#source: giorgio moroder
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I knew that could be the sound of perfection, but I didn't realize how much the impact would be. My name is Jin-Gitaxias, but everybody calls me Gino.
Jin-Gitaxias talking about the Great Synthesis
#jin gitaxias#progress engine#praetors#phyrexian praetors#new phyrexia#compleation#perfection#great synthesis#incorrect quotes#incorrect mtg quotes#source: giorgio moroder#daft punk#my name is giovanni giorgio#but everybody calls me giorgio
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daft punk - the collaborators - episode 1 - giorgio moroder
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Musical artists who I specifically credit for getting me through the worst hell of my life:
DJ Shadow
Peanut Butter Wolf
Daft Punk
DJ Food
Kenny Dope
Emancipator
Cypress Hill
Dj Muggs
Wu Tang Clan
Beck
Kraak and Smaak- this name always gets me with jokes
PUTS
Pink Floyd
Led Zeppelin
Santana
Isley Brothers
Ali Farka Touré
BADBADNOTGOOD
The Alchemist
Main Source
Santigold
Lauryn Hill
KRS-One
ATCQ
J Dilla
Gang Starr
Tv Girl
Toro y Moi
Nina Simone
Herbie Hancock
Kool & Gang
Pete Rock
Letherette
Flying Lotus
Khruangbin
Manu Dibango
Aguaturbia
Sade
TV Radio
Nas
Chaos in the CBD
Kerri Chandler
Tame Impala
Squarepusher
Thievery Corporation
The Art of Noise
Massive Attack
Black Uhuru
Bob and the Wailers
Beastie Boys
Bobby Womack
MF Doom
Giorgio Moroder
Kraftwerk
The KLF
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“At its core, the Cizeta project was a cunning and daring exhibition that finds its roots within Lamborghini. Following Chrysler's purchase of Lamborghini in 1987, a strong portion of the Italian company's staff had bailed out. In fact, there were more of Lamborghini's original team members working upon the Cizeta V16T than there were on the Diablo project, which was being conceived at roughly the same time.
Cizeta's founder, Claudio Zampolli, had previously been a test driver and engineer for Lamborghini, and following the Chrysler buyout, had found himself in Los Angeles to create his own, world-class supercar. In essence, the Lamborghini brand had never utilized motorsport to sell their cars, instead relying on an overall sense of outrageous flamboyance and overall speed to attract buyers. Zampolli had utilized this same mindset with Cizeta, ultimately creating something far more extravagant and powerful than his former employer could offer to the public.
Adding further Lambo flair to the Cizeta was their utilization of Marcello Gandini, one of the greatest automotive designers of all time, who'd previously styled the Lamborghini Countach. His work is evident in the overall design of the Cizeta V16T, especially on the front end, which bears a strong resemblance to the Lamborghini Diablo. This is no accident, as Gandini had apparently hustled himself overseas to pen the design of both cars.
However, unlike the Diablo, or pretty much any car offered for sale during its run, the Cizeta offered something inherently distinctive; 16 cylinders of pure, unadulterated power. Its 6.0L V16 engine, mounted transversely, was the heart of the entire car and also the source of its name. That nameplate, originally dubbed the Cizeta-Moroder V16T, is a direct reference to Giorgio Moroder, the academy-award winning composer and "Father of Disco", who'd originally set up half of the financial backing to create the V16T.
In an interesting twist, none other than Sylvester Stallone was first offered the chance to finance the car, although the actor apparently backed down for unknown reasons. Moroder would also back down from this position, resulting in only one of the original Cizeta cars to bear his name.
(…)
In terms of outright performance, the Cizeta V16T is rated at a staggering 540bhp (533 hp), which was absolutely insane in 1991, the first year the car was marketed. In comparison, the competing Lamborghini Diablo offered 492 bhp (485 hp), which honestly wasn't much less.
