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#this is long and rambly but it's something i think about a lot
seawing-vibes · 1 day
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Decided to fill out a template from @/falling-skyzz I feel normal about . The dragons ! List of characters & design & dynamic thoughts under the cut <3
Also If anyone else fills out thus template feel free to send me the post,, I would love to see other people filling this out!!! I love templates !!
Secretkeeper & Moon • I understand theres a lot of reasonable hate for Secretkeeper but!!! I find her & moon to be a very fascinating pair! To make a long ass thought short, I think Secretkeeper is the embodiment of “product of her environment & deeply traumatize & projecting”. I think she genuinely really loves moon but obviously expresses that through being “”protective””. But I think shes genuinely a character with a capacity for change & realizing the autonomy Moon has over her own powers. Also from the perspective of Moon I think her arc around her relationship with her mom could be really interesting, especially as Secretkeepers authority becomes challenged in Moons life & she has to confront the bullshit her mother has put her through. Overall very very interesting pair I think about them a lot.
Design Note: Secretkeeper is duller in color than Moon & has less stars due to lack of moon light on the island! Also the scales around her mouth are almost completely black, making her mouth barely visible, giving her the name “Secretkeeper” as she “has no mouth to tell others secrets.”
Tsunami & Starflight • Just one of my fav siblings! This specific illustration is from the Arena Scene in Dragonet Prophesy! I really really love Tsu & Starflights dynamic of looking up to eachother & their development together just. So neat!
Design Note: Starflight has very few constellation marks in this illustration as he hasnt spent much time under moonlight quite yet!
Shark & Abalone • One of my more out-there ships! I based this on the thought that Shark was once close with Abalone (cough. Husbands.) and that relates to why he was willing to give Tortoise a lunch-break from watching the eggs. He already saw someone close to him die from being overworked to watch the clutch, he didn’t want to watch another dragon die from his sisters selfishness. I could write an essay on these two I swear
Deisgn Note: Shark is based on a tiger shark & abalone is based on real abalones! hes one of my fav designs here
Six-Claws & Ostrich • He’s just a sweet dad! the little we see of him he seems to really love her & vice-versa <3 they’re just neat
Design Note: Six-Claws is based on a king cobra & is a specific sub-“species” of hooded Sandwings ! Burn found his hood mutation & six-claws super interesting
Tamarin & Pike • My fav background friendship! They’re just fun. I like Pike just chillin out around Tamarin & describing flower colors to her to the best of his ability (she just likes to hear him ramble about a shared interest)
Design Notes: I updated how I draw Tamarins eyes to properly resemble a blind-born dragon ! Also Pike’s deisgn got some yellow in it and I really like it <3
Whiteout & Thoughtful • I just think they’re neat!! They just seem like a sweet pair love them
Design Note: none really! Just experimenting with a rando Thoughtful design that I tossed together for my “ships tier list”
Tsunami • Its just her :) my fav dragon <3!!! I definitely dont think she upholds the “princess” title once she gets older, her only link to the throne is by Coral insisting monthly visits but Tsu otherwise wouldn’t be any interesting in royal life I would imagine
Design Note: Shes caught a waaururrghh something im going bonkers I cant remember what fish that is and my reference photo seems to have dissipated into the cosmos
Anemone • I LOVE HER. SO MUCH ! Anemone haters BACK OFF!!!! Her relationship to her powers is so fucked man. Something you’d think would give her power & control is just a key by which others use to manipulate and abuse her like . Man :( shes literally never had any autonomy over her own identity & intermingled her powers into her identity So Much only for that aspect of herself to also be revealed to be a facade for someone else’s desires like. GUH I love her so much I hope shes having a good day I dont care what anyone says she deserves to be a brat and I support her for it
Design Note: none really! The stars in her talons are just metaphorical though
Snowflake & Snowfox • THE OGS!!!!!! MY FAVORITE PROBLEMATIC LESBIANS <3 Ahhh remember in the early days when they were considered the #1 most problematic ship because they were gay and also evil. I love the evil lesbians so much they’re so shitty sorry Darkstalker Snowfox should’ve been queen I would’ve loved to see that go down it’d be so silly
Design Notes: Snowfox is based on an arctic fox shedding into their summer coat!! I know its p . Away from canon descriptors of her but it was sm fun to illustrate so shhh <3 Snowflake is just grey & blueish per-canon but shes sooo fun. love her.
Okay thats all here are the individual illustrations now !!!!! Because why not !!! If these aren’t transparent its all over
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graysturns · 2 days
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𝕨𝕒𝕟𝕟𝕒 𝕘𝕖𝕥 𝕞𝕒𝕣𝕣𝕚𝕖𝕕? | 𝕔.𝕤.
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note: hey guys :) this should be short and sweet but i hope you like it anyways. i love soft chris! also last pic is me on my period and that’s why i wrote this + i hate rachel
warnings: none i think just me hating my coworker
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long as you dreaming bout me ain’t no problem,
i don’t got nobody, just with you right now,
11:47 pm
my phone buzzes twice, causing it to brightly light up in its spot right by my face.
“ughh, leave me alone!” i groan, tossing it to chris’ side of the bed.
“what is it baby?” chris walks into our room, shutting the door quietly and placing a water bottle on my nightstand. he sits beside me and rubs my back slowly.
“rachel from work wants me to cover her shift tomorrow. something about ACT testing.”
he raises an eyebrow at me. “isn’t that something you would request the day off for? y’know like, in advance?”
“that’s what i said.” i roll my eyes before proceeding.
“i already told her no, but she keeps insisting because i’m the only person off tomorrow.”
chris leans over to grab my phone, unlocking it and putting it on do not disturb.
“it’s about time you have a day off. they’ve been putting you on the schedule every day now.” he sighs, combing his fingers through my hair.
“i know. and today was shit.” i huff out.
“do you wanna talk about it?” chris watches me intently.
“i just don’t wanna complain too much.”
“baby, i looove hearing you complain. it’s like, my favorite part of every day.” he taunts.
“only if you insist,” i sit up and smile cheekily at him.
he repositions himself so he sits across from me, pulling his knees up under his chin.
“talk to me sweetheart,” he grabs my hand, kissing my knuckles.
“so i clock in, and right away i’m being told to get on the espresso machine. my manager was supposed to work alongside me but she kept getting pulled away for manager things so i was doing both positions at our station, which is fine, but during a rush it can be a lot.” i start to ramble.
“and the second she gets back, i get the feeling that i started my period! and i completely forgot about it because i’ve been so busy, so i didn’t have any tampons on me,” i continue.
chris drops my hand and reaches into his hoodie pocket, revealing a bottle of pamprin.
“i actually got the notification earlier from your period app, so i brought these upstairs.” he smiles to himself, opening the bottle and shaking a couple tablets out on my palm.
“chris, thank you!” i exclaim, popping them in my mouth and taking a sip of the water.
“of course babe, i got you.” he pokes my stomach.
“so what else happened?” he asks me.
“well after that it slowed down a little. but the whole coffee shop was a mess after the rush and since we were closing, we had to deep clean everything. i’m just so sore and i want to die,”
“i get it, babe. did you shower yet?”
“the second i got home. fucking rachel spilled a pitcher of cold brew on my thigh and i was so sticky.”
he nods with a slight smile, moving his body up against the headboard.
he laid back in his spot and motioned me over to lay on his chest.
“fucking rachel.” he tsks while rubbing my back.
“why do you hate her so much anyways?” he drops his head to look at me.
“well, do you remember that one day you came through the drive through right before my shift ended? you were picking me up and decided to get a drink.”
he thinks for a moment, “mhm?”
“well she was working the window, and she came to tell us all there was a hot guy outside. basically telling the girls to come look,”
“yeah i remember a few girls came by, pretending to stock cups or something. that’s rachel?”
my lips drew a tight line.
