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rulystuff · 2 years

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PUTIN, STALIN, AND FDR

The atrocities and wholesale destruction visited upon the nation of Ukraine beginning February 24, 2022, and the annexation of Crimea in 2014 by Vladimir Putin’s Red Army is as much due to the megalomania of a madman as it is to the fecklessness of democracies who have failed to stand together to confront such evil. Tragically, we have seen this movie before.

One can argue that it all started with the 32nd president of the United States. President Franklin Delano Roosevelt always had a soft heart for the Russians and especially Joseph Vissarionovich Stalin relishing the privilege of calling the ruthless dictator “Uncle Joe.” The President actually believed that “If I give Stalin everything I can, and ask for nothing in return, noblesse oblige, he won’t try to annex anything and will work with me for a world of peace and democracy.” Peace and democracy?

This appraisal of Stalin as historian Paul Kengor has noted “… was one of the most naïve assessments of any major foreign leader in the history of the United States.”

The President believed, until it was much too late, that he could “play” Stalin, that he could make a “Christian gentleman” out of the dictator. Yet, it was the President who was played with great virtuosity to the detriment of millions of innocents who ultimately felt the wrath, rape, and plunder of Uncle Joe.

According to historian Timothy Snyder, during the period 1930 to 1933 approximately five million people died as a result of Stalin’s famines with Ukrainian peasants bearing the brunt of the savagery. And, that between 1936 and 1938 in what was called the Great Purge approximately one million people were executed. Further, on September 17, 1939 the Soviets invaded Poland from the east only days after Germany invaded the nation from the west in keeping with the diabolical Hitler-Stalin pact. More emblematic, however, of the apparent hypnotic influence Stalin had over President Roosevelt was the president’s refusal to accept the fact that the Soviets had murdered nearly 22,000 POW Polish military officers on March 5, 1940 in the Katyn Forest near Smolensk, Russia. President Roosevelt was adamant in his disbelief that the Soviets had been responsible – despite overwhelming and indisputable evidence – claiming that the Germans had “rigged things up.” In sum, President Roosevelt was playing “nice” with Stalin knowing full well that he was dealing with a murderous tyrant long before he had reason to interact with the dictator about how to defeat the Nazis.

Clearly, President Roosevelt was lulled by his genuine – albeit profoundly naïve – belief that the Soviets were hostile because they felt threatened by external forces. These days, Vladimir Putin sings a common refrain: Russia feels threatened by the West and especially the NATO alliance. The buffer state that once was, so the argument goes, has been lost to Russia from the time Ukraine declared its independence from the Soviet Union in 1991.

The Russian argument, echoed by some in the American media, is a red-herring. If Ukraine were part of present-day Russia, it would still be cheek to jowl with NATO countries Latvia, Estonia, Romania, Poland, Hungary, and Slovakia. So much for the close proximity argument. What drove Putin to invade Ukraine is that since the dismemberment of the Soviet Union he has sought to cobble back together the former Soviet empire.

HOW DID WE GET HERE?

At President Roosevelt’s insistence, Berlin was ceded not to the Western Allies but to the Soviets at war’s end. Time and again, the President ignored the advice of Winston Churchill who felt that allied forces should “meet the Red Army as far east as possible”. He also ignored the advice of General George S. Patton who pleaded that “we had better take Berlin, and quick.” In fact, the Ninth Army led by General William Simpson was all of forty-eight hours from Berlin. No matter. General Patton was told to stand down.

What was the consequence of Roosevelt’s fondness for Stalin? After the fall of Berlin, the carnage under Stalin continued apace, and the stage was set for the eventual nuclear confrontation between the Soviets and the United States: the capture of Berlin allowed the Soviets to get their hands on several tons of uranium oxide used as fuel in nuclear reactors, and to seize Germany’s leading scientific minds most significantly those who had worked on Hitler’s nuclear projects.

Scores of German scientists were forced – some apparently were happy to volunteer – to work on the Soviet A-bomb. Luminaries such as Manfred von Ardenne, Gustav Hertz, winner of the Nobel Prize in Physics with James Franck, Max Volmer, Max Steenbeck and Nikolaus Riehl all worked hard and were able to deliver to Stalin a nuclear bomb by 1949 a scant four years after the takeover of Berlin.

President Roosevelt’s “gift” of Berlin to Stalin as a way to ingratiate himself to the dictator failed miserably. At the Yalta Conference, February, 1945, President Roosevelt assured Winston Churchill that “…Stalin was not an imperialist.” Geopolitical savvy was never President Roosevelt’s strong suit. Not long after the conference Stalin put in place the Communist Bloc of nations which enslaved millions of people for decades to come.

In the end, “the courtship of Stalin during World War II failed abysmally” according to Robert Nisbet in his groundbreaking book, Roosevelt and Stalin: The Failed Courtship.

PRESIDENT ROOSEVELT ROLLS OUT THE RED CARPET FOR STALIN’S STOOGES

President Roosevelt was especially keen to host members of a Soviet delegation preferably those who had seen action against the Nazis. Mrs. Pavlichenko was one of three people sent by the Soviet Union to the United States to participate in an international student assembly sponsored by Washington that would tour the country and speak out against Fascism at various colleges and universities. Delegates to the assembly were to include representatives from the United States, the Soviet Union, Great Britain, and China.

Red Army sniper Lyudmila Pavlichenko known to have had 309 confirmed enemy kills – that is, verified by another party – and possibly many more that went unrecorded was the darling of the Soviet delegation that met with President Roosevelt and First Lady Eleanor Roosevelt in both Washington D.C. and the President’s ancestral home in Hyde Park, New York. The First Lady literally fawned over Mrs. Pavlichenko. She went so far as to cut to size and sew a pair of her own silk pajamas for Mrs. Pavlichenko’s use.

In addition to Mrs. Pavlichenko, a second member of the Soviet delegation was also a sniper with 100 enemy kills to his credit, and the third was secretary for propaganda of the Young Communist League’s Moscow district. So much for “student” representatives.

PRESIDENT ROOSEVELT’S DOMESTIC LEGACY

If it can be safely said that President Roosevelt was an ineffective wartime president especially in his relations with the Soviets. What did his administration actually accomplish for the common man?

President Roosevelt was puzzled about what to do about the Great Depression except that through his senseless meddling in the economy (“experimentation” the President called it) he made the Depression great. In 1937, four years after President Roosevelt had taken office, the United States economy snapped back to its 1932 levels. It took a world war and not government intervention to finally put a nail in the coffin of the Depression.

As to the President’s New Deal, it was meant to supplant private enterprise initiatives with public sector policies and programs that would, in the end, affect Americans from all walks of life. Most corrosively, the New Deal helped launch a welfare state from which there is now no return. The President, as well as a number of his closest advisers, were very comfortable with the collectivist policies of the Soviet Union as well as those of the Fascist regime of Italy’s dictator Benito Mussolini.

That he had a soft heart for communist ideals was clear from his statement that “They [the Soviets] all seem really to want to do what is good for their society instead of wanting to do for themselves. We take care of ourselves and think about the welfare of society afterward.” A “mystical devotion” rhapsodized President Roosevelt.

Unfortunately, that sentiment was grievously misguided. There is little one can point to of Stalin’s actions that were good for Soviet society. That he took a backward, illiterate, and agrarian nation and transformed it into an industrial power, as some would have it, is a specious argument. Leaving aside for the moment the enormous price in human lives that afforded such a transformation the reality is that the fruits of such industrialization were kept in the hands of the party’s apparatchiks. The average Soviet citizen was hardly the beneficiary of such inhuman sacrifices. More broadly, Stalin promoted Marxism-Leninism across the world to the point that it became the least democratic, least successful, and thus most reviled form of government on the face of the earth.

As French historian Stephane Courtois states in his book, The Black Book of Communism, “Communist regimes turned mass crime into a full-blown system of government.”

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herinsectreflection · 3 years

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The hilarious part about Faith and how incredibly gay she comes across is that it's all a natural side-effect of her intended narrative role. According to Whedon she wasn't intentionally written to be a queer or even queer-coded character, but the way she is written and her metaphorical function necessarily meant she came across as queer-coded. I'll explain what I mean:

1) As Buffy's shadow, Faith is meant to be symbolic of Buffy's repressed desires, and specifically her frustrated sexuality. Buffy is dealing with imposed chastity throughout S3, first with her trauma over Angel getting in the way of a relationship with Scott, and then the curse preventing her from being physical with Angel. It's the centre point of Enemies, its touched on in Amends, and is one of the reasons they break up. There's a reason the season climaxes with Angel and Buffy in a passionate embrace, making orgasm faces as he 'penetrates' her. It's a whole season of sexual frustration for Buffy.

Faith needs to be constantly reminding Buffy of the thing she can't have - sex. She needs to talk about sex to Buffy - and she does, extensively. Faith is written as a very sexual person in general, but it's specifically and disproportionately aimed towards Buffy, because that's her narrative role. So you end up with this character who is constantly going around like "hey Buffy do you like sex? you should think about sex now. sex. when I'm on screen the main thing on your mind should be sex and having it". Which begs the question - why does Faith want Buffy to have sex? Symbolically, it's because she represents part of Buffy, and Buffy wants to have sex. But on a pure character level... what is the explanation? What is motivating Faith to constantly talk about sex to Buffy? A few instances you can write off as her making Buffy uncomfortable for jokes, but not all of them. How it comes across is that Faith has some sexual interest in Buffy, and is probing for her feelings.

2) Faith is a Seductress. That's not a comment about her character, that's her function in the story. She is the version of Buffy who goes down a darker path, and is trying to seduce her into doing the same thing. Part of Buffy's arc in S3 is resisting this temptation, and the symbol of what she is resisting is Faith. So Faith must be an enticing, seductive figure. To quote Passion of the Nerd's review, if Faith is there to to tempt Buffy into a moral dark side, it only makes sense that she is, well, tempting. The seduction is happening on many levels.

Faith is more or less filling the Femme Fatale archetype: the seductive, sexual figure who leads the Hero off their path. It's a trope you see all the time in male-led stories, going back to goddamn The Odyssey. Buffy as a character was invented as a simple gender-swap of an old horror trope, and part of the appeal of the show is that she gets to fill the role of The Hero as a woman. So what happens when you gender-swap The Hero and don't gender-swap the Femme Fatale? You get a gay story, that's what.

3) The Faith arc of S3 is a recreation of the Angel arc of S2. It is structured in the exact same way, with the two having a push-and-pull in the early parts of the season, a setback in their relationship in episode 7, getting closest again mid-season before a night of passion that ends in sudden tragedy. Angel/Faith then turn to the dark side, become the Big Bad, and show that they are beyond saving in episode 17. The season ends with Buffy having to fight and the kill them in order to save others. This is all an intentional recycling, as part of the show building up the Trolley Problem and the idea of Buffy being a killer, repeatedly escalating it to get us to The Gift. What this means is that Faith steps into the role that Buffy's love interest played in the previous season. This is the story that we have just had told to us as a tragic love story. We see it again, and guess what? It's still a tragic love story. Only now Faith is in the role of the love interest.

4) Part of the conflict surrounding Buffy and Faith is Buffy's fear of being "Single White Female'd". She fears Faith might steal her loved ones, and Faith does threaten that. She gets along with her mother, her friends... but most of all, her love interests. Buffy's fear of being replaced manifests as Faith trying to literally seduce away anyone romantically linked to Buffy. Angel, Scott Hope, Xander, later Riley, Spike, Robin Wood... Faith is comprehensively and exclusively attracted to men that Buffy dated. I'm honestly surprised she didn't find Owen and Parker from somewhere for a night in the sack. Again, this makes perfect heterosexual sense from a symbolic point it view - she threatens to take Buffy's place in the narrative, so she takes her place in relationships - but on a character level it becomes ambiguous. Is she actively trying to replace Buffy? Or is she trying to stop Buffy dating anyone for another reason? The simple fact is, there is exactly one common denominator with all of Faith's romantic entanglements: Buffy.

It's a canonical aspect of Faith's character that she is jealous of Buffy. We see that made explicit in Enemies - she's jealous of everything Buffy has: her family, her comfortable home life, her friends, her narrative standing, and of course her loving partners. So of course Faith displays jealousy whenever Buffy is involved with a guy. It's a necessary part of building Faith as this figure of Want and Envy. But how it plays out on screen isn't that Faith is jealous of Buffy because she wants these other guys - of course not, because we see her look jealously through the window at Buffy and Riley in This Year's Girl and Riley obviously means nothing to her. Rather, it very much appears that she is jealous of these other guys, because she wants Buffy.

There's also the added bonuses that come from the show playing with so many metaphors, that sometimes they cross in interesting ways. One of Faith's main purposes is to celebrate being a Slayer, and to encourage the same in Buffy. She wants Buffy to accept and embrace being a Slayer. Here, Slayerhood is standing in for independence and hedonism and making your own rules, all the things that Faith is encouraging. But one of the many other metaphors used is the 'coming out' metaphor. "Have your tried not being a slayer?" "It's because you didn't have a strong father figure isn't it." "I've tried to march in the Slayer Pride parade." It's a note that's hit really hard specifically around the time in the show that Faith is introduced. So if you carry this metaphor on, then Faith becomes an out-and-proud lesbianSlayer, trying to convince Buffy to accept and embrace her sexuality.

