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#the case of the french interpreter
ineffabletwaddle13 · 1 month
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All of Sherlock Holmes' tummy tapping! (unless I missed some)
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lucabyte · 2 months
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Hmmm just gonna spit this headcanon out in text post form since A. I don't think I could exposit it well enough in image form and B. It's not actually textually/thematically substantiated and I don't like actually staking my stuff on just vibes alone*
But anyway. I'd say it's pretty evident that all the islanders forgot their names, right? King obviously. Because why the hell else would he do that, but also Siffrin No Middle Names No Last Name.
They're 'pretty sure' they've 'always' been 'Just Siffrin' 'as long as they can remember'. It's a pretty cruel twist of the knife to say that they don't even get to keep their birth name as a memento, which is why I'm saying as such.
My utterly unsubstantiated claim is I think it'd be cute to say that Sisyphus *is* the name Siffrin initially picked, assuming the myth of King Sisyphus is recontextualised as idk, just a play or something in the setting. But I like the idea of Siffrin going 'oh shit 🫵 he's just like me fr' at a tortured fictional character long before the irony kicks in.
As for how Sisyphus -> Siffrin. I think that chronic mumbler and emotional doormat Sif just did not correct people who misheard the name during their time travelling, and went through enough places with incompatible phonologies (pronounceable sounds in the language) without ever really writing it down that it just got kinda. Changed until it was unrecognisable, and Siffrin just went with it until the earlier pronunciations slipped out of their swiss-cheese brain. And they just kinda don't remember any of that.
Also, something something the horrid realisation that Siffrin also named themselves after a King. Just not as blatantly.
*(though I think there's something here about Siffrin, a guy from a belief system that seems to thoroughly disincentivise autonomy and self-motivated choice continuously having their hand forced to make changes/choices they don't want but have no choice but to... It's not solid enough to really back this up tbh, but it informs it.)
Anyway.
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David Cage's games are all bad but I will say that Detroid: Become Human is the least terrible and I feel like a lot of that boils down to the actors being constrained by a less nonsensical plot than Willem Dafoe and Elliot Page in Beyond: Two Souls. That and Detroit is more of an actual video game. I contend though that if Beyond had a plot that made sense and/or it focused more on the amazing chemistry between Dafoe and Page, it would be just as good if not better than Detroit. Seriously the only parts of Beyond that work to me are when Jodie and Nathan are interacting with each other.
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mickyschumacher · 5 months
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Can we have a part two of baby fever?
𝐁𝐀𝐁𝐘 𝐅𝐄𝐕𝐄𝐑 𝐏𝐓. 𝟐 .ೃ࿐
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𝐒𝐔𝐌𝐌𝐀𝐑𝐘: pregnant with charles' baby, in a surprise turn of events, he's been able to keep his hands off of you. but just how long does that restraint last when he's faced with a problem: the tenderness of pregnancy? or in which, charles is struck yet again with the case of baby fever. 𝐏𝐓. 𝟏 𝐇𝐄𝐑𝐄!
𝐖𝐀𝐑𝐍𝐈𝐍𝐆𝐒: established relationship, 18+ (minors DNI), unprotected sex (wrap it if u don't want dem babies), breeding kink (although atp idk), lactation kink, mutual orgasms, pussy eating, again pussy rubbing(?), cumming inside, reader is sensitive as shit again, poor interpretation of pregnancy terminology, fluff at the start and towards the end, minimal use of french endearments, a criminal minds reference from yours truly <3
𝐏𝐀𝐈𝐑𝐈𝐍𝐆: charles leclerc x fem!reader
𝐖𝐎𝐑𝐃 𝐂𝐎𝐔𝐍𝐓: 3k+
𝐀/𝐍: everyone wanted another one! sooooo here it is! i wasn't sure whether to do this during or after pregnancy but i ended up choosing the former. hope you like it ♡︎ see you lot next year :)
𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓
⋆  •°.  。  .°•  ⋆
You knew the exact day, hour, minute, and second the two lines on that test appeared and confirmed the wish you and Charles had been waiting for. But what got you there... now that was a mystery. It was like finding that one specific good needle in a stack of needles.
Ever since your boyfriend had mentioned children to you, you and Charles have spent more time acting like animals in heat. It was lewd, obscene, sometimes immoral given the places it happened, but God was it hot.
You were currently coming towards the end of your second trimester. Your baby bump wasn't visible to the naked eye when you wore clothes but no one would also deny that you were pregnant. Apparently, your baby girl (yes a girl, the already doting Charles couldn't be more thrilled) was the size of a banana.
Besides feeling sick, having odd cravings, and being unusually hormonal, you were heavily preparing for your due date. Honestly, you didn't need to prepare that much. Charles had been working on it himself with both of your families so you didn't feel stress. And as sweet as it was, you couldn't help it. You were having a baby for Christ's sake. This wasn't a paper you thought you could wing the night before.
Your eyes strained at the pile of pregnancy books Mama Leclerc had brought you, all new and updated with the times... her words not yours.
You liked to read. It was your favourite pastime. But this... this wasn't particularly enjoyable. Scary, if anything. How on earth did people get anything done with this much information? You have to have enough iron to prevent defects to the baby but not too much otherwise you could still harm the baby?
Huh?
You blinked and shook your head. Your eyes reverted to the also busy (reading) bee sat on the couch. You smiled softly at the sight of Charles. It was winter. The sun was still making it's visits but it was cold enough to put on the heater in the early evening. Charles wrapped up in that one cream knit sweater you brought him with his glasses and book five on parenting tips made you all warm on the inside.
You quietly walked over to him, pulling the book gently from his hands. "What are you thinking of, amour?" You queried, slowly removing his glasses from his face and resting them with the book on the coffee table.
Charles smiled at your presence, opening his arms so you could sit on his lap. His one hand automatically came to your stomach, rubbing your bump like he had been ever since he saw those two lines. The other held your waist, knowing very well your back had been getting sore without doing anything but walking.
He hummed in thought. "I was thinking about when exactly I got you pregnant. Was it the morning in the hotel room in the end of year party in Abu Dhabi? Or in the bathroom on the ride from Qatar to Texas? Italy, maybe? The wine was really good that night."
You gasped at his words, smacking him lightly on his arm. "You animal... and here I was thinking you were being all sweet, reading about parenting."
Charles grinned, blues eyes twinkling at you. "Hey, I have to tell our princess one day where she came from. And it won't be a stork. Maybe I'll say in my driving room in Japan."
Your mouth dropped in shock at the nonchalant shrug you received from Charles. You pushed yourself out of his arms. "Charles!" You practically screeched in horror, making a wave of laughter fall from his lips.
His arms quickly reached towards you, pulling you closer as your warmth was just beginning to disappear. "I'm kidding... mostly," Charles mumbled, smiling at your small glare.
You rolled your eyes, looking at Charles with sarcastic gaze before you narrowed it. "Also 'princess?' What about me?" You pouted.
Charles chuckled softly, holding you tighter. "You're still my princess, amour. But when our little girl comes, you'll be my queen."
You blinked, trying to suppress the cringe and embarrassment. "I'm going to go pretend to throw up because I'm pregnant and not because of you. But I'll find it endearing some other day... in the far, far future.
Charles sighed, shaking his head. "You're a menace."
You gaped at him. "I'm a menace. That's rich coming from you. Weren't you the one who was just thinking about which place we screwed each other to have this child?"
Charles winced, putting his forehead on your shoulder. "Well, when you say it like that..." He grimaced. Sucking in a sharp breath, he decided to change subjects. "How does brunch sound?"
Your ears perked up and your eyes squinted with a sudden happiness. "I'm cooking," Charles told you. You dropped your smile. "It sounds awful..."
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After teasing Charles for his cooking, you did end up having lunch. Charles, who was initially terrible at making any morsel of food, had found his talent in making pregnancy food.
Even though Charles lacked knowledge about food, ever since you found out you were pregnant, he had made sure every single thing you ate was edible for you and your little girl.
It was amusing to be honest.
You had joined Lorenzo and the others for dinner at a restaurant and the moment a wine bottle landed on the table, Charles pushed the bottle away from you as far as he could, fearing even the mere particles of wine you could breathe in would affect you.
As entertaining as it was, it was sweet. You knew that Charles naturally had a fear of being a bad father. His own father was the kindest soul he had ever met, his role model. Living up to that was going to be difficult. Furthermore, he still wanted to maintain a high standard while racing. Similar to that of Sebastian. But even Seb had ended up taking some time off to spend with his kids.
"What's with the face?" Charles queried, eyeing from the kitchen as he finished drying the last plate.
You blinked out of your trance. A tired sigh fell from your lips. "My boobs."
The plate in Charles' hands almost fell. Charles' head snapped towards you. "I... your... what?" He spluttered, putting down the plate gently before walking over to you.
You smiled softly at his confusion. You were about to speak up but Charles suddenly jutted out his hands. "No, wait! Don't tell me. I've got this. I read now."
The comment elicited a small laugh from your chest. Nodding, you waited patiently as he pondered around you.
"Okay... boobs... uh, this is great. I actually can't stop picturing your boobs now." Charles gave you a pointed look. You raised your hands in your defence, signalling him that this wasn't your problem. Your boyfriend fell into thought again, trying to think back to all the books he had been reading. Was it chapter three or six? It wasn't exactly breastfeeding...
"Ah!" Charles clapped his hand, dragging a seat from the table to sit in front of you. "Lactation! Tender breasts. While the tenderness tends to be less during the second trimester... uh, what was it? The... the lactation, yes, the lactation may cause more discomfort instead."
You watched Charles delve into an explanation about the biology behind it as if he was Spencer Reid from Criminal Minds. Another side of him you were discovering through this pregnancy. Charles didn't retain much information unless it was about you or racing, but if it was related to pregnancy, little did you know, he would eventually become a wikipedia.
You blinked slowly. "So are you going to help?" You asked, cutting him off abruptly.
Charles paused at your words. He raised his brows. "Help you?" He enunciated each word clearly.
You nodded, leaning back into your chair. "I thought you were going clean me up," You whispered in a way that had Charles' cock jumping again. "Something about massaging my breasts."
Charles' mouth felt dry. "I did say that..." He trailed off before letting out a groan. "Ah, ma chérie, why would you say that? I–fuck. You know how I feel about this."
You leaned over, putting a hand over his knee. "Charles, the doctor said it's fine."
