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#should've added other characters too but the post will be way too long
manawari · 6 months
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SL characters as movie stars AU!
Sung Jin-woo
has been acting since he was a teenager. Though, he only gets lesser roles until he grows in the acting industry, thus earning the "glow up" as well the more he takes on roles. By the time he's in his twenties, Jin-woo receives lead roles and has never left ever since due to the impact of his performance that is hard to be seen as a supporting character. His movies range from drama, adventure, and action — though, he spend most of his time in the action genre. Jin-woo does his own stunts as he does martial arts and working out as his hobbies. Whenever he gets partnered up with someone, dating rumors always spark up, so he tends to avoid having a partner for the sake of protecting his zone. He improvises some of his lines and is very professional.
Cha Hae-in
a former athlete to one of the country's biggest stars. Due to her sweetheart persona, she often gets roles in soap operas, dramas, and romance, though she wants to take on the action genre to hone her skills. Her management got her stunt doubles, much to her dismay, until they trusted her enough to do her own stunts. Hae-in's skills are very realistic that every time she cries in her scenes, several of the production cry as well, thus allowing her to earn many awards. She gets along with her co-workers and is even said to be that some of her leading men develop a crush on her. However, she has not dated at least one of them, even outside her career, as she chooses to focus on her job.
Woo Jin-chul
a star who has been featured in international movies, hence becoming a multilingual because of his passion in learning new languages before his departure from South Korea. He is usually stern, but is very friendly to his co-workers, as well as his fans. Jin-chul takes on both protagonist and antagonist roles, although he secretly likes his villain roles more than his hero ones. He does his own stunts and is skillful with holding guns.
Choi Jong-in
most of his roles are those wherein he's the son of a millionaire or just a rich person who owns a big company. He hardly gets main roles, but the impact in his performances even as a supporting character are what made him prominent in the industry. Jong-in also has roles where he's an antagonist, which his fans prefer more; it is also said that some of his castmates or co-workers feel quite intimidated by him.
Baek Yoon-ho
a prominent action star who does his own stunts. Not once he has appeared in movies that are anything but action. Despite being in his twenties, Yoon-ho receive roles where he is a single father who will do anything to protect his family, thus capturing the hearts of the young actors and actresses he works with. He also helps his castmates in training for fighting scenes, thus forming a bond with them as well. Yoon-ho has his own charity that he donates a sufficient amount of money in for helping tigers and other wild animals.
Lee Ju-hee
one of the industry's dearest sweethearts. Her movies are mostly in the slice of life genre, specifically romance. Regardless of what she believes, Ju-hee never fails to create chemistry with the ones she works with, especially to those who have partnered up with her. She receives both main and supporting roles. Lee Ju-hee may have appeared in horror and action films, but she prefers to stay in the slice of life genre despite not minding to step out of her comfort zone.
Lim Tae-gyu
a actor whose roles are primarily supporting, yet has many main roles as well. His skill ranges from drama, comedy, and action. Tae-gyu mostly does his own stunts, always allotting his time in training once he receives the script. He's charismatic, yet isn't necessarily great when it comes to romantic chemistry because of the vibe he frequently gives out. He's friends with many famous stars such as Baek Yoon-ho, Choi Jong-in, Ma Dong-wook, Min Byung-gyu, Sung Jin-woo, and Cha Hae-in, and has revealed of his wish of being able to be in the same film as them together.
Min Byung-gyu
an actor who has shown up in various genres. When it comes to slice of life, Byung-gyu mostly gets leading roles, and sometimes, he gets the "second male lead" roles, which brings more impact to the viewers. But as for other genres like action and horror, Byung-gyu takes on supporting roles; he is one of the actors who has a stunt double and still gets to do certain stunts depending on his capability. And when it comes to the historical genre, that is when Byung-gyu gets most excited and believes he does his roles better in period dramas than the rest, partly because he is a big fan of historical dramas which he views his other roles differently. Byung-gyu is great at improvising his lines that the director only has to tell him the background of the scene and Byung-gyu knows what to do next, which somehow makes some actors feel challenged as they are not sure if they can go along with Byung-gyu's improvised lines. But, Byung-gyu always does his best to help his co-stars and not make them feel pressured.
Eun-seok
one of the country's lesser known actors who is known for getting background roles. Eun-seok hardly appears in films, yet is friends with a lot of big stars in the industry. The reason being that he got severely injured in set once, which has scarred him and chose to no longer show up in filming unless he feels like doing so.
Yoo Jin-ho
a supporting actor who is well-known for being Sung Jin-woo's "sidekick" as he had been acting alongside him for years. Yoo Jin-ho specializes in roles that are comedic relief — he doesn't mind it since that means he doesn't have a lot of lines to memorize. Despite being an actor himself, Jin-ho is not afraid to unleash his inner "fanboy" when it comes to expressing his support in actors and actresses he admires.
Park Hee-jin
an actress who is known for her background or supporting roles. Hee-jin excels from soap operas to action movies. Her roles are usually helping the main character and defending them from the antagonist(s).
Ma Dong-wook
a versatile actor in his fifties who has different roles in various genres, whether it be a father or someone the main characters seek help from. He shares his experiences to his fellow stars as his way of helping them in filming and has a lot of actors/actresses wishing to act in the same movie as him; not because of his talent, but also his kind nature that he treats everyone younger than him as his children.
Liu Zhigang
China's rising action star. A likeable and charming actor whose roles are both protagonist and antagonist. Zhigang does his own stunts and likes to go to the extreme where no editing shall be involved. He's one of the faces in the industry whose management cannot simply allow to be part of a film unless the paycheck is immense and does not tarnish Zhigang's talent. In every film he is in, it receives many awards that reach up to internationals. Zhigang has acted in international films, which makes him fluent in English after being casted alongside stars in different countries.
Thomas Andre
a powerful actor in the USA who is popular for his antagonistic roles. Thomas enjoys playing the bad guy. And what makes him likeable is that he donates half of his money to charities and has his own foundation for children with special needs and disabilities. He is funny and tends to joke around in set, along in conventions where he gets to communicate with fans and gives them the best time in their lives.
Laura
an actress who excels most in the action genre. She films her scenes effortlessly and smoothly without needing a second take. Laura learns martial arts off-screen and knows how to hold a gun; she is also sassy and has the kind of humor that makes her co-stars adore working with her despite her stern and cold demeanor.
Goto Ryuji
a versatile actor in Japan who appears in dramas and action. His roles are mostly in the villain side, which what makes him intimidating to other actors. Goto prefers to work with those who are professional and hardly messes up more than twice otherwise he thinks they are wasting his time. However, he is usually gently to those who are younger and new to the acting industry, he looks out for them and won't hesitate to scold the production if the first time actors ever get hurt in set.
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the-s1lly-corner · 1 year
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Hi. Can I request something similar to the immortals outliving you? Could it be with the rest of the characters and us passing from other causes?
Their reactions to losing you
I wasnt sure if you wanted the immortals as well, so I added them in here as well!
