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#the world keeps moving on
yukeet · 7 months
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WHOO this took forever! for @rozugold ‘s awesome dtiys :)) it’s meant to look like a polaroid with scribbles on it but i’m not too sure that worked out haha
just the drawing without the extra stuff under the cut :)
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unfinishedslurs · 1 year
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gay bar (steddie)
“Well, well, well,” says a voice from behind. “Steeeeeeve Harrington. I must be dreaming.”
Steve turns around to see a guy, dressed in black and chains. Rings decorating his fingers, studs in his ears, curly hair pulled back in a ponytail. He’s hot, yeah, but something about him has Steve squinting, trying to figure out why he looks so familiar. 
“I know you from somewhere,” he says, pointing out the obvious. The guy knows his name.
The not-a-stranger snorts. “Of course you don’t remember me. Why would the likes of King Steve stoop to—“
As soon as the nickname leaves his mouth, Steve’s brain lights up. “Munson!” He exclaims, snapping his fingers. “You used to climb on the lunch tables to give speeches.”
It was so obnoxious, too. The kind of thing that had him and Robin reminiscing late at night, celebrating some of the weirder shit about Hawkins that didn’t come from monsters, or Russians, or government conspiracy. Remember that one asshole? Yeah, he stepped on my lunch one time!
Condolences to Robin’s pb&j. She never sat at that table again.
Munson’s whole face turns pink. “Seriously? That’s what you remember?”
“It was pretty fucking memorable, dude. Like, gross, doesn’t this guy know not to put his feet where people eat? Dustin thought you were so cool for it too. I had to nip that in the bud before he started imitating you or some shit.”
“Oh,” he says, voice gone flat. “Because God forbid some poor kid try to immolate the freak.”
Steve gives him his bitchiest, most deadpan stare. “Feet,” he says slowly. “Nasty, fifteen year old boy feet. On my kitchen table. He almost slipped and cracked his skull, and I would have sent you the hospital bill.”
He had to get creative to make him stop, too. Stood there, hands on his hips, and made Dustin tell him exactly how many germs he thought were on his shoes. Then when he tried to do it barefoot, decided the only course of action was to stuff Dustin’s abandoned sock in his mouth and ask if he wanted that shit with every meal. Erica still has the photos. 
Munson has the decency to look embarrassed, face flooding an even brighter red that wouldn’t be out of place in a tomato patch. “What are you even doing here, Harrington?”
What does he think Steve’s doing here? It’s a fucking gay bar, it’s pretty self explanatory. “My friend is here somewhere,” he says, waving out at the crowd of people. “She’s going through a dry spell, so…”
“Right,” Munson says. Steve squints at him. Does he look disappointed?
Eh. Doesn’t matter. 
“You gave my kids the best freshman year of their nerdy little lives,” he tells him, because he knows Dustin would want him to. Plus, the guy was Mike’s gay awakening. He should probably get some credit. “So thanks for that.”
He lights up. “Yeah! How was Hellfire in my absence?”
“I had to hear them bitch and moan for months about how it ‘wasn’t the same,’ but it’s doing pretty all right. Erica Sinclair is running it now.”
“Erica Sinclair…” Munson mutters, snapping his fingers. “Lucas Sinclair’s little sister? Lady Applejack?” He beams when Steve nods. “She kicked ass. Best finish to a campaign my entire high school career. How’s Lucas, anyway? And the rest of the runts.”
“He’s doing great,” Steve says. “College basketball at Yale. Pretty sure he’s dying under the workload, but that’s what you get for majoring in physics. Dustin’s at MIT, and Mike’s taking a gap year.”
He whistles lowly. “Yeesh, I don’t blame him. How about Byers?”
“Which one?”
“Zombie boy.” Steve’s hackles raise, but Munson just grins. “God, that nickname was badass.”
“How do you even know about that?”
Munson taps the side of his nose. “A magician never reveals his secrets. Besides, all it took for you to remember me was calling you by your high school nickname.”
“That wasn’t my nickname.” Steve rolls his eyes. “Literally three people ever actually called me that, and you were one of them.”
He has a feeling it was Tommy who started it, bitter and vicious. Told himself Steve was self possessed, high and mighty, above it all. That’s why he left his old friends behind. Not because he was in love, or because he wanted to be better. No, King Steve just sits alone in his castle, looking down on the peasants with contempt. 
Billy must have taken his angry ramblings and run with them. After all, what better way to get a start in a new town than declaring yourself royalty? Never mind that Steve hadn’t cared about anything like that for almost a year by then. 
Munson had just been a drama-loving asshole. 
“That can’t be right.”
“I stopped being popular in junior year. Why the hell would anyone call a sophomore King?” Steve points out. 
“You were Prom King.”
“Again, in junior year. Pickings were slim. Who else would it have been? Tommy?” He has to laugh. 
Luckily, Munson takes the hint and swerves the conversation into new territory. “You know, I always figured you’d be homophobic.”
Steve snorts. “What, and get kicked out for nothing?”
Munson stares at him, and Steve furrows his brow, looking into his glass like it will have the answer to why the hell he said that to this guy he barely knows. He just decided he wasn’t going to spill all his daddy issues to a near-stranger in a dingy bar, dammit. Is he already on his fifth drink?
Actually, this might be his sixth. That tracks. 
“What?”
“My dad caught me kissing a boy,” he says. If he’s going to give Munson his life story, he might as well commit. “Can you believe that boy ruined my life in three different ways? Two of them didn’t even have anything to do with the gay thing.” 
Maybe four ways, if you accounted for the way he broke his goddamn heart, but everyone and their mother saw that coming a mile away. Even Steve. Especially Steve. 
No offense to Jonathan. None of those things were really his fault. Or actually life ruining, but it sure fucking felt like it at the time. 
He should give him a call soon, actually, see how he and Argyle are doing. He misses the guy. Maybe he and Robin should save up for a visit to Cali. Get Nancy on it. They could see San Francisco while they were there, that’d be cool. Apparently it was the queer capital of the country. 
He’s thinking about asking the bartender for a napkin and a pen to write down the plans he’s forming when Munson speaks up again. Steve honestly forgot he was here. 
