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#the whole thing about sophie not being in the book
thesorrowoflizards · 27 days
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listen the mastermind job has flaws but i kind of. love it?
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scoutswritingcorner · 12 days
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Headcanons
Father!Alastor & Child!GN!Reader
PURELY PLATONIC
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TW:NONE!
A/N: I just have ideas for Papa Alastor and his little fawn gremlin child. To that Anon who came up with it! If you have any input don’t be afraid to reblog or shoot me an ask with your own (even if my askbox is closed just let me know it’s you).  I was listening to ‘No More Birthdays by Sophie May’.
Domestic fluff with Papa Alastor and his little fawn.
Second Part
So- I don’t know if sinners “age” or grow up in hell but let’s say for the sake of this little post that they do but it's really really slow or you're just a little child forever..WHO KNOWS.
Anyways…you’re like a carbon copy of Alastor only smaller and maybe brighter colors (Where as he has dark red hair you have maybe lighter red hair or a different light color) and little white spots in your hair or fur, maybe some freckles too. 
You are the only soul that is allowed to touch his cane without his permission or guidance, especially because he knows you like to wander off at times, not too far but when you both are walking down the street and he’s not feeling into physical contact he holds his cane out to you and that’s your cue to hold on. If he’s fine with physical contact? He’ll be holding your tiny hand into his, it’s something he got used to doing when he walked you to school those early mornings before he had to go to his radio station.
When he introduces you to Niffty and Husk? He’s not worried about Niffty, but he is glaring Husk down as you walk around the ex-overlord. You’re just curious. But once you get used to him you walk back over to your Papa and hold onto his cane, that’s his signal that you’re ready to go.
I’m a firm believer that sinners still feel the pain of whatever killed them in life when they get into hell as a reminder of why they are there. So speaking of that, Alastor gets hella bad migraines which he got used to easily but when he hears you coughing? He’s immediately by your side and holding a handkerchief to your mouth. He pulls you closer to him if it’s one of those bad coughs that make you wheeze really bad, he’s just a scared Papa and doesn’t know modern medicine well enough to get you the right treatment.
He dresses you in the fashion he’s used to, which is either a button down shirt with slacks or a dress. You’d wear a small little bowtie either around your neck or in your hair. 
Now when he arrives at the Hotel with you? You’re automatically being held because he knows you as his child and how curious you are but also he’s a paranoid deer dad. But after a while? He’s letting you down and gently patting your back to let you wander around, just please stay in his line of sight for now. He walks around the hotel with you so you can see all the sights as Charlie and Vaggie are with him explaining everything. 
Speaking of Charlie and Vaggie, they both terrified you and it almost sent Alastor into a frenzy. He doesn’t care if Vaggie points a spear at him but not at his little fawn. Charlie was just loud and that frightened you. 
Angel Dust wasn’t allowed around you for a while, but once he was, he was very sober and didn’t utter a word about anything your ears shouldn’t know lest he faces the wrath of your Papa. He also gets you treats and gives you head pats.
You do have your own room next to Alastor’s and he makes sure it looks like it did when you were alive, filled with your favorite toys and books lining the shelves. He got Rosie to make you a new teddy bear that resembled him once more and you absolutely adore that thing.
You and Niffty are gremlins together but she keeps her eye on you the whole time and makes sure you don’t get hurt or in trouble. She’s also very helpful when you start having a coughing fit but if it gets really bad? She gets Charlie or Husk to help. 
Alastor pulls Charlie aside one day whilst you are playing, “Charlie, you know I don’t believe in this silly little redemption thing as a whole but..if this does end up working, I want my little fawn to be up there. They don’t deserve to be down here with these disgusting and vile creatures. That’s all I care about.” He whispered glancing back at you as Charlie followed his gaze before smiling and nodding, “Of course, Alastor. How did..” She stopped herself as Alastor stood up tall. “They were sick ever since they were just a little baby..” He whispered out before clearing his throat and cleaning his monocle. He was done talking..reminiscing on his past mistakes.
When Mimzy comes around? He doesn’t let her near you, he knows what trouble she brings and he won’t stand for it if she dares harm a hair on your head. It’s not that he doesn’t trust her, it’s just he’d rather not feel the heartbreak he did all those years ago when he first lost you.
Some nights when you're fast asleep he holds you in his arms and sits on the floor. It grounds him when he feels you breathing, especially when memories of that night plague him and he can’t seem to catch a break. Even if he’s at his breaking point with physical affection, he will force himself to hold you just because those thoughts are plaguing him and he has to make sure you're breathing. His hands will rub circles on your back and he’ll let himself cry but it will be drowned out by soft jazz playing just in case someone walks by your bedroom door.
He also finds it soothing when he brushes and does your hair, even if you don’t have long hair he’ll brush it out for you in the mornings while he enjoys his coffee. He’s very careful around your tiny deer ears too. If you have trouble tying your bowtie or bow? Don’t worry, He is getting down on one knee and tying it for you while talking you through the steps.
100% you are his little sous chef/ taste tester. His love for spicy food is passed down to you and if it’s not spicy enough for you it’s definitely not spicy for him. While he himself doesn’t like to indulge in sweets, he’ll learn to make your favorite treat and surprise you with it. 
Omg when Lucifer comes to the hotel? Alastor gets protective because now the King of Hell is talking to you and not him but he’s not being mean about it…kinda. He’ll make an off joke about Alastor and you’ll stomp your hoof and puff your chest out and headbutting Lucifer. It’s even better if you have little nubs where your antlers (if you have them) are growing in. That’s what the King of Hell gets for bad talking your Papa in front of you! It doesn’t hurt Lucifer but he gets the gist (he doesn’t)
A/N: Once again if anyone has any headcannons of their own go wild. These are just I thought of!
Taglist: @littledolly2345, @aboyscriminalrecord (figured since you drew those masterpieces, I'd tag you in some more little headcanons)
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gnar-slabdash · 2 years
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I suddenly woke up stupid early on my day off with multiple weird random aches and pains and a revelation about the Leverage chess metaphors.
They’re all wrong.
Look, I obviously adore the white knight/black king motif, and it works really well for that very specific discussion of Nate’s shift in morality and position at the opening of the series. But the show as well as I and other fans have then tried to take that equation and apply it to other jobs and to the crew as a whole. This is fun and awesome, but I believe you’re going to get it wrong every time if you start from the white knight/black king line. 
Because in all other situations, Nate is not the king.
Couple important things about kings in chess: 1. They don’t move much. They can only move one space at a time, and for most of the game they stay in their own little box, well guarded by other pieces. This is because 2. When the king is checkmated (threatened with capture and no possible escape), it’s game over. There is no more hope. This is the sole requirement for losing the game. No matter who else is in play, if the king is down, you lose.
