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#tb elena
booasaur · 2 years
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The Boys (2019) - 3x08
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vvanessaives · 2 years
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Homelander and I went to this Oscar party for 12 Years a Slave. There was this producer, he swapped place cards so he could sit next to me. And he chatted me up all night. Two days later, there’s a fire in his office. They found his head in one room...and his torso in another.
THE BOYS 1.03 | 2.02
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supemaeve · 2 months
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We're here today to remember the victims of trans-oceanic flight 37. One hundred and twenty-three brave souls lost in an instant, in a senseless act of violence.
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Installing the Sims 3 expansion packs, I've been waiting for a good moment to do it 👀
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the lines in this scene are completely erasing my relief at seeing Maeve okay lol
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crossedsabers10s · 4 months
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dude i need inspiration. gimme! gimme! gimme! xox, splatooshy
Uhh *scrambles for something to type* ok so in the vampire diaries books Stefan has curly dark hair, green eyes, and he and Damon look more visibly like siblings. Also! Damon has very dark eyes in the books. I think they were described as onyx.
Anyways I like to imagine that Show!Stefan looks specifically different than he would otherwise bc of doppelgänger shenanigans. The Silas Effect overwrote everything else.
Completely unrelated to the first thing, but yk how Alaric gets all human-fied after the anti-magic bubble strips him of his vampirism and he’s saved from what had been his death wound?? All I’m saying is that Enzo died of, what, TB? Providing that it didn’t immediately kill him, he could have theoretically been dragged over that same bubble boundary as Alaric and been de-fanged the same way. The mental image of Damon pretending he’s not hovering over both of his suddenly mortal, suddenly v fragile and probably with lingering health issues as vampire blood can’t cure tuberculosis, best friends is so, so funny to me.
Third: I think that Wes totally could have approached Elena between S2-4. Like. Hey, ur Grayson’s daughter (or Jeremy, either, both) I need some research that may be with your dad’s things. Great man, he saved a lot of lives. Or all the suspicious deaths in Mystic have him trying to track down the mysterious killer after the Whitmores—before Aaron and his aunt get targeted. Grayson’s daughter might make good bait. All that’d have to happen is Wes to mention Augustine in Damon’s hearing. Bam. Instant angry vampire. Who now has to explain to his brother and/or their girlfriend why he just tried to kill a scientist. Like he worked with Elena’s father obvs he’s such a good guy. Damon , of course, does not give them a straight answer until Wes realizes what’s up and references his number or whatevs.
Damon, after having Stefan try to hold him back and Elena ask for mercy, bc they don’t have the full story and all they see is Damon holding a defenseless human by the throat: Mercy?
S/E: yeah, mercy
D: Alright. I won’t rip out his guts.
Wes: thank—
D: if he gives me back five years. No. Fifty.
E/S: Fifty years?
D: All the time I lost. Every second I spent numbed to everything.
D: I’ll let him live if he gives them back
W: I can’t—
D: How about this, this should be easier. I’ll let you live if you give me back my best friend.
W:
S/E:
D: no? shame. Guess you die.
In the books, Damon can turn into a wolf and a—I think it was a raven? Anyways I just think that Shapeshifting Damon is Fun, but especially if he just goes Gender is Stupid and Stefan wanders down one morning and is just like… I guess it’s sister today?
Damon: eh, it’s one of those Tuesdays.
