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whencartoonsruletheworld · 1 year

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funniest disney history facts i can think of atm

literally EVERYBODY thought the lion king was gonna flop and pocahontas would be their greatest movie ever made. people begged to ditch lion king and work on pocahontas.

the reason robin hood ends so abruptly is that there was an actual ending planned and storyboarded but the crew spent too long arguing about everyone’s fursonas to finish animating it

madam mim was way less comedic in the original book but because her character was too similar to maleficent (who was in their latest film at the time), the sword and the stone crew decided to differentiate her by making her fucking hilarious

when making a goofy movie, jeffrey katzenberg (studio chairman at the time) told bill farmer to give goofy “a normal voice.” farmer, who had been voicing goofy for eight years at that point, including in the goof troop show that a goofy movie was a sequel to, was very confused. after making an attempt they decided to scrap that note completely.

as of march 2023, farmer is still voicing goofy, and tony anselmo has been voicing donald since 1986. the 2017 reboot of ducktales, which was slated as “wanting to do for donald what goofy movie did for goofy,” featured both actors as those characters; they had also been doing the voices for the original ducktales and goof troop/goofy movie. all the times goofy and donald interact in the 2017 ducktales however, donald was voiced by guest star don cheadle as a joke

current voice of mickey mouse bret iwan has stated that he has attempted to play kingdom hearts and did not do well

disneyland’s current world of color halloween overlay features a plot that is basically “the disney villains simultaneously adopt a goth kid” and i love it

people will make jokes about “well math says that the beast would’ve been 11 when he was cursed” well that was actually the original intent, but a flashback scene of baby beast was scrapped because he looked “too much like eddie munster”

when disney sent a representative to pixar to check on toy story production, she was like “this is all great! what style of music are you thinking” and they were like “for what” “for the songs” “we uh. we weren’t gonna have. any songs” and she went dead silent and then went “i have to make a call” and left the room

saludos amigos and the three caballeros were made as ww2 propaganda. the government commissioned disney to make movies to make latin america like them so that they wouldnt side with the nazis and provide them an in to invade, and latin america really liked donald duck so

saludos amigos was apparently the first time many usamericans realized that latin american people were like. people. film historian alfred charles richard jr said that the film “did more to cement a community of interest between peoples of the americas in a few months than the state department had in fifty years”

while latin america generally liked both films, chilean cartoonist rené rios boettiger fucking hated the chilean segment of saludos amigos, seeing the main character of pedro the plane as a weakass bitch, so in response he created condorito, the most popular comic character in all of latin america

disney wanted to adapt ts eliot’s old possum’s book of practical cats. his widow adamantly refused, and then sold the rights to andrew lloyd webber bc he wanted to make it sexy and she said “tom would’ve liked that”

in case you haven’t seen the defunctland, walt disney wanted epcot to be a futuristic utopia where he was basically the dictator. then he died so they just made it another theme park

speaking of defunctland the first defunctland video was on disneyworld’s alien attraction and please watch it. please it’s so funny

after the huge failure of the black cauldron disney was going to shut down its animation department. the department tried to convince them to keep them alive by showing them the one scene they had finished for the next movie– the mouse burlesque from the great mouse detective. it worked

the only attraction the black cauldron ever got was in tokyo disneyland where they put a tour under cinderella’s castle where everyone had to escape the disney villains trying to kill them, only to end at the horned king and the cauldron, who would try to sacrifice them to satan. this tour was popular but was closed in the early 2000s as the tunnels didn’t fit earthquake regulations and i want it in disneyworld so bad

walt disney once referred to his unionizing workers, led by goofy’s creator art babbitt, as “commie sons of bitches,” and i want a mickey build-a-bear that calls me a commie son-of-a-bitch whenever i squeeze its paw

#disney #disney history #mine

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monkey-wrench-zeurel · 4 months

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In the effort to be as transparent as possible with animation fun stuff, here's a pie chart breakdown for the costs for Ep 3 of Monkey Wrench. (which is out VERY SOON)

I'm able to do all the storyboards, designs and backgrounds and a majority of the animation myself (because I'm insane), if I were unable to do so then costs could EASILY burst past $100K+

The sad reality of the situation is;

Money = Thing getting made.