And it has a recursive effect too. All this stuff contributes towards Faith feeling like a very queer character. And Faith, of course, is Buffy's shadow self, meant to represent her unconscious desires. So when the symbol of your unconscious desires is so lesbian-coded, then the implication becomes that one of your unconscious desires is lesbian desire. Faith's existence as a part of Buffy implies the existence of Buffy's bisexuality. Which contributes to the relationship feeling ever more queer, which makes Faith even gayer.

I find this absolutely hilarious, because the queer subtext was never intended. Joss Whedon apparently was annoyed that people read this into their relationship, and the commentary from the other writers that does address it tends to point to Dushku's performance. And yeah, she is definitely leaning into that in her portrayal. But the main reasons that so many people have this reading all come from the writing. It's all stuff that is integral to the point of her character. Every metaphor and function in the narrative, every symbolic purpose she has, none of it was meant to be gay and yet it all leads directly to Faith appearing to be totally and completely gay. The queerness is accidental and unavoidable. And I just find that really fucking funny.

#faith lehane #fuffy #btvs #meta #buffy summers #theme:shadow #queerness #s3

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uelden · 3 years

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Vanity Fair interview translated

Just a side note before the actual translation; I don't know why, but instead of reporting the full questions and answers in full as she should, the journalist decided to report only summarized fragments of what Måneskin said and patch these fragments up into messy clusters. She also worded a couple phrases in a very confusing way (and yes, she's fully Italian). In short, she did quite a poor job, so the final shape of the interview is not that good. I didn't expect top-tier journalism from Vanity Fair but ffs. You'll see what I mean.

I translated it as it is, adding just a couple footnotes to give you insight on Italian pop culture references.

Translation under the cut

Måneskin: "Different from whom?"

by Lavinia Farnese, 09 June 2021

"True justice is being judged for what you do and not for what you are." The ones who are convinced of this are Damiano, Victoria, Ethan and Thomas who, by being the emblem of a generation that is finally free, refuse labels and conformism. In life, in love and on the stage. Where, maybe precisely because of this, they're winning everything

With the still unexpected (first place at Sanremo Festival) and the incredible (triumph at Eurovision) in their eyes, Måneskin are on the sofa of the house-studio they rented - to resume writing songs and rehearsing them - like you are after a won battle: lying in a calm and unreal silence, alert and a bit irreverent, happy.

In the garden there's the tennis table and the pool, the light of summer when it's starting and calming the country all around, and it filters inside from the large windows, and it goes onto the shining black of Ethan's hair, which blends with Thomas' eye shadow and the butterfly he has tattooed oh his naked forearm, which completes the picture of Victoria's golden crucifix hanging between neck and tank top and ends on the black nail polish of Damiano's stretched hands.

It's a human fresco, a Theatre of wrath [translator's note: "Teatro d'ira"] - to call it with the title of their latest album, a platinum record already - where their flaunted 20 years of age, their irregular femininity and virility are grown into proud and challenging custom, a pop glam rock generational manifesto of hard-earned liberties in a finally-unconditional expression of the self.

To watch them from any angle and from another age is to think that a great love will be born in those who'll understand: this new way of being in the world, the true and sovereign realm they hold where "diversity=exceptionality", the power of the artistic and cultural revolution of which they are healthy carriers in establishing in all lyrics and gestures the right to live according to one's own nature past the "people (who) talk, the people (who) unfortunately talk, and don't know what the fuck they're talking about." [tn: "Zitti e buoni" lyrics]

We go where we're afloat, where the air isn't gone. [tn: journalist's own variation on "Zitti e buoni" lyrics]

Miley Cyrus says hi – The numbers of a phenomenon

"The streams of Zitti e buoni are growing by the second, and they bring us above Muse, at the top of English charts, twelfth in the Spotify Global Chart. Followers almost tripled, in the post-Rotterdam period (from 1,4 to 3,3 millions, ed.) Contagious and universal folly: t-shirts and merchandising sold out in 10 minutes. Like the records, the tickets for a tour that keeps adding dates and expanding over geographic maps. They're contacting us even from some festivals were The Rolling Stones went." Thomas

"After the pretextual controversy over cocaine that France built against us, later disproven by my drug test, some graffiti popped up in Spain depicting me as a “No drugs” poster guy. Some tweets made us laugh: "Congratulations, Italy! I've never been more certain that four people have had sex with each other." Miley Cyrus started following us -You're great. -You guys are greater." Damiano

From the garage to the stars – Story of a flight

"It was only 2016, and we played in restaurants, in the streets, in via del Corso. Damiano without even a microphone, Thomas' guitar with wonky strings, Ethan was drumming on a cajón. During Rome highschools' sit-ins (Kennedy, Virgilio, Mamiani) we had our first confirmations and half-hours of celebrity, playing among those who criticized us and those who went "wow they're really cool." One of the rare times when they would have paid us – 50 euros each – we gave the money to the next band in the lineup so that they would make us play in their spot, later in the day, when there would have been more people. We had already realized how things worked. Visibility mattered more than money. And we still think that." Victoria

The intimacy of rock – Choice of a genre

"Music allows us the miracle of extending to others some very personal and private topics, sometimes even difficult and thorny ones. They are and they remain deeply your own, but at the same time they become a confession that reaches a wider audience, and in this passage that is alike a delivery, they find a place in you as well, a processing of them. You overcome them, you accept them. One second it's something aggressive, the next it's a ballad. Cathartic». Damiano

Against panic – The stage as therapy

"I've suffered a lot from anxiety and panic attacks, it's an issue I've worked on thanks to a psychotherapy course, my friends and my family. Playing helped me in not letting myself be paralyzed by my fears, not making myself limited in my private and professional life. I've learned to accept, to live with this side of myself. I don't hide it. I don't feel ashamed of it." Victoria

Analysis as necessity – Relying on someone saves you

"This belief that only madmen go to the psychologist is a widespread ignorance. No-one's born learned. [tn: common Italian saying] And it's often hard to understand the very reason why we're here, let alone the origin and direction of our desires. It's a long and legitimate journey towards lucidity, a kind of backing to become transparent." Damiano

Being out of our minds – But different from them [tn: "Zitti e buoni" lyrics]

"When you feel a strong passion towards something that is not a canonical job but an artistic language, that already puts you on a level of anomaly, which is not superior or inferior to other people, but it puts you in the position of the one who breaks the mold and also works at a loss, the one who sustains great risks while trying to do something that who knows if it will take you anywhere. "Why do it if it doesn't pay?". You want to give this dream of yours an aesthetic, but it becomes "You're dressing so weird! You must be gay!" - now that I'm 22 I laugh about it, but when I was 17 it had an effect on me, too." Damiano

The beauty of uniqueness – Of believing in it and defending it

"And I mean, at the end of the day if we're all different it's not because we want be alternative but because, really, no-one is the same. Justice is being judged on what you do and not what you are. Justice is equality, respect, beauty." Ethan

Fluid sexuality – Pride is freedom

"Heels for men that like themselves in them, kisses among ourselves, we have an open, extended mind, and we're proud of it. The horizons become vast, past the oppression of conservative families. With the information on the web knowledge becomes greater and with it the possibility that minorities will be less and less minorities, because the majority will be less of a majority. This way we'll make insults and bullying grow quieter. If social media get to a village of 50 souls and reveal to a girl who's afraid of the dark that someone has felt her same fear, then there's no reason to give a name to that fear, to mark it with labels which also limit and restrict. Definitions always had this effect on me. You shouldn't even consider the gender when judging someone, let alone their orientation." Victoria

Sexism – A culture to be dismantled

"Emma [tn: Emma Marrone, Italian singer] drops the bomb: “At Eurovision when I was there they massacred me for a pair of shorts, while they said nothing to Damiano – bare-chested and in heels.” The easy judgment against women is more fierce, constant, debasing (if I have a lot of sex I'm cool while Vic is a whore, where I show myself strong I'm a leader while Vic is despotic and a pain in the ass who reached success because she's hot.) As a male I'm privileged, the abuse I get is not comparable to those a woman has to live through, the comments over my aesthetic are centered only on my aesthetic and don't insinuate anything about my professionalism and my competence, while women are victims of this kind of thought in a systematic way. It happened though to find myself standing with a woman who while pulling me to herself to take a selfie, started licking my face out of the blue... I mean, what the hell do you want? Who asked you? Consent exists, and it's due." Damiano

Grow yourself – The only commandment

"To me conformism is the opposite of education [tn: could also mean "politeness"] and is the asphyxia of expression. I fortunately never endured heavy bullying, heavy enough for the the judgement of others to change me. But the mold of the small crumbs of bullying I got and of the kind of aggression that scars is the same. If I'm a kid who dances and likes dolls you have to let me do what I like. I was a kid who wanted to keep his hair long and played with Barbie. As a teen, my friends looked at my hair: " You have to find a girl with short hair to be at your side." My grandparents took away my dolls: "Stop it, they're not for you." Ethan

"When I was six I was already sick of them, the distinctions between masculine and feminine. I've always had strong ideas about how I wanted to be. I refused things that were typically defined as girly, and all around me they mocked me because I went skateboarding, I played soccer, I didn't wear skirts, I was giving myself the chance to be as I wished. I endured it a little, I suffered a little, but I had courage, and now thanks to that courage I know that I could have gotten even much more hurt, otherwise I would have left to others the most important choice: the one about myself." Victoria

Love in progress – Music, girlfriends

"I've been married to music for the last 20 years. I can't wait to celebrate our golden wedding anniversary." Ethan

"Everyone makes their own experiences, sometimes it goes well, sometimes it goes wrong, but it's always not anybody's business." Thomas

"When I first felt feelings and attraction towards a girl it was a bit disorienting because I had never had the courage of going beyond the limitations I had put for myself. For society being heterosexual is the norm and so you often define yourself in that way automatically, depriving yourself of the freedom to live many shades and faces of love. Once I overcame the initial insecurity of having to call into question my certainties I've lived my sexuality in a very natural and free way, as it should be for everyone." Victoria

"I had paparazzi at my door every day and night. So, after four years of relationship, I revealed her name. I still have paparazzi at my door every day and nigh, but at least I don't have to hide anything anymore." Damiano

The worth of the group – Phenomenology of protection

"The true engagement though, the true family is among ourselves, our band. We've believed in it since day zero, even before we called ourselves Måneskin (Moonlight in Danish), even before Ethan drew a giant moon on the flier for the first concert we ever did. We share everything, even the pain for the tragedy of Seid Visin, who committed suicide at 20 because of racism. [tn: I think the journalist asked them their opinion about Seid Visin's death, which was a current events topic in Italy, and then pasted it syntaxically in the middle of Thomas' answer, which was not a great move] A group is what we all should be: stay united and not back down an inch in the face of oppression that is generated by a distorted view of diversity." Thomas

I'm not of the right age – Like Gigliola [tn: Gigliola Cinquetti won Eurovision with her song "Non ho l'età", which means "I'm not of the right age"]

"Before you the only one who won both Sanremo and Eurovision on the same year was Cinquetti (1964). If there's anything I feel I'm not of the right age for? No, honestly no. Maybe having children. Regarding children I'll be honest: I'm not of the right age." Damiano

Having touched the sky – The fears that remain

"We're more than inside the dream, we're in the conquered dream. When you fly high there's the risk of plummeting and hurting yourself, but we'll work hard not to end up like Icarus, who burns his wings with the sun. Everything is in our hands. And this - a bit pretentiously - reassures us rather than scaring us." Damiano

#maneskin #måneskin #vanity fair #italian #translation

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demonslayedher · 3 years

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Love Breathing Not Fully Bloomed: A Kanroji Mitsuri Meta

Some thoughts that have been brewing since we got a deeper look at the birth of the Breath of Love in the Rengoku Gaiden, boiling down to that Mitsuri had not yet reached her full potential.

SPOILERS AHEAD~!

While we don't have any reliable timeline for this series, we know that Mitsuri has been practicing swordsmanship for only about two years, likely less. The "two years ago" stated in her flashback to her failed engagement was back when she was 17, so let's be generous and say that was 2.5 years ago. But, we must also keep in mind that she's been a Pillar for at least several months by the time Swordsmith Village arc takes place. The Pillar meeting Tanjiro met her at was possibly her first of the twice-a-year meetings, but I wouldn't put it anywhere beyond her second. After the failed marriage discussion she would have spent some unknown period of time dying her hair and starving herself, before deciding to join the Demon Slayers. She accomplished her Flame Breathing training under Rengoku in six months, roughly half the time most Breath users train under their cultivators. Tokito is noted for becoming a Pillar in two months after taking up the sword, but Mitsuri probably stumbled her way into Pillarhood within months of passing the Final Selection; making the Kamaboko squad's quick ascension up the ranks look like nothing as she blows away the usual five years it takes someone to become a Pillar (or if they are especially skilled, more like two years, as stated by Gotouge in Taisho Secrets). While the way of swordsmanship and battle became Mitsuri’s everyday way of life, thereby leading to huge improvements, that's a really short time to develop actual battlefield experience. Among the Pillars, she is the least seasoned or naturally inclined for battle, it really is by accident of her bizarre strength that she’s gotten so far. That's hardly surprising, given her background and motives. For context, her interests are very domestic what with all the pet-keeping (four cats, a rabbit, and a whole hive of bees, by my count) and sweets and recipes, and her stated hometown would have been in the heart of developing city culture, with shopping and restaurants and movie theaters. There would have been no exposure to swords and the culture that goes with them, making her justifiably embarrassed of how monstrously her strength makes her stick out. Her inability to fit into a normal family life makes her feel worthless, even if she does have a base of love and support. (*Put a pin in these things, I'll be drawing a comparison to another character later.*) However it was that she was introduced to the Corp, it must have taken a huge leap of hope and/or desperation to leave the otherwise comfortable lifestyle for a life of battle. While Rengoku's home is not terribly far from hers, it still would have been a total break from the life she knew before, so she must had been betting everything on both her ultimate wishes; living in accordance with who she is, and finding a husband. Let's refer to these respectively as Wish A and Wish B. Note that "becoming a strong swordsman" and "elimating demons" are not among these goals; they are merely means to her goals. Now if we try to to follow her path as a swordsman chronologically, six months since taking up the sword under Rengoku, she's passed the Final Selection. On a mission with Rengoku, who now treats her as a peer, she's nonetheless filled with shame that she hasn't really picked up much skill and just waves her sword around with brute strength.