This is NOT how Nate operates. Yeah, he makes the plans, but he doesn’t just hide in the office while everybody else carries them out. He’s almost always right up in there playing the most obnoxious guy you’ve ever met or smashing windows or something. And if Nate gets captured, it’s not game over, in fact, it often isn’t even a PROBLEM. Let’s look at a few times that happens, just for fun: - In The King George Job, Nate’s getting beat up and Eliot slightly panics and is about to run to help, when Sophie says “NOPE, don’t do that, I can fix this without blowing our cover” and saunters in at her leisure. The jig isn’t up and she’s not even particularly concerned about him getting punched. I love it. - In the Maltese Falcon Job, Nate sacrifices himself to save the team. This is a classic thing to do in chess and chess metaphors, but, I cannot stress this enough, you cannot sacrifice your king. That’s just called LOSING. -In The Long Goodbye Job of course the whole con is structured around Nate getting caught. I guess this one kind of makes sense because the whole point is to look like they HAVE completely lost, but then at the end it appears that Nate’s going to secret prison and everyone else is escaping WITH the black book, so they STILL would be losing Nate but winning the job. 
So if Nate isn’t the king, who is?
Hardison.
Let’s look at our points about kings again:
1. Doesn’t move as far or as quickly: Yes, Hardison ALSO gets out there and participates in the cons, everybody does. But Hardison does stay in the background more often, because that’s where his power is. He does the behind the scenes tech stuff and the remote stuff, he can wreck your shop without showing up through the power of the internet. He also does the forgeries of identities and objects, which are also done in his own space. At the same time, he has less physical power and less range -- you don’t want him in a fistfight, or a gunfight, and his grifts are notorious for being a little. . . uh. . . interesting. So he has limited physical range and power but at the same time. . . .
2. The game is over if you lose him. That far-reaching behind the scenes power is absolutely vital for 90% of the jobs. He does the massive amounts of research and hacking legwork needed just to START a job, even before you get to actually completing the job. You are pretty much dead in the water without Hardison. But that’s just from a practical standpoint. Losing Hardison is also a crisis from an emotional standpoint. He’s our moral compass and our sweet baby brother and when Hardison gets in trouble there is no “well he’ll be fine for a few minutes” and no “well he kinda had it coming.” No, when Hardison is in trouble everything else grinds to a halt and everyone comes running. (See: The Experimental Job, The Grave Danger Job, The Long Goodbye Job.)
So like, yes Nate is in charge. But the king isn’t in charge on a chessboard, the king is just a piece with a very unique role, which Hardison fills much better than Nate does. So, now that we have our real king, who are our other pieces?
Queen: Parker. This has nothing to do with her dating Hardison. The thing about the queen is she can do a little bit of everything -- she can move in any direction, making her the most dangerous piece on the board. Parker’s whole character arc is about learning all the different roles and how to access the whole playing field. She’s the only one who plans and executes an entire episode-length job by herself (okay, with a little help from her girlfriend). Plus, the other cool thing about a queen is she has a built-in transformation story -- a pawn that crosses the board can become a queen, which Parker mimics by initially being dismissed as “the crazy one” and ultimately becoming the mastermind.
Knight: Sophie. I know, I wanted Eliot to be the horsie too, but this makes more sense. The knight’s deal is that it’s sneaky -- it’s the only piece that can turn corners -- and it can jump over obstacles. Sophie’s whole philosophy of grifting is that she shouldn’t need to know about safes or security systems, she should be able to bypass (jump over) all that by insinuating herself with the mark (being sneaky by playing a character to get behind enemy lines)
Rook: Eliot. This is the straightforward one -- it goes in a straight line. It also literally represents the castle walls. It’s also so, so fucking helpful to have around, I fucking hate losing my rooks. It’s your solid right hand man, basically. Is this a little reductive of Eliot? Absolutely, but I’m jamming five complex characters into five predetermined boxes, it’s not all gonna be nuanced. And I think Mr. Punchy would like being seen as the fortress that everybody depends on, and to let all the nuance go under the radar. That’s where he likes it. 
Bishop: Finally, here’s where Nate is hiding. While the rook can only go straight (lol), the bishop can only go diagonally. Nothing can be straightforward for the bishop, he always has to come at things from an angle. Like, you know, constantly looking at all the different angles of a situation and finding the right angle to come at a mark from. Also, the bishops sit right in the middle right next to the king and queen. I don’t know that this is historically accurate, but when my dad taught me to play he told me that was because the bishops were important councilors to the rulers, they were the ones who had important wisdom that would tell them the best plan of attack. So the king here isn’t necessarily the one making the plans -- that’s the bishop. And finally, apparently the bishop is called lots of different things in other languages, but we’re operating in English, which means it makes Nate a priest, and that makes me happy.
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fintan-pyren · 2 months
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Okay but we really need to talk about how the fandom's perception of Alden is the exact opposite of who he really is.
When they were searching for Sophie, that wasn't the Council's orders. In fact, the Council specifically told him not to do that, and he proceeded to do it anyways and do his utmost best to hide it from the Council.
And the whole angry, borderline abusive persona that people ascribe to him? He's one of the most chill and laid-back characters in the books. On the rare occasion that he acts angry, it's always because his kids (either his bio ones or his honorary ones) are in danger/being treated badly. He canonically encourages Fitz to befriend Keefe so that Keefe will have a place to spend time away from his abusive parents.
Above all else, he cares about doing the right thing and helping people as much as he can, whatever it takes.
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tossawary · 7 months
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In the "Howl's Moving Castle" movie, I was always kind of taken aback by Madame Suliman's identical blond boy servants and how closely Howl resembles them. Strict uniforms are definitely a thing, that blond hair could be dyed or could just be wigs or it could all be an illusion to disguise what they really look like, and it would fit the extravagance that we see of the palace to have such an absurd dress code for apprentices / servants.
But yeah, my first thought was clones or magical creations of some kind.
If not for the scene showing Howl as a boy meeting Calcifer, and I think a mention of having a wizard uncle when he and Sophie visit the flower field... (And also if not for having actually read the book and knowing Howl's backstory in that universe, but if the book didn't exist and the secret backstory there wasn't so funny...) then I would wonder about Howl having actually been created by Madame Suliman in some fashion. I mean, you could still do Secret Magical Clone Backstory as an AU for the movie 'verse: Howl could totally be lying about having a wizard uncle and the dark hair in the flashback could be a childhood rebellion thing.
It adds a whole extra layer of "what the fuck, this was never going to work" to Sophie briefly pretending to be Howl's mother to get him out of having to fight in the war, which is funny to me. I always got the vibe that Madame Suliman knew the "Mrs. Pendragon" bit was 100% fake from the beginning. And I think it would be funny to have Sophie yell at Howl for making her a distraction.
Anyway, I feel like movie 'verse Sophie could immediately cure Howl's upset over not being blond anymore by asking him if he also used to have to dress up like those boys when he was Madame Suliman's apprentice, and if he'd been trying to look like that still. (It's possible that the blond servant outfit of Suliman's servants and Howl's early outfits were just both of them separately trying to keep up with the latest fashions. The uniform may have looked entirely different when Howl was an apprentice.) "Is that the look you were going for?" Sophie asks dubiously, and Howl spends at least the next three days having a fashion crisis.
