Totally random songs as TBHK characters/duos.
I didn’t look up the specific meaning to any of these, I just think the vibe gives off the character/ect.
Choke by I DON’T KNOW BUT THEY FOUND ME
Birth of Venus by Banshee
Shut Me Up by Mindless Self Indulgence ( He listens to MSI, I don’t make the rules )
Bust Your Knee Caps ( Johnny Don’t Leave Me ) by Pomplamoose
Butch 4 Butch by Rio Romeo
Mascara by Deftones
Always Forever by Cults
Dissolve by Absofacto
I Wanna Be Your Girlfriend by Girl In Red
Baby I’m Yours by Cass Elliot
Conceited by Lola Young
All-American B**ch by Olivia Rodrigo
Ballad of a Homeschooled Girl by Olivia Rodrigo
This Night Has Opened My Eyes by The Smiths
Money by The Drums
Sweater Weather by The Neighborhood
Out Of My League by Fits and the Trantrums
Sofia by Clairo
Rule 4# - Fish In a Birdcage by Fish In a Birdcage
Jealous by Eyedress
Saccharine by Jazmin Bean
Rebuild ( Re:Build Version ) by Megumi Ogata
THAT’S IT!! :))
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I'm happy Akane's background was not forgotten
this is such a martial arts stance, he had training.
Tsukasa is as op as always, and Teru said the clock keeper has been nerfed, but Akane holds his own, he moves like he has an idea of what to do, he just isn't fast or strong enough to do it.
He uses his whole body to defend himself. He is as flexible and quick on his feet as he had been established to be.
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I understand Teru couldn’t really do much this chapter even though I would have loved to see a little more from him. Still I think it’s interesting to see his thought process, specifically on how he thinks about Akane. He notes that “the clock keepers are moving slower than usual,” and by clock keepers he is referring to Akane as he has seen Akane fight many times using his powers.
As we saw in chapter 108, the betrayal (although it wasn’t really a betrayal but whatever) served as a reminder to Teru that Akane is still half supernatural even though he is technically human. I think saying that he “lost the only person he trusts” is a little extreme but I see the logic behind it. He had seen Akane’s human side so often that he started to trust him a little more, recognizing that he wasn’t just another dangerous supernatural. When Akane “betrayed” him however, his supernatural side showed more than ever and this hurt Teru. He learned from a very young age that “there is no such thing as a good supernatural” yet he was still able to let his guard down around one and suffered the consequences.
That’s not to say that Teru now hates Akane forever and doesn’t care about him at all, but it will definitely be a dent in their relationship as Teru can no longer deny the supernatural side of Akane.
This is just my interpretation of it, if you disagree that’s totally fine as media is subjective!
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Seeing Akane reacts so strongly seeing Kako being destroyed was already a big shot at my heart but Mirai and Akane protecting each other absolutely annihilated me in the last chapter.
Akane is a character who is really blunt about his opinion and stands his ground, he said right away in his introduction chapter how strongly he hates the clock keepers, and insists on how much he isn't like them.
In this new arc, he is forced to face this part of him he doesn't want to acknowledge since the beginning, he has been forced to do it a lot since the grim reaper arc (and I think it's really starting to get to him but this is for another day)
Aoi Akane, the human forced to be a supernatural who hates his contract and the clock keepers so much he wants nothing to do with them. But what does he do when fighting Tsukasa? He keeps the latter's attention on him so the threat can't get to Mirai.
Akane is mortal and human. The only mortal clock keepers and supernatural, and he still risks his life to protect Mirai. The yorishiro of the clock keepers yes, but mostly Mirai.
He shifts his attention from Tsukasa to her because he knows what she represents for the clock keepers and he waits for the moment to let her free, even if it results in him getting hurt.
Akane is the character of the cast who shows the most how he loves life, he definitely doesn't want to die. We can see it in how he defends himself, his last movement in this fight being one of protection (and fear). Something he has been doing more since coming back a second time from the far shore. Even if he doesn't want to die, he is still at his core a nice person. He is distressed at the idea of death, disappearing for good, no matter who it may concern in the end. Finding a way to protect Mirai (and the yorishiro) goes before his own safety.
And then Mirai gets the blow for him. She knows it means Tsukasa will get the yorishiro. Kako has been the mystery the most alarmed about the yorishiros being destroyed by Hanako. But Mirai, n°1, who knows how dangerous it is for another yorishiro to be destroyed for the land, sacrifices their seat number, herself and what is supposely the most important thing to them, for Akane.
Akane is a proactive character who rarely stops in his actions. Even when Aoi was "dead" he was activaly searching for a way to bring her back and when he learned she was gone he was quick to try to find a way to go where she was. When he stops, it's because he is physically unable to move. But here, even if he is still concsious and has Time's power he doesn't do anything, like he is the one being stopped in time, unable to move on from Mirai's body.
Mirai may be made of gears but it's been clear since the beginning that she has a real attachement to Akane. Wearing the name he gave her like a medal, jumping on him whenever she can, having a personality where she clearly has fun when he is present, and actually being the one noticing him on his first day at school.
And what does it mean after all for a yorishiro to be sacrified to protect something else? That maybe Akane is in the end more important than what the yorishiro represents for the clock keepers.
If this follows the pattern of a lot of mysteries it may mean that Mirai and Kako have strong regrets/resentment towards the story/person behind their yorishiro.
It's kind of beautiful in the end to see Mirai sacrifiying their past and future to focus on the one representing the present.
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