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♥️ - family headcanon: for Hange
♦ - quirks/hobbies headcanon: for Levi
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thanks for sending this in, Citrouille, love ya <3
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♥️ - family headcanon - Hange
i have so many of these, thanks to the absence of canon material about their background. one of my favorites is Hange not having parents and being given up to an orphanage as a baby, where they met Mike and the two weirdos that they already were as kids stuck together and became each other's siblings. i also like to imagine them losing their parents because of titans, which could explain Hange's initial hatred for the giants when they joined the Scouts. were their parents both scouts in love who clandestinally had a child and therefore had to give it up with a letter explaining that to them later on? or was that a nice romantic story the people at the orphanage made up to cover for the fact that in reality only their mom was a soldier who nearly perished on an expedition while pregnant, and their other parent was some noble from Mitras who couldn't live with the scandal of that bastard child when she gave birth to them and died and the army traced the baby back to them, and instead gave Hange up immediately? i don't know, but i know i almost always imagine them as having no actual close family (and some dark/tragic story behind their conception and birth, alright). i think that comes from my mind making kind of an unexpected parallel between Hange and Temperance Brennan from Bones? they're both badass scientist people who are considered freaks because of their fascination for a topic others judge weird/dangerous/gross and have a very odd relationship to social norms, and i love them and will protect them both at all costs.
♦ - quirks/hobbies headcanon - Levi
post canon, i like to imagine Levi drawing. i don't think he intended on learning it, i think he starts trying to learn how to use his left hand to write after his right hand got blown up. but forming letters with the wrong hand is really fucking hard and frustrating, yet another reminder of things he's not able to do anymore in this useless broken body of his, and he almost gives up before he remembers Hange's advice, all those years ago after he'd first joined the scouts and let them help his illiterate self to learn the skill and listened when they told him to try drawing the letters instead of writing them. it worked back then so he gives it a go, and the difference with that memory is that right now, he doesn't have to rush to learn how to write reports for a professional reason. no, now he's learning how to write again just so he can update the kids on his life in his little cabin in the woods and sign a formal document once in a while, and now he has time to waste on this kind of mundane shit since the war's over and he doesn't need to be Humanity's anything anymore. and soon he finds himself tired of drawing letters and words and wanting to draw Hange instead. maybe it's because that one picture he has of the two of them they took during their trip to Marley is starting to fade from how much time he spends folding and unfolding it out of his pocket to look at their goofy, ridiculous smile and the gigantic lolipop they'd shared, maybe he's sick of being able to recall so many of the thrillion of words they threw at his ears during the time they knew each other but he's starting to forget some details of what their face looked like. maybe he just misses them, alright? whatever the reason, it works, and during his first attempts at drawing them it already feels like the closest thing to being with them again -even though he can almost hear them howling in laughter at the result because it's so ugly and inaccurate and not anywhere near what he pictured. he laughs along with them and tries again the following day, and the next, and many other after that. until one day, he nails it. he really does; he looks down at his work and that's Four Eyes right there, that's as close to a photograph as his hand can get. and they look so real, and perfect -and still, and quiet- on paper, that he doesn't feel like laughing anymore.
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In that space between buildings, you are like one person. You haven’t felt that way since they ripped you out of the Matrix.
Rated T
Ships: Lucy Saxon/Simm!Master
Tags: AU - Canon Divergence, Second Person POV, Time Lord Telepathy, Pre Sound of Drums, Post End of Time, Reconciliation
Warnings: Implied/Referenced Abuse, Past Abuse (not depicted), Dark/Unsettling Tone
1.8k words, oneshot
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Why do authors do this thing where they make a great hilarious wonderful delightful protagonist for the first book- and then never make that a character a POV character ever again for the rest of forever. Like-
The Locked Tomb Series by Tamsyn Muir
The Montague Siblings Series by Mackenzie Lee
The Queen’s Thief Series by Megan Whalen Turner
And I’m sure there’s more. But like…why do they do this?? 😭 I know they get disappointed when the following books gets less hype- once the POV character is revealed anyway- but surely they knew that was inevitable?