Okay, now it’s ur turn 🥺
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lamilanomagazine · 6 months
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Bari: dal 16 al 22 novembre nella sala consiliare del Comune, "Giacomo" del Teatro dei Borgia
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Bari: dal 16 al 22 novembre nella sala consiliare del Comune, "Giacomo" del Teatro dei Borgia. Il teatro fuori dal teatro. Dal 16 al 22 novembre, nell'ambito della stagione teatrale Altri Mondi 2023_24 del Comune di Bari - assessorato alle Culture, organizzata insieme al Teatro Pubblico Pugliese, a 100 anni dalla scomparsa di Giacomo Matteotti, il Teatro dei Borgia - Artisti Associati porta in scena nella sala consiliare di Palazzo di Città Giacomo, un intervento d'arte drammatica in ambito politico. Si tratta di un progetto di Elena Cotugno e Gianpiero Alighiero Borgia, su testi di Giacomo Matteotti (con interruzioni d'aula), drammaturgia di Elena Cotugno e Gianpiero Borgia. Uno spettacolo tratto dai verbali delle assemblee parlamentari del 31 gennaio 1921 e del 30 maggio 1924, con ideazione, coaching, regia e luci Gianpiero Borgia e il sostegno della Presidenza del Consiglio dei ministri, patrocinio di Comune di Fratta Polesine, Fondazione Giacomo Matteotti, Fondazione di Studi Storici "Filippo Turati" e Fondazione Circolo Fratelli Rosselli. Giacomo vuole porre in risalto il discorso politico di Matteotti, mettendo a confronto due dei suoi interventi in Parlamento: quello del 31 gennaio 1921, in cui denuncia le connivenze tra le forze politiche borghesi e le squadracce fasciste, e quello del 30 maggio 1924, l'ultima seduta a cui Matteotti partecipò prima di essere assassinato, in cui contesta i risultati delle elezioni dell'aprile di quell'anno. Questa tragedia, politica e antispettacolare di TB, consiste nella riproposizione delle parole di Matteotti nella loro nuda e terrificante verità. I principali temi sui quali il lavoro invita a riflettere sono il senso della militanza politica, i diritti di cittadinanza, la possibilità di opporsi alla violenza fascista con il richiamo ai valori di libertà e democrazia ma anche il ruolo del teatro nella società, in un modo in cui gli ideali diventano opera d'arte. TB continua il suo percorso di ricerca sulla relazione tra teatro e reale e tra teatro e politica: con questo lavoro vuole portare la parola politica e i temi della democrazia sul palco usando i verbali d'assemblea quali elementi del reale e sintagmi del proprio discorso poetico. In scena avanzi di democrazia sui quali si arrampica l'esistenza di Matteotti, conficcata nel suo ruolo politico come la Winnie dei Giorni Felici di Beckett è conficcata nella sabbia, da cui non può liberarsi e da cui sente il dovere di non liberarsi. Elena Cotugno e Gianpiero Borgia sviluppano un lavoro sul ruolo lontano dalla tradizione italiana della maschera, sia parodistica sia documentaristica. Qui si confrontano col documento storico, col discorso politico e non con il dramma di finzione; il tentativo che l'attrice compie in scena è quello di auto indursi uno stato alternativo di coscienza attraversando il discorso matteottiano con il lavoro sui punti energetici del corpo e sulla proiezione di vettori fonetici. Dal 16 al 22 novembre - alle ore 20.00, domenica alle 18.00 Biglietti a partire da € 15 disponibili online al linkal seguente link , in tutti i punti vendita Vivaticket e al botteghino del Teatro Piccinni dal mercoledì al sabato, dalle ore 10 alle ore 13 e dalle ore 17 alle ore 20.... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article
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studioahead · 6 months
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Gallery Spotlight: Aida Jones
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We at Studio AHEAD are excited to announce our latest exhibition, The Lily Too Shall Function, on display at The Jones Institute and the Minnesota Street Project starting November 3. As a sneak peak, we spoke this month with Aïda Jones, founder of The Jones Institute, who shared with us the history of the home gallery, a few thoughts on our show, and what San Francisco was like in the 1990s.
Studio AHEAD: The first striking thing about the Jones Institute is that it is run out of your living room. Can you share with us the history of how this came to be?
Aïda Jones: Impulse was the catalyst. An artist friend was forlorn after being rejected by a gallery and, instinctively, I responded, “I’ll have a show for you.”
It was a leap of faith where Matt Dick, Ruth Kneass, Tjarn Sato, Fletcher, Anton Stuebner, Michael Lee, Wendy Norris, Regina Tsasis, and many many others, generously helped transform my living room into The Jones Institute.
Studio AHEAD: Were there other contexts?
Aïda Jones: The home is the original gallery. We still visit homes—the Uffizi, the Louvre, the Frick—that are now museums. The Walker Art Center in Minneapolis began in TB Walker’s home in the late 19th century and in New York in the 50s, Leo Castelli converted his living room into his first gallery. The New York Times had a wonderful article about apartment galleries a few years back.
Studio AHEAD: Perhaps 500 Capp is San Francisco’s most famous example. Who were your guiding lights in setting this up?
Aïda Jones: I love the idea of shaping culture from the fringes. Of bringing a traditional and formal construct into the domestic space.
Guiding lights are everywhere. Walk out your door and you’ll find thousands of inspirations: the drunk at the wharf, everything in Chinatown, the dahlias in the park, the art in the TL, vendors in the Mission, the cook at Red’s, the amateur opera singer next door rehearsing.
Studio AHEAD: What sort of advantages does this… let’s say DIY approach… bring?
Aïda Jones: Let's not say DIY.
Studio AHEAD: Then what would you call it? Certainly the space itself affects how people view the art.