“I thought you said you were here for a friend.”
What?” Steve blinks, confused, and then catches on. “Yeah, to get her laid. I’m not in the mood right now.”
Munson cocks an eyebrow. “Wearing that? Could’ve fooled me.”
Steve looks down at his Springsteen T-Shirt that Robin cropped, and picks at the frayed hem of his shorts. Okay, yeah, they’re on the skimpy side, but in his defense it’s summer and even if he’s not cruising Steve likes being looked at. “Yeah, yeah. What about you? Here for anything in particular?”
“Just to talk to some pretty boys,” Munson says, leaning on the bar to flag down the bartender. Steve smirks, reaching out a hand to tug at the hanky in his back pocket. Pinned, damn. 
Munson whirls around, a flush starting to crawl onto his ears. 
“Wearing that?” Steve echos snarkily. “Could’ve fooled me.”
He swears that for a minute Munson’s eyes darken. 
He’s almost tempted to follow through, high school reputation be damned, when someone crashes into his side and nearly sends him careening. 
“Steeeeeve,” Robin yells happily into his ear. “This is Bernie, she’s gonna take me home, see you la—oh, hi!” She says, noticing Munson. “I know you from somewhere.”
“Eddie Munson,” Munson greets. “Steve and I went to high school together.”
“Munson! That’s it, you climbed on tables and had shit music. I’m Robin. Okay, I’ll call the apartment and leave a message when we get there. Bernie’s waiting on me, it’s-nice-to-meet-you-bye!” Just like that, she’s gone. 
Munson’s mouth has dropped open. “You told her I had shit music?” He demands. “Wait, you talked about me?”
“She went to school with us, dumbass,” he says, as if he can talk. He still barely remembers her as more than a vague, glowering figure in his peripheral. “It’s not my fault you blasted your screamy music for everyone in the parking lot. Such a fucking headache, God.”
Munson turns his nose up. “Sorry for having offended your jock sensibilities.”
“Oh, I don’t play anymore,” he says, and knocks on his head. “Concussions, yanno. Apparently brain damage will fuck you up. Who knew?”
“What, like the fight you had with Byers? He did you that bad?”
“He did me just fine,” Steve blurts out, before he can stop himself. Munson chokes. “Shit, sorry, I’m kind of a horny drunk.” Weird thing to say, Steve. “Also, I cannot stress enough how much I needed to be punched in the face. It was a monumental moment for me, you know. Started me on the path for changing my entire worldview. Plus, he was my first guy crush.” He swirls his empty glass, lost in thought, before brightening up. “I should call him!”
Munson is staring at him, mouth opening and closing like a fish. 
“What?”
“You’re drunk.”
“Well, yeah. Duh.”
“I should probably stop you from booty-calling the guy who punched you in the face.”
Steve wrinkles his nose. “It wouldn’t be a booty-call,” he says. “He and Argyle are happy together, man. I’m not gonna ruin that.”
“Oh, so you’d call him because…”
“I call him all the time,” Steve says, confused as to why this is such a big deal. “We’re friends.”
“Jonathan!” He yells happily into the pay phone. Munson is standing to the side, looking on in annoyance. Whatever, it’s not like Steve asked him to do this. “Jonathan, man, how are you?”
“…Steve?”
“Yeah!”
“It’s like…” he hears something clatter in the background, like Jonathan is looking for something, “two in the morning there. You okay?”
“I’m doing great!” He exclaims. “How about you? It’s been ages, man, I miss you.”
“This is so fucking weird,” Munson whispers behind him. Steve ignores him. 
“Are you drunk?”
“No,” he says. “Well, maybe a little. Do you not miss me too?” He pouts, and Jonathan sighs loud enough he hears it over the phone. 
“I just talked to you yesterday.”
Steve frowns. “Yesterday? That can’t be right, it’s been, like, forever. Oh, hey, have you heard from Nance lately? How’s your mom? I love your mom, she’s so fucking cool. Does she know I think she’s cool? How’s Will? It’s been so long, is he taller than me yet? How’s Argyle doing with his degree? I miss you guys.”
“We miss you too, Steve.”
“Awww, Byers, getting soppy on me? Gross, man.”
“You literally just—yeah, okay. Are you alone?”
“Nah, I’ve got this guy with me, he’s walking me home. Oh! Dude, do you remember Munson?”
“Munson?”
“Yeah, Eddie Munson! From high school! The one who used to climb on tables and shit, remember him?”
“Jesus Christ,” Munson groans. “Please let that die.”
“No one is dying,” Steve informs him seriously, and turns back to the phone. Munson sighs. 
“Wasn’t he a drug dealer?”
“Yes! Yeah, drug dealer Munson! Did you ever buy from him?” He turns to where Munson is looking around furtively. “Did Jonathan ever buy from you?”
“How about we not talk about this here,” Munson says through gritted teeth. Steve sighs and turns back to the phone. 
“Never mind, he says he doesn’t want to talk about that. Not like we can judge him, but whatever. Maybe the guy’s turned into a prude—“
“Okay, give me that.” Munson wrestles the phone out of his hand, and Steve whines at him. “Hey, Byers,” Munson says. “Yeah, it’s Eddie. Or Munson. Whatever. Listen, I’m getting kind of sick of standing here watching Harrington slobber all over the receiver, can he call you tomorrow? What? No, I don’t sell anymore—yeah, total bummer, whatever. Listen, I’ll get him home safe—no, I’m not going to serial murder him. He’s gonna be fine, he’ll call you tomorrow—Nancy Wheeler? Like that girl he dated? Didn’t you—shoot me? Jesus, okay! I’m not gonna kill the guy, Christ. He’s gonna be fine, oh my God. He’ll call you tomorrow. Uh-huh. Uh-huh. Yeah, okay. Bye.” He slams the phone into its holder with more than a little contempt. 
“Hey!” Steve protests. “You didn’t let me say bye.”
“You can call him tomorrow and apologize,” Munson says. “Now c’mon, Harrington. I’ve been tasked with getting you home safe, and if I fail, apparently Nancy fucking Wheeler is going to shoot me in the balls.”