Authors should absolutely write what they want and I get that. But damn does it suck when the first book is like, the best meal you’ve ever had, and for the rest of the books you have to like, lick the plate for scraps of whatever’s left of your favorite thing from the first book.
(That’s not to say that there aren’t other good things about the following books. But there’s a lot of good books with good things in them. But each of the first books in the series above introduce such a fantastic protagonist that the readers fell in love with that character and- for me and a lot of other readers- those characters is what pushed those books from “good” to “favorites”. So like, yeah the following books may be good wonderfully written books, but when you take away what made Book 1 a favorite, its only natural that your reader’s investment is going to fade.)
EDIT: I failed to mention when I wrote this that I gave up on Harrow the Ninth early. This was apparently a Mistake because I’m being told that finishing the book might change my mind about including it in this list. So I’m gonna do that!
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What's your PhD about?
I haven't started it yet cause I'm looking for funding first so this might change (also I've altered the PhD propossal depending on the professor that would be my supervisor) but basically I want to study the Muses through the lens of Cultural Memory.
The ideal thing would be to study them and their evolution throughout ancient Greece, but that's impossible so for example my current PhD director suggested I should focus on the Archaic Era (also the Dark Ages, so around the 10th to 6th centuries BCE more or less). I am very interested in the relationship between identity, literacy, and religiosity, so the Muses are perfect for it, as they were used by the Greeks as a sort of fact-check for aoidoi and poets, which were the preservers of Cultural Memory.
Most stuff that's been written about the Muses has always been very philological and especially related to the 'invocation of the Muses' so prevalent in Greek literature. I want to open the scope to new angles, something never done before, and I have experience working with Cultural Memory from my Master's Thesis, so I thought it would be a cool approach :) It's gonna be much more theoretical than you would expect, but I love that sorta thing. Also it's impossible to separate the Muses from literacy so I'll be looking at written sources for sure, my good pal Hesiod (whom my Undergrad Thesis was about) will occupy a good chunk of the research I'm afraid.
So yeah, that's it. This won't happen if I don't get funding tho, so I could just never write this Ph.D. Who knows.
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I hope you don't mind me popping in for the Oc interaction thingy. ^^'
Either way, I was wondering how one of your Oc's would react to Strawberry.
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In short, she's a kind and sweet femme who easily gets along with her crew and often sees or tries to see the good in others, before judging them. Although, she's also easily intimidated and doesn't really like to get into fights, due to her frail body.
But despite being open towards most, she's also insecure about many things regarding herself. Especially the fact that she's basically a human trapped in a Cybertronian body, who also happens to have a very weird spark, due to the expiriments done to her. (Not that she could do anything against that.)
Gonna go with Eda for this, because of course I am.
Eda would be rather interested in Strawberry, given that he can sense that her spark differs from the average Cybertronian's - not necessarily in a direct way, but since she's partially human her emotional projection (as he senses it) would be somewhat enigmatic. He'd be wary of her for that reason, too, because if he can't sense her emotions properly he'd worry she'd make an attempt at manipulation that he wouldn't be able to detect. Any attempts at placation or friendliness from Strawberry would be met with wariness, obfuscation, and/or even hostility from Eda, at least until he can figure out her emotion-projection data well enough to ensure he can recognize her intent.
If they ever held a conversation, he'd appreciate how she attempts to find the good in others before casting judgement, though he'd imagine that he didn't make it an easy thing to do. He'd pick up on her insecurity if it ever came up, but wouldn't try to coax out its source - he doesn't like people prying at his own scars, and respects that those who make overtures to befriend him might feel the same way about theirs. It'd take a long while before Eda would consider her - or anyone, really - to actually be his friend, though, but as long as she didn't bring friends or try to convince him to join the Autobots, they'd get along well enough, I think.
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Thinking about Laura mirroring Anne today...
She gave me the letter. It began abruptly, without any preliminary form of address, as follows—
"Do you believe in dreams? I hope, for your own sake, that you do. [...]
- The Woman in White, First Epoch: Part 5
The guard closed the door. "Do you believe in dreams?" she whispered to me at the window. "My dreams, last night, were dreams I have never had before. [...]"
- The Woman in White, Second Epoch: Part 14
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