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#we verse
brown-spider · 10 months
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Making jokes about Noir being colorblind/not understanding colors is how we cope with how unbelievably powerful his brain is
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pokimoko · 10 months
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I can't keep being fundamentally changed as a person by animated movies, it's just not sustainable.
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cucumberteapot · 10 months
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Okay, so I've read the Spider-man: Across the Spider-verse artbook, and there is this fantastic passage on Earth-42 that gives context to the dimension, Miles G., Uncle Aaron and the Sinister Six.
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“Miles comes face to face with a parallel world version of his own in Earth-42 – an alternate reality where he never gained superpowers and where his Uncle Aaron is still alive. “We wanted to craft this moment where Miles encounters this powerful figure in his life that he loved so much and he lost," says director Justin K. Thompson. “That's when he realizes that he is not really in his own dimension, as well as the gravity of what he has lost. In this reality, Aaron has had to shake off his life of crime and became a surrogate father figure to Miles.”
The artists changed Uncle Aaron's outward appearance to reflect this new reality and convey how he has changed. The Uncle Aaron of Earth-42 has a little gray in his beard. His clothing still has the old “cool streetwear” vibe, but he has a more sophisticated and older look. In this alternate reality, the Sinister Six have been able to flourish and take over the world. “We wanted to create a world where it felt like Aaron and Miles G. Morales [this reality counterpart to Miles Morales] are the only heroes.”
It's a much darker version of Miles' original home. So, we looked at comic book artists who epitomized that sort of noirish world - artists like Frank Miller, Sean Gordon Murphy, John Polygon, where there is heavy use of black and colors sort of recede behind the dark shadows. The powerless version of Miles is still capable and efficient and has great acrobatic and physical prowess. We also needed Miles to feel trapped in this dark world. We wanted to leave the audience with the burning question: ‘How is he going to get home?’ It was just exciting to see the development of this world to underscore all of these narrative choices we were making.”
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I was thinking about how genuinely heartbreaking it was for Pavitr’s last line in the movie to be “Is everything going to be okay?” No one responds to his question either, Gwen can’t seem to even look at him. He stands there looking so confused and sad as he watches Mumbattan be enveloped by this black hole.
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My heart hurts 🥺
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aesthetic-uni · 10 months
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Miles “Who’s Morales” vs Gwen “Gwwwwanda” vs Pavtir “You seem like a nice young woman I do not know” FIGHT
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nightowl374art · 9 months
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when your girl calls
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aueua · 8 months
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love these guys. the musical chairs
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butevrythinggoesaway · 11 months
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Okay but Pavitr is quite a cheerful guy, so I think it'd be funny if he teamed up with Noir at some point, like the sheer difference between them. Pavitr is like it can always get better while Benj is lying in a gutter with someone pooring cheap booze over him
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plutonicbees · 11 months
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since comic!hobie killed the u.s. president, do u think atsv!hobie killed the queen
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livwritesstuff · 4 months
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Steve is home one day with his daughters when he realizes that his oldest, Moe, is ten.
Okay, obviously, he knew she was ten. She’s been ten for a while, as her birthday is in July and it’s now December, and the girls are discussing Christmas as they perceive it in their little girl worlds.
It’s really that Steve realizes that Moe is the same age Erica had been when he’d asked her to climb through air ducts and infiltrate a Russian military base.
It’s a realization that has Steve feeling a little nauseous, because Moe is ten and she’s plotting with her little sisters about how they’re going to stay awake on Christmas Eve to catch a glimpse of Santa (their conspiring has Steve worried for his and Ed’s own role in Christmas Eve and the way it hinges on the girls falling asleep as early as fucking possible), and she’d lost another baby tooth this morning and hasn’t stopped talking about what the tooth fairy might leave for her overnight, and she still sneaks into his and Eddie’s room after nightmares looking for snuggles, and she’s afraid of car washes and bugs, and she still wants to be read to before bed every night.
