i love how every alex rider book just kind of ends like, welp. *dusts off hands* surely this hasn't profoundly affected this 14 year old boy. anyway see you next week alex. is friday good? no? that's too bad. for you. we'll see you on friday.
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Astarion: So why would any vampire give up control over a spawn to create a competitor? Trust me. It doesn't happen.
I love how Astarion tells us straight up in act one that there is exactly zero chance of a vampire willingly freeing one of their spawn from their control. It really is like... if a character who's romancing ascended Astarion lets him turn them genuinely believing he's going to let them drink his blood and become a full vampire they are being at best extremely gullible.
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ALSO LIKE???????? IN MY MIND I NEVER THOUGHT ALFONSE WAS LIKE. That fucking popular??????????? LIKE....... one thing I've always liked about my online space specifically is how niche it feels and to me. Loving Alfonse so much so dearly felt like. SUCH a niche thing. Like there are one million Fire Emblem characters from main series games who are vastly more popular who have insane fanbases just on their own. To me Alfonse being in top 20 or top 10 always felt like he was an underdog. To me Alfonse has always felt like Just Some Guy and I love him for that. I have ALWAYS been of the belief his ass is NOT getting a Brave alt EVER. You can dream but he's just some guy. A FEH OC. Yeah the Main Fucking Character FEH OC but like. Idk somehow he just felt like. Like liking him and posting about him and drawing him all this fucking time it has always felt like he's an underdog. Guy you have to look at twice to really start thinking about him. And once you start Thinking about him oh dude it is SO fucking over for you (and who knows maybe that's exactly how he won)
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Currently watching this very cliche (but still decently enjoyable) Christmas movie and it has this horse girl subplot where the older sister is falling in love with horses, but there are these long, lingering shots where she's looking at this female farmhand working with the horses, and she keeps talking about how great and cool that farmhand is, and I can't decide whether it's actually a burgeoning lesbian subplot or just a heavy accidental implication, but it really does feel soooo close to overtly romantic.
Anyways my hot new ship is these two. Time to build it from the ground up ;)
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you should watch the princess weekes video essay about dr who, its very good. https://youtu.be/YHVm78FuU28?si=dQNocVGTwvQfSxg0
i already watched it! it was before getting through all of eleven's run but also the rewatch of doctor who vs women just made me mad lmao so i am trying my hardest not to marinate upon my grievances w his era if i am going to keep moving forward w the show for now
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love when really good fanartists just fixate for no conceivable reason on the most random rarepair. what do you see in them. im very willing to see it too
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received an ask that was asked not to be posted, but because of it, and because of the thread sent around this morning, i want to tell you why i never find casual or "satirical" antisemitism or racism funny or acceptable: when i was in highschool, i was horribly bullied. pick a reason - i was out of district with affluent kids, so they made fun of me for being poor, for my clothes, for my curly hair, for my body, for my shyness, for my interests, whatever. in 10th grade, we had to do semester long comprehensive projects/presentations on a topic in modern european history. i chose the holocaust. as difficult as i knew this would be to study with intent, i made this choice because members of my extended family were lost, because we had a dear family friend who was a survivor (wrote a book and ran a shoah museum), and because i was old enough that i needed to try and understand, because this shadow of horror and grief had always been a part of my jewish heritage. when the kids who bullied me realized this, the torment became explicitly antisemitic. i won't repeat some of things they said, but it's still burned into my brain. they mocked anything they could. told me all jewish girls are ugly. and far worse. eventually, a couple of the girls emailed me actual nazi propaganda. one stole a beloved star of david necklace of mine and threw it in a dumpster (i never got it back). because this was concrete proof, we went to administration, and they suspended the girls for a week. the boys who'd made the very worst "jokes" couldn't be reprimanded because i couldn't prove bullying via speech. they kept doing it, just changed tactics. i was told later we could've pressed what happened further as a hate crime, but tbh i don't think i would've had the strength for that. i just kept my head down and tried to survive it until they got bored. they engaged in "joking" racism and misogyny too. they did "ironic" h*il salutes and laughed about ovens. it wasn't humor, it was bigotry. it left permanent emotional scars, not just on me. and those types of jokes? they inflame and encourage and embolden very real and dangerous white supremacy. so yeah. i never find that funny and i never am able to brush it off. if that's oversensitive, fine. i'd rather be oversensitive than callous. and i feel the imperative to listen to people when they're hurt.
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Rotating Simon Petrikov in my mind again...........
Right now I can only envision the F&C series ending in one of two ways for him:
Simon is persuaded to permanently move to Fionna's magic-free world--a chance to live the peaceful, scholarly life he was denied by the war and the Crown. We see that he can't relate to the humans in Ooo because they're so far removed from what humans were like back in his time that they might as well be aliens, but this alternate world would be just like he remembered his old life to be, and thus more comfortable for him to settle down in. Even if it meant leaving Marceline and the others behind in Ooo, I could see this being a real possibility if Betty somehow finds a way to go with him. It would require moving on irrevocably from one part of his life, but they'd get their simple, mundane--yet happy--ending.
Simon is forced to reconcile with the fact that reuniting with Betty is either impossible or not worth some terrible price. Maybe he realizes he's not willing to cut himself off from his Marceline and the little ragtag family they've built, even for a life with Betty. Or maybe accepting the mundane life for himself would also doom Fionna and Cake to a life of misery and broken dreams, and he can't bring himself to betray his new friends for such a selfish reward. Either way the result is that he returns to Ooo, to basically the same situation he was in at the start of the season, but finally free from all the regret and guilt and grief that was stopping him from moving forward and finally embracing the second chance that Betty gave him back in "Come Along with Me".
I honestly don't know which I think is more likely at this point OR necessarily which one I would prefer, because they both have pros and cons. I maybe lean toward the second one because I tend to hate "the magic is gone, and that's good!"-type endings, but depending on the buildup I could still see it working. Ultimately it'll depend on wherever Fionna and Cake themselves end up, and I have NO idea where that's going lmao
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[fic: double blind] Question for Peter from the "double Tony" AU, the one with sim!Tony and cured!Tony existing simultaneously:
Does having a version of Tony that did all hose horrible things being it's own separate person make it harder or easier on you? Are you open to having some communication with the evil Tony, maybe in order to deal with the whole evil plan that he made and, yknow, all the crimes he committed, or do you just want nothing to do with him and that's it? And generally, just how do you feel in this good dad/bad dad situation?
Well… easier, because I have Dad around now too. It was… it was really hard when it was just me. And… the other one… is kind of different, now…? I'm not stupid, I don't think he's, like-- cured, but he's not just… ignoring everything I say anymore.
…I've talked to him. We do have to… figure things out, and… he won't listen to Dad at all, so-- it works better when we all talk together. Um, Dad doesn't like it, he doesn't want me to have to talk to the other one ever, but I just… if I can get through to him for real, then we're all safer, right? Like, even if he gets put in prison or whatever… I don't know, it's-- I'm afraid he'd just break out if he's not actually…
S-so anyway, yeah, I've talked to him.
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