#still learning how to draw them so im just doing sketches

[punkitt-is-here]

How did you learn to draw fat bodies but still keep it cartoony? I love how you draw different types of bodies and make them all seem normal instead of certain body types sticking out like a sore thumb next to others. I struggle to draw fat bodies without it looking weird with the rest of my art. Do you have a specific tutorial you followed or something?

This is a really good question! I'm glad you like my depictions of different body types, i worked really hard to get better at that so im happy folks enjoy em!! I didn't actually learn from a book or tutorial, it was mostly looking at fat bodies IRL and learning to incorporate those features onto what I already drew. As it turns out, we're all human, so if you understand the anatomy enough to draw a skinny person, you have the tools to understand the anatomy of a fat person.

So, like, here, this is my sketch of someone with a very average build. If I were to draw a fat body, I would still use all the basic principles I use here. One mistake I think folks run into is "isolating" parts, which can lead to things like this

which isn't necessarily bad, but if its not what you're going for, the issue is pretty apparent. Weight affects ALL of the body, not just the stomach or the face or the limbs. If you think about how that weight affects everything in tandem then you can start drawing fat bodies that work more in your style.

for this, this is the same quick sketch using the same pose and principles as the first one. but! I allowed the weight to be distributed across the body. Notice how the legs, belly, arms, etc all got thicker? The key to drawing fat bodies and making them look like they fit is allowing that weight to affect everything. without it, it just looks like you're adding on features to someone rather than considering everything at once.

my other tip is: don't be scared! things like fat arms or chins or bellies or stretch lines are not something that's bad to depict. if you want to draw fat bodies, you gotta not be scared to draw things the way they are. someone having a fat body is not bad, and you drawing that fat body is not bad either. Experiment! To me, art is about representing ideas, and the only way to get better is to experiment with how you represent those ideas. I'm by no means an expert, and I think you can also get a ton done by looking for resources aside from me, but I hope this helps, and have fun!!

#my posts #asks #bard-irl #art tutorial #tutorial

[vetyr]

hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT

Hi! Long answer alert. Once a chatterbox, always a chatterbox.

When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.

I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.

Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.

For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.

Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.

The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!

It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.

I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).

Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)

#answers to asks #illustration #art advice #art help #drawing #digital art

[hothammies]

will byers, the resident sniper and medic - apoc au details under the cut!

---

will's role in the party:

a scouter - stays back to watch over the area during runs w/his rifle and is a backup supply runner if need be. just prefers to scout with dustin and mike

medic - normally takes care of the group regarding injuries and medicine. is very gentle :)

the angel on mike's shoulder -> knows how to placate mike the best if mike's being unreasonable or too harsh

most knowledgable about the infection and how it works -> helps with understanding the patterns of infected people, what attracts infection, etc.

party mediator - rarely ever fights with anyone (mostly with mike haha) and is usually the person people most often go to for a vent or a rant

skills + hobbies:

best with a rifle + second best with guns! -> he practices a lot with lucas but refuses to kill animals

cook of the group along with el (taught her how to cook): rest of the party can make edible food but don't know how to make it taste good

great knowledge of plants and medicine -> jonathan and joyce taught him all they know about it (they are healers)

draws in a sketchbook that mike stole from another group for him: filled with mundane sketches from life and treats it like a daily journal

likes to collect cds and cassettes that he finds around to play in the car (him and max discuss music the most) - fave bands include system of a down, gorillaz, the clash and the cure :) he's an alt rock fan!

quirks / fun facts:

him and lucas have an ongoing competition that started with their aim and is now based on literally anything -> they've been keeping score since they were nine (lucas is currently up by ten and the points are in the thousands)

will shuffles different music in the car and observes who in the party likes what so he can make his own little mental playlists for them!

him and dustin talk a lot about how the infection works. they have some very intense debates about it, especially when it comes to if the infected still have human consciousness or not (will thinks they do, dustin thinks they don't)

--- other notes: canon will, in a short summary, is a very sweet, sensitive, empathetic and capable boy who consistently puts others needs before his own :') of course, i wanted apoc will to share those attributes, with a big emphasis on his empathy, strength, and kindness. first - i wanted him to be a medic to show how he cares about other people and how he helps the people he loves as well. it's shown a lot in the show how much he cares for people and living beings (see: his actions with dart, el, mike, feeling bad for jonathan's hand after he had just woken up, etc.) and him being a healer is very in tune with this behavior. will as a healer is very special to me :') and him learning this skill from his mom and his brother strengthens the theme of family also!

second - him being good with a hunting rifle was to showcase his quiet strength and capability (i'd also like to add that his dexterity on his dnd sheet is extremely high) -> he's a non-confrontational survivor. his strength shines from afar and is put on the backlight, but no one in the party thinks will is weak for his empathy. mike and lucas, in particular, are actually quite jealous of the fact that will is still able to see so much good in humanity and life while being so strong. of course, his connection to the upside down in st is mirrored in this au as well, where he has an innate understanding of how the infection works because of experience, observation and other story spoilers...

looking at the current poll results, it seems im going to be drawing lucas and max next :D see you for that!

#imma be real honest and say that i only made will like gorillaz because i fucking love gorillaz #will byers #byler #stranger things #stranger things fanart #st apoc au #sammi's art

[sinlizards]

i’ve been trying to teach myself how to draw and your art has been a huge inspiration for me, do you have any tips on how to do line art like you do?

to be quite honest i try to avoid doing proper lineart whenever possible! it used to be a prominent feature of my art but I realized i just kinda felt miserable doing it. any lines you see are either painted on top, the sketch, or im doing something heavily stylized so I'll just show my process & share some general tips!

I try to stay as loose as possible and let myself leave in some mistakes as if I were inking with a real pen and paper. Another thing I recommend is playing around with whatever brushes and seeing what sticks! I prefer a much more textured gritty line over something super smooth but that isnt for everyone so playing around with different options is ideal

Also will leave some external resources under the cut!

FRAMED INK: book about comic/storyboarding composition but still has some bits in there about how different inking techniques can change the mood of a scene.