“Oh, yeah, she’s really hot when she does that,” Steve says fondly, and Munson splutters. 
“What, does Wheeler just go around shooting people? Does she even have a gun?”
“Of course Nancy has a gun.” Steve frowns. It was one of the sure things in the universe at this point. The sky is blue, Hawkins is fucked up, and Nancy Wheeler has a gun. “And she doesn’t shoot people, stupid. Well, she shot at Billy, but he deserved it.”
“Billy?” Munson mutters, starting to usher Steve in the direction of home. “Who the fuck is Billy?”
“He was trying to kill her first!” Steve defends. “I hit him with a car before he could, so she was okay.”
“Okay, yeah, sure. Why wouldn’t you hit some guy with a car? 
“It wasn’t some guy,” Steve says. “It was Billy. He was, like, possessed or some shit. Oh, and he beat me up. Total psycho.  And that was before the melted flesh monster.”
Munson stops and stares at him. “You know what, sure. Demonic possession. Yeah, okay. Some guy named Billy kicked your ass—wait, are you talking about Billy Hargrove?”
Steve lights up. “Yeah! You remember that? That’s one of the concussions I was talking about. I gotta wear glasses 'cuza that shit. Man, fuck that guy.”
“Didn’t he die?”
“Oh, yeah,” Steve frowns down at the ground. “Shit, I’m, like, speaking ill of the dead, aren’t I? Max wouldn't like that. Unfuck him, or whatever.”
“You wanna come up?” He asks. “For old times sake?”
Munson stares at him like it’s the craziest thing he’s said all evening. “‘Old times’ was your asshole friends calling me a satan worshiper and pushing me around in hallways, Harrington.”
“I know.” He grins. If he was sober he’d definitely feel worse about that, but as it is he’s pretty single minded. “Don't you kind of want to make me cry about it?”
Deer in headlights isn’t usually a good look, but Munson’s got the eyes to make it work. Or Steve is drunk. Either way, it’s kinda cute. 
“You’re drunk,” he finally says, stumbling over the words a little. If Steve pays close attention and ignores most of reality, it almost sounds like he’s trying to convince both of them. “You’re so incredibly drunk.”
“I’m not that drunk.” He totally is. 
“I just had to supervise you calling Jonathan Byers so you didn’t say something you’d regret in the morning.”
“What’s that supposed to mean?” Steve asks, offended. “I love Jonathan! I tell him all the time. Just because I said he ruined my life—“
“That was him?”
“Did I not say that? Huh. Whatever. Point is, I’m not that drunk.”
“You’re definitely drunk,” Munson says. “I’m not—yeah, no. I’m not coming up.”
“Damn.” Steve shrugs, not too put out about it. It’s a bummer, sure, but he handles rejection like a champ. Just ask Robin. “Worth a shot. See you ‘round, Munson.”
“Don’t kill me,” Steve says. 
“Oh, god, did you punch him?”
“No, I, uh.” Steve rubs the bridge of his nose. “I think I tried to fuck him.”
He has to hold the phone away from his face so Dustin’s screeching doesn’t break his eardrums. 
“Your exes are weirdly protective of you,” Munson says blandly. “Also, didn’t they date?”
“Yeah,” Steve shrugs, not exactly eager to start spilling his life story again now that he’s sober. Munson doesn’t need to know more about his dating history than he already does. “We’re all a little weird about each other, sorry.”
“Weird about your exes,” he hums. “No wonder you’re single.”
“Oh, fuck you. It’s not like that.”
He raises an eyebrow. “No?”
“Are you always this nosy?” Steve asks, a little waspish. 
“Absolutely,” Munson replies without hesitation. “I’d say sorry, but I’m not. When did you even date him?”
“Dude.”
Munson just cocks an expectant eyebrow, hip resting against the bar. He can’t imagine why someone would be so interested in the romantic lives of their old high school classmates. It’s not like Steve is about to ask what was going on between him and Chrissy Cunningham. 
“Well, Harrington?”
“First grade,” Steve answers, deadpan. He grins when Munson chokes. “Nah, it was actually after he and Nancy broke up. Fall of ‘86.”
Arms squeeze him from behind, and Robin slides into view, leaving one hand wrapped pointedly around Steve’s waist. She gets clingy when she thinks someone is bothering him, or when she’s just on the side of drunk that she gets possessive. She told him, embarrassed and hungover, that it’s because she registers someone he’s getting along with as infringing on “her Steve time.” Steve thinks it’s hilarious and kind of sweet, an obvious lesbian trying to pretend he’s her date. Especially because he gets the same way when he’s tipsy and feels like he doesn’t have enough of her attention, so she can't yell at him for being a cockblock. Cuntblock. Whatever the lesbians call it.
He wonders what category she thinks Eddie is. Of guy, that is. Not block-anything.
He'd actually be pretty damn happy if the guy miraculously changed his mind and decided to sit on his cock instead.
“What’s going on here?” She asks, almost cattily. He loves when Robin gets bitchy. It brings him back to their Scoops days, except he gets to see it turned on someone else. 
“I’m telling Eddie my life story,” Steve says blithely.
“Ugh. Who would want that?”
Eddie grins. “I’m curious about the adventures of a former king.” He dips his head in a bow, waving his hand in a flourish. “I don’t know if you remember me from last time, I’m Eddie—“
“Munson, I know. You stepped on my lunch in junior year.”
Eddie turns beet red in record time. 
“Aww, Robbie,” Steve almost coos. “Leave him alone. I wanted to be the one who made him blush like that.”
“It’s not my fault your boy’s easy.”
“Not my boy, clearly,” he mutters under his breath. “And if he were easy, I’d have gotten fucked by now.”
Eddie’s mouth drops open with a choked little sound. Whoops. Steve forgot volume control again. 
Robin takes one look at Eddie’s face and bursts into cackles. 
“He was asking about,” he waved a hand in the air, “the whole Nancy-Jonathan thing.”
Her eyebrows jut up. “You told him about the threesome?”
“The what?”