Nonetheless, the Diablo topped out at 180mph, whereas the V16T managed to pierce the 200mph barrier, which was highly novel for the early 1990s. Over at Ferrari, their Testarossa only managed to shell out 385 bhp (380 hp) for 1991, putting it well below the performance chart in comparison. Truthfully, the Cizeta V16T can be compared to virtually all supercars produced over the last 31 years without scrutiny, as this model still remains available to this day (although it seems that few have actually decided to pony up the cash to order one).
(…)
At this very moment, if you've got the finances, you can head over to Cizeta's official website and place your order for a new V16T. The website itself looks a bit archaic, so it's unsure if anyone is still tending the light at the end of this tunnel, but the company was on record as late as 2018, saying they were still open for business. With an MSRP listed at $800,000, it would definitely be far more interesting than virtually any other new car for that price.”
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As Tears Go By (Wong Kar-Wai, 1988)
Cast: Andy Lau, Maggie Cheung, Jacky Cheung, Alex Man, Ronald Wong, Ang Wong, Huang Pa-Ching. Screenplay: Jeffrey Lau, Wong Kar-Wai. Cinematography: Andrew Lau. Production design: William Chang. Film editing: Cheong Bei-Dak, Kai Kit-Wai. Music: Danny Chung, Teddy Robin Kwan.
It takes mastery of a genre to transcend that genre, as Martin Scorsese did with the gangster film and Douglas Sirk did with the romantic melodrama, and Wong Kar Wai does just that with his first feature, As Tears Go By. Scorsese looms larger here, in that his Mean Streets (1973) was an acknowledged influence on Wong's film, but I can't help seeing touches of Sirk in the portrayal of the romance between Wah (Andy Lau) and Ngor (Maggie Cheung). Yet Wong is very much his own man, and the film is a smashing (in all senses of the word) success full of fire and energy, yet able to show the ameliorating effect that Ngor has on the initially standoffish Wah, preoccupied with making his way in the underworld and defending his friend Fly (Jacky Cheung). The use on the soundtrack of Sandy Lam's version of Giorgio Moroder and Tom Whitlock's Oscar-winning “Take My Breath Away” evokes its source, Top Gun (Tony Scott, 1986), but it also accentuates the pop-culture-saturated milieu in which the action and the romance take place.
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La Cizeta Moroder V16T : Une supercar qui a marqué l'histoire de l'automobile
Cizeta est une marque de niche qui fabrique des voitures de sport de luxe uniques et exclusives.
Cizeta est une marque automobile italienne qui, à la fin des années 1980, a conçu la Moroder V16T. Une supercar à moteur central arrière de 520 ch. Le nom Cizeta correspond à la prononciation italienne des initiales du fondateur de la marque, Claudio Zampoli. Il débarque aux États-Unis en 1973. Sa mission est de réorganiser le réseau Lamborghini outre-Atlantique. Une fois sa mission acquittée, il a le secret projet de concevoir une supercar d'exception capable de faire oublier la Lamborghini Countach.
Ses connaissances avec le personnel Lamborghini lui seront précieuses pour la réussite, ou tout du moins l'aboutissement de son projet.
Les caractéristiques de la marque Cizeta sont :
- Des voitures de sport de luxe : Cizeta se concentre sur la production de voitures de sport de luxe. Ces voitures sont conçues pour offrir une expérience de conduite ultime, avec des performances et un confort exceptionnels.
- Un design unique : Les voitures Cizeta sont connues pour leur design unique et audacieux. Ces voitures sont conçues par Marcello Gandini, qui est également le designer de la Lamborghini Countach.
- Une production limitée : Cizeta produit un nombre limité de voitures chaque année. Cela rend les voitures Cizeta encore plus exclusives et recherchées.
Un segment de très haut de gamme
Son cahier des charges reprend en quelque sorte celui de la Countach mais en le modifiant et l'actualisant. Dans son esprit, son futur modèle devra notamment profiter d'une finition très luxueuse, plus en rapport avec les prix pratiqués dans ce segment.