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I'm rereading book 1 after watching the movie because nostalgia and one of the earliest things that I just can't figure out why they would change is no one in Galvadon knowing about the school/it being a vague legend sort of thing, when the Literal first lines of the book are
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In the book, the school for good and evil is not only a very real thing, it's an established part of their culture. The townsfolk figured out many generations ago that, every four years, two kids would go missing, one "good" and one "bad", and in the following years after mysterious fairy tale books would be delivered to the village bookstore, depicting the missing children in their illustrations.
I just don't understand why that is something they would change for the movie since it makes no difference for the runtime, if they were already going to spend that time in Galvadon they might as well have shown us some incredibly interesting scenes from the begining of the book, like how the whole village prepares for the night the School Master comes for the children in desperate panic, including the children themselves terrified of being taken away from their families. Like:
Handsome ones had their hair lopped off, teeth blackened, and clothes shredded to rags; homely ones were scrubbed, swathed in bright colors, and fitted with veils. Mothers begged the best-behaved children to curse or kick their sisters, the worst were bribed to pray in the church, while the rest in line were led in choruses of the village anthem: “Blessed Are the Ordinary.”
Fear swelled into a contagious fog. In a dim alley, the butcher and blacksmith traded storybooks for clues to save their sons. Beneath the crooked clock tower, two sisters listed fairy-tale villain names to hunt for patterns. A group of boys chained their bodies together, a few girls hid on the school roof, and a masked child jumped from bushes to spook his mother, earning a spanking on the spot. Even the homeless hag got into the act, hopping before a meager fire, croaking, “Burn the storybooks! Burn them all!” But no one listened and no books were burned.
I honestly believe that the first few scenes in Galvadon from book 1 are some of the best writing Soman has done, and it's sad that we didn't even get to see Sophie's father boarding up her window only for her to tear it off and wait for the School Master with her bags packed, which is not only hilarious but it really adds to her character imo. In the books, Sophie has known about the school and wanted to go there all her life. It's not some impulsive idea coming from a rumor that she learned about that very same day, it's a very present part of their day-to-day life! And it would've cost them no extra screen time at all to show even a little bit of that, it's actually quite sad.
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hedgiwithapen · 7 months
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DHD: Leverage daemon au
(confession: I read the first 80% of golden compass in 2006 while waiting for christmas and thus new books and never finished it, so my rules for worldbuilding now!) Some things, everyone knows. Like how to breathe, and just as important. Separating hurts. Nothing cut can be made whole. Daemons don’t settle twice. Everyone in the business knew that Eliot Spencer’s Daemon had settled as an American black bear, and that Marron could kill just as viciously as he did.  Everyone deep in the business knew that he was Moreau’s right hand. Everyone in the business knew that Moreau’s best men were Severed.
Nate had never asked where Marron was, and neither had Sophie, though neither of them knew everything about his time with Moreau. He guessed they’d figured out something as close to the truth as anyone was going to guess, even Moreau. None but the two of them knew the truth, that Marron had run to save them both. That Marron had come back, a scruffy mongrel with a broken banner of a tail. She kept her distance the first few jobs, waiting in the Shadows. Eliot could always feel her there, just as strong as if she’d been only a few feet away. That wasn’t supposed to be how things worked, but no one had told Marron that. Parker, though, had noticed right away. “Like us,” she’d said, eyes flicking skyward. Rhodonite had settled as a Kestral young, after the first stint in Juvie. They’d agreed without needing to speak, aloud or otherwise, about it. That was how they worked. Who could say who’s idea anything they did was? They were the same, and neither of them suffered cages or locked doors lightly. “No,” Eliot had said, uncertain how much was a lie. “No,” Parker had returned. “You’re like us. It was safer. They don’t get that.” She was right about that. Hardison’s Chip, and Nate’s Vianney almost never left their shoulders. When Chip had to, it was usually to a pocket, and Vianney, though she could fly some distance away when a con called for it, preferred to stay as close as possible, where she could bite Nate’s ear, or preen his hair, depending on just how much of an ass he was being. It was easier to hide a pika than a parrot, unfortunately, but they always made do.  Remy helped with that. Remy had introduced himself when Nate had introduced Sophie to the team, a soft mink draped over a shoulder. “Remy. It’s short for anything you can think of,” he’d said, sliding off Sophie’s arm to investigate, shifting into a sleek, dark cat. He’d been Rembrant, Reminiscent, Remolade, Remnant; everything from a mobster’s coiled snake to a street rat’s street rat. It never bothered him what his name was, or what hers was--Sophie, Katherine, Charlotte, Laura. Names were as changeable as the color of her hair, the shade of his eyes.  “She never settles, so I don’t see why I have to. If you have a problem with that, I’ll bite you.” “I’ll bite you, too,” Sophie had laughed, a deadly glint in her eye. “So, Nate, what’s the score? What finally got you to try my side of the board?” The money had been good. The understanding--or at least, the hiding of judgment, was better. They’d split off and found their way back, again, again.
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manikas-whims · 2 months
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I've finally read Howl's Moving Castle by Diana Wynne Jones and..
Studio Ghibli Howl is cute n all but he's nothing compared to the Book Howl.
Book Howl is not trying to be some grand hero suffering under his curse. Book Howl is evading every aspect that could lead to the curse taking over him, avoiding it the best he could and hoping it'll just wane away. And he's 20x more dramatic 😭 purposely wanting for attention..
Similarly Ghibli Sophie is fine but an entirely different person than the Book Sophie.
Book Sophie has a magical touch and can breathe life into things with mere words, can imbue inanimate objects with certain abilities. Book Sophie isn't self-loathing and insecure. Book Sophie merely believes her misfortune to be a direct effect of her being the eldest. And she dgaf or console Howl when he's being overly dramatic. Instead she tells him exactly how bad he is 😆 and how much worse he can be..
And the tale is far more convoluted. The whole thing about the Prince and Wizard Sulaiman, the thing about the Witch of the Waste and her fire demon, the fact that Book Simon isn't a child but a 20yo messy apprentice to Howl, the fact that Sophie actually has 2 sisters, the fact that Fanny is not an awful mother but perceived that way..AND THE FACT THAT HOWL IS WELSH!!! THE WORLD HE'S ACTUALLY FROM HAS VIDEO GAMES N SHIT!?..
There's so much to explore with this story and I hope someday we get a of 8-10 episode mini series where we can see some of this from book to screen 🤞😭
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thekatebridgerton · 2 months
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Little more deep dive between Eloise and Benedict : love and sacrifice
Because I Saw a post that said that Eloise relationship with Theo was meant to parallel with Lady Mary Sharma. In the whole Noble x commoner thing.
And it got me thinking about the relationship Eloise x Theo was really meant to foreshadow which is Benedict x Sophie and the true meaning of sacrifice in the name of love.