I love this bit of characterization because that is so, so easy a trap to fall into with martial arts. Even if you understand things in theory and do your best on proper form when taking things slowly, all of that very easily goes out the window when you're using them in the heat of the moment. The less experience you have, the far more likely one is to do this. Falling back on just throwing a punch as hard as you can instead of throwing a good punch makes Mitsuri so, so, so relatable. She is a normal girl with abnormal strength, not a battle genius. Like us normal people, and even like Tanjiro, she can only improve her battle sense with experience. This puts her in a very different situation than the other Pillars, who she meets either when they are very experienced, or when they are outright geniuses. This gives her a different sense of shame, which we'll come back to. While feeling ashamed that she can't live up to Rengoku's teaching, her fighting suffers with this lack of self-confidence (which, again, makes her very relatable because this is applicable to just about all of us normal people), and she only realizes the Breath technique when applying it through her own unique emotion-driven fighting style. While she goes on to name this Breath after Wish B (given that this is a romantic version of "Love"), it's powered more by a philanthropic love, realized only when she is protecting other people. This becomes a newly discovered third wish, as well as a source of confidence.

In the side story novels, Mitsuri later on suffers another blow to her confidence which compromises her fighting and makes her fall back into wanting to hide herself, for she is ashamed of how her motives compare to Shinobu's. Besides Shinobu's encouragement and giving Mitsuri a venue in which to openly express her love and appreciation for other people, another child whom Mitsuri has rescued looks up to her and says a few things to restore her confidence. Getting that feedback and being able to express herself openly (Wish A) is the cycle that powers Mitsuri's confidence and keeps her ultimate weakness, shame, at bay. This, combined with words of encouragement from Ubuyashiki and Rengoku, is what really empowers her to embrace her unusual constitution and develop the Breath of Love. While it's said that this is an offshoot of the Flame Breathing she's formally trained in, it's more of a stretch than the relationship between something like Snake Breathing stemming from Water Breathing, and more like she's hit at the basis of Breathing itself to create a technique suited to her, like Inosuke did with his entirely self-taught Beast Breathing. (*Put a pin in this self-created Breath style thing, we're going to come back to this too.*) So, Mitsuri went on to become the Love Pillar. With the rate at which Pillars cycle in and out (based on how many the Upper Moons claim to have killed), I have to wonder how fast the Lower Moons getting cycled in and out too. Even though these are her peers and we never see any other Pillars looking down on her, she sees herself in a lower position than the rest of them. Case in point, one thing I love that the anime did is that when Tokito chips the rock at Tanjiro and tells him off, Mitsuri is silently fangirling, and then when Tokito orders the Kakushi to draw back/leave, Mitsuri silently and automatically obeys and shrinks back. That wasn’t directed at you, silly!

Though her Breath requires confidence, she still has a ways to go. When we see her again later, she's in a position of being a protector to everyone around her; the swordsmiths and her juniors, and she's treated with the awe and respect and acceptance of a Pillar; in this kind of setting she is fully in accord with Wish A (reinforced by her less formal third wish) and, thanks to Shinobu's encouragement, not ashamed of Wish B, thereby eliminating a big part of her shame-based weakness. She's added all this power and just as importantly, experience to her preexisting raw strength and flexibility.

The experience is key here; she's gained a lot of battle sense since her first mission. She's not as taken off guard by demon abilities, and with her risen confidence, she's also gained more flexible thinking and can make quick adjustments in battle as needed.

Not entirely, though. At her core, she still relies on that brute strength.

Ultimately, though toward the end she thinks she might be overpowered after all, it's that boost of confidence and cycle of philanthropic love from her juniors and desire to protect them than she recovers and makes use of her mark. (I'm glad no one's told her that this means she's doomed to a short marriage, should she ever even get one.)

Following this historic feat; acting in a way that is natural to her and to her Breath to unlock a mark she didn't even know existed, she still feels a little shamed among the other Pillars for being so shamefully inarticulate about battle technique; despite this being what she's dedicated her life to. Again, it was never her natural desire to be a fighter, so it’s unsurprising that this part doesn’t come as naturally to her as it does to all those geniuses in the room.

Moving on to the battle with Nakime, this is mostly played for laughs because Mitsuri's lack of battle sense compared to other characters is put on full display. She's emotional from the get-go and easily overwhelmed and this affects her concentration drastically, leading to stupid mistakes and ultimately having to fall back on her brute strength to break through pieces of the fortress instead of survive and fight through observation. Getting called out on this is meant to help her, and she absolutely does her best to summon back her battle sense, but it's all downhill for Mitsuri and her Love Breathing technique from here.

As the battle with Muzan starts, that third wish is thrown back in her face as so many of her juniors die protecting her. Since he's powered by philanthropic love and confidence, she cannot recover any battle sense, and quickly falters so much that she must be removed from the battle rather than weigh everyone down. The difference between her and the other Pillars here is stark; her inexperience and lack of natural fighting inclination is, again, painfully obvious and relatable to a lot of readers. She has natural strength, but not natural talent. When she does return to battle, she only has that core strength to rely on again--no room for peace of mind, only brute emotional strength resulting in a panel that made me throw my fist in the air and cheer out loud because damn, that is hardcore, girl.

But, in the end, Mitsuri succumbs to her injuries, and only right before death does she get closer to Wish B. Even with Iguro's promise, it's too late.

This is super frustrating for a number of reasons, but if we're focused solely on the actualization of Love Breathing, it's because Iguro could have said something much, much, much sooner if he wasn't so ashamed of his own blood tainting her in this lifetime (not that she would have cared). Words from other people have such a huge influence on Mitsuri that if she had actualized Wish B, for which her Breath is named, she could have made humongous gains in confidence before being romantically loved, and having someone to openly shower in love. Imagine what she could have unlocked, if that shame she still carried for being too monstrous to be married could have been eliminated. But that's not all. What if the timeline had been different? What if she had not two, but five years’ experience? Or even more than that? What if, for a long duration of her experience as a swordsman, she was also experiencing a happy marriage? I invite you to consider the implications of a Mrs. Iguro Mitsuri who has the comfort and confidence of being herself with a husband, in addition to being in a leadership role in the Corp? A Mrs. Iguro who, with a little honesty from her husband who feels bothered that she’s embarrassed, stands up to Maeda-san and says that as a married woman she needs a more modest uniform?* A Mrs. Iguro who gained a level-headed battle sense that can only be refined through experience, not based in brute strength alone? She'd be such a happy badass. *(Not looking for a modern-era Western culture based debate on this; this is defined based on Mitsuri's desire for a proper Taisho Era marriage.) Now, remember those pins I put in place? Consider someone else who realized a natural Breath technique all on their own, who attained a mark without any intention to, who felt like a monster due to super human abilities that made them shamefully unable to fit into the ideal family life, despite only wanting a peaceful, happy wedded life? Someone who valued bonds with other people, a kind person who lived to protect others? Now, I'm not saying that Love Breathing is as powerful as the Breath of the Sun, or that Mitsuri is as innately powerful as Yoriichi (their natural skills were of different types entirely). But, as all Breath techniques stem from the same natural Sun Breathing source, Love Breathing might have found its way back a little closer to that source, in some way or another. Which is all to say, never look down on Love Breathing or on Mitsuri just because she didn't play as big of a role as the others in the final showdown. After all, that Breath was not yet all it could have been, and as a swordsman, she was not yet in full bloom.

#KnY fandom theories and meta #Kanroji Mitsuri #Kimetsu no Yaiba #Demon Slayer

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female-buckets · 2 years

Text

The low-profile, high-powered race to free WNBA star Brittney Griner from Russian custody

Less than 11 months ago, American basketball star Brittney Griner towered over her UMMC Ekaterinburg teammates as the Russian franchise celebrated its third consecutive EuroLeague Women’s championship. In one picture from the joyous aftermath, Griner, her gold medal around her neck, smiles mischievously from the floor as she makes snow angels in the confetti raining down from the rafters.

The most recent public picture of Griner, however, shows a starkly different scene: In a mug shot released by Russian state media over the weekend, Griner, 31, is standing expressionless against a wall in a building and a locale that both remain unknown. Her 6-foot-9 frame tops out above the height chart over her left shoulder. In her hands, she holds an 8 ½-by-11-inch piece of paper with her name on it.

Little more is known now about Griner’s whereabouts and safety, at least publicly, than when news first broke last week of her arrest and detainment by Russian authorities, which occurred after customs officials allegedly found cartridges containing hashish oil in her luggage at an airport outside Moscow.

In a telephone interview Thursday, U.S. Rep. Colin Allred (D-Tex.) said Griner’s arrest occurred Feb. 17, a week before Russia’s invasion of Ukraine, which means she has been in Russian custody for more than three weeks. She is accused of illegal crossing of a border with illegal narcotics, which in Russia can carry a prison sentence of up to 10 years. Allred said she has not been allowed visits from U.S. Embassy personnel.

“The fact we’ve requested consular access and it has not been granted is very unusual and extremely concerning,” Allred said, accusing Russia of “violating international norms.”

Griner’s family, her agents, officials from the WNBA and the Phoenix Mercury and top U.S. government officials have been mostly silent about her situation — a stance that, according to experts on Russian American relations and people familiar with the case, is a strategic one, probably being dictated by a crisis communications firm. A high-profile media campaign for her release, the thinking goes, would only make her situation worse by adding value to her in the eyes of the Russian authorities.

Griner’s representatives “should consider whether maintaining a low profile and just trying to fight the case through the legal system might be the best option,” said Tom Firestone, a partner at Stroock Stroock & Lavan and former resident legal adviser at the U.S. Embassy in Moscow.

But this much is obvious: With U.S.-Russian relations at their most strained since the Cold War in the wake of Russia’s invasion of Ukraine and the subsequent sanctions imposed by the United States and its NATO allies on Russia, it is a very dangerous time to be an American, particularly one with as high a profile as Griner, trapped in Russia.

“This case should not be political. It should be handled on a legal basis, and we’re hoping to keep it in that realm,” said Allred, who played football for Baylor University, where Griner was a national champion and Associated Press player of the year in 2012. “Of course, this is taking place against the backdrop of extremely strained relations when Russia is extremely isolated from the rest of the world.”

U.S. Secretary of State Antony Blinken said Monday that U.S. officials are “doing everything we can” to help Griner.

“There’s only so much I can say given the privacy considerations at this point,” Blinken said. Asked for further clarity on Griner’s situation Wednesday, a State Department spokesperson referred back to Blinken’s comments.

At the heart of Griner’s situation is the question of whether she actually tried to smuggle hashish oil into Russia — where she has played for UMMC Ekaterinburg the past six seasons — or whether, as some American experts suggest, she could have been targeted and framed for the crime because of her highly visible public profile as a Black, gay American who is also an outspoken activist on racial and LGBTQ+ issues.

“I can’t say definitively she didn’t [do the crime], but the first thought I had when I read about [the arrest] is this sounds like [the Russians] taking an American hostage,” said Daniel Fried, the Weiser Family Distinguished Fellow at the Atlantic Council and formerly the U.S. ambassador to Poland under President Bill Clinton and assistant secretary of state for Europe under Presidents George W. Bush and Barack Obama.

“It wouldn’t surprise me at all if they would do that — plant drugs and grab her. The American embassy and the U.S. government has been aware of the possibility of the Russians using Americans in Moscow … as bargaining chips. It would be just like the Russians to do this — pick somebody, make a case. Unless there is actual evidence [implicating Griner], which would frankly surprise me, I would regard this as a political case, and I feel badly for this person who is caught up in it.”

Asked about Griner’s culpability and the possibility she was framed, Allred said, “I really don’t know. I think the Russian criminal system is very different than ours and is very opaque. We’ve seen trumped up charges against other Americans … So if it were to occur, it wouldn’t be the first time in history.”

Griner’s case also has opened an uncomfortable window into the economics of elite women’s basketball in the United States. From an American-centric viewpoint, Griner’s tenure for UMMC Ekaterinburg — named for the Ural Mining and Metallurgical Company, the owners of which also own the team, and the central Russian city where it is located — is typically described as the overseas side-gig that occupies her during her offseason for the WNBA’s Mercury.

