How Harry Styles Became A Modern Style Icon
by Phoebe Luckhurst - Evening Standard 15/11/19
A man wrought in the fires of teenage boyband hyper-stardom is not afraid of a little commotion. Still when Harry Styles — the One Direction matinée idol turned languid Gen Z icon — tweeted, at 1.01 pm GMT on Wednesday afternoon, that he would be taking his upcoming album Fine Line on tour, you could, if attuned to the correct demographic frequency, hear the howl echo around the internet: guttural, hungry, ululating. This was a pseudo-religious experience: one viral meme depicted the Pope holding a copy of his album aloft. The announcement has been retweeted almost 70,000 times.
The 25-year old is a tour veteran — he spent five years and five albums strapped to the thundering 1D juggernaut — but this new tour is his first as a bona fide solo brand. The album, his first in two years, is synth-soaked and soulful, the album’s aesthetic fever-dreamy. Granted, he’s not the first person to go to SoCal, try a few magic mushrooms and declare himself radically transformed, but the results are beguiling — and certainly a world away from his years as a Simon Cowell Ken doll. Since his last record, he has co- hosted t he Met Gala and been reborn as an Alessandro Michele muse. This is your Styles crib sheet.
Melody maker
Styles’s new album — written under a tie-dye mist after taking the aforementioned psychedelics, which also resulted in a mishap in which he bit off the tip of his tongue — is “all about having sex and feeling sad”, which, granted, as a topline, does not wildly differentiate the record from the genre of “al l other music ever”. Still, the early signs for Fine Line are encouraging. Its first single, Lights Up—which has been streamed almost 100 million times on Spotify —is synth-y, soulful, understatedly anthemic, very different to, and better than, the lead single on his last solo record, the Seventies, soft-rock Sign of the Times( it still, of course, hit No 1), and very, very different from anything he did with 1D. Many thousands of words have been written about whether there is a bisexual subtext to Lights Up. It has been noted that the song was released on National Coming Out Day, that Styles’s sexuality has been subject to frenzied speculation before, the video features an oiled-up, topless Styles gyrating around men and women, and that the lyrics (“Shine, I’m not ever going back/ Shine, step into the light”) could be interpreted as a meaningful revelation of sorts. Certainly, he has become a queer icon — especially with Gen Z — who are thrilled by his selection of genderqueer singer-songwriter King Princess as his support act for the European part of his tour. Speaking of collaborators, Styles worked on the album with producers Tyler Johnson, who has worked with Taylor Swift, Miley Cyrus and Ed Sheeran, and Jeff Bhasker, who has collaborated wit h Mark Ronson and Kanye West, and his friend, Tom Hull, aka Kid Harpoon, who co-wrote Shake It Out for Florence + The Machine. He has also been granted a fairy godmother: Stevie Nicks, who called him her “little muse” at Fleetwood Mac’s hyped Wembley headline gig i n J une. “S he’s a l ways there for you,” Styles has said in the past. “She knows what you need: advice, a little wisdom, a blouse, a shawl.” Sure.
Got Styles
Any young man raised in the white heat of a boyband spotlight must be granted the space to find his fashion path; Styles has done so with no missteps and exuberant pleasure. Once upon a time, he would semaphore his individuality with a bandana; now, he turns up to a cover interview with Rolling Stone in a white floppy hat, blue denim bell-bottoms and Gucci shades, his nails coloured pink and green. His favourite trousers, until he lost them on the beach, were a pair of mustard corduroy flares; this week, he wore a Lanvin sweater vest with a sheep design that sent a coterie of London menswear stylists into throes of ecstasy. He wears floral suits and Cuban heels, ruffled, New Romantic shirts, Charles Jeffrey jumpsuits and pussy- bow blouses. It is flamboyant, self-consciously Bowie/Jagger, and in Gen Z parlance, “very extra”. His stylist Harry Lambert is partial to an extravagant collar, dramatic neckline and a voluminous trouser.
Besides Lambert, another part of this evolution has been his relationship with Gucci’s creative director Michele, who has turned the Italian heritage brand into the ultimate post-gender luxury fashion label, the first to merge their menswear and womenswear, and dispatch male models down the catwalk in dresses and women in suits. A good look for a Gen Z idol.
With the brand
Notably, the branding on this album and its tour artwork is consistent with this new look Styles. The album cover features Styles i n white custom- made Gucci bell bottoms and a Pepto Bismol-pink shirt, open almost to the waist, shot by mod-goth Tim Walker with a fisheye lens (it is Walker’s hand in that S&M glove you can see in the left-hand corner). In the dreamy video for Lights Up he wears a glittery suit and suspenders, in a sort of hallucinatory version of Saturday Night Fever. Into it.