“remember how she had you pull into a parking spot, saying they’d bring the drink out to you?”
“mhm?” he asks again.
“well, she decided to write her number down on a slip of paper and hoped to give it to you on her way out, along with your coffee. i left before her, so while i was getting settled in the car, she was walking up to you trying to rizz you up.”
his mouth forms an ‘o’.
“what a sneaky bitch!” he chuckles.
i roll my eyes at him.
“chris it’s not funny. my coworker wants to fuck you.”
“well it’s never gonna happen, sweetheart. she’s insane if she thinks that.”
i mess with the drawstring on his hoodie, picking at the plastic end.
“it’s just frustrating. she’s been doing little things to mess with me, since the moment she saw us together in your car. like today with the cold brew, that was fully on purpose.”
he sighs, patting the back of my head. “why don’t you just quit? you don’t need to work.”
“chris, you can’t pay for everything,” i sigh, dropping the thin rope.
“i actually can. besides, i’d much rather have you here at home, happy and free to do what you want with all that extra time.”
i smile up at him, lightly running my nails across his stubble.
“you’re too sweet to me, but i can’t let you financially support me chris. we aren’t even married.”
this time, he rolls his eyes at me.
“so what? we already live together. you’re my shawty or whatever the kids say,” he laughs, picking up a strand of my hair, tickling my nose with the end.
“the kids in 2009, and don’t say that ever again, chris.” i snort.
“no but seriously. i know how much you hate this job. and fucking rachel.” he smirks.
“i’ll apply to a few different places in the morning. and we’ll go from there.”
“no, y/n.” he grabs my hand, holding it between us.
“it’s making you miserable, you can quit now and i’ll hold things down until you find something else.”
“chris, i already told you, it’s not fair to you. you’re not my husband, and you don’t need to provide for me.”
he looks to the ceiling for a moment, pondering.
chris faces me again, grabbing hold of my cheeks. “wanna get married?”
“married? chris i-i’d marry you in an instant but not for this reason. you can’t be-“
he pulls away from me and leans over his side of the bed, digging through his nightstand.
turning to face me, he opens his fist to reveal a ring.
what the hell? i sit up quickly.
“y/n.” he holds the ring up.
“i’ve been wanting to do this for a while. i know my timing may not be ideal, but i hate the fact that i’m not your husband, and i hate the fact that you won’t let me take care of you. married or not, i’m always going to be here to take care of you, to help you, to love on you, especially when you’re having a day like today.” chris takes my hands in his, holding the ring on his fingertip.
“..but i’d really rather be married to you and do all those things.”
“chris, you don’t mean..” i begin.
“don’t act all surprised now.” he wiggles his eyebrows.
“you know i love you, we’ve talked about getting married someday. i think we should just do it sooner than later.”
“chris, i don’t know what to say. i want to marry you, i just don’t think it should be because i hate my job.”
“it’s not because of that. i’ve been planning this, if i wasn’t then there wouldn’t be a ring here. what do you think?”
“holy fuck, chris.” i take his hand and open it, placing my left one in his palm.
“let’s get married.” i smile up at him.
he slides the ring on and tackles me into a hug, causing us both to fall backwards on the bed.
“i love you, i love you, i love you, i love you!” he chants while peppering kisses all over my face.
short, sweet kisses turn into a long, heated make out that gets interrupted by three dings from my phone.
“did you not see me turn your phone on do not disturb?” chris huffs out.
“i swear to god if it’s rachel..” i pause, leaning over to pick up my phone.
“she did that ‘notify anyway’ thing. she’s insisting i cover for her tomorrow.”
my phone starts to buzz in my hand, causing chris’s head to snap in its direction.
“absolutely not!” he grabs the phone and clicks it off, throwing it on the other side of the bed.
“fucking rachel. someone needs to punch her in her throat.” he says jokingly.
“h-hello?” a small voice escapes my phone.
“shit, chris i thought you declined the call!” i lunge for the device, end the call and turn the phone off.
“do you think she heard me?” he asks, wide eyed, with a smile tugging on the corners of his lips.
“i don’t care, i’m quitting that job anyways. i have a husband now.’ i beam at him, waving my hand in his face.
“hell yeah you do!” he places his hands on my waist and brings me back down to him.
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hope u liked it 🤍 also this is dedicated to rachel i hate u please quit so i don’t have to! just kidding that’s mean! (i’m not)
comment if u hate rachel too
tags!
@imwetforyourmom @anonymouslyachrisgirl @junnniiieee07 @imtalkinnonsense @wh0resstuff
if you wanna be added comment here!
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So, despite some faults, I really enjoyed totk, and on its anniversary I want to say something about it. Other people have said similar things before but it’s really important to me and actually a big part of why the story of totk was meaningful to me, so I want to also say it:
Zelda needed to come back from draconification. The story needed that. It wasn’t lazy and just ignoring “consequences” because (imo) that was the *point*
The point is to feel like there are going to be terrible consequences and then say actually, no. You can come back from this, with the help of other people.
To me at least, that was the theme of the whole story.
If botw was about how the world goes on past loss and grief and starts to heal (how flowers grow in the ruins and the world can be beautiful again, be worth saving, even if it has changed)…then totk was about a more personal kind of healing.
The weight of the world should not be on your shoulders alone…you, alone, should not have to fix everything…you should not have to sacrifice yourself, but when you do, someone will be there to save you from it.
This turned into a really long ramble so:
You (Link) gained so much and now it’s gone. It feels like you’re back to where you started and yet you know you have to do it all again…you were weak and you failed and you’re weaker now…but
You go down to the surface. Monsters swarm across it once again. Other people are fighting them too though. You help, but it’s not just you…
You go to the Rito, the Gorons, the Zora, the Gerudo…just like with the divine beasts, there are friends who help you save each region. But this time, part of them comes along with you when you leave. It’s nice, you realize, the first time one of them protects you from a monster you weren’t prepared for. You’re still weaker than you were before, but someone has your back…
When you go up to the sky you see a strange new dragon there. There’s something about them that feels familiar. You try not to think about it.
You go down to the depths too. It’s terrifying at first. You hate it. You only want to get what you came for and get out of the dark….but slowly, the light grows. You get stronger. The dark feels like a challenge you can face (and someone has your back).
There are spirits down there. You don’t know when they’re from, but some part of you wonders…are these all the people you let die in the Calamity? (You help them find rest from their wandering. The weight on your shoulders feels a little less heavy).
There’s so much gloom. The first few times the sky turns red and hands chase you (a reminder of what you’ve lost, how you failed) you just run. Eventually though, you have to fight. It feels like the (second) worst day of your life again. But you manage to get free of the grasping gloom and stand and fight, as wild and desperate as it is. Beneath the manifestation of your worst fears, there’s another thing to fight, but this time it has a face (a voice in the back of your head says…you know this isn’t all on you and your failure…it’s really Ganon’s fault right?). You get through it.
At every turn in your travels, it seems like something reminds you of Zelda. Her passion, her curiosity, her kindness. You miss her.
At first, the tears you find reassure you. She may be in the past, but she’s safe. She’ll come back somehow…but then you hear the word draconification for the first time. You want to believe she wouldn’t do it but you know her and the fear sits cold inside you. (Zelda is a lot of things. She’s been allowed to be more of them, since she was freed from her hundred year battle, without her father holding her back. But deep down inside her, there’s a vein of self-sacrifice that still runs strong. It’s what saved the world before, after all).
She did it. She really did it. She’s gone from you (from Hyrule) forever, and it’s all your fault. If only you hadn’t failed so utterly in the battle (you can hardly even call it that) under the castle. If only you’d caught her. If only you hadn’t let the sword break. You should have protected her you should have been better it’s all your fault and now she has to live with the consequences, forever. Everything really is on you, you should have been better.