I've done meta posts before about Benophie, and I I always point out how much Benedict ultimately changes when he chooses Sophie, and therefore the ostracisation of society that he will suffer from marrying her, as opposed to the life of comfort he was used to. His ultimate demonstration of true love is in fact choosing her, over everything else. Which is something no other Bridgerton has ever had the guts to do. And I hope they keep that nuance in the show. And here's why.
When it comes to Eloise and Theo, she was experimenting with learning about commoners, falling in love as teenagers do, but at no point did the matter of her leaving her family, home and creature comforts because of profound love, ever enter the conversation. Same with Anthony and Sienna. Both Anthony and Eloise were escaping responsibility by being with Theo and Sienna, but ultimately things don't work out because there is no real investment in the Bridgerton side to learn about Theo and Sienna as people.
This also happens with Benedict and Sophie. And the question comes up tacitly many times in An offer from A gentleman: what would you be willing to give up for someone you truly loved?.
And at the end of the book Benedict answers: Everything
Don't get me wrong, each Bridgerton sibling gives up something deeply personal as a demonstration of true love But... Only the reader/ viewer knows that. On the outside, the lives of the first 2 Bridgertons change very little with their marriages. And then there's Benedict, who for all intents and purposes said it's Sophie or nothing! Screw the ton! Screw society! Screw whatever people think. And moved to the countryside to live the cottagecore life with his beloved wife.
Which brings us back to show Eloise. I think there will be a time she's going to ask herself if she ever loved anyone strongly enough to do what Benedict did. Which is give up the life he was used to for something unknown and difficult, and come to the conclusion that what she had with Theo wasn't really love. The way Anthony eventually did with Sienna.
I think at one point after Eloise sees her three brothers and two sisters fall in love and grow up in order to be better people for their spouses. She's going to be ready to answer that question herself : what is she willing to give up for someone she truly loves?
It will be interesting to see. And that's the tea
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myfairkatiecat · 2 months
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Say what you want about stellarlune but I’m glad sokeefe’s first kiss was in a controlled environment. I’m glad Sophie planned her confession. I’m glad there’s romance in books for kids that paints a realistic portrayal of what it looks like to resolve your feelings. You can create the right moment and go for it and that’s what Sophie did. The whole thing was very mature and it was exactly what the two of them deserved…. Time to themselves, just them in a romantic glen, being clear about their feelings for each other and feeling all giddy inside. They deserved it and I’m glad they got it.
I do think at some point in the next book, along with more fluffy Sokeefe ofc, they have a we’re-about-to-die-last-moment-kiss. Like “just in case I never see you again” *passionate kiss except written for twelve year olds* I think some kind of epic moment like that would also be amazing for Sophie and Keefe. Something like a percabeth’s first kiss even, where she pecks him on the lips for luck bc she doesn’t know if they’ll make it out alive.
But I’m glad we got the first thing. It was a good move on Shannon’s part and Sokeefe deserved that moment <3
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okay. So I've finished book 1 of keeper of the lost cities for the first time. And I'm loving this keefe dude already?? Like I never thought I'd like a fictional character so quickly. All it took was like one page for me to fall for him, I am aware that keefe is one of the most loved characters in the fandom, and I can see why (correct me if I'm wrong).
Also the book is a solid 9.5/10, the only thing I was frustrated about was probably the slight info dumping about the whole blackswan thing towards the end? because it took me like 3 reads to understand the whole situation, of course, we could just narrow it down to me being slow too, lol. But I'm VERY excited to continue reading the rest. So while we're at it, I'll put in my first impressions of the characters, so I can look back on it after I've read all the books, to see how much my perception has changed of them.
Sophie- i like her, she's really mature for her age, I keep forgetting that she's like 12 lmao. But she's well written, her emotions seem very raw and natural. Of course, she may seem overpowered but, I think that's the whole point of the story, she is supposed to be overpowered, so I don't mind and i wouldn't call her a Mary sue. Overall great protagonist, my girlie deserves a break tho, she got dumped in the hospital atleast 6 times lol.
Fitz- i actually think he's cool. I liked him better in the beginning of the story tho, I feel like afterwards, the dude kinda just disappeared a little? Keefe and Sophie seemed to have more private interaction than those two, and keefe literally only came by in the middle. But yeah, I feel like he had more of a personality in the start. Keefe and Dex, in my opinion had more personality in 5 minutes than fitz did the whole book, but I wouldn't judge so quickly, it's only the first book after all, Hopefully he'd have more page time in the later books. I still like him tho, just not as much as keefe.
Dex- Yeah he is such a typical best friend, I love him. His beef w the vackers is so funny lol I was relieved when Sophie stuck with him even after she became popular tho, also, he seems to have a crush on sophie right? It's kinda obvious, but overall friendship goals 10/10. I vocally "AWW-ed" after he said "are you kidding, i can't wait to tell everyone that you're my first friend" like I need a guy bestie like him :(
Alden- honestly, my heart warmed so much with his father-like dynamic with sophie tbh. He seemed to genuinely care about her well being, but I don't want to get too attached to him tho, just in case becomes a traitor or some shit later on, you can literally never tell with the adults lol. I've read enough books to back that up. But yeah, i really like him and della, the amount of reassuring hugs he gives sophie really heals me :(, They're like sophies 2nd (well, in her case, 3rd) parents. The amount of effort and lengths Alden put to get her out of trouble is actually sweet.
Elwin- This guy is such a W. He is like an adult keefe tbh. He is probably my favorite adult so far lol.
Cassius- I'm sorry, but Mr jerk face over here reminds me SO much of Lucius Malfoy??? Like ?? I feel so bad for Keefe, like poor baby leave him alone smh. I really wanna deck his royal highness in the face tbh.
Biana- absolutely loathed her in the beginning, she gave off such bad snob vibes lol but I love her now. I like the trope of two people forced to be friends w eachother by someone actually end up becoming friends. It's rather uncommon as far as I've read, atleast.
Grady and Edaline- is it bad that i thought they were going to be evil? Yeah I have so much trust issues, it's concerning. But yeah, they're both big W's, their backstory, their temporary contemplation to reject sophies adoption, everything aligned well with their backstory. Greatly written characters.
And last but not least, the king himself, Keefe- okay, he's like added to my list of fictional crushes now lol (along with Percy Jackson, Jason grace, Steve Harrington, chat noir, Eugene fitzherbert, edmund pevensie and Ravi singh ofc). How does sophie not have a fat crush on him, like- ma'am if you don't want him, I'll take him. But jokes aside, he feels like the most authentic character out of them all, tbh. Epitome of great writing. He was inserted to the story as this random dude that sophie runs into, and becomes an og in like 5 minutes. He is like a mix of Eugene from tangled, Kristoff from Frozen and chat noir from mlb all at the same time?? I cannot wait to see more of him and his backstory, especially with his parents. I know alot of people dislike the humorous guy with depression trope since it's overused, but I like how it played out on keefe, he uses school as an escape, which is very relatable.
