I appreciate the way that I can have my emotional needs met in anime. In a way that I will never have in real life. I have watched Vinland Saga 3 times and will more in the future. Every time I see Helga and Thorfinn’s interaction in S2 Ep 24 where she smiles with tears in her eyes and touches Thorfinn’s face, looks at him with love and joy that he’s with her again. And Helga cries and he cries because it’s the first time in 15 years since he felt a soft touch, felt his mom’s hand and it makes me bawl because I will never have that. I have been separated by my mom for over 15 years too, due to death and I will never get to see my mom as an old grandma smile and her wrinkles crease, with all her grandkids gathered around her. I won’t get to hold her worn, hardworking hands and tell her I’m sorry in this life. But thanks to anime, thanks to Vinland Saga, I can experience a little bit of that through Thorfinn and Helga and that means more to me than I can express.
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This is maybe a bit of a petty complaint since I don't think that anime adaptations HAVE to adapt the source manga without cutting things out, but I do think the Dungeon Meshi anime is worse for the fact that this particular conversation isn't there:
This chapter is the final chapter before the one where the red dragon appears. In addition to adding to the mounting dread about what Falin's fate is, it also gives context as for WHY Falin's body being found completely digested (excluding the bones) is so bad. I saw someone (and my brother said something similar while we were watching episode 11) be confused on why Falin's skull is so shocking, since the rules of revivals haven't been laid out as well as in the manga
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There's this idea I've seen around occasionally, and it always baffles me, that participating in fandom for adult animation is somehow cringe or lesser than participating in fandom for anime/manga, video games, live action shows, or even cartoons made for kids. I don't understand it at all.
And when I say "participating in fandom" I mean people who draw Family Guy fanart, people who write South Park fanfic, people who ship Beavis and Butthead, and yes, even people who draw Marge Simpson as an e-girl or whatever.
I don't understand why there's this need by people to point out "man, it's CRAZY and WACKY and WEIRD that you're investing time into this media I don't consume!" Like thanks? Go back to talking about your silly thing and leave people alone.
Everyone has a right to engage in/find MEANING in media, whether you think it's the "wrong kind" or not. A show with dick jokes and crude, edgy humor can still have a lasting impact on the people who make it a part of their weekly routine to sit down and watch the new episodes, or even just revisit old ones when they're down.
I'm just saying that if you can sit down and form an emotional attachment to Lucky Star, an animated comedy full of references to its countries media and culture, I don't see why someone can't form an emotional attachment to something like Aqua Teen Hunger Force, an animated comedy full of references to its countries media and culture.
Sometimes people appreciate a piece of Media Produce beyond watching funny moments compilations on YouTube, and that's normal and fine and healthy. Draw Frylock and Master Shake kissing, it's okay. Write about Kenny and Butters as middle aged men in love. Draw Beavis and Butthead yaoi. Write Clone High yuri. Be free.
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At some point Kazuki is going to vent to a mom from daycare about how hard parenting is and how he wished Rei helped more around the house and the woman is going to nod understandingly and ask Kazuki how long he and Rei have been married and Kazuki is going to give her a puzzled look and say "married? we're not even dating??", and that woman is going to laugh because haha turns out that Kazuki the failed stand-up comedian does have some good jokes after all.
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A thing on Uran and Helena in Pluto
Okay a short little thing on Pluto. Uran and Helena are my absolute favourite characters in Pluto. Urasawa has always had amazing side characters, from Mr. Rosso in Monster to Lee Harvey Oswald and Jackie in Billy Bat to God in 20th Century Boys, but very few have tied off the emotional ends of the story like Uran and Helena.
Maybe I'm projecting here but much like myself I feel like Urasawa is absolutely obsessed with Frankenstein. And he recognizes the influence Frankenstein has on Dr. Umataro Tenma. Or at the very least, the similarities between the two. And so when he made the protagonist of one of his most popular works Monster, Dr Kenzo Tenma, he solidified that connection. Kenzo Tenma calls back to Victor Frankenstein needing to end his creation while also calling back to Japan's other famous Tenma, thus making the connection explicit. Another throughline between the three of them is that all three are father figures to their creations and have obligations to their children, though all three have varying levels of success with them.
I've only read what I like to call Urasawa's "Core Four", conspiracy minded thrillers that are essentially road trips featuring usually two main protagonists that we see the world through, Monster, 20th Century Boys, Pluto and Billy Bat. Though I still haven't caught up to Asadora and that could still possibly fit this mold, Urasawa's Core Four share a lot of themes and ideas. One of the most important being the responsibility for one's creations, whether it was Kenji Endo and the Book of Prophecy or Kevin Yamagata and Billy Bat or Dr. Kenzo Tenma and Johan, all of his protagonists could arguably be seen as someone with the need to take up the responsibility of their creations. So where do the protagonists of Pluto fit in there? That's where Uran and Helena come in.
But first, we should take a look at Pluto's themes. While I could be wrong, at a cursory glance, I feel like the general consensus towards it's themes is that it's about hatred. I don't really think that's what it is as I feel like Urasawa is more trying to show us what it is to be human and what it is to be alive. And in that, he has a hidden protagonist in Pluto. Someone who's influence snakes through the plot and isn't seen much, but without who the story's themes would remain incomplete. Pluto tackles what it is to be alive through many things, such as memory, sadness, grief, hatred, love and parenthood. But none of that works without the realization by Tenma of his own mistakes. And Uran and Helena bookend these revelations and are absolutley key to understanding that.