Aïda Jones: If we have to label it, maybe call it an alternative space. And you’re right, space absolutely affects how people view art. It permeates every bit of their experience. When art is in a home, the sense of place opens them up—the art itself changes the space, it’s a symbiotic relationship you won’t have within the white box. And The Jones Institute is not a commercial place so most people find communing with art is different.
Studio AHEAD: Tell us about a recent exhibition from curator Shirley Watts. Would this be a show a more mainstream gallery could put on?
Aïda Jones: Yes and no. While individually the artists from that show (Gail Wright and Megan Gafford, for example) are exhibited in mainstream galleries, the whole of Altered States would have been impossible. Where else could you sit in a backyard, listening to an audio performance of a brain dissection (Erica van Loon) after taking in Megan Gafford’s irradiated daisies and an Erin Espelie RGB video in the main gallery?
Studio AHEAD: Nowhere else! How does our show, The Lily Too Shall Function, fit into this?
Aïda Jones: The Lily Too Shall Function, being guest curated by Homan and Elena, feels very connected to our programming. First, they chose three Northern California artists among the cohort we choose to exhibit here; and second, they are working their distinct point of view within the domestic space, marrying art with how we live. Very much in our founding ethos. We also have a deep belief in sharing the artistic process, so screening a film of the artists at our satellite location in Minnesota Street Project just makes sense.
Studio AHEAD: You and Homan were speaking off-the-record about the 1990s, on which there is currently a lot of nostalgia in mainstream American culture. What elements of the 90s would you like to see transplanted into the 2020s?
Aïda Jones: This is specific to San Francisco where we are on the edge of the world. The experimentation, the casual spontaneity, the lack of preciousness and belief you could do anything.
In the 90s, I founded AvidFan, a theatre company, and when I cast two actors (who were also female) in The Zoo Story and then True West—this to the New York Times was radical, but in San Francisco, no one blinked.
It happened because of this place as it existed then. The space and freedom. The whole Bay was wide open with possibility (and low rents!). Such amazing support for artists, from studios and rehearsal spaces for musicians, filmmakers, comedians, photographers, spoken word poets, writers, hip-hop/modern/ballet dancers to performance venues and theaters (& a cowboy store on Valencia), many underground & well-known support structures like Film Arts Foundation, New Langton Arts, New College, and so many others.
For a peek into that era see the New Yorker article of the photographer Chloe Sherman’s Renegades (and then buy the book).
Studio AHEAD: What aspect of the 2020s would you have liked to see back in the 90s?
Aïda Jones: The lovely, well-kept city parks. The absence of lingerie shows in downtown bars.
Studio AHEAD: We like to end with some cultural spaces/people in Northern California you’d like to shed light on.
Aïda Jones: Aside from each and every artist I've shown?
Studio AHEAD: Yes.
Aïda Jones: Here is an incomplete list: Aimee Sioux, Reed Awakening, TamaOne, The Farm Stand Art & Music program, Stud Country Queer Line Dancing, Slash Art, For You, the Bolinas Museum, African American Cultural Center, Dancers' Group, Auntie Charlie’s, Werkshack, CCSF Film Department, Arborica, the promise of a NorCal Pacific Standard Time, Catholic Charities’ homeless family shelters, Canyon Cinema, the Bay View Newspaper, Everything the band, Albert Lee, Natural Discourse, NAID, Cushion Works, Lynette Betancur, Donald Guravich, Rachel Marino, the new extension of trails in Marin’s redwood preserve, Originals Vinyl, Li Po, Artists Television Access, CounterPulse, RCA Beach, Day Moon Bread, whatever Natasha Boas is up to, 120710 in Berkeley, Winslow House…
Studio AHEAD: Thank you!
Photos by Ekaterina Izmestieva
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natb00 · 9 months
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RONDA 13/08/2023
3ro Unidad 1 B0331 - Juan Sebastián Montañez Álzate (1566045) -> Politrauma por aplastamiento, defecto piso pélvico, choque séptico/hemorrágico, fascitis necrotizante. B0339-2 - Manuel Caicedo Ortiz (1590422) -> Apendicitis complicada con plastrón abdominal y peritonitis localizada. B0342-1 - Dana Melisa Garcia Manotas (1587902) -> TB intestinal + intestino corto + desnutrición. B0343-1 - Berta Erlinda Rua Orrego (1502397) -> intestino ultracorto falla intestinal Tipo III ahora en desnutricion aguda se debe ingresar nuevamente a rehabilitacion intestinal. B0346-1 - Noelia Ivone Castro de Muñoz (1437961) -> HTDI, sospecha de enfermedad diverticular.
4to Unidad 1 B0431 - Liliana María Mejía Quintero (1572013) KPC -> Falla intestinal por síndrome intestino corto ante isquemia intestinal.