GUIDE TO SPOTTING TANGENTS: Self explanatory. Tangents can be a real pain when it comes to lineart so its best to learn What they are and How to spot them

SPOTTING BLACK AREAS: going more in depth with laying down your black areas

#art help #if theres something more specific you'd like lemme know! i just went over bits that are specifically style oriented #and less so of the basics cuz there are a lot of guides out there for lineart that are way more cohesive than I could make

[beatcroc]

a year!!! as of today i have now been drawing these funny little pizza freaks, to the exclusion of almost everything else, for!!! an entire year!!! i wanted to do a nice group shot/lineup of everybody to compare to when i first started trying to draw them because oh boy were they bad. i never even posted most of them anywhere because they were so bad. but im posting them here, now, to see how everything's changed/evolved.

this is probably the hardest time i've ever had trying to figure out how to work with a style, but we got there eventually; i'm pretty happy with the handle i've got on everybody now...dont let ur memes be dreams. lots of unimportant journaling and idle thoughts abt it below.

older pics

the first one is the VERY first time i drew them, before i thought i was going to actually have any interest in drawing them [lmao]; it was just the one isolated image, for my friendserver, to illustrate the funney message, so there was no attempt to make it Good or actually understand anything going on w/ the designs or style.

second is the original run of practices sketches to start trying to figure them out for real; done after i started having ideas for the comics and such and realized oh god maybe i am actually gonna draw fanart for this. [again, lol, and lmao.]

third one is the first pt art thing i posted on here. there were a couple weeks of sprite studies between this one and the previous image. the one on the top right wasn't part of that post i just threw it on as space filler; i'd intended to shift to doing Sprite Redraws But Stylized to explore tings more, but that was the only one i did. ¯\_(ツ)_/¯

individual characters

peppino: by far the hardest dear god. bro what ARE your shapes how DOES your face work. jesus christ. everything i have trouble with this style for, peppino has it in excess. i draw in polygons! i need consistency! and that is the last thing this kind of style is concerned with. they are made of squarshy clay and i do not understand how to mold them. i was really hoping trying to learn this game's style would GIVE me that kind of flexibility for fun exaggerated facial expression but i don't think much came of it in the end 😔. anyway on the bright side all this means once i got peppino figured out a little bit everybody else clicked way easier.

fake peppino: honestly i never did anything with him on purpose except for how his eyes work + the perma-smile thing. i figured ok hes supposed to look weird and off model so whatever happens with him happens. and it did. and it kept happening. it is still, in fact, happening.

noise/ette: somehow, for every bit that peppino was the least natural thing i've ever tried, these two worked pretty much right off the bat. i still don't understand it, seeing as pretty much all the things at play for peppino are also at work for them. i think the new sketches are actually a little worse than older ones but not enough that i care.

gustavo: really funny bc i drew him on model twice and just went 'okay, cool nice, easy, um. he doesn't have any fucking legs?' fortunately he was the only one i had a strong idea for how to stylize him [square] and it worked exactly as i was hoping so wahoo.

brick: is an animal and therefore 5000x easier and more natural for me to draw/stylize than anything else in the cast. that is Just a rat bro. i can draw a rat.

gerome: i think the funniest one here. the most drastic and least necessary change imo. i was gonna have him be really small at first, like smaller than the noises, but then i just... didn't. he's just peppino-sized now. also i gave him like. actual human facial structure, which is funny bc in most cases i'd do anything to avoid, but it works well for his being A Rock to give him some angles and definition like that+ to differentiate his vibe from the rest of the cast who are all very squishy. also since he is essentially Just A Head it's good to emphasize that too ig.

john: i only drew john a couple times but he gets to be here because i like him. and because most of the stuff i applied to gerome was readily applicable to john, though i did try to keep him a little more uncanny because he is a Huge And Lanky Freak. i hate that he is barefoot btw but idk how to make his color balance look right with shoes.

pizzahead: i did not want to put him on here honestly but i Have drawn him a handful of times and more importantly i didn't know what i was gonna do with john's pose if i didn't have him there to be glared at. the only thing that's different with him is giving him wider-bottomed pants, which i got from when i tried to draw these guys in clone high style [i never posted that one either][i will eventually]

snick: he gets to be here because 1. he's like 6 lines 2. i like him and 3. ive scribbled him a few times offhand and it went pretty well

misc

there are some guys missing because those are guys i didn't draw enough [or at all] to have gotten comfortable with them. sorry

i would have Liked to shade these but for the time being i have accepted that my grasp of light/shadow has decayed to the point im not going to be happy with anything i try there, so For Now i am working on my presentation with flats i guess. gerome has a shadow only because he's shaded like that ingame and looks naked without it

anyway if you are still reading [hi?] i get to shamelessly plug now. i'm over the hill of my pizza run now, and while i still have plenty of things i want to make here, most of the bigger more in-depth ones have passed. pizza tower was the first thing in THREE YEARS to get me out of my oc groove to doing fanart, and once i am done with my ideas here i will be going right back to it. if you like my art or how i write characters/interactions you should check out my oc/webcomic blog @jamverse . i can't promise people who like pizza stuff will be terribly into my designs, but i can guarantee i treat my guys with the exact same sort of tone i handle the pt guys with. and hell, i've mentioned it a few times before, but like 70% of my characterization for fake pep is just copied off one of my characters, so if u are going to miss him... he will still be there in spirit >;p

and if you dont care about any of that and are still reading thank you anyway. actually making these comics + seeing how shockingly well-received they've been has done a lot for my confidence, and for seeing that my kind of stuff IS something people enjoy :')

#pizza tower #peppino spaghetti #fake peppino #gustavo and brick #the noise #noisette #pizzahead #arting #pizzaposting

[drenched-in-sunlight]

hello hi!!! grfhvhghr i am in love with your artwork so much you cant believe-- i wanna ask if you have any tips on how you lineart and colourpick?? no pressure to answer tho, have a great day/night!! again, love your art <33

hi!! thank you for your kind words!! since i got asked about these a lot, im answering this for all the other ask asking about lineart and colour tips too! You can see some previous post here.

also i could only give out tips that work for my drawing style - which is heavy lineart / colours pop up the line (believe it or not it's American comic book style. ppl cant understand why my art doesnt really look like usual anime/ Asian webtoon style, even though it is still clearly anime / Asian webtoon style, but when i told them it's because im drawing these by studying American comics, no one believes it either lmao.

i do study but i do my own things too, so most of my art inspo is really unexpected to ppl, but they r really where i learn things from, cuz i dont even go to art school TT_TT).

Changing the brush size will help you achieve thick/thin lines better without having to put pressure on your wrists. Keep your hold relaxed and let bigger brush size give you the thick strokes.