Sa vision du segment du très haut de gamme lui vient de son expérience en tant que l'un des fournisseurs des stars du show-bizz en voitures de sport. Son échoppe était alors sise sur Hollywood Boulevard à Los Angeles.
Il sait donc mieux que quiconque quelles sont les attentes de ses futurs clients. C'est durant cette période qu'il va vendre des voitures et se lier avec Giorgio Moroder. Ce dernier est un musicien célèbre qui a notamment réalisé la musique du film Midnight Express et a été parolier de Donna Summer.
Un moteur V16 sur la Cizeta Moroder
Leurs origines italiennes et leur passion commune pour les belles mécaniques vont entraîner les deux hommes dans un projet fou. D'autant plus fou, qu'en bon visionnaire, c'est vers un V16 qu'il jette son dévolu pour animer sa supercars. Une chose est certaine, la Cizeta-Moroder V16T, sera unique, à commencer par son moteur… La ressemblance du véhicule avec une Lamborghini Diablo s'explique par le fait que les deux voitures partagent le même designer : Marcello Gandini.
La production de la Cizeta V16T s'est faite de 1988 à 1993. Au total, 8 modèles (dont un prototype) ont été produits. Depuis, 3 modèles ont encore été produits, comme le roadster. Aujourd'hui, la marque Cizeta existe toujours mais se trouve en Californie, sous le nom Cizeta USA. Au 1er mai 2006, une Cizeta V16T coupé coûtait 649 000$ HT, tandis qu'une V16T spider TTJ coûtait 849 000$.
Depuis le premier modèle, la puissance du V16 est passée à 560 ch. (source)
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Baby blue action bronson genius
#BABY BLUE ACTION BRONSON GENIUS MANUAL#
It also charted at numbers 21 and 30 on the Hot Rap Songs and Hot R&B/Hip-Hop Songs charts respectively. "Baby Blue" was Bronson's first solo appearance on the Billboard Hot 100, debuting at number 91 for one week. The song received mixed reviews from critics who praised Chance's verse but questioned Bronson's musicianship. A hip hop breakup song, "Baby Blue" is the closer to a three-part suite along with "City Boy Blues" and "A Light in the Addict" that's preluded by the album's interlude, "Thug Love Story 2017 The Musical". It was co-written by both artists, along with Zane Lowe (who co-wrote the chorus) and Mark Ronson, who also produced the song. It features a guest appearance from fellow rapper Chance the Rapper. It was released on Maas the fourth and final single off his second album Mr. " Baby Blue" is a song by American rapper Action Bronson. Baby Blue, a short animation by Shinichiro Watanabe, part of the anthology Genius Party."Baby Blue", a 2008 song by Martina Topley-Birdīaby Blue (singer), a member of Pretty Ricky."Baby Blue", a 1979 song by Giorgio Moroder."Baby Blue", a 1974 song by George Baker."Baby Blue", a 1958 song by Gene Vincent."Baby Blue", a 2003 song by The Early November."Baby Blue", a 1979 song by Dusty Springfield."Baby Blue", a 2009 song by Dave Matthews Band."Baby Blue", a 2015 song by Action Bronson featuring Chance the Rapper."Baby Blue" (Emilíana Torrini song), a 1999 song by Emilíana Torrini "Baby Blue" (George Strait song), a 1988 song by George Strait "Baby Blue", a 1985 song by Đorđe Balašević from his album 003."Baby Blue", a 1979 song by The Beach Boys from their album L.A."Baby Blue" (Badfinger song), a 1971 song by Badfinger " It's All Over Now, Baby Blue", a 1965 song by Bob Dylan.
#BABY BLUE ACTION BRONSON GENIUS MANUAL#
Baby Blue's Manual of Legal Citation, an open-source legal style guide based on The Bluebookīaby Blue (rapper), a female rapper from London.