No money = Thing not getting made.

So please, if you're able, support indie projects if you want to see new interesting stories come to life.

#indie animation #2d animation #monkey wrench #support indie creators #the cost of making an episode of something #god i hate money

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bibluebutterfly · 4 months

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Okay so I’m taking a risk here by talking about StaticMoth (as some fans will come at your throat if it’s mentioned), but let’s do it since I discovered something interesting.

The main thing being, I noticed that throughout these last few months, there has been a steady rise in StaticMoth fanart (which would make sense as StaticMoth has gotten a lot more shippers since the Instas were confirmed as noncanon), with Viv herself liking the more comedic/wholesome pieces.

Then upon closer inspection (aka, seeing one specific artist pop up constantly and finally deciding to check her profile), I realized that the Animation Director for Hazbin and Helluva has a LOT of their own StaticMoth fanart, with Viv even sometimes commenting on it.

So I’m now beginning to suspect that StaticMoth will NOT be as abusive as we were initially led to believe.

Check it out

(Smiles is the animation director for Hazbin and Joel is Val’s VA, just to be clear) that, and if you check this account you’ll see that they are all a BIG VoxVal fans, and Smiles also mentions how she worked with them a LOT in the show.

Now call me crazy, but I don’t think this woman, or any of them would ship StaticMoth as hard as they do if one was abusive and the other wanted to get away from them. And since the art that Viv likes is actually really sweet at times, I think that StaticMoth will actually be a functional couple.

I mean they also get a playmat and the only couples who get playmats are the canon functional/going to be functional couples (ie. Chaggie, Stolitz, M&M, and Fizzarozzie)

Also while I’m at it I may as well mention that they WERE included in her Valentines post. And in that gif, we have Vox is smiling evily at Val while he isn’t looking. That doesn’t really scream “abuse!!” to me.

Ironically, the last time I saw behavior like this from the team (Viv liking fan art, animators and storyboard artists making their own cute fan art, playmats before canon, etc), it was about Fizzarozzie, and they turned out to be the healthiest couple on the show.

Coincidence? I think not. (Art below is done by Hunter B, a storyboard revisionist and Vivziepop herself)

Now don’t get me wrong, I DONT think that they will be in any way healthy, but I don’t think it will be abusive. Or if it turns out Val does hit Vox to the point of breaking his screen, I think Vox will in return rip his arm out. If they’re abusive, it will be on both ends.

And since Vox has been appearing more in trailers and promos than Val, I think he will be the bigger, more prominent character. And it has been confirmed by many that Vox will very much be as bad as Val. He’s the most powerful the the Vees, and is clearly the head of the group. At the very least, I highly, HIGHLY doubt he will be the uwu babygirl that some fans think.

I think StaticMoth will have a “evil couple” vibe where they probably aren’t head over heels, (their one true loves will almost definitely be money and themselves), but they have a blast bringing other people down together. They will be equally awful, we’ll hate them, but we will LOVE to hate them.

Or I’m dead wrong, and this post will age like milk.

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tapakah0 · 2 months

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Animation commission I guess...

Um... ha-ha, okay, it has been stuck in my head for the whole month, but if I will keep it any more I will explode, I need to busy my brain even more I'd like to take an animation commission. Like, a fully colored, shaded, with lightning, with in-betweens, with the clean line (and background). Up to 5 seconds depending on what you want to get I guess the price may start from 250$ and be higher or less depending on complexity of the details, character or movement (<- of course everything will be negotiated) I never took such commissions before so please be patient with me since I might spend even months ha-ha (really wanna beat this fear of taking something more complex) But I will do my best since it will be first experimental time for me 1. Payment via Boosty after acceptance of the sketch animation (very rough idea) 2. I think I can draw mostly anything (but won't 18+, guro and I can decline something if I feel like I will not like to do it) 3. You must have a reference of the character, I'm not ready to work with something that doesn't have a ref to start working right away 4. Please, properly think of what you'd like to see, I will not make 3 different rough animations of different ideas because you suddenly had another idea ;~;; 5. Note me in dms if you'd like to take commission... (I'd like to move to discord later since it's more comfortable in here) Uh... I have only this as a more or less proper example (it was based on amazing storyboard by yeye23)