I like messy sketch, to me the sketch is just an outline shape to fill details in when i do the line, it also gives more freedom to wriggle as i draw! cuz i dont really plan out everything from the start, just wing it as i go, so a lot of my work is actually very spontaneous.

that leads to this point: when you do the lineart you should start deciding which colour style you want from it to adjust the details amount. the ink shadow blocks in my art aren't there randomly, i adjust them to best complement the shape language and colours.

for piece where i want the line/shadow to...idk hit (?), the colours are almost flat with textured brush adding depth to them, so the inking is the shading, thus there are more details in the lineart / ink blocks.

for the video above and piece like this where i want the colours to be clear and pop out, the use of ink blocks are minimized and i do the shading during colouring process. but! the ink blocks can still make some places pop very nicely! just use in moderation!

when doing the base it's good to keep the colour on the left side of the colour wheel (low saturation), but as you do shading and lighting, try to spread out evenly so it won't look washed out.

toggle around with hue and saturation slider as you go! the key is always adjusting! you're making hundreds of decisions at once, being conscious of your choice in why a line or a colour should be in a certain way will help improve your process a lot! (i think you can tell which art i turned off my brain and just draw for stress relief ........ which is also a valid way to draw and sometimes the result might surprise you! but for more serious stuffs i try to be aware of most of the move i make. it's problem solving, yeah?)

i find that one way to keep your art from appearing too...yellow in the end (which is sth that haunted my ass for a long while) is always aim for cold tone, so if you accidentally make it warm either way in the end it won't be too warm (and yellow :cry:)

well that's all the stuffs i can think on top of my head. sorry i can't give more advice on colour picking cuz it's sth i don't really know how to give advice on???? i think my colours now are still pretty lame haha........ if there are still any questions i'd gladly answer within my ability, though im very slow to answer ask ( i do read and be happy at all of them tho!)

#art tip #ask #anon #albi’s art #ALSO I AM SERIOUS ABOUT THE BRUSH SIZE THING SAVE YOUR WRISTS NOW. TODAY. DONT LET IT HURT THEN TRY TO FIX IT LATER #aughhhhhhhhh *rub my wrists*

[shewreckz]

Hey your art is pretty whimsical and radical my gender non specific broseph, per chance would thou be able to enlighten us on how you draw such bodacious fine art? Like how you draw bodies and fave and what have thee. (Fr tho your art really cool and I'd like to see how you make it)

okay i have whipped up a quick little visual of my thought process while drawing!! it might not be the best cause im not the greatest at teaching but if anyones curious ^_^

first lets start with how i draw bodies

a lot of people like to do the "skeleton" method which is where you draw lines and circles to plan out where the limbs should be. honestly i really dislike doing that because i like to always have volume and shape in mind when drawing bodies, but if it works for you thats great.

instead i separate the body into different pieces, kinda like an articulated doll. i think it helps visualize all the moving parts in a 3d space and makes posing and perspective a lot easier. i can also always add the detailed anatomy on top of this basic model like you see on the left. its always important to work from simple -> complex. drawing a pose while being too worried on anatomy will really hinder your drawing process.

to improve doing this it really just takes practice and observation. i could be here all day talking about proportions, and how many heads high a person is, and each specific muscle group, but i reccomend you go and watch videos and study professional artists on your own. as someone who has been drawing and studying these things for so long, i barely think about how many heads high a person is when im drawing a body. its kind of like learning how to play and instrument or driving a car. it becomes second nature eventually, but you have to apply those skills and work through that period of time where youre still trying to program it into your brain.

after you get a hang of the basics you can take this basic model and draw all types of body shapes with it. i say its always important to play around with making your body types diverse. its not only fun to do but helps make all the characters you draw unique and recognizable. (dont be like vivziepop).

dynamic posing can be the hardest thing to master for a lot of people. the best way to learn how to pose is to not think about it too much and just doing it. for example in my figure drawing class we had to sketch out gesture drawings from a picture in 15 seconds. excercises like that help a ton in making you feel more comfortable when drawing from a reference. you should definitely reference a LOT when it comes to poses, it helps build this visual database so that eventually you can get to the point where you can just draw accurate and dynamic poses from memory. after getting to this point eventually you kind of start thinking of your canvas as this tangible 3d space and considering your characters in 3d space helps make the poses feel a lot more realistic and interesting.

ok now a quick little tour into how i draw different faces yaaaayy!!!1!1!1

main thing with my art is that i LOVEEE drawing dynamic face shapes i think its so important to avoid drawing the same slim faces over and over. shape language plays a big role into this. like for example the face on the middle is more square, the one on the left is more oval and the one on the right is more circle. shape language helps communicate so much about your character without even saying a word about them and just helps differentiate people from a glance.

facial features also play a huge role into making your faces different. these are all drawn from the same exact face shape but look like entirely different characters by adding variety in the features. different noses, eye shapes, lips, etc. can make such a huge difference

i think before any of that its important to learn the anatomy of the face though. again im not gonna go into how many eyes wide a face it or how far the nose is from the mouth but like its always important to learn the fundamentals before stylizing stuff. again the face is a 3d space and if you dont consider your face a 3d plane the features will kind of just look like theyre floating on your characters face like soup...theres a lot of great resources and tutorials online take advantage of those!!! and reference from artists you like too it helps a ton.

and then you mix that all together and Boom you have cool and interesting faces. you will best that same face syndrome in no time if you take my advice Trust...

anyways yeah thats the soda design philosophy hit that like button if you liked it or douse me with tomatoes and kick me off the stage if you think i give bad advice ill leave the decision up to you

#soda's art #art tutorial #errmmm yeah idk how to be a teacher im sorry

[wasyago]

how did u get so good at composition:3 did u like to draw background all the time or it came to be after practice how long does one piece usually take:333

hehe well, thank you first of all. second of all... um both? practice yes, no one gets it on the first time. and just. i dont know? doing it over and over again and trying new things and experimenting, seeing what works, what doesn't, where the background is needed and not.

i remember i heard a lot of artists around me saying that they didn't like or couldn't draw backgrounds, and for some reason i decided that im not gonna be like other girls and learn to do it. and i uhhh.... just started? drawing backgrounds? i was trying, and watching tutorials on youtube, and seeing how other people did it and eventually it got easier? i can say that i definitely enjoyed figuring out how to do it, struggling to get the perspective and composition right. like, it was hard but i had a lot of fun doing it, so it felt natural and just like, normal art progression? it didn't feel like i was going out of my way to draw backgrounds, i just did it when i felt like it?