Also, bonus, i LOVE the world building, the light leaping and all, very creative. I cannot wait to get my hands on book 2
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pigfacedbitch · 9 months
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Dating Hort of Bloodbrook
summary : general headcanons of dating Hort while being the princess of Camelot.
word count : 0.7k
type : headcanons
pairing/s involved : Hort x Reader, Sibling! Tedros x Reader
warning/s : discrimination against Nevers and Evers.
here is my masterlist!
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Note : I know this is late but this has been on my unfinished works since the movie came out. I fell in love with Hort, he is so cute and loyal to Sophie 🥹. I haven't read the books but I might soon when I need to escape reality again.
You will likely be a year younger than Tedros.
Because of the heir and the spare™.
I know it sounds bad but some rulers actually do those.
Tedros is extremely overprotective over you, especially when Queen Guinevere ran away with Lancelot and King Arthur died.
He's like the typical older brother you see in movies; handsome, buff, (kind off) a meathead, and annoys you to know end.
Will also be the first one to come to your defense.
When you got to the School of Good, you were determined to destroy the image of being Tedros' little sister.
Which results to you preferring to be a hero in your own story than being a queen in someone else's.
As expected, you quickly became friends with Agatha.
Not afraid to stand up to those who think girls are inferior to boys.
While the other Evers found the Nevers horrible for being future villains, you have a neutral perspective towards them.
After all, the School of Good has many stuck up and vain students.
Meeting Hort was definitely a memory to remember. It was when Professor Dovey took the first years to the Wish Fish (Let's pretend Agatha didn't free them).
When you put your hand on the water and begin to think of a wish, you didn't feel the water swirling like Agatha told you she experienced,
Instead, it was hand that intertwines its finger with yours.
And it harshly pulled you down the water.
The girls' screams and the professor calling out your name in panic caught the boys and Tedros' attention, running to the 'rescue'.
Under the water, you see someone smiling at you, or at least that's what you hopes he's doing.
A Never named Hort, son of Captain Hook.
Tedros immediately pulled you out of the water, with Hort in tow.
The angry professor commands the nearby guards to bring him back to the School of Evil and how Lady Lesso will surely punish him.
"It seems like I'm your wish, my lady."
He expects you to be disgusted like the other Evers. To his surprise, you give him the sweetest smile he has ever seen in his life.
"That you are, Hort of Bloodbrook."
To say Hort is surprised was an understatement.
You didn't only smile at him but also knew his name.
Cupid's arrow struck him at that moment. His villainous smirk drops, staring at you with wide eyes as much as he could before they were out of sight.
Tedros, who saw the whole thing, was not pleased and gave you a warning on how Nevers can't be trusted.
After your encounter, Hort seeks you out more.
You didn't mind, he is an odd yet funny companion.
He also doesn't care for one's physical appearance like the girls do or how you're nothing but a pretty face with a royal title like most guys think.
He encourages you to be yourself, like Agatha does.
You two would get judgmental looks from both sides.
Sophie was pissed, not only because Hort was losing interest in her but being the princess of Camelot is everything she wants to be.
So is Tedros. And everyone else who sees you together.
Agatha is just worried and would remind you to keep your guard up.
But you enjoy each other's company, that's what matters.
Hort was in love with you the moment you met but it took you a longer time to realize your feelings for him.
You only told Agatha about it but Tedros overheard.
Believe me when I say that Tedros will demand you to be examined.
"She's not under any spells, my prince."
"Are you certain?"
"Oh my God, I love Hort and there's nothing you can do about it!"
Everyone in the hall heard you.
Silence before a giddy howl ensues.
Hort runs to you and gives the biggest hug you could ever receive.
Despite being initially embarrassed, you returned it.
Before he could kiss you like he always dreamed of, Tedros stops him.
He pulls out Excalibur and points its tip on Hort's neck. Your brother will mercilessly give the poor boy threats if he broke your heart or hurt you in any way. Agatha joined in without words, just sending a warning glare on his way.
Hort would be lowkey terrified but so happy at the same time.
I mean you love him back. He could take a fucking army if you command him to.
Lady Lesso and Professor Dovey would only look at each other in disbelief, worried for what happens next.
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rorywritesjunk · 3 months
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Be gentle with yourself as you uncover Your best kept secrets yet to be discovered
Buggy meets an infamous pirate who dabbles in magic that everyone seems to be after, but they only have eyes for Buggy. Why is he so special? Rating: PGish. Warning: None. Buggy is unhappy and doesn't want strangers touching him without asking first. A/N: My "Howl's Moving Castle" fic based off the movie because I never read the book. It will have different moments than the movie just to omit some things. This story uses "You" but I couldn't not give the character a name and for some reason "Shore" is what I thought of. And Shore is referred to as they/them, nonbinary, and breaks hearts wherever they go. Buggy is Sophie in this fic, is 22, and not always in a good mood.
Title comes from "Better In The Morning" by Birdtalker.
TAGLIST: @fanaticsnail
Chapter 1 + Chapter 2 + Chapter 3 + Chapter 4
Chapter I
The final performance of the evening finished. The final bows given as the lights faded and the music played the performers out. Buggy stood to the side and out of the spotlights, arms crossed with a scowl as he watched his companions soak up the attention: the attention he deserved for all that he did for them but he was never thanked. Sewing costumes, fixing props, the makeup, cleaning up before, during, and after each performance. And every night Buggy was there, ready to do what was needed to ensure the circus lived on. 
It was frustrating. He had been a promising performer, up and coming, his former ring master said so, but when he died and another took over, Buggy’s chances were destroyed. He had to stay at the bottom of the pile, taking care of everyone and everything. It was hard, he watched as a child how the circus was built up, but now it lacked the flash, the passion, the creativity he once knew, and no one would listen to him. Years of being pushed aside took its toll on Buggy. He stopped offering suggestions, only staying around to try and maintain the image of the circus he once knew.
He spent hours cleaning, ignoring the chattering voices of the performers. Their latest bit of gossip was of a notorious pirate, one who stole the hearts of beautiful men and women at every town they went to. He heard a jab made at his expense, Buggy’s lucky, he has nothing to worry about! followed by laughter. They always said things like that, figuring he didn’t hear them. Their voices often carried through the tent.
Assholes, all of them.
He was done hours later and the last one to leave. His home was the tent, wherever it went, but some nights he needed to get away. A walk around the town would be nice. The circus was never around in a town for too long, a few weeks at most, before packing up and leaving to the next one. He could always stay behind, Buggy knew that; he was young enough to start a new career. At just 22 he had his whole life ahead of him, but his heart was in the tent. He couldn’t leave it, not ever.
He grabbed his jacket and pulled it on before heading off the grounds and into the night. The town had seemed quiet so far, a nice change from some of the rowdier places they had been. 
It was nice to take some time to think without the noise of the crowds, of the performers, just to be by himself without anyone else around. 