This is all written in one go since tumblr doesnt let me save drafts for asks so I apologize for any spelling/grammar mistakes <\3 it's like 1am rn
CONTENT WARNINGS, idk what all needs a warning but I'd rather play it VERY safe:
M*rder
M*rder revenge, almost all of them touch on it tbh, love me the revenge trope
Snorts^
D3ath, obviously
Grief and the general hurt that comes with it
In EJs case he sees your death first hand
Does violently slamming yourself around count as SH /genq, because if so that's vagued in EJs part as well
Maskys handles a hit and run but its vague
Masky also hints to a smoking addiction
Nonspecific illness in hoodies part
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Slenderman;
I remember that I mentioned this for Slendermans part, but I had an idea that he already accepted that fact that you wouldn't last forever
But I don't remember if I mentioned/vagued the idea of how he'd react to you're life being forcibly cut short
Accepting the fact you'll eventually pass away does nothing when he finds out someone else was responsible for your sudden end
All that comes out is a cold rage, something that the creature hasn't experienced in a long time
Writing this, it makes me remember that clip from the first episode of castlevania where dracula appears in the fire in episode one, after they kill his wife
But instead of carelessly showing himself to the world in a fit of rage, he fiercely protects everything that you touched; his forest, your home, your grave, ect
But despite the rage he doesnt immediately take down the person who caused this
Nonono, he does what he does best; he chips away at the person's mind through stalking and paranoia, essentially tormenting them for.. god knows how long until he gets bored
When he does decide hes through with them he'll make sure their... death... is drawn out
Basically don't meddle in the life of a forest monster; he may be a very... passionate.. lover
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Splendorman;
Incredibly similar to the other version of this post where he naturally outlives you
But if you pass unnaturally, he'd be even more torn up about it
His time with you was already going to be short to begin with, but it was cut down even shorter
Doesnt matter the cause; murder, illness, accident, ect.. he'll be just as broken up
There's no real significant changes; he still mourns and honors you the same way for the most part
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Laughing Jack;
It was an accident; one day you were there and the next, gone
He would stay in the house for a few days, not even knowing what was going on
At first he'd be worried and confused, before those feelings would deepen into something debilitating
He'd probably eventually find out through the news, after turning on the tv to pass the time and fill the silence
His worry immediately morphs into ice cold; he could feel his heart drop
He'd throw caution to the wind and try to track down whoever did he
He doesnt care if it was an accident, he wants justice and compensation
He follows a similar route as slenderman; the only thing is, is that jack lacks the patience to draw it out
After everything is said and done he's beside himself; avenging you didnt bring him back and it hardly made him feel better
He likely just. Goes back to what he was doing before he met you; drifting from house to house and causing havoc; but now he carries a melancholic aura
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Eyeless Jack;
Another story of revenge, but with a twist so his part isnt too similar to LJ and slenders
So I'll be using the idea I should've given slenderman (but I'm too stubborn to rewrite his part)
Like Slenderman, Jack is seen as a cryptid and thus, there are naturally going to be people trying to hunt him down. Especially considering before he was a cursed monster he was a normal dude who got caught up in a whole... thing... and who's body was obviously never found as it still walks
Jack is.. semi used to that; but one day he completely catches him off guard, and what's worse is that you were there when it happened
It was a group, too, usually they come in two; but there were more that day. If it were less Jack could have easily put a stop to it all
It escalated
You had tried to step in to help him, to buy him some time so he could run; but it all went wrong
I don't like going into detail about this kind of thing, so this will be up to interpretation
The whole thing flings him into a rage and he makes quick work of the remaining hunters, but it's all too late
Even if he wasn't, how could he help? He cant just leave the woods and dump you at a hospital... but he doesnt have the supplies to help you then and there... and even if he did you were both much too far away from the cabin
It just leaves him helplessly trying to stop the bleeding
He hardly ever leaves the woods after that; not even to eat
He's resorted to.. rather violently subduing the monstrous side of him that craves flesh
There's broken furniture everywhere
He blames himself
He should have had you stay in the cabin
He should have told you to run
He should have told you to hide
He should've...
The worst thing is that he begins to believe that it was his fault; afterall he let you out of his sight when he began fighting. Even worse, and perhaps stupidly, he believed this wouldn't have happened if he never met you
Its
Rough
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Masky;
He just sits there, quietly
Be it shock or something else he just sits there
But his mind is going a mile a minute to try to figure out what exactly happened to you
You were.. in a wreck, and the other person just. Fled.
As feral as I tend to write and interpret masky, he can be thorough when it comes to investigating
Though I'm torn in whether or not he'd actually be able to find the person; especially because I'm kinda. Dumb when it comes to crime stuff and I'm not about to do mental gymnastics on something I'm not confident in <\3
In terms of grief, he seems... lost...
I don't usually hc that Masky smokes; that's just a Tim thing
But I feel like the smoking would bleed into Masky and become a whole... issue.. whether or not Tim as his own person knows about you/was involved with you is up to interpretation; as I tend to write the proxies as a separate.. thing
Still trying to find the correct term
But yeah
Focusing back in on Masky, he's kinda just lost. Angry, definitely, but mostly just. Wandering through life
He doesn't want to forget you
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Hoodie;
Similar to Masky he's quiet and lost
Similarly he would feel the urge to try to find out who took you away; but I feel we've had enough "S/o dies at the hands of someone else" for this post, so we'll do something else... and because I fear hoodies portion will be too similar to maskys
You got sick, to put it simply
It's.. odd..
He's well aware that you're deteriorating, and he's aware that time is running out
But he can't help but feel calm in your presence; its only when you're apart that he feels that dread, and its constant
Maybe it's the fact that when he's with you he can easily convince himself that, in that moment, you're alright
It hurts when it finally happens
Out of all the guys, he's probably the most normal(?) About the situation
He visits your grave, a lot of the time, leaves little gifts there
He doesn't talk much, but he probably talks to you
Likely keeps something on him to remember you, like a locket or something
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alsoanyways · 1 month
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@transgender-scout @1ight wait fuck now i have to compile them okay okay okay i have a feeling this is gonna get long so I'm gonna put it under a cut haha but for real thank you for asking!!
First things first! This is how I imagine the flock is able to disguise themselves. There's no going undercover at an actual school for them, but I don't think anyone's looking twice at a bulky coat, especially if it's set in the future. Not too far in the future though, still in the 21st century. I have no ideas for a plot restructuring or anything, I never read past Nevermore and I barely remember anything past the fourth book, so most of my headcanons are character dynamics and such. I do have some that aren't focused on the flock but not many. Anyways.
(also idk if most of this can even be considered headcanon bc its basically fanfic at this point)
A couple things I should've added to the design post are Toto's Total’s nonexistence (I'm sorry if you like him but I do not lmao) and the fact that their hair is feathers. Like those very fine and very long feathers that roosters get. The flock also doesn't develop superpowers.
In my version of things, there's a small town close-ish to the E shaped house. Far enough that no one in town is gonna drop by for a visit, but close enough to fly down to for some groceries, which they'd do after Jeb left and until the money was gone. I think he would've taught them how to forage for things and that's how they get by since then.
Max (21) isn't The Leader TM either, I think leadership is shared more with Fang/Friday and Iggy. She likes volleyball and usually the one to go foraging. She's never thought about it but if she did, she'd probably consider herself agender.
Fang/Friday (22) gets his name from a Friday the 13th DVD cover, Jeb thinks he wants to be called Jason when he first points to it. He used to help Nudge/Dora and Angel with their hair when they were little and still does occasionally. He likes to draw and he's the go-to when someone needs to be comforted. There's no way in hell I would let him be anything less than bisexual.