at some point i joined a character ask, you know, when people ask questions and you draw the character answering. and i decided that im gonna draw a background for each answer instead of it being a character on a blank background. and doing this, like, specifically trying to draw backgrounds and tell a story with them, and doing it regularly and coherently, it helped me progress a lot. like, i started with a character sitting on a couch in a room, and then it got better and better, multiple rooms, multiple angles of the same room, different locations and images. it helped me a ton. just, figuring out when you need a background, when its rather i did something simple for one frame and focused on the other instead, where the character needs to be positioned, etc.

i can say i didn't do a lot of proper studies, and if i did maybe it would've been helpful... i only drew things that were in my head, with characters that i liked, with imaginary locations and stuff. never really drew from photos... we did go on plein-airs, or whatever they're called, when i was in art school, so drawing backgrounds from real life probably also helped a little, but i can't remember anything about it so it didn't do as much.

i looked at a lot of art from cool artists and expanded my visual library, i analyzed their art trying to figure out why i like it and how to make my art have the same kind of feeling. and i still do! sometimes something just takes over me and i scroll pinterest for 3 hours looking at pretty art and going to artists' profiles and saving art and using it as inspiration later. and it helps! a lot!

i dont know where this post is going ummm. i guess if you want to learn to draw something, just like, start. scrap it if you don't like it and try again, have fun, don't get attached. and uhh, i felt a little nostalgic so here are some of my pieces that i did throughout the years. definitely feels like i got better at it recently, but there's still a lot of room for improvement

oh and for your second question. one piece takes about ummmm... more than a thousand episodes, thats 20 minutes times 1000 devided by 60 devided by 24... we're looking at about 14+ days of non stop watching?

no but for real. i dont really keep track of time when im drawing, uhh. plus depending on the complexity... my recent jrwi drawings are sketches, so they took maybe one or two hours max. something rendered uhhh, maybe 5 hours? if i don't finish it in one day the chances of this drawing ever getting done are super low, soo yeah

#yagotalk

[triple-asstro]

heyyyy, you know how you made Rise Leo x Kitsune! reader, can you oh idk maybe make the rest of the boys with a kitsune reader? (maybe April for us April lovers if ya want)

Rise!TMNT x Kitsune Reader

kitsune - trickster foxes from traditional Japanese folklore known for immense beauty and high intelligence

a/n: ofc! april deserves more love for sure, also i finished across the spiderverse and im thinking of writing something about miles or gwen <;33

Raph:

At first he didn’t know what to make of you

He’d heard folktales from Splinter about kitsune and how they were tricksters

So since childhood, he’s had an unconscious suspicion of them

He was proven wrong when he met you

He’d constantly comb through your fur, making sure its in perfect condition

PRAISES.YOU.CONSTANTLY 

Talks about your beauty, both human and kitsune form

You would play small tricks on him when you could

Small things like rearranging his room or stealing his mask

He still loves you tho 

Donnie:

Same with raph, he was perplexed and a bit threatened at your presence

I mean, you were attractive and intelligent, what’s there not to be threatened by? 

At first, he spent time with you just to learn about you

Your culture, wisdom, intelligence; everything that he could get his hands on

Eventually, he stopped asking less about your culture and more about you

Your likes, dislikes, favourite foods 

He’d play it off as learning more about your species

But it was painfully obvious it was anything but

Since donnie doesn’t like things being arranged without him knowing or small pranks, you’ve distanced yourself from doing so

If any of his brothers walk into his room at any given time, 8 times out of 10, you would always be sleeping his in bed, plain as the eye can see

sometimes you'd both have late-nights where you would tell the 'accurate' version of local folktales that donnie’s heard of

He even made you a special fan complete with fast cooling and recharge speed

overall, you’d can rest assure that he appreciates you and you appreciate him back

Mikey:

Oh. Oh.

When he first meets you, he immediately has puppy dog eyes

He’s so enamoured by your beauty and complimented you constantly 

You became bashful with all the praise he was offering 

It calmed down, of course, but never stopped

Drawings, sketches, even paintings of you 

You even told him that he was ‘the only artist to capture your true essence’ 

Of course that elevates his ego, only slightly

Oh, and pray for any poor soul that even slightly insults you

They will be chewed out to hell and back

He always puts you on this pedestal, and you weren’t complaining

April

oh buddy boy

you thought she was a nervous wreck when she met sunita?

this was on a whole 'nother level

would brag to you about her adventures to try and impress you

but those brags would include a whole lot of stammering and side-glances to see if it was working

of course, you'd chuckle when she would tell those stories

which only made her more nervous and more flustered!

melts whenever you transform into your fox form and rest in her lap

styles your fur into intricate hairstyles and unique patterns

cherises you forever <333

#rottmnt #rottmnt x reader #rise april #rise mikey #rise donnie #rise raph #rise of the tmnt #rise of the teenage mutant ninja turtles #rise x reader #tmnt x reader

[candy8448]

Photo (for the one word prompt)

Used a fic idea i had since i basically joined this fandom but never wrote so i got carried away and wrote 1580 words 0.0

This fic idea came to me when playing totk for the first time when it first came out, i took a photo of the old champions photo and put it in the gallery of my new house

Get ready for some fluff! (From me? I know, shocking!)

Send me a one word writing prompt

"And this room, i actually made with you guys in mind... i didn't have space for full beds but those mattresses are a lot comfier than a sleeping roll. Sometimes i even prefered sleeping in here than in my own bedroom," imagining that i was still with you lot, he left out. Wild turned back to the chain as he finished showing them around his new home. Twilight glanced around, noting something,

"Where is the champions photo? I thought of all things you would want to bring, it would be that?"

Wild tried to hide his upset expression, "well, Zelda kept it... and she is the one with all the real memories of them... so its okay"

He tried not to think about losing the champions photo, but he couldnt help but think it was like loosing them all over again. Still, nothing would come from burdening the chain with his emotions.

---------------------

The next day, while Wild was out running errands, Legend burst into their shared room on the top floor, canvas and paints in his arms, dumping them on the table in the center of the room,

"We're painting him a new one."

"What?"

"You saw how sad he looked when he didn't have the champion's photo; we are repainting him a new one"

Warriors grinned at the vet, "wow, didn't know you were soft, collector."

That earned a glare, "You never know when you could lose someone, sometimes you need something to keep their memory alive, like a song, or a picture."

A few of them nodded in agreement.

"Right, who's doing what?" Time said as they all gathered around the table.

Wind's hand shot up first, "ooh, OOH! I can draw! Let me draw it!"

Legend looked at him, "okay, you do the sketch and i do the painting, BUT im gonna check over the sketch before we're done" ever the perfectionist.