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Fans Choose Beyonce’s ‘Renaissance’ as This Week’s Favorite New Music
The following article has been posted on August 02, 2022 at 12:32AM:
An Overlooked Tracks News Finding: Here’s an article you might have overlooked. Having a partnership with NewsAPI, we try to catch music entertainment news for you to view, read and possibly enjoy. We will continue to find what’s available in the world of music entertainment, concert information and music releases. But obviously you – the listener and reader are the biggest source for news in your area, so if you can share with us. For right now, look at what we found for you:
“From The Billboard Magazine Website – Fans Choose Beyonce’s ‘Renaissance’ as This Week’s Favorite New Music”
Beyoncé‘s seventh studio album, Renaissance, has topped this week’s new music poll.
Fans Choose Beyonce’s ‘Renaissance’ as This Week’s Favorite New Music
Music fans voted in a poll published Friday (July 29) on Billboard, choosing the superstar singer’s first solo studio release since 2016’s Lemonade as their favorite new music release of the past week.
Renaissance brought in nearly 57% of the vote, beating out new music by BLACKPINK (“Ready For Love” music video), Rosalía (“Despechá”), Hayley Kiyoko (Panorama), Maggie Rogers (Surrender), and $uicideboy$ (Sing Me a Lullaby, My Sweet Temptation).
Recorded over three years during the pandemic, Renaissance is “Act 1” of three. The 16-song project is crammed with features from Grace Jones, BEAM and Tems, along with production assists from husband Jay-Z, Drake, Skrillex, Giorgio Moroder, Nile Rodgers and others.
The house-infused “Break My Soul,” released in late June, was the first single from Renaissance. The song hit No. 7 on the Billboard Hot 100 chart dated July 7, 2022, marking Beyoncé’s milestone 20th top 10 as a soloist.
Renaissance follows 2016’s Lemonade, Queen Bey’s landmark album that debuted at No. 1 on the Billboard 200, earning Beyoncé her sixth-chart topper. The set included guest appearances by Jack White, James Blake, The Weeknd and Kendrick Lamar.
Placing second on the past week’s tally with almost 15% of the vote was the music video for BLACKPINK’s newly released song “Ready For Love.” The K-pop quartet — Jisoo, Jennie, Rosé and Lisa — first unveiled the track in their recent in-game concert for PUGB Mobile, titled “THE VIRTUAL,” which featured the members performing a medley of their hits through virtual versions of their human forms.
Read More Music Headllines
and can be found on the Overlooked Tracks website: https://bit.ly/3d1ggzY. Check out more music news from Overlooked Tracks! Music Headline News, Urban Music, Album, Music, Music Video, Poll
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Sometimes
you find something unique by accident.
Back in the bad old days I found a disco album, which was disco-y in a bad way. Very thin-sounding production. BUT it was one of the first true mainstream synth albums and therefore a bit interesting as an object of the times. I made a mental note that it existed. A buddy of mine went for it in a big way and loved it. Things happened, pigs flew, we parted company and he became something technical somewhere else.
I met this new friend, who was extremely eccentric in every way. He is still one of the strangest people I have known. Being a math teacher is the least odd thing about him. He listened to a soul-crushing mix of interesting things (Eintürzende Neubauten, Tuxedomoon, Carlheinz Stockhausen) who mostly had in common that they set your teeth on edge.
One day we were low-key arguing about some nonsense while walking around his town, and we went into a record shop (those existed back in the day). We rifled through the inventory looking for strange kicks. And the disco album popped up again. Giorgio Moroders E=mc2. On vinyl.
So I told my friend that this was one of the purest pre-eurodisco (1979) records I had ever heard, and he got this unsettling gleam in his eye. He asked the shop dude to play it. Shop dude did.
And my friend looked like he had found the holy grail in a flea market (friends of Neil Gaiman will get this). Turns out he had been looking for this exact blippy sound for literal years. Nobody made music that sounded this cheap any more. The album was ludicrously priced (being vintage vinyl) but he immediately bought it (being well-off unlike me).
And through digging up the uncoolest record of the decade I had become a hero, just for one day. Like the bard promised.