Okay, I'll just leave it here if someone really will be interested and will delete if it if it will be decided.... I just feel like my brain is dying if I don't have an enjoyable/stressful more complicated work on a side that demands an attention from me. Have a nice day

#I just...#I have what to do #Plenty of what to do #But it doesn't stress me enough to make my brain work #Such kind of commissions give me both a boost of work and enjoyment because of the process #So... yeah ah my brain is very much lacking it right now #And I think it will be interesting to finally do something complicated again but more properly #from the very beginning #I need an experience while I have time to pay attention to it #commission #I'm still not very confident to take money for these kind of works so I need to understand what pricing is okay for what I'm able to do wit #animation...#*opens the door*#*leaves the stage*#hahhh my dear life why did you give me such a lazy brain...

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futuristicmiraclenightmare · 9 months

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Megatron : *leaves the decepticons for 15 years and begins his redemption arc to atone for the crimes he had done in the past*

What the "evil" Decepticons that served under him are doing nowadays :

Yes I know the Soundwave and Shockwave ones are storyboard but I still say it counts.

I find it funny how the minute Megatron left all the decepticons became soft, now they're just out doing whatever they want and just being silly.

It'd be pretty interesting to see some geniunely bad decepticons again maybe they'll arrive from space? Scourge? scorponok? Tarn? Overlord? Because the main decepticons seemed to have given up their old ways, the entire decepticon high command got a seemingly redemption. So if they do come back I wish they won't give Overlord or Tarn a redemption because some villains are just better off as bad, especially Overlord.

Cyclonus I can accept for a redemption arc, I loved his story arc in the lost light, I heard a rumor the mercenaries would be in s2 not sure of the validity of that, but if soundblaster could arrive, someone like jhiaxus could also be interesting

#transformers #transformers earthspark #earthspark #tfe #megatron #starscream #swindle #hardtop #soundwave #shockwave #tarantulas #i actually like the new change #shockwave petting fluffy ears #and Soundwave petting ravage was so adorable #and where was Tarantulas during the finale 😭 nightshade definitely needed their cybertronian mentor to be there #hopefully they'll reunite but I'm sorry I couldn't stop laughing when swindle and soundwave came riding on hardtop like cowboys like wha?#how did they get soundwave to agree to that?#and twitch hugging Starscream was so adorable #I think Megatron would be proud of them

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our-happygirl500-fan · 1 year

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So I’ve been digging around the Turtlepedia wiki, going through old tweets from the team who worked on Rise & watched videos covering the scrapped Rise episodes so this is basically a post going through some of the scrapped season 2 stuff for Rise that I have found:

Rise was first written under the basis of there being three seasons

JJ Conway’s twitter posted an episode guide which showed some of the episodes that were expected to be in season two:

As you can see ‘The Clothes Don’t Make the Turtle’ was one of the last episode that was released that fit the original plan for Season 2 before most of the episodes got scrapped or changed & the Rise team had to rush to finish the series.

Some of the episodes we know the synopsis of while others still remain a mystery the scrapped episodes were listed in order as:

Wedding Smashers:

This episode involves Mikey & Raph going undercover as pretend villains ‘Shady Bug & Dr Rude’ to sneak into Ghost Bear’s Wedding after they accidentally gifted Ghost Bear one of Donnie inventions (a black hole generating toaster) as a wedding gift that they then need to retrieve.

The episode was supposed to introduce the character Ghostpepper, Ghostbear’s fiancé

The episode also brings up some continuity in having the characters be aware that Meatsweats has been missing since the episode Pizza Puffs where he got kidnapped by ‘Shadow fiend’ at the end, I wish this episode hadn’t gotten scrapped because it shows that the Turtles are aware that their enemies are going missing when Big Mama starts kidnapping them for her Battle Nexus New York.

This episode most likely would have shown Ghostbear be kidnapped at the end like how Meatsweats was kidnapped at the end of Pizza Puffs & Hypno was kidnapped at the end of The Clothes Don’t Make the Turtle.

