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#the poor villagers
roabii · 5 months
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TOM NOOK IS A TRILLIONAIRE??!! i love qsmp streams so much but darn i really did miss hardcore streams too so here are the funnies!
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frodo-a-gogo · 2 months
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Let us be brutally honest with ourselves and with eachother for a moment. If he weren't obese you motherfuckers would be capable of percieving evrart claires sexy sexy moral ambiguity and complex charms
#i am (lesbian) sipping him like a fine DESSERT WINE#my evidence by the way is very simple and very damning. joyce messier. there i said it.#if you guys can appreciate the fact that Joyce is a complex figure worthy of disgust yes but also worthy of empathy#despite being a venal coward facilitating acts of violence and slaughter of the organized working poor of martinaise in the name of capital#if you can understand that she is a dimensional figure while also being an embodiment of the moral apathy and cruelty if capital owners#but you cant look at evrart and see that he is (while deeply flawed and morally suspect) also a dimensional figure#on top of the fact that his motivations are eminently relatable and dare i say it baser#and his greatest failing imho is in failing to advocate for the interests of *all* the poor of martinaise#opting instead to marginalize the inhabitants of the fishing village in favor of a power grab in the interests of himself and his union#though this is imo a bit of a grey area morally. undeniably a wrong and bad thing to do but done in service of clairs political goals#to gather power to advocate for the working class against ultraliberal monoliths like wild pines and fascistic orgs like krenel#still super wrong but i can follow the moral arithmetic there tho i don't like it#but like my point is if u can see that joyce is evil and pathetic but still cool and sexy but you consider clair flatly distasteful#thats cus hes not conventionally attractive#cus he is *every bit* as dimensional and interesting as joyce and he is not nearly as politically shite even if hes interpersonally a jerk
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megamyceted · 1 month
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THE LORDS & MOTHER MIRANDA pachislot BIOHAZARD village, 2023
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gaiussleechtank · 11 months
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In some random modern Arthur returns au, Merlin would be living in this small little everyone knows everyone village. And magic or not sorta world, everyone knows that Merlin is much older than he looks, that's he's lived there for a very long time and just keeps to himself most of the time.
Then Arthur comes crawling out of the lake and joins Merlin in the village, living at his sweet wee cottage.
And the little everyone knows everyone community goes mental that this new and random guy just starts living with the town cryptid.
One day, both Merlin and Arthur are at the town's only cafe/restaurant/ literal hole in the wall, and someone finally works up the courage to ask how the two met.
Arthur, still getting used to the modern world and trying to be very polite to the villagers: we knew each other when we were younger
Merlin who no longer gives two shits: yeah, and then I found him at the lakeside bleeding out from a stab wound after he had escaped a crazy cult
The poor person who now regrets asking: oh... That's nice?
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viv-ixn · 5 months
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something I’ve made using a class of 09 audio because this game is so funny for no reason…….
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feshsticks · 9 months
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you cannot tell me this woman has any long distance vision at all. also
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anonymous-dentist · 27 days
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Part two of the Catboy in the Village AU
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Cellbit wakes up handcuffed, which really doesn't bode well.
He's... moving. He's sitting up with his head pillowed on something soft, yet firm, and he's moving.
Ah. So he has been kidnapped, then. Great.
Groaning, Cellbit hides his face in his pillow's shoulder, confident that he isn't sticking his face anywhere it shouldn't be. He knows this shoulder, it's one of his favorites.
"Buenos días, gatinho," Roier warmly says. A kiss lands itself in Cellbit's hair right between his ears.
Cellbit fights the urge to purr (not now!), and he murmurs, "Am I going to be angry when I open my eyes?"
"Mmm, probably."
Cellbit sighs. So it's like that, then.
Eyes still closed, he pricks his ears up and tries to take in his environment. Horses, someone guiding them. Wheels noisily turning. Roier breathing, Cellbit himself breathing, someone else breathing. Three people total in the carriage- because they have to be in one, Cellbit doubts a supposed "prince" would be left to travel in a simple wagon.
Absolutely no signs of Richarlyson and Pepito. No arguing, no crying, no complaining. Nothing.
Slowly, Cellbit lets out a breath. He's calm.
"Roier," he asks, "where are our children?"
Roier stiffens minutely beneath him. "Um."
"Your children are fine," someone else says, and, ah, it would be her, wouldn't it?