(Zelda POV: you couldn’t call upon Hylia’s power in time, you were too content to let it wither and fade away from you, ready to be free of it. You shouldn’t have. He got hurt, the sword got hurt, it’s your fault…Sonia and Rauru help you channel it again, Sonia helps you learn how to turn back time…but you don’t save her. She dies because you couldn’t save her. Rauru dies not long after. There is no one left to guide you, once again. You could spend years trying to figure it out on your own. But you did that last time. It didn’t work. Self-sacrifice, stepping in front of someone you love, that worked. (You do what you can, to call upon the sages, to help Link in the future, first). And then you swallow the stone. You’ve come a long way, in the past five years, allowing yourself to exist. But in the end, self-sacrifice worked last time. It’ll work this time too.)
You (Link) go down beneath the castle. You were supposed to bring the sages but you didn’t. It’s nice, for someone to have your back. But no one else should get hurt to fix your mistakes.
They follow you anyway. They fight with you, against the hordes, against the greatest enemies you defeated together, along the way. They’ll have your back, even if you don’t think you deserve it.
You fight Ganondorf, and then the demon king, in the hardest battle of your life. You think it’s over and then the demon king decides it’s better to lose himself completely than let you win. You’re exhausted and afraid of yet another battle, but up there in the sky, when you’re falling, the Light Dragon catches you (you wonder why she changed her path to catch you, you wonder if there’s still something of Zelda left in there to save). With her help, you win.
And then you’re in some other realm. The spirits of Sonia and Rauru are there. You remember how the two of them and Zelda channeled such incredible power together. You think about Recall. Turning something back to the memory of what it was before, like Sonia said. You stand with them and you allow yourself to hope. Maybe the Light Dragon can remember the form she took so long ago, the person that she was.
And then you’re falling, and Zelda is falling, but this time you catch her. You catch her. She’s back home with you, finally, finally.
And maybe, one mistake doesn’t have to be the end of the world. You don’t have to be perfect. Sometimes, someone else can stand with you, and it’ll all turn out alright. (You can put the weight of the world on your shoulders, you can sacrifice yourself, but someone will be there to catch you, someone will be there to pull you back to yourself, when all is said and done).
#loz#tears of the kingdom#Link#Zelda#I will say also that I think part of the reason totk is special to me is very personal#like when it came out I was still struggling with the worst burnout of my life#I had had a few months of exhaustion between January and March and in May that exhaustion was still sticking to me#it was hard to get out of bed hard to do anything I felt so tired that I almost felt sick but I wasn’t sick#and the thing is Zelda games are my biggest special interest#and having a new one to play like genuinely I’m not joking it gave me bsck so much energy#I was doing really badly but when totk came out I played it for an entire weekend straight basically#and like my mom came to visit me and help me out with basic life stuff#and like sit with me while I played just like enjoying being together#and that was really nice#over that summer and the fall after I started getting to know someone I work with better#largely over conversations about totk at first#and they’ve become a good friend#(and become someone that I feel safe to be fully myself around)#and so I just have this really strong personal connection to totk#like I will not claim to be impartial about it#there are definitely criticisms that I can acknowledge#in particular I don’t like that they un-amputeed Link let Link be disabled#and also ganondorf’s characterization was shallow and one dimensional#and I’m sure there’s other things I could think of#but the overall narrative#including Zelda becoming the light dragon and then turning back in the end#I really like that#it felt like a narrative of healing to me#and playing it at the time that I did felt really healing to me too
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magpod-confessions · 3 days
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(look at me go, not asking anonymously for once lol)
“the web is underrated” “the buried is underrated” “the dark is the most underrated” 
yes. you are right, i agree. but they are all underrated. none of the fears get the attention they deserve.
-the dark and the end are almost completely forgotten about due to their perceived simplicity.
-the buried, the flesh, the hunt, etc are so unexplored, no one bothers to look any deeper into them.
-the desolation is not just fire, but no one ever tries to represent it some other way.
-don’t get me started on the whole spiral-distortion thing (perhaps i will make this a future confession bc oh boy do i have a lot to say).
with all of them people seem to be scared of diverging from the explicit canon representations.
no one seems to care about the fears anymore. THE fears. you know, the one thing that makes tma so special? i’ve lost count of the number of times i’ve seen someone say “after listening to tma i can never look at things the same. i always categorise them by the entities”
that’s all they are treated as, categories. perhaps this is an odd way to describe horrific manifestations of our deepest fears, but i think they are beautiful concepts. i could spend hours thinking about each one and the ways they bleed into one another, i probably have. 
yeah, at this point smirke’s 14 are old news, but there are always new angles to explore. we saw that in season 5 of tma, and we are seeing it now in tmagp (though the fears are of course different). why did we stop talking about that? (i wasn’t actually on tumblr when tma was happening so idk. maybe no one ever cared) 
talk about the fears, put your ideas for unconventional statements or avatar or whatever out there, there’s an audience (me at least). say stuff about how different fears crossover, or some new aspect of one. “but surely people would have already said this at some point” respectfully, i don’t give a shit. if i come across mutliple posts analysing a similar aspect of the vast, i’m going to be fucking overjoyed. because much of the fears is up to intepretation, they have slightly different meanings to different people, so every single person’s interpretation adds value and adds something unique. i see a little of this, but not enough.
we should keep discussing the fears. i don’t know why we ever stopped.
(sorry this is so long and rambling, i hope you can see the points i’m trying to make.)
🗣️ i’d love to hear your thoughts on this
Literally this. Agree with all of it
Some things:
The Desolation can be natural disasters, including floods, storms and earthquakes. Water is just as destructive as fire
The Dark can be not knowing something. It overlaps with the eye yes, but it still counts
The Corruption is shown to be a response to loneliness, not the opposite of it. Its being so lonely you seek out community, no matter how dangerous it may be. Every single corruption statement has references to loneliness
The Spiral says its a liar, but its never done that, only changing your perception of reality to make what it says true. It is delusion not manipulation
The Slaughter is never portrayed outside of war, which is strange because sheer unhinged violence has so much variety
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crystalpallette · 1 day
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get you a girl who can give you everything
this started a long long time ago when I made a joke about how sega should put ringo in more dresses, and then my friend reminded me that oh yeah!! I can do that instead!!! and then one thing led to another and we joked about punk ringo and I drew that too. using ringo like a dressup doll is so cathartic it's kinda crazy
some bonuses (original designs, timelapse) under the cut bc I like these designs!! I might do some more with them!! please disregard the band poster in the first second of the timelapse that's something else!!!
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#everyone look at my girl isnt she so pretty#puyo puyo#ringo ando#my stuff#please look at the timelapse it nicely packages a week of suffering into a minute :)#you cant tell at all from the recording. but all those teeny tiny scallops on ringo's dress? i drew all of those by hand#because the scallop brush i downloaded didnt look right. it never does why do i have that#plus the lace cutouts on the bottom i also drew by hand because i wanted them to look kinda like bunches of apple seeds#but thats not really a thing you can search for- 'lace brush that looks like apple seeds' is wildly specific#there's probably an identical brush to what i painstakingly drew by hand but dont tell me about it i want to think i did that for a reason#punk ringo on top was a lot less work on the lineart bit except for that godforsaken guitar#i had to make sure it looked right and it took forever#but what punk ringo gave me the most trouble with was posing#i knew i wanted an arm out to mirror lolita ringo but thw initial draft was meant to be her holding the guitar the opposite way she is now#(as in her hand was gonna be backwards)#and do you know how hard it is to balance a guitar like that. i had to grab my guitar and do a photoshoot to see what was most natural#while still having leg up arm out#this was fun to do even if i had about three crises in the middle of it#i tried doing my old rendering style again after a while and it was fun too#lolita ringo gave me a bit of trouble in the fact that my brain couldnt handle the dress being shaded but the apples being flat#but we got it lmao. i dont know if ill ever do this again it took too long#but maybe half of the time was because suddenly halfway through everybody needed my help for something or other that required me to leave#anyway wow thats enough rambling. i should go to bed now
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guilty-shot-au · 2 days
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Okay, I have been meaning to say this for a while, because I think this is a noticeable problem in our community:
Every ask matters And yet there are NONE
Do you feel bored in this RP fandom?