Sky nudged Four, "bet we can make a pretty good frame eh?" Four grinned back and nodded, running off to find somewhere he could start.

Roles were assigned to each member: Four and Sky would work on a frame, Wind would sketch and Legend would paint, Warriors would find Flora and ask to borrow the original photo as reference, Time would also go with him to learn more about the champions, and finally, Hyrule and Twilight, having no artistic skill and being the closest to their cook would distract Wild until the painting was finished. It was a good plan, and they began too work.

---------------------

Legend and Wind sat in the top room all day, Wind was getting frustrated at how the sketch was just not looking right, Legend came to pull the pencil away,

"No you do it like this!" He said, rubbing out a piece of the drawing and sketching it on himself. Wind's eyes widened in understanding, and he grabbed the pencil again, fixing up other similar mistakes. Legend noted that the rito happened to look the best and he had to wonder if that was because it was the only race outside of hylians he had a lot of experience with. Wind noticed the same thing. He almost felt the spirit of the rito looking smug as he pridefully gloated on the others, and Wind giggled.

---------------------

"It's really nice you're doing this for him, i wasn't aware that he would feel upset that i kept the photo. I thought he would come and tell me if something was upsetting him," Flora said as they sat around the table in her own house in Hateno village. Warriors and Time had told Wild that they wanted to speak to her and Wild, being unsuspecting at the two 'leaders' of the group wanting to gather information, called Zelda over with the Purah Pad. She had teleported to them with the old Sheika Slate and Warriors couldn't help but gape at the glowing blue antlers and her purple and blue eyes. Zelda then proceded to take them to her house once they told her they wanted to speak to her in private, much to the displeasure of Wild, who wanted her nearby to make sure she was safe, not that anyone could blame him.

Time smiled at her, "well, hiding one's emotions do seem to come with the hero's spirit"

She nodded uncertainly.

Wars drew the girl's attention, "Can you tell us about the champions? Our friends Sky and Four would like to make a frame and were hoping to make it something special."

---------------------

Wild excitedly showed them around Tarrey town and was pulling Twilight and Hyrule along with him. When wild came running back to the house, Twilight first asked to have help with Epona, but because the house stable was already occupied, they had to go to the nearest stable. Hyrule also tagged along, hoping to use up time exploring once Wild's attention would eventually shift from horses to something else. Twilight was currently just following behind them, trying to catch up to the duo and making sure they didn't get hurt.

Wild had decided that it was a good idea to dive off the side of the town and into the water to reach the construction grounds. Twilight tried to stop him but the champion, as slippery as he is, got past him, already with his shirt off and shouting as he went down, followed by a massive splash that almost reached up to them. Twilight sighed and turned around, only to see Hyrule missing from his side. The traveler's laughter joined Wild's own as he knelt on the moving tracks platform and waved at him, Wild waving back as he swam to shore. Twilight sighed harder but smiled, at least his brother seemed in a better mood.

---------------------

Sky hummed to the rythm of Four's hammer hitting metal. The skyloftian had decided to join the smithy in the forge to spend time with him. The carving in his hands would theoretically slot into what four was making, the metal to hold the canvas in place and the wood for the details. Sky used what Warriors and the old man had relayed to them from Flora to create intricate markings which he hoped represented the champions. Four hammered away, joining his humming with his own layer to the tune until he stopped hammering and looked at his work, "how does that look?" He asked, sky stood up, halfing his unfinished piece nearby and comparing the two, looking at the but where the two would slide in together, "it looks great!"

---------------------

Hyrule excitedly dragged Wild to the top room by his arms. When the champion saw everyone in the room he looked confused, waiting for an answer. "We made something for you" Wind said, ushering him to the table.

Wild walked up to the table to see a canvas resting on it, one with a very familiar image. His breath hitched in his throat as he silently.

It was almost identical to the original image, the champions photo, but newer. Everone in the image looked perfect, careful strokes of paint marking out their individual features. Wild sniffled as he inspected the frame. Wood and metal worked into eachother. The metal sides of the frame had the words "champions ballad" indented in his hylian. The wooden sides had carvings, depicting the four regions the champions came from, it also had things which he knew the champions loved from his scattered memories. There were indentations of more things, and Wild wondered where they got this information from. The frame was detailed, he could also see where the wood and metal intertwined with one another. There were no carvings of the divine beasts, Wild noticed suddenly, no marks of duty; just six friends, together and happy.

Wild worlessly looked up at his traveling companions, and only now noticed the river of tears running down his face.

Twilight stepped forwards, offering Wild a tissue, "legend was the one who suggested we do this because we saw how sad you were about not having the original. He and Wind sketched and painted it. Wars and Time got the original image from Flora and learned about the champions for the details on the frame, which Sky and Four both made. Hyrule and I were distracting you so it could be a surprise"

Wild sniffed, happy tears overflowing him, "th-thank you guys, it really means a lot" his voice cracked, "i-um... can we take a new one? With all of us? If you dont mind" he stuttered.

---------------------

Flora held the Purah Pad, looking through the lens. She called out, telling everyone to move around and making sure they were in shot, "Time, move down, yeah like Warriors, you might not be that tall but you are still out of shot" laugheter errupted out of the others, the old man deadpanned before his face returned to his smile. Flora decided to take advantage of everyone's laughing faces, "Ready?" She giggled, borrowing Purah's iconic phrase "Click-" Twilight grinned mischieviously, "-snap!" And pulled everyone in suddenly with his strong arms.

The image was put up next to the champions painting on the top floor where they all slept. Wild took a step back, smiling softly. Everyone had a mixture of shocked and laughing faces, Wild himself, in the middle with a beaming smile and a tear running down his cheek...