Except he walked past a Marine after ducking down an alleyway, one who was much bigger than Buggy, who stopped in front of him and blocked his path with a drunken grin. He leaned forward, using the corner of the building for balance as he looked Buggy up and down. Buggy could smell the alcohol on his breath and grimaced.
“Is the circus in town?” The Marine laughed. “Can you do any tricks, jester?”
Buggy hesitated for a moment. If he fought back, he’d be thrown in jail and no one would bail him out, so it wasn’t worth it. Instead, he stepped around him, choosing to ignore him, but there was another one waiting.
“Wow, you found a funny lookin’ clown!” The other Marine chuckled as he reached up to touch Buggy’s hair. “This a wig?”
“You forgot to take your nose off!” The first Marine added with a laugh. Buggy took a step back, the urge to fight growing though the little voice inside him said don’t, not worth it, but it was so hard to not give in. He wanted so badly to fight back but what would be the use? The two started to crowd him, taking up his space, and before Buggy could scream at them to back off, a hand was on his shoulder. It wasn’t one of the Marines, the touch was too warm, too gentle, and when he turned to see the visitor, his voice was caught in his throat.
The first thing he noticed was your hair, white as snow, cropped above your shoulders with barrettes keeping your hair out of your face. Hazel eyes shining bright in the darkness and for a moment Buggy thought maybe he saw the stars reflected in them. You were shorter than Buggy by a few inches, he had to look down at you to see your face.  You tugged him close to you, keeping your hand on his shoulder as you smiled at the two drunks. “Sorry I’m late! We need to get going if we want to make our dinner reservation.”
“Wait-”
The two Marines tried to step in to stop but with a flick of your wrist they both went still before turning and marching in the direction Buggy came from. He stared in shock as they marched, invisible strings controlling their actions. You gave his shoulder a squeeze, catching his attention. He turned to look at you, meeting your eyes for just a moment before he looked away.
“Let me drop you off at home. I want to make sure you’re safe.” You said with a smile. “Can I hold your hand?”
“Can you- what? Why?!” He demanded, unconsciously reaching for your hand. You grasped it in yours, the warmth was still there and he was glad it was dark so you didn't see his red cheeks. You pulled him closer, glancing behind him before grinning.
“I'm being followed. This will be faster.” You said as you took his other hand in yours. “I hope you're not afraid of heights.”
“Afraid of heights?” He repeated, confused.
Before Buggy could register what you said, you held both of his hands and jumped up, bringing him along. There was a noise below, a crash of shadows and men with swords and axes, all matter of weapons, attacking where you both just were. He was in the air. Not quite flying, but you started moving your legs, strolling along as though normal. His legs wouldn't move, he had them tucked up against his body, suddenly terrified that if he even thought of relaxing he'd fall to the darkness below.
“I got you, don't worry.” You assured him kindly, giving his hand a squeeze. “Relax and walk. You're safe with me.”
“I'm not scared!” Buggy snapped at you as he forced his legs to start moving, stretching them out below and trying to make them walk. You chuckled, leading him in the direction of the red and white striped circus tent.
“I didn't say you were.” 
He glared at you, huffing in annoyance as the two of you gradually drifted downwards to the ground. The lights around the tent were still off, no one else was awake. He wasn't gone that long, but between walking, the Marines, and then you helping him made him drop to his knees in exhaustion once you touched the ground. He felt like he ran a marathon with how wobbly he felt. Was it just adrenaline? He wasn't scared. Buggy didn't get scared. But maybe just keeping up with you in the air, trying to make sure neither of you fell to the ground, tired him out faster than he expected.
Your hand was on his shoulder once again, giving a gentle squeeze. He looked up at you, scowling once more. Why were you sticking around? Were you expecting payment? He didn't ask for help, he would have been fine without you. 
“Go get some rest.” You said as you pulled your hand away, the warmth gone from Buggy's shoulder now, already something he was missing. He wanted to at least ask your name, just so he knew if you were coming later to demand any kind of payment or favors later then he could be sure he was ‘off site'. 
Buggy finally got to his feet and you were gone, walking off into the night, someone he wouldn't see again. The kindness you showed him in that moment stuck with him as he headed into the tent. All you did was help him, ask to touch him, which was more than anyone else in his life had done. The only other person to treat him like that was the former ringmaster, dead now six years and Buggy hadn't had someone smile kindly to him since then. Until you, that is.
The tent was quiet, the lights off, save for one lantern lit in the middle of the ring. He knew he blew them all out before leaving, but maybe one didn't stay out. Shaking his head, he approached the middle and picked the lantern up, opening the little glass door as he readied to blow it out.
“So, who's your friend?” A voice asked, low with a hint of amusement. Buggy jumped, nearly dropping the lantern as his head turned to see who spoke. At the entrance of the ring was a woman, around his age maybe, who was leaning on a mace with a grin on her face. 
“Circus is closed.” Buggy told her, straightening up and trying to sound authoritative despite his voice wavering. “First show tomorrow starts at four. You can come back then.”
She laughed as she lifted her weapon up, resting it against her shoulder as she approached Buggy. When she got close enough, her hand extended out towards his face, he took a step back. He didn't know who this was, why she was in the tent, but he didn't like it one bit. 
“The circus is-is closed, you need to leave.” He insisted. She just smiled at him and took another step forward, palm open and against his cheek suddenly. Buggy thought he was dunked in ice water, the feeling of her hand against his face was nothing like the hand on his shoulder minutes ago. There was no warmth, no gentle touch, and he felt himself start to panic. 
“You're telling me to leave?” She asked with a smile. “Sweetie, don't you know who I am?”
“No, and I don't care!” Buggy snapped as he jerked away from her. “You need to take your weapon and leave now!”
It wasn't working. She just shook her head and patted him on the cheek. “That's no way to speak to Alvida, the Witch of the Waste, sweetie.”
Witch of the What?
“Lady, I don't know who you are, so take your weapon and get out! You're not welcome!” Buggy told her. “Get the hell out, you nobody!”
“Nobody?” The faux friendliness vanished, she was no longer smiling. She let the handle of the mace slide through her hand, the heavy head of the weapon striking the ground with a thud, causing Buggy to jump. Her free hand went into the pocket of her jacket. “Oh, sweetie, that wasn’t very nice.” 
Before Buggy could respond, she pulled her hand out of her pocket, fist clenched tightly until she held it up to her mouth, relaxing her hand before blowing. Sparkly pink dust hit Buggy in the face and he coughed, waving his hand in front of his face as he tried to waft it away. What just happened? He managed to open his eyes, squinting through the sparkles, as Alvida smirked at him.
“Good luck telling anyone what happened to you, sweetie.” She said as she lifted her weapon back up. “No one will know.” Resting it against her shoulder, she turned to head out of the ring. “Oh, and tell that pirate Shore that I’m looking for them.”
“Sho-Shore?” Buggy coughed. “Who the hell is that?”