Tired of browsing a rarely updating tag?
Notice how half the community is joining ask games?
Ever wonder why many OS RP blogs go almost completely inactive?
Notice how there's half a dozen boring and slow as hell arcs going on recently?
This is because many blogs get NO asks at all. Popular or not.
Even OS Game RP giants like @diginiko-asks and @nyat-a-cat (currently shadowbanned so ask @the-kerfus-machine ) can experience a complete lack of asks sent sometimes!
And we need YOU to send some to the blogs you follow!
No matter what you send, no matter if they get answered or not, having asks to answer is good for everyone!
If you find yourself constantly waiting for asks all day, without actually sending asks out yourself, you are a part of the problem!
This community thrives on interaction, not waiting!
Want to help this community? Want to improve people's days? Try sending three or more asks to random blogs a day!
Feel anxious to send asks? Nobody in this RP will do anything to you, and the characters do not reflect any of the blog runners intentions. Also, the anon option is there for a reason! Always remember that you have good intentions!
Feel like you will worsen someone's day by sending an ask? As long as you follow the rules set by the blog runner, you won't! At worst, it's a forgivable annoyance.
And if you are running an RP blog, remember: you are not obligated to reply to any asks sent, do not let this hobby cause you burnout.
"Oh, but I don't know who to ask!"
Just browse the "#OS game RP" tag, it's more effective than you might think at finding new blogs!
Check the blogs you follow, there's likely an RP blog or two you forgot about.
There's already large lists of OS game RP blogs out there, check out Mapmaker's interview list and the fifh masterpost!
"Oh, but I don't know what to ask!"
Here's some ideas:
Philosophy, hobbies, and specific preferences are simple topics to form questions in, and can tell a lot about a character!
Ask something as YOUR character! - Have a casual conversation between two different characters with someone else in a thread, share lore on the way, tell stories, and have fun!
Question some lore! - If you can ask something regarding a character's backstory, especially to fill in the potential plot holes, that can be very healthy for the writing side of running an RP blog!
A lot of blogs are actually fine with M!As, if they are simple or interesting!
Found yourself questioning or answering something interesting out of RP? Great ask!
Found something interesting in a quiz? That's a great ask idea!
Came up with something that would probably cause funny reactions? - Ask away!
Heard a silly question in general? Great! Guess who you can redirect it to!
Remember: Questions do not have to be complicated! Don't feel bad if something of yours does not get answered, because you had good intentions in the end!
But I am never going to tell you to send people random nonsense just for them to not have empty inboxes, so try to avoid:
Random memes/words - These are hard to work with and are unlikely to lead to interesting things.
Basic compliments - Most characters will probably say "thanks", unless they have a backstory for it.
Repeating jokes - No one's gonna have fun if you just send "Fifh" to Freeware entity for the 15th time without putting a unique twist on it.
Spam, NSFW, exc. - Just no.
In general, it's best to put thought in your asks.
If you have anything to state on the topic, please do so in the reblogs. I encourage you to check them.
Share this around and tell your friends to send out asks regularly!
Anyways good night, sleep deprived ramble over.
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Anime only watchers and people who aren't caught up with the Manga, BEWARE... Cuz I'm about to discuss Spy X Family Mission 98... You have been warned...! 👌
[SPOILERS AHEAD FROM THIS POINT ON]
This chapter literally broke me in more ways than one...
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This chapter is a continuation of Martha and Henderson's backstory from Mission 97, so let's talk about it shall we...?
So when I opened this chapter and saw a radio...:
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...I literally got PTSD from seeing it because it immediately made me think of the first part of Mission 62, Twilight's (or rather [REDACTED]'s) past, so I knew that things were about to take a turn for the worst...! 😔
On the same page, Martha asks Henderson what he's doing here and he tells her that there's a personnel shortage, so he got to graduate early. Then, Henderson turns off the radio and says this:
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This is just... It's so sad, but true that things, like radios, that were once made for helping others can easily be used to spread hatred and cause harm... It's just not right... 😞
Moving on, after being separated for so long, Martha and Henderson were able to have another tea party like they used to have, but it wasn't long before things started to take a turn... During a school safety drill, Martha asks Henderson if he's excused from being drafted, and he tells her...:
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"It may be that even education is powerless now."... 😟
Hearing Henderson say that hurts my soul... But nothing could prepare me for the next few pages...
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Why... Why do things like this have to happen... 😣
No, things like this SHOULDN'T happen...! Innocent people dying because of senseless violence, because of war, it's just not right nor is it fair...! And I will always stand by that...!!
Continuing on, Henderson finds out that Martha is volunteering for The Women's Defense Auxiliary and he's upset by this. She tells him that the ballet company she was a part of is going to disband and her dream will go with it, so he scolds her again and she tells him this:
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My heart hurts just seeing the anguish in face and in her words...!! 💔
And the heart break continues because Martha overhears that Henderson is going to be married off and she is devastated... But while in tears, she overhears that the dance is coming again, so this is her last chance to tell him how she feels...!
At the dance, Martha approaches Henderson:
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Martha looks so cute here...!! 💗 I was so excited to see them dance together, that when I turned the page, something unexpected happened... I started to cry...:
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Seeing them happy, even though just for this moment, it reminded me why I love Spy X Family so much... It's for these moments, the moments that most of S×F's cast is fighting for, the moments that we all should strive for...!! There are just so many bad things going on in the world that it makes wish that moments like these could be the norm for all instead of some...!! I just don't understand why must there be so much hatred and malice in the world... Why can't we all live in peace instead of conflict...
Gosh, I'm even crying now just writing all of that... I should probably start to wrap this up...!
So, just as Martha is about to confess to Henderson, this happens...:
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...and the chapter ends... 💔😭💔
And that was Mission 98; truly such a heartwreching chapter to read, just like Mission 62 was...
I don't even know what else to say except thank you to Endo... Thank you for making this manga, for getting me feel all of these feelings, for giving me the opportunity to share these feelings with everyone that loves this series as much as I do...!! Thank you from the bottom of my heart...!! 💗
And thank you to all of you that reads this post...!! There's a lot of things that I wish that I could do to make the world a better place, but if this post inspires you in anyway, that's good enough for me...!! 💗
Sorry for rambling, but anyway... Until the next Mission; take care, be safe out there and thank you for reading...!! 🤗 Later!! 💗
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nipuni · 1 day
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Hey, Nipuni! First off, I want to say that i love your work sooosoooo much and i can’t even truly describe the impact it’s had on me. You’re an inspiration to me!! No matter what your interest is in i will always be a fan. I was really curious and wanted to ask, i think you’ve talked about it a looong time ago but, how long do you reckon it takes your to do your fully painted illustrations these days?? and how long do you wait before posting it, assuming you aren’t sure if you’re satisfied with it. I’ve just been struggling with overworking my art and feeling like it’s not ever ready to post so i was curious. 😟
Hello!! I'm so late to reply I'm so sorry!! Thank you so much for the kind words!! to hear that my work can have such a positive impact on someone is the greatest compliment truly 😭❤️ and thank you for sticking through all my interest hopping too haha
These days it takes me anywhere from 2 to 9 hours most of the time, non consecutive if I can help it, and I usually sleep on them at least one night before I share them. But I've held on for over a month to some just because I didn't think they looked quite right, so I keep coming back to them every now and then and do some small tweaking until I reluctantly post them either out of frustration or exhaustion haha I don't have the patience or the attention span to work on the same thing for very long to be honest, so I've adapted 😆
The truth I like to remind myself of is that once I share something all my focus shifts to my next idea every time so whether I could have done better or not doesn't matter once it is out of my hands. I can always do better on the next one, there is just the comfort of letting go and a fresh start.