But for Griner and other top Americans in the WNBA, the converse is more accurate. By most objective measures, UMMC Ekaterinburg — which has a longer season and pays Griner as much as five times in salary what the Mercury pays her — is her main employer and the WNBA an offseason side-gig. About half of all WNBA players head overseas at the conclusion of each WNBA season, in many cases earning more than the WNBA maximum base salary of $228,094. (By comparison, the highest-paid player in the NBA, Golden State’s Stephen Curry, is earning $45.78 million this season, according to basketball-reference.com.)

Even by the standards of European basketball, UMMC Ekaterinburg, controlled by Russian billionaire owner Iskander Makhmudov and CEO Andrei Kozitsyn, is a deep-pocketed powerhouse. In 2015, it persuaded superstar Diana Taurasi to skip the WNBA season to rest and stay fresh for its own season, and its 2021-22 roster included five WNBA all-stars in Griner, Courtney Vandersloot, Allie Quigley, Breanna Stewart and Jonquel Jones.

“The year-round nature of women’s basketball takes it toll,” Taurasi wrote in an open letter to WNBA fans in 2015 about her decision to skip that WNBA season, “and the financial opportunity with my team in Russia would have been irresponsible to turn down. They offered to pay me to rest and I’ve decided to take them up on it. I want to be able to take care of myself and my family when I am done playing.”

The influence of team owners Makhmudov and Kozitsyn, often described as oligarchs, could be among Griner’s biggest assets during this ordeal and could help explain the relative silence from her family and representatives.

“She’s not a tourist there. She’s working and living in Russia and probably paying Russian taxes. She has a network there that needs to be mobilized, including the oligarchs who pay her salary and probably know her personally at some level,” said David Szakonyi, an assistant professor of political science at George Washington University and an expert on corruption in Russia. “That may be why her camp is staying quiet and working those backchannels.”

According to game data on the EuroLeague website, Griner last played for UMMC Ekaterinburg on Jan. 29, scoring 15 points in an 89-52 win over Hungary’s KSC Szekszard. Six days earlier, the U.S. State Department issued a Level 4 Do Not Travel advisory for Russia, warning of the potential for “harassment against U.S. citizens” and “the embassy’s limited ability to assist U.S. citizens in Russia.”

In the wake of Russia’s invasion of Ukraine on Feb. 24, the EuroLeague suspended all Russian teams — which bounced UMMC Ekaterinburg out of the league’s playoffs — and U.S. and WNBA officials began pulling its players out of the country.

“Just landed in Turkey and all I want to do is cry,” Jones, a Bahamian-born center for the Connecticut Sun and the reigning WNBA MVP, posted on Twitter on March 2. “That situation was way more stressful than I realized.”

All but one American made it out: Unbeknown to the rest of the world, by the time of the invasion, Griner already had spent a week in Russian custody.

#brittney griner #wnba #wospo #phoenix mercury

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sturchling · 4 years

Note

If your taking prompts can I get a Tim or Jason with Marinette where lila lies about dating Damon whom is 10or 11 to Lilas 17 to 18 and Marinette is grossed or and worried by her lies. she has seen how Lila treats Adrein and the only thing she knows about Damon Wayne besides his age is he was raised by his mother and grandfather whom did not allow him out much. So she thinks he might be a little like Adrein and not world wise on how people will use you. And doesnt want anything bad to happen

Here you go, hope you like it. Thank you for waiting and being patient with me. Sorry it took so long.

Marinette had met the Waynes a long time ago. Gina had been friends with Alfred for a really long time. So, Gina was at the manor fairly often. After her little fairy, Marinette was born, Gina would bring her to the manor as well to play with Bruce’s boys. Dick and Jason were like big brothers to Marinette. Tim and Marinette were the same age and were very close.

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Eventually, the two started dating. The relationship became long-distance when Marinette was able to visit less and less. Tim also became quite busy over the years and wasn’t able to fly to Paris as often as he would have liked. But the young couple always made sure to talk and FaceTime as often as they could.

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The whole family was fond of the Parisian girl and would often join Tim on FaceTime to speak with her. They always kept her up to date on the new family drama. Marinette also kept them informed in her life. But they didn’t tell her much about Damian when he joined the family. All she knew about him was that he was ten and had been raised by his mother and had only just met Bruce and the boys. According to the boys, Damian had been extremely sheltered for his entire life.

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So, when Marinette heard Lila’s newest story the next day, she became incredibly concerned. The news had already caught wind of Bruce Wayne having a new son and was reporting on Damian Wayne all morning. But there were no details about him at all. The only thing the media knew was his name. Lila thought it would be a great story to tell the class that she had known Damian for a long time and she was dating him. She had no idea that Damian was only ten.

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When Marinette heard this story, she obviously knew it was a lie but she was disgusted and worried. She knew that Lila wasn’t actually dating Damian, but that didn’t mean that Lila couldn’t cause a problem for Damian. Lila could say whatever she wanted about Damian and get away with it since there was no other information about him. She could ruin his reputation before he even gets a chance.

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That night, Marinette called Tim to tell him about what Lila had said. It required some explaining, since she had kept Lila a secret from the Waynes. She wanted to fight this battle on her own. She knew the boys would have wanted to charge in and help with the Lila problem if she had told them. Now she was telling them everything. Dick, Jason, and Tim all sat quietly as Marinette told them everything and what Lila had said this morning. “I wanted to let you guys know what she said. I have a friend that was sheltered most of his life and he got into a messy situation because of how he handled this girl. I know you said Damian was sheltered too so I thought I should warn you so maybe Damian would know and would stand up to a liar instead of let her be.”

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The boys just stare for a second before they all burst into laughter. Dick is the first to recover, “Marinette, Damian would never tolerate a liar. We said he was isolated, not sheltered.” Marinette paused for a moment, “What?” Jason, still wheezing, says, “That demon brat may have been isolated, but he was definitely not sheltered. I’m more concerned of what he would do if he found out about this liar, than what this liar could do to him.” Dick looks thoughtful for a moment, “Still, we should probably tell Bruce about this. Just so he knows.” The other boys nod and Dick gets up to go get Bruce.

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It isn’t long before they both return and Bruce is filled in on the Lila situation. To say he is displeased would be an understatement. “Thank you for telling us Marinette. Do me a favor, if she says anything else about Damian or any of us, please let us know.” Marinette agrees and Bruce leaves so Marinette and Tim could continue their conversation.

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For the next several weeks, Marinette kept note of everything Lila said about the Wayne family. After the popularity of her first lie about Damian, Lila just kept coming up with more lies about the Wayne family. She has now said that she is very close to the family. That she grew up with the boys and is like a daughter to Bruce. She even said that she has helped run Wayne Enterprises and clean up Gotham.

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Marinette tells Bruce and the boys everything that Lila has been saying. When she asks what they’re going to do, they tell her not to worry about it and that she will see. Another week passes before Marinette finally sees what they mean.

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Marinette arrives at school and her class is buzzing with excitement. She asks Adrien what is happening, and he tells her “The class was told that we are having a very special guest today. They won’t tell us who, but everyone thinks it is someone Lila knows and is excited to meet someone so important.” Marinette glances at the liar and sees everyone surrounding her and asking questions. Lila has a strained look on her face, as she evades the questions and tries not to reveal anything.

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The class continues to whisper throughout the day about who it could be, until lunch. Mrs. Bustier leaves the room for a moment and then comes back with a smile on her face. “Class, our guests have arrived. Please welcome Bruce Wayne and his sons, Richard, Jason, Tim, and Damian.” Lila grows pale when she hears those names. She doesn’t have time to try and cover her tracks with the class before the door opens and the group walks in.

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Bruce goes to stand front and center, with his sons surrounding him. Alya is looking at all of the sons, trying to figure out which is Damian. There are two boys that look older than them, and a young kid. Then there is a boy that looks about their age, so she figures that he must be Damian. She instantly calls out, while staring directly at Tim, “Damian! Nice to finally meet you! Lila has told us so much about you and how sweet a boyfriend you are.” Tim just stares back at Alya. Tim eventually breaks the silence saying, “I’m Tim, not Damian. He is Damian” Alya is shocked to see him pointing at the young kid. He couldn’t be older than ten, so why would Lila be dating him.

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Before Alya could continue, Bruce spoke up. “Miss, I don’t know what you are talking about. Damian is only ten, and isn’t dating anyone. Who is this Lila?” Alya stands up, ready to defend her friend. “What do you mean who is Lila? She is close with all of you! You think of her like part of the family. She even helped with Wayne Enterprises! How could you not know her?!” Alya points at Lila through out the tirade, as Lila tries to hide. Bruce gets a look on his face. “Young lady, that is all a bunch of lies. I have never met this Lila person. But thank you for pointing her out. Now I know who to give this to.” Bruce walked to Lila’s desk and hands her a bunch of papers. “That is a cease and desist order. I am not suing you yet, but if you do not stop lying about my family this instant then I will have no choice.”

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The class jumps to defend their friend, with Alya being the loudest. “How could you say that? Lila isn’t a liar!” This is when Damian spoke up, with venom in his voice “She is obviously lying you imbecile. I would never court a harlot like her.” Bruce turned to look at him, silencing him with a look. Bruce turns back to face the class. “The only person in this room that is dating one of my sons and is like part of the family is Marinette.”

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The class is shocked and turns to face the young fashion designer. Lila is fuming. Of course, that brat knows the Waynes. Bruce turned to face Mrs. Bustier again, “Now, I am taking Marinette with me for the rest of the day to go have lunch with us. I suggest you contact Ms. Rossi’s mother and let her know about the cease and desist order and what her daughter has been doing. Have a good day.” With that, Bruce ushers everyone, including Marinette, out of the classroom.

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After they leave, the class erupts into chaos. Everyone turns to Lila, demanding answers. Lila tries to cover it up, and come up with a lie to fix everything. But it doesn’t work. Hard to explain how she isn’t actually dating Damian Wayne and how she didn’t know he was only ten. The class started looking into Lila’s stories. Not just her stories about the Waynes, but everything else. They quickly realize that Lila had been lying this whole time. Soon, Mrs. Rossi arrived and dragged her daughter to Mr. Damocles office. Lila never came back to the class; she was expelled once everything was revealed. The class apologized to Marinette for not believing her and she forgave them. Things settled down in Mrs. Bustier’s class after that and Marinette was happy. Lila was gone, she had her friends back, and Tim and her were as strong as ever. Marinette was the happiest she had been in a while, and felt ready for the next chapter of her life and whatever it may bring.

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natvrefairy · 3 years

Text

Friendship Anniversary (Red x Reader)

Requested: Nope, just thought I should give you all a taste of my writing first.

Reader Pronouns: She/her

Word Count: 1,390

A/N: So, I've recently started a new playthrough of Pokémon Blue, and I just love Red's character, so here we go. :)

C/W: Selective mutism, mainly fluff

Context: Set about six years after Pokémon Red and Blue. Red has been up on Mt. Silver for about three years, only coming down when necessary, or when (Y/N) has convinced him to fly down to her house with her (very rare). She visits him up there regularly to check on him and his team, and bring supplies. He's still got his selective mutism, but she learned sign language to communicate with him.

✎﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏

Six years. It had been six years since (Y/N) had left her home in Pallet Town to set off on her Pokémon journey. Although it was so long ago, sometimes it felt like only yesterday.

She was never as competitive as her childhood friends, Red and Blue, but she did love Pokémon just as much as them. It was a bit disappointing when her dream ended at the Pokémon League, but she was happy for Red, and they moved on quickly.

Red. He hasn't been the same for a while. It's hard to pinpoint when exactly it started, but as time went on throughout their journey, he started talking less and less, before suddenly, he just never spoke again. (Y/N) never found out why, but then again, she didn't want to be rude by asking. Instead, she poured all her efforts into learning sign language, desperate to show support for her best friend in any way she could. It was sometimes weird not physically talking like they used to as young children, but they never needed to talk constantly before anyway. They always had other ways to communicate, so maybe it wasn't too different after all.

For Blue on the other hand, it drove him mad. He never understood how (Y/N) and Red could spend hours just spending time together without uttering a single word. For him, it was a lot harder to understand Red's sudden silence. (Y/N) could tell Blue was trying his best to be there for support, but it was draining him as well. He wanted to support his friend, but didn't know how. Blue was never good at showing real emotions anyway. And now, he's so busy as a gym leader, he barely ever gets the time to go up to Mt. Silver. He's just grateful for (Y/N) for sticking around.

They're all 17 now, and today marks the day when Red and (Y/N) first became friends. Twelve years, it's been. Time really does just fly by.

Humming a soft tune, (Y/N) walks around her house, making sure everything is in place for her to leave. Considering it's their friend anniversary, she was planning on going up to Mt. Silver to visit Red. She even bought him a little present. It wasn't anything big; just a book on Pokémon. She didn’t feel the need to get anything too big, because she knows it just makes him feel bad. But she wanted to get him something, and anything on Pokémon, he'd definitely appreciate.

She looks down in confusion as her pokéball shakes, her trusty Jolteon popping out on his own accord. Shaking her head, she gives him an amused smile.

"What's wrong Jolteon? I only just sent you back. It won't be for long; we're just going to fly to Mt. Silver."

