Hey star! Me again! How does your starstruck shipganza work? Do we just submit an OC to ship with Starstruck? I'm very much a dumb dumb so I don't know lel
hello boa!! great to hear from you!!
and omg nonono you're not being dumb or anything, i was pretty vague about this previously and only kinda mentioned it off-hand in tags. the idea behind the shipaganza is to help me explore some different dynamics (more or less romantic) with starstruck to see how i feel about shipping her as a whole, and so i was admittedly pretty nervous and wiffle-waffley about it overall.
but if it helps, i am allowing both canon suggestions and OC suggestions for the starstruck dee shipaganza! now that it's a full 'event' i should be more transparent, so here's a few rules!
🎀 any suggested characters must be adults in a suitable age bracket. this goes for OCs and canon characters. consider starstruck dee to be in the 25-35 age range; i think she could smooch into an older bracket, but i would not go younger than this.
🎀 when suggesting OCs, only the creator/owner of the oc can suggest that oc, unless you get clear permission from the creator. if an artist suggests a sona in particular, then for the same reasons as above, i explicitly need the artist to be an adult.
🎀 no nsfw at all. flirty characters are great. bullies are fun (something tonally similar to the marx prompt, for instance). but i have a hard enough time even making the orbs smooch non-platonically; anything else is clearly going to be out of my ballpark.
🎀 very very few of these prompts are going to be considered canon to starstruck's storyline, and i'll specify any that are (such as bandee's). this is even less likely with OCs, though i might be open to that in the future after the event. this event is just for fun and silliness!
🎀 when suggesting OCs, especially if i don't know you or your oc well, please please give me some info about your oc and why you think they'd work. like, would your oc make a move that starstruck fails to notice? are they accidentally dating? do they share an interest? is your oc a hopeless pining romantic, are they a charmer, are they a bully, so on and so fourth! a link to a reference is also good! try to remember starstruck's characterisation when suggesting as well; remember that it's very important that she doesn't get along great with most waddle dees. otherwise i might have a hard time responding to you!
🎀 also... please don't suggest your ocs just because you want me to draw them. i'll likely take more general/platonic oc interaction prompts in the future. please only suggest an oc for this event if you genuinely think you have a fun potential ship dynamic to explore. i am much more likely to draw canon character prompts and ocs from folks who have interacted with me regularly (such as yourself, boa). i'm fairly aware of my regular interactors and of course my mutuals, so i'll be able to tell if people are just popping up out of the woodwork trying to get free art out of me.
i hope this helps a little and i appreciate your interest!
this sounds like a lot of rules, but it's mostly just things to keep in mind. i'm more flexible with canon character recommendations because there's a bit more to navigate and get right when it comes to OCs, but i'm none the less willing to ty it out! hopefully it's just something fun and silly i can share with folks to celebrate the month!
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times they call/insinuate angel is gay/“too feminine for a man”/is attractive to men, in ats - Season 1
ep 1 A manager says to Angel he is a very beautiful man, and he wants to represent him. "Call me, this isn't a come-on"
ep 2 In the club, Angel has to "search for someone that's in trouble" and everyone thinks he is just flirting, including a man, Angel tells him "seriously I wasn't hitting on you"
ep 3 Spike, while watching him from afar, makes a LONG hilarious joke about him being gay, and caring too much about his hair and using “nancy boy hair gel”.
Later while fighting, Spike says to Angel "What’s next ? Vampire cowboy ? Vampire fireman ? Oh, vampire ballerina?" to which Angel responds "I do like to work with my legs" and kicks him
ep 4 Doyle legit admits he is attracted to him
ep 5 Cordy: "do you have (hair)mousse?... of course you do"
ep 6 Mafia boss calls him “nancy boy”. Angel hits him with a chair.
Also, there's a joke where Cordy nags Angel for not noticing her new shoes, Angel is about to say that "men don't notice that staff" when Doyle enters and says to her "Nice shoes!". This is a 'Doyle =gay' joke but it also shows Angel has funny ideas of what makes you a man, and it's funny that the entire plot of the ep is about repressing emotions, and unwinding when you touch a magic stick.
ep 7 Angel and Doyle going to fight a vamp nest is paralleled with Cordy going on a romantic date. Doyle: “everyone has dinner plans”.