Cellbit swallows his anger. He's calm.
He sits up, scooting closer to Roier so their arms are brushing because he is not about to be away from him right now. He opens his eyes, and he stares at the woman who has to be the newly-crowned Queen of the Gato Kingdom, and he hates.
"Your highness," he coolly says. "Where the fuck are my children?"
The queen's eyebrow twitches. "Don't call me that."
"Your highness. My children?"
"Not... with us at the moment, but I have my finest knights searching for them as we speak. Once we find them-"
She screeches as Cellbit lunges at her with his fangs bared. He can't use his hands, but that's fine, he was in prison once, he knows how to tear a throat out without using his claws.
He "oof"s as he's swiftly kicked in the chest by a heeled shoe and shoved back into his seat opposite the queen.
"What the fuck is wrong with you?" the queen demands.
Cellbit answers her with a snarl and a second attempt at political assassination. This time, though, he's stopped by Roier, who grabs him around the middle with both arms and pulls him to his chest.
Immediately, Cellbit feels his body relax. Damnit.
"I told you you'd be angry," Roier hums.
He slips a hand under Cellbit's shirt and just leaves it splayed across his stomach. The queen looks mildly disturbed. What, is she homophobic, too? Rich and homophobic? Pick a struggle.
"Of course I'm angry," Cellbit sneers. He glares at the queen, who glares right back. "We've been kidnapped."
The queen rolls her eyes. "You aren't being kidnapped. You are being escorted."
"In handcuffs!"
"Yeah!" Roier agrees. "Only I can put my husband in handcuffs!"
The queen's face goes mildly green. Oh, so she is homophobic. Great.
Cellbit, though, groans and slams his head against Roier's shoulder. Roier just grins at him, the piece of shit.
"Well," the queen hesitantly says, "it was either this or ropes."
Roier protests, "Only I can put my husband in ro-"
He cuts himself off with a moan as Cellbit pinches his thigh.
"Cállate," Cellbit huffs. "She doesn't need to know."
"I really don't," the queen agrees, complete with a nod of the head. "You're my brother, I don't want or need to be hearing any of this."
(Not that the 'any of this' is real. The most extreme thing Cellbit and Roier have done in bed is play board games and lose the pieces in their blankets, but it's just so fun to make people uncomfortable.)
"I'm not," Cellbit tells her.
He tilts his head back and looks up at Roier. "Did you know that she thinks I'm the missing Gato Kingdom prince?"
Roier laughs. "What, really? You?"
Cellbit smiles. "I know, right?"
"I'm right here," the queen flatly says. "And you are my brother. His name is Cellbit, your name is Cellbit. You have feline features. Only members of-"
Cellbit finishes her sentence for her: "-the Gato royal family are cat hybrids. I know. But you're wrong."
The queen crosses her arms and her legs, her foot bouncing impatiently on the floor.
"Oh, yeah?" she asks. "How?"
"Because," Cellbit simply says.
Nothing else.
Roier snorts. He adjusts his hold on Cellbit, halfway pulling him onto his lap and hooking his chin over Cellbit's shoulder.
Cellbit looks down at Roier's very un-handcuffed hands and pouts.
"Why aren't you restrained?" he complains.
"Because I haven't tried to kill the queen," Roier smugly says. He pokes Cellbit's nose, making Cellbit go cross-eyed. "This is what you get, pendejo."
"Fuck you," Cellbit grumbles. "You didn't try to fight her a little? For me?"
"Nah. I killed all her knights, though."
Gods.
Cellbit's eyes practically glitter. "Wow. I bet you got real sweaty."
Roier nods. "And I took my shirt off."
Gods!!
Cellbit turns to glare at the queen. "You made me miss that!"
The queen's mouth opens in shock. "You tried stabbing me!"
"And you kidnapped me! I think stabbing you would've been worth it!"
"Calma, gatinho," Roier lightly says. He slips his other hand under Cellbit's shirt; his two hands link together, his thumb rubbing soothing little circles above Cellbit's bellybutton. "Don't threaten royalty when I don't have my sword."
"You aren't being kidnapped!" the queen shouts. "This could've gone a lot easier if you had just come with me to begin with!"
"And why the fuck would I do that?" Cellbit sneers.
"Because I'm your sister, idiot!"
"I'm an orphan, idiot!"