Stand up
Then there’s his voice — not the music, but the activism. Even as one-fifth of a boyband manufactured by Cowell’s algorithm, he was quick, quippy and itching to go off-message; but now that he controls his own, he is amplifying causes such as Black Lives Matter and End Gun Violence. He wore stickers for both on his guitar on his last tour, which might sound small, except that photographs of Styles gallop around the digital world at hyperspeed. At concerts, he has waved pride, bi and trans flags, and a Black Lives Matter flag. He once borrowed a flag from an audience member at a show in Philadelphia that read, “Make America Gay Again”. At a show on his last tour, he declared: “If you are black, if you are white, if you are gay, if you are straight, if you are transgender — whoever you are, whoever you want to be, I support you.”
A vocal, engaged fandom of teenage girls minted his multimillion-pound fortune; he is loyal and admiring of their zeal. “They’re the most honest — especially if you’re talking about teenage girls, but older as well,” he told Rolling Stone this summer. “They have that bullshit detector. We’re so past that dumb outdated narrative of ‘Oh, these people are girls, so they don’t know what they’re talking about.’ They’re the ones who know what they’re talking about. They’re the people who listen obsessively. They f***ing own this shit. They’re running it.” Obviously, he’s a feminist. “Of course men and women should be equal. I don’t want credit for being a feminist. I think the ideals of feminism are pretty straightforward.” An icon is born.
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Ce dimanche, nous honorons le Saint Sacrement
Pour des raisons sanitaires, la paroisse ne peut pas distribuer les feuilles de messe habituelles. Si nous voulons chanter tous ensemble, voici les textes des cantiques du dimanche 14 juin, fête du Saint-SacrementPour se les remémorer, un lien You Tube est indiqué dans la plupart des cas.
Bon dimanche !
Dimanche 14 juinFête du Saint-Sacrement
Ce dimanche, à l'occasion de cette grande fête du Saint-Sacrement que nous appelions autrefois la Fête-Dieu, vous pouvez apporter des branches de buis qui seront bénites au début de la messe, et nous pourrons acclamer ainsi le Christ dans l'Eucharistie, Corps et Sang du Sauveur.
Entrée : C'est Toi Seigneur le Pain Rompu (D293) C'est toi, Seigneur
R/ C´est toi Seigneur le Pain rompu, Livré pour notre vie. C´est toi, Seigneur, notre unité, Jésus ressuscité.
1 - Jésus, la nuit qu´il fut livré, rompit le pain et dit :Prenez, mangez : voici mon corps, livré pour l´univers.
2 - Jésus, la nuit qu´il fut livré, montra le vin et dit :Prenez, buvez : voici mon sang, versé pour l´univers.
3 - Je donnerai gratuitement à ceux qui m´ont cherché,Et tous les pauvres mangeront, parole du Seigneur.
4 - Je suis le pain qui donne vie : qui croit en moi, vivra ;Et je le ressusciterai, au jour de mon retour.
5 - Je suis venu pour vous sauver et non pour vous juger :C´est notre Père qui m´envoie pour vous donner la vie.
6 - Nous partageons un même pain, dans une même foi, Et nous formons un même corps : l´Eglise de Jésus.
7 - C´est maintenant le temps de Dieu : il faut nous préparer.C´est maintenant le temps de Dieu : il faut changer nos cœurs.
8 - Avant d´aller vers mon autel, regarde ton prochain :Pardonne et réconcilie-toi, puis viens dans ma maison.
9 - Si nous souffrons en Jésus Christ, en lui nous régnerons.Si nous mourons en Jésus Christ, en lui nous revivrons.
10 - L'esprit de Dieu m'a envoyé pour annoncer la joie, Pour libérer les prisonniers, pour apporter la paix.
11 - Voici venir les temps nouveaux, la terre des vivants :Vous deviendrez mes biens-aimés ; Je suis « Dieu-avec-vous »
Bénédiction des rameaux et aspersion : Peuple de baptisés (p 100) Peuple de baptisés
R/ Peuple de baptisés, marche vers ta lumière : le Christ est ressuscité ! Alléluia ! Alléluia !
1 - Notre Père nous aime avec tendresse et cet amour est vivant pour les siècles. Que son peuple le dise à l'univers. Il rachète et rassemble tous les hommes.
2 - A tous ceux qui marchaient dans la tristesse,la solitude, la faim, les ténèbres,le Seigneur a donné son réconfort, les guidant sur sa route de lumière.
