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#tmagp 02
thirdchildart · 3 months
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THE MAGNUS PROTOCOL IS LIVE! So many new characters to which I will grow unreasonably attached before tragedy strikes!
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cult-of-the-eye · 3 months
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tmagp is so trans oh my god we have statements about body dysmorphia and feeling peace in changing bodies and general body horror not to mention Alice fucking Dyer
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morning-softness · 3 months
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Frankenstein? Assuming you mean the scientist, not the monster, that’d be another “resurrection,” possible subsections... “obsession,” “medical”, “pursuit” and... hmmm. “Blasphemy”, maybe, so that would make it... four two three seven.
[Image Description: A digital drawing of Gwendolyn Bouchard from The Magnus Protocol. Only her head and upper torso is shown. Gwen is leaning on a desk, with her chin propped in her hand, and looking off to the side with a thoughtful expression on her face. She is portrayed as a fat woman with pale skin, blue eyes, and strawberry blonde hair in a bun. Gwen is wearing a light blue dress and has blue nail polish on her fingernails. End Description.]
Pose reference from @adorkastock
This latest reference pack was exactly what I needed!
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tmagpposting · 3 months
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Alice’s Attitude
and why I don’t think it’s going to save her.
I haven’t seen a lot of people talking about the implication of Alice's attitude towards the incidents and horror elements so far, so I’m going to. Someone else may have already made a post about this, but I haven’t found anything yet, and I couldn’t find a way to get this out of my mind without writing it down. Naturally, I’m also going to inflict this long-winded and potentially needless analysis on all of you, since I spent 2 hours typing it out (sorry in advance). TW for blatant overuse of parentheticals and politics towards the end. This draws on content from TMAGP episodes 1-3 and TMA overall, particularly the series finale.
I feel like a lot of us going into TMAGP and having listened to TMA already were probably pleasantly surprised by Alice’s attitude of “The Horrors? Just say no!” since a lot of TMA revolved around the idea that curiosity and investigation of the fears usually doomed people to be consumed by one of them, as we saw with a lot of the Archive staff, particularly Jon. I certainly was. Though her ideas about how to deal with the incident reports are definitely somewhat callous, in the context of TMA, they feel very pragmatic, and I found myself thinking, “finally, a character who knows what genre she’s in and refuses to surrender to it.” I’ve been seeing a couple people agree with this, and say that her approach might even help her stay afloat when things start to escalate as the conflicts of TMAGP develop in the coming episodes. I thought that too, at least for a while. 
After thinking about it for several days, I don’t think this is the case. Given TMA’s themes and propensity for tragedy, and Jonny’s approach to tackling social issues, I don’t think Alice’s apathy is going to save her. In fact, I think it’s potentially going to be the character flaw that will doom her in the first place.
1. Alice already cares (not about the horrors, but about people)
To start with, I’d like to point out that Alice will only be able to maintain her apathy to a limited extent, and when people she cares about start being harmed, she is going to get involved. In fact, we can already see this happening. Ep 3 notably starts and ends with Alice making a plan to get Central IT involved in looking into their computers, when she tries to mention them to Colin in the first scene, and when she asks Sam to call them on her behalf in the final scene. I’d argue that the issue comes up because she’s concerned about Colin more than fixing the OIAR’s computers. She tells Sam it’s because Colin may not be able to handle FR3-D1 as well as he thinks he can since he’s been working on it forever with very little positive progress, but given the additional context of the starting scene, I think it’s reasonable to assume she also wants to meddle for Colin’s sake. In the first scene of ep 3, she seemingly talks more softly/slowly than usual (to me, it sounds like she’s trying to be soothing when compared to how she normally talks, even outside of the times she’s actually soothing FR3-D1), she doesn’t make too many digs at Colin as he sounds increasingly stressed, and she asks gently and subtly about calling Central IT for help when she is generally pretty direct when she seriously wants something (like all the times she repeatedly shuts down Sam’s questions because she wants him to stay out of danger). It sounds like she’s trying to slip it in as a half-joke, but Colin treats it as a genuine suggestion when he usually either brushes off her jokes or plays into them instead, so I think it was her actual intent to involve Central IT even at that point. Furthermore, Gwen tells Sam something along the lines of “Alice is the only one [Colin] tolerates” in a previous episode, they have good banter throughout so far, and Colin’s explosive reaction to Sam mentioning the app completely deflates when he learns it was Alice’s idea. All of this seemingly demonstrates a bond that goes pretty far beyond what I’d think of as a basic work relationship with no actual friendship involved. Colin is already pretty deep into investigating FR3-D1 to the point that it’s probably going to be detrimental for him based on him threatening/ranting at the computers in the first episode, and Alice is already trying to intervene on his behalf. Simply put, she is doing a pretty bad job of pretending not to care and staying out of it so far, and we’re only 3 episodes in.