The queen bodily flinches, recoiling into the back of her seat with wide eyes and a trembling mouth.
Sensing a tense moment, Roier takes the opportunity to say, "You know, maybe he isn't your brother. Maybe I'm your brother, hm? Maybe my ears fell off in the war."
It's just the kind of statement that would blow Pepito's mind. Pepito, oh, Pepito...
Cellbit wants his kids.
The queen ignores Roier. She continues staring at Cellbit, instead.
"What happened to you?" she asks, voice hoarse.
Cellbit gives her a flat look in response. "What hasn't. I'm not who you think I am. I'm... me. You have the wrong guy."
He twists his wrists in his handcuffs. They're simple enough...
"This really isn't a good first impression," Roier adds.
As Roier continues speaking, Cellbit pops his thumb out of its socket and starts subtly pulling his hand through the cuff.
Roier says, "Like, I get you wanted to see him, but this is kinda fucked, you know? You couldn't have sent a letter? We could have had brunch, but, noooooo, you just had to show up like this and freak him out."
"I'm not freaked out," Cellbit grumbles.
(And now the other hand...)
"I didn't want it to be this way," the queen says. She looks painedly at Cellbit. "It's- I- we need you back, Cellbit. Our parents- the king and queen are both dead. You promised that you would help me when I took the throne. I've been looking for you for years, and-"
"Okay," Roier interrupts. "See? Talking's good. Gatinho, do you have anything to say?"
"Yeah," Cellbit replies. He looks at the queen, and he says, "Guapito, hold on."
He sticks his tongue out at the queen (childish, maybe, but she's pissing him off), and he slams himself against the carriage door.
And... nothing happens.
He smacks his head, and he sees stars, and he falls backwards onto the carriage's floor with a pained grunt.
The queen gives him a mocking look. "What, you didn't think I would lock the door? You really are my brother, dumbass. You haven't changed a bit."
Roier, at least, looks somewhat pitying.
"That would've been cool if it had worked?" he tries.
Cellbit just groans in response and drops his head back down onto the floor.
He used to be an escape artist. And now he's trapped in a carriage with an insane woman.
"Sit tight," the queen says, settling back into her seat and making sure to kick Cellbit in the side as she does so. "It's a long trip back to the castle."
"If I don't see my children when we're there, I'll actually kill you," Cellbit threatens.
Her lips quirk into a smirk. "You can try."
And he hates her.
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caitlynmeow · 5 months
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I’m absolutely losing it over the fact the Alcina sent Bela ALONE to go after Ethan. She knows that her eldest daughter is capable that’s why she let her handle him alone.
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Meanwhile she teamed up with her wild daughter to probably a) enjoy a good hunt with her and b)keep an eye on her because it’s Cassandra and she needs to make sure that her middle daughter doesn’t get too wild while chasing after Ethan.
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As for Daniela— Alcina was just like nope this one is definitely sitting this hunt out and actually locked her someplace safe. Like she put her youngest in the library so she can lose herself in her books while staying away from danger.
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iri-2 · 5 months
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I Love You Like That
Rating: Not Rated Category: F/F Fandom: Biohazard | Resident Evil (Gameverse) Relationships: Mother Miranda/Reader Characters: Mother Miranda, Karl Heisenberg, Salvatore Moreau, Eva
Summary: As a scientist in The Connections, you and Miranda work together in a laboratory. Over time, you develop feelings for this somewhat harsh but seemingly vulnerable woman. One day, she "takes" you to her hometown.
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You find yourself falling for Miranda.
A few months ago, she was just a somewhat sharp-tongued colleague who had recently joined. You don't know why you are attracted to her and trap so deeply.
"I think I might have some feelings for you, Miranda." Your fingers tightly gripping the edge of the notepad.
Miranda's scalpel pauses on the corpse. "Why?"
Why?
How would you know? Most of the time, she doesn't seem that friendly towards you. Until recently.
"Lab romances aren't a good idea. Shouldn’t we just focus on researching the combination of the E-type fungus and cadou?" Miranda rejects you directly.
"I knew I shouldn't have told you, you’re too cold to everything." you mutter, the tip of the pen you're holding trembling on the experiment log, leaving messy ink stains.
Several months ago, the leader of The Connections suddenly announced with excitement that they had found a scientist to join the project you were working on.
As the team's most outstanding researcher, you were assigned to the same laboratory as this scientist, in Romania.