Warren Stone 2:

Donnie: Stand back total stranger we are fighting our greatest foe

April kept the arm that she cut off Warren in ‘Warren & Hypno Sitting in a Tree’ & the arm ended up growing into a second Warren Stone, despite April raising this second worm in secret Warren Stone Two ends up becoming the ‘turtles greatest foe’ after Warren Stone Two captures the Turtles, April & the original Warren Stone team up to save the Turtles & defeat Warren Stone 2

Parts of the episodes storyboards can be found on youtube, a running gag appears to be Mikey referring to Warren as ‘that other worm guy whose not Warren two’

T-Hex

The episode T-Hex covers Mikey desperately wanting a robotic toy but Splinter saying no & Mikey having to sneak the electronic pet into the lair. Though the robot is adorable Mikey learns that it’s not as innocent as it seems & is actually a trap set by Baxter, the episode would have introduced Baxter in an Albearto mech

Psyched Out

Shred Dead Redemption

After the events of Manny Unhappy Returns the Foot Shack has shut down, Foot Lieutenant & Foot Brute open up a cupcake shop selling flaming cupcakes called Fire and Icing which Raph wants to investigate

The episode would have involved the Turtles doing a stakeout, a chase scene & the Foot clan putting themselves at odds with Big Mama as they investigate if her new champion ‘Shadow fiend’ has a connection to the missing Shredder.

The Island of Dr. Noe

Dr. Noe, the evil dentist from Todd Scouts ends up kidnapping Raph & Leo ends up having to lead the team in order to rescue Raph & stop the evil dentist.

Something interesting about this episode is when the Rise team were discussing this scrapped episode it was revealed that Leo wasn’t supposed to become the Leader at the end of Season 2, that’s right the iconic ‘Blue You Are The Leader Now’ wasn’t originally supposed to happen, instead Leo was supposed to be pushed into roles where he had to take charge throughout season 2 & the season would end with Raph & Leo as co-leaders.

Battle Nexus NYC (a full 20 minute episode) which was used in the series as Battle Nexus New York, the main difference between the original plan & the episode we got is that originally instead of Cassandra taking the Shredder from Big Mamma, the Grand Nexus Hotel was supposed to have fallen into the Hidden City with both Big Mamma & Shredder leaving The Foot to have to venture into the hidden city to try & retrieve the Shredder.

Toddler Mutant Ninja Turtles

A Mikey focused episode where a ‘bank robbing immortal jellyfish’ zaps Raph, Leo & Donnie, turning them into Turtle Tots & making Mikey the oldest brother for the episode. The episode is said to be inspired by the 1987 series episode ‘Adventures in Turtle Sitting’

Dog Dale Afternoon

April’s friend Dale who we first see in ‘Hypno! Part Deux’ gets turned into a werewolf by a witch & Donnie & April team up to try & turn him back to normal

Bee Story

Goyles Just Want To Have Fun

Huginn & Muninn reunite with Draxum, only to be confused when they find him working as a lunch server. Not wanting Huggin & Muninn to know how soft he’s gotten since his redemption Draxum begs the Turtles to help him look good in front of his former minions.

Rampagin’ Raph

Mikey & Leo have become more skilled in using their mystic powers making Raph feel left behind so Raph tries to practice in secret only to end up stuck in his giant form, Raph goes to to Draxum for help who ends up separating Raph & his mystic projection however the mystic projection ends up rampaging through the city becoming bigger & more powerful with the more things it destroys leaving Raph to have come clean to his brothers about what happened so they can save city.

Hot Thrash

Gourd Almighty

Donnie grows a giant pumpkin for competition & has to have his brothers help him find a way to get the giant pumpkin out of the lair

Two pages of the episodes script were posted on Ron Corcillo’s twitter

A Spiders Web Widens

Hidden City Heroes

Gone Goat

Draxum walks out after having a fight with the family but then gets kidnapped by the Foot. While attempting to rescue Draxum, the family has no choice but to resolve their issues relating to him.

The Key (a full 20 minute episode)

Karai was supposed to be introduced in this episode, she was supposed to have a larger role training the Turtles & with the family spanning around 10 episodes but due to the Rise team rushing to finish the series most of Karai’s episodes were scrapped.