Iggy (20) is the one that probably hears Friday's voice the most. He was also taught braille and Jeb got them a labeling machine. He's still the best cook and he's very protective over the vinyls/tapes/cds in the house. He mourns the loss of them when they have to flee the house, but he is excited to finally have access to new music. He's also gay. Because I said so.
Nudge/Dora (17) still wishes she could live a normal life, but has accepted that it's just not a possibility. She clings to "Dorothy" when she learns it. Being talkative and into fashion are still part of her character, but now she also loves bugs. She tags along when Max goes foraging so she can try and get pictures of any new bugs she hasn't seen before. Friday often gets to hear which bugs and what they were doing when they're sketching together.
Gazzy/Gizmo (14) gets his name when he watches the Gremlins movie for two months straight and starts mimicking the mogwai noises. He almost kills everyone when he mixes a couple cleaners from under the kitchen sink. He's quickly enamored with the chemistry books he's given afterwards. Like any other teenage boy, he likes video games and has too much energy for his own good. Max offers to race him when he's particularly amped.
Angel (11) is the only one out of the group that wasn't experimented on and she doesn't get the protectiveness or why they never go anywhere. She likes sitcoms and never refuses an offer to forage with Max. She also took a liking to helping Iggy cook things. She was very quick to tell people she wasn't a boy once she had the vocabulary.
Ari (15) has chronic pain. Being turned to goo and rebuilt into something different will do that to you. It doesn't get better the second time. Nor the third. He used to live in the E shaped house, before Jeb brought Gizmo, back when he was a regular kid. He's always liked animals, caring for them. He wanted to be a farmer or something when he grew up. After he joins the flock, he and Gizmo are fast friends. (Watching him and Gizmo dick around is what makes Friday realize that he really is just a kid.)
Maya/Em (21, kinda) my identity issues queen!! Cloning keeps the original memories intact and then they were further messed with to ensure her allegiance. She has a hard time coming to terms with that, with not being Max, not being who she thought she was. Her friends aren't her friends, she didn't watch Gizmo and Angel grow up, she didn't go to Friday after another nightmare, or call Dora to come catch a spider. That wasn't her. Having time away from them before she joins the flock helps. She renames herself Em during that time, distinct enough from Max but not removed from it completely. She learns that she likes cooking and she discovers cheerleading. She thinks she'd like that if she got the chance to participate. She's also aroace. She wants nothing to do with any of that.
Dylan (21) sticks closest to Em, but he eventually grows close to Iggy as well. They share a soaring/gliding wing shape and Iggy is grateful to have someone who can fly as long as he can (recreational flying is always cut short in his opinion, because the others have to work harder to stay airborne and get tired). Dylan likes to tinker around with motors and mechanisms, trying to get them to work again or building them from the ground up. Not that he has an abundance of opportunities to do that, but being able to fix a busted car comes in handy. He's one of them gays that can drive.
Lastly, I do have ideas on Erasers and different classes of them and their usages but jesus christ this did in fact get very long and I need to go eat something lmao so that'll have to be a separate post for another time.
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pudding-parade · 6 months
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@echoweaver
Figured I'd do this this way instead of adding to the comment pile. :) I should've made a separate post with my whining, but…meh. What's done is done.
But yeah, not so much "medical drama" as just…stuff. I had a liver transplant in September. I haven't specifically talked much about it here because...I don't know. I guess I thought if I didn't talk about it it would be less...I don't want to say "depressing," because I'm not depressed, and I don't want to conflate being temporarily down in the dumps with depression. Maybe "difficult" is the right word.
Anyway...I've needed a transplant for about 10 years, my original having been badly damaged by asymptomatic hepatitis C that I unknowingly had, until the damage started making me really sick. I probably originally contracted it from a blood transfusion I had in the 80s, before they tested donated blood for Hep C. Medication as well as a special diet and supplements helped with the symptoms of a failing liver for a while, but this past spring things started to go downhill more quickly and the meds, etc. weren't helping as much.
I had a matching living donor, a relative of my husband's, who wanted to do it and who was finally approved for it. (She'd been deemed too young before.) And I was at the point of, "Do it now or else you won't be healthy enough later to survive the surgery/recovery." So, I did it. And like I said, I know it will be good in the long run, but right now it just kind of sucks. (Though it is nice to be not quite so yellow. I actually have eye whites now, yay! And I look less like a character from The Simpsons. Also also, I can legitimately say that I'm part Mexican now. LOL )
I'll spare you/everyone the gorier details, but I spent almost three weeks (as opposed to the one-week-or-so that's normal for transplants) in the ICU due to rejection issues (which is why my immunosuppressant dose was very high), and then once finally released I was under a "no contact" rule. As in, no contact with anyone but my husband, who was also not allowed contact with other people or else he wouldn't be allowed contact with me. (Thank goodness DoorDash exists now or I don't know what we would have done for food.) The only time I could leave this place was to go directly to a car to be driven directly to a doctor's office where they have a special process/set-up for people in my situation, and it's just nuts. People who went batty during covid lockdowns had it easy compared to this.
So it's been….rough. I don't really care about not being able to see people so much, frankly, but I do not like being cooped up inside. My latent claustrophobia has become not-so-latent of late. At home, I can sit out on the deck or I can wander about or ride my horse for miles in the wilderness without seeing another soul, but not here in a city. Cities suck. If I'd had more time to arrange things I would've at least rented a place with a patio/balcony, but since it was very short-notice, what we have is the best we could get, and it's not very good.
The good news is it's getting better. My immunosuppressant dosages are being lowered and I have no signs of rejection yet, so… *fingers crossed* And I'm down to twice-a-week appointments instead of literally every weekday. So, as of this past Friday I'm now allowed incidental contact, which means I can walk the streets or be at outdoor venues if I stay away from people, especially children (because they go to day care/school and tend to carry all sorts of interesting illnesses), as much as possible, but I can't be indoors for long periods with lots of people, so no stores, movie theaters, restaurants, etc. But this is why we're considering a zoo trip tomorrow. My doctors probably would consider it more than "incidental contact," but at least it's outdoors, close by, and it shouldn't be too crowded since it's winter and the kids aren't out of school for Christmas yet. They also have wheelchair or scooter rentals, so I don't have to walk the whole thing, and I would just be happy to be out in an environment other than a doctor's office for a day. So, I'm pretty sure we're going to do it. Because fuck it.
But anyway. Yeah, I'm trying to be more active online. It was hard for a while because with a giant healing abdominal incision and bruised-up everything, sitting up for long periods of time was a no-go, but I'm doing much better on that front. I've actually been playing No Man's Sky more than Sims, just because it's a space exploration game that makes me feel more like I'm "out there" than Sims does. But, I'm also trying to get back into the simblr momentum. I want to get back to playing the Random Legacy I started, because I can post about that more easily than the weird-o saves I usually play. LOL It's just hard to feel motivated right now, I guess. But we'll get there.
And you know what? For a movie that's supposed to be a comedy, Lilo & Stitch makes me bawl my eyes out. And that scene that I quoted is the "worst" in that regard. But it's still one of my favorite movies. :)
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chaoffee · 1 year
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The red string and the stars
Characters: Venti x gn reader (but reader is only mentioned, this mostly focused on Venti)
Genre: Would this be somewhat considered angst...? Probably not, but idk what to label this as
AU: canon au with red string of fate added to it
Warnings: Might be out of character
Notes: I don't know if I should make like a part 2 of this or make versions of the other archons 🤔 maybe I should go for both...oh well, honestly didn't know what to post and this was the only fanfic writing I had fully finished in months. Said fuck it and now I'm posting this lol May it be 👌👌
°•—
What if the archons didn't have a soulmate attached at the other end of the red string? What if they were doomed to never experience eternal love like the mortals that roam the lands they govern?