Steve sighs. “No, Robin. I did not tell him about the threesome.”
“…oops.”
“When?” Eddie demands. 
Robin gives him the evil eye. “Why are you being weird about this? It’s not gonna make him fuck you.”
Steve wisely keeps his mouth shut. 
Eddie does not. “Your boy here already asked,” he smirks, leaning closer. “I said no.”
Then, as an added punch to his ego, he twirls a strand of Steve’s hair around his finger and tugs slightly. Steve’s too stunned to protest. 
Robin watches the exchange. “Oh, no thank you,” she says. “Nope. I’m out. I don’t want to see whatever this is. Ugh, stop making me hear about your sex life.”
Hypocrite. “We have thin walls, Buckley,” Steve reminds her. He turns to Eddie and stage whispers, “She likes her girls loud.”
“Steve!”
“You do!”
“Oh, because you’re so quiet,” she snaps, smacking him. “How many times have I had to bang on the wall because you couldn’t keep it down? You wanna talk about loud? I know more about you than I ever wanted to.”
His mouth drops open in mortification. “You know it’s rude to be mean to the man who told you how to eat out,” he hisses. 
“I’m not dying without fucking Eddie Munson,” he declares. “I mean, his high school nickname was literally ‘The Freak.’ He’s got to be good in bed, right?”
“I think that was mostly because everyone thought he was communing with the Devil or something.”
“Maybe the Devil gave him sex magic.”
“Of course he thinks I’m cute.”
“I do?”
“Do you not?” Steve turns to him, widening his eyes in the same pout that always has Robin throwing something at his face, or the kids reluctantly agreeing to do what he wants. He’s found it’s useful for guys too, especially if he ducks his head to seem smaller and looks through his eyelashes. Makes them imagine him looking like that on his knees. 
Munson is no exception. He melts faster than Steve can say gotcha. “You’re very cute, Harrington,” he purrs, and Robin snorts into her drink. 
“You’re a weak, weak man, Eddie Munson,” she tells a blushing Eddie. Then she kicks Steve. “Stop bringing out the ‘fuck me’ eyes when I’m around, I’ll gag.”
“You could leave.”
She gasps, affronted, and kicks him harder.
“So you would fuck me if I wasn’t drunk?”
“Uh…” he looks everywhere but Steve’s face, which is just rude. He has a very nice face. He’s been called dreamy before. 
Which made Robin laugh so hard she fell off the couch when he told her, but he’ll take the lesbian’s opinion with a grain of salt. 
He makes his way onto the dance floor. He’s not a particularly good dancer, but he shakes his ass like he means it. Gets up close with a guy, stares at Eddie the whole time. Keeping eye contact as the guy puts his hands on his hips. 
Look, he means to say. This could be you. You could lose your chance if you’re not careful. 
From the burning in Eddie’s eyes, he gets the message. 
The message is a bunch of bullshit. It’s been over four months, he’s in too deep to go fuck off with someone else now. Still, he enjoys the way Eddie’s hands flex on his thighs, like he had to stop himself from reaching out. 
The thing is, Steve’s not an asshole. He can take a hint. No means no, and all that jazz. If Eddie really didn’t want him, he’d fuck right off and find someone who did. He even started to.
Except Eddie pouted up a storm when he flirted with someone else. Got even clingier when Steve tried to back off. At this point, he’s accepted that Eddie does want to fuck him, and maybe even be more (no one flirts with someone as long as they��ve been doing without wanting something like a relationship out of it. At least, he hopes there’s something more on the horizon), but has some weird hang up about Steve being even a little bit buzzed when it happens. Even though they only ever see each other at this fucking bar.
The problem is Steve has no idea when Eddie will be at the bar. He’ll stay sober one night, hoping to see him, and then go home alone only for next time to be when he sees telltale curls and a wide smile. It’s driving him up the wall. 
Robin has been similarly affected.
“It’s been six months,” she growls as Steve looks eagerly around. “Six fucking months of you two dancing around in the worlds most annoying mating ritual. I’m going to kill both of you.”
“We’re not that bad,” he says absently. 
“You don’t even have his phone number. It’s pathetic. I swear to God, if you see him again and don’t get laid I’m reviving the scoops board. I will go out and buy a whiteboard to keep track of all the times you strike out with a man who used to walk on tables. He stepped on my lunch, Steve. Do I need to keep bringing up the fact he stepped on my delicious, nutritious PB&J? I can’t believe that’s the guy you decide to be obsessed with, that’s so fucking embarrassing for you.”
“Embarrassing? You mean like your crush on my ex girlfriend?”
She screeches wordlessly, pulling her keychain off her belt loop and attacking him with it. 
Naturally, that’s how Eddie finds them. 
“I swear you guys get weirder every time I see you.”
Steve grins guilelessly at him, holding a flailing Robin in a headlock. 
“Eddie! Hey! It’s been a minute.” He hasn’t been able to come in a month, and it’s been longer since he’s seen him. It’s honestly one of the deciding factors on whether it’s a passing fancy or a full blown crush. He still went to sleep every night thinking about Eddie. It didn’t even have to be about sex. 
Although maybe not sleeping with anyone else for half a year should have tipped him off sooner. 
“Sure has, big boy. I was starting to think you were getting sick of me.” It’s a joke, but Steve catches an undercurrent of insecurity. 
“That’d make my life easier,” Robin snorts. She finally wiggles her way out of his hold. “I saw Arty somewhere around here, I’m gonna see if I can crash at her place tonight.” She levels Eddie with a look. “He hasn’t had anything to drink. If you don’t put him out of his misery, I will. And it won’t be the good kind. It will be the bad kind. With bad screams. Lots of screaming, and someone will call the pigs, and I’ll be arrested and jailed for life. Do you want me to go to jail, Munson?”
Eddie shakes his head dumbly. 
“Good! Then do something about it.” She slaps Steve’s back, a mocking echo of his jock days. “Go get ‘em, slugger!” 
With that, she’s gone, disappearing into the crowd. 
“She is,” Steve remarks with amusement, “the worst wingman on planet Earth. Mars too, probably.”
“I dunno, I think it might be working.”