The rest of the episode titles were not finalised however Ron Carney’s twitter posted a schedule board where possible episode titles can be seen.

Though Ron Carney also admitted that some of these titles are fake, the episode April Showers Mayhem Flowers might be real as the team admitted to wanting to do an episode about Mayhem & their status as an agent of the Council of Heads

The Return of Monty Moose is also probably real as we can see Monty Moose appear in the Rise Movie’s scrapped intro so the team probably had plans for the character in season 2

Monty Moose is a toy line only character from the 1987 series so Rise introducing him as an actual character is kind of cool

#rise of the teenage mutant ninja turtles #teenage mutant ninja turtles #rottmnt #tmnt

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artist-issues · 5 months

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I Saw Wish

And it was the worst animated Disney movie I’ve ever seen. I have to watch it again before I can get into the nitty gritty details. But I don’t need details to sum it up, because my dad actually said it perfectly as we left the theater:

“It was like someone who didn’t really understand Disney movies tried to make a Disney movie.”

Both the form (the technical arts of filmmaking) and the content (the morals, values, and themes of the movie) were totally horrible.

I don’t know who’s fault it was. Jeremy Spears was in the storyboard room and Mark Henn and Eric Goldberg did some 2D animation. But they must have gotten outvoted, or they must not care anymore.

Because holy cow. Here’s some stuff that’s just off the top of my head.

SPOILERS. Not that it matters, because nothing interesting happens in this movie.

The writing? Terrible. Ninety percent of it feels like the characters are filling time with quirky one-liners that are trying too hard to be appealing, then failing, then taking you out of the movie. The jokes aren’t funny. The characters just respond to each other in conversation to check a one-liner box. The other twenty percent is whole conversations repeating tell-don’t-show exposition that has already been covered, usually twice, in previous scenes. Like if in Tangled, every scene had included some variation of Rapunzel saying to friends and enemies alike, “I have to see the floating lights so I’m sneaking to the castle with this thief who wants a mysterious tiara I hid from him. Don’t tell my mother, she’s a bit overprotective!” Over. And over. And over.

The character motivations are way too broad. Asha? Her dream is just “that everybody around me gets to be happy.” That’s it, in a nutshell. No deeper exploration of that. Nobody asks, “why do you care so much?” Nobody tries to convince her she should look out for herself, and then she proves she was right all along. The King? We are told (not shown) that he doesn’t want anyone else’s dreams to be “destroyed.” But he in no believable way expresses that that motivation is still what’s driving him during the movie—what’s driving him is just a plain old lust for power, no nuance.

By the way, the whole premise of the movie? Undercooked. Half-baked concepts strung together with no definitive meaning. Therefore, it’s not believable. Example: The characters act like the wishes are beautiful—well, actually, no, this movie doesn’t know how to show, so there’s not a lot of meaningful acting—the characters just tell us that wishes are “the most beautiful part of someone,” and that’s why it’s worth going through this adventure to give their wishes back to them. But there’s no proof of that in the movie. In fact, it directly kicks it’s own legs out from under that idea, because it has every character who gives up their wish forget that part of themselves. Asha’s grandfather has forgotten his wish, but that doesn’t make him any less “beautiful.” She, and everyone, still treats him like he’s this wonderful old man who deserves the world, who everyone loves…but why is he so appealing? If he “gave up the most beautiful part of him?” The only character who is changed by their lack-of-wish is the Sleepy-analogue character…who is just sleepy, which is described as “boring.” But nobody else who’s given up their wish in the whole kingdom acts like that. It’s just him. Also, the King acts like it’s so important to protect the wishes from destruction. But what does destroying a wish look like? That actually happens to Asha’s mom. Her wish-bubble is broken, literally, and she just says she feels grief. But like. Why? She never remembered it in the first place; it had been missing from her life for years. Also, what the heck is a wish?! It seems to range from broad concepts like “inspire people” to “fly.” Just “fly,” like a bird. The desire to levitate off the ground is the most important, beautiful essence of one background character. Like, what?! But no character ever has the why behind their wish to make us care.