3 - Proclamons la bonté de notre Père, et les merveilles de Dieu pour les hommes. Plus de faim, plus de soif et plus de peur : car sans cesse il nous comble avec largesse.
4 - Et tous ceux qui lui disent leur détresseen invoquant son secours et sa grâceLe Seigneur les délivre de la peur, les tirant de la mort et des ténèbres.
5 - Et tous ceux qui demeurent dans l'angoisse ou déprimés, accablés par leurs fautes. Le Seigneur les guérit, leur donne vie leur envoie son Pardon et sa Parole.
6 - Rendons gloire et louange à notre Père,à Jésus Christ qui rachète les hommes,à l' Esprit qui demeure dans nos cœursmaintenant, pour toujours et dans les siècles.
Gloria : Daniel Gloria
Psaume : Glorifie le Seigneur Jérusalem, célèbre ton Dieu ô Sion
Séquence : Lauda Sion Salvatorem, lauda ducem et pastorem (Lourdes) – refrain avant et après la lecture Lauda Sion Salvatorem
Lauda, Sion, Salvatorem, lauda ducem et pastorem, in hymnis et canticis.Loue, Sion, ton Sauveur, loue ton chef et ton pasteur par des hymnes et des cantiques.
Quantum potes, tantum aude, quia major omni laude nec laudare sufficis.Autant que tu le peux, tu dois oser, car Il dépasse tes louanges et tu ne pourras jamais trop Le louer.
Laudis thema specialis, Panis vivus et vitalis hodie proponitur.Le sujet particulier de notre louange, le Pain vivant et vivifiant, c'est cela qui nous est proposé aujourd'hui.
Quem in sacræ mensa cenæ turbæ fratrum duodenæ datum non ambigitur.Au repas sacré de la Cène, au groupe des douze frères, Il a été clairement donné.
Sit laus plena, sit sonora ; Sit jucunda, sit decora ; mentis jubilatio.Que notre louange soit pleine, qu'elle soit sonore ; qu'elle soit joyeuse, qu'elle soit belle la jubilation de nos cœurs.
Dies enim solemnis agitur in qua mensæ prima recolitur hujus institutio.C'est en effet la journée solennelle où nous fêtons de ce banquet divin la première institution.
In hac mensa novi Regis, novum Pascha novæ legis, phase vetus terminat.A cette table du nouveau Roi, la nouvelle Pâque de la nouvelle loi met fin à la Pâque ancienne.
Vetustatem novitas, umbram fugat veritas, noctem lux eliminat.L'ordre ancien cède la place au nouveau, la vérité chasse l'ombre, la lumière dissipe la nuit.
Quod in cena Christus gessit, faciendum hoc expressit, in sui memoriam.Ce que le Christ a fait à la Cène, Il a ordonné de le refaire en mémoire de Lui.
Docti sacris institutis, panem, vinum in salutis consecramus hostiam.Instruits par ces commandements sacrés, nous consacrons le pain et le vin en victime de salut.
Dogma datur christianis, quod in carnem transit panis et vinum in sanguinem.C'est un dogme pour les chrétiens que le pain se change en son Corps et le vin en son Sang.
Quod non capis, quod non vides, animosa firmat fides, præter rerum ordinem.Ce que tu ne comprends pas, ce que tu ne vois pas, la foi vive l'affirme, hors de l'ordre naturel des choses.
Sub diversis speciebus, signis tantum et non rebus, latent res eximiæ.Sous des espèces différentes, signes seulement et non réalités, se cachent des choses sublimes.
Caro cibus, sanguis potus, manet tamen Christus totus, sub utraque specie.Sa chair est nourriture, son Sang est breuvage, pourtant le Christ tout entier demeure sous l'une ou l'autre espèce.
A sumente non concisus, non confractus, non divisus, integer accipitur.Par celui qui le reçoit, il n'est ni coupé ni brisé, ni divisé : Il est reçu tout entier.
Sumit unus, sumunt mille, quantum isti, tantum ille nec sumptus consumitur.Qu'un seul le reçoive ou mille, celui-là reçoit autant que ceux-ci et l'on s'en nourrit sans le détruire.
Sumunt boni, sumunt mali, sorte tamen inæquali : vitæ vel interitus.Les bons le reçoivent, les méchants aussi, mais pour un sort bien inégal : pour la vie ou pour la mort.
Mors est malis, vita bonis, vide paris sumptionis quam sit dispar exitus.Mort pour les méchants, vie pour les bons, vois comme d'une même communion l'effet peut être différent.