“I’m not doing anything without a condom,” he says, eyes narrowed like he’s waiting for an argument. 
“Me neither,” Steve agrees. “Robin has, like, this big fear of diseases. Totally got me with it. She pulled out the library books, those pictures were fucking disgusting. Shit showed up in my dreams, man. Neither of us do anything without protection.”
“I’m going to be totally honest with you, because I haven’t been and it’s starting to eat at me,” Eddie says, hovering above Steve. 
Steve wrinkles his nose. “What is it? Are you a spy or something? Are you Russian? Do you have superpowers? Is your name not actually Eddie?” He pauses. “Oh, God, you’re not even Eddie Munson, are you? I’m just some asshole who’s been calling you by my old classmates name and you were too embarrassed to correct me. Shit, we made so much fun of you for walking on tables too—“
“What?” Eddie covers his mouth, expression hovering between amused and baffled. “What the fuck, why would I go along with that? No, Jesus, I’m Eddie Munson. Moved to Hawkins when I was eleven, took senior year three times, walked on the fucking tables, could you let that go?” He moves the hand covering Steve’s mouth to play with his hair, looking annoyed for a minute before it smoothes to trepidation. “No, I, uh, I just felt like I needed to tell you that I used to have a hate-boner for you in high school. Like, I used to jack it to the thought of kicking your ass and making a mess outta you. In more ways than one.”
Steve stares. 
“Also, that’s kind of why I approached you in the bar in the first place,” Eddie blabbers on. “And then you said you were just there for a friend, and I was disappointed but it’s whatever, yanno? And then then you told me about your dad, and threw my expectations to the fucking wolves, and then you asked me to come up to your apartment except you were drunk and you probably didn’t mean it. But then the next time I saw you, you kept flirting with me, which you were not supposed to do, and I kept pretending that wasn’t the reason I even talked to you in the first place, and, uh, yeah.” He smiles nervously. “Surprise?”
“I mean, not really.”
“You’re such an asshole, fuck off. At least pretend to be shocked.”
“It’s not my fault you stare at my legs all the time,” Steve says, affronted. “I know I didn’t do too good in school, but I’m not dumb enough to miss that. Like, hello, my eyes are up here.”
Eddie lets his arms give out, flopping on top of Steve heavily. Steve wheezes. “Am I really that obvious?” He whines into his shoulder. 
“You got sad and pouty when I even looked at another guy.”
“You could’ve fucked him,” he mumbles. “The guy you were dancing with. It wasn’t any of my business. I’m a big boy, I can deal.”
“Yeah, but I didn’t want to fuck him,” Steve says. “I wanted to fuck you. Can we go back to that please?”
“Thought I was fucking you.”
“Someone’s getting fucked or Robin will kill both of us. I’d like to live tomorrow morning. And not have to deal with any more of her teasing for having no game.”
“You have unfortunate amounts of game,” Eddie sighs, tracing the side of Steve’s neck. It tickles. “It’s kind of embarrassing for me.”
“Yeah, yeah, are we using those condoms or not, Moodkiller?”
“Oh, I’m the mood killer?”
“Yes,” Steve says matter of factly, and pulls him in for a kiss before he can protest.
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nellasbookplanet · 10 days
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In the wake of FCG' fate I've been thinking about death in ttrpgs, and how it kind of exists on three levels:
There’s the gameplay level, where it only makes sense for a combat-heavy, pc-based game to have a tool for resurrection because the characters are going to die a lot and players get attached to them and their plotlines.
Then there’s the narrative level, where you sort of need permanent death on occasion so as not to lose all tension and realism. On this level, sometimes the player will let their character remain dead because they find it more interesting despite there being options of resurrection, or maybe the dice simply won’t allow the resurrection to succeed.
Then, of course, there’s the in-universe level, which is the one that really twists my mind. This is a world where actual resurrection of the actual dead is entirely obtainable, often without any ill effects (I mean, they'll be traumatized, but unless you ask a necromancer to do the resurrection they won’t come back as a zombie or vampire or otherwise wrong). It’s so normal that many adventurers will have gone through it multiple times. Like, imagine actually living in a world where all that keeps you from getting a missing loved one back is the funds to buy a diamond and hire a cleric. As viewers we felt that of course Pike should bring Laudna, a complete stranger, back when asked, but how often does she get this question? How many parents have come and begged her to return their child to them? How many lovers lost but still within reach? When and how does she decide who she saves and who she doesn’t?
From this perspective, I feel like every other adventurer should have the motive/backstory of 'I lost a loved one and am working to obtain the level of power/wealth to get them back'. But of course this is a game, and resurrection is just a game mechanic meant to be practically useful.
Anyway. A story-based actual play kind of has to find a way to balance these three levels. From a narrative perspective letting FCG remain dead makes sense, respects their sacrifice, and ends their arc on a highlight. From a gameplay level it is possible to bring them back but a lot more complicated than a simple revivify. But on an in-universe level, when do you decide if you should let someone remain dead or not? Is the party selfish if they don’t choose to pursue his resurrection the way they did for Laudna? Do they even know, as characters, that it’s technically possible to save someone who's been blown to smithereens? Back in campaign 2, the moment the m9 gained access to higher level resurrection they went to get Molly back (and only failed because his body had been taken back by Lucien). At the end of c1, half the party were in denial about Vax and still looking for ways to save him, because they had always been able to before (and had the game continued longer it wouldn’t have surprised me had they found a way). Deanna was brought back decades after her death (and was kind of fucked up because of it). Bringing someone back could be saving them, showing them just how loved and appreciated they are. Or it could be saving you, forcing someone back from rest and peace into a world that's kept moving without them because you can’t handle the guilt of knowing you let them stay gone when you didn’t have to. How do you know? How would you ever know?
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novelconcepts · 11 months
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There’s a line from American Gods I keep coming back to in relation to Yellowjackets, an observation made early on by Shadow in prison: “The kind of behavior that works in a specialized environment, such as prison, can fail to work and in fact become harmful when used outside such an environment.” I keep rotating it in my head in thinking about the six survivors, the roles they occupy in the wilderness, and the way the show depicts them as adults in society.