I could go on and on about that point. Like, think about Disney movies that wrote the book on how to make movies about characters with wishes. If Ariel were in Wish, her bubble would look like “dancing and learning and exploring on the Surface with someone who understands her.” But we believe that that is her real, genuine wish, and that it matters to her, because we are shown why being understood is so important to her. Because it’s missing from her life. There’s a scene where she explores a boat alone, and even her best friend doesn’t get excited about it with her. Her dad won’t listen to her point of view. Her siblings don’t ask her about her life even when they think she’s in love. She wants what she wants because of pieces of her life that we are shown.

We are never shown why Asha’s grandfather is obsessed with inspiring people, so we have no reason to believe it, or care whether he gets it or not. We can’t feel disappointed when his wish is said to “never come true,” like we did when Quasimodo was abused by the people he wished to join. We can’t feel elated when he finally “gets” his wish, like we did when Simba smiles on Pride Rock remembering the same way he used to as a cub and claims the crown with a roar. We don’t have anything to hang on to, nothing to relate to, nothing to grasp and feel with the characters. So we don’t feel, because they didn’t put the work in to help us feel. They just say, “the mom’s feeling grief. Feel grief.” And expect us to do the work ourselves. I have to stop harping on this point and move on.

But The main point of the movie is very broad because of that lazy premise, and it’s barely reinforced by any kind of appealing storytelling. If I had to guess, the point would be “Keep wishing for more even when it’s hard.” But the story they told to communicate that meaning was so unimpactful. Asha doesn’t have a dream of her own that’s such hard work to accomplish! (Neither does her grandfather; his wish is “to inspire people.” And at the end, we’re supposed to see him strumming a guitar and believe it’s inspiring? We were never shown how he worked hard to learn how to play the instrument. Or that he carved it with his own hands, or anything like that. So there’s no meaningful demonstration of working hard for it or achieving your wish even if it’s far out of reach.) And nobody except the king is trying to take wishes away from anyone, and he just does it literally, after they voluntarily give them to him, so there’s not even any impactful demonstration of “don’t let anyone tell you your wishes are dumb or unachievable, or stop you from reaching them.” Even when he takes them away, it’s just because they…could, someday, be used to threaten his kingdom in a vague, really unlikely way. There are so many things you could do with “keep wishing for more even when it’s hard.” For instance; you could say the main character has always been afraid to dream (wish for more), because maybe when she was a kid something wonderful almost happened but ended in tragedy, so she keeps her head down and doesn’t want much because if you don’t dream you’ll never be disappointed. She takes no risks, and has to learn that sometimes trying and failing is worth more than slogging through life all self-protective. I mean, the pieces were right there. She has this line about her dad, and how she wished he would get better but then he died. She has lines about how nobody should have to live with grief?? Then that’s never addressed again! It’s just a throwaway emotion-moment with no buildup or follow-through to tie it to and support that main theme.

The compositions of too many shots were so terrible. Characters got cut off in weird places. One shot has Asha dead center, with her grandfather on the left side of the table and her mother on the right, having a family dinner with a super exposition-heavy conversation that is meant to be emotionally charged. But despite everything else being perfectly centered, half of her mother’s body is chopped off. The movie’s shot like someone’s mom who doesn’t understand technology tried to take a video with her phone.

The charm of the art “style” wears off basically immediately. I know what they were going for. I see the sketch lines and watercolor textures. This is maybe the first time Disney ever failed to accomplish a visual “look” that turned out good. Everything looks dull. Muted. De-saturated. Slightly out of focus, but not in a cool Spider-Verse way. The sets or backgrounds are lazy; at no point does the scenery look complete; big, empty, boring spaces that do not create any kind of “stage” for impactful moments. The rendering looks unfinished. When Asha’s hair moves during her belting of the “I Make This Wish” song, it’s bad. It’s unnatural. It flops in a way that doesn’t make sense for the weight of her hair. The most impactful visual moments come from the villain, and they’re moments when he looks way too unhinged for the kind of line he’s saying.

