Does the flower from your first n2 post have any significance? Why isn't it blooming?
Yes the flower here does have significance!
It’s a memorial flower, the exact species of flower is one I made up, it’s one that has a strange growth period, there’s no real way to tell when it’s going to bloom but it does only bloom at night.
John Dory got the seeds while on one of his searches and gave it to Floyd since at the time Floyd was severely depressed and was spending all day everyday in his room in the bunker. JD had given Floyd a bunch of seeds for a garden but Floyd ended up only planting one which he’s been taking care of since he planted it.
He planted it on Clays birthday so they refer to it as Clay’s flower, but it’s a memorial for all their lost family members, so their parents, grandma, Clay, and Spruce/Bruce
Other than just maintaining it, Floyd also talks to it like the ones they lost can hear him through the flower, he visits it at least once everyday while the other brothers only visit on anniversaries and birthdays. (They also only bring the lights and photos out then as well, to keep the photos safe from damage)
If Lois Lane had a Nickel for everytime she outed a superhero working at the Daily Planet, she'd be getting her second nickel.
She had invited one Daniel Nightingale, a junior reporter with serious potential with a serious lack of self preservation to "a smoke break" and was prepared to do exactly what she did with Clark. If her gut was right when it told her Nightingale was a hero too, the mysterious Phantom, he'd save her before she'd jump. If not, then Clark would jump in to grab her if he didn't rise to her bait.
When he finally got up there with her, she sure as hell wasn't expecting him to tell her why he shouldn't smite her soul out of existence there and now. Her blood ran cold when he told her that Clark has been "compromised", a portal opening up with a snap lf his fingers dropping an unconscious mountain of a man facefirst on the ground.
"You were supposed to die that day you jumped off this building, Ms. Lane. Did you know that?" Danny growls as a scythe made of ice, niking her neck as he has an unhinged Cheshire grin on his face "Clark was never supposed to save you that day? So... what are we going to do about this now?"
...Lester, who saw that Meg was like him, while observing her and her Beast...
...(and who didn't admit to himself, that he had a Beast too)...
...Meg who was so scared and worried out of her mind that Lester is in dander and is going to die in the cave of Trophonius that she kept trying to catch his attention and started singing in order to guarantee his safety...
...Lester, who selflessly agreed to give his life only if Meg is going to live; and then proceeded to put himself under risk of being suffocated...
...Meg who was helplessly watching how [her] dummy stabbed himself in the heart and fell limb (I am sure that for a second she was not sure if it was the end or not)...
...Lester who watched people he knew only for a few hours were killed for his sake, clearly not understanding why they would sacrifice themselves for him ("and, for some reason, Jason Grace decided that I would not die today too")...
...Meg, who was watching how her best friend was dying from poison; she didn't want him to die, she cried because she didn't want him to die...
...Lester who helped her to kill her Beast Nero... (I am sure that he is very proud of this achievement of hers)
...Lester, who promised her to come back, no matter what, because the sun always comes back...
Apollo, who did.
They, who became each other's family, because their families are shit (not all of the people/gods).
It's kind of fascinating to me that towards the end of P&P, Elizabeth has become protective of Darcy and either a) actively tries to insulate him from Situations or b) wishes that she could and gets stressed that she can't.
Darcy deeply loves her and is very ready to do whatever he can to secure her happiness, but narratively, I think the emphasis at the end is very much more on Elizabeth's protectiveness towards him.
It's like:
When Bingley and Darcy first come back to Hertfordshire, Darcy is very quiet and Elizabeth can barely bring herself to say anything—until Mrs Bennet insults Darcy. Then Elizabeth speaks up.
Mrs Bennet enlists Elizabeth to separate Darcy from Bingley with another insult to Darcy. Elizabeth finds this both convenient and enraging.
That day, Elizabeth decides to privately tell Mrs Bennet about her engagement to Darcy, specifically so that Darcy will be spared Mrs Bennet's first unfiltered response.
Elizabeth fiercely defends Darcy's character and love for her, as well as hers for him, to Mr Bennet. She not only says she loves Darcy but that it upsets her to hear Mr Bennet's criticisms of him.