Venti would often find himself staring at the red string tied around his pinky. Unlike everyone else who isn't cursed with immortality like him, he doesn't have such a thing such as a soulmate. His string doesn't connect to anyone or anything at all. It's only there to mock him and his faint desires of being loved in ways that only a soulmate could satiate.
When Venti had first found out about this red string of fate that connects you to your soulmate, he was but an elemental being, listening to an old friends stories. He remembers his friend telling him his hopes of finding his soulmate outside of the wall that held everyone inside of it. Elemental Venti back then wanted nothing more but to see his friend with his soulmate, happy and outside of the wall. That hope quickly died after the war against Decarabian.
When Venti had become the god of freedom that fateful day, he had seen that he too had a string latched at his pinky much like his friend's. Not long after did Venti realize that there is no such thing as a soulmate for a god. At first he had mourned his loss of never having the love that his people had but after some years he had grown to accept this fact. It didn't stop him from singing or writing about lost love that was never meant to be.
Venti had met with other gods and they too had said that gods never have soulmates and if it were to happen it would be rare. Though none of the other gods seemed to care much of this loss. They have been living much longer than he has but you'd still think that they'd crave something such as love even if they don't want to admit to it.
Venti was brought back to the present with Diluc handing him a glass of dandelion wine. Venti looked up at Diluc weirdly. Diluc sighed, "Don't look at me like that. It's not strange for me to be generous every once in a while."
Venti gasped dramatically, "Master Diluc being generous with his delectable wine? Who are you and what did you do to the true Master Diluc?"
Diluc rolled his eyes at Venti's dramatics. I suppose being a bard has its love for dramatics engraved into a permanent grip on your personality and reactions. "Maybe I'll stop being generous and add that drink to the long bill you owe the tavern."
Venti makes a zipping motion with his fingers of his mouth, a teasing smile staying behind once the motion was done. Diluc shakes his head at the archon of Mondstadt. At least he never questions why Mondstadt was the city of freedom and wine. Their archon sure loved both things...more the wine though.
"So, what got you all wrapped up in your head? It's rare to see you staring off into space when there's tons of wine to drink." Diluc asks, hoping his tone didn't come out harsher than it should've with the second part.
Venti struck a thinking pose, "I suppose I can share with you, Master Diluc. It's always good to have another's thought added to your own."
Diluc prepared himself for whatever Venti could possibly say next. Venti was a hard character to read. You never truly know what he thinks or what he's going to say next. It's always a surprise with him.
"What do you say about a wine made from milk?" Diluc took a moment to ponder the words and the question. Milk...in wine? That's an absurd idea! Milk would only make the wine taste weird...or would it? Diluc racks his brain for an alcoholic beverage that contains milk as an ingredient. He lists some of the alcoholic beverages he knows of in his head and what they contain.
Venti leaned his head onto his palm as he watches the cogs in Diluc's brain turn at the mere question. The sight made him smile. It was rare to see Master Diluc so perplexed about something that you can't help but savor it when it occurs.
To be fair, Venti wasn't thinking about a wine made from milk but he'd rather not divulge into his thoughts of the red string. After a while, his thoughts turned to you. He wondered if you had a soulmate and if your string was connected to anyone else's. Perhaps a topic for a future conversation with you when he sees you again.
Venti finished the last bit of the dandelion wine that Diluc had given him before standing up. He stretched his arms above his head and sighed contently. "Goodnight Master Diluc, don't go thinking to hard about that milky wine~" Venti calls out as he turns to leave. He didn't give Diluc much time to say goodnight back, having been at the door and out when Diluc opened his mouth to say it.
A gentle breeze ruffled his hair as he walked through the city. Everyone had gone home after a long day of work and if they weren't home, you could always hear them in the taverns singing along to a bard's song. It was peaceful this time of the evening. Why Venti loved taking strolls through the city after a few drinks(or bottles) at Angel's Share at night.
He wondered what you were up to. Where your adventures had led you for the day. Whether you were sleeping soundly underneath a roof or under the vast, open sky. Venti looked up at the sky, watched as the stars slowly inched in the sky with each second. The stars were always so dull to look at. You had told him of worlds where the stars shone brighter and more clearly. When he looked at you in that moment, he could see the look of longing you had as you watched the stars of Teyvat.
Your story about the brightly shinging stars that never seemed to dull had sparked a desire to see those starry skies you had seen countless times before. When he closed his eyes he could almost picture how the sky looked. He longed for a memory where he could watch a brightly lit sky full of vivid stars with you.
Much to soon did the longing turn into a dull ache in his heart. Venti sighed, once more looking at the red string attached to nothing else but his pinky. If only you were from this world or planned to make this world your home, perhaps he could find it in himself to ask if you'd be willing to be his until the world resets itself again. But alas, all beautiful fantasies come to a bitter end when reality decides to rear its ugly head.
For now, Venti is content with keeping the embers of his desires a secret to all but him and the lonely red string around his pinky.
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anxiety-thyme · 10 months
Text
First Friday fic night is here again!
For a refresher you can see what this is about here. Last month was Snow White With the Red Hair .
In last month's poll you degenerates voted for Real Slow Burn - 100k words or more. I should've known. Since we are focused on fic type we are going to hit a few different fandoms.
Voting for next month's topic at the end!
I had a couple of requirements for myself when choosing fics this month otherwise I wouldn't have known where to start and the list would be too long. It's already really long tbh.
The 100K word count had to be for the single fic - not for a series.
The wordcount had to actually be above 100k. No cheating with those 98K fics.
The ship had to be a main part of the story, not an afterthought.
No more than two fics per fandom.
I have to have read it more than once. <- I'm aware of what this says about me. I'm the degenerate actually.
If you've read some of the fics I've posted previously you might have picked up on the very specific vibe in most of what I recommend. Yes, I am just now realizing it and no I don't want to talk about it. Yes maybe a hug wouldn't hurt. We actually have a few that won't leave you emotionally damaged this month!
I thought I'd start with some fandoms we haven't hit yet. As always mind the tags. There is definitely smut.
My Hero Academia
Pairing: Todoroki/Bakugou I'll admit, I was unsure whether to include any MHA since the fandom can be A. Lot. especially when ships are involved. That said, I live in my own little corner of the internet and there are some phenomenal writers hidden away if you go look for it.
The lights are all out (its a big big city), by shaekspeares
"Izuku leaves for America for six months; Shouto fights his way into the Top 5 Hero Rank, takes out Godzilla, reconnects with a criminal, adopts a cat, and has several belated emotional crises (not necessarily in that order). He might also be in love with Bakugou, but that's another problem altogether.
Izuku probably shouldn't leave him to his own devices anymore."
I enjoy everything shaekspeares writes in the fandom. Their prose is beautiful and their work feels fully rested within the universe while telling compelling and emotional stories.