He’d been struck suddenly by how little Moe still is. Maybe he’s only thinking that because she’s his daughter – his first daughter, at that – but he still looks at that kid’s face and sees the newborn baby who’d made him a dad ten years ago.
He can’t imagine looking at her and seeing someone equipped to take on Erica had been asked to do, never mind actually asking her to do it, which is precisely what Steve had done twenty-five years ago.
It eats at him for the rest of the day.
“Just call her, Steve,” Eddie urges him after Steve brings it up for the sixth time that evening, “You clearly need to air this shit out.”
So Steve calls Erica.
Erica is in her mid-thirties now. She’s a kick-ass lawyer at a private firm in Indiana, and she picks up the phone on the second ring.
“This is Erica,” she says.
“Hey, it’s Steve.”
“What’s up,” she replies, still never one for beating around the bush.
“I just – I need to apologize.”
“For what?”
“For Scoops,” Steve says, “For Starcourt.”
Erica is silent for a while.
None of them really talk about any of that stuff anymore. They’d hashed everything out ages ago, until all that was left behind was the understanding that none of them would ever be able to truly move past it, that there would always be guilt and fear and pain they could never shake.
“Okay?” she finally says, question in her tone.
“I just…” Steve hesitates, “Look – I didn’t get it. I didn’t fully get how fucked up it was. I was the grown up in the situation and I should have put a stop to it but I was stupid and reckless, and now that Moe is ten, I can’t stop thinking about how insane it was for us to even consider roping you into that.”
“I agreed to it.”
“You were a kid.”
“You were a kid,” Erica insists.
“Eighteen isn’t a kid anymore.”
“Say that to me again when Moe’s eighteen and maybe I’ll believe you.”
Steve doesn't have anything to say to that, because Erica is probably right (though only time will tell, he supposes). Their phone call ends only a few minutes later with Erica telling him to go easy on himself and Steve saying he’d try before apologizing one more time.
“You gonna take her advice?” Eddie asks after he’s pulled a begrudging Steve into his arms.
“No,” he tells him, curling into his husband’s side and sticking his nose in Eddie’s neck so he doesn’t have to look him in the eye.
“Figures.”
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when i picture carpenter silt verses i am picturing a woman in her late 40s with the same physique as jason voorhees and hair that she's been washing with motel bar soap since she was 18 btw. this woman looks like if a long haul trucker occasionally had to perform ritual self-flagellation. like if a man with a single bottle of dawn dishsoap in his shower was a middle-aged woman who feared neither pain nor death. we're talking dry skin, resting bitch face, and something of the classic slasher villain in her sheer size and resilience. someone who could break an ankle and still not stop trying to kill you with an ax, genuinely frightening.
i believe in scary, gruff, aging women's rights.
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cemeterything · 11 days
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the silt verses season 3, chapter 7 "all lovers part as dust"
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yellowocaballero · 11 months
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Miguel is Fine, Actually (Being Spider-Man's Just Toxic As Hell)
Before I watched ATSV I said that I would defend my man Miguel O'Hara's actions no matter what, because he's always valid and I support women's wrongs. I was joking, and I did not actually expect to start defending him on Tumblr.edu. But I'm seeing a lot of commentary that's super reductive, so I do want to bring up another perspective on his character.
Miguel wasn't acting against the spirit of Spider-Man, or what being Spider-Man means. Miguel isn't meant to represent the antithesis of Spider-Man. Miles is the antithesis of Spider-Man. Miguel represents Spider-Man taken to its extreme.
Think about Miguel's actions from his perspective. If you were a hero who genuinely, legitimately, 100%, no doubt about it, believed that somebody is going to make a selfish decision that will destroy an entire universe and put the entire multiverse at severe risk - if you had an over-burdened sense of responsibility and believed in doing the right thing no matter what - you would also chase down the kid and put him in baby jail to try and prevent it. He believed that he was saving the multiverse, and that Miles was putting it in danger for selfish reasons. Which is completely unforgivable to him, because selfishness is what he hates the most. And then he goes completely out of pocket and starts beefing with a 15yo lmfaooo he's such a dick.