Passing through the purification facility at the entrance, you enter the room. You see a woman already dressed in full lab attire, examining a small piece of tissue under a microscope.
"So, you're THE best researcher? You're here REALLY early," the dark-haired woman says.
"You must be Dr. Miranda? I firmly believe that I arrived on time." You try to ignore the unfriendly sharpness in her tone. This new scientist seems to have no understanding of interpersonal communication.
"In my sense of time, you are late." She doesn't lift her head from the eyepiece.
That’s quite rude.
"Okay, first, you’re new. Second, I’m on time. Third, I hope we can get along well at work," you put on your lab coat.
She takes off the slide and finally wants to take a look at you. "That'll take a while."
… For the sake of the experiment's progress, you silently endure her occasional criticism.
She’s mean all the time. She even uses you as her assistant, handing you the used experimental equipment for cleaning.
"For a hundred times, I'm NOT your assistant! I’m a scientist as you." You can't bear it anymore.
She shrugs her shoulders and remains silent.
… One day, she directs her accusations at you again.
"Did you touch my culture dish?" Miranda accuses you without any evidence.
"Why would I touch your culture dish?" you respond, feeling puzzled.
"It's just the two of us here. If it's not me, it must be you. No one else can come in."
"So, you blame me when your experiment doesn't go well?" You're annoyed.
Every time she starts an experiment with anticipation, but after a failure, she becomes unusually desperate.
Her blue eyes dim a bit, and the wrinkles at the corners deepen.
"Sorry." You hear her say the word for the first time.
She looks vulnerable. She has never revealed to you the purpose of her research. However. every time the experiment fails, the gloom in her eyes deepens a bit. She doesn't seem to have only seen biochemical experiments when she looks at the tissues and cells. When the experiment fails, she seems to have lost her most precious thing.
"It's okay," your anger subsides slightly.
In the next few days, Miranda's accusations against you seem to decrease. Once, while testing the biological activity of one kind of cadou, you were about to cut a small piece when Miranda suddenly stopped the next move of your scalpel.
"Put this on." She hands you safety goggles.
You put on the goggles, and soon you understand why.
This type of cadou sprays green slime when stimulated, splattering on your goggles and mask, and it smells awful.
"Well, thanks, Miranda."
"No problem." Miranda says gently.
In the following weeks, she finally treats you completely as a colleague. Sometimes she will leave some very clean culture dishes and test tubes by your side. Once she suddenly appears behind you, tidying up the collar of the lab suit you hastily put on in the morning, and then goes to do her experiment as if nothing has happened.
You have become accustomed to her harshness towards you, and recently her tenderness and concern for you have made you start to worry about her situation. What makes this woman who always uses ridicule and condescension to communicate with others like this? And what makes her depart from her normal behavior?
Sometimes when you observe your chemical reaction, you feel someone looking at you from behind. When you turn around, you only see Miranda writing the experimental report seriously.
… You shouldn't have started caring about her. This has kept your gaze on her for too long, so long that you realize you have fallen in love with her.
But out of professionalism - or more importantly, you still think Miranda will treat you with her cold attitude, just like she has built a defense line in her heart, making your heart break, so you just hold your feelings.
… Six months later, when you place the cells you cultivated under the microscope, you witness unprecedented success.
"Miranda! Come here!" you wave for Miranda to come over.
She observes the cell activity under the microscope.
"These are cells I cultivated with an entirely new serum," you say with joy in your tone.
"Eva…" Miranda murmurs.
"Our project has finally made a breakthrough." You write something in your experiment log.
Miranda looks up, muscles twitching on her face, as if suppressing ecstasy. "You’re better than I thought."
"Let’s just pretend I didn't mention this," you place the notebook on the desk. You regret your impulsiveness. What were you thinking?
Miranda holds the equally cold surgical knife in her cold hand and hovers over the body for a while before continuing with the dissection.
Miranda doesn't speak much that day. At the end of the work, she takes off her lab uniform and speaks to you as if she has made up her mind, "I didn't tell you and most people about my research purpose because people would think I was crazy and that I just needed to find a psychologist,"she continues,"I want you to know my purpose."
"But this is a surprise, and you might not like it."she adds.
"Try me," as someone who has just been rejected, you speak weakly.
Miranda takes a step towards you, and you see her hand getting closer to you, then it lands on your face.