Charles felt strongly about your breasts during your pregnancy. They were bigger, heavier and fuller. It turned him on more than he imagined it to. But as much as he was waiting for you to lactate, Charles also felt strongly about not hurting you. 'Cleaning' you up would only make him want to have sex and he was terrified about hurting you or the baby.
"I know..." Charles murmured, sucking in a sharp breath. Your doctor who remained professional to the end when you asked whether you could have sex (much to Charles' embarrassment and joy) cleared you for it. Actually, they encouraged it, saying it was good and healthy for the both of you.
Yet, Charles couldn't help be worried. So much to the point where you hadn't had sex for well over fifteen weeks.
"I mean if you seriously don't want to," You told him, retracting your hand. "It's okay."
Charles quickly took your hand back with his own. "No, I want to. Seriously, you have no idea how much I want to," He said with his voice thick, sending a familiar tingle between your thighs. "I just..." He sighed, "You'd tell me if I hurt you, right?"
Your eyes softened. Squeezing his hand gently, you used the other to caress his face. You gave a firm nod. "In a heartbeat," You promised.
Charles smiled lightly. With your hand in his, he stood up. "Let's go to the bedroom, hmm?"
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After taking off your underwear, Charles let out a low breath as he peeled off your shirt to see your bare breasts in front of him. He'd seen them when you got ready in the morning, it drove him crazy, but his fear always got to him first.
Looking at them like this, so close to him, it reminded him of the first time you had sex. Except, your breasts weren't showing such obvious signs of pregnancy: so full, almost two cup sizes bigger.
Charles pressed his lips together tightly, eyes glued to your breasts before flickering down to your stomach. He could see the bump a lot more clearly now that it was bare. The sight of it made him happy in far too many ways. It was like he was a teenager all over again. He wasn't sure what to do first.
Slowly, you encouraged him, silently bringing his hand over to your breasts.
A shaky breath fell from his mouth as a sudden surge of warmth came in contact with his hand. He moved his eyes to you, testing the waters by moving his thumb over your nipple. By your hitched breath and your suddenly dazed eyes, Charles could tell you were sensitive and completely fine. But he needed your words.
Bringing his other hand to your face, his thumb trailed of your lips. "Are you okay?" He softly asked, still grazing over your nipple.
"Charles," You let out a strained sigh, "If you don't move your fucking hand or do something, I will move it for you."
Yup, you were okay.
Charles chuckled quietly. His teeth sunk into his lips upon feeling a slight wetness at the pad of his thumb. He gulped at the white milk falling out of your nipple.
You eagerly watched Charles' head duck closer towards your breasts, mouth opening to wrap his lips around your milk covered nipple. A long whine fell from your mouth, head digging into your mattress. Your hand travelled up his neck and into his hair, eliciting a grunt from Charles as you pushed yourself further into his touch.
The taste on Charles' tongue was unlike anything he had ever tasted (well that he remembered of). It was sweet and creamy, coating his mouth ever so smoothly. It was a strange yet satisfying thought to think that while your body had made the milk, a part of him had participated in it. Technically, he had also made it. "Fuck," He hissed against your breast, realising your milk was far too addictive.
You let out another moan, tightening your grip on Charles' hair, feeling the grasp of his other hand on your other breast, twisting your pebbled nipple as he sucked on the other.
Your pussy was fully drenched, sensitive to any touch you received from Charles. You squeezed your thighs together, trying to relieve the creeping arousal that was intoxicating you.
Charles grunted, short breaths falling from his lips as he parted from your nipples. You whimpered at the sight of him licking the white liquid from his lips. The look in his blue eyes was surreal; crazed like a monster that wouldn't be satiated until he had entirely devoured you.
He brought his lips to yours, bringing you into a heated sloppy kiss. Your mouth moved against his, the taste of your own milk entering your tastebuds while your skin burned at his touch. Charles' breaths were heavy, chest rising up and down rapidly. "You taste that, princess?" He queried, lips lazily falling down your jaw. "You taste so fucking good," He rasped.
"Charles," You moaned out, hips jerking up at every tug on your nipple against a race of desperation.
"I know, baby, I know," Charles murmured with slight disbelief. He couldn't wrap his head around how sensitive you were. You were squirming and aching for his touch just by the touch of your nipples. His cock throbbed as his mind wandered just how you'd react to his cock or his tongue against your drenched folds.
Reluctantly, Charles moved his mouth away from your breasts, still keeping his hands on them, groping and teasing you with no mercy. Arriving to your pussy, he bit down on his swollen lips, uttering out a string of curses under his breath. He knew you were wet but not this wet. You had made a mess... the bed sheets were sported damp spots while your inner thighs were glazed with your arousal, ready to be eaten.
An apology quickly flew from his lips, making you furrow your brows. "For leaving you untouched," He murmured, hot breath dancing across your thighs yet cool to your burning folds. "Amour, I'm going to make up for it. Every fucking day," He promised.
Your stomach churned at his words while you drew in a deep breath. Christ. "I'm holding you to that promise, Cha," You whispered lightly, growing antsy with every passing second.
Charles grinned shamelessly against your thigh. "I should start now then, hmm?" He baited you by leaving soft kisses against your ample flesh, nose just skimming your pussy. He couldn't help but smile at the sudden gasp fallen from your reddened lips and jerk of your hips. You were clenching around nothing.
Your head dug into the mattress of your bed as Charles placed his mouth against your pussy, flattening his tongue and taking a long stripe of your warm folds. He sucked on every part of your pussy, darting his tongue on every crevice so naturally as if he had committed it to memory.
Your mewls that had turned into pure blubbers. You were sure you weren't making any sense. All that you knew was that Charles was eating you like he was tasting you for the first time, barely coming out for a breath while his nose rubbed against your clit, lapping at you like some sort of animal and it felt fucking phenomenal.
Charles' cock was uncomfortably and impossibly tight against his pants. He was struggling between continuing to eat you out because you tasted so good and prepping you for his cock. He was desperate to feel your walls again.
Your blubbers were now high pitched gasps upon feeling Charles' tongue drag to your clit, nibbling and sucking the sensitive bundle of nerves as he propped one finger into your walls. You could feel the coil in your stomach tighten. "Fuck, Charles," You moaned, hips jerking up to get even more stimulation while your eyes were clamped shut.
Charles grunted against your pussy, feeling your toes curl while he thrusted his finger out of you. God, you were even tight around his single finger. He couldn't help but wonder how you were going to give birth. His eyes darted up to your face, watching your back arch, exposing your leaking breasts to more air while your breath quivered. He could tell you were close.
Charles promised he'd be gentle. But he never promised he'd be kind.
Your eyes snapped open at the sudden loss of Charles' touch and the quickly distancing euphoria. You whined in annoyance. Even now, Charles was a menace.
"I know, princess. I'm sorry. Fuck, I just need to be in you, hmm?" Charles mumbled in a hurry, moving his body up and scrambling to remove his boxers. If he kept lapping at you like the animal he was, he was sure he was going to cum just like that.
If this was any other circumstance, you were sure you would be cursing at Charles in French. But taking a look at his throbbing cock, standing strong and hard in all it's glory... it took the words right of your mouth and had sent all the feelings straight to your pussy. In fact, you were even patient in the mere seconds it took Charles to adjust himself over you, revelling in his dazed hooded eyes, the blown pupils and his sweat-glittered skin.
Charles place the finger he had put inside you on your lips, gesturing for you to suck your arousal off. Without any objection, you parted your swollen lips and took a slow and long stripe of his finger, tasting yourself on your tongue. A guttural groan came from his mouth. Any second longer...
You sucked in a sharp breath when Charles let his bubbling saliva slowly fall from his mouth and onto the aching tip of his cock, rubbing the natural lube up and down his shaft. Shifting his hips a bit, the both of you let out a low blow upon the feeling of his flushed cock on your puffy folds.
Charles hovered over your body, placing his swollen lips on your leaking breast, savouring the sweet taste of your milk while letting his cock rub against your engorged pussy. He could hear your soft whimpers, loud enough for the entire room to reverberate off its walls. A rippling tremble surged through his body as he rocked his cock against your folds, feeling your wetness soak mix with his saliva and coat him entirely.
"Charles," You mewled, "Keep teasing and you won't feel this pussy again I promise."
The threat you made was empty and weak. The both of you knew it. Yet, the mere possibility or even the thought made Charles quickly but carefully push his cock into your pussy. He grunted at the feeling of your walls around his cock slowly welcoming you. Shit... You were tighter around his cock than his finger, already clenching around him.
"Merde," Charles swore. "You feel so good, princess."
Your hands fell around his neck, loosely holding him to you as his cock stretch you out. You could tell he wasn't as deep as he usually was with the baby taking up more space but when combined with your pregnant sensitivity, it left you more flustered and blazing than ever.
"Are you okay?" Charles managed to grit out.
You gave him a rushed nod. "Move... please," You begged, struggling to keep your eyes open.
Charles' hips began to move faster at your command, rutting at such as speed that pushed his aching cock against your walls, lost in the pleasure your brought by gripping him like a vice. His eyes fell to your mouth. Your moans and whines looked as though they were going to burst out of you. Bringing his puffy lips to yours, he swallowed all your angelic and sinful sounds into his body like he was consuming your very essence.
His hand travelled to your hips before trailing to your bump. The things this baby had done to him before even confirming those two lines was beyond Charles. Pulling away from your lips, he almost faltered when he saw your face.
God, you were just so... beautiful. Your flushed face, lust-ridden eyes, sweat-ridden hair moving in all sorts of directions, skin even stained with his marks of love he had made unknowingly... all with that pregnancy glow... beautiful.
"I love you, ma chérie," He whispered out. "You're going to be the most wonderful and gorgeous mother in the entire universe. Our baby is going to be the luckiest child."
Tears pricked at your eyes as the pleasure still coursed through you. The coil in your stomach was coming to a breaking point while broken sobs came out of your mouth. Fuck, you couldn't even tell what you wanted anymore. Your hand reached out to Charles' face, feeling the small hairs on his face as you caressed him. "And you're the only person I would ever want with me... the only person who could be the father of my... our children."
Charles let out a faint high pitched moan. His hand moved to your abandoned clit, starting his abuse on the sensitive bundle of nerves. You let out a silent gasp while he chased both of your climaxes, his twitching cock snapping into you. Everything around you began to blur while your orgasm hit you in big waves as his hips stuttered against you, spilling ropes and ropes of his warm, white cum into your walls.