With that in mind, I don’t even think Colin will be the primary reason she’ll get involved as the series goes on, and I actually think Sam is being set up to be the one to draw her into much of the conflict. She cares enough about Sam to find him a job when he’s having a rough time, based on their conversation in the bar, and she tells him not to care about the incidents precisely because she cares about him, and doesn’t want him to get sucked in and hurt by them. With Sam’s propensity for curiosity established and likely being set up to be one of his fatal flaws, Alice will probably get drawn into the conflict whether she likes it or not if/when Sam goes digging and actually stumbles on something dangerous later on. As a side note, I really do think Sam’s curiosity is being set up to be something big here, since he repeatedly wants to look into the Magnus Institute and says it’s a “blast from the past,” he wonders about how the code system works and how it could be improved, and he’s generally shown to ask a lot of questions about the OIAR, Gwen’s backstory, etc. He asks about things more often than I think he would if his questions were purely an expositional device for the audience and not actual characterization (I could make a post just about this, but I think other people have definitely already done that). Finally, our very first introduction to Alice as a character in TMAGP shows her trying and failing to be glib and uncaring about Teddy leaving, where she jokes with him casually before admitting, sincerely and somewhat hesitantly, “I’m gonna miss you.” If her failing to not care about something in the opening scene of the entire series isn’t going to turn out to be important, if not Jonny Sims style foreshadowing of some kind, I’ll eat my hat.
2. Apathy kind of sucks, actually (thematically and otherwise)
Alice being saved by her refusal to care, assuming she manages to maintain it, feels too much like an easy out for the kinds of stories TMA was trying to tell, and clashes with its sensibilities in my opinion. A lot of people fall into the trap of nihilistic apathy when thinking about the state of the world right now, and TMA even acknowledged this in the series with the Extinction beginning to emerge as a new entity/fear. Between worsening climate change, the gradual rise of bigotry and the increasing trend toward fascism in the western world (especially america, it sucks here), escalating international conflict, poverty and the worsening cost/standard of living, like the fact that a majority of people my age will probably never own a house and our college debt is going to eat us alive, etc., it feels like we’re all circling the drain and no one with the power to help is interested in doing anything other than making it worse to make themselves money. A lot of people think the only way to cope with that is to decide to not give a shit, which is a pretty natural response to being constantly confronted with worse and worse news every year that shows no sign of stopping. This has also naturally inspired a lot of doomerism and a rise in insincerity/irony poisoning and cynicism in popular culture that’s really hard to escape even if you avoid the news entirely.
However, the idea that not giving a shit about the problems in the world can somehow spare you from them is a) ludicrous, since they won’t go away if you decide to ignore them (a majority of the TMA statement givers didn’t previously know or care about the fears, and they got screwed over regardless), and b) definitely not supported by TMA’s cannon or themes. Surrendering to the idea of your own helplessness is precisely what TMA ends by specifically not doing. Jon sunk into a hopeless state of mind throughout S5, with the culmination of this process being his proposal to let the world end and allow the End to consume everything, including the rest of the fears. It wasn’t necessarily that Jon didn’t care or was apathetic, especially since one of his primary motivation was to avoid inflicting the fears on another universe, rather, he didn’t think anything could be done to stop the fears from destroying his world or whatever world they ended up in, which is the same deterministic mindset that Alice’s style of apathy stems from (“I can’t change or fix it, so I don’t care”). The other characters refusing this course of action and banishing the fears is what ultimately spares TMA’s universe from the sort of extinction it would’ve had if they’d accepted that it was hopeless and Jon had gone through with what he wanted. TMA ends with the central takeaway that you can’t give in to the idea you won’t be able to fix things because then you won’t try, and shows the characters subverting their helplessness and actually solving the problem of the fears by getting rid of it at the source (the ethics of sending the fears somewhere else are definitely debatable, but that’s a totally different post). The idea that Alice could be saved from the consequences of the problems in TMAGP’s world by choosing not to care flies in the face of the conclusion to the previous series. Alice’s refusal to care won’t save her from whatever TMAGP has in store, and judging by the events of TMA, fatalism and apathy might even seal her fate. 