Ao3 (oneshot collection)

Ao3 (the fic on its own)

I have notes and headcanons featured in this fic in the end notes of both of the Ao3 versions

Hope you enjoyed! :)

#i do a little fanfic #these prompts are good at getting me to finally write up my ideas #the legend of zelda #loz #linked universe #lu #lu wild #lu fic #loz fic #fluff #comfort #totk #tears of the kingdom #loz totk #loz tears of the kingdom #lu flora #lu chain #lu sky #lu four #lu time #lu legend #lu hyrule #lu warriors #lu wind #lu twilight

[sqwdkllr]

would you be willing to share how you do your lineart / coloring / rendering with the specific brushes?? i have a learning disability, and have trouble finding any art tutorials that give in depth explanations to what brushes they use for a specific outcome. anything can help, thank you! - 🥬

Long post time. 🍴

okay so most, if not ALL, of the tricks are hidden in the way i color and organize myself (more like lack of as you will see in the image above) the brush i have been using currently is called the flat brush, and is not a custom brush, just add like 50 percent stabilization to it and 0% jitter and its the same as mine ! promise !! after you do your flat colors you might think "huh my colors look a bit too dull but i wanted them to give a warmer tone" WELL I HAVE THE MOST AMAZING TOOL THAT PROCREATE HAS TO OFFER. The little wand at the top next to the wrench, click that and go to curves. make sure you are on the layer where all your duplicate flat colors + lineart are and mess around it. I always do this to make my colors fit what im trying to go for. super super useful !!

as for the brushes, i only tend to stick to 1 for an entire drawing but here is a list in the ways i find them more useful in just in case The brushes (all are default with only stabilization changes) - Mercury brush: quick easy way to color pick and render, texture of pastel sticks - Syrup brush: crisp lineart super clean and high sensitivity to pen pressure, texture of pixels very digital - Dry Ink: sketch and loose drawings, texture of a crayon - Flat Brush: lineart and color blending and an all around multiple use brush - Soft Brush: i only really use this to get gradients occasionally

OKAY LAST THING !! Make your canvas BIG. I make mine very very big, here are a few of the examples of the kinds of canvas sizes I use, trust me it DOES make a difference on the brushes and just in general. (Ignore the paper + face paint one I never use those lol)

OKAY SUPER LONG POST BUT I HOPE THIS HELPS SORRY IF THIS IS STILL CONFUSING

#long post #ask #anon #faq

[llvmos]

"Hi, could you make a fic where Dalton lambert where he teaches the reader to draw, and one of these days she draws a drawing of him"

This was requested by @daltonshotgf!

A/n: I finally finished this even though it took forever. I decided to make this multiple parts just so i could include the progress of the readers drawing ability. Im thinking maybe this will be 3-4 parts but im not entirely sure. (I dont own any gifs used in my fics)

Warnings: gn!reader (but reader is Chris' roommate), use of y/n, i think thats it.

Word count: 1.6k

!Not proofread!

I’ll teach you. — Dalton Lambert

Everyday, you would let yourself into Dalton’s dorm while he was at class and wait for him to come back to his dorm.

This wasn’t a new thing. Ever since you and Dalton met, due to you being Chris’ new roommate, you guys instantly connected and its like you had known each other for forever. Since Chris still had the key to Dalton dorm from when they were roomed together, she would let you borrow it if you ever wanted to.

You started coming over before he got back from class so now he just expects you to be there. If you aren’t at his dorm when he gets home from school, he will text you and ask where you are. It has become a routine in which you both follow.

Today, Dalton gets back to his dorm from class at 3:15. So, following routine, you let yourself into his dorm at 2:45, 30 minutes before he gets back.

You try to find ways to entertain yourself. Playing on your phone, listening to music, watching Netflix, but everything bored you out so quickly.

You look around his dorm and noticed the clothes, papers, and artwork scattered everywhere around his room.

You let out an audible sigh as you stand up and start to pickup the clothes and set them in his laundry hamper, pick up the papers and set them on his desk, and organize his artwork, notably because cautious of the not yet dry painting of what looks to be a door.

You start to pick up the various drawings and take a look at each one. You notice his pattern of his drawings being people. Specifically, people that are important to him. As you flip through the drawings, you recognize his mom, brother, and his grandma, all of which you’ve seen in pictures and other drawings that are hanging above his bed.

You notice the immense amount of detail Dalton has put into these drawings. It seems as though he had thoughtfully placed each and every freckle and eyelash.

While you look at the drawings, you cant help but wish that you could’ve been blessed with such talent.

You continue to admire the drawings when you hear the door of the dorm open.

“I’m back.” Dalton states as he sets down his portfolio as he shuts the door.

“I see that.” You respond, as you set the sketches down on his desks.

Dalton looks around his room, noticing the cleanliness of his room. You see him looking around, looking a bit confused.

“I got bored here alone so i cleaned your room for you, like the good friend i am”

“And somehow you manage to make my room look better than when I clean it. ” He chuckles a little as he sits on his bed, looking at you still picking up random things off the floor.

“That’s not very hard to do, Dalton.” You say with a sarcastic tone.

“Well, if you enjoy cleaning my room for me, be my guest. Less work for me.”

You continue cleaning as you think about how good his drawings are. Part of you wants to ask him to teach you but you think he probably doesn’t have the time for that. You look at him and notice that hes on his phone, probably texting Chris.

“How did you learn to draw so well?” You ask, suddenly.

“I don’t know. I guess i just practiced and overtime it got better. I used to draw a lot when I was little.”

You pick up the last shirt and set it in the hamper. Then, you go to sit on what used to be Chris’ bed.

“I’ve always wanted to learn how to draw, but I think with my lack of talent, im hopeless.”

“You’re not hopeless…maybe.”

You fake gasp as you walk over to him and sit down next to him on his bed.

“I’m so very offended.”

“I don’t know why. You said you were hopeless first.” He looks back at you with a slight smile on his face.

You look at him as you back track on the conversation.

“I did, didn’t I?”

“Yes. You did.”

“Oh. Well what i’m trying to get at is if you will teach me how to draw.”

He looks you and acts like he is thinking about it, when really he would want nothing more than to teach you one of the things he loves doing most.

“Mmm. Sure.”

You’re heart jumps as you think about him teaching you.

“Really?”

“Yeah, ill teach you. You don’t seem too hopeless.”

You roll your eyes at him before he continues.

“You want to start now? I don’t have anything to do for a while.”

“Yes, yes.” You say quickly, sounding almost too eager.

He grabs his sketch book and sits down on the ground. You follow after him.

As he starts explaining drawing and art to you, you start to notice all the light freckles that scatter his nose, one freckle that is placed below his right eye appearing slightly darker.

You notice the way his hair falls in front of his face when he looks down at his sketchbook.

You notice the way his lips move when he talks.

You notice how he smiles when he talks about one of the things he most passionate about.

But what you didn’t notice is that he had asked you something.

“You got all that?” He looks back up at you from his sketch book.

You look down at his paper and see that he has some sort of shape that resembles somebodies jawline.

“Yeah…” You say with an unsure tone of voice.

“You didn’t draw anything.” He looks down at the piece of paper he handed you and sees its still blank.