“You know who it is.”
She left with that, leaving Buggy alone. Shaking his head, he collected the lantern and headed to his room. Whatever was in those sparkles made him feel tired, his body ached a little and he couldn’t help but hunch a bit. Maybe it was that… other person, maybe they did something too. Coughing, Buggy rubbed his arm before heading to his room. Maybe a good night’s sleep will help him forget what happened tonight.
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veliseraptor · 29 days
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March Reading Recap
Juliet: The Life and Afterlives of Shakespeare's First Tragic Heroine by Sophie Duncan. I actually really liked this one! It was an interesting look at several different lenses that have been used over time to look at Juliet (specifically Juliet, not the play), including the relationship between fascism and Juliet in Verona, Italy and the development of West Side Story (didn't know Juliet was Jewish in an early version). I enjoy sort of niche/specific books focusing on a very particular subject, and this book scratched that itch well.
The Brilliant Abyss: Exploring the Majestic Hidden Life of the Deep Ocean, and the Looming Threat That Imperils It by Helen Scales. I read this book too soon after The Underworld by Susan Casey which, while not necessarily a better book, covered a lot of the same terrain. The trouble with a keen interest in a niche topic is, I suppose, that the books on it can start to get repetitive sometimes. It was still good, though, and this one focused a bit less on the history of human exploration than Casey did and a bit more on the ecosystems themselves, which I did welcome.
Blood of the Chosen and Emperor of Ruin by Django Wexler. The second and third books in the series that started with Ashes of the Sun - both continued the trend of "I don't know that I'd call these particularly good works of literature but they were very enjoyable and propulsive." The second book was stronger than the third - I ended up feeling like the conclusion of the trilogy was weaker and a little rushed, but I still enjoyed the experience as a whole and would offer at least a tentative, general recommendation of the series for those looking for a fantasy series that's not particularly innovative or serious but is an exciting ride.
The First Sister by Linden A. Lewis. This book reminded me a little bit of Such Desperate Glory but wasn't quite as well done, I don't think. The back compared it to Mass Effect but I don't really see that as a reasonable comparison. Possibly one of my favorite things about it was the cover design, which fucks. I still liked it, though, and I'm going to read the sequel.
The Great White Bard: How to Love Shakespeare While Talking About Race by Farah Karim-Cooper. Sometimes when I read things I feel like a snot because I go "this is interesting information but the writing feels a little amateurish" and that was my situation with this book. It was good analysis and interesting to read, though sometimes the "and this is how this is modern-ly relevant! q-anon mention" felt a little bit...ehhh, unnecessary, but the writing itself was...yeah. It felt amateurish. Which might just be a result of the book itself being targeted at a particular audience that's less academically-minded than I am, that's certainly possible, but it did affect my enjoyment of the book.
Last Days by Adam Nevill. Mostly this was good spooky fun, though it lost me with the "the ultimate bad guy is an overweight bisexual actor with AIDS" (it's a little more complicated than that, but not enough). Too bad, because conceptually and in terms of imagery it could've been very good. Between this and my last Nevill, I might have to give future books a pass. My search for horror that isn't playing on bigoted tropes apparently continues, since I'm on a bit of a streak there with this and Ring.
China: A History by John Keay. I'd call this one a solid overview despite the choice to use "bureaux" for the plural. However, I'm taking a lot of it with a grain of salt since as far as I can tell he didn't use many or possibly any Chinese secondary sources, and relied primarily for quotations/analysis on English secondary sources. I would've liked to see more of a balance. Still, as far as background information and a general broad history goes, it feels like it was worth reading for me to get a little more background/grounding in history I don't have a lot of familiarity with. (Also, holy shit did Ken Liu crib hard on Liu Bang and Xiang Yu for The Grace of Kings and now I know that.)
Remnants of Filth: vol. 3 by Rou Bao Bu Chi Rou. I continue to really enjoy this book and this volume might be my favorite yet - the flashbacks were satisfying to fill in some of the gaps in mysteries as yet unrevealed, and having Gu Mang fully "back" (more or less) is a fun development that is already having consequences changing the dynamic between him and Mo Xi in delightfully angsty ways. Of the cnovels I'm currently in the middle of this one is close to LHJC as far as my favorite.
Starter Villain by John Scalzi. This one is what I think people would call a "romp" which is all well and good and I probably should've known what I was getting into, but I think I am just not much of a "romp" reader. It was fun, I guess? But I don't know that I felt like it was good, and I'm probably not going to go around recommending it. My first Scalzi, and I don't know if that's typical of him, but I probably won't be in a hurry to pick up another one anytime soon.
Invisible Planets: Contemporary Chinese Science Fiction in Translation ed./trans. by Ken Liu. Short story collections are really hit and miss for me, but this was actually a collection that was pretty hit all the way through! Very interesting stories, a couple I'm still thinking about. I'm looking forward to reading my other collection of short stories in translation, which includes some fantasy - some of these actually felt somewhere between fantasy and science fiction in a very interesting way that I liked.
--
phew. I read a lot last month! Currently I'm reading Medea by Eilish Quin (we'll see how that goes); I have on my docket The Mountain in the Sea by Ray Nayler (recommended to me) and I think I might reread She Who Became the Sun so I can read He Who Drowned the World. I've been on more of a fiction than a nonfiction kick of late, but I am eyeing Islands of Abandonment by Cal Flyn and might make that part of my rotation. we shall see!
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mercurytrinemoon · 6 months
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Astro observations: celebrity edition part 2 aka latest news roundup
⭐️ Dua Lipa announced on her instagram that she's actually a Gemini rising as opposed to Libra. Now my Gemini detector told me that ages ago but I accepted the Libra rising just because it's my default token "plain good looking and polite" sign BUT it actually now makes much more sense in terms of house placements. Her Venus is now cazimi in the 3rd house - house associated with creative writing and thinking. The ever-changing and fast-moving Mercury is now in her 4th house of family and home situation and she's actually been always moving a lot between England and Albania. That healthy domicile Mercury as well as the Sun-Venus conjunction in the 3rd shows her close connection to family overall.
Funnily enough, her discovery took place during Mercury station in her 4th house. Talk about finding out your true roots (astrological, in that instance).
⭐️ We also now have the birth time of Elon Musk, who turns out to be a Cancer rising. Jupiter in his 5th house of children now makes perfect sense with his 11 kids (and probably counting).
⭐️ If you're wondering why Ariana Grande is the way she is, look no further than Moon conjunct Jupiter - aka her 7th house ruler multiply; as well as both being square to the Sun. Usually Sun square Jupiter can point to legal issues and excess while Sun square Moon often points to broken families. Now add that together and you have… a homewrecker, yaaay!
