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#peter parker sad
irlplasticlamb · 11 months
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kazia parkerowska aka spider star is an 18 years old polish doomer art student who got bitten by a radioactive spider and then convinced (khe khe forced) into a superhero role by her kooky hippie auntie majka. woohoo. nothing better than to save the world when you don’t give an absolute shit!
prints + merch + commission info
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nanaonmars · 1 month
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everytime i think about the fact that tony literally invented time travel for peter just for peter’s existence to be erased from everyone’s memory i lose ten years of my lifespan
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dimensionzero · 11 months
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ALSO v tiny detail but I love how the lighting + peter's ripped shirt makes it look like he's wearing the classic spiderman red and blue,,,
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vamprnce · 7 months
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I must always draw them silly and cute together 💘🫶
based off of that one petermj panel + also bonus unmasked Pete version under the cut :)
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edgepunk · 9 months
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ok well. might as well repost my old parksborn thingy
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edgyeli · 10 months
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I think a lot about how Peter B Parker was there when Miguel lost his daughter
Because Miguel definitely was broody and serious, before but can you imagine how Peter saw him just be destroyed completely? The start of the anger issues? About how earlier Miguel would be fine with Peter cracking jokes now he was only snappy and telling him to fuck off?
How the grief destroyed him and Peter couldn't do anything about him because the amount of guilt Miguel carries is something that he can't fix?
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sciderman · 2 months
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spectacular spider-man #112
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rere9500-18 · 6 months
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Miles and his abandonment issues/not wanting to be alone.
Something I’ve always thought about Miles was that he has abandonment issues. This clip here is only a scene that shows apart of that.
Gwen’s “I’ll never see him again” makes him panic, with not seeing her or Peter or anyone of his spider friends for a year or so now. Hearing that from Gwen alone probably is what mainly encouraged him to jump through that portal and follow her. Because if that portal closed, there’s a big possibility he’d really never see her again.
Even in the second half of the video where Miles is walking to his dorm/new school and he walks past his old school with everyone he knew chatting it up with him as he passes. It’s clear while Miles attended that school, he’s been friends, or at least acquaintances, with a lot of the people there. He has and still does leave an impact on them, if it wasn’t noticeable by the amount of people simply happy to see him walk by.
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At the end of it, the last girl asking how the new school is and that they all miss him, Miles responds with a “Wait… you miss me?” with a smile on his face. Now, I’ve seen some of the comments on that bit on YouTube and it’s mostly people thinking it’s Miles being cute with the ladies, but I don’t believe that’s what that was at all.
It’s clear to see Miles is cool with most people in that scene; of course keeping in mind he’s spent time with them at some point in his life if they are telling him they miss him. That little smile Miles had and the question that followed was an exact reaction to truly realizing that nobody at his old school has forgotten him, nor intend to, in theory, leave him anytime soon. It’s that warm feeling of knowing that maybe you truly do have people by your side. It’s actually a little intense with Miles since I think he sort of needs that feeling more than you’d usually need it.
Whether it be his mom, his dad, his uncle (RIP Uncle Aaron 😔), or the spiders who he thought were his friends.
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That’s why it hurts so much when they’re taken away from him. Either by death or because of needing to pick a side. Because that warm feeling slowly turns into dread that no one’s by his side anymore. That the people he love may not love him anymore. That he may have to face something he’s been trying to hide from: being alone.
Because being alone means you’ll have no one to care for. Being alone means no one’s gonna give you their warmth when you’re in the freezing cold. Being alone means you’ll be left in the dark by yourself with no one to encourage you to break out and run free.
Miles followed Gwen to avoid having to be alone, like he was for the past year after she and the other spider-people left. Because, while it doesn’t make it right to follow someone and then go invisible to see what they’re doing, he wouldn’t have ever known this would have been the last time he’d see his best friend if he hadn’t followed.
At the end of the movie though, I feel that Miles is put at an even harder spot due to him trying to prevent his father’s death. He wanted to be with the rest of the spider people so badly that it blinded him to the fact it wasn’t all it seemed to be cracked out to be. At the end of the movie, all Miles wants is to go home. Yes, it hurts to lose everyone you’ve worked so hard to see, but in his mind, if the people you call your friends can’t understand that it’s fucked up to let an innocent person die, his dad no less, for a so-called ‘greater good’, then maybe that warm feeling of them being by his side isn’t what he wants right now.