In fact, you didn’t even realize he had given you a piece of paper.

“Oh, yeah, sorry.” You grab the pencil you had next to you and try to copy what he has on his paper, but no where near matching it.

He looks at the paper you had drawn on and sighs as he looks at the 3 lines you had drawn.

“Okay, lets try something different.” He says as he goes to sit next to you instead of across from you.

He grabs your hand along with the pencil as he guides your hand where to go. You feel your heartbeat speed up at the unexpected contact. The only thing you could think of was how his hand would feel casually holding yours. How it would feel resting on your waist as you kissed him.

All of these thoughts were all hitting you at once. You had never thought of Dalton in a more-than-friendly way. So why were you thinking of him like that now? Was it just your mind confusing a close friendship with romantic feelings? Or was there something there?

Once he had sketched out a similar pattern to what was on his paper, he lets go.

“There you go.” He smiles.

You don’t say anything as you smile back.

He disregards your silence and continues on with his teaching.

“Okay, so, you’re going to sketch out the features. I cant help you with that since that’s probably one of the most difficult parts.”

He offers to basically hold your hand again. But it was only to teach you what you asked him to teach you. Right?

“Ill try it myself.” You say to try and avoid anymore physical contact with Dalton.

“Yeah, I don’t think i can draw.” You say with a laugh as you try to sketch out the first eye.

“Here, let me show you a trick.”

He brings his paper over to yours and tells her the trick that helped him learn how to draw symmetrical and proportional facial features.

“Now you try it on your paper.” He hands you the pencil back and looks at you as you try to draw the features.

—

After 2 hours of drawing back and for and little side conversations, its hits 5:45. Your hand was cramping, and your legs were numb from sitting in the same position for so long.

“My hand hurts, Dalton. I don’t want to draw anymore.” You whine out.

“Fineee, we can finish it tomorrow.” He says as he stands up and sets his sketchbook on his bed.

“Yes, tomorrow. I just need to stand up and walk.” You say as you try to stand without falling over.

You pick up the piece of paper you had been drawing on. You weren’t aware of who you were drawing, but you were just drawing whatever Dalton told you to.

“I’m gonna go back to my dorm. Chris should be there by now.” You grab your bag and the drink you had brought with you there.

“Alright, Ill see you tomorrow though, right?” He says as stands up and walks towards you.

“Of course, you see me everyday.” You laugh as you guys pull each other into a hug.

Even though you guys have hugged a million times before, this one was different. Maybe it was his hand placement, or maybe it was just the thoughts you had before, or just maybe it was the fact it lingered a little longer than previous hugs. But whatever it was instantly made your heart race and your face grow pink.

Dalton pulls away as he smiles as you.

“Well, ill see you tomorrow then.” His hand is still laying on your hip.

“Yeah, of course.” You open the door and walk out into the hallway.

“Bye.” You smile at him as you see him walking back towards the bed with his hand in his hair.

He swiftly turns and looks at you.

“Bye.”

#llvmos #dalton lambert #fanfic #insidious #dalton lambert x reader #insidious the red door #ty simpkins #insidious 5 #fluff #i dont know what im doing tbh #how to people write fanfiction everyday?

[hellspawnmotel]

I love your art!! I really admire your work and I love your deltarune fanart, especially how you draw noelle :) whenever I look at your art I always feel like you have such a firm grasp on anatomy and all your drawings feel like they really exist in 3d space, and i love how the characters in your drawings are shaped :0 do you have any tips for a learning artist?

well gosh, after you buttering me up like that, how can i refuse? (jk but in all serious, thank you so much this is SO sweet) anyway, let's see, tips..... (this ended up turning into a whole tutorial lmao)

so one thing you'll hear a lot of artists say is to start with a warm up first, but not a lot about what "warming up" actually means. some people take that to mean they have to start with a whole other drawing, personally i find that takes away too much energy and i end up spending way more time on it than i want to. i like doodling little cubes and cylinders, but if i have something to color sometimes i just do that to warm up. whatever works for you best, just anything to get your hand used to the motion of drawing.

for starting the actual drawing it really is important to begin with a line of action. think of it as a basic guideline for how you want to pose a character. it will help the pose flow better, trust me. (im going to draw noelle bc obviously im pretty used to that)

some artists start with just the line, i like to do the guide for the head first and then the line, whatever

you dont absolutely have to follow the line for your pose btw its just good to have an idea of what youre doing before you do it

after that is when you start worrying about shapes, usually. an important thing to remember when drawing is that absolutely everything is made of shapes, first and foremost. humans, animals, objects, drawing anything starts with shapes. circles squares and triangles. this goes for drawing from life too! it's why you want to start with a light pencil or a sketch layer cuz this is the stuff youre gonna erase later, but it's essentially the skeleton of your drawing

btw, i give noelle a very basic "average thin teenage girl" figure but it's good to practice other body types too and learn what shapes work best for drawing those

you mightve heard the advice to "draw the person nude first and then draw the clothes on top of them" and that's only partially true- it's good to know what the shape of the body is before you dive in with the clothes but you dont have to do like, a whole nude model first. you just need enough to understand how the fabric is going to fall on the body

also, and this is sort of off-topic, but when it comes to clothes its good to understand how different fabric works and how it's going to react to a body underneath it. some fabric clings, some is very loose, some is thin and some is thick. basically what im saying is that you dont have to shrink-wrap the clothing to the body, especially when it comes to a character with breasts or anything else that sticks out. thats a mistake a lot of beginner artists make. in this case, noelle's robe is very loose but i still want it to conform to her body a little bit so the pose isn't totally lost

aaaaand there ya go! after all that is when im ready to actually draw the dang thing. you can tell if you look close that i didnt totally follow the guidelines i made for myself, and that's okay. for example i tend to almost always draw the head too small and then have to enlarge it afterwards. one of the perks of being a digital artist is i can make mistakes and not have to re-do the whole drawing to fix them.

one other thing as to how to get better at actually drawing the body right in the first place- FIGURE DRAWING! as cliche as it might sound it really helps. it's best to draw from life, but if you can't get into a class for it there are plenty of websites out there with good photography of nude models. i also reference a lot of my poses from those websites, or sometimes from videos of figure skating or ballet if i think the situation calls for it.

this is a good website for figure drawing practice- it lets you set a timer so you can practice getting a pose down quickly or spend a lot of time on one model, your choice

also, yknow, always make sure you're having fun and dont stress out too much about whether what youre drawing looks good. the more you draw, the better, and don't think you have to post everything to social media if you dont want to. draw for yourself first and foremost and observe from life and artists you admire what you WANT to draw and want to get better at, and what looks like fun. that's the most important part