⭐️ I was thinking a lot about Blink 182 and Tom Delonge (his chart resembles mine a bit) due to him rejoining the band last year and now releasing a new Blink album. Natally, he has a retrograde Gemini Mars so I looked at his progressed chart to see the stationary period. Turns out his progressed Mars stationed direct early 2014, followed by progressed Sun entering Aquarius. Early following year the band announced that he left permanently. One of the things he focused on was research on the UFOs and work with the government. Of course, keep in mind progressed Mars stations for quite a while and his issues with the band lasted throughout the whole 2014 so it makes sense that the final split occured a year later. And why Mars? Well it can literally speak about our focus in life and our direction - where we put our energy. Not to mention Mars rules his MC so it brought him a massive turn in his career. So makes sense.
⭐️ Britney Spears just released a memoir book. Putting aside the questionable fact on who really wrote it, it stirred up a lot of drama. Her chart is one big mine but today I'm only focusing on current transits: she just had an eclipse in her first house of Libra. That eclipse landed right on her Pluto, which natally squares Venus (talking about toxic relationships and exposing them). Pluto itself is making last hits to those degrees as well as it's stationing direct in the late Capricorn. Interestingly I think Jupiter being in her 8th house can point to this as well - it lights up all the secrets and talks about working on past traumas. Now, you're also probably thinking, why was she involved with so many iffy people in her life? A lot of things in her chart point to that but what always struck me was her 7th house ruler - a malefic Mars - being in her 12th house of enemies. And it squares Neptune so they're also liars and exploiters.
⭐️ There's been A TON of celebrity breakups during this Venus retrograde season but I'm gonna quickly focus on Joe Jonas and Sophie Turner because their charts are an interesting example. Their synastry is mostly having planets in sister signs but this also means that if one of them gets hit with a transit, so is the other. Involve Saturn in that transit and you get trouble. Saturn is currently in early Pisces, where Sophie has some of her planets in the 12th house (loss, enemies). Her Mars (disputes, cutting) is at 4° of Pisces while Joe's Mars is at 7° Virgo - right opposite that. Saturn transit stirred up some proper drama: and Saturn is also coldness, being restrained and cut off. On top of that they also have their rising signs in the opposite signs of Aries and Libra and we just started having eclipses in those signs earlier this year.
Not to mention Joe's Leo Sun got hit by Venus retrograde and a Uranus square. Among other stuff.
FUN FACT: according to my research they met for the first time in October of 2016 when Jupiter was in Libra. So, interestingly, not only they had Jupiter going through their angles but Jupiter in their Davidson chart is in Libra.
⭐️ Taylor Swift is currently going through her 10th house profection year (Leo). It would make sense then that her career would take a turn this year considering that Venus was retrograding in Leo. Of course as it turned out she had a massive succes with her ongoing world tour, which is said to become the highest grossing tour of all time.
⭐️ A Vogue article popped up about Rita Ora's and Taika Waititi's wedding that took place a year earlier (they kept all the info and date private until now). Jupiter played a huge role in them getting married (as it often does, especially for a couple like them, who have it strong in their charts, which I wrote about HERE). At the time of their wedding Jupiter was at 8° Aries, which for Rita is that sweet spot between her Sagittarius Sun and Venus (4° and 10° respectively) and Leo Jupiter (13°) - as it completed a grand trine in her chart. Transiting Sun was also 12° of Leo, highlighting that trine even more.
Man I love astrology.
For Taika it was pretty prominent as well although his Jupiter aspects were more sign-based. He had a Jupiter return; his Moon is somewhere in the middle of Sagittarius so he received these fire trines as well. Interestingly, at the time of the wedding Saturn was at 22° Aquarius - exactly opposite his Leo Sun but also sextile his natal Jupiter. So for him it had a bit of a Saturnian flavour that called for stability and maturity.
⭐️ Similarly, I just read the other day that Frances Bean Cobain got married earlier this month. She has a Venus-Jupiter conjunction on top of her Virgo ascendant (interestingly Kurt had the trine between Venus and Jupiter - so seems like a family pattern). Also interestingly, transiting Jupiter is currently trining both her Venus and Jupiter (on the day of the wedding it was trining Venus exact), thereby her natal pattern got repeated. Jupiter is also her 7th house ruler.
Her now husband, Riley Hawk is having a nice transit of that Jupiter over his Taurus Moon - and remember, Moon rules the women in your family as well as your wife.
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ailendolin · 3 months
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You know what I would have loved to see in an episode? Alison going into full research mode to give (some of) the ghosts more closure.
The Captain
We know from the Button House Archives book that a photograph of Havers was found in the commanding officer's belongings. I would have loved to see Alison find it in some old drawer, frame it and place it in the Captain's room (perhaps via suggestion of one of the other ghosts since she wasn't there when the Captain revealed his death). And maybe, because she realises how important Havers was to him, she starts looking into Havers's life after the war just so she can tell the Captain what happened to him and if he found happiness after all.
Thomas
Thomas obviously knows what happened to Isabelle after his death but I think it would have been lovely if Alison had searched for the letters he sent her before that fateful day. Because it's one thing to realise Isabelle has always loved him and quite another to see it with his own eyes. Isabelle keeping his letters would be proof that he'd meant something to her, even after his death. And perhaps there is a poem attached to one of the letters - a genuinely beautiful love poem - that Alison publishes for him so that he and his love that wasn't meant to be will never be forgotten.
Robin & Humphrey
I don't know how realistic it would be for Alison to find records of Sophie post-plot but I think both Robin and Humphrey would be grateful to know what had happened to her. So maybe Alison discovers a marriage certificate with Sophie's maiden name (because she obviously would not call herself Sophie Bone after running away) or a record of a christening that implies that Sophie has found happiness after all. Or, if your want to go down a darker path, a record of her being caught and sent to prison (or worse). But whatever her fate, at least Robin and Humphrey would no longer have to wonder about it.
Julian
I don't care how but Alison should have found a way to get Rachel to Button House. Perhaps via promoting it as an event location specifically to her and her party - and Rachel, thinking visiting the place might give her some closure, agrees to host an event there. The specifics don't really matter. What does is that Julian finally gets to tell her how sorry he is, and how proud of her and everything she's already achieved.
The Plague Ghosts
Those of you who have read my fics know that I headcanon Nigel having a sister in a neighbouring village. I don't think it's unrealistic to assume that some of the Plaguers have left loved ones behind, either because they lived somewhere else or they survived the plague outbreak in the village and left afterwards. They're bound to wonder about what happened to them, just like Robin and Humphrey are about Sophie, and I just like the idea of Alison finding some old church records about the Plaguers' friends and families and surprising them with it.
As for Pat, Mary, Fanny and Kitty I think all of them have already found some form of closure. Pat's family still visits every year. Mary lost her husband when she was still alive and probably had no children. Fanny died where she lived so she knows how the rest of George's life went and must have seen her children regularly as well. The same goes for Kitty. She's seen Eleanor marry and have children of her own, not to mention that Alison has already found documents from her time.
But for the others, the ones mentioned above, Alison could have provided some peace and closure with her research, and I think that would have made for a lovely plot for an episode or even stretched over a whole series.
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