Candy Canes and Christmas Crackers, by bigdorkenergy
“So….your huge family somehow all think that you have a long term boyfriend and are insisting that you bring him to your week long Christmas family reunion?” Despite his efforts the end of his question raised in pitch as Kirishma swallowed down a giggle.
“How does that even happen?” Kaminari added popping some of the hashbrowns Bakugou made into his mouth.
_
OR your classic holiday romcom where Bakugou needs a fake boyfriend to bring home for Christmas and Todoroki is willing to take that bullet."
I'm not big on Christmas fics. Not for any particular reason I don't think? But, I am a big sucker for fake dating fics. This is adorable and so pure as these two do the whole friends to lovers thing.
Okay. Are you ready for this?
BBC Sherlock
(I know, right?? What is this 2012??)
Pairing: Sherlock/Watson
Performance In a Leading Role, by Mad_Lori
"Sherlock Holmes is an Oscar winner in the midst of a career slump. John Watson is an Everyman actor trapped in the rom-com ghetto. When they are cast as a gay couple in a new independent drama, will they surprise each other? Will their on-screen romance make its way into the real world?"
I know I've said this a few times, but I don't read a lot of true AUs but of course there are always exceptions. This is done so well that I don't think you have to be in the fandom or know anything about the characters at all and you would still enjoy it. The slow build from distain to love is really well done.
Community
Paring: Annie/Jeff (don't @me) I know Community isn't everyone's thing but there is some great fic out there just sayin'
It's Always Open Season on Princesses, Elsiesnuffin
"Annie is given the opportunity to do some travelling over the summer after her second year at Greendale."
This is very Roman Holiday-esque. It's a fun romp through Italy while Jeff figures his shit out. Jeff figuring his shit out is my bias. Also, is that a fanfiction.net link I see? 👀
Attack on Titan
pairing: Erwin/Levi
Small Mercies, by Calacreda
"Levi misses Erwin in the margin between sleeping and waking. He thinks about Erwin when he steps out of a hot bath into cold air. He imagines Erwin’s new life, his new vocation, his new family, when the seasons change, or when he blows the candles out, or now, as the sun sets. The only space he does so is a space of a threshold. It does not feel good or bad. It does not feel happy or sad. Levi realises now, however, that this is not the same as it feeling nothing."
Six years after the War ends and they part ways, Levi finds himself at Erwin's door again."
I cannot express how beautiful this is. I've read it so many times and I still cry each time. Levi feels so raw and real as someone who has never really known family and doesn't have the words to put to what he wants and how he feels.
Tiny Anthem, by onthearrow
"Levi swore to Erwin he would kill the Beast Titan. But how can he follow such an order when it's Erwin himself he pulls from its nape?"
Okay, imagine that you have spent years recovering from the grief of losing someone you loved, healing from a toxic relationship, learning to be comfortable in your skin, taking on a role you never asked for and fighting to create a space for yourself in the world. Got it? Now imagine the person you were grieving turns out to not be dead. And also, they don't know who you are. Oh and they have been brainwashed by the enemy. That feels good, right?
I am embarrassed by how many times I've read this. Every time a new chapter came out I would start from the beginning again. I finally promised myself 5 chapters ago that I wasn't allowed to start all over from the beginning until the final chapter comes out. It should be soooon.
Teen Wolf
pairing: Stiles/Derek
Home, by TheTypeWriterGirl
"January seventh. Seven days since the start of 2015, and seven days since his father’s death.
The bastard, he thinks bitterly. The past year Derek Hale had made it blatantly obvious that he hated his scrawny guts, taking every given opportunity to shove him up against a wall, growl threats in his ears and roll his eyes whenever he stepped into the room, muttering some snide comment about how spastic or idiotic he was.
So why did he fucking volunteer to take him in?"
Here is the thing. Not only is this fantastic, but the companion piece that is about Derek and Stiles' parents is also good. I didn't think I'd be able to read a fic about parents who are almost non-existent in the show without the characters from the show in it. I did here and I couldn't put it down.
The Hollow Moon, by thepsychicclam
"It's the summer after Stiles' first year of college, and he's working a crappy job and dealing with nightmares and anxiety - but he's okay, he swears. He makes it through most days without too much trouble. Then, a certain werewolf comes back into town. Which Stiles doesn't care about, nope, not at all.
After two and a half years, Derek returns to Beacon Hills with his small Pack. Though he tried to move on, something just kept drawing him back to Beacon Hills, he's just not sure what. Now, he figures he can start building something like a life - but he keeps getting distracted by Stiles Stilinski of all people."
I know this makes me awful but I'm a sucker for post Nogitsune Stiles. Nightmares? Yes. Disassociation from reality? Bring it. Add in a dash of Derek recognizing what he's going through and I'm there.
There are two fandoms missing that I would have loved to include however:
Snow White With the Red Hair: There are only 2 100+ Obiyuki fics on AO3 so they didn't feel in the spirit of this month's recommendations.
Buffy the Vampire Slayer: Let's be real most of what I have bookmarked is just straight up porn and not terribly long. That said, there is one really good story that I love but when I went back and looked at the word count turns out it is only like 50K words?
Tell me how much you like them on a scale of Abba to shoulder cat!
Do you like looking at fics by themes or do you prefer by fandom? Let me know.
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Persona 3 Reload *SPOILERS*
So, I've let this sit for two weeks now and I think it's time for me to finally dish my thoughts. There will be spoilers for those that either haven't finished Reload or those who haven't played any version of Persona 3 at all. If you haven't done either one, I highly recommend you stop reading and go finish it *now*. This is your only warning at this point.
Have you finished it? OK, good. Let's get started.
Persona 3 Reload is a really, really good game. It makes what was once old new again and playing through P3R gave me the same strong feelings I had back when I first played Persona 3 FES. It was like meeting an old friend again after they got themselves both a makeover and nearly 20 years passed between the last time you saw them in person.
Let me get my nitpicky stuff out of the way before I heap the praise it deserves.
I straight-up did not like them taking away school club choice from us. How dare they?! I wanted to do Kendo and Photography like I did in FES, yet I was stuck with Track and Art? If I had to be stuck with a culture club, music should've been the canon club of choice. Our protagonist literally wears headphones all the time! You can't show me the music room at least thrice and tease me with us seeing it, yet not joining the club.
I hate the name change for Operation Babe Hunt. What's wrong with calling it Operation Babe Hunt? The name was fine! It was the creepy behavior of the boys and the transmisogyny that was the problem in it in the original, not the name!
The AI programming is shit. Look, a majority of folks bitching about not being able to control the characters in the original game and FES are being whiny babies that don't know how to use the tactics menu. It's a nitpick because I know that the game has decidedly gone for direct control, but honestly? I would've loved the sophisticated AI that Persona 3 and 3 FES used to be utilized.
Folks bitching about the High-Cut Bikini honestly just need to calm the fuck down. You don't have to use it if you don't want to. Whatever happened to the "Don't like? Don't use!" mindset? You're not being forced by evoker-point to use it.
The music is a downgrade. Lotus Juice is fine as always, but the new singer had a tough job to take over for Yumi Kawamura and fucking failed. The new songs that Yumi never sang are fine, but the new versions of the original songs? Oof. It is bad. Mass Destruction was whack and the less said about her version of Kimi no Kioku, the better.
So, yeah, those are my main nitpicks. Now onto the praise.
The voice acting is top-tier. And I need to put it in a second post because it would be too long. Just know that the English dub is fantastic and no one misses in it at all.