Some of these points of evidence might be a little bit basic “water is wet” types of statements and I probably could’ve explained this in half the time, but I really do think that Alice’s apathy isn’t going to turn out to be very useful to her and I wanted to include everything I could think of that led me to believe that.
TLDR, Alice is just as screwed as the rest of the cast, if not more so, and her attitude is not going to get her out of it.
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syntia13treeman · 3 months
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Case files 02.01
what I think happened in:
Case 02.01, the case of "Portrait of Daria Gray" or "The artist becomes the canvas."
Daria's story is pretty straightforward. What we know about Daria: she's a struggling left-handed artist who used to wear a lot of hand-me-down clothes from her sister, and she doesn't like the way she looks. At some point she decides to get a bit of a makeover and, among more mundane things, she starts shopping for a new tattoo. She finds a deal too good to be true (it is) offered by one 'Ink5oul'.
Ink5oul is sketchy as hell, and definitely has something supernatural going on. The tattoo they gives Daria (with no input from her, WTF! - paintbrush, floral patterns and glittering symbols) hurts much more than it should, but also heals almost instantly.
Looking at the tattoo (which is 'perfect') fills Daria with sudden desire to paint an autoportrait (which comes out 'perfect'). And once that is done, looking at it again makes her realize she can adjust herself (and make herself perfect).
So she takes her painting tools, most notably a pallet knife, right to her own face (and soon pretty much every other body part) and gives herself an impromptu plastic surgery. Which goes on uninterrupted for several days (???!?!!?!) until her room-mate Sarah comes home. Poor Sarah walks in on Daria while she has a knife stuck in her jaw, understandably freaks out and punches Daria, at which point half of Daria's face collapses under her hand like putty.
Having no idea that her room-mate has been touched by the spooky, Sarah comes up with the only rational explanation she can think of, which is that Daria poured some acid on her own face (which is very comic-book logic, but maybe Sarah paid more attention to Batman than chemistry and biology class as a teen).
So now Daria has severely disfigured face, and also is officially considered suicidal and a danger to herself and must go to therapy. (Honestly, she needs therapy).
There are two things, aside from the obvious, that grabbed my attention here:
The voice. Narration in the first case was that of a pretty normal email - a little bit rambly, a little bit disjointed, referencing things that the recipient would know about that we can only infer. The second case had a perfectly average forum thread. This case... also starts out with pretty realistic voice - right until the moment Daria stats talking about the tattoo. Then suddenly this story gets ridiculously verbose. The way she describes the studio, the tattooing process, the tattoo itself, the painting process and finally the 'adjustments' - the details, the wording - there's no way a regular person talks that way. Not in real time, not about a traumatic event that they very much don't want to talk about at all. So where is this coming from? I think it's the ink. Until proven otherwise, I'm going to assume that Ink5soul's tattoo somehow infused Daria with power to 'express herself' perfectly in whatever medium she's using - be it words, paint, or her own flesh.
Invasion of privacy issues all over the place. First Daria's tattooing session is streamed for who knows how many Ink5oul's fans without her say-so, and then her be-damned therapy session gets intercepted by some weird basement government branch. Daria glosses over the former and doesn't know about the latter, but they are there. And there was that private email in case of 'Not-Arthur' too. I wonder how present this theme will be in rest of the show. One thing I can bet on: if one of the cases doesn't deal with a conspiracy theorist yelling about government spying on them, I'm gonna eat my hat. (And the poor paranoid guy will be 100% right, just not in the way they think).