Miles feels betrayed by Peter B., Gwen, and most importantly, by himself because he soon realizes that he was so determined not to lose them again, that he never realized he’s lost himself in the process. Gwen, Peter, and everyone else basically said (through their actions) that they’ll never see Miles again. Who is Miles to stop them?
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He doesn’t care what happens afterwards. He just wants to go home, HIS home, and stop the one thing that will truly make him deeply and utterly alone.
The death of Aaron and Miles being Spiderman only encourages Miles to want to do these things. He wanted to surround himself with people he can trust, but he soon realizes those relationships can die, either by actual death or by lies and secrets.
Idk. This is all just my view of what Miles feels even in Into the Spiderverse. If you’ve finished reading all this, idk; eat a cookie or something.
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bridoesotherjunk · 10 months
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Eddie explaining that there are people on Earth who are allergic to chocolate.
Venom:::
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x-gon-give-it · 4 months
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Accompanying picture to chapter one of my fic “Wade Wilson’s Guide to Studying Your Spider”
Since we’re getting close to the end of the story, I’m going back and doing a final edit to all the chapters so I can lay this fic to rest as soon as the last chapters posted.
Here’s a link to Chapter 1: Strange Occurrences if you’re interested 😉
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fettuccin-e · 11 months
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Worth Saving
Description: Peter comes home one night tired and broken by the world he's trying to save. You take care of him.
(Tags: Peter Parker x Reader, gn!reader, no use of y/n, hurt/comfort, idk he deserves to be loved okay) -- w/c: 1.6K
A/N: OKAY this is a tad different from my usual work!! no smut lol but I really just wanted some good ol' hurt/comfort, and PETER DESERVES IT OKAY
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Peter doesn’t knock on your window when he arrives. You see him as he swings up, face still masked, and lands on your windowsill.
He doesn’t tap, not like he usually does. You watch as his chest heaves, and he simply leans, pressing himself against the cold of the glass, unmoving.
“Peter?” You say, rushing forward to unlock and open the window. Peter doesn’t move, slumped against the frame. He breathes quietly, silent. He doesn’t look injured; there are no cuts on his suit, he’s not clutching onto anything that hurts. He just looks tired. Overwhelmingly tired.
Though you’ve seen it before, this quiet, exhausted side of Peter, it still concerns you, scares you a little bit, and you can’t help how your hands shake as you take his gloved hand. “Come inside, baby. We’ve got to get you cleaned up, okay?”
He nods slowly, still quiet, and holds your hand as he climbs through the window. You start your walk to the bathroom, guiding Peter behind you as he trudges slowly, silently, your fingers still laced together. 
Peter stands silently as you run a washcloth under warm water, his back hunched, like he's trying to make himself as small as possible. Like he's trying to hide. From the world, from you, from himself. Your heart aches as you turn to face him.
“Can I take your mask off, honey?” you ask softly, bringing your hands up to cup his jaw. Peter nods wordlessly, and you don’t hesitate to tuck your fingers under the spandex, tugging it over his head. His face is sticky with sweat, but is thankfully free of any blood.
You smile at him, just a little bit, but Peter doesn’t smile back. He just stares at you, his gaze far-away. There are dark circles under his eyes, his pretty skin sallow and horribly devoid of color. “Oh, Peter,” you murmur, brushing a thumb across his cheek. He leans into your touch, just slightly, but the minute movement makes your heart swell.
You reach for the rag, warm and damp against your fingers, and bring it up to Peter’s face. “Is this okay, baby?” you say, and Peter doesn’t nod like you expect him. Instead, the smallest, “yes,” leaves his lips. It’s so pitiful and quiet compared to how Peter usually talks to you, but the fact that he’s brought himself to speak makes you want to shout with joy.
You smile widely at him, and your grin is even further rewarded with a small, momentary quirk of Peter’s lips. It disappears as quickly as it came, but it was there, a hint of the Peter you know and love.
You brush the cloth gently across Peter’s forehead, cleaning his skin of the dirt and sweat from keeping his city safe. Between his job and taking care of May and patrolling, you doubt that Peter’s slept more than three hours a night for two weeks now. You usually fall asleep as soon as you know that he’s arrived home from his patrol, but unlike Peter, you have the luxury of being able to take a nap the next day after work. Peter can barely eat half the time.
Peter’s gaze is vacant, staring at you with unseeing eyes as you clean the grime off his face. You lean up to press a gentle kiss against his cheek. 