I've struggled with overworking pieces to death a lot too. It stems from anxiety really so it's a matter of building confidence, the point at which art is ready to be shared is arbitrary after all. You can convey a message or idea just as effectively through the roughest of sketches to the most detailed oil painting, the rest of the work is mostly towards aesthetic value.
On the technical side of things, when you grow frustrated with a piece to the point where you start to resent it is a good indicator that you need a different course of action. Sometimes bringing in new references can help you find the issue, sometimes the problem is structural and buried under piles of unnecessary detail and you have to go back and redo or remove something you were reluctant to, and sometimes the best thing you can do is to let go and come back to it with fresh eyes when you have learned more. As for studies, working from big to small, training for speed and on a time limit has helped me. Anyway I think I've started rambling, I hope any of this helps!! Remember that art at any stage is better than no art at all!!
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I kinda wanna see as Annabel is getting more positive character development Lenore to get more negative - see Annabel become nicer while Lenore becomes more destructive and anti-hero - would be an interesting contrast for them to swap positions
(Sorry for the 24-hour hiatus, everyone; I was very busy! I graduated, celebrated with family, and made a long drive home.)
Between you, Anon, and me, I think this is the route that the writers are taking.
First of all, Annabel Lee made her first friend. Her first actual friend. (PoshBesties™, we love them in this house.)
Prospero seems to have a geniuene care for Annabel — one that rivals what Lenore has with Duke. Prospero was the one who looked for Annabel, reached out to help her from that dusty closet, and went on a splendid little walk with her that resulted in the, "Can we be friends? Proper friends?" question.
(I half expected Prospero to be like, "...Were we not friends already?")
We can see throughout the comic that Annabel Lee and Prospero meet for tea. One can only assume that they gossip like the little old ladies that they are. With the little bits and pieces we see, I've begun to love their friendship (as little that has been shown of it).
Anyways, this friendship can be considered her first positive milestone.
Lenore?
Lenore has gotten into her first major argument with Duke (and Pluto). Morella seemed horrified upon hearing that there was a murder attempt involved. Nobody knows each other as well as they think they do. The foundations are set to crumble.
I can go on a ramble about how Lenore attaches onto these people too quickly because of her trauma/past, but anyways...
Also, Lenore is remembering more of who she was — an arsonist with a lot of issues and trauma. That's bound to cause a personality change. (I'm most excited to see how Lenore processes the relationship she had with Annabel.)
Personally, I'd find it pretty interesting if both characters had a change of heart that pushed them right back to where they started. In other words —
They might not meet in the middle, after all. They'll just be on opposite sides yet again.
EDIT: Let me specify something.
When I say that this would be interesting, I'm not saying it would be a interesting ending.
I believe that their eventual reunion would be enhanced if both of them understood where the other was coming from. That sort of, "I understand you completely, finally. Let's heal together," would be so sickeningly sweet.
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storgicdealer · 1 day
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one of my BIGGEST and important rambles on ava that questions a lot of stuff that was accepted as factual a lot of times
dimensions, rocketcorp and virtual reality in ava
initially inspired by these tags from @sticksstonessteel and the thinking about rocketcorp simulations. and a certain hc i saw on ao3 once and remembered
eventually it turned into an existential crisis. im sorry moots
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warning: OKAY. so. this is very clumsily made and its an assumption made both of canon info and theories that might feel as a complete reach.
this text touches upon possibility AND obscure ideas that might not have definitive proof in canon. there might be not a direct link of events here. but it is very, VERY long and touches many different subjects at once. takes of this long ramble are bold (i could also mention strangely opposing points in the text because i re-thought many concepts along the process of this ramble and mightve not noticed it)
i was wondering about the way the technical-machine device stuff intermingles with the whole literal mercenaries (and a box used for torture) thing. but these tags made me think not only of that
what we've seen so far is that rocketcorp controls a variety of tech, both pc-like interfaces that only they have access to and more "regular" tech, like tvs on which videos from youtube can be played on. [kings backstory]. we've also seen a variety of different tech in the wanted-the box episodes, but not much of it can be used outside whatever advanced shit theyre doing inside the corporation. one of these things however can be used which is surveillance tech, it feels like an important thing to note given that the importance of the corporation might suggest that rocket is responsible for city surveillance in one way or another as well
yet how exactly does a tech corporation tie in with mercenaries, weaponry (and literal torture)?
• rocketcorp
given, again, the grand variety of tech they possess and advanced technology they use, them using literal devices that real world users/sticks from a pc would use (control panel of the box) and it being restricted to them only made me think of something. the whole story of ava/m is built inside digital realms, outernet and internet. taking that into account, obviously, any kind of technological advances in these worlds are crucial to the way of how sticks in it interact with their already technological reality. which made a tech company like rocketcorp so influental in the first place
due to a piece of rocketcorps existence in the king episode and ava s2 teaser and prior to the release of the box i had a thought that the company specializes and presents itself as a "domestic" tech company. not the kind of company that meddles with grand technology and digital stuff, but the one that is accustoming citizens of the outernet with regular tech such as the mentioned tvs. the work of the mercenaries was always perceived to me as just an underground shady work of a company. but the box and a reminder of the chosens wanted poster made me rethink and question whether rocketcorp specializes on technology that changes and affects the reality they're living in, outernet and dimensions itself
i tried to observe the possibility of it and came around to three big thoughts, the most major one being the last
first thought that can give something to this thought is that mercs tech weapons influence physical properties of their world — ultimately damaging objects and people (like it was with the corndog stand and chosen), rendering the objects out of their usual state and bringing actual pain or messing with the state of a stick.
(its also worthy to mention that in the corndog short, prior to the merc and chosen chase appearing onscreen people in the short were already running away, and it does make me wonder if it happened out of potential fear of these weapons or, maybe, potential fear of the chosen one? bringing me back to my post on thinking how chosen & dark crimes were perceived in the internet and possibly outernet)
the fact that weapons changing literal existence of an object and glitching them are available to mercenaries of rocketcorp is a pretty big thing
another potential argument for it is about the memory scanner itself — a thing used for intrusion into a literal brain (code?) of a person. the obvious thing aside – the scanner literally looks like a vr helmet and i initially thought that it was its function before i saw what it was used for
the whole fact that this kind of advanced technology exists, honestly, surpassing the already existing level of technology in stickcity is something that could potentially connect victim and rocketcorp respectively to an ability to meddle with a literal living being, their memory and potentially their code. victim, aware and knowing the process of being directly created from someone's hand might've acquired the knowledge of influencing a stick's literal process of living over the course of all the years. which brings me to my major point:
• dimensions
we all know about the fact that initial pc programs are able to be used in the outernet, which by itself is an interesting discussion of internet and outernet intertwining once again. we know that rocketcorp and pc sticks use interfaces that real world users use. and we know about the existence of the adobe tool board that agent uses literally all their screentime and the adobeflash instruments in victims office. it wasnt a surprising thing to see given that we have mostly explored the way of how pc and internet programs work throughout the series, and it was thought about that well! nothing surprising about these tools being in the outernet as well, mustve acquired it from somewhere! (and honestly, given all the new insane character plot i didnt think about that deeply either)
over the course of events happening in the outernet we have never really seen pc apps used there physically prior to season 2, except for one time of alan's cursor being used there... that required an insane amount of coding and manifestation of the cursor in the outernet space that couldnt be achieved without a stick that is familiar with with a pc.
not only talking about yellows feats, the creation of darks portals is something worth mentioning as well. we know that he is extremely skilled in coding, with it most likely being his main activity (aside from terrorism) in his life in the outernet. no sticks that we've seen created something like literal dimensional portals, like dark did — and he is a stick that is accustomed to the pc and internet as well. and oh, orange. bringing their stylus to outernet and have it revoked almost immediately when caught (which is not surprising at all anymore, that the mercs and rocket workers took an immediate interest in it given canon information and all these theories lol)
and, unsurprisingly, purple, king and the unknown merchant in "the king" episode as well. we know that the minecraft icon could be accessed through a travel to a pc, and that purple was first introduced literally inside of a mac — and the whole bit of purple coming to alanspc trying to steal the icon that the cg had.
