just avoided trying altogether. I do have an example for this, but I don't want to name them since I do love the show they created - it's just, y'know, writing women is definitely not their strong suit! And I'm really not trying to poo poo any shows here by pointing this out. I'm just making observations. All of these comedies I'm referencing here are very old now.

So! To get back to where I started with this!

I love that Lise Mayer was one of the writers of The Young Ones. In some ways, the fact one of the writers was a woman feels pretty incredible for 1982. At the same time, though, it's not surprising that she's often the forgotten one when people talk about who wrote TYO.

Rik and Ade were/are feminists, and it obviously wasn't their fault as individuals that comedy was so male - comedy was also restrictive in other ways before them. In terms of social class and political attitudes, they were definitely something refreshing and new. That said, it wouldn't be until later, with people like Caroline Aherne (who really changed the fundamentals of the sitcom genre with The Royle Family), that working class voices who weren't fucking Bernard Manning actually got some notice in comedy. And I've not even mentioned race in this ramble. If comedy was male, it was even more pale. There were comedies starring black and Asian comics in the 1980s and 1990s that started to break through - The Lenny Henry Show, Chef!, Desmond's, The Real McCoy, Goodness Gracious Me - but there's no denying BAME people, BAME women especially, have had to struggle a lot for a voice in comedy. Comedy is more diverse today than it was 40 years ago. There has been progress. But it's absolutely still male dominated, and still very white, at the top.

Rik was pegged as the golden boy of the alternative comedy movement, and he was and is undoubtedly remembered for so many different comedies. But in terms of pure success and fame? Actually, I think Dawn and Jen have been the standouts of their cohort. I don't think anyone would've predicted this 40 odd years ago - I mean, Christ, Rik had to speak up just to ensure they got equal pay at The Comic Strip. The boys were given their chance to shine first, there's no doubt about that. But it was Dawn and Jen who were the subjects of a BBC documentary last Christmas.

...Maybe there is hope for funny women, after all.

#asks #anon #me rambling #there were so many women i wanted to name drop here but just couldn't #like seriously there are too many #i haven't even scratched the surface of the 80s and 90s never mind the last 30 years #i mean without getting into the extremely important political context that is obviously at the heart of derry girls #i love the representation of teenage girls as weird and cringy and sometimes terrible and not these ethereal intimidating unknowable beings #which is what the world seems to have universally agreed they are #as well as of course being silly and hysterical and having dumb interests #ARGH i won't go off on a rant about teenage girlhood and misogyny in the tags #also i realise i didn't exactly address the ask but tbh i think just addressing the women in rik and ade's catalogue would be more limiting #than the answer already is 😂

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mwagneto · 2 hours

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i loooove the lack of straightwhitemen this season like the only white "main" men we've seen recently are 1) freak politician who sucks and goes insane 2) kinda annoying influencer guy who's nice but from an extremely racist society who dies and 3) cool mysterious bounty hunter but he's gay. and also dies. zero stannable characters for the "doctor who is too woke now" crowd they really said learn to enjoy watching minorities idiot

#didn't even realise til now coz i started thinking abt how rogue is pretty much the #first like cool suave white leading man type they had this season but he's gay so even he doesn't fit the ideal mold these mfs want #and then it hit me that they like basically haven't had any white men at all so far #he's the first who's like both unambiguously good and also important to the plot. while gay<3333 #that's so fuckinf coooolll hell yeahhh #coz even in 13 seasons people somehow zeroed in on graham as the most interesting character like💀i wonder why #no chance of that here <3 god bles #doctor who #dw spoilers #15th doctor #rtd #rogue

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theworldisabrokenbonebutitishome · 1 year

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"Personally if you felted a big fluffy hedge and had some glasses on the ground by it and his twinky limbs sticking out I'd be into it" - @blackswan-wildgeese

Guardian Bingo Fest's bonus prompt for March is 'Take A Leap' and I'm swapping my B5 'fake dating' prompt for this.

Despite several suggestions of various people being yeeted from various places "Professor Shen being yote off that roof" was the one that truly spoke to my permanently unserious soul. And this is why you should have friends that encourage your interest in crafting being used for shitpostesque purposes. I have spent half the time making this cackling to myself and if that's not a sign I made the right decision, I don't know what is.

The design changed and got slightly more complicated because what if Shen Wei had had to commit to his lie so much that we got a very different shot than what we actually got:

Proportions and perspective are definitely way out but oh well. :D

#guardianbingofest #guardian #shen wei #i am so sorry sir #hei pao shi #has never been ungraceful in his life and here i am spreading slanderous lies #zhenhun #hand embroidery #wool felting #needle felting #guardian cdrama #twabbbiih made a thing #i hope you realise i am forcing you to have this when I see you next despite you not being all that into the show btw #dude 'fell' from a FIVE storey building and his glasses didn't even break #the sid were so right to be suspicious of him from the get go #once again i have rambled #im sorry i didn't come through on the arms but fuck me the shoes were hard enough i am NOT fucking with hands when i can't even draw them #i say as i work on a different thing that is specifically hands in great detail...#love yooooou Al <3 <3 <3 hope you like #this was made with the intended audience of 2

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max-vandenburg-is-life · 9 months

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Hello everyone! I feel a bit silly writing this because I don't think anyone really reads my personal posts but still I wanted to give a little update. So, I've been off tumblr for a good while because I wasn't doing very well and life was just really stressing me out. Then things got better but then got worse again and now I'm here. But, new (school) year new me! I've decided this year I'm really gonna make an effort to take better care of myself and get better, we'll see how it goes. And with all that I've decided to start using tumblr again because I used to have lots of fun on here and I miss that :)

I think that's all for now! I also want to comment on some things about the drives but I think I'll make a different post for that. Bye!!!!

#often times getting better really is about making the decision you will and then trying every single day #honestly this year was wild i really didn't know i could just feel so much #anyways I'm gonna make some changes around here!!!!#one of the things I've realised is that i tend to hold onto silly things for no reason because i just don't like change #so drum roll I'm gonna change my bio!!!! i know it sound silly but for me is like huge #anyways i think that's all I'm gonna make another post now for the drives #i don't even know why I'm writing more things in these tags since as I said i really don't think anyone reads these #but well just in case any of y'all did actually notice i was gone #an original post no way

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