And then you plunge into darkness.
"Wake up, wake up." You hear Miranda calling your name.
"What?" You open your eyes and find yourself leaning on her.
She sees you awake, coughs awkwardly, straightens your body, and steps away from you.
"Is this your idea of a 'surprise'? The best I could think of was that you blindfolded me and took me somewhere, not something resembling a kidnapping." You're a bit annoyed and confused,"How did you make me faint that quick?"
"I did say you might not like it," Miranda avoids your question.
"Where did you bring me?" You glance around, it looks like a vineyard.
"My hometown," she replies.
Miranda guides you out of the vineyard and onto the road.
The houses around are very low, the highest looking like it has only two floors. Some houses have adjacent livestock sheds with pigs and chicks.
The villagers here wear clothes from the last century, some grinding flour, others rolling hay. They stop their activities in surprise when you pass by, and when they see Miranda beside you, surprise turns to fear. They quickly return to their work.
"Don't be surprised, they rarely see outsiders, so they react like that," Miranda calmly explains to you.
"But they seem scared of you," you turn to Miranda.
"Probably because I look different from usual. This village is conservative, and they're not used to new things," Miranda tries to explain.
What is she like usually? Does she wear the same clothes as the villagers? You rarely see Miranda in anything other than a lab coat, and today she wears a simple solid-color cardigan. You can't help but imagine Miranda wearing the villagers' clothes.
"Why don't they go to the outside world?" you mutter.
As you go further, people become scarce until you enter a field where there's no sign of villagers.
"We're here," Miranda leads you to a house.
This house is built against the mountainside, away from the village center.
She opens the door and enters with you. The furnishings inside the house match the vintage theme of the village.
"Is this where you live?" you ask.
"Yes, not used to it?" she gazes at you.
"I just didn't expect someone like you to be so unmodernized," you murmur.
"Come see my lab." She ignores your sarcasm.
"You also have a laboratory here?" The size of this house doesn't look like it can accommodate a laboratory.
She opens a door deep inside the house, leading to a bedroom.
"Well…?"
She goes to a corner and pulls down a switch.
There's a click, and the blank wall in front of you starts moving to the sides, revealing a laboratory still marked by the passage of time.
"I see. But why do you hide the lab?"When you think this woman is strange enough, she still has surprises waiting for you.
She gestures for you to enter her laboratory. A damaged wooden table is scattered with various books and a few black-and-white photos.
You see a photo of a dark haired woman holding a little baby. "Is this you?"
"Yes."You never see her this emotional before, her blue eyes slightly dimming.
"This child…"
"She was my daughter."Miranda's voice carries endless sorrow. "She died when she was ten."
"Oh, I’m sorry, Miranda." You look at her, your voice softens.
"That's why I'm researching the Megamycete; I want to bring Eva back." Miranda's hand holds your arm.
"That's why when your experiment failed, you were like a soul being pulled out of your body?" You feel the coldness of her hand. Has she always been this cold? "I believe you can succeed, our research is progressing well."
Her blue eyes have returned to their original state, looking at you with immense tenderness. "You've helped me a lot. Thank you." She seems to find it awkward to say such things. She lets go of your arm, her cheeks slightly flushed.
She appears so fragile.
"You know, you can tell me directly in our laboratory." You don't think she needs to use "kidnapping" to take you to this village surrounded by deep mountains to tell you this.
"There are still some things that I will let you know here," she doesn't think she does this with great fanfare.
Miranda insists you stay overnight in her bedroom.
"Where will you sleep?"
"I'll rest on the couch." Miranda is about to sit down.
"Miranda?" You call her from the bedside.
"Hmm?"
"I'd like to hear Eva's story."
Miranda freezes in her movements, then stands up and says, "Not many people ask about her."
"If it makes you uncomfortable, you don't have to force it." You see sadness engulfing her again.
"It's okay, I don't mind talking about her." She slowly walks towards you and sits beside you.
"Eva was born in August. I remember it was a hot day, and giving birth to that little one exhausted me." Miranda's gaze focuses in the distance as she smiles.
"Her eyes were blue…"
"Like her mother."
She looks at you gently. "Yes, just like me."
"She was the smartest among her peers, learned things quickly. She got along well with other kids, everyone wanted to be friends with her." Miranda speaks softly.