(another thought to mention is about the interdimensional travel — the whole fact that the internet and the pc realm is able to be accessed through programs brought to the outernet. (e.g. minecraft portals). but again, these programs were initially coming from a pc, and didnt exist in the outernet. where the actual hell did the blue merchant in the king episode come from????)
this whole fact shows that the only way to access pc programs in the outernet is for something or someone to bring it there.
and victim, posessing all the tools of the whole program he was created in, wouldnt be able to get it through regular means. whether that means acquiring it from someone's elses hands or going to a pc by themselves.
• virtual reality and the position of rocketcorp in outernet
now, im going to bring up outernet and internet intertwining again. outernet sticks do not interact with pc programs physically, like all avam main characters do.
the only times we've seen pc programs and apps physically interact with outernet were shenanigans with the cg, hollowheads, purple & king. people that actually had access to a pc in one way or another.
(..and the damn merchant.)
the fact that these programs existence is quite rare in outernet and maybe even unknown to some, having rocketcorp being a full-on restricted company with classified information, having high influence over tech, exchange of pc programs being seen as a shady activity(!!!!) (the king episode),
— could rocketcorp be somewhat of a main corporate that controls the fabric of the outernet and internet itself, being some sort of a power force and government-ish corporation to the outernet? perhaps, them being seen as officials that have limited knowledge of unaccessible pc programs and internet itself and exclusive (even divine?) power of it that only they are able to possess, providing it to the outernet, initially making them "the people in power" that stand higher than regular sticks of the outernet?
(essentialy, making victim a literal fucking dimension mastermind)
• important part about outernet sticks (that ill probably ramble about in an another post independently)
supposing that rocketcorp does possess power... would they have control over what they decide to stream and show with their tech?
the tv that we've seen in the king episode didnt show any other episode except for the minecraft one. heck, it could've been the only thing shown there.
and in general, it begs the question: are outernet sticks that never traveled beyond its space even aware of internet?
and could've they interpreted the episode above as just fiction, along with the confirmation that our main characters are the ones that are inherently tied with the pcs and the internet in different ways?
(PLEASE tell me if there's proof that confirms otherwise because its a very bold statement given how much outernet and internet are interlinked in the main story. its 2 am i havent slept sometimes i have amnesia and i might be forgetting something very crucial. this assumption was not fully comprehended by me before specifically because most outernet sticks are the same type with the cg and it was confusing when i was just getting back to avam a few years ago)
we also know about the box itself. or, to be more accurate, the boxes. the ones that both chosen and second were trapped in, at the same time, in different places. the ones that were, quite literally, simulations. the ones that have also used pc programs tools.
simulation isnt something that was seen as an ordinary occurence, but it was literally seen twice in the rocketcorp in the same episode. creation of a simulation doesnt seem like an activity that could be used by ordinary sticks either. giving potential highest influence of rocketcorp over pc and internet technologies and its providence, are they able to give simulation experience to others, allowing regular sticks to experience different dimensions in a controlled way? say, for example, in a game?
whoa finally i got it out of my brain. im going to drop family guy pose style
afterthought rollercoaster:
• as far as i remember we didnt see outernet citizens interact with internet like users do, but we do know they possess tech such as television again, that can be bought. there IS tech such as computers (tdls room) but we havent seen them being used by sticks that werent exposed to the concept of the pc and the internet. there is a possibility i missed out on outernet sticks using phones or other tech, but even with this, its possible that our internet is simply not accesible there
• given the possibility of rocketcorp delegating all technology and simulations, providing it to others, possibly allowing smaller companies to use their resources in different cities... is there a possibility that rocketcorp might've been responsible for the gold simulation incident?
• going back to weapons of the mercs, i do wonder whether, even with the pc apps ability to be used in the outernet, the apps themselves having any kind of influence over processes in the outernet — given the whole glitching thing that literally messes with physical objects and people. it is just my own theory, but i dont believe that the glitch thing that is embedded in these weapons comes from the outernet, either
• okay this is going to be a wild concept you dont have to read it
talking about the creation of outernet and the whole race of stickmen, right now i am tending to believe that outernet is still an extension of internet that might've appeared with its creation. i was always open to accepting it but slightly confused by the concept of outernet being natural (bc i constantly try to find logic in worldbuilding el oh el) and tried to suggest a theory that sticks of outernet might've also been created directly (which does feel like a reach atp). with the concepts i discussed in this ramble i dont really feel that confusion, but im honestly not abandoning the idea of creation at some point, either: specifically i had a thought that when outernet first appeared first sticks of that dimension were also created, potentially them finding a way into outernet in some way. but eventually outernet was built as an independent place for their kind and prospered by itself like any civilization would
oh my god im going to drop with exhaustion. but im so happy i got it out
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self portrait of my sticksona right now
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cottonfeltgembira · 3 days
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Stupid yaoi joke followed by me getting insane about Yosuke lol (ramble below)
This started as a joke like oh man Yosuke would be totally pissed about being the uke and he'd say something like i would NOT take it up the ass 💢 but then i started thinking deeper. Oops
I love love the concept that Yosuke is otherwise super physically affectionate cause that's his best bud after all and in combat is like Yu's orders are orders, he'll gladly follow his partner. But the minute it falls into romantic intimacy he just gets weirdly uncomfortable, not in a "oh that's weird cause this is gay and we're both guys" but a "why am I suddenly uncomfortable at the prospect of being the person receiving am i weird is something wrong with me"
Yosuke doesn't understand at all despite his own deep wanting to be loved and it sends him in a spiral, whole lot of complicated feelings stemming from Yosuke not wanting to be submissive persay cause the imbalance makes him feel inferior and messy messy self deprecation + he can't handle praise despite seeking it
I think Yu has less problems but not zero, he's guilty of being too selfless and fully priotizing his romantic partner over himself that if this was anyone else and not Yosuke could easily end in there being nothing of Yu left (he's been alone for so long that i think he'd give so much of himself so easily cause in my mind, it's so easy for Yu to be sympathetic and want to help, even if he hurts himself in the process)
Souyo needing to navigate intimacy that hurts them and needing to learn and understand each other by exploring romantic relationships outside a cishetnomative perspective... Understanding their boundaries and figuring out what works best for each other
Just. Gah. Yosuke feeling bad that he's probably being a big bitch for being weird about things and Yu who's super sad and concerned because he loves Yosuke and sometimes wonders if Yosuke even understand Yu loves him (do not listen to the self hatred demon!!)
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Pitch Manor Progress (which is sort of like Six Sentence Sunday but also not)
It's still Sunday for five more minutes, here. SO....
Okay, I haven't written anything on the Haunting of Simon Snow in awhile. But I have been working on my floor plan for Pitch Manor, which is more than tangentially related to the potential progress of that fic. And today's a rough one for me, so I'm going to post about it like it's progress so I might feel a tad better. Ahem.
OKAY. SO. I've been working on a floor plan for Pitch Manor for... pretty much forever and a day. I ran into trouble when I was writing chapter 2 of Haunting and Simon (Construction Worker!Simon) began to describe the house. I realized... I had no idea what he was describing.
(Warning, there is a long winded geeky ramble ahead. It's just how I do things. Ahem.)