At the time this particular friend lived in student housing, and his poor neighbors had become semi-used to this hillbilly maniac who would play what sounded like industrial alarms around the clock, at harmful volume. His sudden switch to shitty disco did not make him any friends. It also made me public enemy number four.
You can rarely predict the future, but my feeling that his technical interest in disco was an evil omen turned out to be true. Years later he found the news source Fox news that “had a different spin on most news”, and that was my cue to say “I will be in touch” and delete his number from my phone. I fully expect him to be full-on Q by now. He might be Q for all I know.
I just tried to listen to this album again. It has not aged well. What little nostalgia I had for it was predictably all in my head. The whole thing can be found on youtube, but doing so should count as borderline self harm. I do not recommend it now.
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Soundrs: Daft Punk
Bonjour we are Daft Punk, a french electronic music duo from France. Also we are robots. Bleep Blop Bloop. We sample entire disco tracks from the seventies and make bass lines with Moog.
Here’s our main social site:
➜ https://www.instagram.com/daftpunkmemes_
Why do you make music?
Because we’ve been programmed to do so by our creator, Giorgio Moroder.
Guy: Given the choice I would rather have been a film director.
Thomas: Garden sprinkler.
What are your inspiration sources?
Thomas: Kid’s TV cartoons on Saturday mornings.
Guy: Talking walks through public parks.
Tell us something about your workflow.
}
const express = require('disco');
const hbs = require('sequencing');
const path = require('moog');
const groove = require('./909');
const middleware = require('./lib/daftpunk');
// -- Configure Express --------------------------------------------------------
const robot = express(flow);
work.disable('xy');
if (robot.get('env') === 'dancedancedance') {
music.use(require('thomas')('guy'));
}
How would creative rituals benefit your workflow?
Guy: We listen to top forty playlists on Tidal.
Thomas: Top forty of 1977 that is. I prefer Deezer.
How do you get in the zone?
By randomly accessing memories. And time travel.
How do you start a track?
Guy: We don’t start a track, the track starts us.
Thomas: It’s called reverse engineering.
Do you have a special template?
Croissant and café au lait.
What effects do you put on the master channel?
Thomas: Sausage fattener and Ohm Force Frohmage filter fondue.
Guy: Croissant and café au lait.
How do you arrange and finish a track?
Thomas: From left to right in Garage Band.
Guy: I use it on an iPad.
How do you deal with unfinished projects?
We sell them to David (Guetta).
How do you store and organize your projects?
By color in a warehouse east of Paris.
How do you take care of studio ergonomics?
Guy: We only use one cable.
Thomas: The master cable.
Tell us something about your daily routine, how is your day structured, how do you make room for creativity?
Share a quick producing tip.
When you move the cutoff also move the resonance.
Share a link to an interesting website (doesn’t have to be music related).
Guy: This was the main synth on all our albums:
➜ https://stuartmemo.com/synth/
Merci robots, enjoy your retirement! See you soon…?
#daft punk#interview#workflow#creativity#april#april fools#funny#soundrs#moog#producers#producer#audio production#music producers#electronic music#croissant#musician#robots#giorgio moroder#david guetta#paris
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Metropolis is a 1927 German expressionist science-fiction drama film directed by Fritz Lang. Written by Thea von Harbou in collaboration with Lang, it stars Gustav Fr��hlich, Alfred Abel, Rudolf Klein-Rogge,and Brigitte Helm. Erich Pommer produced it in the Babelsberg Studios for Universum Film A.G. (UFA). The silent film is regarded as a pioneering science-fiction movie, being among the first feature-length movies of that genre. Filming took place over 17 months in 1925–26 at a cost of more than five million Reichsmarks.
Made in Germany during the Weimar period, Metropolis is set in a futuristic urban dystopia and follows the attempts of Freder, the wealthy son of the city master, and Maria, a saintly figure to the workers, to overcome the vast gulf separating the classes in their city and bring the workers together with Joh Fredersen, the city master. The film's message is encompassed in the final inter-title: "The Mediator Between the Head and the Hands Must Be the Heart".