"She even learned carving from the village carpenter. One day, she excitedly ran home, holding something in her hands, shouting, 'Mom! Look at what I made today!' She raised a wood carving in front of me, which was in the shape of a goat. The head and body were divided into two parts and pieced together. I held little Eva in my arms and praised her for doing so well. She was thrilled."
A wood carving of goat? You seem to have seen something similar in the village.
"She used to visit various houses in the village every day, helping them with chores. She was so energetic." Happiness surrounds Miranda as she speaks.
You listen attentively to her storytelling. This is the most time Miranda talks, maybe too much.
After that, it's not your fault. The day-to-day research makes you sleep very little. In Miranda's gentle voice, it feels like listening to a bedtime story, and you grow sleepy.
Your head tilts to the side, hands on your stomach, breathing steady.
Miranda lifts you gently from the bedside, letting you lie down on the bed. She covers you with a blanket, arranges the pillow, and sits by your side, watching you sleep peacefully.
Lab romances? Sounds fun.
You wake up from Miranda's blanket, and the scent of her woody perfume lingers in the air. Getting off the bed, you walk to the kitchen.
"Good morning, Sleeping Beauty." Miranda sits at the dining table.
"Good morning." You lazily reply.
"Your breakfast." She points to the apple pie and fried egg on the table.
"What about you?" You look at the complete apple pie and ask her.
"I've already eaten." She picks up her tea and takes a sip.
"Any plans for today?" You cut a piece of the fried egg and put it in your mouth.
"We're going to Heisenberg's factory."
"Heisenberg's factory?" You question.
"Yes, Karl Heisenberg is my… assistant. He's advanced in bioelectric research."
"Oh, you have 'assistants' here too? I thought I was the only one of yours." You tease her.
"They are indeed my assistants, but you you're different." She awkwardly coughs.
You feel a bit pleased that you successfully teased Miranda.
"Have your breakfast now, we'll head to the factory. It's located outside the village, a bit far." Miranda gestures towards your breakfast.
"Why not 'kidnap' me there? Seems quicker." You take a bite of the apple pie.
"I could, but I prefer you to walk there with me consciously." Miranda finishes her tea.
"What do you mean by 'I could'?"
"Eat your breakfast."
Miranda and you walk on an ancient bridge. In the village, you still feel the strange gazes of the villagers, but after Miranda glares at them, they dare not stare at you anymore.
"Miranda?" You tilt your head to look at her.
"What's wrong?" Miranda softly responds.
"Why do I feel like the villagers are afraid of you?" You ask her.
"We'll talk about it later." Miranda doesn't want to say more.
Outside Heisenberg's factory, wild grasses are overgrown, and abandoned metal parts are scattered in the bushes.
As if predicting your arrival, the factory gate slowly opens, revealing a man standing at the entrance.
He wears a dirty light green trench coat with a tattered wide brim fedora, but his sunglasses are polished to a shine.
"Ah, Miranda, you're here. Welcome." The man opens his arms to welcome you.
"Heisenberg, this is my colleague." Miranda informs him of your name.
"Hello, Miranda said I should show you how bioelectricity works." Heisenberg produces a cigar from behind his back.
"Thank you, Mr. Heisenberg."
In his workshop, you see various large instruments emitting orange lights, indicating their operation. They are quite different from the precise instruments you are familiar with in your laboratory.
You swear you hear a hissing sound coming from some tightly closed doors.
Heisenberg leads you and Miranda into a dimly lit room with many surgical tables. On them lie many gray-skinned… people?
"These are my experimental results." Heisenberg proudly says. You can see excitement gleaming behind his sunglasses.
"Are these people?" You point to one with an iron drill replacing its arm.
"They used to be. Don't worry, I only experiment on them after they've passed away. They've been implanted with Cadou, and with some electric stimulation, they’ll 'come alive'."
Like Galvani's frog experiment?
"Although the electricity used now is external, in ongoing research, I've enabled them to gradually activate their own neural potentials, making them have life activities, just like a resurrection." Heisenberg explains.
Your understanding of bioelectricity is limited, but you listen to Heisenberg's enthusiastic explanations, occasionally nodding along.
"Perhaps this can help with your research?" Heisenberg finishes his grand speech and hands you a development notebook.
"Thank you, Mr. Heisenberg."
"Call me Karl." Heisenberg corrects.
You filter out his self-praise in the report, summarize the key points about the experiment in your head.