Because in the wilderness, as in prison, they’re trapped—they’re suffering, they’re traumatized, they’re terrified—but they’re also able to construct very specific boxes to live in. And, in a way, that might make it easier. Cut away the fat, narrow the story down to its base arc. You are no longer the complex young woman who weighs a moral compass before acting. You no longer have the luxury of asking questions. You are a survivor. You have only to get to the next day.
Shauna: the scribe. Lottie: the prophet. Van: the acolyte. Taissa: the skeptic. Misty: the knight. Natalie: the queen. Neat, orderly, the bricks of a new kind of society. And it works in the woods; we know this because these six survive. (Add Travis: the hunter, while you’re at it, because he does make it to adulthood).
But then they’re rescued. And it’s not just lost purpose and PTSD they’re dealing with now, but a loss of that intrinsic identity each built in the woods. How do you go home again? How do you rejoin a so-called civilized world, where all the violence is restricted to a soccer field, to an argument, to your own nightmares?
How does the scribe, the one who wrote it all out in black and white to make sense of the horrors, cope with a world that would actively reject her story? She locks that story away. But she can’t stop turning it over in her head. She can’t forget the details. They’re waiting around every corner. In the husband beside her in bed. In the child she can’t connect with across the table. In the best friend whose parents draw her in, make her the object of their grief, the friend who lives on in every corner of their hometown. She can’t forget, so she tries so hard to write a different kind of story instead, to fool everyone into seeing the soft maternal mask and not the butcher beneath, and she winds up with blood on her hands just the same.
How does the prophet come back from the religion a desperate group made of her, a group that took her tortured visions, her slipping mental health, and built a hungry need around the very things whittling her down? She builds over the bones. She creates a place out of all that well-intended damage, and she tells herself she’s helping, she’s saving them, she has to save them, because the world is greedy and needs a leader, needs a martyr, needs someone to stand up tall and reassure everyone at the end of the day that they know what’s best. The world, any world, needs someone who will take those blows so the innocent don’t have to. She’s haunted by everyone she didn’t save, by the godhood assigned to her out of misplaced damage, and when the darkness comes knocking again, there is nothing else to do but repeat old rhymes until there is blood on her hands just the same.
How does the acolyte return to a world that cares nothing for the faith of the desperate, the faith that did nothing to save most of her friends, that indeed pushed her to destroy? She runs from it. She dives into things that are safe to believe in, things that rescue lonely girls from rough home lives, things that show a young queer kid there’s still sunshine out there somewhere. She delves into fiction, makes a home inside old stories to which she already knows the endings, coaxes herself away from the belief that damned her and into a cinemascope safety net where the real stuff never has to get in. She teaches herself surface-level interests, she avoids anything she might believe in too deeply, and still she’s dragged back to the place where blood winds up on her hands just the same.
How does the skeptic make peace with the things she knows happened, the things that she did even without meaning to, without realizing? She buries them. She leans hard into a refusal to believe those skeletons could ever crawl back out of the graves she stuffed them into, because belief is in some ways the opposite of control. She doesn’t talk to her wife. She doesn’t talk to anyone. It’s not about what’s underneath the surface, because that’s just a mess, so instead she actively discounts the girl she became in the woods. She makes something new, something rational and orderly, someone who can’t fail. She polishes the picture to a shine, and she stands up straight, the model achievement. She goes about her original plan like it was always going to be that way, and she winds up with blood on her hands just the same.
How does the knight exist in a world with no one to serve, no one to protect, no reason propelling the devastating choices she had grown comfortable making? She rechannels it. She convinces herself she’s the smartest person in the room, the most capable, the most observant. She convinces herself other people’s mysteries are hers to solve, that she is helping in every single action she takes. She makes a career out of assisting the most fragile, the most helpless souls she can find, and she makes a hobby out of patrolling for crimes to solve, and when a chance comes to strap her armor back on and ride into battle, she rejoices in the return to normalcy. She craves that station as someone needed, someone to rely upon in the darkest of hours, and she winds up with blood on her hands because, in a way, she never left the wilderness at all.
How does the queen keep going without a queendom, without a pack, without people to lead past the horrors of tomorrow? She doesn’t. She simply does not know how. She scrounges for something, anything, that will make her feel connected to the world the way that team did. She moves in and out of a world that rejects trauma, punishes the traumatized, heckles the grieving as a spectacle. She finds comfort in the cohesive ritual of rehabilitation, this place where she gets so close to finding herself again, only to stumble when she opens her eyes and sees she’s alone. All those months feeding and guiding and gripping fast to the fight of making it to another day, and she no longer knows how to rest. How to let go without falling. She no longer wears a crown, and she never wanted it in the first place, so how on earth does she survive a world that doesn’t understand the guilt and shame of being made the centerpiece of a specialized environment you can never explain to anyone else? How, how, how do you survive without winding up with blood on your hands just the same?
All six of these girls found, for better or worse, a place in the woods. All six of them found, for better or worse, a reason to get up the next day. For each other. And then they go home, and even if they all stayed close, stayed friends, it’d still be like stepping out of chains for the first time in years. Where do you go? How do you make small choices when every decision for months was life or death? How do you keep the part of yourself stitched so innately into your survival in a world that would scream to see it? How do you do away with the survivor and still keep going?
They brought it back with them. Of course they did. It was the only way.