What was supposed to be a quick "let's find a floor plan that I can just copy with some minor adjustments" project has since turned into my special interest project. As a history nerd, that means a lot of research, looking at dozens of floor plans for other houses ranging in origination from the 16th century to the 20th (and probably a few older than even that, since a ton of religious buildings were repurposed into estates. Think Downton *Abbey*.)
But this past week, I feel I've really pushed through a lot of the issues I kept running into. (I've ridiculously been trying to make it as true to the descriptions in Carry On as possible, and something that fits the purposes of my fic, which of course I have envisioned in many, sometimes incompatible, ways.) I've had to make some "this or that, you can't have both" choices, but I'm finally happy with the basic shape and layout.
Whew.
Just for funsies, here's a cross section snippet of my floor plan WIP. It's pretty messy still, but I'm still excited LOL
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And (finally), instead of six sentences, I will instead offer you all six tidbits of information about Pitch Manor, as I've envisioned it:
There are four (4!) different sitting rooms. Because the aristocracy just loved their sitting rooms. (Parlor, Withdrawing room, Drawing room, and Reception/Receiving room.)
There is a ballroom. Try and stop me.
The original manor house was built in the 17th century, and has been refurbished and updated a few times.
The most extensive refurbishment happened in the 19th century, which is how it gained its current stylings. (Baz is a freaking troll and I love him for it. The most popular architectural style in the Victorian era was "Gothic Revival." "It's not Gothic; it's Victorian." Hah.)
Some rooms were added on during the Victorian refurbishment, including a Smoking room. They were very popular at that time.
The largest room in the house isn't the ballroom. It's the library. (It's two stories. Try and stop me.)
(I do hope to release the floorplans into the fandom wild after they're complete, in case anyone else wants to make use of them.)
I want to ramble more. But it's almost midnight. Sooo.... Gratitude and hellos under the cut!
Thank you to @blackberrysummerblog, @shrekgogurt, @rimeswithpurple, @thewholelemon, @monbons,
and @cutestkilla for the tags. I'm looking forward to seeing what everyone is working on!
Thank you also to those of you who have willingly (I hope) listened to me ramble on about this damned project of mine for ages. Because boy howdy, do I ramble. @cutestkilla, @hushed-chorus, @artsyunderstudy, @youarenevertooold, @ic3-que3n,
@best--dress, @monbons, and @mooncello. It's good there are a few of you, that way no single poor soul has to bear the full weight of my obsession special interest. (If anyone reading this actually wants to join these ranks, hit me up on Discord XD)
Thanks also to everyone that has tagged me even when it's been ages in between progress posts from me. I appreciate being kept in the loop on what you all are up to creatively!
Hellos and howdies to @noblecorgi @bookish-bogwitch @that-disabled-princess @bazzybelle @messofthejess
@imagineacoolusername @you-remind-me-of-the-babe @prettygoododds @emeryhall @ileadacharmedlife
@valeffelees @fiend-for-culture @bubble-gumhead @brilla-brilla-estrellita @aristocratic-otter
@j-nipper-95 @whatevertheweather @ivelovedhimthroughworse @drowninginships @alexalexinii
@facewithoutheart @angelsfalling16
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hi! for the angsty hurt/comfort dialogue prompts, could i please request 7 for kevin and jean from aftg? i'm not sure if you'd like to write for these two, but still thank you and have a great day :)
wow you all really like seeing these guys go through it huh? (same)
in all seriousness i have lots of feelings about kevin and jean (individually and as a dynamic) so this is like therapy thank you <3
7. "I'm here. I've got you. You're safe now."
Kevin remembers everything.
To say he'd gotten away more lightly than others would not be a lie—even Neil was proof of that—but he had never been ignorant. None of the Ravens were. True, many never would have known the full extent of the darkness in the Nest, but all had at least a vague idea. All had at least borne witness to physical evidence in the things that could not be brushed off as rough play.
Kevin's sure that's part of why so many of them have fallen now. He, like the rest of them, had lived with it for too long, knowing that whatever else it meant to be there, it meant being the best. But he, unlike some of the rest of them, is no stranger to guilt.
He felt it, every time Jean showed up with a broken bone; every time a new welt appeared on Jean's skin; every time a new bruise marred Jean's neck in the obvious shape of teeth. He felt it in the broken French they shared, Kevin's apologies always feeling untranslatable in the end despite désolé being one of the first ten words he'd learned.
It was a funny thing, this guilt. Kevin was never directly responsible, given he was never himself violent and he was not even Jean's partner. His inability to prevent it was cause for guilt, of course, but he was not any guiltier for this than their other teammates. Kevin was not really in any way responsible for Jean Moreau.
Still, in some way, Jean had always felt like his.
It was more than the numbers on their cheek. More, even, than Riko's hold over them both, than their mutual love-hate for the man who had never, Kevin is now sure, spent a true second of care on either of them.
Kevin cared for Jean. Cares. Beyond any traumatic bond linking them together, beyond worrying that 'without Jean' would mean without anyone, would mean Kevin being alone in his hell, because he hadn't been, even then, and he certainly isn't now. Still, Kevin cannot, does not want to, forget about Jean.
But now, there is distance. Now, there is more guilt than ever before.
Kevin knew, at the time, that his lack of action would be something he could never make up for, but he had done what he could by being there.
Then he had acted, and it had meant abandonment, and he doesn't think that it something he can ever come back from.
So when Jean widens the distance, Kevin allows it, and when Jean gives him anger, gives him guilt, gives him violence, Kevin takes it. It is less than he deserves.
But when Jean calls, Kevin comes. It is more than he deserves, and the least he can do.
Jean's new teammates do not bat an eyelash at his arrival; they point him to Jean without hesitation. This, too, is more than Kevin deserves, but he does not waste time on that. Jean is waiting for him, and Kevin will not turn away from him again. He will not make the same mistake twice.
At first, Jean does not speak. He does not even look at Kevin; the slight stiffening of his shoulders is the only indication he knows Kevin is there.
Kevin isn't sure what makes him break. One moment, Jean is rooted in front of the window, staring blankly out, and the next he is turning on Kevin with a vicious stream of French. It's too quick, almost, for even Kevin to follow, too baseless and broken, a ramble more than a speech, but Kevin understands what he needs to. He understands 'you bastard'; he understands 'I hate them'; he understands 'he will not die'; he understands 'we can never be free'; he understands 'I hate you, I hate you'.
He understands, and it is less than he deserves, so he takes it, and does not retaliate as Jean pummels at his chest—weakly as far as Jean is concerned, but not weakly enough not to hurt. And finally, muffled into Kevin's shoulder where Jean has come to rest, but in English, so there is no want of understanding, Jean asks, "Why?"
Kevin does not have an answer. All he has is this—he gathers Jean in his arms and holds on tightly, keeps holding on when Jean weakly fights him, until eventually the fight has gone out of them both. Then, when Jean shudders and quiets and clings back to Kevin as if Kevin will turn to smoke otherwise, will dissipate and disappear, this time never to return, all Kevin can give him is this.
"I'm here," he murmurs; a promise he will never break again, not so long as it is his choice. "I've got you. You're safe now."
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cephalog0d · 7 months
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Okay, but like. There's the whole joke about Bruce recruiting children to be his sidekicks, but honestly there's only really one that fits that.
And it's Jason. And the whole story there is, frankly, unhinged. Aaaaand then he died.
(I'm specifically talking about "first post-crisis origin stories" here because Jason and Dick, in particular, have both had multiple major retcons and revisions over the years, and some of them dramatically change how things happened.)
Like okay. Going backwards, you've got Duke who joined/led a whole Robin-based gang at a time when Bruce wasn't even Batman. You've got Damian and Cass, who were both literally born into the world of masks and capes and heroes and villains, so they weren't ever really not going to be part of it. Steph might have taken inspiration from previous heroes but she made her own identity and repeatedly refused to stop involving herself in the vigilante lifestyle. Tim, obviously, basically strong-armed Batman into letting him be Robin, despite Batman's protests.