Your body convulsed as Charles continued to rub your clit, taking advantage of your sensitive state almost selfishly just so he could see you completely space it out in the ecstasy of it all. You let out a soft cry, pussy clenching around him to take every last drop of his cum you could get as the last few waves of his orgasm shot through him.
Charles sighed, wincing softly while taking his cock out of you, making sure to fall down next to you instead of over you like he usually did. His sweaty arm brought you in closer to him, baby bump grazing his cock. Pressing a gentle kiss to your forehead he smiled down at your tired state. "I should clean you up more often, hmm, princess?"
You managed to roll your eyes, hitting him weakly in his arm. "You are awful."
Charles grinned, popping his dimples out at you. He nodded casually. "Yeah... but you love me," He teased.
You suppressed another eye roll and simply smiled, slowly succumbing to the heavy weight on your eyes. A yawn fell from your lips. "I do. I love you... a lot."
© 𝐌𝐈𝐂𝐊𝐘𝐒𝐂𝐇𝐔𝐌𝐀𝐂𝐇𝐄𝐑
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greensun · 10 months
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THE BIG QSMPSTUCK LOREDUMP AKA: I finally get to do all the lorebabble I wanted to do.
EDIT (11/1/2023): THIS VERSION IS NOW OUT OF DATE AND DOES NOT INCLUDE THE PEOPLE IN THE ICE CUBES. I AM CURRENTLY REWORKING PARTS OF THIS BUT MOST SHOULD STAY THE SAME FOR THE NEW POSTS SANS BAGHERA, KAMETO, AND DANTDM'S CLASSPECTS! LOOK FORWARD TO UPDATED POSTS IN THE FUTURE.
SOME NOTES: 1. I have a very specific version of qsmpstuck going on with my art I make that I made with a group of friends (thanks Slimercord!) 2. There are other people who made other classpects and takes on QSMP characters that are more character based, mine is not that case, it looks at how QSMP as a whole would work as a full sburb session, and balancing how many people would be on each aspect or class to carry that motif of Homestuck's balancing/equal duality theme. This means I am looking at and using Classpects as a narrative & plot device, not necessarily a personality test like how someone would classpect a real person (This is how the Extended Zodiac works, and why I choose to ignore it for character classpecting. It works great for classpecting real life people though, so by all means you can use the EZ for you and your friends!). 3. AND WITH THAT! It means two people per aspect and and class, with the exception of space and time having three people, and knights and heirs having three people. 4. FAIR WARNING: IF YOU HAVE NEVER READ HOMESTUCK, THERE IS LOTS OF DEATH IN IT, WITH LOTS OF RESURRECTIONS. I WILL BE DISCUSSING DEATH IN A VERY JOKING MANNER HERE! 5. For posterity in case things change in the future: This post was made August 2nd 2023, after the French were added, and right before the Election arc finished. I'm sure if I came back to this after QSMP is over my classpecting would be different. (Updated August 20, 2023)
I'll add this again at the bottom but if you want more of my notes and thought processes or just more qsmpstuck in general here's the link to my tag for all qsmpstuck on this blog, and here's the link to all qsmpstuck on my regular mcyt blog. (my regular blog includes other people's qsmpstuck takes & reblogs however! But every classpect analysis I reblogged in there w/ an anonymous ask sent to the OP was me on anon lol)
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HERE WE GO! The big ol google doc sheet I had to make for this. Every note on that godtier order list is how we decided the character would godtier, and we still aren't even technically done! I have so much information built up for this AU I am not sure I could include all of it in this post.
CLASSPECTS
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Anyway, in terms of classpects, the way we went about deciding was 1. Finding symbolic meanings we felt fit the characters best 2. If the classpect was funny and had a fun double entendre to the character 3. If we really struggled, we went and picked up Dahni Witch of Light's classpect analyses and found which class fit a character best within an aspect we had a vague idea of. I find Dahni's analyses to be the best at classpecting non-homestuck characters with, because they give enough leeway in interpretation and are somewhat broad, while still applying as a fictional character's story arc, rather than solely a personality test. We also basically ignored most classpect's assigned "role" concept thingy, they were too nebulous in meaning to help much, with the only ones we kept being Sylphs are the passive creation class with Maids as the active creation class, and then Bards are passive destruction, Princes are active destruction.
AND NOW BACK TO THE CUBES YOU CARE ABOUT: As stated before, we did lay it out so we (mostly) only had two per aspect and class, to get that true fan session balancing spirit. Space/time and knight/heir are the only ones with three members. Here's how the outfits look!
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My favorites here & their reasonings are: - Etoiles: Sylph of Blood - We all agreed him getting a classpect that is at least somewhat silly would be fitting, but all immediately came to the conclusion that he would hands down be a blood player. From his love of fighting, and the way he goes about befriending everyone he meets to help them, he's just so blood player. To balance out our initial silly classpecting idea, we made him a Sylph! It fits, like, really well! He creates friendship, he helps people, like. What more could you want from a classpect for him. - Mariana: Maid of Doom - I sent these two asks to this other person about this and liked their reasonings lol. - Spreen: Prince of Breath - Look I'm a Spreengirl I think he would play a great active destruction class and he takes away other's freedom (in minecraft). He kills people. He's just so Prince to me. It's really funny. - BBH: Knight of Life - Do you know how funny it is to take a guy who's whole thing is that he's like entirely black and red themed and put him in the burlap sack outfit. Also Knight & Space player frog breeding combo. He's working with Foolish on those frogs. - Foolish: Page of Space - This guy is the ultimate builder of all time ever. He was hands down the easiest to look at and go Oh he is THE space player here. - Fit: Prince of Space - Y'know 2b2t and hacked clients and griefing people? Prince of Space. Plus since he's a space player, soooo - Philza: Knight of Rage - Another great Space & Knight combo. This guy is such a hater on QSMP (positive) he doubts easily distrusts whenever necessary. Such a rage player. - Missa: Bard of Time - Missa is really failgirl I know quite a few people haven't like... watched much of his MC stuff. However you should check out when he had to be placed in a box to fish by himself so he wouldn't die a third time in Minecraft Extremo. He's a perfect Bard, and then he does music. Great set up for a Time player. Wouldn't want it any other way. - Antoine: Seer of Void - truly. Truly. A guy I looked at for two minutes and immediately knew what classpect he needed. That scene where he just like lightly questioned Cellbit after he escaped the federation and it made Cellbit so nervous he started just saying things that made him look way more nervous than necessary? Core Antoine moment for me. The fact he has a basement filled with so much writing on every candidate? The fact he hides his true face so much? We don't even know what's going on there? Void Player. Seer. So fitting it's beautiful to me. - Felps: Maid of Breath - Look, breath is THE aspect of freedom and doing what you want at your own pace. I think I would be committing a cardinal sin if I DIDN'T make Felps a breath player. - Tazercraft: Witch of Doom & Page of Time - They get to do a fucked up glitch timeloop. With these two classpects they can literally do whatever they want forever. Witch of Doom is a classpect that you give to a character if you know they can rip everything to shreds, have fun doing it, but wouldn't (usually) use it to actively hurt people out of true malice (for no reason) (a witch can DEFINITELY respond negatively if push comes to shove). Page of Time is so funny as a classpect also. Just like... Look up what the Page godtier outfit looks like. You'll see what I mean... And why Pac is a page. - Rubius: Waste of Breath - This classpect sounds really mean, sorry. I promise I like Rubius. He's supposed to be a stand in for what the Hussie author insert was in Homestuck, opposing Doc Scratch and fighting him. Hussie was a Waste of Space, I wanted to keep the pun with waste here. Breath worked the best. The federation has a Lord of Blood ability to counter him. Neither of these two count for the main classpect total.
One day I might post a copy of the google sheet and link it for more in-depth reasonings for every character, but like... almost everyone had reasonings like this where we spent waaay too long analyzing everyone LMAO. This is getting long as is, so I'll cut off classpecting here.
DREAMING MOONS
I am about to say something that will make people either really mad or really happy. There is no canon true definition of what assigns you a dreaming moon in Homestuck's text. The only thing we can glean from canon about which moon you get is that Prospit humans make their bed in the morning, and Derse humans don't. Needless to say, this doesn't help when you want to individually give each person a dreaming moon, but it IS great news for me: it makes assigning dreaming moons based on dividing the cast in half really, really easy. That is how it worked for the troll session, it was cut in half with teams, and then assigned based on red team vs blue team. So that is what I did here. All of the English speakers were given Prospit, and all of the Hispanic side were given Derse. This has lore relevance. We'll get back to it in a moment.
Also for note, the Federation is Prospit, with Dersite carapacians being a more nebulous identity against the Federation. Hispanic side was given Derse because they just seem more like Derse guys. Plus the whole Time on Derse/Space on Prospit theme going on in original HS canon is something I kinda wanted to go along with.
Quackity was given dual dreamer, with one of his dreamselves being ElQuackity, hence why he isn't listed. To balance this, we had to make another dual dreamer, and figured handing it to Kameto, who basically is permanently lost in the void, would be a good balance.
The French and Brazilian sessions were assigned using the "well this character would make sense here" method.
Server/Client Orders & Session Chains
If anyone needs a brief refresher, a client is the person you get into a sburb session, and a server is the person gets you into the session. Everyone is a client and a server to someone different. (tl;dr John was Rose's client, Rose was John's Server.) THAT BEING SAID! It means the loop for sessions close once you're all connected to both a client and a server. There are three separate sessions here, and one of them is a mobius double reacharound.
For clarity, the arrows mean: Client <- Server
The Original session, the mobius double reacharound, is the Spanish-English session. The order is
Quackity <- Mariana <- Spreen <- Roier <- Missa <- Vegetta <- Maxo <- Luzu (<- BBH)
BBH <- Foolish <- Slimecicle <- Jaiden <- DanTDM <- Fit <- Philza <- Wilbur (<- Quackity)
Because of the nature of a Mobius Double Reacharound, it means BBH and Quackity enter the session first, by technicality. The first person in a session is also the person who does the ectobiology. Unlike the troll session which only had Karkat as the ectobiologist, if Q!Quackity were the sole ectobiologist, no clones would be made and everyone would be stuck in a paradox, so I think it's funnier if BBH and Q had to work together on Ectobiology. I find their dynamic hilarious. Anyway, Luzu and Wilbur had to be the last in their respective chains, because no one else would be able to enter.