Her Jolteon is very similar to Red's Pikachu, in that he hates his pokéball. Although he does still reluctantly go into his ball when told, (Y/N) prefers to keep him out. She doesn't like seeing him upset, but sometimes it's necessary for him to be in his ball. Like to keep him safe when they're flying.

Jolteon shakes his head, his fur pricking up like static as he runs to the door. Running after him, she hesitates before opening the door, curious as to what he can sense.

"Pika! Pikachu!"

'Hello.'

"Red, Pikachu, what are you guys doing here?" (Y/N) asks, clearly in shock as Pikachu jumps off Red's shoulder and runs inside to play with Jolteon.

'It's our friend anniversary. We wanted to see you.' Red signs, smiling softly.

(Y/N)'s face lights up at the sight of that smile; the one he only ever shows around her or his Pokémon. Stepping to the side to let him in, she closes the door, freezing as she suddenly remembers his present.

Grabbing the messily wrapped present, she hands it to him, her face flushed in embarrassment.

'I got you something. Sorry about the wrapping.' She apologises, averting her gaze awkwardly, before leading him to the couch to unwrap it.

There was something almost terrifying about watching him open it. She knew there was nothing to worry about; she knew him better than anyone, after all. Except Pickachu, obviously. She knows what Red likes, and she knows he'll appreciate the gift, but for some reason, she can't help being nervous.

Feeling his hand being placed on top of her own, (Y/N) jumps slightly, looking up to meet Red's warm gaze. Looking into those perfect ruby eyes of his let loose a swarm of Butterfree in her stomach. Her mouth goes dry, so she just smiles back at him, understanding his gesture of thanks.

Confused when he suddenly grabs his bag, her eyes widen as he pulls out a perfectly wrapped present, handing it to her.

"Red... You shouldn't have."

He just shakes his head, gesturing for the girl to open it. Carefully unwrapping it, hands shaking slightly, she furrows her eyebrows to see a black box. Lifting the lid, her jaw drops to see the beautiful ruby necklace she'd been wanting for months. Tears welling in her eyes, she looks at him in confusion. She never mentioned it to him.

"How did you...?"

Red's cheeks heat up slightly as he signs a response, 'I may have asked Blue if there was anything you had your eye on.'

Gently taking it from her, he clasps it around her neck, grinning happily at the beauty in front of him. (Y/N) shakes her head in disbelief, a small chuckle escaping her lips.

'You really went above and beyond,' She signs to him, gently kissing him on the cheek before getting up, 'tell you what, how about we just have a movie day?'

----

Hours had passed, and Red and (Y/N) were still snuggled up on the sofa-bed watching movies, a blanket draped over them. They had stopped earlier for dinner, and Pikachu and Jolteon had already fallen asleep, so there was nothing stopping them from watching movies for the rest of the night.

Except, unfortunately, the tiredness slowly creeping its way in to (Y/N)'s body. Her eyes keep drifting shut, until Red grabs the remote, switching the TV off.

"What did you do that for?" (Y/N) asks, glancing up at him with half-shut eyes, earning a soft glare in response. She knew that look all too well. "But I don't want to sleep yet."

Red places a finger against her lip, silencing her and shaking his head. Planting a soft kiss on her temple, he pulls her closer; a sign that he's not taking no for an answer.

Sighing, (Y/N) moves closer to him, reluctantly closing her eyes. She knows how stubborn he can get, and just decided to leave it at that.

She had almost drifted off to sleep, when she felt a soft pair of lips against her head, and a quiet, hoarse voice break the silence.

"I love you."

(Y/N) freezes, slowly opening her tired eyes to look up at him. Those were the first words he had spoken in five and a half years.

"Red, did you just-?"

"I love you," he whispers again. It looked like a bit of a struggle to speak, but his face showed nothing but pure love and adoration for the girl in his arms.

(Y/N) leans up, pressing her lips against his in a gentle kiss. They were both still very tired, so it didn't last long, but they still had enough time to pour show the love they had held back for years. In those few short moments, it was like a spark rushing through their bodies. All those years of loving each other, all that time they held back, finally expressing their feelings.

When they pull away, (Y/N) buries her head in Red's chest, too embarrassed and tired to actually look him in the eyes. But before she falls asleep, Red does hear her mumble a response.

"I love you too."

Those were the last words she spoke that night. As Red gazes down at the girl sleeping peacefully in his arms; the one he loves with all his heart; he can't help but think about how lucky he is to have her in his life.

(Y/N) is the best thing that ever happened to him, and now they can finally celebrate the start of a beautiful relationship.

#pokemon #pokemon red #pokemon blue #trainer red #champion red #x reader #oneshot #pokemon oneshot #red x reader #red (pokemon)#blue (pokemon)#fluff #selective mutism #kanto

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feralnumberfive · 3 years

Text

The Rewatch Academy: Episode 4 of Season 1

“Man on the Moon”

I am in no way a good analyst so my little analysis and speculations probably sound a bit goofy or pretty wild and probably mean nothing at all. Everything I put into this post about each episode is purely what I noticed or thought, whether it’s funny or serious. I will be making jokes, so please just leave it at that (in no way am I trying to make fun of an actor and or character!) I am also in no way saying I noticed this stuff first. This is just what I noticed while rewatching these episodes

☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂

1x01 | 1x02 | 1x03 |

☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂

☂ So at that point Luther had already been alone for about five years (due to his siblings leaving when they were 18 or even 17 according to Diego), and by alone I mean he did’t have his siblings with him. I’m not counting Reginald, Grace, or Pogo because I’d imagine they weren’t the best company. There was a two year gap between Luther getting the serum and then being sent to the moon. He had already been “alone” for five years before he was sent away to be completely alone for four years. He hasn’t had really any social/outside interaction besides going on missions for almost ten years, which means Luther is an awkward dude and he hasn’t been a true leader because he hasn’t had anyone to lead. I don’t think people really realize this and I think that’s where some of the hate towards him comes from

☂ We see that Luther looks into Allison’s and Klaus’s bedrooms as he makes his way down the hall, and I’m willing to bet he did that for all of his siblings. Makes me wonder how many times the siblings went to Five’s room to visit it or to even check with hope that he had come back

☂ I wish I could ride my bike around my house and chug a gallon of milk :[

☂ I can’t believe that Reginald still made him wear that leather battle suit 💀

☂ Why are there posters of animal anatomy in the infirmary?

☂ Apparently it takes between two to four months to grow a full beard, so that’s about how long Luther had been lying there

☂ *suffers through the Allison and Luther scene*

☂ “HoPe I wAsN’t BeInG tOo LoUd”

☂ Vanya and Leonard were really sweet in the beginning. Screw you Leonard

☂ It’s really sad that not one his siblings notice that Klaus is gone. Not. One.

☂ Are you telling me that Klaus and Five are certified freaks? At least I’m sure that’s who Cha Cha is referring to, or maybe it’s Luther

☂ I tried looking up tortures in Trinidad to see if Cha Cha was referring to any specific event, but I think it’s just a random thing in the show

☂ It’s only when Diego mutters “The boy” that it reminds him either of Five’s superhero name “The Boy” or his new appearance as a teen again so it finally clicks in his head that that’s who the mystery kid is

☂ Diego admitting that he doesn’t really know how to process his feelings!

☂ He’s very protective of his family and that’s something that I love about Diego. He doesn’t know who Hazel and Cha Cha are but all he knows is that they are searching for Five for some reason and that his siblings almost got killed last night

☂ Five doesn't realize the suffering that he’s putting his family through at this point since he’s only focused on finding who’s responsible for the end of the world. It’s ironic that he’s doing all of this to keep them alive and safe and yet him not being with them almost got them killed. Five buddy, you should have included all of your siblings from the start no matter how much they annoy you

☂ Also where has Five been this entire time? He left the van at night and now it’s the next morning. He’s been following the guy but why did it take him so long to corner him?

☂ Ope, and there’s a continuation error! When Luther takes his arm out of Five’s dresser, he takes part of the wood panel with him. When it cuts back to Diego talking there’s just a fist size hole

☂ “We barely got out with our lives.” Okay but where were you, Pogo?

☂ It’s funny how quickly they revert to child-like shame when Pogo scolds them. At least they still respect him I guess

☂ Is Hazel eating potato chips with ketchup?

☂ I think one reason why nobody notices that Klaus is gone is because none of them saw him that night during the attack. They possibly assumed he already had left the Academy??

☂ Looooove the “Shingaling” scene. They are straight up vibing

☂ I don’t know why Luther was frustrated with the van door being locked. It’s not like he could rip the door off or anything.......

☂ I have a two questions here:

Why did Diego know where to find Five based off of the book? Sure he saw that it came from the library, but that doesn’t mean that he’ll be there

Wouldn’t Luther and Diego have seen the smoke coming from the Meritech building? Unless they left immediately and weren’t able to see the smoke even though they probably were still in the vicinity when it began to burn

☂ Five is holding the man’s arm to make sure that he doesn’t get away (hard to tell in the pic below though). He needs that sense of security that this lead isn’t going to escape his grasp, but I’m sure that if he were to run he wouldn’t get far when you can just teleport after him

☂ I got a nice pic of Five (also the dude on the bike that was riding behind Five as he runs up in this shot just does not care that this building is on fire)

☂ When it shows Five on the ground, it at first starts off with light and slightly comedic music before it quickly switches over to something dramatic. I always thought it was funny that they play the light stuff as we see Five just laying there 💀

☂ You can see just how quickly Five’s face changes from shock to disbelief and disappointment as his only lead is literally blown away from him look, you can pinpoint the exact moment his heart breaks. Also Five definitely would have had hearing issues since we can see that the windows on the building behind him were shattered. He’s staring into your soul....

☂ There’s nothing really significant about this at all, but Whippets are racing dogs and in the comics Five goes to watch a dog race at one point

☂ “I hate sprinkles.” Hey, me too!

☂ I love that Griddy’s is still open despite the damage that was done to it

☂ Diego left home at 17 (which is illegal so I wonder if he was emancipated or maybe Diego ran away and Reginald didn’t care to look for him) so I wonder if the others left when they were 17 too or if they waited until they were 18

☂ Luther I don’t really think you’re one to talk about being “grown up” my guy. In fairness none of the Umbrellas know how to be fully functioning adults, not even Five who’s about twice the age of his siblings and is almost a senior citizen

☂ “I stayed because the world needed me.” Hey that was basically Five’s reason too, but more so for getting to see his family again. Anyways, like brother, like, uh, brother!

☂ "And things are never gonna go back to the way they used to be.” You sir just predicted the next week(s) (and technically years in the 60s) of your life and the lives of your siblings! This also applies for what happens after those weeks/years, but we haven’t gotten there yet but it’s certainly not the way things used to be!

☂ How was Luther upset enough that he wanted Diego to stop talking after he said something genuine and a bit sad?

☂ This whole relationship talk isn’t exactly relatable......

☂ He’s just chillin’

☂ Reginald can ✨perish✨ Oh wait, he already did

☂ Here I am taking any little scrap and running with it, but when Five says he’s going through puberty twice does that mean that he didn’t get his aging altered by The Commission? In the comics, Temps Aeternalis/Commission stopped Five’s aging but here it sounds like that didn’t happen. Since we haven’t heard anything about Five’s DNA in the tv show we don’t really know much about his aging alteration either. I think that they really do have to leave that part out due to Aidan himself, who is a growing teen, and for the fact that they would need to come up with an excuse for Five’s aging (Aidan already looks different in S2 and he’s taller too). I wish they would bring this stuff up in the show!

☂ Five deflects answering the question of what he’s the best at most likely just because he’s just distracted but also possibly because he doesn’t want his brothers to know at this point

☂ First the feral chimp smile and now this

☂ Five actually sounded serious when he was talking about how many people he has killed and how he’s the ”Four frickin’ Horsemen” which is more so an exaggeration but it still shows us that he views himself as dangerous and powerful. He revealed this to them while he was drunk, even though they don’t really understand, but I wonder if Five ever actually planned on telling his siblings what he did and how much blood he has on his hands. I feel like he would have told them after he had saved the world from the apocalypse, but yet again I could also see him brushing off questions in relation to what he just said to Luther and Diego to hide his past from his family

☂ ✨”Little Psycho”✨

☂ As eerie as all of those ghosts are, it’s a really neat scene

☂ It’s not really meant to be funny, but Klaus denying the duct tape just reminds me of a little kid refusing to go into timeout

☂ I guess Cha Cha got out through the door next to the bathroom when Klaus was banging his head on the table?

☂ It’s a shame that Patch died right away, I really liked her

☂ Klaus, where you’re going really isn’t any better

☂ It’s sweet that Diego puts Delores down gently and doesn’t just toss her somewhere. Even though she’s a mannequin, Diego knows that she means something to Five

☂ Well Luther I think it’s pretty self-explanatory what he meant. You just need more context

☂ Diego: *signaling that someone, possibly a threat, is approaching and to be alert*

Luther: 🕴👁`👄’👁

☂ Even if they did think that Klaus had left the Academy before Hazel and Cha Cha attacked it, it’s sad that it took them this long to think about him

☂ Luther patting Delores is so cute

☂ Say it with me kids, “Patch deserved so much better!”

☂ My heart breaks to see Diego so heartbroken and upset, especially when he says “I gotta go, okay? I can’t be here when they come, okay?” Ugh, that gets me

☂☂☂☂☂☂☂

Feel free to comment or reblog with things you have noticed too!