Dick's a little more complicated just because there's so many versions, because that's what 80 years of comics and multiple universe reboots will do, and there's kind of a general trend that earlier pre-crisis versions were more of Batman being like "hello, child, would you like to be my sidekick" and later versions have leaned harder and harder into the idea that Dick was absolutely going to do this anyway, regardless of what Batman had to say about it. But even in the first post-crisis version, the flashback in Batman Year 3, Dick says he wants to find a way to keep people like that from hurting others again. When Alfred questions Bruce's offer to train him, Bruce says that Dick should learn to do things the right way if he's going to do it. It's not hard to extrapolate that, much like later versions of the origin story, Dick was going to get himself into this one way or another. (Batman (1940) #437)
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And then there's Jason. Whose backstory has also had a lot of (sometimes major) revisions over the years (remember when his adoption was, like, some kind of Joker-originated long con? Fucken Nu52, man). But the original post-crisis version is pretty straightforward. Steals Batman's tires, gets caught and sent to Ma Gunn's Secret Criminal School, intervenes when Batman goes to investigate, immediately gets offered the chance to be Robin based entirely on that.
Which is itself kind of unhinged. That Bruce saw this kid who was living on his own stealing tires and went "Hey you would make a good Robin" as his very first instinct.
But if you've never read Jason's post-crisis origin, or it's been a while, it's honestly even more unhinged than that because that arc starts with Dick getting "fired" as Robin specifically for the reason that he got shot by Joker and Bruce freaked out about how the Robin identity has too many enemies and therefore Dick, a legal adult with approximately a decade of training and experience, should not use the identity anymore.
(And it's specifically about the Robin identity, in this version, because when Dick says he's not going to stop the crime fighting thing Bruce's response is basically "I know and I didn't expect you to". Honestly I could also say a lot about this version of the Robin/Nightwing transition vs. later ones and how this one definitely feels like the Heavy Hand of DC Editorial in the fact that they had no contact for so long afterwards, because the interaction really doesn't feel like it warrants that in this case compared to some later versions, but that's a whole other too-long ramble.) (Batman (1940) #408)
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And then a few weeks later Bruce turns around and picks up a random kid, a literal child, and goes "Hey you would make a good Robin!"
And I think a lot about how fucking wild that is. And it's not like the people writing just didn't notice. Dick's big argument with Bruce when he finally comes back to Gotham and meets Jason isn't about the fact that Bruce took in another kid, or even necessarily about Dick feeling proprietary over the Robin identity, the thing he's angry about is that Bruce said it was too dangerous for him, an adult, someone who has trained with Batman for a decade and was already highly physically trained before that for his whole life, to be Robin, and now Bruce has turned around and painted that target onto some random new kid. He pushes, repeatedly, trying to get Bruce to justify himself and this absolutely irresponsible decision, and Bruce gives a lot of answers about how Jason was on a bad path and needed this outlet and eventually just admits that he missed having a partner. (Batman (1940) #416)
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And like. Dick's right, is the thing. He is 1000% in the right in this argument. If he can't be Robin anymore because of the danger, how in the hell is it anything like a good idea to hand it over to someone way younger, way less trained, way less experienced, and expect that that wouldn't end in tragedy?
And then it did.
And yeah, Bruce, it is kinda a lot of your fault.
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magpod-confessions · 2 days
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(ignore this ask if i’ve sent this already, i had a brief panic about whether i hallucinated sending this and thought i’d just ask again to be safe lol)
“the web is underrated” “the buried is underrated” “the dark is the most underrated” 
yes. you are right, i agree. but they are all underrated. none of the fears get the attention they deserve.
the dark and the end are almost completely forgotten about due to their perceived simplicity. the buried, the flesh, the hunt, etc are so unexplored, no one bothers to look any deeper into them. the desolation is not just fire, but no one ever tries to represent it some other way. don’t get me started on the whole spiral-distortion thing (perhaps i will make this a future confession bc oh boy do i have a lot to say). with all of them people seem to be scared of diverging from the explicit canon representations.
no one seems to care about the fears anymore. THE fears. you know, the one thing that makes tma so special? i’ve lost count of the number of times i’ve seen someone say “after listening to tma i can never look at things the same. i always categorise them by the entities” yet people don’t really seem to care all that much
that’s all they are treated as, categories. perhaps this is an odd way to describe horrific manifestations of our deepest fears, but i think they are beautiful concepts. i could spend hours thinking about each one and the ways they bleed into one another, i probably have. 
yeah, at this point smirke’s 14 are old news, but there are always new angles to explore. we saw that in season 5 of tma, and we are seeing it now in tmagp (though the fears are of course different). why did we stop talking about that? (i wasn’t actually on tumblr when tma was happening so idk. maybe no one ever cared) 
talk about the fears, put your ideas for unconventional statements or avatar or whatever out there, there’s an audience (me at least). say stuff about how different fears crossover, or some new aspect of one. “but surely people would have already said this at some point” respectfully, i don’t give a shit. if i come across mutliple posts analysing a similar aspect of the vast, i’m going to be fucking overjoyed. because much of the fears is up to intepretation, they have slightly different meanings to different people, so every single person’s interpretation adds value and adds something unique.
we should keep discussing the fears. i don’t know why we ever stopped.
(sorry this is so long and rambling, i hope you can see the points i’m trying to make.)
🗣️ i’d love to hear your thoughts on this
Ask is posted here dw you didnt hallucinate it
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turtleblogatlast · 21 days
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[ cw: death mention / family death mention / ]
Mhmm I sure love thinking of the reality where we did get more time to really know Karai and her dynamics with the bros. Losing her hit hard in the finale, but it would’ve hit much, much harder had we known Karai longer and really saw her relationships develop with everyone.
I especially would have been interested in her dynamic with Leo, as past iterations often have the two of them clash in ideals and the like while still sharing many characteristics. Two sides of the same coin, and all that. Her specifically being the bros’ Gram-Gram also adds a whole new dynamic as well.
Imagine how interesting it would be, to have Karai start off on Leo’s side for once, showing wholly just how alike the two are at their cores and bonding as family without the worry of betrayal or animosity that other iterations suffer through, only to have Karai die anyway. Their parting hug and the desperate look of horror Leo wears later on would have hit that much harder, I feel.
#rottmnt#rise of the teenage mutant ninja turtles#rise of the tmnt#rise karai#rise leo#rottmnt karai#rottmnt leo#I think a lot about these two in particular#and how that dynamic could have flourished#the way it was depicted in the finale is so purposefully unique and painful like#that hug man#can you imagine how much more heartbreaking that would have been if we knew her longer#not that it wasn’t already sad but we just simply didn’t know her long enough to be completely attached#also imo having more episodes with her and in general would have presented something I’ve been thinking about since the finale#so like - I like to think each bro kinda immediately leans more toward certain family members#Mikey has Draxum#Donnie has April#Raph has Splinter because this is another one that would be SO GOOD and make the finale moment where Raph sees his memories hit harder#if they had an ep or two more of Splinter and Raph together bc I really do feel like Raph respects Splinter most of the four#and finally- Leo has Karai#and then he loses her#imo? this would align with the movie even more#because it was the act of heroism that kinda killed her in a way - makes sense that Leo would initially be leaning away from that#and yet he ends up exactly like her anyway#haha sorry for rambling I just really love the interesting dynamic these two tend to have#and it’s a shame we didn’t get to see it really explored in rise#but yeah make no mistake while I’m focusing on Leo here I wanted more for all the boys and karai#Mikey’s little moments with her were so sweet and we already know how much he yearns for more family#Karai being from an age long gone would mean she’d be super impressed by literally any invention Donnie has (adult validation!!)#and could you imagine her training with Raph - with this training being referenced in the finale?
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