The next chain is the Brazilian closed Session, which is
Forever <- Mike <- Pac <- Felps <- Cellbit (<- Forever)
As previously mentioned, Pac e Mike (uou uou) have very good classpects to make up for the fact they have no space player. I'll come back to this.
The final chain is the French closed session. It goes
Baghera <- Antoine <- Etoiles <- AyPierre <- Kameto (<- Baghera)
They have balanced moons! They have a space player! They have a seer even! Both light and void! However, in missing a time player, they are forever doomed to fail the session.
LANDS OF PLANETS AND PARTNERS
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Now I can finally explain actual lore. My apologies for making you read about 1000 words before this.
The Hispanic-English session is glitched. There is not a planet for each person. They have to share planets with a person from the opposite dreaming moon, generating lands that are a combination of two different aspects entirely. The planetary pairings for this prime session are the same pairings used for the initial egg pairings.
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I really love designing lands for Sburb AUs it's my favorite thing in the world. The first one is the Land of Acid and Alcohol, Slimecicle (Heir of Heart) and Mariana's (Maid of Doom) land. Its oceans are acid and gasoline, and then covered in bottles that are a Russian roulette of alcoholic beverages, and then Molotov cocktails! The second is the Land of Steam and Dreams, Roier (Witch of Blood) and Jaiden's (Seer of Hope) land. It's filled with buildings built in an industrial revolution style architecture, playing on how people could believe in social mobility and "making it" in that time period, while also being reliant on heavy metallic machinery! I have a lot of fun conceptualizing lands.
The session's glitches don't stop at the planetary pairings on their own however, and it continues when Luzu attempts to enter the session. The session glitches from him being BBH's client, where it refuses to match pairings if they're connected directly, as the game would be unable to generate the gates above each player's house, it would simply loop back to connecting with the same Land. Luzu ends up being paired onto Quackity's land because of this, because the Game still detects him as having a dreamself on the opposite moon, even if he technically has both.
This causes BBH and Wilbur's land to glitch, and they end up paired together (as a bit of a nod back to how BBH and Wilbur were initially intended to be paired, before admins just made a new egg for Wilbur). We'll get back to this in a bit.
Some other lands from the AH session I enjoy are - The Land of Lush Forests and Iridescent Lakes, also known as LOLFAIL, BBH and Wilbur's land, which is a double Life player land, so the oceans are filled with gemstones and the land is covered in the most dense forest imaginable. It has the most difficult underlings spawn on it compared to any other land in the Anglo-Hispanic session. - The Land of Frogs and Typhoons, Spreen and Fit's land, which every space player is guaranteed frogs as part of their land, combined with Spreen being a breath player, it is a constant hurricane with frogs in it. They do not work on trying to calm the storm. They just start killing the frogs. There are so many frogs. The frogs are constantly flying at anyone who enters the land. Fit's slogan is FTF. Thank you to crow qsmp-yaoi for saying this idea because it truly brings me to tears every time I think about them being hit by those frogs flying at Mach 10. - The Land of Synapses and Static, Maxo and DanTDM's land. It's a darkened land, caused by Maxo's void, and then covered in a blanket of constant fog so thick a lighthouse can barely cut through it. The land also has mimicking noises to make familiar sounds to any player that steps on it, caused by Dan's Mind. It is an overbearingly lonely land. One where you understand what it truly feels like to be alone. One where you can lose someone as soon as you take your eyes off of them. Maxo last saw Dan on this land. No one else has seen him since.
I'm going to stop myself here, but I might come back and draw some more Land illustrations for these, haha.
Denizeggs
With the planetary partners, you might have seen this coming. Each planet in the combined session is missing a Denizen. Instead, what each player finds at the heart of the land is a little egg they need to help raise. They all find eggs at different points, however. Some people find their egg before they godtier, some find them afterward.
All of the eggs correspond to the land of their respective parents, however Luzu joins into the session too late to ever meet Tilin, second to last of the chain, she's already dead by that point.
And then the final major glitch in starting this session, when Wilbur joins as the final member of the chain, and enters, the only land open is BBH's land. Due to the nature of Sburb already knowing how things would end, it was always going to be this way, and there was no other option on who's planet he would join. The game glitches again, and detecting a second Prospit player, spawns in a new Denizen: Tallulah.
The eggs generally follow how they were in QSMP proper. Some of them die early. Some of them don't. Juanaflippa is as tragic as she is in canon. Two dads who are just bad at raising a child and it would have never worked out. Slime still kills Tilin by accident. Spreen doesn't care about Ramon, ditched him etc you know how it goes. The eggs are partially a planet quest too, so it's best if the eggs do live here.
Also in the glitches with this, there's a lack of consorts on any of the combined planets. There are a few, but not really as common as canon proper would have.
BRAZIL! 🇧🇷
The Brazil Session is a closed session between the five Brazilians. One of the requirements to complete Sburb is that you need a Space player (required to have forge in order to complete the final genesis frog & launch it into creating a new universe) and a Time player (required to keep the session in the proper timeline). The Brazilians have a time player (Pac), so they're halfway there!
There's some hiccups along the way. Mostly just Cellbit accidentally killing Felps and having to sprite him so Mike could make him a robot body to live in, but same old same old etc. Pac and Mike also kill each other by accident, but some other stuff happens there.
They still don't have the main aspect to actually continue the session, realize this, and also have a guy with one of the most conceptually powerful classpects to exist in terms of being able to glitch a game and save everyone. They manage to contact the primary session, reaching out to two grieving parents who are desperate to do anything to revive their daughter, one of whom is also a very powerful Doom player.
Brazilian Lands (brief edition)! - Land of Vultures and Culture, Forever's land, is a Hope land based around having Forever work to help save consorts who are hiding beneath intense structures and live in very isolate communities from each other. There's also massive megafauna in the skies that are always trying to kill them. - Land of Electronics and Experiments, Mike's land, is a pretty typical doom land, based around Chume labs, and has a constant lightning storm overhead - Land of Dancefloors and Dollhouses, Pac's land, is a combination of a land quest he has to get through, and a typical time land. All time lands have a clockwork or a music theme, I think him having a hot pink land that's massive amounts of dollhouse rooms attached to each other he has to make it through is just a fun concept. - Land of Cloud and Sky, Felps's world, is just a land with everything high in the sky. His whole quest is about him harnessing his ability to go with the flow to connect his consorts together. This is hard when he's sprited himself after dying upon entering due to Cellbit fucking up and accidentally killing him, and living in a robot body built by Mike. Aradia style. - Land of Searchlight and Bone, Cellbit's world, is a giant panopticon style prison. With so many bones, both decorating the prison, and filling the prison cells. His final moment is when he gets to the office of the panopticon, and it is his quest bed. He has a whole ordeal over it.
RICARLYSON! So these guys have regular consorts and Denizens, Richarlyson spawns in the heart of Skaia, and gives the quest for the other five guys to raise him.
Pac (Page of Time) has the ability to manipulate time as he wants once he realizes his abilities. Mike (Witch of Doom) can rip a hole in the universe so big it saves all of the players and sets them smack in the middle of another session, especially a previously contacted session with the connection being a Maid of Doom. With a time player land as well, they get a scratch construct on the Land of Dancefloors and Dollhouses, setting up their ability to scratch their session and set loose a whole new universe where theirs once stood.
French
The French session has probably the most normal planets of everything going on here, what really starts their journey going awry is that they have no time player.
Antoine, being a Seer of Void, can see something is going wrong. He makes contact with people outside of their session in an attempt to restore things to balance. He goes off into the veil and contacts the horrorterrors, and sets up a connection between two Doom players who seem they both desperately need it.
While he's doing that, the rest of the French proceed to have the most normal Sburb session out of anyone. Etoiles is having a great time on his planet. Aypierre gets a genesis tadpole. Kameto has two backup lives.
French Planets (Brief Edition) - Land of Apples and Airplanes, Baghera's land! It's probably the nicest land of anyone's. There are many jokes about how she doesn't get why everyone keeps complaining about their lands being horrible until she reaches theirs. - Land of Sham and Soil, Antoine's land, it's a dark land with tall dirt towers that make it impossible to see where you step. You'd need to be someone who could find where you're going in the pitch dark to even survive here. - Land of Bonds and Breakouts, Etoiles's land, is a land of a giant maze dungeon labyrinth. It's a nightmare for everyone but him. He loves it. - Land of Bogs and Frogs, AyPierre's land, is a land with frogs in a very thick swamp. I'll be honest i Just need to cook on this one some more. - Land of Hidden Leaves and War, Kameto's land, is a Naruto joke.
POMME! Is like Richas she's in the middle of Skaia. An easter egg if you will.
The French session is brought into the primary session when Antoine manages to contact with everyone else fully, rather than quietly watch from the outside. Etoiles and Baghera lose their original selves, and are their dreamselves when the universes collide in, and were unable to godtier, due to not knowing about the quest slabs.
GODTIERING! & the rest of the chronological story
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THIS is the order of the godtiers from the beginning of the Spanish-English session. Anyone in the other sessions who godtier before their universe collide event has a red numeral to keep them distinct. I feel pretty strongly almost everyone would godtier here, they're all characters based on gamers. Sburb au works exceptionally well when you know everyone's gaming style.
Also, yeah I have notes listed on each godtier order for how each person dies. Like it's that detailed atp.
Spreen has the highest kill count out of everyone on purpose. I think he'd be down to cut his friends down knowing they'd be revived immortal afterward. As well as, the federation is Prospit in this scenario, they want everyone to godtier. I think him playing to what they want out of him feels his style. Anyway, he sprites his own dreamself due to ElQuackity messing with timeloops. To make his living player self trust him, Spreensprite convinces him to godtier Roier first. It is himself he's talking to, after all. Roier becomes the first godtier in any universe, and not out of his own volition. After seeing it really did work with Roier, Spreen godtiers himself. He gets li'l bear ears ala Jade getting doggy ears with her dreamself sprited, he threw in a Rubius cubito to his kernelsprite first. I like the bear ears I'm biased .3. q!Spreen being really fun in a Sburb concept is why I got hooked on this au after all.
After the first lore is repeated, BBH godtiers himself by decapitating himself with a sendificator to fuck with Foolish. He's kinda bitter about getting beige clothes. He befriends the midnight crew at least. This is before he has Dapper. He finds out about godtiering from Roier by accident and then is like. Oh I have the BEST idea.