Metropolis met a mixed reception upon release. Critics found it visually beautiful and powerful – the film's art direction by Otto Hunte, Erich Kettelhut, and Karl Vollbrecht draws influence from Bauhaus, Cubist, and Futurist design, along with touches of the Gothic in the scenes in the catacombs, the cathedral and Rotwang's house – and lauded its complex special effects, but accused its story of being naive. H. G. Wells described the film as "silly", and The Encyclopedia of Science Fiction calls the story "trite" and its politics "ludicrously simplistic". The film's alleged Communist message was also criticized.
The film's extensive running time also came in for criticism, and Metropolis was cut substantially after its German premiere, with a large portion of Lang's original footage removed. Many attempts have been made since the 1970s to restore the film. In 1984, Italian music producer Giorgio Moroder released a truncated version with a soundtrack by rock artists including Freddie Mercury, Loverboy, and Adam Ant. In 2001, a new reconstruction of Metropolis was shown at the Berlin Film Festival. In 2008, a damaged print of Lang's original cut of the film was found in a museum in Argentina. After a long restoration process that required additional materials provided by a print from New Zealand, the film was 95% restored and shown on large screens in Berlin and Frankfurt simultaneously on 12 February 2010.
Metropolis is now widely regarded as one of the greatest and most influential films ever made, ranking 35th in Sight & Sound's 2012 critics' poll. In 2001 the film was inscribed on UNESCO's Memory of the World Register, the first film thus distinguished.
Metropolis was distributed by Parufamet, a company formed in December 1925 by the American film studios Paramount Pictures and Metro Goldwyn Mayer to loan $4 million (US) to UFA. The film had its world premiere at the UFA-Palast am Zoo in Berlin on 10 January 1927, where the audience, including a critic from the Berliner Morgenpost, reacted to several of the film's most spectacular scenes with "spontaneous applause". However, others have suggested the premiere was met with muted applause interspersed with boos and hisses.
At the time of its German premiere, Metropolis had a length of 4,189 metres, which is approximately 153 minutes at 24 frames per second (fps). UFA's distribution deal with Paramount and MGM "entitled [them] to make any change [to films produced by UFA] they found appropriate to ensure profitability". Considering that Metropolis was too long and unwieldy, Parufamet commissioned American playwright Channing Pollock to write a simpler version of the film that could be assembled using the existing material. Pollock shortened the film dramatically, altered its inter-titles and removed all references to the character of Hel, because the name sounded too similar to the English word Hell, thereby removing Rotwang's original motivation for creating his robot. Pollock said about the original film that it was "symbolism run such riot that people who saw it couldn't tell what the picture was about. ... I have given it my meaning." Lang's response to the re-editing of the film was to say "I love films, so I shall never go to America. Their experts have slashed my best film, Metropolis, so cruelly that I dare not see it while I am in England." The Hel storyline would be partially restored in Giorgio Moroder's 1984 version, and subsequent versions completely restored it.
In Pollock's cut, the film ran for 3,170 metres, or approximately 116 minutes—although a contemporary review in Variety of a showing in Los Angeles gave the running time as 107 minutes, and another source lists it at 105 minutes. This version of Metropolis premiered in the United States in March 1927, and was released, in a slightly different and longer version (128 minutes) in the United Kingdom around the same time with different title cards.
Alfred Hugenberg, a German nationalist businessman, cancelled UFA's debt to Paramount and Metro-Goldwyn-Mayer after taking charge of the company in April 1927, and chose to halt distribution in German cinemas of Metropolis in its original form. Hugenberg had the film cut down to a length of 3,241 metres (about 118 minutes), broadly along the lines of Pollock's edit, removing the film's perceived "inappropriate" communist subtext and religious imagery. Hugenberg's cut of the film was released in German cinemas in August 1927. Later, after demands for more cuts by Nazi censors, UFA distributed a still shorter version of the film (2,530 metres, 91 minutes) in 1936, and an English version of this cut was archived in the Museum of Modern Art (MoMA) film library in the 1930s. It was this version which was the basis of all versions of Metropolis until the recent restorations. In 1986 it was recopied and returned to Germany to be the basis of the 1987 Munich Archive restoration.