In my favourite chapter of the series, Chapter 37, Uran goes from person to person as she finds a way to deal with her grief and eventually comes across Tobio's grave, Tenma having left recently. It's an absolutely beautiful chapter that shows Uran's humanity and Urasawa's love for sharing these kind and soft moments. But it also sheds a light on Tenma as Uran realizes someone who was grieving has just left. Without saying much at all we realize that Tenma has finally realized his mistakes. In the process of grieving one son, he lost the other. While remembering Tobio, he let Atom go. His grief towards Tobio is clear in the following chapter, Chapter 38. All of the things he wanted Atom to be; Tobio come back to life, Tobio's ghost punishing him, Atom rejected. And Tenma could only see that rejection, and not what he had, another son.
Uran shows us very clearly what Pluto, the story, is. It's a chapter in their lives. And we've come into a story nearing the end for Tenma. And it's through the humanity of two absolutely amazing characters in their own right, Uran and Helena, that we are able to so fully understand Tenma. Despite being robots, these two characters are the most alive of everyone. They love fully and freely and are catalysts of change. Uran's vibrant and full of life in a way that really sticks out. And Helena has such depth that it's evident in every scene she's in. She's not pointed out to be made by any famous scientist so all the life she has is her own. These two represent the life of robot's more than any other characters in the series.
So it's that much more poignant when Helena finally breaks down after putting on such a strong front of everybody. Grief intersects and she brings out Tenma's sadness as well. They've both been putting up such strong fronts that it's heartbreaking to see them collapse. It completes Tenma's growth and strikes a heartbreaking contrast between the two. Tenma became the way he is through the loss of his son whereas Helena doesn't even get to remember her own loss. It makes you wonder if the grief for her and Geischt's child compounds her sorrow too.
Without these two and their grief, a large part of Pluto becomes inaccessible. Pluto is largely about death so when two characters come in who've never had a hand in the grim work of taking life, you see the world through a lens that's absolutely crucial in order to fully connect with all of the character's and their situations. Death and Grief has scarred the characters in Pluto. Time and time again they've chosen the worst path. They've chosen revenge and hatred. But Uran and Helena are different. Without them, the story is incomplete. They provide an alternative. They provide the path towards healing.
im sorry for this one:
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Theory: The Clone X was not Cody like some people think or even Fives (I know he's been dead for a very long time but so was Boba Fett and look where we are. Plus, Echo was supposed to be certainly dead too; making him Winter Soldier-esque storyline wouldn't be that surprising) or not even Slick.
((Also, now that we've seen his face devoid of any tattoos or scars I think first two takes are definitely not applicable anymore; they wouldn't put that much effort to make him unrecognizable))
Back to the point: In my opinion, The Clone X was none other than...
Fox.
Now let me explain.
Who else, other than X, was loyal to the law and justice dictated by it over any moral or ethic code?
Fox.
Who else was portrayed with such single-minded focus on hunting down traitors of the government he served, regardless of what it was?
Fox.
Who else could know not only Coruscant so well but also identify Rex like they knew each other?
He already was a remarkably successful tracker of traitors, why not make him more efficient by pointing them out for him?
Good soldiers follow orders, after all.
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i'm sure it's been said but i do love how trimax handles wolfwoods death. i've seen so many stories that have characters die and they just go away after. i'm really used to stories where the other characters aren't allowed to grieve, the story keeps going and it feels like the other characters aren't really affected or get over it really easily. but in trimax wolfwoods death is so important. we see other characters grieving him. vash protecting the orphanage, expanding his power when he really shouldn't, because it was wolfwood's home, even though wolfwood is already gone. he gets an actual burial. vash and livio eating their way through the grief, which is more comedic but still shows us how important he was to the two of them, sets up how in many ways they're fighting in his memory.
even after he's gone he's still present in the story in such a strong way. we can see how he's affected the other characters, even when they don't explicitly mention him it's obvious that they're thinking about him. what he did when he was alive, and his death itself, are so important to the story even after he's not there. not just in a really abstract "this is someone we lost" way (though there are a lot of times his death and sacrifice motivate vash and livio to fight harder!) he's present in the finale in a material way to livio, who uses his serums to help fight against elendira, which ofc also ties into the way wolfwoods choice to ally with vash and fight against knives gave livio strength to do the same. wolfwood showed him that there are things worth fighting for, things worth protecting. that your body is a weapon, but you can choose what to do with it, use it for something meaningful.
and the way vash kills legato in order to save livio? vash outright says that he did it to protect what wolfwood fought for, sacrificed his life for. it's tied to the ongoing arc between vash and wolfwood, their conflict over the necessity of killing others. wolfwood pushed vash into having an understanding of his views when he was alive, demonstrating the necessity of that violence. simultaneously, vash inspired wolfwood to follow his path, a kinder one. vash remembers what wolfwood said to him, and his death gives those words added poignancy. wolfwood well and truly sacrificed everything to protect what he loved and fight for what he believed in. how can vash let that go to waste? he sacrifices something just as meaningful to himself, and he pulls the trigger. it brings him closer to wolfwood in a way he never was before. he understands now, fundamentally, what motivates people, motivated wolfwood, to act as he did when he took lives. there are so many other ways wolfwood is present in the story after his death i can't talk about all of them but it makes me so crazy
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