The first thing the new husband of Doyle’s ex does when he comes in, is insist on how handsome Angel is. (Doyle’s ex had also just met him, didn’t say a thing, neither did other women this ep)
ep 8, 9, 10 and 11 I didn’t catch any
ep 12 friends of Cordelia meet Wesley and Angel for the first time, the way they act and respond to their flirting and invitations to a party makes them think they are gay “the good ones are always gay” one says. Angel is not bothered about it, Wesley a little. Later they have this conversation in which Angel seems to have noticed that insecurity, and he says to Wesley that the girls liked him, that his clumsiness was charming, and that the fact they think they are gay adds mystery
(also why does angel quickly bit his lip, looks him up and down, and smiles to him like that??? asdfasdfasd)
ep 13 (refer to this post bc it needs context) in short yeah a guy is definitely attracted to him
ep 14 nothing again I guess
ep15 Kate’s dad asks her if Angel is gay, she laughs and says "no, he is just not my type, or I'm not his type".
Also, it felt like the dialogs were specially 'supernatural=queer' this episode, and he WAS getting homophobia by Kate lmao
"you don't get to kill a demon in front of me and then act like we are going to have a cappuccino together"
"No offense, I know you are probably a decent guy for, you know, what you are..."
"If you insist on talking about this, can you pls not call it that? It makes me uncomfortable.(don't say demon) say evil thing"
"What? they are evil things that are not evil? - well yeah(me) - OH right, sorry"
Then the scenes of his father calling him a disappointment make it even more uuughhh, and then he says "It was a son I wished for, a man! Instead, god gave me you".
All scenes from his past as human point to him being a fuck boy, meaning that, even if not queer, in a way, he also didn't follow the conventional norms of romance or sexuality. But it's also funny to point out the first thing he does as a vampire is feed from a man, to which Darla says "now you can have anyone you want"
ep 16 Cordelia ends up saying “if anyone is wearing a push-up bra here its-- Angel!” when Angel surprises her entering the room, (Also, Wesley describes a type of demon that howls when they are preparing to fight or mate, next scene angel is fighting them while they howl(they appear male), I know this one is a reach, but I’m putting it here bc it made me laugh).
ep 17 so he reads girl-celebs magazines and remembers this rumor about an actor? sure
also this ep Cordy(known fashion lover) compliment's Angelus fashion sense "Angelus would never wear those pants".
In the buffyverse they say everything is the same without the soul except there's no guilt, meaning no repression about what he would like to wear. So if it hadn't been obvious from before, Angel is also a fashion lover, except repressed about it.
ep 18 there was nothing much here except if you count that Darla asks him "have you met someone else?" no gender-specific.
And/or this interaction with Linsdey cuz come on the tension, the banter, the 'was it necessary getting this close?'
ep 19 Again nothing textual unless you count that Wesley risks his life and goes against the Watchers council for him, even if it means helping someone he hates(Faith), and his loyalty to Angel is called a perversion(also how does angel look so small here??asdfsas)
ep 20 two little things, first, does this joke "you show me yours, I'll show you mine" Angel says to intimidate a guy count? lol
Second, in this ep they get paid to search for blackmail pictures of a guy who went to a demon script club, after Angel takes them back Wesley looks at them, and he seems weirded out. Angel is besides him and only with a quick look he is able to tell the pictures are upside down, Wesley turns them and looks at them again, he says "oh, I can't imagine it was pleasant" to which angel makes this face like uhm???
In any case I put it here cuz even if its not an "angel=gay" moment it certainly shows he has experience with Unconventional sex staff
eps 21 and 22 I didn't catch anything, but in the last ep the "supernatural= other(queer/disabled/etc)" thing is easier to see. Because there's Kate again with the irrational hate like "I'll rid the city of your kind" etc just after Angel saves someone.