Fracto demum sacramento, ne vacilles, sed memento tantum esse sub fragmento quantum toto tegitur.Quand le Sacrement est rompu ne te laisses pas ébranler, mais souviens-toi qu'il y a autant sous chaque fragment que dans le tout.
Nulla rei fit scissura signi tantum fit fractura ; qua nec status, nec statura signati minuitur.La réalité n'est pas divisée, le signe seulement est fractionné ; mais ni l'état ni la taille de ce qui est signifié n'est diminué.
Ecce panis angelorum factus cibus viatorum, vere Panis filiorum non mittendis canibus.Voici le pain des anges devenu l'aliment de ceux qui sont en chemin, vrai Pain des enfants à ne pas jeter aux chiens.
In figuris præsignatur, cum Isaac immolatur, Agnus paschæ deputatur datur manna patribus.D'avance il est annoncé en figures, lorsqu'Isaac est immolé, l'Agneau pascal, sacrifié la manne, donnée à nos pères.
Bone pastor, Panis vere, Jesu, nostri miserere, Tu nos pasce, nos tuere, Tu nos bona fac videre in terra viventium.Ô bon Pasteur, notre vrai Pain, Jésus, aie pitié de nous, nourris-nous, protège-nous, fais-nous voir le bonheur dans la terre des vivants.
Tu qui cuncta scis et vales, qui nos pascis hic mortales tuos ibi commensales, Coheredes et sociales Fac sanctorum civium. Amen. Alleluia.Toi qui sais tout et qui peux tout, Toi qui sur terre nous nourris, fais que, là-haut, invités à ta table, nous soyons les cohéritiers et les compagnons des saints de la cité céleste. Amen. Alléluia.
Alleluia : Chemin neuf Alléluia
Prière universelle : Seigneur nous te prions ! (RHA 4)
Sanctus : Santel
Anamnèse : Proclamons le mystère de la foi
Notre Père : récité
Agnus : Lebon AL200
Après la communion : Tu es là présent livré pour nous (tu fais ta demeure en nous) Tu fais ta demeure en nous
R.Tu es là présent, livré pour nous. Toi le tout-petit, le serviteur. Toi, le Tout-Puissant, humblement tu t´abaisses.Tu fais ta demeure en nous Seigneur.
1.Le pain que nous mangeons, le vin que nous buvons, C´est ton corps et ton sang, Tu nous livres ta vie, tu nous ouvres ton cœur, Tu fais ta demeure en nous Seigneur.
2.Par le don de ta vie, tu désires aujourd´hui Reposer en nos cœurs, Brûlé de charité, assoiffé d´être aimé, Tu fais ta demeure en nous Seigneur.
3.Unis à ton Amour, tu nous veux pour toujoursOstensoirs du Sauveur, En notre humanité, tu rejoins l´égaré,Tu fais ta demeure en nous Seigneur.
(A Tréguier : Salut : Tantum ergo, puis silence) Tantum ergo
Tantum ergo SacramentumVeneremur cernui :Et antiquum documentum novo cedat ritui :Praestet fides supplementum sensuum defectui.
Genitori, Genitoque laus et iubilatio,Salus, honor, virtus quoque sit et benedictio :Procedenti ab utroqueCompar sit laudatio. Amen.
Sortie : Pain rompu (D284) Paim rompu
Prière universelle R/ Seigneur nous te prions !
Tu es le pain des anges : Donne aux prêtres de vivre de ce qu'ils célèbrent
Tu es le pain de vie : Donne à tous les malades, à tous ceux qui les soignent et les accompagnent de trouver en toi la nourriture qui fortifie.
Tu es le pain des forts : Donne à toutes les personnes humiliées la consolation dans l'épreuve et obtiens-leur d'être rétablies dans la dignité.
Tu es l'offrande parfaite : Accorde aux enfants, spécialement ceux qui devaient communier aujourd'hui pour la première fois, de grandir dans ton amour et sous ton regard.
Pour imprimer :
Messe du Saint-sacrement 2020
via Paroisse Saint-Tugdual de TREGUIER https://ift.tt/3cTQM1X
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Paul Walker Biography (1973–2013)
Paul Walker was an American actor who came to fame in movies such as 'Varsity Blues' and became well-known for his starring role in 'The Fast and the Furious' franchise.
Who Was Paul Walker?
