elia martell character of all time because she was playing the game of thrones AND WINNING — survived aerys, set up an alternate court on dragonstone, universally beloved even by most of robert’s anti-targ regime, was probably at least angling to get rid of aerys — but the literal song of ice and fire was being written around her and well. you can’t outrun your inevitable doom.
like. that’s elia’s tragedy, and what makes me so insane about her. she was in the wrong story. she was playing the game of court politics but ended up yoked to 300 years of targaryen collapse and dynastic rot instead. there’s nothing i love more than characters doing their best with the pieces they can see on the board, while the fact slowly dawns on them that the board is in the process of being swallowed by an eldritch monster.
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Now that he’s unbanned he shows her the haikus he wrote and stuff while she was busy steering the ship through some big storm or slaying hydras or something
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Mikey and Leo episode centered around Mikey wanting to push Leo and Draxum together since Leo’s the most reluctant to give Draxum any grace (for good reason!) But, thinking on the spot, Leo says he’s gotta go do something for Hueso and “just can’t hang out right now 😔” (yes, he says the emoji out loud.)
Mikey calls his bluff and now the three of them (Mikey having grabbed a weary Draxum along) go to Hueso’s to find that yes, he actually does have a job for him. Said job asks for Leo to go with Hueso to deliver multiple pizzas to this giant yokai quite a distance away, and Hueso figured it would probably go better with Leo’s help (emphasis on probably.)
Well, Mikey decides that this would be a great bonding opportunity for them and basically invites he and Draxum along. Unfortunately for Leo, Hueso doesn’t care enough to wave away more help, though he does side-eye the wanted criminal Baron Draxum coming with them. But who is he to judge? (This choice has consequences.)
The journey goes about as terribly as you’d expect, but at least the pizzas get delivered on time.
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Prompt 273
You know what? We need more Good parents Fentons.
And you know what else? Technically, Jack helped Danny defeat Pariah via the use of the Ecto-Skeleton. And like, that’s his son, his baby boy. Sure Danny is and has always been a mommy’s boy, but it doesn’t change that fact. They’re both already feeling horrible about the fact they could have hurt him, they could have hurt their son- they have hurt their son, killed him with their inaction and never again.
So when these oversized jello-eyeballs try to insist that their baby, their precious baby boy, take a crown? Become a king when he’s not even out of highschool, when he doesn’t want it? No. Hell no! That is his Danny-o, his baby boy who was terrified of his own parents!
Which is how Jack, despite technically still being alive even if so-very ecto-contaminated, became the Ghost King.
And for some reason there’s several ghosts rather happy about this- oh, these are his Danny-O’s ghost-parents? Not-ghost parents seeing as some of them have never been anything but a realm denizen? That’s really fascinating- y’know what, want some fudge and we can exchange childcare- Maddie dear come over and meet our co-parents apparently!
Now it’s not all easy, but they’re trying their best, and that’s all that can be asked.
…
Which is perhaps why it’s so exasperating- or as Maddie would put it, downright infuriating- that it is now, almost an entire year and a half later that the Heroes finally arrive to investigate. Well, at least he has plenty of fudge since it’s almost time for the council meeting.
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Thinking about Psychonauts and how much I love the Aquato family once again
They mean the world to me your honor
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You know what I will hate?
If someone else has to point out how Buck or Eddie feels. I know that’s a popular trope, but honestly? Fuck that.
Fuck having to tell a queer person who they’re supposed to be with, how they’re supposed to feel. I actually hate that so much. Because why, why is it that after being told we’re supposed to love certain people, and we realize we don’t, we’re told from ALL SIDES who we are supposed to love after we come out. From the people who don’t accept us to the people that do.
I don’t want Tommy telling Buck that hey man you’re in love with Eddie
I want Buck to realize and accept this on his own, it’s HIS choice it’s HIS life he’s finally free so Let Him Have The Control
I don’t want Marisol to tell Eddie he’s not in love with her, he’s in love with Buck. I actually HATE when fans decide the girlfriend has to take upon that role.
I want Eddie to have his own oh moment. I want Eddie to have this soft, happy, light feeling of being free.
I don’t want Christopher a literal chick to tell Buck and Eddie they’re in love.
I want them to discover it together on their own. I want them to talk to Christopher separately and together about it. Don’t involve a child in the love lives of adults.
I do not fucking want Hen (or Karen and Josh) to look at these two and say I called it.
THEY ARE ALSO QUEER!! They KNOW what it’s like to feel the need to keep this part of yourself a secret, to be scared, to be overwhelmed with emotions, to finally feel free.
I want them to be so so unbelievably happy and proud of Buck and Eddie and to not take away from their discovery of themselves. 
I don’t want past girlfriends showing up and saying they knew something was off.
Because you know what? Let’s not make queer characters uncomfortable and guilty for something that wasn’t their fault, something they weren’t even AWARE of, or to feel any pain for a relationship that is very much over.
I don’t think you guys understand how much you seem to demand for us to get buddie as queer, to have Eddie and Buck as queer, and in the same breath want to take what that means away from them
Them realizing they are queer is not something that other characters should have a huge opinion or input on. It should be THEM worried about what others will say and think only to find out they are so loved by those who truly matter.