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scintillyyy · 6 days
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an uncomfortable truth is that if batman and all the batkids were kidnapped and it was up to alfred to save only one while all the others would perish, alfred would push the button to save bruce with no hesitation before the villain was even done talking
and even more uncomfortable truth is that bruce would eventually forgive him this
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gummi-ships · 5 months
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Kingdom Hearts Dream Drop Distance - Traverse Town
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front-facing-pokemon · 10 months
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erros429 · 8 days
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i love how this week’s rwby beyond episode talks about not just finding the positives in a bad situation, but also about remembering what makes all that suffering worth it. jaune is urged to recall the good times, and the people he’s fighting for, and the love he feels for them.
and this is the EXACT ideology that makes a silver-eyed warrior so powerful. that love and desire to protect and auauhhhhhghhhhh my god the jaune and ruby foils never cease
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ftdino · 11 months
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WONWOO - 24H
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coolnonsenseworld · 1 year
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Last piece ❤️💙
There are still leftovers of the Calendar as well as some A5 prints with calendar pieces 💞
linktr.ee/Mezzy (or check my Tumblr for links)
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mettaworldpiece · 11 months
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hi yall are conflating misogynoir antiblackness and transmisogyny and while transphobia as bigotry (an irrational hatred) is derived from the social structuring of antiblackness, the misogynoir Black women face that takes the form of misgendering and masculinization is antiblackness; to say that Black cis women are subjected to transmisogyny (?????) and deny the name that speaks to their oppression as experienced by their gender is like missing the point (and compounding the problem) but you are also erasing not only the experiences of Black cis women who have been speaking out and mobilizing against this violence for centuries but also erasing the experiences of Black women who face transmisogyny…Black trans women (you guessed it!!)
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evilkitten3 · 3 months
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one pet peeve of mine in founders-era fanfics is when madara's whole,,,, everything is solved by izuna just being there
like maybe this is just me, but i don't think izuna surviving or even coming around to the idea of a truce with the senju would've been enough to keep madara from the path he ended up on.
izuna wasn't the reason he left - he was definitely part of madara's issues, but he wasn't the why. even if izuna had stuck around, and even if that had been enough to keep the uchiha clan from losing their faith in madara, i think he would've still come to realize konoha wasn't what he'd hoped it would be.
best case scenario, i think izuna's survival might've caused madara to stick around a bit longer, but i don't think it would've lasted. honestly, even then, that might've just made the inevitable break-up between madara and hashirama even more agonizing (particularly for izuna)
it's a fun idea to play around with for sure, but frankly i don't think canon!madara could've ever been 'saved' from that path. certainly not if the hidden village system ended up getting set up in the same way.
#naruto#naruto shippuden#meta#uchiha madara#uchiha izuna#senju hashirama#from the moment madara was born into that world he was doomed to walk that path i think#most fics that have izuna live and madara still leave that i've seen keep izuna's death as the catalyst. but moved down a bit#which i understand#but imo it'd be more interesting to explore how izuna would feel about his brother's choice#bc as much as people like to view izuna as like a super big bro supporter. he really REALLY isn't#his loyalty is to the uchiha clan#we're explicitly shown that if forced to pick between the clan's interests and madara's dream izuna will pick the clan#both as a kid when he and tajima fought tobirama and butsuma#and as an adult when he used his last words (or the last words hashirama ever heard from him) to further that divide#the clan chose konoha over madara. and i think izuna - as against the idea as he was to begin with - would've also#not bc he doesn't love his brother. bc his loyalty is and always will be to the uchiha clan#hell madara was the same until he was physically forced to stop#first by hashirama trying to use his own life as a bid for peace between their families#and later by the uchiha clan's rejection of madara himself#madara is like. if the doomed hero trope was the antagonist#having said all of that zetsu was never going to let izuna live bc he needed madara to get the eternal mangekyou sharingan#and izuna was the only one of his siblings who lived long enough to see him get the regular sharingan. so it had to be him#but like i said even if that weren't the case it wouldn't have mattered#madara believed that the end - the world of dreams - would justify the means. if izuna hadn't given up his eyes freely...#well. it's not like people didn't end up thinking madara had taken them anyway#i don't think even naruto could've saved madara really#the only thing anyone could've saved him from was dying alone#which is what would've happened if everyone except him was in the infinite tsukuyomi when kaguya came back#and honestly even tho all three of his deaths had other people there (hashirama then obito then hashirama again)
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duncanor · 8 months
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So. Do we all agree that Meryl Stryfe is the bravest character in Trigun or what.
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I gotta ask: what does Gnu Terry Pratchett mean? I'm only two books into discworld; is it a reference to something there? some fandom in-joke? or was the late Sir Pratchett especially fond of the g-nicest work of g-nature in the zoo?
It’s a bit of an in-joke, I guess. In-memoriam, maybe?
The long version is that it’s a reference to a bit in Going Postal, one of the later Discworld books. In Going Postal there’s a lot of focus on the Clacks system, a sort of pseudo-telegram system run by people up in boxes on the tops of towers who send messages from one corner of the Discworld to the other by flashing semaphore codes to the next tower in the line.
In Going Postal, a new company has bought out the Clacks and is running it at high-speed at all times, even as the operators are dying of the company’s negligence to make ends meet, and the plot of the book is basically about restarting the city’s old postal service to break the company’s monopoly on long-distance communication.
It’s a fantastic Discworld book, by the way. It was my sister’s first Discworld book and she quotes it at me constantly. If you aren’t doing a publishing order read, it’s a great book to check out.
The point is that halfway through the book, we see a scene set inside one of the Clacks towers, where one young Clacks operator sees a code go through the semaphore again. She recognizes it as a “GNU” code - a code that means that the message goes ahead to the next tower (G), is not logged (N), and is turned around at the end of the line to go through the entire semaphore system again (U), but the whole message is just GNU and a name, meaning that it’s a name that just goes up and down the line constantly.
The name is that of an inventor who tried to start a rival semaphore system and was murdered by the new Clacks company so they could keep their monopoly. And the oldest Clacks operator in the tower (he’s called Grandad — he’s twenty-six) says that so long as the name goes through the Clacks, he stays alive in the semaphore:
“His name is in the code, in the wind in the rigging and the shutters. Haven’t you ever heard the saying: ‘A man’s not dead while his name is still spoken’?”
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folightening · 8 months
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Hetalia nations having the only remaining copy of their favorite play or book. Special first editions of certain books, sometimes gifted by the author themself. Portraits done by artists no one else cares to remember. Stories never written down that they only remember parts of and wish they could share again with their people. Little knick knacks they picked up over the centuries with value only to them. Things that remind them of who they are, who they used to be, that are so important they can't part with them.
Then there are those things that only live in their memory, that they wish they could see again but it just wouldn't be the same.