Heisenberg finishes his cigar, casually tossing it on the ground and extinguishing it with his boot. Taking a step forward, he places his hand on your shoulder — the glove he wears is oily, much like the messy strands of his long gray hair.
"I believe Miranda wouldn't choose the wrong person. She never used to wander around the village with outsiders." He gives you a positive look.
Your gaze shifts to Miranda, who is staring at your shoulder. "HEISENBERG! I appreciate your help today, but it's getting late. We should go."
"But it's only noon. Don't you want to stay for lunch or something?" Heisenberg asks you with a smile.
"No need. We have other things to do. You should focus on your own tasks," Miranda immediately rejects him.
"Alright, suit yourselves." Heisenberg walks towards his workbench, starting to clean a metal hammer.
"What else do we have to do?" You ask Miranda as the factory gate behind you automatically closes.
"We're going to the reservoir."
"The reservoir? I guess it's not for some leisurely fishing."
"No, just taking a walk."
"So, this is the 'other things' you mentioned. Sounds important," your tone carries a hint of mockery.
Miranda purses her lips. "It's important to me. Perhaps to Moreau as well."
"Moreau?" A new name.
"He's another assistant of mine, living near the reservoir. We can pay him a visit."
You follow Miranda towards the windmill. Does Moreau live in a windmill? That’s so weird.
Miranda leads you into an elevator, descending into a cave-like area.
Wow, this guy lives in a place even more unusual than Heisenberg.
You hear the sound of someone vomiting.
You see Miranda frown.
Sounds emanate from a small house in the cave, like a comedy show. You hear an odd laughter, followed by chewing noises.
Miranda knocks on the door.
A peculiar-looking guy opens the door.
"Mother!"
You see Miranda shoot him a fierce look.
Mother?
"Oh, no Moth… Mo… Mi… Miranda, you came! Moreau welcomes you to my reservoir! Y…You brought a newcomer." This hunched-over guy speaks with a strange voice, containing a gurgling element, reminiscent of fish blowing bubbles.
After the door is fully open, you see his face clearly under the indoor lights. Wow, his features seem… really bizarre. His eyes are swollen, half-closed, his nose is short, and below, his mouth is wide open, with teeth seemingly having a mind of their own, growing in various directions.
Oh, God bless him.
He acts unusually excited, his skinny arms trembling. He invites you into his house. Miranda looks somewhat reluctant, but she follows you inside.
"Miranda, you're actually here to see me. You rarely visit me!" He's excited like a child, reaching out to you. "And you brought a newcomer!"
"Salvatore, stop. She's my colleague, here to help me with experiments. We just came from Heisenberg's place. We need some data on Cadou." Miranda halts Moreau's action.
"W…Wait for me here. I'll fetch the experimental data right away." Moreau rushes into the inner room and comes out with a stack of documents.
Miranda takes the documents and hands them to you. You carefully avoid touching the suspicious green marks on top and put them into your backpack.
Miranda seems ready to leave, and so do you.
"Miranda! Newcomer! Stay for lunch with me." The person with a strange appearance shouts.
"No, thanks, Moreau." Miranda replies coldly.
Moreau leans forward and grabs something. You follow Miranda and turn around, seeing Moreau holding onto the corner of Miranda's cardigan hem, hunches his back, appearing so small and weak.
"Fine. I can accompany you for a while. Let go." Miranda pulls out the hem from his hand, speaking extremely reluctantly, "No lunch."
She looks at you inquiringly. You nod.
"Just one episode, just one episode like always," Miranda tells him.
Moreau tries to jump up excitedly, completely unaware of the stiffness in Miranda's tone. He continues playing his comedy and starts chewing on the cheese on the plate.
You and Miranda sit side by side on the stools behind Moreau, facing the TV. The comedy is amusing, Moreau giggles, and at one point, he accidentally chokes on the cheese, producing a loud cough. Miranda sits straight, showing no reaction to the comedy.
Is this cave well-ventilated? Why do you smell such a strong fishy odor?
You frown in disgust, praying for this episode to end quickly so you can leave this damp and gloomy place.
The unpleasant smell allows you to catch a faint fragrance from Miranda, like her blanket, woody and pleasant — something you like.
After another ten minutes, the fishy smell intensifies. Unable to bear it any longer, you start moving closer to Miranda, attempting to use her scent to mask the fishy odor.