#(im doing this to avoid having to write something else dont tell anyone) #i have no idea if this is a good tutorial or not or if its all stuff you already know #im basically parroting what i was taught in art school. so you dont have to go to art school

[choccy-milky]

This is so random, but I just want to send this message to give you your flowers. You’re such a great person to see in this fandom! Besides your art and writing, your genuine personality is just great to see! Your art is so well done and cute, and I can see actual improvement from your earlier posts from a while ago. Also, your writing is great, but I feel like you capture all the characters perfectly! I find so many fanfics out there about Sebastian that tend to overuse the “bad boy” persona; it’s like he’s a whole different person. However, you seem to execute it just the right way that relates to his character well! One of my favorite parts about you is seeing how kind and descriptive you are to people wanting to learn to draw like you! No matter who it is, you always gave the person the time of your day to give such detail on how to start drawing, and your encouragement is so kind! I hope one day I can learn to at least do decent sketches to be a content creator alongside you in this fandom, and we can share silly drawings.

GRRRRhdjehjhsshjahajww THANK YOU!!!!??😭😭!!! THIS LEGIT MADE MY WEEK😭💖💖and maybe its bc i read it at like 5am but it almost made me tear up SBAHAHAHA🥹 fr..... im so glad u like my fic and my portrayal of seb and my art and also that i can inspire u to start creating!! (tho if ur referring to the advice i was giving on twitter i still feel bad that i cant give much better advice than just 'keep at it and practice'💀mostly) BUT OFC!!IF U EVER DO END UP DOING SKETCHES, FEEL FREE TO SEND EM 💖ID LOVE TO SEE THEM AND SHARE SILLY DRAWINGS!! 💖 THANK YOU AGAIN, AND I HOPE U KEEP ENJOYING MY FIC AND MY ART😭😭

#ask #I HAVENT POSTED IN LIKE LESS THAN A WEEK AND IM ALREADY FEELING ANTSY I HAVE HALLOWEEN DOODLES COMING UP (ACTUAL HALLOWEEN ONES THIS TIME) #i have a deadline at work for the 25th tho which sucks grrrr HATE WORKING WISH I DIDNT HAVE TO WORK🤬 🤬 #but hm....................................money

[alicenpai]

art thoughts lately!! particularly about con prep ..

- i am getting tired of drawing chibis during con prep season 😔 like i mentioned before, i think im "good" at drawing them, but they are kind of uninteresting to draw. and i get bored after a while! i think that's why charms burn me out so fast. luckily my last "specialty" merch design was just submitted so . i can move on to prints and other designs now

- i still like designing charms but i think i might try portrait charms. which means that like . my charm catalogue will cover a less broad range of fandoms (?) bc portraits will take a lot more work + harder to draw characters i don't know well

- might also still do buttons bc i like the idea of having low cost options on my table (i.e. canadian con goers tend to have a lower purchasing power?) although i think i may have been under charging...... i might have to raise the price by a few cents, because again, they do take time to draw. i put unnecessary amounts of detailing in them . it sparks joy ok 😔 anything priced under like. $10 (?) will be a low cost merch option and i like the idea of still having my art be "accessible" and not just like. having $15-20 charms and prints

- i also want to lean more into like. stickers in the style of the baccano sheet i drew last year! i think it's a lot of fun to interpret a favourite series in this graphic design style. a lot of work and research but yeah

- i hate lineart again so it might be time to learn how to clean sketches again

- might also be time to crank out the chisel brushes again - whenever i see artists using the chisel brush it makes me miss my 2017-18 era art sm .... there's such a delicious flow in chisel brushes .. part of the reason i stopped using them is 1. i was getting tired of using the brush (though i think my 2019 art was a bit tame compared to the previous year), and 2. complications on my computer with photoshop and then having to move on to clip. i can't replicate the tilt sensitivity of my ps brushes (specifically the helen chen brushes) in clip ^__T so i had to learn to wield another set of favourite brushes. i know clip also has chisel brushes but this one was my favourite aughhgh. will have to dive into the brush settings window for like 2 hours again ..

- overall, im really looking forward to stickers and prints the most! esp prints! i have a greater vision of what i want to capture in my art, after doing the Halloween piece and the pandora hearts twin mirrors piece. i want to push my art in a more illustrative direction (thank you miss shirahama kamome of witch hat atelier you have changed my life), if it works out. ill definitely have to toss the old prints that don't suit my style anymore, though ill see about doing a "last call" to see if anyone wants em during anime north 🤔 if not they will be recycled hehe

#diary #i can't sleep so im gonna type my thoughts into the void 😔

[kidovna]

Sorry if it's been asked already (I always ask this to people with really cool artstyles so I mightve asked you myself already and straight up forgot LOL) but I was wondering, do you have any advice/tips/tutorials for drawing full bodies?

I just think you have a really cool artstyle and ive always struggled making fanart (other than semi-realistic screencap redraws) because I still have to learn how to stylise full bodies😅 (faces too but those im a bit better at).

Anyway, ive also been following u since your scorbus era and it's been so cool to see all the growth and different fandoms youve gone through! (I myself am a big byler🫡).

Sorry this is long, have a nice day/night🥰 and feel free to ignore this if you want, no worries!

answering both of this together because i feel like my answer is going to be similar to both of them:

keep live/quick sketching people and poses! it’s a fantastic way to practice anatomy and when you speed up your process, it helps you figure out how full bodies look in your style because it’s your immediate instinct to draw a certain way! you don’t even need a live model to pose for you. the internet is full of incredible images and stock photos that are always fun to sketch. If you’d like a place to start, Adorka Stock is a deviant art page full of stock references made for artists.

I’m always and forever an advocate for quick sketching because when I started doing live sketches about a year ago they looked like this:

And these are my sketches from a couple of months ago:

The difference may not be massive to most people but I feel like my grasp on anatomy AND my line weight has improved drastically since. I feel more confident going into a piece knowing what the poses are going to be like in my head.

Apart from that, it’s normally widely accepted to reference poses for your art as long as you’re not tracing over someone else’s work. my favourite thing to do is self reference with photos or a mirror because then i can get exactly the pose that i want.

I hope this helped!

#I’m sorry this took forever to answer #I haven’t been able to keep up with everything bc of life and I just opened my drafts and saw this half answered ask #anonymous #willtheartist #tutorials