“Gonna take your suit off now, okay baby?” you whisper, and Peter nods his assent. You set the rag on the counter again, feeling for the zipper hidden at the back of his suit. You drag it down slowly, making sure the fabric doesn’t snag, until you meet the dip at the end of Peter’s spine. The suit slacks forward off his chest, hanging loosely off his tired body. He doesn’t make any move to slide it off his arms, still staring silently. He blinks slowly at you as you peel it off him, his body sticky underneath with sweat. The suit practically falls off of him, pooling at his feet. 
A few bruises bloom along his ribs, but you take solace in the fact that there isn’t any of his blood, or anyone else’s. You won’t have to bite your lip as you stitch him up, cringing at Peter’s whimpers like you do other nights. 
But the look in Peter’s eyes is still pained, still suffering as he stares at you, silent as a stone. He aches, broken and bloody down to his very core. 
Sometimes, Peter wonders if there’s anything left for you to fix. He thinks that maybe the broken pieces of his soul have been ground to dust, slipping through his fingers as he tries to piece himself back together. For you. He wants to be whole, be better, for you.
Maybe it’s a lost cause, he thinks, maybe he doesn’t deserve to be saved.
Your soft hands skirt delicately over his skin, marking a path up his chest and over his shoulders and down his arms again, before you take his hands again, gently urging him to step forward away from the suit. You suppose that it’s a kind of armor, the kind that protects Peter’s identity from those who want to hurt him. But you curse the damned thing for not saving him from the real, physical hurt he endures night after night. 
“Still okay, baby?” you murmur, raising his hands in yours to kiss his cracked knuckles. Peter doesn’t say anything, but he releases one of his hands from yours to cup your cheek, leaning down to brush a kiss against your hairline, which is better than any kind of answer he could have given you.
Damp cloth in your hand once again, you gently wipe the sweat off his skin, working your way down, down, until you’re kneeling in front of him, wiping slowly, deliberately down his legs.
It doesn't feel remotely sexual, not when Peter is curling in on himself, his eyes fluttering shut and flicking back open, trying to force himself awake. Tonight, Peter just needs to finally rest, moments that have been rare since his sophomore year of high school.
You stand again, slowly moving your way up his body. You scratch your nails against the planes of his skin, trying to give some kind of sensation to his numb body. Trying to make him feel again. You toss the rag into the sink carelessly, wiping your hands off on your pants. 
“Let’s go to bed, Peter,” you say, and Peter responds with a rough, tired grunt of approval. He laces your fingers back together, making you smile as you lead him around back to your shared bed. You pull the covers down and wait by it, waiting for Peter to get in before you.
He stares blankly at you for a moment, not comprehending. You’re usually in bed before him on these nights, burrowed under the blanket until he climbs in with you, tugging your back to his chest. But you pat the mattress, commanding him wordlessly, and Peter can’t possibly disobey your gentle instruction. 
The soft sheets feel like heaven on his achy skin as he slides into bed. You follow close behind him, pressing your front against his back, tugging up the blankets before winding your arms around his middle. He feels you tuck your face into the crook of his neck, pressing a gentle kiss to his skin.
“You want to talk about it, honey?” you ask, the soft lilt of your voice like music in his sensitive ears.
“Not really,” he mumbles, his voice soft and stifled, his throat feeling raw. “I’m-” he can feel his throat tightening, “I’m sorry, baby.”
“Peter, I have absolutely no idea what you could possibly be apologizing for.”
Peter chuckles dryly, and you peck him on the shoulder again as a reward, tugging him back closer to your body. “I’m sorry that I- that I came home to you like this. You shouldn’t have to take care of me like this. It’s- I’m supposed to take care of you, baby, I--”
“Peter,” you say, the loudest you’ve been all night. You unwind your arms from his waist, just a little bit, to sit up, leaning over to look at his face. His eyes are shiny with unshed tears, and your heart aches so horribly you fear it may tear apart inside you. You lean forward, pressing your lips softly to his in a chaste kiss. “My beautiful, perfect Peter,” you mumble against his lips. “You are the love of my life, you know that? And I am so- so proud to be with you. You’re everything to me, and I want to take care of you.” You lean back, pressing your forehead to his.
“You are not broken, Peter Parker. You are bruised, sure, but you are also strong, and loving, and the best man I have ever known. And I want- No, I need to take care of you. I need to make sure that you’re alright, because I couldn’t bear losing you. Do you hear me?”
Peter nods, his throat too tight to speak. 
“I couldn’t survive it, Peter, if I lost you. I love you, I love you more than I’ve ever loved anything, so please. Just- just let me take care of you like you deserve, okay?”