#tra #the rewatch academy #tua #the umbrella academy #umbrella academy #luther hargreeves #diego hargreeves #allison hargreeves #klaus hargreeves #number five #five hargreeves #ben hargreeves #vanya hargreeves #hazel and cha cha #eudora patch #reginald hargreeves #man on the moon

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mannatea · 3 years

Text

fhghhh doing some paralogues like

felix voice: “god my dad is such a pathetic old man”

rodrigue voice: FELIX MY SON!!! :)))

fjglghghh

kinda feel bad for both of them, but i mean, felix is still a kid, so...i mean, so he’s struggling with these things that some adults can’t even handle (you know...grief). anyway, i was never an angry 17 year old boy but i wouldn’t wanna be.

and fuck going back to being 17. that sounds terrible jfhghgh

sylvain x byleth B is fjgh “playing around with girls is the most fun a guy can have” jesus christ man have you no shame?

“we’re only accepted if we’re born with crests” so like this contradicts multiple other things people have said. i mean, it’s not just “some” families who are like this, it’s all the 10 big fams according to sylvain. and why was his brother disowned 4 years ago and not at birth then, since sylvain says most of these families test at birth?

anyway sylvain isn’t wrong but he’s still an intolerable fucking brat lol. i feel like the game wants to just go all out with him but is held back from that in some regards and his supports suffer for it. sorta.

cyril + byleth B ... cyril should do singing with annette hhhghh he’s cute but man rhea still creeps me tf out so i feel bad for cyril more than anything HHAHAHA

aight aight i respect u seteth...u and ur wrinkly brain.

outside this forest...dimitri and felix agreed on something.........again....... wowzer

why the fUCK is dimitri surprised that this is like a trap

kronya is like...... that is a look

and great, solon is even creepire than he was two hours ago, which is just great, just lovely

sweet a forbidden spell, that always goes exactly as planned. always.

ok dimitri, in this ONE instance, u may go feral

“no need for words. i know your heart as though it were my own” hhhh sothis don’t make me fEEL things gurl

okay but the darker hair was sexier can i have that back

thales....is he a loser too? wow what shock

“are you uhhhhh...are you asleEP?” shut up it’s naptime

i can’t believe a 17 year old carried me anywhere :((

i hate waking up with rhea two inches away ughhhh creepy

COOL so we just left jeralt’s diary out for anyone to read, even though he said he was scared of rhea we just left that there like...nbd ??? HELLO? WHY

I MISS MY DARK HAIR AND I AHTE THE NEON SPRITE

aight but finding alois looking through jeralt’s things being all thoughtful hhhh got me a bit

“be honest. do i look old?” SCREAMS manUELA,,, don’t worry ur boobs still lookin good

pst...it’s your personality

“was i smiling? please...forget you saw that. i do not have the right to such pleasures.” hghhhhhh damn gilbert this man feeling guilty about everything ever

dedue and annette B - animals don’t like u because you walk with such a heavy foot that’s my hot take. anyway this support is VERY cute and good. love them

flayn + dedue C is so fUCKING wholesome look at this man getting asked for help left and right. he’s a god and if everyone doesn’t make him a chef in their weird AU fanfics i’ll be pissed

mercedes and annette B is kind of dumb

gotta take a break for realisies tho. this games moves SO slow and it’s probably good but it’s driving me insane because i like to bullrush through games hghgh

#manna plays fe3h

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swiftgronmasterpost · 4 years

Text

Spring/Summer/Fall 2013 - The End(?)

Click here for an appropriately sad Swiftgron breakup playlist.

I don’t know if it’s important or not but Dianna wishes several friends a late happy birthday on twitter, apologizing for missing the actual day through this spring and summer. It seems like maybe she’s going through something (like a bad break up?) because it’s not like her to miss friends’ birthdays.

March 26, 2013 - Maybe a relevant tweet?

April 7, 2013 - Dianna tweets a photo of James Dean in a day dream like setting:

April 16, 2013 - The article that outed them:

Someone made a fake article that said Swiftgron was dating:

Dianna tweets seven times that day which is a bit much for her.

The hashtag here stands out to me:

The fake article goes viral and all week people are tweeting about the possibility that Dianna and Taylor are dating.

April 23, 2012

It seems to culminate on this day. Many people are buzzing about Swiftgron and this actress tweets:

That’s right at midnight.

About 12 hours later Dianna deletes her public Tumblr:

On that same day Dianna reblogs several things on her private Tumblr. These two stand out to me:

She reblogged both of these posts and the only hashtag they had in common was “#lost love” - she was searching that hashtag.

I think it’s very clear that today is the day Swiftgron 2.0 broke up. I believe they were forced to by their management teams due to being outed.

April 24, 2013 - Taylor seems regretful/stressed out she screenshots her text to Austin and posts:

I think Dianna’s obviously upset about this and as an act of defiance she tweets at Taylor a few days later (Taylor does not respond.)

April 29, 2013

Instead Taylor posts on Dianna’s Birthday (April 30) a silly google search (very DIanna in nature tbh) with a play on the lyrics from 22:

Taylor had the week of Dianna’s 27th birthday off of the Red tour (it was scheduled like that) but as far as we know they did not hang out.

May 4, 2013 - Ours

At her first show since their supposed break-up, Taylor performs Ours as a surprise song. She introduces it by saying: “This is a song about how, when you fall in love everybody starts to give you their opinion. I imagine it could be really hard to make a relationship last, I wouldn’t know. But, given that everyone is giving you their own opinion about it, I think that the only opinion you should really listen to is yours and if you love that person, that should be all that matters.”

youtube

Dianna dyes her hair brown and goes to Morocco a week later with Ashley (”You searched the world for something else, To make you feel like what we had”) from about May 11 - May 14 or 15. While there she attends the A Small World relaunch. ASW could be viewed as a bit “sketchy” if you will. I think this is where she befriends Olivia Wilde.

This is Dianna’s first (known) trip to Morocco (Derek Blasberg is there too) but she seems to be drawn there over and over again after this, even marrying Winston Marshall there (and possibly meeting another boyfriend, Gus Wenner there.)

May 19, 2013 - Billboard Music Awards in Las Vegas

Taylor wins 8 awards and says this during her acceptance speech:

This and the performance of Ours makes me think Taylor is bitter about a break up right now, even though publicly she broke up with Harry back in January.

This is also the event where Taylor is famously grossed out by Justin and Selena’s hetero nonsense and does this:

It seems like as always, Taylor has a lot going on right now...some kind of drama with Justin is boiling but it’s possible she’s also referencing her breakup with Dianna in her acceptance speech.

Dianna pops back up in NYC.

May 20, 2013 - WLW icon Kristen Stewart apparently spends the night at Taylors?

May 28, 2013 - Taylor plays Haunted on the Red Tour and gives a speech:

"This is a song that I haven't played on this tour so far. It came up when one of my friends tweeted the lyrics to it today and it reminded me that I haven't played this song in about two years. It has to do with the fact that, you know people talk about ghosts all the time. You just kind of imagine it being this supernatural thing, but there's another kind of ghost and it's just a person who is out there walking in the world or just doesn't love you anymore and that's a whole different kind of being haunted." Seems like she’s really going through it.

July 2, 2013 - Anniversary of Hyannis Port trip and interesting private Tumblr post from Dianna:

Bad things happen this summer. Cory Monteith passes away and Taylor is assaulted at a meet and greet by a DJ.

July 2013 - Dianna buys a house in LA (I Wish You Would)

August 2013 - Dianna’s whosirmesir moniker gets outed and she stops blogging under that tumblr account.

August 14, 2013 - Taylor is in a weird place according to the Lover diaries:

1. she seems to have basically written The Lakes here

2. she’s really harping on themes she ends up addressing in I Know Places, Out of the Woods, and Wonderland

August 29, 2013 - Dianna steps out with restaurateur Nick Mathers.

Not sure what to make of this one. Dianna seems to date two types of men: 1. teeny bopper actors for bearding and pr purposes (it generally seems) and 2. rich businessmen. Nick is type 2, but their relationship is reported on as if it’s PR. “Sources” call up gossip sites to fill them in on the relationship and both their projects get plugged along with announcements on them as a couple:

I don’t know if they were more or less legit but she goes out with Taylor five days later...

September 4, 2013 - The Fun! Concert:

Swiftgron’s last pre-Kaylor public sighting - they go to a Fun! concert in LA

It’s just a split instant of video footage but Sarah Hyland uploads this to Vine and it does not look like Dianna is enjoying herself:

Note: It kind of looks like DIanna has her arm around Taylor’s waist and also the person to the right of Taylor is Selby Drummond who is still friends with DIanna as of writing of this masterpost (December 2020) and who still appears to be a fan of Taylor’s.

Dianna does look miserable but I do think it’s interesting they seem to be making an effort to hang out on the two year anniversary of their public (perhaps private as well) first meeting.

Dianna tweets about the concert the next day:

September 6, 2013 - Taylor plays Speak Now as the surprise song on the Red tour. Interesting given the timing of Dianna and her new boyfriend being public just one week before this.

September 8, 2013 - Taylor plays Sad, Beautiful Tragic for the first time ever live and gives this speech:

"I kind of feel like playing a song I've never ever played live before. This is um a song that I wrote about how you know just because something's over doesn't mean it wasn't incredibly beautiful. Cause another lesson I've learned is not all stories have a happy ending and you have to learn how to deal with that. So this is a song about a story that didn't end so happily but was still supposed to happen. This is called Sad, Beautiful, Tragic."

I don’t think this song was originally written about Dianna but I do think at this time while they stumble through the last phase of their relationship Taylor was inspired to sing it.

October 2013 - Taylor writes I Wish You Would, a song inspired by an ex who had recently bought a house near her driving past her house. It’s thought to be about Harry but Harry didn’t buy a house in LA until March 2014. But of course we know Dianna did buy a house near Taylor’s in LA earlier this fall.

November 11, 2013 - The music video for “She’s Just Another Girl” premiers starring Dianna looking stunning in high fashion drag, dressed up as the lead singer, and lip syncing the words to the song:

Some lyrics to the song include:

All of my friends say I should move on She's just another girl, don't let her stick it to your heart so hard And all of my friends say it wasn't meant to be And it's a great big world, she's just another girl

I could be reeling them in left and right Something's got a hold on me, tonight Well maybe all of my friends should confront The fact that I don't want another girl

I think it’s at least possible that Dianna was drawn to this project because the lyrics resonated to her given what she was going through with Taylor at the time.

November 12, 2013 - Day of Victoria’s Secret Fashion Show rehearsals and Dianna posts this (now deleted) picture:

November 13, 2013 - Victoria’s Secret Fashion Show where Taylor performs and Karlie Kloss walks the runway.

Dianna posts this picture (now deleted) of her at Emma Stone’s birthday party from 11 months previous:

It’s likely she’s looking at Taylor in this photo who was seated across from her.

It’s a very random picture to post. It wasn’t titled as a throwback and it wasn’t an exact year after the picture was taken (prompting some kind of happy birthday shout out to Emma Stone or anything) - just a random picture of Dianna smiling, likely at Taylor.

November 17, 2013 - Dianna posts a (now deleted) photo about missing someone:

November 21, 2013 - Taylor posts lyrics from a hopeful love song about a troubled relationship:

Lyrics:

December 9, 2013 - Dianna listens to Pale Blue Eyes

Lyrics are about being emo over a lost love with Blue Eyes:

Sometimes I feel so happy Sometimes I feel so sad Sometimes I feel so happy But mostly you just make me mad Baby, you just make me madLinger on your pale blue eyes Linger on your pale blue eyes

Thought of you as my mountaintop Thought of you as my peak Thought of you as everything I've had, but couldn't keep I've had, but couldn't keep

Linger on your pale blue eyes Linger on your pale blue eyes

If I could make the world as pure And strange as what I see I'd put you in the mirror I put in front of me I put in front of meLinger on your pale blue eyes Linger on your pale blue eyes

Skip a life completely Stuff it in a cup She said, "Money is like us in time It lies, but can't stand up" Down for you is upLinger on your pale blue eyes Linger on your pale blue eyesIt was good what we did yesterday And I'd do it once again The fact that you are married Only proves you're my best friend But it's truly, truly a sinLinger on your pale blue eyes Linger on your pale blue eyes

December 11, 2013 - You know the drill...Dianna posts a now deleted photo to Instagram:

December 13, 2013 - Dianna posts an attention grabbing photo on Taylor’s Birthday

Conclusions - Swiftgron very clearly goes through a rough breakup due to being outed.

Then they attempt some sort of reconciliation - even hanging out (date night?) on the second anniversary of their Fairfax Flea Market meetcute, but it goes wrong.

Taylor is on tour for much of this time and Dianna is posting angst ridden and peculiar Instagram posts exactly at the time Taylor meets Karlie.

Click here to keep reading!

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momo-de-avis · 3 years

Note

gelato

Okay, it was really hard coming up with something for this one cause I genuinely can't remember anything involving ice cream

Something did come to mind though. It's a bit of a stretch, and I'm risking a lot telling this story because there's a twist, but here it goes.

2006, I was a highscooler. Like any highscooler in the mid-2000s, I thought the coolest kid in my school was the ugly ass, six-pack looking ass dude who played the guitar, and my friends all drooled over the cool guys who sat on the exact same spot every day: the bench scribbled all over with stupid shit under the pine tree by the common room.