Vegetta is killed by Spreen by request, wanting to be stronger to protect Leo, and then Spreen godtiers Missa in order to use his time powers on Derse to throw his dreamself at the kernelsprite, locking the time loop. Anyway, Missa is essentially locked in a tower on Derse's moon after this, now permanently in his Dreamself's body, who hadn't awoken prior. Fit realizes people are walking around in weird clothes, hears about it vaguely from BBH, sends a text to Spreen who'd been ghosting him, and goes like. Hey man. Wanna kill me? And gets his first reply in months.
Phil is attacked by an overpowered monster and almost dies, and Missa manages to get the message to Fit that this is happening through time shenanigans, and Fit manages to get him to his questbed before he fully dies and loses his dreamself. Phil is not happy about this and could not be angrier. He doesn't blame Fit though it's like a self anger thing.
THE BRAZILIAN CASCADE HAPPENS! PEOPLE DIE. By which I mean Slimecicle and Mariana work together to try to help the Brazilians into the session in a bid at saving Juanaflippa, hoping one of them have the ability to revive her. Slimecicle is murdered in the crypts of Prospit by Quackity in a duel, where he cuts off Quackity's arm in exchange for Quackity cutting down his life. Truly one of those luck moments where Charlie dies on his questslab. Mariana is murdered at the same time by Spreen, who is now fully working under orders from the Federation.
Pre-cascade, Pac and Mike both godtier, because they stumble into a stable timeloop, by Mike accidentally glitching Pac's questslab into throwing it at him and killing him. He godtiers with this. Now, as a fully godtiered page of time, they make it to Mike's questbed, and godtier!Mike nudges Pac's slab at Past!Mike to pick up and throw when fucking around with powers.
Felps godtiers in the cascade along with Mariana and Slimecicle, they leave behind Derse and its moon, and they both get destroyed. Where his body sleeping on the quest slab godtiers. Aradia style. Except... as a Maid of Breath, his robot sprite body doesn't explode. He just sort of... exists in both. When one falls asleep the other wakes up. The rest of the Brazilian session just assumes the Cascade fucked with his robot body's energy sources. He kind of just figures each side is a weird dream he keeps having.
Cellbit is staunchly anti-godtier, while Forever wants someone he trusts to godtier him. Cellbit refuses to godtier Forever, and causes a major fight between them. Then Spreen murders Cellbit into his godtier under orders from the Federation, which is preceded by a long Scooby-doo-esque chase, where BBH sees them both, and decides to follow. BBH is a fully godtiered Knight of Life here, he has resurrection powers for other players, and Spreen is functionally immortal as well. BBH 100% catches up to him after he kills Cellbit, and proceeds to put Spreen in a torment nexus of dying and undeath. Thus ends the Killing Spree(n).
AND THEN THE FRENCH CASCADE HAPPENS! The final session connects, and Baghera sacrifices herself to make it happen. After they make it in, they learn about Quest slabs, and there's a whole thing with Etoiles dramatically getting her to her questslab before she fully dies. Etoiles then proceeds to go kill himself on the questslab immediately after. Felps is also hanging out with the French, they found him hanging out in the void and take him with them. They lose Kameto in the void however, nobody's really sure where he went.
Pre-French Cascade, Antoine is the only French player to godtier, and no one will explain how it happened. It seems like no one really knows, but Etoiles keeps saying more fantastical descriptions every time someone asks. He's never taken his seer hood off of his face.
Back in the order of the godtiers, Forever befriends Baghera, and eventually her and Etoiles and Cellbit help him godtier. It's a whole event. Richas is having a blast.
Bobby dies, and Jaiden decides to godtier in order to get into the Federation's good graces, as well as out of guilt of feeling that if she were stronger and godtiered she could have saved him. Roier godtiers her.
AyPierre is godtiered in a tragic accident with one of his many machines. Etoiles helps pull him to his quest bed. He's a Thief of Space he has fun with it.
Foolish is the second to last person to godtier, and he is godtiered by Pomme by accident. He wanted his godtier to be as cool as possible, and somehow managed to not godtier by this point. It's just very him. He's down with the page pants.
Quackity is the final member to godtier. BBH kills ElQ at one end of the universe with the aid of Maximus. Slimecicle kills the regular QQ in one final duel.
At the end of the universe, the only people left alive and able to contact the rest of the sessions to never godtier are Wilbur and Maxo.
DanTDM disappears on the Land of Synapses and Static, never to be seen again, along with Turnip following soon after.
Luzu finds a glitch and is absorbed by it not long after he enters.
Nobody is really sure if Kameto godtiered or not.
MISCELLANEOUS NOTES
We're currently working on figuring out sprites for everyone, so hey! I might come back and add an update on that, but this post is so long my computer is lagging. I have a gaming laptop. It shouldn't be doing that. Here's some stuff on the sprites we do have + some misc notes.
Cellbit's flashlightkind is like how Kanaya's lipstick works. It's a chainsaw.
Spreen has Spreensprite, BBH has Skeppysprite, Missa has a sprite that is a mysterious skull sprited twice called Skullskullsprite, and Roier has his dog with a spiderman called Dogmansprite, and Jaiden has Arisprite, who's Miku & Ari combined :D (thanks icarus!)
It is 5 am as I finish typing this and queue it. I think I started typing this at 5 pm yesterday. Feel free to comment any thoughts you have or play around in this au! Also feel free to @ me if you do, either on my main mcyt blog (@etoilesbienne), or here!
qsmpstuck tag on my art blog / qsmpstuck tag on my regular mcyt talk blog
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transmutationisms · 5 months
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hi! was wondering if you have any recs for some good critiques of Foucault’s historical method (or lack thereof)?
I enjoy reading his theory but I know his methodology can be lacking and would love to learn specifically how. ty <3
i don't have a text off the top of my head that is solely dedicated to making this critique of foucault (usually it's scattered into various historical literature) but i can just tell you:
foucault the historian has the consistent problem of relying on too few primary sources, almost all of which are french or english, meaning his claims are often only applicable to limited local cases (even the differences between the highly centralised, bureaucratised french state and the british situation tend to get flattened). his sources also tend to be authority figures like doctors and government officials, and he frequently makes the assumption that the powers they claim to have (or claim they SHOULD have) are powers they actually do have, which leads to a 'top-down' history that presents authorities and institutions as almost infallible in their efforts to repression, with virtually no attention paid to how people actually received any such mandates, and whether they were actionable, or subverted, or both. he also has a real problem conceiving of liberty in any terms but individual; politics for him is frequently characterised by a group vs individual struggle, which is a problem if what you are trying to understand is, say, the history of class struggle.
as a philosopher foucault articulated some general methodological guiding principles that remain useful in history: genealogical and archaeological methods, the call to historicise (meaning, to problematise; to contextualise) institutions and ideas presented as timeless or transcendent. there are also concepts in his historical narratives that other people have since fleshed out further, nuanced, and grounded in better evidence and 'bottom-up' histories, like biopolitics. so it's not unusual to see his name pop up in historical footnotes, especially in an introduction or conclusion where he may form part of a conceptual framework the author is using to interpret their evidence and turn it into a viable argument. but even these usages are certainly subject to critique (eg, the emphasis on individual liberty that suffuses his conceptual work; the extent to which his arguments can apply beyond the specific early modern metropolitan french contexts about which he was writing) and he should pretty much never be cited as a historian because his methodology in that respect was at best lacking.
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sgiandubh · 1 month
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Good morning to you...as always, this person is very indignant and enraged.
https://www.tumblr.com/maximumwobblerbanditdonut/748583730081333248/the-unexpected-guests?source=share
Dear (returning) Mythomaniac Anon,
Sorry for the delay and see below why. Well, then: how was that, at their end of the rope, across the street?
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I know, I am quoting BIF (that petty, nasty, condescending woman), their Main Intellectual Luminary (LOL for years), but see how easy it is to boomerang anything?
And I will even suit myself and quote her some more, lookie here:
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I am not even sorry. Karma is a bitch, like that and it seems to have backfired badly on BIF's comadre, 'Max'. You see, I can immediately tell when people who have NO idea about what LAW really is, start talking about it. They will always be oh so damn literal and oh so damn mechanical in their 'reasonings'. I mean, if law were to be read as is, why would we even bother going to law school, right? Why not have AI sort it out, literally and mechanically, too (and boy does 'Max' sound like an android when she starts droning her maximum wobbling bullshit)? You see, in law, it's never enough to copy/paste something, because this is about people, money and interests, being those individual or collective. Timelines are important (and indispensable in any legal approach), but never enough: what makes the difference is always the particular context and the interpretation of facts - that is, by the way, called jurisprudence, when it becomes a legally binding precedent (not our modest case, here), in common law system countries (the UK, the US) or a complementary source of law, like in Roman/Civil law systems, such as the French and Romanian ones, which I know best. There is a technical distinction between those two concepts (legally binding precedent and complementary source of law) and I once passed a whole year written exam in Public French Law with honors, picking this exact topic, but I won't bother you with it, Anon. In a nutshell, tread carefully when you open that droning mouth and leave no stone unturned, if possible. Otherwise, you'd make a fool out of yourself, with bullshit like this:
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There is no Midhope Distillery Company Ltd, you fool. There once was the Midhope Castle Distillery Ltd, as I have abundantly shown in not one, but two posts. It did not 'change its name' in 2023, it was dissolved by voluntary write-off (third time might be a charm, across the street, maybe the coin would drop?). And one more time, for you Mordor people in the back: there is no way to know who the shareholders of a given company are, based on the Company House records, nor the amount of their participation. This is confidential information, as shown also in the Planning Proposal - once more, I repost the screenshot:
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' The Business Plan, submitted (...) under Private and Confidential cover, provides background information on the applicant'. Including, but not limited to, the existing investors/shareholders - it is essential to show the local authorities your business project is not a whim or a dream.
She also writes confidently stuff like:
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That is simply not true. As I have also shown in my last post, Outlander is explicitly mentioned in both the first and the revised Planning Proposals, as a strong argument for the entire business project. It may serve to remember that one of the elements justifying it was to provide the 20k seasonal visitors of the Midhope Castle Grounds an opportunity to access the (vastly) improved interior of the castle, along with a whisky related experience/discovery activity, accommodation and high-end dining opportunity. Again, I repost the screenshot, because those people are mendacious by nature and it is perhaps the only way to show them some facts (not useless factoids):
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That being said, we can speculate and deduct a simple correlation between a company actively looking for investors to support their now vastly revised, ten-year project and an actor-cum-entrepreneur who might be interested/already involved in that project. Unless he'd make a formal announcement himself, at some point in time, there is no way to confirm. 'Max' should perhaps learn to water down her confident tone, sometimes, especially when it is obvious she did not look at the documents herself, used only Google in the arrogant and foolish hope 'those tinhat shippers are stupid' and has 0 (zero) legal expertise.