And the last scene shows the way your friends don't mind the "weird" parts of you even if you or most people do
a super endearing moment that happens just before the show promises Angel that he will "as a reward" be normal eventually, which weird, cuz then, Is the message of the story that you can find peace by finding a mission and loved ones who accept you as you are? or is it you can find peace only as long as you are useful to the normal 'innocent' people around you, and you work toward being normal? idk
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my total drama oc is a reversal of the show's pre-established "villain" archetype.
right off the bat, they're just the worst person; outright antagonistic towards everyone and constantly causing conflict amidst the cast, openly orchestrating people's eliminations, blatantly cheating but in such a way that technically they're not breaking any rules- without disguising themself behind a mask of geniality (like alejandro, heather and julia did).
and they're kept around well into the competition because their villainy? it's ratings gold. people love a good antagonist, especially one that's so productive. the audience loves to hate them, or hates that they love them, and everyone is gunning for their downfall- which only becomes more and more tempting with every elimination.
plus, chris is more than happy to enable them so long as they keep things interesting.
interestingly enough, they never seem to use the confessional. or at least, none of their confessions are aired. well, that's not exactly true. one confession is aired, and it's them boasting to the audience that they wouldn't understand the inner machinations of their mind, and that they don't deserve to hear their thoughts.
consequently, the audience has no idea what they're thinking at any given time, only seeing glimpses of their schemes throughout the episode until everything comes to fruition- like a puzzle finally being completed. it's a smart move for the network, because it means the audience gets to watch their plans play out in 'real time' without their insight/foreknowledge, making it just as impactful to the viewers as it is to the competitors. it helps with immersion, which is a boon for the ratings!
until their elimination, wherein their confessions are played out on the big screen, and it's heartbreaking.
they explain, in their first confession, that they were accosted by chris at the beginning of the competition to act as the main antagonistic force for the show, and that he's turn a blind eye to their antics so long as they kept the viewers watching, even paying them a decent salary if their act was good enough. because they're smart- smart enough to play the rest of the cast like a fiddle if they wanted to, and chris wants them to.
what a great deal, right? being given blanket permission to be as conniving as possible, and a pay check to boot- who wouldn't take the opportunity?
and they round it out by "getting into character" on camera, sneering haughtily at the lens and- you guessed it- boasting to the audience that they wouldn't understand the inner machinations of their mind, before giggling dorkily at the silliness of their statement, commenting that it'd we way too obvious they were faking if they acted that snooty. they're a theatre kid at heart, so the idea of "playing the villain" is exciting! it's going to be so fun!
but their second confession is sombre. they're visibly tired, wiping away at the concealer under their eyes to reveal some heavy bags, and they're curled up into a pitiful ball in front of the camera. they divulge that the pressure to constantly live up to the shows expectations of antagonism is crushing, and their status as a social pariah is more draining than they'd care to admit, and that- despite the apparent glee they've been committing these acts of villainy with- being so outwardly morally corrupt has left them with a constant churning of guilt in their gut. they only agreed to be the "bad guy" for the money, which would help their family's financial situation tremendously, but they're growing increasingly uncertain if the reward justifies the risks.
by the third confession, they're actively sickened by their actions, eventually devolving from airing their frustrations, lamenting their choice to method act as such an awful person, to throwing up into the confessional's toilet as they hold back guilt-leaden tears and repeat a mantra of "i'm sorry, i'm sorry,". they're drowning in the murky waters of their persona, and backing out now would only lead to more scrutiny and suspicion from the people who were supposed to be their friends, and they know they'd deserve the mistrust. plus, backtracking from their deal with chris would jeopardise everything- from the dirty money they've earned from their antagonism to their place in the competition itself; they'd be voted out in a heartbeat without the network's safety blanket of plot armour!
they don't know what to do. they barely even know who they are anymore.
and then the camera's focus cuts to the real-time them, who's sat ashen-faced and deathly still as their weakest moments are broadcast, not only to the people who rightfully hate them, but to the whole world.
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