The extra scenes and hangouts we get with the boys are perfect. It fleshes out the guys in ways I wouldn't have expected. For example, I never knew Akihiko was adopted and has parents until Reload put that in there. Do you want to know where that information was originally known? In an artbook and a drama CD! Thank you, Reload, for giving us this vital information I never knew about.
The animation where there's a fusion accident is the funniest fucking thing they've added to the game. I love it, it's hilarious.
They made Shinjiro's death even sadder than the original. For those who have not played the original/FES, Shinjiro has enough strength to walk off before dropping dead under a streetlight. It was a more surreal, trippy moment for his death than anything else because of the art direction in the original/FES. In Reload? They went with what was shown in the movies, with Shinjiro dying in Akihiko's arms. If I had a nickel for every time the edgier of the two men in the ship die in the other's arms, it'd be two nickels. It's not a lot, but it's weird that it's happened twice now. Not to mention the link episodes with Shinjiro are killer. You actually get to see how Shinjiro would look in his school uniform and, fuck, seeing baby Shinjiro, Mitsuru, and Akihiko together is just... it breaks the heart. And that conversation with Mitsuru the day after when you go in Shinjiro's room? Fucking ow! Way to break my heart, Shinjiro.
I'm glad that you *can* save Chidori's life. My Junpei/Chidori heart is so happy about that. And Junpei's second theurgy? Heartbreakingly beautiful, whether Chidori lives or dies.
I am so glad the game allows us to ask why Takaya doesn't wear a shirt. Strega's motivations have always been clear to me from day one. But Takaya, why the fuck do you not wear a shirt?
But yeah, those are my thoughts. It's a good remake. If you're not certain it's for you, try it out on GamePass. Otherwise? Buy it, you won't regret it.
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seconds-not-decades · 2 years
Text
Time and Oblivion
Pairing: Five Hargreeves x Fem! OC
Author's Note: Hello and welcome. This is my long-awaited season three fic and I will be posting daily.
Warnings: Season 3 spoilers, REALLY long post, cursing, blood, violence, major injury, and major character death.
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Oblivion
~ * ~
On the 12th hour of the first day of October 1989, 16 women around the world gave birth. This was unusual only in the fact that none of these women had been pregnant when the day first began. Sir Reginald Hargreeves, eccentric billionaire and adventurer, resolved to locate and adopt as many of the children as possible.
He got seven of them.
~ * ~
Going down the tunnel was an experience within itself. Soon, Lila kicked the door open and everyone came out of it rather breathlessly. The White Buffalo suite seemed the same, except everything was backwards.
"Let's never do that again," Viktor panted some.
"What, narrowly escape the apocalypse?" Five remarked, keeping a comforting hold on Karina.
"It's kind of our thing, isn't it?" Diego checked the room protectively.
"There's something very wrong about that," Allison eyed the buffalo's rear end sticking out of the wall.
"Same suite, just ass-backward," Lila returned.
"No hyperbole there," Karina muttered.
"This is some hardcore Alice in Wonderland shit," Ben commented.
"Yeah, it only gets weirder," Diego admitted.
Sir Reginald was the last to come out of the tunnel, and he was out of breath as he shut the door. "At last, the other side."
"Wait. Where's Klaus?" Viktor asked and Five stared at Sir Reginald in shock.
"Children, I'm sorry, but your brother…" he trailed off. "I did all I could, but he didn't make it through in time. The Kugelblitz has claimed its last victim."
"No, he was right behind us when we entered the tunnel," Five argued.
"I saw him behind me," Karina nearly choked out.
"We need to go back," Sloane added.
"There's nothing to go back to. Children, there will be time for tears later," Sir Reginald set off in determination. "Right now, we have to keep moving." He left the room quickly.
"Wait. Luther and Klaus?" Viktor looked around at everyone's somber expressions.
Everyone followed Sir Reginald out of the suite. The hotel seemed to be the same, but there was a lingering feeling in the air that nobody could shake. The feeling that something was off about the hotel.
~ * ~
Everyone rode the elevator down to the main floor and it dinged. The door slid open and Sir Reginald led them out.
"This is magnificent!" Sir Reginald exclaimed.
"You guys should've stayed here," Ben commented as he looked around. "This place is way nicer."
"Lila and I barely got out alive last time. Remember?" Diego reminded him.
"But I'm here this time, and the numbers are in our favor," he boasted.
"Well, whatever it was, it was strong, fast, and super pissed," Lila put in.
Diego went over to the front desk. "Alright, so, whatever you do, do not ring this bell. Unless you wanna lose a finger or a tentacle."
"I'll take my chances-" Sloane began.
"Don't!" Lila stopped her.
"Get out of my way."
"To take out this thing, we need to be in the right state of mind, okay?"
"State of mind? Do you mean, am I angry?" Sloane questioned, her voice thick with grief. "Yes, I am angry. I wanna kill whatever it is that hurt Luther!"
"Luther isn't the only one that's gone," Viktor calmly spoke up. "We lost Klaus too. I'm angry, okay? We all are. We have to be smart about this."
Karina saw Five slowly go towards the doors and for a split second, she hesitated to follow him. However, the stars on the floor caught her eye and she frowned, wondering why they looked familiar to her.
"Yeah. When the time is right, we'll act," Lila told Sloane.
"Don't even try it, Five," Diego told him. "Doors won't let you out."
"So, what, we're stuck here?" Karina was in blatant disbelief as Five blinked over to her side.
"This place is a test and a trap and a means of salvation, all at once," Sir Reginald announced.
"Does anyone know what that sign says?" Viktor looked at it.
"Yeah, it says "Do not ring the bell"," Diego answered. "That's what that means."
"We get it, Diego. Bell bad," Five went over to them.
"What do we do? Does anybody know?" Karina asked quietly.
"Reggie?" Allison tried to get his attention. "Reggie."
Sir Reginald flipped some pages in his journal.
"I'm hungry. Does anyone fancy an unagi roll?" Lila spoke up as she headed off.
"How can you possibly eat at a time like this?" Ben questioned.
"I don't know. How can you be a dick at a time like this?"
"Hey!" Diego walked over.
"Oh, you'll-" Ben began.
"Back off, all right?" Diego interrupted. "She's eating for-"
"Strength," Lila cut him off. "In these trying times. Diego, can you come with me for a second?"
The two left the others, heading over to the cafeteria area. Meanwhile Five, Karina, and Viktor were sitting in a corner, watching Sir Reginald thoughtfully.
"Nah, it's like the old man said. Once is happenstance, twice is coincidence, and three times ain't gonna happen 'cause I'm not a gibbering idiot," Five rambled.
"Well, we can't be sure he killed Klaus or Luther," Viktor pointed out.
Five stared at him. "You serious? This is his modus operandi. We've seen this before. Have you forgotten how we all came together in the first place?"
"Dad's funeral."
"Exactly. He pulled this on you rubes before, and he's doing it again now."
"Come on, Five," Viktor disagreed.
"No, he has a point, Viktor," Karina was anxiously fiddling with her ring. "Think about it. He lost the vote to come through the tunnel, yet here we are. He comes in mere moments after we all do upon finding Luther's body. Almost as if he already knew. And as for Klaus, the only two people left in the tunnel were them. I saw them, but something in the tunnel forced me to go forward. I'm telling you, something isn't right!"