Born in California in 1973, Paul Walker made his big-screen debut in the 1986 horror spoof Monster in Your Closet. After appearing in several television shows in the 1990s, including Charles in Charge, Who's the Boss? and The Young and the Restless, Walker gained attention with a role in the 1999 film Varsity Blues, and his TV days were officially behind him. After working in teen movies such as She's All That and The Skulls, Walker got his breakthrough role in 2001 with The Fast and the Furious, which would become his star vehicle and keep him busy through four sequels and a short prequel. The Fast and the Furious franchise established Walker as an action-film mainstay, and he went on to appear in several films in the genre, including Takers, Hours and Vehicle 19. Walker died in a car accident on November 30, 2013, at age 40.
Paul Walker
Death
Walker died in a car accident on November 30, 2013 at the age of 40. Walker was in Santa Clarita, California, to attend a charity event for Reach Out Worldwide to benefit victims of Typhoon Haiyan in the Philippines. He was reportedly in the passenger seat of a Porsche when his friend who was driving lost control, crashing the vehicle into a tree. The car was engulfed in flames and both individuals were pronounced dead at the scene of the accident.
At the time of his death, Walker had finished Brick Mansions and was working on Fast & Furious 7. Brick Mansions was released in 2014 and Fast & Furious 7 premiered in April 3, 2015 to huge box office returns. In March 2015, co-star Vin Diesel named his new baby daughter Pauline after his friend.
Daughter
Walker has a daughter, Meadow Rain, with ex-girlfriend Rebecca McBrain. In his will, Walker left his $25 million estate to Meadow and requested that his mother become her legal guardian.
Brothers
The 2015 release of Fast & Furious 7 was made possible with the help of Walker's two brothers, Caleb and Cody, who had a close physical resemblance to the actor. The brothers worked with visual effects artists in scenes that needed to be reshot of the late actor, and with the implementation of CG, brought Walker back to life.
The film would go on to gross $1.7 billion internationally.
Early Career
Born on September 12, 1973, in Glendale, California, Paul Walker appeared in front of the camera at a young age, modeling and acting in television shows such as Charles in Charge, Highway to Heaven and Who's the Boss. In 1986 he made his film debut in the horror spoof Monster in the Closet while also landing a recurring role on TV's Throb.
After high school, Walker attended various California community colleges, but he dove into acting full-time in 1993, taking a role in the soap opera The Young and the Restless. After a handful of TV guest roles and the lead in Tammy and the T-Rex, Walker starred in the family comedy Meet the Deedles and left his TV career behind for good.
Movies
Walker's next role was a big one for his career: He appeared opposite Reese Witherspoon in the critically acclaimed, high-concept Pleasantville. From that point on, Walker found himself in starring roles in such late-1990s films as She's All That, Varsity Blues and The Skulls — all pitched at a teen audience which helped turn Walker into a heartthrob.
'The Fast and the Furious'
In 2001 Walker's career hit overdrive when he landed a leading role alongside up-and-comer Vin Diesel in The Fast and the Furious. A film that paid homage to road films of the 1970s, The Fast and the Furious brought Walker to new heights of fame on the way to box-office receipts of more than $200 million.
Two years later, the franchise was back with its first sequel, 2 Fast 2 Furious, and Walker was again along for the ride. The film's gross was even larger than the first, and a bona fide hit series was under way. Walker then appeared in a few more action-oriented movies, including Timeline (2003), Into the Blue (2005) and Running Scared (2006), while also signing on to appear in the ensemble drama Noel (2004) and the children's adventure movie Eight Below(2006).
'Flags of Our Fathers,' 'The Death and Life of Bobby Z'
Walker also showed his range as an actor in the 2006 war drama Flags of Our Fathers, directed by Clint Eastwood. He continued to take on more action movie roles in The Death and Life of Bobby Z (2007), Takers (2010) and Fast Five (2011) — the third installment of the Fast and Furious franchise. In 2012 Walker signed on to film Fast & Furious 6 (2013), keeping the series' momentum going.
While not filming, Walker was active in Reach Out Worldwide, a nonprofit organization he formed in 2010 to bring aid to regions devastated by natural disasters.
'I Am Paul Walker' Documentary
In August 2018, Paramount Network is set to release I Am Paul Walker, a feature-length documentary about the life and career of the late Fast and Furious actor. The doc will include interviews with co-stars such as Tyrese Gibson, directors Rob Cohen and Wayne Kramer, as well as Walker's family members.
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Citation Information
Article Title
Paul Walker Biography
Author
Biography.com Editors
Website Name
The Biography.com website
URL
https://www.biography.com/actor/paul-walker
Access Date
7 августа 2019 г.
Publisher
A&E Television Networks
Last Updated
April 17, 2019
Original Published Date
April 2, 2014
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