The fishy smell is really strong, and your face is almost buried in her neck. When your nose brushes against her skin, she slightly recoils.
Miranda speaks.
"Moreau, control yourself."
"Mo… Miranda, I didn't mean to!" Moreau immediately apologizes.
After a while, you feel the fishy smell diminish significantly. You turn your head to rest it on Miranda's shoulder. She doesn't move, lets you lean on her.
The episode finally comes to an end, and you feel relieved.
Miranda says to Moreau, "We should go now."
You stand up quickly, ready to escape.
Moreau appears reluctant, and there seems to be tears in his eyes. "Goodbye, Miranda. Goodbye, newcomer."
Before you can say goodbye, Miranda, without looking back, pulls you away, leaving Moreau behind.
Leaving the reservoir, the air suddenly becomes incredibly fresh. You feel like your foggy brain has been liberated.
"Miranda? Shouldn't we go for lunch?" you poke her arm.
"Sure," Miranda nods.
"Are we going to the restaurant in the village, or…?"
"We'll buy ingredients and cook ourselves."
"Getting another meal from the great scientist? Looking forward to it! The apple pie and fried eggs you made this morning were just perfect." You recall their aftertaste.
Miranda smiles at your reaction. "Let's go and get some ingredients."
You can also find me here.
Thanks for reading!
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cedarsmoke4 · 3 months
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God’s perfect killing machine has the most luscious lips known to man
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solidsnakecake · 3 months
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Re-expreincing RE7 and RE8 is WILD, mainly because of Mia Winters. What do you mean she aided in building a bioweapon, kept valuable info on Miranda and her cult to herself for four years (which is how Miranda targeted them easily in the first place), kept lying to her husband and their protectors, betrays both sides...and literally faces no consequences? No punishment from either side? No trial or jailtime for committing literal crimes? Not even a mild show of remorse that her actions, lies and manipulations caused this?
What was Capcom on when writing her character...was she supposed to be a villain but the writers forgot? Was she supposes to be a good person who makes mistakes but the writers forgot the part where she shows regrets?
Imagine if Ada Wong was caught by BSAA but then they just give her cookies and tea.
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lovelywingsart · 9 months
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'I'm a cage, I'm a prison for what no one sees
Ashamed like I'm sleeping with the enemy
No one believes me, but I'm six feet deep
It's a monster made of memories
It's alive, like a parasite inside of me
And it feeds of the trauma of what used to be
But there's no shred of evidence 'cause I don't bleed
From this monster made of memories'
'Monster Made of Memories' - Citizen Soldier
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Trauma fucking sucks, man...
Karl agrees.
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//Did I just use Karl as a venting device?
Yes.
Did it make me feel better?
Also yes. Kinda.
I'm just... really tired, honestly... The song hit hard about a week ago and I've had this in my head since.
Yes, Heisenberg is a 'villain'... But I'll be damned if I don't understand.//
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izari-n · 4 months
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HADES DONNA HADES DONNA HADES DONNA HADES DONNA HADES DONN-
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Now I need to draw persephone mc and her wife🥺
Also, DONNA WITH HER HAIR DOWN🤭
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comradekatara · 1 year
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yeah i am a proponent of “sokka has two hands and suki and zuko are good buddies” but i also think “suki and zuko are in a rivalry over sokka, and while suki sees it as friendly banter, zuko thinks of it as life or death (because he is obviously losing)” is just. really funny
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in-tua-deep · 4 months
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sometimes it hits me in the face that a real person fact about me is that, when I was a child I was a villager. I lived in a village. I walked to the next village over, every day, to go to school
When I say it like that to an american I feel like I have the backstory of a dickensian orphan
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purple-crayoner · 2 years
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Too tired to form a coherent thesis, but I feel like there is something in the fact that the vampires in Dracula prey on people who are for various reasons isolated and/or unable to communicate their experiences. From the peasants who live in a remote community, to Jonathan the stranger who has no independent means of travel, to Lucy who sleepwalks, and now a bunch of children too young to clearly articulate what happened. But then, the locals try to warn Jonathan, but are dismissed as superstitious. And Lucy has some memories, but no basis to think they are anything but dreams. And the kids do explain, but are dismissed by adults because they are obviously too young to be taken seriously. So maybe the real horror is how easily certain groups have their experiences disregarded...
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