Elizabeth is both relieved by Mrs Bennet's ecstatic reception of the engagement and a bit disappointed by how completely shallow she's being about it, and 100% sure she made the right call in keeping Darcy away.
Elizabeth defends Darcy against Darcy himself, repeatedly.
There's a period where Elizabeth seems to unwind and laugh, but this passes, especially after Charlotte and Mr Collins show up. Darcy manages to stay calm around Mr Collins (I think this is framed as a significant and admirable achievement for him), but Elizabeth does not like him being in a situation where he has to deal with Mr Collins in the first place.
Elizabeth tries to shield Darcy from being noticed by Mrs Phillips and Mrs Bennet, who do seem to make him pretty excruciatingly uncomfortable.
Ultimately, Elizabeth ends up trying to keep Darcy to herself or to shepherd him around to relatives he can handle more easily, and is so stressed at this point that she just wants to get married and escape to Pemberley.
After their marriage, things are actually great at Pemberley and in their married life, despite the occasional complication.
Lydia writes a congratulatory letter to Elizabeth, asking for Darcy to get Wickham a promotion unless Elizabeth would rather not bring it up with him. Elizabeth really does not want Darcy to have to deal with this and handles it by privately setting aside a Lydia fund out of her personal expenses. (IIRC, it's not clear if Darcy even knows about this.)
Elizabeth also is the driving force behind Darcy's reconciliation with Lady Catherine.
This could read as an unsettling, unbalanced dynamic and a very odd ending point for the arc of a woman like Elizabeth, but in the context of the overall novel, it doesn't feel that way. Or maybe I'd see it more that way if I interpreted Darcy (and for that matter, Elizabeth) + their arcs differently? But as it is, I do think that by this point in the story they are genuinely doing the best they can, independently and for each other, and they've both come a long way. They shine in different contexts and support each other as much as they can in the circumstances that do arise.
It seems very them, in terms of their temperament and abilities, that Elizabeth would put all this effort into shielding Darcy, while at the same time, Darcy completely cuts off Lady Catherine for insulting Elizabeth and only ever speaks to her again because Elizabeth wants him to.
!! crucial !! piece of hilson lore confirmed - they're fucking LOSERS
honestly? so affirming to me. this isn't news i know but to get this explicit piece of interaction about being a lonely child and now being weird adults who don't know how to make friends or have "normal" conversations or connections like this is the shit i eat for breakfast, especially accompanied with the complete and utter sense of surrender to this fact that wilson displays. there's absolutely no reason whatsoever for him to defend himself or act as if what house is saying isn't true bc it is and they both know it and knows the other knows it even if they've never actually talked about this once which is very likely but they know cause they're the same and they only have each other and and and
sorry sorry last time I'm talking about huskerdust tonight but does it fuck anyone else up knowing that Husk and Angel basically lived at the same time but were on opposite sides of the country. But also Husk went traveling. Like these two could have met while they were alive and wouldn't even know it. They didn't even know the other existed until they met at the hotel
so often i see people try to downplay violet and minervas relationship like it wasnt Real enough or was some Inferior Romance that her relationship with clementine could Never compare to, and i find it so annoying and boring
she LOVED minerva!! and its okay that she did!! she was her first love!! childhood best friends turned girlfriends!! seeing her being so heartbroken and miserable about what happened to minnie, how deeply and desperately she missed her, hugging that bed frame so pathetically. but clementine makes her CARE again. makes her LOVE again. slowly violet becomes comfortable with the idea of opening her heart up to people again, after trying so hard not to because the pain of losing people she cared about was too much to bear (especially when she blamed herself for them being gone)
then she learns minnie didnt die. shes falling in love with clem while grappling with the fact that minnie might still be out there??
then she meets minnie in the woods. but minnie has changed just like she has. theyre both different people now. and slowly violet is forced to come to terms with the fact that the person she loved so deeply isnt that person anymore??