There is no interesting character development. Asha goes from believing everyone is basically good and their wishes deserve the chance to come true , to….that, again. That would be fine, she could be a static character, if she proved contrast-characters wrong, in a believable way. But she never does. Because no other characters argue with her except the King. And it goes no deeper than “everyone’s wishes are basically good and they deserve the chance to make them true” vs. “nuh-uh, because I get to decide what makes them deserving.” The King doesn’t have any kind of interesting development, either. They don’t expand on his tragic backstory—it consists of one drawing of him near a broken boat, and a few images of the corner burned off of his family taoestry. They never say “King Magnifico wished for _____ and it was taken away!” They literally never tell you what his wish or dreams were, or what motivated him to create the whole kingdom that the movie’s premise sits on. So there’s no convincing sense of progression, how he got this way, why he’ll keep going “so far.”

The pacing is weird. It undercuts every moment that could have any kind of emotion behind it. One minute Valentino is suavely bouncing around, then he’s given a two-second beat to blubber with badly-animated tears that he’ll miss Star—then he instantly gets to have another funny one-liner so we forget he might’ve been sad a second ago. We’re clearly supposed to believe that the King and his wife are devoted to each other, and his turning evil was such a big betrayal, but there’s no time and no impactful evidence for us to believe either of those things. And even if we did, the moment he’s defeated and trapped in a mirror, and begs to be let free, the Queen kind of shrugs it off, makes a forgettable one-liner, and tells them to throw him in the dungeon. And he doesn’t look remorseful. And we don’t even get to assume he’s embarrassed or emotionally devastated that he’s come to this—because the last thing he says is “nooo, the dungeon is so smellyyy!” Like this is a half-baked LEGO short that can’t get emotionally deeper than what an actual 3 year-old’s parents might be okay with.

And that’s the worst offense: The movie is not genuine. It works hard for nothing, and it has no vulnerability. It just uses old Disney standbys to pretend to be vulnerable. Have the music swell and the characters gasp and the songs drip emotion when characters are meant to be saying or doing something emotional.

But truthfully, think of all the Disney movies you’ve ever seen with the hardest emotional moments. The sheer joy of Genie when he realizes he’s free. The anguish when Elsa thinks Anna’s been frozen forever, or when Anna thinks she’s dead. The trauma when Simba loses Mufasa. The longing and dreaming of Ariel when she reaches up out of her grotto. The sense of foreboding when Mother Gothel says “fine, now I’m the bad guy” or the heartbreak in Rapunzel’s eyes when she thinks Flynn has abandoned her, or the shame on Aladdin’s face when Jafar reveals he’s a street-rat, or the horror of cruelty when the stepsisters rip up Cinderella’s dress, or Kala’s tears when Tarzan leaves her in the treehouse, or Sarabi’s tears when Simba comes back, or Mulan’s father tossing aside the sword and token of the Emperor to embrace Mulan, or heck, even just Lilo pushing Stitch in the woods and telling him “get out of here.” This movie has no moments like that. It has moments you can tell that the filmmakers wanted to hit like that—but they don’t.

Because no work is put into building them up. You know how much Simba loves Mufasa, because you’ve been watching their chemistry more than any other character all the way up till he dies. You know how much Mulan wants to please her family because she spends all of Act I desperately attempting to do that. You know Quasimodo believes the world below is beautiful and wants them to accept him because he has interesting things like—talking to gargoyles, convincing us that he’s lonely; building a scale model of the townspeople, convincing us that he sees them in a beautiful way and wishes he were beautiful in more ways than one like them, too.

Right down to the facial expressions, none of them are as anguished, happy, sad, excited, silly, in any convincing way like all of Disney’s other movies. Asha’s “low moment” when she’s afraid her “wish” hurt everyone else (still vague on what that wish ever was) lasts two seconds, she’s not crying, she’s barely sitting with slumped shoulders, and her family barely spend two seconds comforting her. They basically just say, “aw, no, it’s not y fault, it’s the king’s.” And she’s like, “yeah okay” and that’s that. It’s like the animators we’re afraid to animate really intimate emotions on the characters’ faces. The voice actors, too.

And the whole movie is peppered with Easter eggs to past Disney movies. But all that does, if you really know Disney beyond the visuals, is make you think of how hollow this movie is in comparison. How much you wish you were watching Cinderella or The Little Mermaid or something with depth and vulnerability instead of Wish.

#I’ll talk more in an organized fashion later #wish #disney’s wish #wish Disney #wish 2023 #critique #spoilers

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