Daily inspiration. Discover more photos at http://justforbooks.tumblr.com
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Hey, it’s 5781! That means, amongst other things, that the 5780 playlist is finished. The complete Youtube list can be found here. Tracklist below cut.
Using official sources wherever possible to avoid blank spaces from DMCA takedowns, It contains...
Gates of Steel (Devo)
I’m Affected (Ramones)
Statues (Orchestral Manoeuvres in the Dark)
Rock Brigade (Def Leppard)
Whole Town’s Talkin’ (Survivor)
Dog Food (Iggy Pop)
Livin’ with a Heartache (Beach Boys)
Fools (Van Halen)
Man of Our Times (Genesis)
Feel Like a Stranger (Grateful Dead)
Your Phone’s Off the Hook (X)
Breakdown (Grace Jones)
Over You (Roxy Music)
Monsters (Blue Öyster Cult)
What’s the Matter With You (Split Enz)
Dragon Attack (Queen)
Ready an’ Willing (Whitesnake)
Sleepwalk (Ultravox)
Heart and Soul (Joy Division)
Pride (Echo & The Bunnymen)
Shoot to Thrill (AC/DC)
America (The Vapors)
Red Light (Siouxie and the Banshees)
Out-a-Touch (Pat Benatar)
Misfit Kid (The Cars)
Tempus Fugit (Yes)
Take it From the Boys (Cher / Black Rose)
Johnny on the Monorail (The Buggles)
Song for My Brother (Devadip Carlos Santana)
Blow Away (Kate Bush)
Take It to the Top (Kool & the Gang)
All I Do (Stevie Wonder)
It’s No Game, Part 2 (David Bowie)
Textures (Herbie Hancock)
Small Talk Stinks (Bauhaus)
Uptown (Prince)
Houses in Motion (Talking Heads)
Pride (Earth Wind & Fire)
Cold Love (Donna Summer)
Taking Islands in Africa (Japan)
Captain Kennedy (Neil Young)
Rapture (Blondie)
Blue Green (Yello)
Imperial March (John Williams)
Night Drive (Giorgio Moroder)
Lettin’ Go (UFO)
Now Here’s You (Huey Lewis and the News)
Private Idaho (The B-52s)
Ants Invasion (Adam and the Ants)
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The smart Trick of juin That No One is Discussing
References to dance can be found in quite early recorded background; Greek dance (horos) is referred to by Plato, Aristotle, Plutarch and Lucian.[seven] The Bible and Talmud seek advice from quite a few situations linked to dance, and consist of more than thirty various dance conditions.[8] In Chinese pottery as early since the Neolithic interval, groups of consumers are depicted dancing inside a line Keeping hands,[nine] and the earliest Chinese term for "dance" is found prepared during the oracle bones.
Right here you find curriculum penned to assist the Instructor and university student to aid the training of dance being an artwork form. Consists of Strategies for K through 12 quality concentrations.
Indian classical audio offers accompaniment and dancers of nearly all the models dress in bells all over their ankles to counterpoint and enhance the percussion.
[forty three] Some, including the maypole dance are common to several nations, while some including the céilidh and the polka are deeply-rooted in only one tradition. Some European people dances including the square dance have been brought to The brand new Earth and subsequently grew to become portion of American tradition.
By 1981, a completely new kind of dance new music was building. This songs, created making use of electronics, can be a kind of well-known music generally played in dance new music nightclubs, radio stations, displays and raves. For the duration of its gradual drop within the late 1970s, disco became motivated by computerization (the primary notable thoroughly synthesized disco strike was "I Feel Adore" by Giorgio Moroder and Pete Bellotte with lyrics by Donna Summer season).