This whole thing might be pending approval, but let's not forget the first Planning Statement was approved back in 2020 (which is a good starting point), that they have secured a business partnership with the owner of the land, Lord Hope (the 4th Marquess of Linlithgow) and that as far as I could read during those past two days, all the reports seem ok, at least up until this point in time. I see no reason why they wouldn't meet and talk about it: on which planet is that such a big deal and on which planet could that be construed as 'conflict of interest' (another one of 'Max's' arguments), given the organic link between OL and Midhope, since 2013?
I also have made a hasty mistake, in my previous post, when dealing with Ken Robertson's participation to the project. He continued to be involved, as my penned timeline shows, in both Hopetoun Estate Distillery Ltd and Hopetoun Estate Whiskies Ltd, as a Director, continuously from May 2017 until their dissolution, in December 2022. Again, it's all on the timeline - see what I just did, here? LOL for a century and a half.
And for Marple's 'Sorry' clip, I have the perfect reply. Especially the chorus, of course - ignore the rest, it's about some Seventies playboy, quite an Alternate Universe from hers:
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I will stop now, Anon. With the MPC Gala just round the corner, all the eyes will be on that one. This drama will probably draw to a fizzled denouement, as they always do, in this fandom. But I will follow that business project and report from time to time. I bet the farm we'll have news, rather sooner than later.
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undershyperfixate · 1 month
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VERY LONG RANT ABOUT AIDEN.
I apologize for any mistakes, my french ass type fast without paying attention to my grammar because I'm not a native speaker ( writer in that case)
Okay guys I need to know, did I interpret Aiden wrong in this scene?
So I've been reading a LOT of sbg fanfics, (because it's my hyperfixation and it's actually incredibly hard for me to detach or distance myself from it ( my fellow autistic people, y'all get what I mean) )
And I've noticed that in a lot of fics, they make Aiden a bit more clueless(?) like in some fics, he's written as if he actually thought Ashlyn was shy, or that he didn't understand that she didn't like social interaction
But from what I've read in the webtoon, he seems to know? Since the start
Like he always knew she was like that, he just pushed her limits because he wanted to know more about her
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After Ashlyn says that, Aiden has this physical response :
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This snarky smile guys, he understood that she just didn't want to talk, but knowing that; he purposefully acted as if he just thought she was shy, to trigger a response from her and be able to continue the convo without her being able to counter argue, after all Ashlyn try to keep being polite in refusing to interact with him.
The "you're just shy right?" Sounds sarcastic, and the voice actor in the dub ver encapsulated this exact tone from what I remember.
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When he laughs because she runs away, he's not frustrated or shocked, he knew she wanted to leave and thought it was funny how fast she was able to escape the situation
In the canva, he acts like this because he's portrayed as a psychopathic character
But in the webtoon, he's definitely not written like this, BUT and I don't see enough people talk about this, he definitely has some psychotic reactions, his rush for adrenaline feels more than fueled by masked depression( not sure if it's 100% depression, he could have had another disorder in the flashback given), it feels manic, it feels psychotic. And by psychotic I don't mean psychopathic, I mean by the def of psychosis "a severe mental condition in which thoughts and emotions are so affected that contact is lost with external reality." He's not completely psychotic and I don't think Red wrote him with the exact disorder, but I do think he has some symptoms. Multiple of his actions, reactions and behavior feels very out of touch, as if reality didn't exist the same way in his mind, OR I'm confusing that with a cluster B disorder, it feels so familiar as someone with one. But it might just be me projecting or analyzing too hard.
But also, he's still very in touch with reality based on his relationship with the main 6, especially when his actions have consequences on the things he cherishes. it definitely reminds me of the entire thread @stillfrownyclownlol made about him being obsessive with Ashlyn and how it was shown through his way of behaving, fixating ect. Anyway I love ranting and I loved the aiden obsessive rant so It made me realize I had a lot to say about him too.
Sorry again for ranting so much 💕 ( and I hope I tagged the right person because it would be embarrassing if I didn't remember who wrote the Aiden obsessive rant and just tagged someone else).
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The new trilogy means we finally got official French translations of the fifth and sixth games (the fourth already had one) so I did my thing and played through them, since they're always a lot of fun. Here are some things about French Dual Destinies I thought you might like to know:
Yes, it's set in France as per usual. They are all French people who live in Paris. And yes, that means that in this universe there is a Japanese village themed around yokai within throwing distance of Paris.
Athena lived in America in this version, and therefore peppers her speech with English and Spanish. My favourite unhinged franglais line was "let's get au travail" which I will be using from now on because it's hilarious
Many characters got French pun names again. Simon's name is "Jack Lamenoire" -- Jack, because the French version of Simon Says uses the name Jack/Jacques, and "lame noire" means "black blade". (Also he's not British or anything in this version, he just speaks in somewhat old-timey French.)
He has multiple nicknames for the judge that are all slight variations of "Your Baldness". He doesn't do that "-dono" suffix thing but he does refer to Phoenix in particular as "Maître Wright".
...I don't like pointing out things I didn't like buuuuuut his voice is a huge downgrade. Actually, to be honest, I don't like the new French voices that much in general... idk man they just don't sound very enthusiastic...
Filch's name is "Arsène Loupet", reference to the famous fictional thief Arsène Lupin, which I thought was pretty cool! (Herlock Sholmes was also a reference to that series too btw!)
Athena and Apollo use informal pronouns for each other pretty much from the get-go, but there have been some changes from the previous games: Phoenix now uses the informal "tu" for Apollo (and Athena) whereas in the prev game he didn't, Pearl now uses "tu" for Phoenix as well, and Klavier uses "tu" for Apollo now (but Apollo still calls him the formal "vous" lmao)
SPEAKING OF... SPEAKING OF. The French localisation continues to utterly baffle me when it comes to Klavier (or Konrad as he's called in French). No listen, liSTEN. In the previous game he was specifically stated to be English and did his law exams in England and dropped English words into his speech (and this is still the case in the trilogy version, I checked). But now?? They seem to have gone back on it and in this game he says he's German again, like the in English translation??? But he's still dropping English words into his speech randomly????? Look I already went through the five stages of grief when I found out they'd english-ified him, I made my peace with it, and NOW they change it???????
God and his new French voice sucks too (his old one was actually good)... what have they done to you my poor boy, was making you English not bad enough T_T Oh and he and Athena didn't even get their little language club moment where they both start speaking in the same foreign language?? Like, that just straight-up didn't happen here and I had been waiting for it aauuugh it's cool it's fine it's cool i'm okay i'm--
True to Dual Destinies fashion, there are still typos. In an emotional moment, Apollo took a leave of asbence from the office. Not absence. Asbence.
I can't put my finger on it but Robin's coming out scene felt more... respectful in French? The English translation was done over a decade ago so it feels somewhat dated, maybe that's why... I obviously don't know if she was purposely written to be a trans girl but she very much comes across that way, and it feels like the French translators were aware of that interpretation and took it into account, idk maybe it's just me
THEY GOT RID OF MY FAVOURITE LINE. THE FORESHADOWEY ONE WHERE SIMON TELLS ATHENA THAT THE PERSON SHE WANTS TO SAVE MORE THAN ANYONE ELSE IN THE WORLD DOESN'T DESIRE HER DEFENCE, AND HE'S CLEARLY TALKING ABOUT HIMSELF. THE FRENCH MADE HIM SAY SOMETHING ELSE WAY LESS COOL. I don't wanna be like "FRENCH TURNABOUT ACADEMY IS DEAD TO ME" because most of it was awesome, but man these occasional things made me wanna flip tables
Cosmic Turnabout and Turnabout for Tomorrow were great in French though, so there's that. Clay's French name is "Pierre" which worked surprisingly well because it means stone or rock, and the moon rock was also called that, so like, the phantom had to kill Pierre in order to get the pierre... idk it worked and it was cool
Simon and Athena switch to using informal pronouns for each other very near the end of the game, in the scene where they work together to psychologically mess with the phantom. It's around the time when they start openly calling each other by first name since everyone knows now that they're old friends.
Phoenix and Edgeworth also occasionally refer to each other by first name in this game, which threw me off completely. (Reminder that Edgeworth's French name is "Benjamin Hunter". Just picture Phoenix standing in front of Edgeworth and calling him BENJAMIN. Now you understand how absolutely bizarre it felt.)
Here's the entirety of The Dissin' of Phoenix Wright in French
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54625 · 2 months
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About your post regarding the union talking about the CC’s intention :
First like you said yourself, and at least from what I’m aware (and I hope it is the case), no CCs have actively encouraged harassment against anyone involved in this.
Now, I’m assuming what the union is referring to are statement such as
-Aypierre who has tweeted against doxxing (not a bad thing obviously) and generally defended Quackity. Obviously he isn’t encouraging harassment intentionally at all, but fact is that by doing so it fueled a lot of hate against the admins and also french fans who speak in favor of them.
-Quackity’s streams in which he has talked multiplie time about « people with bad intentions », people who wanted to see the downfall of the server etc. Again no intent to directly encourage harassment but this still lead to a lot of hate being thrown the admins way.
In both cases, the union isn’t saying that they’ve actively tried to fuel the hate, just that CCs should be mindful of what they say and how they word it, because when you have a big community the consequences can be and have been quite intense. Of course CCs aren’t guilty by proxy of the bad behaviour from their fans, the union is just saying that they should be careful with their influence. (Ideally this applies to everyone, not just influencers, but the bigger your reach is, the more careful you have to be)
I’m sorry this is long, and I hope this could clear things up a bit ✌️
As much as I wish I could agree with you, the union really isn't just gently advising CCs to be careful with what they say.
You say that the union doesn't claim that they've actively tried to fuel hate, and yeah sure maybe they aren't saying that about Quackity, but the entire reason I made that last post was because their wording did actually just straight up imply that some unnamed CCs have actively tried to fuel hate. That was the entire issue.
They also made no mention of CCs or Quackity "needing to be mindful of what they say;" in fact they didn't really offer any constructive suggestions of the sort that could be interpreted in that way whatsoever. The only thing they told them to do was apologise, clearly implying that they believe Quackity and the unnamed CCs are to a certain extent at fault for the harassment.