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welcometotheanonsclub · 3 months
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"if i wanted to clear the canvas, i would have used turpentine." the gasp i gusped. these lines! keep killing it! (no pun intended)
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perse-persecution · 3 months
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the magnus protocol sure is a podcast , , ,
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yellow-yellow-jacket · 3 months
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it’s INSANE how we’ve gotten an ‘iconic line’ in every tmagp case so far. we got “some of him,” we got “canaries should stay above ground,” we got “if i wanted to clear the canvas, i would’ve used turpentine,” we got “i think i shall stay here for a good long while”
the writing in this show is crazy so far
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dyslexicpolishdude · 2 months
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MAGNUS PROTOCOL BABES new characters, new fanart designs, so I really want to add my part in creating this beautiful headcanons and even if nothing I made will stick I still want to join the fan
INK5OUL
Do we think we will ever see them again? Are they a Flesh avatar ? I don t know but they give witchy/influencer/ theater kid vibe
If you have some ink5soul fanart I would I’ve to see it
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im-gonna-squeet · 3 months
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real bodybuikder vibes. nice
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thirdchildart · 3 months
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First pass! Was going to add Alice's whole entrance, but it ballooned into waaaaay too many drawings to finish XD.
(Honestly I don't think I could stand being co-workers with either one of them)
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lia-the-normal-human · 3 months
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Database Additions for MAGP 02: Making Adjustments
Released 18 Jan 2024 Episode written by Alexander J Newall Edited by Jonathan Sims
Episode summary from The Magnus Database
SPOILERS BELOW CUT
CASE
CAT3RBC1567-23092022-18012024 Transformation (full) -/- dysmorphic [video call] Video call recorded between subject Daria and her Therapist
Parties mentioned: Daria Ink5oul Khan (Doctor) Therapist
Locations mentioned: Ink5oul's Studio Sarah
Misc objects mentioned: Unidentified symbols
Other Parties Introduced
Bullets for Saint Sebastian Dredgerman Luke Trotter
Other Locations Introduced
None
Other Misc Objects Introduced
None
Connections/Item Relationships Found (New)
Alice's family Luke's bands
Voiced Characters
Alice Dyer Gwendolyn Bouchard Samama Khalid Daria Therapist
Database
The Magnus Database has been updated for this episode.
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ecoamerica · 25 days
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youtube
Watch the American Climate Leadership Awards 2024 now: https://youtu.be/bWiW4Rp8vF0?feature=shared
The American Climate Leadership Awards 2024 broadcast recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by active climate leaders. Watch to find out which finalist received the $50,000 grand prize! Hosted by Vanessa Hauc and featuring Bill McKibben and Katharine Hayhoe!
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vertigala · 3 months
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*Grabs you by the throat* Listen to me you TMAGP-loving freaks. Listen to me right now. RedCanary might be the host for this universe's Jonah Magnus.
This is under the assumption that TMAGP takes place in a parallel universe that may or may not have already had the fears in it prior to Jon releasing them at the end of TMA.
RedCanary goes to explore the Magnus Institute ruins. They become paranoid because the Eye is watching them. They pick up a wooden box with strange symbols carved into it. They go to put it back. Next we hear from them, they post an image of gouged out eyes with the caption "Canaries should stay above ground."
They found the tunnels, hence that caption. Then they found Jonah Magnus's body sitting down there, waiting for a new host.
In this universe, the Magnus Institute burned down in 1999. Maybe in this universe Gertrude went through with her original plan of burning the place to the ground after finding out Elias was actually Jonah in 1997. Either way, let's say Jonah's original body is down there, maybe with Elias's body and his eyes and all that, and with his plans foiled, he's just chilling down there waiting for an opportunity which RedCanary then gives him. This is my going theory due to the specificity of the caption "canaries should stay above ground" (referring to the tunnels, and also it being in third-person) and the fact that RedCanary themselves would be pretty unlikely to be able to post that picture of THEIR OWN EYES GOUGED OUT unless it was Magnus assuming their body and identity and being a freak about it.
But there's more.
Narratively speaking, it makes sense for the third voice in the computer to be Jonah Magnus, right? If Jon and Martin ended up in this universe as voices in a computer, the only other person sharing their fate would have to be Magnus, given how TMA ended. Recall, also, the boot-up sequence in the trailer of TMAGP.
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[id: a screenshot of the text from the TMAGP teaser, which says “initializing J.01… OK/initializing M.01… OK/initializing J.02… OK”. end id.]
Jonathan, Martin, and Jonah, right? Unless Augustus is gonna be a new J name or this is just an unrelated easter egg but like. It's Jonah right?? Right??? And he's watching the O.I.R.A through the systems like a good little voyeur, and Colin knows it!