violet at the beginning mourning minerva and blaming herself, to shooting her to save clems life. she LOVED minerva once, but she doesnt like the person she is now. and shes not gonna let her hurt anyone else she cares about. shes done mourning her by the time they get to the bridge, only crying out for tenn
like idk i just find their relationship evolution to be so interesting and sad as shit. the fact that they once loved each other so much and it has now come to this?? but violet makes her choice and she Chooses clementine, because she admires and loves clementine, probably similar to the way she used to admire and love minerva if the way she talked about her is any indication
i just think "i never thought i would ever feel this way again" is way more interesting than "wow minnie Never made me feel like This"
It feels like an overreaction to burst into tears over, essentially, "Go for it," but makes sense when you realize no one takes her seriously.
Her father, Tetora, and even Yona view her as someone in need of protection. They coddle her.
And then here comes Soo-Won, telling her she's capable of making a difference.
That she did make a difference. He acknowledges her strength and believes in her with ease while people closer to her struggle to accept that she's useful.
you know what was cruel and unusual of the i7 writers to do? to have Yamato, who hated his dad, try reconciling with him for the sake of others and getting back love and support while Sogo, who still loves his family in his own way, tries to reconcile with his dad for the sake of others only to almost have his career ruined and his close friend and partner nearly jailed for a crime neither of them committed
Have you ever noticed the parallels between the nameless child Kunikuzushi took care of pre-Fatui and Nahida and get the feeling that history will repeat
Although this time perhaps, bc Nahida is a god, by the time the Wanderer has found her she'd have shrunk down into a tiny leaf, easily blown away, easily crushed underfoot if one was not careful.
With shaky breaths, he cups her with one trembling hand while ripping the cloth of the left side of his shirt with the other, creating a hole where the heart should be. The skin on his chest cracks, and a door swings open, revealing a compartment once built for holding the cursed remains of god.
The Wanderer, now hunched over like a pilgrim in prayer, brings the leaf close to his chest and gently places it in the compartment. For the first time in his life, he was grateful for his long life, the super resilience of his body made by Irminsul.
If there's nothing else he could do, he could wait. He will wait. He will make sure Nahida sees the brilliance of the sun once more. One day, they shall be reunited.
@feroluce babe, there's someone at the door for you!
This hitting every single one of my partner in crime's buttons aside, it also hits a lot of mine so I in fact had not noticed but I will now happily be noticing. I had thought of making use of his gnosis compartment before, but in a much less... Wholesome context. This one, though, I also like.
Especially the bittersweet realization that as the Wanderer finally gets what he's been craving for centuries - the power of a god, feeble as it may have become, hosted within his body - letting him fulfill the very purpose he was created for at last... He feels nothing. None of the satisfaction, of the elation he long thought would come with this moment. Instead, he's alone, and he feels more hollow than ever.
(But he's used to feeling alone, and this is something he's learned to endure. And endure it he will, because the faint thrum of divine energy in his chest beats gently like a promise - this time you know you won't be alone forever.)
the thing about the charming siblings is i want to make them tragic. you're perfect, I wish I was perfect. you're allowed to not be perfect. I resent you for being perfect. I hate you for being imperfect. I want to be a boy. I want to be a knight. I want to be you. I could be better than you. I wish your destiny was mine. I wish people loved me the way they love you. I wish she loved me the way she loves you. I hate you, I hate you, I hate you. I love you. I miss when we were friends. we never talk anymore. do you even care? you know nothing about me. you took my destiny. who am I? I'm supposed to be the responsible one. don't leave me. get away from me. when did you grow out of being a little kid? i miss home. the only place that feels like home is you. do you love her? do you love me? brother. sister. i was supposed to protect you. I'm sorry. I forgive you. nothing will ever be the same again.
it's about perfection and performance. it's about playing roles. everyone has their role to play. what if i want to be something else, something more. it's about femininity and masculinity. it's about not fitting in to either. is it about who you're supposed to be or who you want to be? I did it for you. I didn't ask for that. I'd burn the world for you. you never cared about me. I think of you always. there isn't room enough for all of us. i wish you'd never been born at all. I couldn't live without you.