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ineffabletwaddle13 · 1 year
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Holmes tapping his fingers on things such as a book, his lip, his tummy, a piece of paper, a picture frame, his thigh, plus tapping his pipe on a map.
Holmes in the books by Arthur Conan Doyle also taps his fingers on things a lot:
The Adventure of the Bruce-Partington plans: “He sat lost in thought, tapping his fingers on the table”... “ tapping the furniture”
The Disappearance of Lady Frances Carfax: “his long, nervous fingers tapping upon the arms of his chair"
His last bow: “Holmes, tapping the valise”
The Adventure of the Empty House: “More than once he fidgeted with his feet and tapped rapidly with his fingers upon the wall”
A Study In Scarlet: “He gnawed his lip, drummed his fingers upon the table, and showed every other symptom of acute impatience”
The Problem of Thor Bridge: “in his nervous restlessness, he could not sit still, but paced the carriage or drummed with his long, sensitive fingers upon the cushions beside him”
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bookshelfdreams · 8 months
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sexually assaulted by his peers? did i miss that? 😵‍💫
(content warning: discussions of csa, but nothing explicit)
Nigel. After he recounts the rowboat thing he says "And the horse. When we made you french kiss the horse".
Which - well, assault might not be the entirely correct word. But it's definitely an act of sexualized violence/humiliation.
This is, to my understanding, a well-documented pattern of behavior in environments like this. When people are locked somewhere together where they can't escape each other, have communal bathrooms and bedrooms, and are encouraged to enforce a strict pecking order, the resulting peer-to-peer violence often includes a sexualized element. Especially when said people are children who haven't fully developed social skills and empathy yet, especially once puberty hits (which, since Stede left/finished at 15, happened during his boarding school days). And just like with "regular" bullying, children who are perceived as weak, socially inept, or gender non-conforming (or all 3 in Stede's case) are most vulnerable to fall victim to that.
It's not a huge stretch of the imagination to believe other things in that direction were done to him as well, though that's obviously veering off into headcanon territory. I personally think it's implied as strongly as it can be in a fun little romcom; there's no reason to disbelieve Nigel, and there's no reason to believe the horse or the rowboat were singular incidents. Of course Nigel isn't gonna bring up things that can't be laughed away as "hilarious pranks" between boys, even by an a-grade assface like him.
And it fits in with the general impression a lot of people (including me) have of Stede and his problems - his hangups about his own body, the likeliness that he never had a positive sexual experience. It's an interpretation that's heavily text-based, in my opinion, though again, a lot of it is never actually said. So. Think of that what you will.
But anyway, yes, Stede textually suffered at least some degree of sexualized violence in his childhood, which is sadly not uncommon.
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boinin · 3 months
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Conspiracy theory of the week
Although Isagi uses this example to explain what "self style" egoists think is most important, the attitudes displayed here are Isagi's own.
In short, Isagi is interested in and motivated to seek:
Love
Money
Art as a hobby
Video games as a hobby
He's not really bothered about:
Education
Fashion
Making friends or expanding his social circle (lmfao tell that to everyone in bllk, they can't get enough of him)
Finally, he dislikes and avoids baseball.
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This is intended as a shitpost, but...
Me being me, I decided to find receipts 🫠 Canon is with me on this surprisingly, at least in some cases. From the wiki:
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When it comes to education, Isagi's not into theory-heavy subjects like STEM. He also signals out art alongside PE as his favourite subject. Although he doesn't note art as a hobby, he does like football video games.
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This is all we have on the romance front from the Egoist Bible. We also know he didn't receive any Valentine's Day chocolates prior to Blue Lock. 🥲 RIP Isagi's love life. I'm taking the diagram to mean Isagi sees himself wanting a relationship in future.
From this Reddit post of translations of Egoist Bible character polls:
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It's not much, but neither Isagi or the others rank him as much of a studier. (I find it really funny that the characters think Rin and Sae are top-notch brainiacs, but that's outside the scope of this exercise).
Isagi's attitude towards fashion? I mean...
This is what the guy chose to wear on his one outing from football prison. 🙃 Nuff said.
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My most tenuous evidence comes courtesy of the light novel. It revealed Isagi has unusually keen senses, particularly eyesight and hearing:
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Going off this, baseball, with the crack of bats, frequent announcements and loud cheers, might be sensory overload for Isagi. Football must be less overwhelming, at least if you're a player?
The French scanlation of the chapter 254 diagram makes reference to baseball being 'too loud', which also guided my thinking on this.
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While Isagi isn't outwardly materialistic in the same way Reo or Shidou are, it's not beyond his interest. I know he was staring at the bids because he's so hung up on beating Rin... but money comes into it too for Isagi. If only because, players with the highest bids = strikers with the most outstanding talent. It's a status symbol for him.
As for the friends thing? No evidence needed. Y'all know Isagi would throw each and every friend he has under the bus, if it gets him closer to being the top striker 💀
It doesn't mean he's not a nice person or antisocial. I interpret it as, being a social butterfly isn't something that drives Isagi. He's more interested in other pursuits.
This in-universe character polls say it well: Isagi's a good communicator, rather than someone with heaps of friends. His calm personality and insight draws people in, rather than him seeking out friends or followers.
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YOI-meta: Viktor's apparent insensitive reaction to Yuuri's love confession & what it might mean
There are several ways to read Viktor's comment on Yuuri's love confession depending on the level of his knowledge of the Japanese language and culture at this point in the series. While his words seem insensitive and blunt at first glance, plausible explanations for the choice the creators made here align rather with Viktor's character and the concept of the show than Viktor only caring about Yuuri's appearance in one of the most significant moments of their relationship.
So let's break this down!
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1. Language barriers
The press conference of the Japanese Skating Federation, where the skaters participating in the Grand Prix Series present their season theme, is broadcasted on Japanese TV for a Japanese audience. Hence, Yuuri speaks Japanese in this scene. By now, Viktor has been living in Japan for about 5-6 months, and while he possibly knows enough Japanese to get along on his own and communicate with Yuuri's family about basics like food or the weather, complex speeches are probably still beyond his abilities.
Besides Russian, Viktor speaks English and French, so we can assume he has a knack for languages. But whereas Cyrillic and Latin characters have some resemblances, Japanese has three different types of characters (hiragana, katakana, and kanji), and these differ vastly from Western scripts. Beginners spend a hell lot of time learning these in addition to vocabulary and grammar. It's not a stretch to assume that Viktor understood parts of Yuuri's speech but not enough to connect the dots. Like "here, Yuuri presents his season theme which is about love... Oh, I heard my name! He's talking about me now! ... Was that something about a gold medal and Grand Prix Final? That's my Yuuri! He's so fierce! I love this! But ugh, he really needs a new tie! That hideous thing doesn't fit his new image at all!"
2. Utter shock
That face...
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Looking at this scene, Viktor is either completely shocked because he didn't see this coming or trying hard to understand Yuuri's speech. While in my personal headcanon, language barriers keep him from understanding the speech, a person who is described as a genius and already speaks three languages might be able to follow the speech after living in the country for several months (I'm not sure about this though, but some people learn at lightspeed once they start obsessing over a subject). In this case, his reaction is a coping mechanism due to overwhelm. So far, Yuuri has said a few sweet things that showed Viktor how much he matters to Yuuri, but this is a whole new dimension of expressing affection, especially coming from someone so reluctant to voice their feelings. And while Viktor undeniably has been hoping for Yuuri to love him back, seeing his love confessing his feelings live on national TV is quite something to process.
Which leads me to...
3. Viktor doesn't take Yuuri's love confession seriously
This interpretation falls into the category of "Did we watch the same anime?" and I will briefly explain why using some past instances of Viktor's reaction to Yuuri using love language:
Episode 2 "I want to eat katsudon with you!":
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Episode 3 "I'm going to become a super tasty katsudon. Please watch me!":
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Episode 4 "I want you to stay who you are":
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We see the occasional confusion, which is attributed to the fact that Viktoir is still familiarising himself with Yuuri's unique way of expressing his feelings and desires. However, in all these scenes, Viktor is genuinely happy that he means so much to Yuuri. Although Viktor can be insensitive at times, he never mocks Yuuri, which speaks volumes about his character. Not even when Yuuri says things like "Katsudon is my eros!" It's not in his personality. So far, throughout the series, Viktor has helped Yuuri become more confident and express his feelings. As soon as he understands Yuuri's speech and has processed the meaning, he would burst with happiness because Yuuri loves him back and pride because of how confident Yuuri became. But mocking Yuuri for his necktie when he just expressed the full dimension of his feelings? Just nope. He's not JJ.
Bonus: Viktor's reactions after episode 5 (the pattern continues)
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4. The necktie is a metaphor
This interpretation came up in a Twitter discussion with @maetae2288 (kudos to her for bringing this up!) and it can coexist with interpretations 1 and 2. If you tell a story that needed to be condensed to 12 short episodes, you don't waste precious air time on throwaway lines.
For this interpretation, I would like to refer to Tumbleweed's translation errors master post. It's a super long post, so I quote the relevant part:
「 初めて自分から繋ぎとめたいと思った人、それがヴィクトルです 」 [...]'For the first time in my life, there’s a person I want to hold on to. That person is Victor.’ Also, while I think this word choice is the best choice, 'hold on to’ doesn’t quite get all the connotations of 繋ぎとめたい across. Tsunagi tomeru is composed of two words, tsunagi = bind and tomeru = stop. It means tying the subject to something and stopping it from going away. Since he added 自分から, 'from/by himself’ in front of it, it infers Victor being the first person Yuuri wants to reach out to and bond with, and with those bonds, bind them together so that they would never part.
I highly recommend reading the full post if you're interested in the linguistic nuances of translations from Japanese to English regarding Yuri!!!.
In his speech, Yuuri voices his desire to form an inseparable bond with Viktor (it's quite a lot like "stay by my side and never leave" if you think about it, although he uses a different vocabulary). Bonds are often symbolised by a knot. In this sense, the necktie comment would refer to the new bond Yuuri and Viktor will form henceforth.