But why did Miguel believe that? Why did he believe that Miles choosing himself and his own happiness over the well-being of others was the worst possible thing? Why did he believe that tragedy was inevitable in their lives, and that without tragedy Spider-Man can't exist?
Because he's Spider-Man.
Peter Parker was once a fifteen year old who chose his own happiness over protecting others. It was the greatest regret of his life and he never forgave himself. Peter's ethos means that he will put himself last every time, and that he will sacrifice anything and everything in his life - his relationships, his health, his future - to protecting and helping others. Peter dropped out of college because it interfered with Spider-Man. He destroyed his own future for Spider-Man. He ruins friendships and romantic relationships because Spider-Man was more important. If Peter ever tries to protect himself and his own happiness, then he's a bad person.
That is intrinsic to Peter. Peter would not be Peter without it. A story that is not defined by Peter's unhappiness is not a Spider-Man story. If Peter doesn't make himself miserable, then he's just not Peter.
That is a Spider-Man story: that not only is tragedy inevitable, that if you don't allow yourself to be defined by your tragedy then you're a bad person. If you don't suffer, then you're a bad person. If you ever put anything above Spider-Man, then you're killing Uncle Ben all over again. Miguel isn't the only one that believes this - as we saw, every Spider-Man buys into what he's saying. There's no Spider-Man without these beliefs.
Miguel attempted to find his own happiness, and he was punished in the most extreme way. He got Uncle Ben'd x10000. He tried to be happy, and it literally destroyed his entire universe. It's the Spider-narrative taken to the extreme. Of course Miguel believes all of this. Of course he believes this so firmly. He's Spider-Man. That's his story. And the one time Miguel tried to fight against that story, he was punished. And like any Spider-Man, he'll slavishly obey that narrative no matter the evil it creates and perpetuates. Because if he doesn't, the narrative will punish him. The narrative will always punish him. It's a Spider-Man story.
I don't think the universal constant between Spider-Mans, the thing that makes them Spider-Man, is tragedy. I think it's the fact that they never forgive themselves. And Miguel is what that viewpoint creates. He doesn't believe this things because he's an awful, mean person. He believes them because he's a hero. He's a good person who hates himself.
Across the Spider-verse isn't really a Spider-Man story. It's a story about Spider-Man stories. Miguel's right: if this was a Spider-Man story, then Miles acting selfishly really would destroy the universe. But Miles' story isn't interested in punishing him. It pushes back against Peter's narrative that unhappiness is inevitable and that you have to suffer to be a good person. It says that sometimes we do the right thing from love and not fear, and that Peter's way of thinking is ultimately super toxic and unhappy. ITSV was about Miles deciding that he didn't need to be Peter Parker, that all he needed to be was Miles, and ATSV is about how being Peter Parker isn't such a good thing. Miguel shows that. Whatever toxic and unhealthy beliefs he holds - they're the exact same beliefs that any Spider-Man holds. He's a dick, but I don't think he's any more awful a person than Peter is.
TL;DR: Miguel isn't a bad person, he just has Spider-Man brainrot.
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belleski · 10 months
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love characters that are so messed up and pathetic and loser-core and will cause the downfall of the multiverse and have narrative parrallels to the protagonists and will cannonically kill and- [image description] A digital illustration of the spot from across the spiderverse. He resembles a black humaniod silohette with a painterly texture - with multiple arms and heads branching off from the main body - and spiralling white spots on various points of his body. The main silohette is surrounded by a distressed white outline which stands out against the black circular void that takes up most of the background. The rest of the background is a distorted, spiraling blur of dark greens, blues and bright pinkish reds that circle the central spot. [end id]
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eliziarts · 9 months
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I'm definitely super normal about him
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whaliiwatching · 10 months
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kaleidoscopic crush
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