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hm ok so for a while i was thinking that Wally, for the most part, only perceives reality as "Home", the neighborhood. that's his entire world, it's all he knows
but then i slapped myself and went wait. the Live Interview. Wally has been outside of Home, and has interacted with humans (presuming that the interview did actually happen, of course). and through Wally's interactions - or rather, attempt at interactions with Us, the QA, and the WHRP, it can be strongly assumed that he knows that there's an Elsewhere. there are places outside of Home. maybe he doesn't quite understand that there's another reality of sorts, but there's no way he's unaware that there's more than just the neighborhood out there
(and then of course there's the fact that Clown has said that humans are deeply involved (not a direct quote, im paraphrasing) in Welcome Home. maybe Wally interacted with them / regularly interacted with them. there could have been an adjustment period after he gained consciousness where humans helped him learn how to walk/talk/fine motor skills - this could be why he has such a seemingly inherent / desperate trust in Us & the WHRP & the QA... humans made him and cared for him. it's possible he could view them as a sort of higher power to trust & have faith in
& maybe he's been off-set or could go off-set. i mean, the houses' rooms were all different sets - the buildings themselves were empty husks, right? who's to say Wally wouldn't physically walk to the individual set pieces whenever he went over to someone's house (but then that leads me into speculation on how the puppets' consciousness works and how multiple copies of them could co-exist and wondering which is the - im getting off track. but there's all of that and then the two part "you're okay!" art pieces of Wally & Eddie, which are technically canon - dont quote me on that - and that's Another ramble/theory post i could go on about & have strong feelings on. Anyway!)
"but wait," i hear someone protest, "what about Barnaby? he was in the Live Interview too"
but was he? was he really? was that Barnaby, or was that a person in a suit playing the character Barnaby B. Beagle? i mean, if it was Barnaby, there had to be some memory fuckery going on that prevented him from either fully comprehending/realizing the situation, or just made him forget as soon as it was over.
and actually wait, Wally has to be aware of the reality discrepancy. because it was certainly him in the Interview as himself. He had to have understood on some level that either that wasn't really Barnaby, or that Barnaby wouldn't remember the interview.
(there's a connection in my head between all of this & how he would view an apple pie. "it isn't the same anymore. something's different". but i can't pin it down for the life of me.)
and with the Talking Telephone calls, Wally explicitly tells Us that he's not going to tell anyone who was behind the calls. i remember listening to the "original" prank call audio tests, which while were very similar to the canon in-website ones, have a few changes. one of which was Wally - in the tests - saying that the others weren't ready to meet Us yet. now in canon that tidbit has been swapped out for "You have to go too. You have work to do" but i think it's still implied through Wally's purposeful withholding-of-information that he doesn't think the others are ready to know. or he straight up doesn't want them to know
i mean, one little theory i previously had is that Wally wants them all to catch on to the nature of their reality and situation, but he doesn't want to - or Can't - tell them outright. they have to figure it out. and that can't was either something keeping him quiet, or because if they learned too soon / inorganically, their little puppet heads would pop into confetti like Red Guy's in dhmis 4
However my views have Changed and i'm pretty sure Wally is purposefully not telling anyone to maintain the illusion that everything is fine and can continue on as it always has. maybe it comes from a place of protectiveness, of love? whatever the motive i think he wants them all to keep being unaware and dare i say, Complacent while he "fixes" their situation.
which is delusional, but we all know Wally is digging his metaphorical claws into a desperate bid to keep everything the same / return it to its original state, leaving bloody scratches in something already rotted. or something like that!
all this to say i think it's interesting how it seems that he's the only one aware of humans / an outside/other world, yet he's so determined to stay in his lane. he wants connection & communication yet he doesn't want to leave or change. he wants help in keeping things the same (some could say in keeping Our reality & his separated) but in the process he's dooming everyone/everything and tearing down those walls himself
(Wally: i'm going to stay where i am, and you're gonna stay where you are, and we're gonna help each other keep me and my friends where we're meant to be. anyway i wonder what this sledgehammer does)
#this is a very disjointed ramble but when are they ever put together!#i have to start at point a to get to point 36 yk yk#trying to write down my thoughts is like trying to keep a firm grip on a lubed up ferret#SOAPED!!! SOAPED UP!!! I MEANT SOAP yk that doesnt make it any better. anyway moving on dont look at me#its. its. the more i think about wally the more i go insane#like he's got neurosis stacked on neurosis stacked on-#there is something soooo wrong with him <3#homebogging#welcome home speculation#wh speculation#i do think his heart is in the right place. i do think he's trying to achieve something he thinks is good & best for everyone#but... despite being aware of more than his friends... technically knowing more Truth than them#he's more trapped by that knowledge. he's ruled by it. and he doesn't really have the -#i dont want to say capacity bc i have to believe that he Can change. he just doesnt know how / currently doesnt want to / is too scared to#but he doesn't have the freedom the others have. bc in their ignorance they can ignore their confines#in a way they're more real than wally despite living in a fabricated world as fabricated people with fabricated lives#they're authentic in their ignorance#and ive said it before and ill say it again - wally was created as a blank slate while everyone else already had a Foundation#no matter how false their memories are they Have them. they have the tools to change and want change#they already perceive themselves as more than what they were made for. they think they're People (not humans - people) dont they?#so if they learn theyre trapped... they'll want out. meanwhile wally is already stuck bc while they have - in a way - More#the neighborhood & the show are all wally has. he knows there's outside but he doesnt have any reason to Want that outside#bc why would he want to leave home? why would he want anything to change? it's his sole purpose isnt it?#idk i just think wally would benefit from being told 'you dont need a purpose / you dont need to adhere to a purpose / you are enough as Yo#doing what You want. you can just Be'#but yk. what was i talking about again#oh yeah - wally is so so aware and yet so in the dark#he's got one half of the puzzle but they're all corner/edge pieces and he's trying to fill the inside space with Nothing#hm. i wonder if he'll end up needing the other neighbors to help finish the puzzle... who's to say who's to say!!#FUCK YOU TUMBLR I HAD MORE TO SAY. CUT OFF AGAIN AGH
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