"Which unnerves me because, well, I've never seen her so uncharacteristically worked up like this over something before," Five added, grabbing Karina's shaking hand.
"Are you really sure that he could kill Luther?" Viktor was hesitant.
"I think he could kill Luther, Klaus, and the rest of us without breaking a moral sweat," Five leaned forward. "And what's worse, we think Allison is involved."
"No. No," Viktor scoffed and shook his head. "No, she…she was with Sloane in the tunnel."
"I'm not talking about Klaus," Five bit out.
"Luther? What?" Viktor was even more shocked. "No, she would never do that."
"She's been unraveling since we got to this timeline," Karina pointed out.
"Yeah, she lost her daughter."
"And she killed Harlan."
"Look, even if you're right, I can't imagine they're just gonna come clean if we confront them," Viktor commented.
"We agree," Five sighed as all three eyed Allison tending to Sloane.
"Gather up, children," Sir Reginald announced, descending down the stairs quickly. "Now that we've had a chance to catch our breath, the real work can begin."
"Ah, the myth of the seven bells, eh?" Five stood up with the other two.
"Exactly. Somebody's been paying attention."
"Okay, so we find the bells, then what?" Diego questioned.
"No, no, no. The bells are just a metaphor for this," Sir Reginald showed a familiar drawing to everyone.
Five clicked his tongue. "The sigil."
"Correct, Number Five. The sigil is the key to the seven bells," Sir Reginald explained, "Once we find this symbol, we're one step closer to resetting the universe."
"What do we do when we find it?" Karina crossed her arms.
"I don't know."
Sloane gasped.
"Excuse me?" Viktor piped up. "We're here because you said you have a plan."
"I do, up to a point," Sir Reginald admitted.
Lila snickered. "Great. So we'll just stay in the hotel forever, staring at the walls and eating bad sushi."
"Finding the sigil is our only way out of here and the best chance we have of resetting the universe," Allison spoke up.
"Funny how you and Dad are on the same page again," Five observed coolly.
"Not to mention you suddenly know so much about the sigil and apparently resetting the universe," Karina raised her eyebrow.
Allison was glaring at them. "You know, sometimes I really miss the days where your wife just quietly followed you around and barely spoke a word," she shot at Five and he clenched his jaw angrily.
"Okay, uh, where do we start?" Viktor cut through the tension.
"We'll split into groups," Sir Reginald replied. "I will go with Allison, Karina, and Sloane, Ben and Five, you're with Viktor."
"No, we want Allison," Viktor argued.
"Rina stays with me no matter what group you force us to be with. Try to split us up again and I will kill you," Five threatened Sir Reginald. "Ben for Allison. We've trained together, so it makes more sense if we take Allison."
"Yeah. No, thanks," Allison remarked.
"Why not?" Karina looked at her narrowly and suspiciously.
Allison subtly glanced at Sir Reginald.
"Splendid idea," he announced. "Allison, you go with the Umbrellas. Sparrows, stick together. Everyone take a different floor. We must find that sigil."
"What about us?" Lila asked as everyone began to split up.
"You're a duo. Nobody wants to listen to your endless bickering," Sir Reginald answered. "Now, spread out, leave no stone unturned, and meet back here in 30 minutes," he instructed in everyone's wake.
~ * ~
Allison, Viktor, Five, and Karina slowly sauntered into a room.
"Someone went through a lot of trouble to hide this thing," Allison went over to a cabinet.
"How big is it supposed to be?" Viktor glanced around.
"You know, dear old Reg didn't say."
Five walked into the room a bit more. "Really? Hm. That's surprising. I figured you'd know more about his plan," he commented.
"Sorry, what's that supposed to mean?" Allison looked at him.
"Rina and I saw you and him in the White Buffalo Suite during the wedding," he accused.
"I don't know if now's the right time-" Viktor began.
Allison cut him off. "You know, I heard that you blacked out last night and Karina tended to your side. Big shocker."
"I did, and it took me a while to remember what I saw, but I do remember, Allison," Five remarked. "You and Dad made some kind of deal."
Allison chuckled in disbelief, watching him walk over to her.
"What did you agree to?" Five continued relentlessly.
"A deal?"
"Mm-hmm."
"With Dad? Please tell me you're joking."
"He's not," Karina was watching Allison closely.
"Answer the question," Five nearly dared her.
"You're out of your mind. Both of you," Allison retorted.
"You and Sir Reginald make a deal, now Luther is dead. Looks pretty suspicious to me," Karina put in.
Allison chuckled again. "Okay. Luther was killed by whatever the hell that thing is."
"And Klaus?" Five prodded her.
"He didn't make it into the tunnel."
"You know, your deal is costing people their lives," Five accused.
"Do you really think that I made a deal with Dad to kill Luther and Klaus?" Allison seethed, looking at them. "I'm done. I'll meet you in the lobby." She stormed out.
"Hey…Hey, wait, no," Viktor sighed. "Wait…Five," he scoffed in disbelief, running out after her. "Allison. No, just listen to me."
Five and Karina left the room, but the hallway looked different. Instead of a hall, there was a wall.
"Viktor? Allison?" Five called out, pulling Karina close to his side.
"Okay, this just keeps getting worse by the second," she was pressed against him tightly.
The two continued to find a way out. But they kept running into dead ends.
Five sighed. "All right, so now the fun starts."
"You and I have very different definitions of fun," Karina remarked.
"Come on. Let's find a way out of this hellhole," Five gave her forehead a comforting kiss.
The two wandered around the floor, wondering if there was an end to it. What felt like hours later, they found Sloane and Ben.
"I can't believe I'm saying this. I'm actually glad to see you guys," Five greeted.
"What's wrong?" Sloane looked and sounded like she was a mix between angry and upset.
"The hotel is changing," Karina replied. "We've been walking around in circles, but it's like the thing is alive."
"We should get to the lobby," Ben snarled some.
"Tried it. Whatever direction we choose, we end up in the same spot," Five returned.
"Or maybe you have no sense of direction," Ben fired off.
"Calm it, calamari," Karina snapped.
"Okay, lead the way, Magellan," Five added in a snarky tone.
Ben hesitated for a split second and then shook his head, scoffing as he went off. The three followed him. Not much longer after that, suddenly what sounded like a gong resonated in the air. The lights flickered and took on an eerie gold glow. The floor rumbled ever so slightly and the four exchanged a nervous look.
They rounded a corner only to see a guardian appear. He twirled his sword around menacingly.
"Really? A samurai?" Ben was exasperated.
The samurai growled. However, Sloane yelled angrily and charged at it, jumping over it and landing on the other side. The guardian turned with his sword raised, but, she conjured two orbs in her hands and tried destroying it from the inside, straining.
"Revenge looks good on her," Ben commented.
Five eyed him in exasperation. "Would you shut up and help us kill this thing?"
He grabbed an axe off the wall and Karina grabbed a katana hanging below it. He blinked them out and over to the guardian, hitting and stabbing at it. Sloane kept using her power to keep the guardian in place as Ben hung out on the sideline, watching them fight.
That fight eventually led to the four hiding in the laundry room behind a bunch of machines.
"You've hit him with your axe five times and that katana twice as much. He should be dead by now," Ben pointed out.
"The armor. It's like hitting cement," Five replied.
"There's a space between the backplates," Sloane was out of breath.