4to Unidad 2 NO hay
5to Unidad 2 NO hay
6to Unidad 2 ** B0661 - Jorge Ivan Porras Gomez (1511459) -> Obstrucción intestinal por bridas, requirió manejo qx.
7mo Unidad 1 B0738 - Yesica Mercedes Torres Henao (1588767) -> TB diseminada + obstrucción intestinal -+ sepsis. QUEDA POR RONDA NUTRICIÓN.
7mo Unidad 2 B0772 - Johan Cristian Gaviria Raigoza (1583522) -> Fistula enteroatmosferica + sepsis abdominal + trauma abdominal penetrante.
8vo Unidad 1 B0861-1 - Luz Elena Ramirez de Zapata (821550) -> colelitiasis- barro biliar sin colecistitis, sepsis sin foco claro. REVALORAR CON CRMN. B0863-2 - Michael Hurtado Cardona (1582107)-> apendicitis aguda. B0864-2 - Mariela Loaiza De Buitrago (1539859) -> Hernia ventral gigante.
8vo Unidad 2 NO hay
9no Unidad 2 B0952 - Leidy Marcela Quintero Tamayo (1581989) -> Perforación contenida del ciego, enfermedad de Crohn con compromiso ileocecal, fenotipo estenosante. Plastrón apendicular. B0953 - Salomón Hinestroza Mosquera (1567894) -> Perforación de intestino delgado posterior a inserción de catéter de diálisis peritoneal + Fascitis polimicrobiana. B0957 - Pablo José Acuña Herrera (966227) -> Fístula gástrica pos sleeve (ovesco fallido).
Coloprocto:
B0467-2 - Maria Eroelia Tavera Mendez.
B0331 - Juan Sebastian Montañez Alzate.
B0872 - Juan Carlos Moreno Betancur. KPC.
B0952 - Leidy Marcela Quintero Tamayo.
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booasaur · 4 years
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The Boys (2019) - Season 1 - Deleted scene
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notquitetwilight · 3 years
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the internet peaked when youtube was filled with edits of jennifer’s body to the song cannibal by kesha
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jennasdaisies · 5 years
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What is it with me? I didn't like Harry's first album at first, or rather I kind of liked it, but it didn't click. Now I like it a lot and Fine Line too, guess I needed time to get them click for me
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Okay GOD I am so excited to answer those questionssss but I have been awake for 20 hours and can barely keep my eyes open SO I will have to answer in the morning!! Feel free to keep them coming though!
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ghjco · 4 years
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Butternut Squash Hummus (V, GF)
Today’s delectable dip makes good use of one of our favourite items of seasonal produce: butternut squash. Added to a traditional chickpea hummus, the beta-carotene-rich gourd adds that certain autumnal je ne sais quoi that your chips, veggies, and other dippers have been demanding.  
Ingredients:
Hummus Ingredients:
1 can chickpeas
¼ to 1/3 cup chickpea water
1 cup butternut squash, roasted and roughly chopped
1 to 2 cloves garlic, chopped
2 tbs tahini
½ to 1 tsp turmeric
3 tbs lemon juice
Salt and cayenne pepper, to taste
To Top:
Roasted Brussel sprout chips
Pumpkin seeds
Olive oil
Sprouts
Thinly sliced onions
Salt and pepper
Steps:
We highly suggest preparing a large batch of roasted vegetables and using some for this recipe, and the rest for other meals.
Secure one butternut squash and slice in half. Brush each half with oil, season with salt and pepper, and bake for about 40 minutes at 400F.
Clean and remove the leaves about ¼ to ½ pound of Brussels sprouts so that you have a collection of Brussels sprouts chips. Drizzle generously with oil, salt and pepper, and whatever herbs you fancy, then roast on a separate baking sheet for the last ten minutes your squash is roasting.
Combine all hummus ingredients in a Vitamix (for extra smooth hummus) or a food processor, and pulse until smooth. We suggest starting with ¼ cup of chickpea water, and add more as needed to reach desired consistency. We used about 1/3 cup.
Remove from your blending apparatus, and pour into your favourite dip dish—we suggest one with the longest diameter to ensure plenty of dipping room. Top as you please—although we highly recommend your roasted Brussels sprout chips, pumpkin seeds, olive oil, onions, sprouts, and salt and pepper.
Serve with raw vegetables, chips, pita, or any dip-able food item, and get dunking!      
-Elena Mari and Nathan Legiehn for Greenhouse
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gnfcamboy · 3 years
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Big tb to that one time I was sending Elena an ask anonymously but I forogt to tick the "anonymous" button and ended up revealing myself as one of her frequent anons 😭😭
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