If anyone here is from Almada and studied in Pragal, I have PICTURES

I also stood out back then because I pierced my nose, wore a bazillion colours and then decided to dye my hair pink shortly after. I went through a vegetarian phase (which didn't last cause I love picanha so much) and a pseudo-hippie one, a pagan one, and a metal one. As one goes.

I had this friend. It was something close to a best friend. The only reason I never claimed her best friend was because she claimed someone else best friend, and I felt it was rude. We talked on MSN every day (lmao) and she was a social person. Mind you, I was super social too, but she had a wild life. We did the tackiest, stupidest shit a teenager can do, like drinking energy drinks and ditching class to read poetry. I am not joking, I was a complete clown.

This story is super convoluted, so I'm going to suppress some details both for the sake of her identity and because it's sincerely long as shit. But from one point on, her life started to get messy. We would be talking on MSN and she's tell me shit like "brb, [friend] just popped over in my house with 32 roses". Or: "oh my god, [same friend] just showed up here with his guitar and singing at my window". Another instance, she started weaving this tale about how the guitarist I had a crush on winked at her at the bus stop (man teenage girls have one braincell). And one ANOTHER instance she wove this really complex tale that made us believe she got drunk, passed out, had sex, and then had urges for mango ice cream (yes, ice cream will be a recurrent topic for some reason) which made us believe she was pregnant.

If you guys are seeing where this is going, it means you're adults. I did not, which meant I was a clown. Rest assured, I'm laughing my ass off as I am typing this.

That's when a new player comes in, who everyone called the Peruvian guy. Yes, because he was Peru.

Peruvian guy was the only one nobody had claimed in the band, except this girl. Until she started coming off with wild claims. It all started with the wildest love story I've ever heard in my life, like not even lifetime comes up with this shit. And unfortunately, only portuguese people will see the level of atrocious in this. Because it all started in a 25th of April Da Weasel concert, inside a crammed TST bus (the 124 OF ALL BUSES) as everything should begin.

These two lovebirds spot each other inside a bus that smells of sweat, vomit and nutsack and thing "damn, we're going to fall in love right now". The Almada main plaza is filled with drunken teens and two stops later they get off. My friend and him decide the best way to discuss the nonexistent relationship is the backdoor of our school, which is a plot hole if I've ever seen one, and he says, with no introduction, that he is madly in love with her. Just like that, going in raw. She is baffled. He repeats himself.

I should remind you that this was all relayed to me by her the following day.

To prove himself, he takes off his shirt, in the middle of the road, and despite being the least busy street in the entirety of the city and 1AM, he, according to her, stops traffic, and bare chested, starts slapping that shit on the concrete screaming I LOVE YOUUUUUUU like some coked up Peruvian Chris Pine. She is still baffled. It is still not enough. So he then grabs her by the shoulders, and SMACKS her against the school gates, which by now are a good 10 meters away, so it must have been a dance. Yes, she showed me the bruises the next day, I need you to remember this detail. And there, in front of a line of enraged drivers that clearly did not exist, he kissed her passionately. I do not think a part of her considered any of this to be assault, I genuinely think she thought this was romantic.

From here on out started the romantic walks by the beach and the gallons of digested ice cream. I mean, gallons. She even showed me receipts. She even relayed back to me his favourite ice cream flavours, where they went together at 9AM and where they sat as they tasted their ice creams together, hand in hand, holding a cone and licking away.

As you have all gathered already, all of this was horseshit.

It started falling apart when I actually befriended Peruvian guy lmfao

Man it was the worst fallout i ever witnessed. Her whole family actually protected this shit, it was wild. We were pretty angry (I mean, I was particularly angry cause these lies were specifically aimed at me, and it turns out only her name was real) and we didn't deal with it the best way, but some of us offered help, but man I lost it when she laughed in my face and said "of course it was all fake". Then again, I was 17 and hormonal, so not the best judgement.

The twist here is that I found her on tumblr again and can safely say she hasn't changed much. From what I've seen, I wouldn't trust much of what she says, but at least she seems more confident in herself. She doesn't come off as an outright pathological liar, and I certainly wouldn't believe shit, but looking back it now it is so fucking funny the lengths through which she went to make up this fake romance, man. Especially because we were teenagers fantasising about these dudes in a band and then my friends and I actually befriended them in our senior year of high school and they were actually pretty cool, chill dudes and the fantasy shattered completely, they were just guys (and the guitarist was a bit of a piece of shit too, and ugly if I'm being honest, but that's my standard today speaking).

But man, I hope to achieve that level of originality. What is so wild to me is that she showed me the bruises, bro. That girl bashed herself against a wall or something to prove a dude had a rough, passionate kiss with her. At least she had help and is better today (though she's not active on tumblr anymore, at least I haven't seen her in the past year or so)

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incarnateirony · 3 years

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So here we are, The Great Supernatural Rewatch, 01.01 Pilot. If unfamiliar with this rewatch, please check my Objectives and Bracketing post [x], and then my Methodology Notes [x]; Also, reminder that I’m not the only person doing this, though each in their own ways. My Objectives and Methodology are my own.

I’m trying to get a little ahead of the official Jan 3 start date, since I know I will... inevitably fall behind, and this episode was ripe for the initial pick-through for the inevitability of a thousand call backs.

That said, with level 1. SYNCHRONIC: As it reads, unto itself, as best divorced from future knowledge of the story, it’s difficult to do much actual “meta” as much as review and commentary since literally it’s all character and story introductions. There’s some to be had, but beyond things like lighting, the Level 1 viewing tier is not going to lend towards much beyond basic archetypes, and a lot of mythology breakdown. This post will be heaving Level 2 weighted as a result. Most tier-1 posting is going to be an early build of key words, phrases and signs to assemble throughout the season watching (and tap back on later for tier 2 by tagging.)

Also a few unannounced side projects; I’m about to start a “Combat Counter” and “Marksmanship Counter”, to see how Sam and Dean handle both in physical battles/scraps over time compared to each other, and who has the better overall aim in the long term.

Some things saved in this post will seem random and arbitrary, but are potential flags I intend to keep, mostly for later level 2, DIACHRONIC study.

Now to get to the meat:

STUDY: REWATCH/REVIEW STAGE

Allow me to lead with: this episode even unto itself is a fine spectacle of just how much the genre shifted over time. I am a huge fan of David Nutter’s directing; many would know him from, say, Game of Thrones. He didn’t stay long--just Pilot and Wendigo--before moving on. But some of his touches stayed with the show for a few years. The entire ambiance is a giant testiment to survival-horror, a grimness to it, even if the CW itself could never truly capitalize on it. The mood and ambiance was successfully played on. The entire episode is rife with cloudy lighting beaming between bars and through windows, bold silhouette shots, and more that gives an air of mystery even after some characters are established. Dynamic shots are plenty.

Your early reading here isn’t going to tell you much you don’t already know, but is for filing, review, and even reminder/refresher purposes. As the season unfolds, there’s going to be more to interconnect, obviously. If you would like to read more observations on actual parallels, scroll to the DIACHRONIC STUDY header. If I’ve taken a screenshot, even in Synchronic, it’s because it’s a flag I do expect to come back up in diachronic study later and need to catalogue for future parallels and address.

So, imagining it’s 2005, we’re watching Supernatural for the first time. We’re in a very different world, Both in the show, and in the real world. A standard, haunting discord rattles the minds of the audience as a tree moves like a hand towards the window of a suburban home.

We see a classic, nuclear family in this standard home, saying their charming goodnights to an infant. But within moments, we’re told in every classic way that everything is wrong. The infant’s mobile turns on its own accord; the clock stops.

It’s 8:12pm when the world goes haywire. The decorative moon in the room flickers, growing dim. The mother wakes to the sound of a distressed infant on the baby monitor. She rises from bed in her gown.

This is a point I’m left to negotiate cursed knowledge: to all visual cues, the mother’s attire appears to be white. The audience perceived it as white. But we know it, and Jess’ gown later, was actually pink; the film stock failed to capture it. Both short term and much louder in the long term, these two colors can deliver two very different meanings. But for us, a viewer consuming a digital medium with no knowledge beyond what they published, I’m left to decide that the text seems to determine her in a white gown.

The wife sees a stark silhouette, asking if the child was hungry, assuming it was her husband that quieted her. She turns away, tapping on a flickering light over an old marriage portrait that one can only assume was a previous family generation. She descends the stairs.

Here she finds her husband is sleeping. Panic takes her, bringing her to the room. Quickly, chaos erupts. As does she, once seen bleeding down onto the hand of the father from above the crib. We see her, sunken eyes, already dying, screaming without a sound. Silent. Unable to make a noise.

The camera details the desperation of the father rushing his infant to his older child. “Take your brother outside as fast as you can, don’t look back. Now Dean, GO.”

I’m unclear what John thinks he’s going to achieve running back in for Mary as fire takes the home. But soon, he finds young Dean, 4, outside, holding an infant, “I've got you Sammy.” John erupts out of the house as the windows begin to blow, sweeping in to carry Dean, who carries Sam.

As the fire department arrives, the first cords of a song we would later come to recognize as Americana haunt through otherwise chilling music that climbs actively to punch out through our first cold open.

The Winchesters are our first cold open.

We find ourselves in modern day with the rick of a rock cord, and a young woman in a white nurse outfit adjusting her earings while framed by an image of John and Mary--the mother and father--in a picture frame. Though she calls for Sam, we see nothing of Dean--not even a picture. The image on the counter tells of a life Sam(my) was too young to even know, but perhaps is in his blonde-haired woman who teases him about halloween while standing in front of a mirror.

Sam is clearly in his young prime, celebrating his LSAT with a 174 score much to his chagrin with friends dressed up in all styles of wardrobe. Behind Sam a neon black cat sign may just jinx his future in warm but dull lighting; ghostly drapes hide behind Jess in a blue, sharper light.

Sam’s friends perceive he must be the Golden Boy of the family. Jess is proud of him. “What would I do without you?” “Crash and burn.”

Night onsets. Dim lighting feels dusty despite the otherwise hopeful environment. Heavy creaking, groaning, footsteps; Sam rises on instinct, spying an open door and catching haunting noises--sounds. An intruder. And one fateful fight. The choreography spares little.

In actual combat, the intruder--quickly identified as Dean--comes out on top. (Combat ticker: Sam vs Dean: Dean 1) Easy there, tiger. As Dean haunts, revealing his roguish personality quickly, he’s then gotten the better of (this is not going to be considered a combat ticker, it’s not actual combat, but aftermath).

Sam challenges why Dean broke in, but Dean knew Sam would have never picked up without him. They’re interrupted from their silhouetting by the light flicking on, and Dean further displays his roguish charm, enjoying her smurfs, not dreaming of her getting dressed; but soon, it’s down to business--Dean says it’s private family matters. Sam, a unit in the doorframe with Jess, says it can be said in front of her. Until the fateful line: “Dad’s on a hunting trip, and he hasn’t been home in a few days.” The camera zooms on Sam’s set jaw to tell the audience how much weight is in that line as the audio itself drags a raw cord of suspense.

The dizzying stairs are a descent into a world Sam seems to have left behind, with the audience viewing from below. Quickly, we’re introduced to ideas: the Poltergeist in Amherst, the Devil’s Gate in Clifton, “always missing and always fine.” Sam’s bitterness is thick: rather than telling him not to be afraid of the dark, “dad gave me a .45″, though Dean challenges what he should have done. They soon stand in a cage of sharply lit bars, arguing if this was what their mother would have wanted--to be raised like warriors.

Dean challenges if Sam would want a normal apple pie life; Sam slaps back: not normal, safe. “And that’s why you ran away.”--But John told him to stay gone. Regardless, Dean doesn’t want to do it alone. Sam asks what he was hunting, and why Dean wasn’t there; Dean was working a voodoo thing in New Orleans.

Dean reveals Jericho, California--10 men over to years on the same 5 mile stretch of road.

The “Ran it through A Goldwave” is a funny side comment but I’m not gonna get into why beyond LOL “through a goldwave”, that’s-- whatever. But we hear, in EVP, “I can never go home.”

The average viewer, at this point, isn’t going to be deeply instructing the story parallels--and in the scheme of it, Sam’s fear of going home barely scratches the meta surface. We do know John has been missing for three weeks. And find out Sam has a Monday deadline for his entry to lawschool, “whole future on a plate.” Jess worries over disappearing with his family, reminding of the deadline, but he promises to be back in time.

A sharp cut to JERICHO, CALIFORNIA. The driver shares similar concerns to Sam, “if I miss it, dad’s gonna have my ass,” he tells his girlfriend on the phone. A woman in white appears down the road as the car clock fries at 10:17, asking to be taken home. “Take me home?” “She lives at the end of breckenridge road.” “A girl like you shouldn’t really be alone out here.” She hikes her skirt. “I’m with you. Do you think I’m pretty? Will you come home with me?” hell yeah.

They arrive at a dillapidated home. “I can never go home.” No one even lives here. He steps out, turns around, and she’s gone. An eerie handprint appears on the window.

He decides to leave, clearly feeling the offsettling vibes, but isn’t alone. She steams with animosity in the backseat.

He looks into his mirror.

And wipes out.