" He writes: "... simulachres les dis ie vrayement, pour ce que simulachre vient de simuler, & faindre ce que n'est level." ("Simulachre These are most properly called, for simulachre derives from the verb to simulate and to feign that which is not really there.") He up coming employs a trope in the memento mori (recall most of us need to die) custom plus a metaphor from printing which effectively captures the undertakings of Dying, the artist, as well as the printed book in advance of us where these simulachres of Loss of life barge in around the living: "Et pourtant qu'on n'a peu trouver selected moreover approchante a la similitude de Mort, que la personne morte, on d'icelle effigie simulachres, & faces de Mort, pour en nos pensees imprimer la memoire de Mort moreover au vis, que ne pourroient toutes les rhetoriques descriptiones de orateurs." [11] ("And however we can not learn any another thing additional close to the likeness of Demise in comparison to the dead them selves, whence arrive these simulated effigies and pictures of Loss of life's affairs, which imprint the memory of Dying with more pressure than all the rhetorical descriptions with the orators at any time could.").
Illustrations are western ballet and contemporary dance, Classical Indian dance and Chinese and Japanese music and dance dramas. Most classical varieties are centred upon dance on your own, but functionality dance can also surface in opera and various types of musical theatre.
These illustrations are actually quickly selected and should comprise sensitive content. Go through far more… Annonce le seven juin Le secrétaire britannique au Trésor doit annoncer avant le 7 juin la décision de la Grande-Bretagne.
Paladin Danse wears a full set of Brotherhood of Steel T-sixty electric power armor, minus the helmet. Following Blind Betrayal He'll up grade to an X-01 electric power armor suit. Not like other companions, he can not be commanded to depart his electricity armor, plus the areas usually do not look in his inventory.
A weekly pole has proven which the president's recognition is declining. A weekly poll has shown that the president's acceptance is declining.
danse can be assembled in a lot less than forty five minutes. Suitable instructions for assembling is presented in addition to buyer treatment executives on-line are there to help you.
Taking the time necessary to find out about home furniture shopping is vital to mastering it. When you want to save cash and yet get what precisely you will need, without the need of sacrificing excellent, Meaning doing all your exploration. This information will get started you off by supplying quite a few recommendations which will allow you to inside your quest.
Whilst even further study is probably required, I've go through from a handful of sources that the Females are quite proud of their prolonged hair and Hence the khaliji dance usually consists of the tossing of free, extended hair from facet-to-facet, just like the “shaking of drinking water out with the ear.
This is the website of an organization that aims to offer companies and information for folk dancers, folks dance leaders and people dance teams in the course of The us and Canada.
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Cat People (Paul Schrader, 1982)
Cast: Nastassja Kinski, Malcolm McDowell, John Heard, Annette O’Toole, Ruby Dee, Ed Begley Jr., Scott Paulin, Frankie Faison, Ron Diamond, Lynn Lowry, John Larroquette. Screenplay: Alan Ormsby, based on a story by DeWitt Bodeen. Cinematography: John Bailey. Art direction: Edward Richardson. Film editing: Jacqueline Cambas, Jere Huggins, Ned Humphreys. Music: Giorgio Moroder.
Cat People is bloodier and kinkier than its source, the moody 1942 film of the same name, directed by Jacques Tourneur and produced by the maker of atmospheric horror films, Val Lewton. In the earlier movie, the ravages of the prowling cat persons were off-screen, suggested but not shown. In Paul Schrader's remake, they're played to shock, not just to creep you out. The subtext, a fear of sex, remains the same, although the earlier film is more about a fear of female sexuality, while the Schrader version adds incest to the mix. It's all very stylishly done, with Nastassja Kinski excellent as the woman haunted by a past she is unaware of, and Malcolm McDowell as her unstable brother. John Heard is rather eccentrically cast as the male lead, a New Orleans zookeeper, though he's an improvement over the dull Kent Smith in the original film. The wonderful Ruby Dee has a smallish but important role as Female -- pronounced Fe-MAH-ly.
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