Coming out as queer is HUGE. It’s not easy, it can be confusing and it’s overwhelming. Let Buck, and if it happens then Eddie as well, go about their own journey their way. Stop forcing other characters, straight or queer, to be in it. It’s not about anyone else but them. It’s not a simple love story of two men that are already out. It’s about realizing hey, this thing I thought I was my entire life? It’s not true.
Let them process that and take it in and explorer what is a completely newworld.
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Phylogeny is great because people put so much effort into it despite it also being completely unprofitable and having almost no capitalist applications whatsoever.
There are just people out there who really really like a specific subclade of salmon and will dedicate their skillset to finding out how things within it are related to one another, and I think that’s wonderful.
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Never gonna get over the fact that Rust was an only child, grew up isolated with a troubled father, likely had no exposure to children until he had his own, developed a traumatic aversion, and then got owned by Marty’s nine and five year old
This scene has to go platinum
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kusakabe going around aimlessly in circles with panda in shibuya to avoid any confrontation with the special grade antagonists while keeping on a serious face and panda not realizing because he have no sense of direction as an animal is still one of the funniest things in all of jujutsu kaisen
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luther: the golden child
diego: the mastermind
allison: the peace keeper
klaus: the clown / mascot
five: the rebel / truth teller
ben: the lost child
viktor: the scapegoat
is this something i think this is something
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THEY DO NOT LIKE THE PURPLE DRAGONS ON TWITTER TIME TO BAIL
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I’ve been sitting with Spirit of Justice for awhile now, and I think I’ve finally come up with a concrete reason that it felt like it fell short, and that was because the messaging isn’t in line with the rest of the games.
Let me explain. Ace Attorney is, primarily, about family. The second case in the entire series is called Turnabout Sisters! And the game asks us, again and again, what does that mean? Who is your family? Is it your blood? Franziska and Miles are of no blood relation but she calls him Little Brother. Meanwhile, Dahlia is blood to Iris and Pearl and she completely rejects them outside of what they can do for her. The entire trilogy constantly asks, and answers, that your family is who you choose - even when they’re blood related, you still need to reaffirm and say yes, these are my people.
This idea is not unique to the original trilogy. Apollo Justice again asks us the same question. Does family mean blood? And it answers it right out of the gate, no. It doesn’t. Zak is not Trucy’s dad, Phoenix is. I know a lot of people don’t like the way it ends, but I would argue that it’s an important reiteration of the moral of the story: Apollo and Trucy sharing a mother doesn’t matter because they choose each other and build a relationship regardless.
Even Dual Destines somewhat visits this idea with Simon and Aura. There is a clear disconnect between them. Aura will openly say she does not care for Simon, and Simon makes his choices because he loves, cares, and wants to protect someone, but it’s not her. The fact that they share blood does not make their relationship important or strong.
And Spirit of Justice takes us… part of the way there. Dhurke and Apollo’s relationship is what you would expect. Apollo does not appear to feel anything towards his biological father, but Dhurke affirms himself as his father through his actions and his choices. And that’s where it ends.
Nahyuta is willing to literally die for Rayfa, because they are blood. That relationship is not expanded on at all. We do not otherwise see anything that would indicate an actual relationship between the two. We are expected to understand that they share parents, and therefore it is his duty to protect, preserve, and defend her. On the flip side, Apollo, the boy he grew up with and they call the same man father… Nothing. He never acknowledges Apollo as a brother. He rarely even acknowledges he has an actual name, rather than just whatever insult pops into his head.
As well, the idea in the people of Khura’in that the sins of the father stain the hands of the son. This is a very powerful idea - that has had several games denouncing. Franziska and Pearl are testaments to it. In fact, they didn’t seem to think that they really emphasized it enough and even in the Great Ace Attorney, they ask it again and they again affirm that no, a person can choose their own path and should be praised and punished for their own actions, and not those who came before. And yet in Spirit of Justice, it is not challenged in any meaningful way. Again, Nahyuta is willing to literally die before allowing Rayfa’s parentage to become public knowledge, because he knows what would happen to her.
In fact, Rayfa’s entire family is handled sloppily. Inga’s safe combination is her birthday, but you cannot look me in the eye and say the rest of his characterization makes sense as a man who would raise his enemy’s daughter. In fact, Dhurke doesn’t even seem to be aware of the fact that he has a daughter, he certainly never mentions her, even in his dying moments when he’s being killed by the man raising her. Contrast that to Turnabout Trump, when the biological and the adopted father face off and Phoenix literally attacks him in order to get the locket.
It just doesn’t make sense or add up in contrast to the rest of the games.
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oh inspired by a mutual, but abusive family relationships are not all black/white. they can have fun, get along, have genuine and meaningful connections, can love each other, care for each other. that’s why they’re so hard to separate from. that’s why they’re so traumatizing. it’s painful because we’re all human and we’re complex. chances are the person who hurt you is also a victim, that’s what generational trauma comes from. it would hurt them to leave them and become better, but even if you stay, you’re both still suffering. the victim isn’t entitled to giving up their own autonomy for their abuser to take advantage of them, but you need to understand, when writing characters, that they might not even know that that’s happening to them, or that it matters. trauma can result to black and white thinking. to delusions. denial. stockholm syndrome. complex dynamics.
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I know it’s early still, but I’d go so far as to say Crimes of Passion book 2 is one of the few sequels that outshines the original book.
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