So now we possibly have TWO Jonah Magnuses in this universe!! That's absurd!! One from the TMAGP universe now loose and running around in RedCanary's body, and one from the TMA universe trapped in a computer. But if this is true...doesn't that mean there would be two Jons and Martins too?
And listen...I'm thinking about what Jonny and Alex said during that liveshow panel about this story's themes regarding "what makes a human." If we dare to hope that Jon and Martin (and Jonah, if it's his voice in the computer) are going to gain consciousness and once again become proper characters...then, are they going to simply stay in the computer? Or are they going to "manifest" physically? Are they going to UPLOAD themselves into THEIR OWN TMAGP UNIVERSE BODIES?
@doomatix and I have been going crazy over these theories and they were the one that initially considered RedCanary's new identity as Jonah Magnus. Are our facts wrong? Does any of this even make sense? We haven't seen anyone else posting about this particular theory. Someone help us we are rotting. And don't even get me started on how GWEN would fit into this--
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macabresymphonies · 2 months
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Look, I'm not really on the "Smirk's 14 is back bby" train just yet, but I did notice that Alice of all people has been making some strange jokes all throughout the show so far.
Yes, Alice is like a Family Guy episode, she shoots jokes at mach speed to see if anything lands, but with stuff she's been saying there's seem to be a strange overarching theme of her referencing Entities (or avatars if you prefer). We're not the only one noticing this, Sam very much did too:
TMAGP 06 Sam: Okay firstly, this place is making you really morbid. (...)
I know that she references creepy stuff all around and with Smrik's 14 basically covering each fear on earth we might lean into confirmation bias, but it might be significant in the future so it's better to consider it now than later. With that, let me compile all of Alice's morbid "jokes" so far and how they seem to relate to Fears from TMA:
The Dark
TMAGP 01 Alice: Boooo! Your pathetic addiction to vitamin D will only make you weak.
The Flesh/The Spiral
TMAGP 01 Alice: Listen to me: bones are a lie peddled by Big Milk to keep you buying. No such thing.
The Stranger
TMAGP 01 Alice: Don’t boo me! I created you, and I can destroy you!
The Spiral (specifically mention of molding a person like clay, like in The Great Twisting)
TMAGP 01 Alice: You'll see. Anyway, hurry it up, time to mold you like clay into the perfect government drone for the Office of Incident Assessment and Response.
The Spiral
TMAGP 02 Alice (sardonic): Time isn’t real.
The Spiral (specifically MAG 74: Fatigue)
TMAGP 06 Alice: Have you considered simply bypassing your mouth altogether and injecting the beans directly into your bloodstream? Sam: Great idea. Why didn’t I think of that? Alice: Not enough coffee beans in your blood.
The Dark (very blatantly)
TMAGP 06 Alice: Oh Sam. The sun is the enemy. It rules the world of light but we who dwell in darkness feel only its wrath. Get the curtains.
The Flesh
TMAGP 06 Alice: Then we draw lots and one of you gets eaten at the Christmas party.
The Flesh (again)
TMAGP 06 Alice: “Would you like tea Celia? Coffee perchance? My heart carved from my chest and arranged on a little doily? Please, Celia, cut out my tongue so I can always be there to lick your stamps for you!”
These seem... strangely consistent, whenever she goes her gallows humour bit it's either reference to hating on the sun (light), humorous "I'm baltantly gaslighting you" stuff or reference to eating/getting eaten/cannibalism. Take that as you will, these could be "easter eggs", but they might as well be clues.
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syntia13treeman · 3 months
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So, the Magnus Institute ruins are, apparently, "a blast from the past" for our main protagonist. I wonder if that is where Sam had his supernatural experience hinted at in the trailer, and how young was he back then.
For sentimental reason I want to guess he was 8 at the time. I sure know that kids in my day could and would get into some very questionable places to get in trouble in. But Sam sounds like he's at least a decade younger than me, probably more, and it's more likely that he stumbled upon the forbidden place in his late teens. Definitely before uni, because by then he was friends with Alice and that girl would absolutely immediatly know if Sam had a spooky adventure on her watch.
I'm gonna wait eagerly to learn exactly what happened to our noodle-armed boy.
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welcometotheanonsclub · 3 months
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Alice TMAGP the woman that you are.
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