Specificity, Voice and Backstory
Today we're talking about character voice, backstory, and writing with specificity. I’ve talked about all these elements separately, but combined these three are the most important elements of your description. Why? Because describing something is the best place to learn not only what the character is experiencing, but more about them and their backstory.
We do that through drawing comparisons not to abstract ideas, but to specific moments the character has witnessed. Okay, consider these two examples:
The room smelled of warm spices and herbs like a fancy restaurant kitchen.
Vs.
The room smelled like the thyme and basil that clung to my mother's hair when she had finished making dinner, kneeling to hug me after I came in from school.
They convey the same information, but we learn so much more about the character in the second example.
In my Differentiating between Perspectives post, I talked more about attitude in character voice. What your character compares things to is a great tell for voice. Here’s the example from that post:
“The bar was filled to the brim with sweaty drunks falling over each other, barely cognizant of the drinks they were spilling--much less so the people around them.”
Versus
“Upbeat dance music filled the bar. A crowd had formed in the middle of the floor, people cheering and dancing together like the rest of the world hardly mattered.”
Right?
Check out the full post here:
So when you’re describing something and reaching for a metaphor or something to liken it to, try to make it personal, in the character’s voice, and specific. We can learn a whole lot more that way.
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A Quick Guide on POVs and Tenses
First person
First person perspective uses I/my and typically also accompanies present tense:
"I walk over to see what’s happening"
However, it can be used with any tense. It is the closest you can get to the character—it tends to have unfiltered access to their thoughts, feelings, ideas, memories, etc. and is the most intimate. It goes great for stories that want to stay ‘in the moment’ and rely on lots of internal dialogue.
2. Second person
Probably the least common—I’ve only ever seen it in fanfic and maybe a choose-your-own-adventure novel or two. This perspective uses you/your, and also tends to go with present tense.
“You walk over to the stall and survey the goods.”
It’s a really unique way of telling a story that brings the reader the closest to the action—however, it doesn’t have a lot of room for character development as it relies on fitting anyone who is reading it, leaving the POV ‘character’ a shell to be filled by the reader rather than its own character.
3. Third person omniscient
Third person perspectives are outside of the character. Typically they are joined with past-tense. They use pronouns he/she/they/his/hers/theirs, etc.
'Omniscient' means this narrator has full access to the knowledge of the narrative, as well as all the characters in it. It is a bit of an uncommon perspective, as it means the narrator can and will easily “head-hop” which can be a difficult technique to do well.
“He inhaled, staring icy daggers at Kate across from him. She knew instantly she had said the wrong thing, but had no idea how to take it back.”
(Notice how we’re both in the male character’s head, as well as Kate’s.)
This perspective keeps the readers at a distance, but allows them access to every character in the story. Beware, it can be difficult to build tension or keep secrets when using this perspective!
4. Third person limited/subjective
This perspective is probably the most common and my personal favourite. It has the same rules for third person, but instead of the narrator having full access to all the information, they only have access to the information the character they are following knows, or the thoughts/feelings they are having.
“He inhaled, staring icy daggers at Kate across from him. She had said the wrong thing, and now just looked back at him with big eyes, her mouth agape as she hesitated on what to say next.”
(Notice how in this example, Kate’s thoughts are only guessed at from our character’s POV. He doesn’t actually know what’s going on in her head, so neither does our narrator)
Third person limited is probably the most popular because it is really effective at being a very invisible way of telling story. As well, it’s great for building tension, keeping secrets, and can explore unique character perspective and miscommunication.
Tenses:
Present tense
Things are happening right now.
“I begin my walk to the store.”
“He says as he steps through the gate.”
“You follow a long path through the trees.”
2. Past tense
Things already happened.
“I began my walk to the store.”
“He said as he stepped through the gate.”
“You followed a long path through the trees.”
3. Future tense
Things will happen—things to come.
“I would begin my walk to the store.”
“He will say, stepping through the gate.”
“You will follow a long path through the trees.”
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