After a violent death, we cut back to our boys and another exposition: credit card scams (jesus, could sam have yelled it any louder?), breakfast in a gas station bag, you gotta update your casette tape collection--why? because for one, they’re casette tapes. Black Sabbath, Motorhead, Metallica--it’s the greatest hits of mullet rock. “House rules Sammy, Driver picks the music, rider shuts his cakehole.” “Sammy is a chubby 12 year old.” “What, can’t hear you.”

ENTER, JERICHO

Internal impala shots galore will end up being a major vibe of our next few years. A spunky guitar theme plays that we will eventually come to know. Dean pulls out a cigar box full of fake badges ranging from FBI to Bureau of Tobacco from the glove box, quickly showing us how deep this path goes for them already.

The cops review the mystery: no fingerprints, spotless; we find out that the victim was dating the cop’s daughter, who was posting missing flyers downtown. The boys introduce themselves as federal agents, are challenged for being too young, and Dean sasses his way through, “that’s very kind of you.” -- while gathering basic intel, we quickly find Dean’s tongue getting ahead of him, calling their lack of ability to find a connection beyond them all being male victims, calling it crack police work. The brothers’ dual personas exit the crime scene with a cuff upside the head from Sam to Dean, a bickering match, and Dean leaving a Mulder and Scully crack on the cops.

They quickly find Amy, the girlfriend, and lie to claim that were Troy’s relatives and had heard about her, and move to a diner to talk about events.

No major unusual things to warrant events; Sam compliments her necklace. She jokes that Troy got it for her to freak out her parents for “devil stuff”, but Sam quickly educates her on the pentagram meaning the opposite, a symbol of protection.

But there are weird rumors in town--people talk. In-sync, “what do they talk about”; a local legend. She tells them of a girl murdered on centennial where anyone who picks her up disapears forever. The brothers quickly move on to a library with a clunky monitor, fully dating us; not just the lack of good cell phones and wifi, but the equipment and the appearance of the search engine alone. Right, we’re watching this in 2005.

The brothers slapfight again, but Sam shows that even away from the life he never lost his prowess. He asks, “Angry spirits are born out of violent death, right?” and searches for suicide. 1981, 24 years prior. “Our babies were gone and Constance couldn’t bear it.”

So they go to see where Constance took the swan dive.

The brothers begin to fight.

SAM Dean, I told you, I've gotta get back by Monday—

DEAN turns around.

DEAN Monday. Right. The interview.

SAM Yeah.

DEAN Yeah, I forgot. You're really serious about this, aren't you? You think you're just going to become some lawyer? Marry your girl?

SAM Maybe. Why not?

DEAN Does Jessica know the truth about you? I mean, does she know about the things you've done?

SAM steps closer.

SAM No, and she's not ever going to know.

DEAN Well, that's healthy. You can pretend all you want, Sammy. But sooner or later you're going to have to face up to who you really are.

DEAN turns around and keeps walking. SAM follows.

SAM And who's that?

DEAN You're one of us.

SAM hurries to get in front of DEAN.

SAM No. I'm not like you. This is not going to be my life.

DEAN You have a responsibility to—

SAM To Dad? And his crusade? If it weren't for pictures I wouldn't even know what Mom looks like. And what difference would it make? Even if we do find the thing that killed her, Mom's gone. And she isn't coming back.

DEAN grabs SAM by the collar and shoves him up against the railing of the bridge. A long pause.

DEAN Don't talk about her like that.

They’re interrupted as Constance appears, diving off the cliff, and immediately taking control of the Impala.

“Dude, who’s driving your car?” Dean holds up his keys.

They flee, over the bridge, and share another movement. One more fake card later, they find themselves in John’s room, room 10, in a motel. Sam remarks that the place is covered in Salt, and Cat’s Eye Shells. The entire room is covered in case work and lore.

I’ll break down the lore of these in a later mythos reblog, though the Asmodeus one really catches my eye for reasons outside of this episode.

Sam finds a photo-- a distinctly different family than the one on his college dresser. There, it’s John and Mary as an ideal image that framed Jessica. Here, it’s the life he walked away from. But while Dean heads out, he’s spotted by police, and their old coded dialect pops out, “Five Oh, take off.” Federal marshalls confront him: They’re looking for his partner (cue Wincest fans trying to make meta that’s about to be shot down one scene later, in the distance), fake US Marshalls, fake credit cards, is there anything about you that’s Real. My boobs.

Just putting a flag in the name Sheriff Pierce, we’ll figure out if that’s ever valid to anything later. But he tells Dean of the trouble he’s in with a room full of missing people and devil worship, for Dean to snap back he was 3 when they went missing. But they knew he had more than one partner. An older man. John’s journal is thrown out (Wincest meta dies a terrible death beyond previous scene)

Again, I’ll translate the FUTHARK in a follow up post, this is already taking a lot of time as it is.

Meanwhile, Sam is investigating the leads they and John both found. Previously spoken intents to burn her has him ask about her being buried at an old plot by Breckenridge at their old place.

SAM And why did you move?

JOSEPH I'm not gonna live in the house where my children died.

SAM stops walking. JOSEPH stops too.

SAM Mr. Welch, did you ever marry again?

JOSEPH No way. Constance, she was the love of my life. Prettiest woman I ever known.

SAM So you had a happy marriage?

JOSEPH hesitates.

Putting a flag in this for later.

But Sam decides to call the man out.

SAM A woman in white. Or sometimes weeping woman?

JOSEPH just looks.

SAM It's a ghost story. Well, it's more of a phenomenon, really.

SAM starts back toward JOSEPH.

SAM Um, they're spirits. They've been sighted for hundreds of years, dozens of places, in Hawaii, Mexico, lately in Arizona, Indiana. All these are different women.

SAM stops in front of JOSEPH.

SAM You understand. But all share the same story.

JOSEPH Boy, I don't care much for nonsense.

JOSEPH walks away. SAM follows.

SAM See, when they were alive, their husbands were unfaithful to them.

JOSEPH stops.

SAM And these women, basically suffering from temporary insanity, murdered their children.

JOSEPH turns around.

SAM Then once they realized what they had done, they took their own lives. So now their spirits are cursed, walking back roads, waterways. And if they find an unfaithful man, they kill him. And that man is never seen again.

JOSEPH You think...you think that has something to do with...Constance? You smartass!

SAM You tell me.

JOSEPH I mean, maybe...maybe I made some mistakes. But no matter what I did, Constance, she never would have killed her own children. Now, you get the hell out of here! And you don't come back!

Sam is flushed out, and makes a fake 911 call to break Dean out, pointing out that the husband had been unfaithful. More dramatic silhouette shots really capture the early spirit of the piece, with Dean using a phone booth in lieu of other options. Hell, Dean was able to find a phone booth, let that take you back. They determine that John left Jericho, and establish his ex-marine habits with the coordinates, 35-111 that Dean had lied through to the cop. But while on the phone, the woman in white appears in front of Sam on the road, non-crashing.

She controls the car again, and forces him to drive to a broken home, repeating, “I can never go home.” Sam recognizes: “You’re scared to go home.” And that’s when the creepy ghost rapey vibes start, mounting him, demanding he hold her, she’s cold. “You can’t kill me, I’m not unfaithful.” He argues. You will be. Just hold me.

As she goes to rip out his heart, she flickers with the beat of his.

Dean breaks into the scene, unloading 12 shots into the ghost with iron bullets to disrupt her manifestation, giving Sam time to sit up and say, “I’m taking you home.”, where he drives through the house. Dean helps Sam out of the car, only to be telekinetically pinned by a dresser to be disabled.

The lights flicker again. Children manifest, water runs down the stairs, looking eerily like the light could be the Winchester’s old home

Here, she falls when reunited with her children. Sam clarifies--she could never go home, she was too afraid to face her kids (while not viable for the synchronic study, for my own sanity I’m going to note this season, Home will be all but mandatory to touch back here.) Dean says Sam found her weak spot.

They drive down the road with a blown headlight, Sam using an old map and ruler to locate the coordinates. But it’s realized Sam isn’t going with Dean to blackwater ridge, colorado 600 miles away. His interview was in ten hours. Dean declares, “I’ll take you home.”

There’s banter over meeting up later, and being a good team, but Sam goes inside and calls for Jess. “You home?” He finds a plate full of cookies with a note “missed you, love you” and relaxes in bed with the distant sound of a running shower.

And of course.

And so it began.

SYNCHRONIC STUDY: IN-EPISODE PARALLELS

In a first episode, there’s only so much to address. While we may question how much the Woman in White being in White may have been intentional with Jess and Mary, who wore pink (a diachronic full text body note later), in the initial review, it’s worth mentioning for the reasons in part 1 I’ve decided to air towards white in the final text product. Resultingly, the tie between Constance->Mary->Jess seems tangible. But it isn’t really so simple.

“Home.” Home is a huge keyword.

"I can never go home." within the episode unto itself, Sam is struggling to well, get back home. And frankly, returning home is the key of it. (hears distant uppity Wincest stans) The difference here is, this isn't a direct parallel, of course, as much as a general ambient mood that will haunt is forward through the show, even if current viewers just watching episode 1 don't recognize it yet. Sam going home kills Jess, essentially; or at least witnesses her death. At the same time, Sam fears returning to the hunter life, or more doesn't think he can because John told him not to come back. But now that Jess is dead, well, Sam can never go home to the life he was building. He has no choice but TO go back to the other home--the hunter life. Even if he’s certain it’s not what Mary would have wanted for them.

DIACHRONIC STUDY: IN-SEASON PARALLELS, LOOKING FORWARD

There’s no way I’ll have them all in mind, these are just what are flagging me along the way.

1.09 Home As the “Home” rewatch is not that far away, I’m going to save this as a placeholder with general notes about “Mary apologizing to Sam,” even if frankly, she should have to Dean too. But even if, at the time, the exact details of the deal may or may not have been established or hashed out by the authors--we’re not picking at arguing if the authors intended it or not here. Here, Mary apologizes for her deal. Here, Mary apologizes--for drowning her children. For magnetizing this poltergeist to this place that she demands let her sons go, where she forces the spook to let go of Sam. She couldn’t really go home in the truest sense until that passed. (I’ll have deeper chain-link connections on this looking-forward once actually at the episode.

DIACHRONIC STUDY: IN-ERA PARALLELS, LOOKING FORWARD

They’re here, but not pinging me at 1 AM beyond vagueblogging about Lucifer showing up as Jess to haunt Sam and the inevitable time travel episodes about Mary, so placeholder for later updates.

DIACHRONIC STUDY: BEYOND-ERA PARALLELS, LOOKING FORWARD

Obviously compare to above-dropped screenshots.

11.04: Mistakes were made.

Listen, Dean’s grimace seat has been in discussion lately, don’t blame me for thinking of Joseph’s mistakes right after the season as Dean-mirror Pastor Joseph. Funny how Sam’s get shown and Dean’s don’t.

11.23/12.01: Mary’s return in the (white or pink, I’m rolling with white as-above) gown, and all extending details.

12.22: Mary's dreamspace.

12.23: Dean, Castiel's death, Sam removing Dean

15.01: Woman In White, We've got work to do

I feel like the Woman in White is the most interesting of these that hasn’t been as talked to death as, say, the 12.23 elements with the Destiel parallel. After all, the Woman in White largely focused on Sam. It was his fear of home. It was him being faithful to Jess (and being unfaithful can be more than sex, really; after all, he made a promise to come back.) But in season 15, it’s Dean that the ghost of the jilted lover approaches, shortly after Dean nearly killed Jack in his pain. Was Dean the weeping woman? Or was Castiel? Who held the animosity in the back seat?

Or is this a shared path? As Dean puts the Equalizer away under the Cigar Box, he has his own haunting issues in the mirror.

Those will be addressed more deeply when we get to that episode in like half a year. But for now, I’m just putting a pin in it. With a side scribble of “Cas got his Secrets/Mary, Sam got his serial killer and clowns and Dean got... the woman in white with Belphegor.”

15.02: Road Closed

15.03: If one insists Mary and Jess’ dress are pink, Rowena’s dress upon wedding and unbirthing to death (and queendom)

15.04: I still think about Jess (shortly before Eileen’s return.)

15.13: If one insists Mary and Jess’ dress are pink, atop the eventually-addressed meaning of lighting (death and transformation) vs the Empress symbolism (fertility, rebirth), Castiel in pink light.

15.15: If one insists Mary and Jess’ dress are pink. Amara’s trenchcoat.

15.20: Beyond the obvious quotes, and the (IMO failed) attempt at nostalgia, there’s honestly very little callback to the original episode.

That’s it on first glance, I’m sure more will rattle out as we go forward. Well, mostly. Keys to the Legacy from Mint Condition is flagging me alongside control mechanisms like Castiel losing control of his vessel. But those are thoughts to put pins in for now and develop later.

COMBAT COUNTER:

DEAN VICTORIES: 1 (sam vs Dean)

MARKSMANSHIP COUNTER:

DEAN SHOTS: 12 shots, 12 hits.

(hits for any individual will be considered accurate even if targets teleport/flicker out as long as it should have hit the body)

The mythology pasted all around John’s Room is worth a second trip, but off the top of my head I see the Bell Witch and Asmodeus from the Lesser Key of Solomon (near the motel door).

I’ll reblog later to add commentary on that.

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bang-me-bangtan-style · 3 years

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