It's unclear when Viktor learns Japanese love language and dating culture (you can read my post on Japanese dating culture in YOI here). In episode 9, Viktor correctly identifies Yuuri's (accidental) marriage proposal, but when did he brief himself on these things? In fact, he uses love language as early as episode 3 ("I love katsudon"), but was he aware of this? Whether or not he is, it's beyond doubt that the creators knew what they were doing when they gave him this line. In this light, his necktie comment suggests that he understood Yuuri's kokuhaku very well and gave a unique response that refers to their future bond and is true to his character. This is top-notch storytelling.
To sum this up, whether Viktor understood Yuuri at once and responded accordingly, or this line foreshadows that he will understand somewhere between episodes 5 and 6, his comment implies that they will start dating soon after. And we see the result in episode 6.
If you enjoy my meta posts, please consider giving my blog a follow or checking out my works on AO3(link in bio). You will find the results of my meta musings in there!
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sere-ness-ima · 10 months
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Arguments against giving personifications a universal language (or another method of communicating with each other immediately and without any problem)
(Ok, this was a little clickbaity. First of all, I absolutely don’t intend to say that whoever does it is wrong. Like everything in Hetalia worldbuilding, it’s a matter of personal preference and goals we set for our story. Additionally I absolutely think that heavy focus on this matter would be detrimental for the story and unapproachable by audience other than a couple of crazy linguists.
Unfortunately I happen to be a crazy linguist, so here’s what I actually mean by this post:)
Fun linguistic things to consider in the context of Hetalia :D
Now, personally, I feel like the universal language takes away from the naturality of their relationships, *especially* so-called “first contact”, but not only that. Language is an enormous part of international relationships through the ages and removing this part from the equation results in the personifications not experiencing this side of their people’s history.
Sometimes in a story you don’t want two nations to understand each other. It happens. I’d much rather have choice than create a rule that takes this possibility from me.
The question of “which languages these two characters share” is interesting; it silently reminds of their history and points to cultural circles they belong to, as a subtle storytelling tool. (Other than that, deciding that is insanely fun, but this might be a linguist thing?)
Languages can be symbolic for other details of relationships. Think Lithuania speaking outdated Polish, from 19th century at best, because he didn’t have many opportunities to catch-up with the living language after that, now they’re not together with Poland anymore. [/personal hc, but even if they were, I think he’d still lag behind].
Another case, think a weaker country speaking the language of the stronger country, never the other way around, indicating a power imbalance between them.
Think a weaker country [personally I’m thinking a friend’s Serbia] absolutely refusing to speak the language of the stronger country, forcing them to seek compromises or use an interpreter or more drastic measures.
The lingua franca, whatever it would be, automatically carries a huge cultural and social influence with it. I believe the personifications should be prone to it too.
Another linguist thing, but I find communication struggles fascinating and endearing. There’s so much cultural exchange to be drawn from a second language user: which parts of learning are difficult for them, which are easy; what mistakes they make and how are these influenced by their native speech; what words do they choose to use, what do they think a chair’s gender is, do they sound soft or harsh or have an accent? If two Slavs talk to each other in English, is it correct English or do they use Slavic pronunciation and grammar to make it easier for themselves, causing a distress for each anglophone that hears them?
Another linguist thing, but a lot of pairs of countries that technically don’t have a common language can probably communicate with ease anyway. I want to see them go wild. I want to see them make a mixtape out of their French and Latin to talk to an Italian, I want distant Asian countries to talk to each other in English that no actual English person would understand, I want to see Latin America NOT understanding each other despite theoretically all speaking Spanish. And I want to see two distant countries find out that their only common language is something completely unexpected they’ve studied out of boredom.
I want to see the poor couple of nations without decent linguistic skills SUFFER.
Some of you speak like not having a common language was an unconquerable obstacle that would destroy all the fun and be a giant problem in the storyline. But I don’t really see how? Our ancestors did it. They travelled, they met other nations and they had to learn how to communicate with them. Some of them saw the opposite thing happen: they used to understand their neighbours without problem, but as the nations found themselves under different influences, the languages drifted away from each other until the similarities became unrecognizable. People across the ages have been learning languages, travelling and communicating. There are teachers, translators (my friend Laurynas says he’d like to see translators acknowledged), interpreters, etymology, lingua franca and body language all for them to use. I am not 25 yet and I speak 4, with a certain pain I can communicate in 6, and I could probably visit 100 countries of the world without worrying about the language issue at all. My nations are 100 years old. I just don’t think they need additional help. They'll slay :D
There were a couple ideas I’ve seen pro-universal language that I liked, so thought I’d share:
One, as beetroot said, being able to communicate with one personification doesn’t mean the countries wouldn’t have to learn languages, as the rest of the society wouldn’t be able to understand it. Therefore, most of these “fun linguist things” would appear anyway, just not between personifications. For me it’s a bummer, although acceptable. For someone else it can be more than enough.
Two, a quote from my friend Huku:
“Universal language is also a thing that helps them identify each other, which is a cool trick. It explains why, upon finding a personification in a swamp, the nation knows that this child is a personification and not some random mortal. Besides, nations from distant cultures also find it hard to communicate initially, because maybe the language is universal, but the context is foreign, the metaphors unreadable, the wording strange.”
Three, at first I didn't like morgenlich’s version that the language “can’t be written down because of magic”, but after seeing a suggestion that it wouldn’t be an actual language, just a mysterious way of understanding each other, the idea sounds more approachable to me. Cheers!
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writerbuddha · 7 months
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When “Death to the Author!” poses as “Death of the Author”
The literary theory called "Death of the Author" was developed by French philosopher Roland Barthes in his essay “The Death of the Author” in 1967. The theory declares that the author's intention and biography are not relevant to the interpretation of the text, rather, its meaning is determined by the interpretation of the given reader. This is understood as meaning that an author’s view about their own work is no more or less valid than the interpretations of any given reader.
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However, most often than doesn't, what some calls "Death of the Author" is, in truth, “Death to the Author!” which we shall define as a given reader or viewer's, a fan's desire to legitimately re-imagine and retell the story told by the author. The “Death to the Author!” theory argues that the author has no more or less say in what is part of their story than readers or viewers, that the elements they invented and inserted into the story are must be treated just as integral parts of it as the work of the author. What message and lesson, philosophy and set of values the author intended to communicate through their work of fiction is treated as relevant only to the author, since these things are changing depending on which story element is replaced, altered or "completed" by any given reader or viewer, based on their own ideas, beliefs, views, opinions and values. In its most extreme, the events, characters, arcs and fictional universe of the story are all treated as a reality existing independently from the author, and it's asserted that the author's narrative is only one take on that reality.
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"Death to the Author!" is rarely articulated and in most cases, it's not even conscious, but it's relatively easy to spot it in a fan's toolkit. The most prominent sign of “Death to the Author!” is the fan asserting information about characters’ background, motivations, wants, likes and dislikes, mental and emotional processes, organizations’ history and activity and so on that are simply cannot be derived from, in its most extreme, outright in conflict with the source material itself. And sometimes, when the fact that these alleged informations cannot be located in the source material is revealed, the fan might try to assert that fans have a moral, ethical responsibility to “complete” and to "correct" the work of fiction with said fan-invented content, so it will be authentic, since its absence from the story is simply the result of the author’s moral and ethical failure and ignorance.
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Proponents of “Death to the Author!” often seek to legitimize their theory by claiming, it's deconstructionism. Deconstructionism was created by French philosopher Jacques Derrida. As a literary theory, deconstruction is the close, detailed analysis of texts, so one can find underlying presuppositions that structures of meaning rely on, trying to find clues that give away alternate or contradictory meanings. For example, if a reader or viewer can see how a literary text or a movie intentionally correlates light with "goodness" and darkness with "evil", a reader might begin to question the truth of these correlations. If darkness represents evil in Star Wars, how come that the storm troopers are all white, just like Princess Leia? How come that Luke Skywalker wears black? A deconstructionist recognizes how the text or movie plays with the assumptions readers and viewers make based on connotations of the words and the images they create, enhancing the tension in the story, and undermining the possibility of the text or movie creating only one meaning. Fan "deconstruction" is related to deconstruction, but it's different: it means, fans are looking at tropes and asking, "how this trope would play out in the real life?" However, proponents of “Death to the Author!” are not deconstructionists, they only use the word as a cop-out.
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For them, “deconstruction” is to take parts of the story out of context, filling them up with any meaning that the given reader or viewer wishes them to mean, based on their beliefs, ideas, views and opinions, e.g. "X is a politician. I am convinced that politicians are corrupt. Therefore, X is corrupt, even though the story doesn't explicitly shows it," then putting the modified elements back into the story and referring to them as evidence that would support the “deconstructionist’s” claim, "X is a corrupt character who should be in jail." The “deconstructionist” would argue, all they did was asking the question, “how this story element would play out in the real life” or they were just "reading between the lines" or "found the subtext." It shouldn’t be hard to see that this wasn’t what happened. The only thing that "deconstructionists" and deconstructionists may have in common is the conviction that it's not possible for a movie or a text to create only one meaning with the set of semantic signs they operate with, however, “Death to the Author!” tries to use this notion to escape the burden of proof: if there is no one absolute meaning of a text or a movie, then one can assign to them any meaning they want. This is, however, not what deconstruction means, and those who say “Death to the Author!” are eventually starting to talk about their right to believe and say what they wish to believe and say and can end up decrying the author's position as "privileged" or "elitist" "oppressive" and so on and call for the "democratization" of the fandom or the work of fiction itself - this, however, a call to erase the work of fiction and to metaphorically kill - and rob - the author.
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Although "Death of the Author" wishes to make authors' intentions and biography irrelevant when it comes to interpretations of their works, there is nothing in "Death of the Author" that would prevent the respectful preservation of informations about authors' intentions and biography and acknowledgment of the meaning they hoped to convey to their readers or audiences. This is the preservation of the knowledge and history of the past, communicated through arts, and it's necessary for the normal functioning of any culture and society. By contrast, "Death to the Author!" is an assault on the author and an assault on their works. In truth, it's the unwillingness to engage in the exchange of views, opinions and ideas, and to allow our own views, opinions and ideas to be challenged by others. This makes "Death to the Author!" a symptom of a dangerous attitude becoming more and more common in communities and this makes it a version of book burning: it's an attempt to erase artistic content that is not in line with a given fan’s system of likes and dislikes, ideology, views, opinions, beliefs, values, and it's the demand for the freedom to first spread and eventually to impose an "interpretation" of the content that does. This time, the erasure is not physical, since the loathed works are still there, physically, but they are robbed from their voice, and it's no longer able to reach its audience.
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