A tear escapes unbidden down your cheek, and Peter raises his hand to wipe it away. “Okay, sweetheart. Okay. Hey, it’s okay. I’m okay.”
You nod, sniffing slightly as you settle behind him again. You keep your arms wound around him, plastering yourself to his back. Peter holds onto your hands, rubbing his thumb soothingly into the skin of your wrist.
“I love you so much, baby,” Peter murmurs into the quiet of the room. You nuzzle into the crook of his neck.
“I love you too, Peter, more than you’ll ever comprehend.”
Peter smiles, relishing in your warmth against his back, your hands on his stomach. It encases him, fills him up with warmth and love until he feels like he could choke on it. 
Peter drifts to sleep slowly, at peace for the first time in weeks. It’s a kind of peace that makes him feel whole, that makes him feel as though he may be worth saving too. 
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itsjuliak5 · 11 months
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In the flashback where Miguel loses his daughter from the alternate universe, you can see Peter B. Parker in the background in his Spider-Man suit watching as Miguel’s daughter disappears in his arms, and watching how that destroys him.
That moment 100% contributed to his fear of having kids, or at the very least validated those fears.
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ircn-dad · 2 years
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Whenever I'm sad I just remember how Tony whispered "kid" when he was dying because he wanted to spend his last minute with the person he risked everything for, the person he missed during those five years and he just got back just to lose him again.
And Peter probably heard Tony calling him because of his senses, but he didn't wanted to ruin Pepper and Tony's moment.
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It’s sad but the best version of Peter Parker to me (probably because it’s the most relatable one) is when he’s broke as hell, but at a certain point it doesn’t make sense for him to be such a genius without running a tech company, so here’s the bs reasons he’s still broke in the au’s I imagine:
He can’t partner up with anyone because everyone knows what happened with Dr. Connors, Dr. Octavius, and, depending on the au, Norman Osborn, which no one thinks Norman was working with Peter, but he is another person who knew Peter and became a supervillain
Essentially, everyone thinks he’s cursed™️
And he can’t sell any of his inventions on his own to start funding his own company because S.H.I.E.L.D. keeps getting involved and stopping it, both because whatever he creates works way too well and they don’t want it to fall into the wrong hands, and also because they’re all pretty sure that Peter’s gonna turn into a supervillain and they’re trying to stop him from gaining any power to do so
Also, because of all the above reasons, and because the best Peter Parker in my opinion is one that’s tired, snarky, and has a bit of an anger problem, that along with his genius, accidentally has everyone convinced he’s a supervillain in the making, the very specific dynamic that I picture Reed Richards having with him before he finds out he’s Spiderman is:
Peter Parker reminds him of Dr. Doom, he’s got the smarts, the anger, he’s a loner, and the way he commiserates on everything stopping him from achieving his goals (that famous way he blames his Parker luck on everything), just all reminds him of Victor, back when they attended college together
So he doesn’t get Peter to work with him, although he’d make such a promising mentee, cause he doesn’t need to accidentally get another supervillain to declare war on him, but also because he reminds him of Victor he can’t stay away, wanting some version of him to “see the light”
So occasionally he’ll begrudgingly team up with Peter Parker and the entire time he’ll awkwardly preach the merits of using science for Good™️ and how following villainy will only leave a person feeling empty inside, as his way of having a second chance at reaching Victor before he becomes Dr. Doom
Peter, meanwhile, has no idea this is how Reed sees their interactions, he’s just so happy whenever he gets a chance to work with one of his science heroes (then his identity eventually gets revealed and Reed has no idea how to view Peter)
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punch-love · 8 months
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being into spideypool is opening a fic and being like is this going to be about peter parker or a malnourished victorian child
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hello-god-its-me-sara · 10 months
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I think Peter’s a camera nerd, I like when he’s actually into photography and not just taking selfies for the bugle
I like the idea of Harry being a little shit and hiring Peter for OsCorp press shoots and other stuff like that
I like the idea that Peter has a standard Nikon or Cannon (or both) and that the dork saves up for lenses and that Harry will buy him camera stuff as gifts
I like it when he has an Instagram just for his pictures bc of course he does
I like the idea that he just loves taking pictures of everything and Harry loves it and thinks it’s adorable that Peter has a million picture of park squirrels and wood stumps because they’re just so interesting to photograph Harry
And he loves his DCLRs but he’s also a pretentious film nerd
Just
✨Peter and cameras✨
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