"We need to get behind him," Karina caught on.
The guardian was snarling and waiting for them to make their next move.
"Let's kill this thing," Five nodded, seeing Sloane jump to her feet. "Wait-Sloane!"
"Hey, asshоlе!" Sloane shouted.
"Shit!" Five blinked out with Karina.
Sloane leapt over a table as the guardian threw a knife, slicing her arm. She wailed in pain, groaning when she hit the floor. The guardian roared as Five and Karina appeared in front of him. Karina ducked as the guardian hit Five, sending him to the ground.
"Well, fuck you too!" Karina dodged the guardian's sword. She blocked it, starting to sword fight him, though it was kind of useless on her behalf. "Shit! Come on!" she was losing her strength quickly as the guardian growled and snarled.
"Rina!" Five groggily sat up, feeling his head swimming chaotically as Sloane looked up.
The guardian knocked the katana out of her hand.
"Shit!" she cried as he grabbed her throat, starting to choke her.
"NO!" Five staggered to his feet.
Ben suddenly joined the fray and yelled, sending his tentacles out. They wrapped around the guardian as one grabbed Karina by the waist to save her.
The guardian growled, fighting against the tentacles constricting him. Ben strained, making the tentacle around the guardian's arm squeeze it hard. The guardian released Karina as the tentacle around her saved her from falling.
She and Ben wailed in pain when the guardian snarled and broke through all the tentacles, slicing one of them and slicing through Karina's side.
She screamed and fell to the floor at Five's feet, gasping and choking for air. He angrily grabbed the axe and yelled, slamming it into the guardian's back. The guardian fell to his knees and then onto the floor. The four looked around breathlessly.
"Rina!" Five raced to her.
She coughed, sputtering some. "I'm okay. I'm okay," she wheezed, unaware of her injured side.
He carefully helped her to her feet and gazed into her eyes. "Are you all right?"
"Yes," she nodded. "Thank you for saving me," she weakly managed to say to Ben.
Ben nodded solemnly and the four quickly rushed out of the laundry room.
~ * ~
The four got back to the lobby, only to see Viktor and Allison surrounding an alive Klaus.
"Klaus," Five breathed out in shock.
"You look like hell," Viktor saw the four.
"Why don't you try killing a guardian?" Five remarked.
"We just did."
"So did we," Ben responded.
Before anyone could say anything else, Karina inhaled sharply and her legs gave out from beneath her.
"Rina! Shit!" Five barely caught her with Ben's help. "Rina, what's wrong?"
Karina was grimacing in pain, grabbing her side as she yelped.
"Oh my God-" Sloane was horrified.
"Shit, my darling, why didn't you say something?" Five cursed, tearing off his jacket to try to stop the bleeding.
"I…I…didn't feel it…" Karina grabbed his arm. "S-Stop…"
"No! You're not dying on me!" he pressed the jacket onto her side, making her wail in pain.
"What's going on?" Lila raced over with Diego. She gasped when she saw them on the ground.
"Goddamnit, not her, too…" Diego breathed out.
"Help me out for God's sake! Somebody, find a place where I can stitch her wound!" Five demanded, seeing her blood soak through the jacket and puddle onto the floor.
"Five, no. It's no use," Karina strained out.
"Shhh. Save your breath while I save your life."
"Five, please, stop," she grabbed his bloody hand. She looked at him with tears in her eyes. "Stop, it's no use. I'm already dying."
Five was choking up as he gently scooped her into his arms, letting her head rest on his lap. "Don't leave me. Don't you dare leave me. I need you."
"You need to save the world," Karina coughed.
That was when it all came crashing down on Five. He looked down at her in realization. Old Five was warning him that not saving the world was the only way to save his world. He didn't mean the universe.
He meant his wife.
"My love, you are my world," Five was fighting desperately not to let the tears fall. "We should have stayed behind. I should have listened to you. I'm so sorry…"
"How did this happen anyway?" Lila glanced around.
"I'll tell you!" Klaus piped up rather angrily. "What you guys need to know right now is that Dad killed Luther. And he locked me out of the tunnel, and he rang that stupid bell!"
That fueled the fire in everyone.
"What's your plan, old man?" Five spat angrily, grasping Karina to his chest.
"We don't have time for this," Sir Reginald dismissed him.
"You killed Luther! And now Karina is dying no thanks to you!" Sloane cried.
"I had no choice with him. You refused to come together as a team," Sir Reginald remarked.
"All of your stupid myths and stories. There were never seven bells or Norsemen. You brought us here to die!" Ben snapped.
"That's not so. Somewhere in this hotel is the key to resetting the universe. We just need to find the sigil!"
"I don't care about your sigil! None of us do!" Sloane seethed.
"We barely survived that guardian with his stupid helmet and his sickle!" Diego exclaimed.
Viktor paused. "The guardian we killed had an axe."
"Ours had a sword," Karina breathed out as her eyes started to flutter.
"No, no no, stay with me. Don't leave me!" Five lightly tapped her face in a panic. "Rina, listen to me! Come on, don't die! Don't do this to me, love of mine!"
"How many more of us have to die for your mission?" Sloane bit out. "HOW MANY?!"
Klaus knelt down next to Five and Karina. Her head lulled some and Five tried to steady it on his chest.
"This is what you wanted, huh? Funerals to bring everyone together?" Five snarled to Sir Reginald.
"Your wife was unlucky and not someone I expected to go, but she was getting too smart for her own good. She was getting too close to the truth."
"That doesn't justify her bleeding to death in my arms!"
"Five," Karina whimpered slightly.
Five looked down at her. "Hey, it's okay. It's me. I'm here," he took her hand. "What is it, my darling?"
"I-I'm scared."
"Don't be. Where you go is probably going to be somewhere peaceful and nice. I imagine you'll find yourself tucked away in a nice cottage with a lot of fresh, open air. Maybe you'll find a bakery or two nearby. And you might get a dog? You look like a dog person," Klaus comforted her.
"Maybe your parents will be there to greet you," Five failed miserably to smile. "And they'll take care of you for me. I know they would."
Karina winced some more. "I…I hope so…" she felt her eyelids growing heavier. "I'm getting really tired now."
"You should…you should sleep now, my angel," Five shakily brushed some hair out of her face. "Sleep and rest. I'll save the world, I promise."
"I know you will," Karina looked at him weakly. "I love you."
"I love you, too. So, so much, no matter what. Apocalypses and timelines be damned," Five choked out. "I love you, my darling, no matter what timeline we're in or what apocalypse we stop."
"I'll see you on the other side, I hope," Karina faintly smiled.
Desperately, Five took her face and kissed her, letting his tears fall freely now.
"Please don't leave me, Karina," he quietly sobbed out, his lips brushing against hers. "I love you."
When he pulled back, her eyes were closed and she had fallen still.
Perfectly, peacefully still.
Karina Hargreeves, the love of his life, was gone.
~ * ~
"Mommy, where are we going?" five year old Karina's voice asked.
"Away for a little bit. You and I get to go on a vacation," her mother's voice replied.
"Mommy, he keeps hurting us. I'm scared!" ten year old Karina exclaimed.
"I know, my love bug. But there's no need to be scared. I'm here and I'll protect you no matter what," her mother reassured her.
"I have a job for you. A job that meets all your skill sets and one that will help you and your mother escape that monster she calls an ex-boyfriend," the Handler's voice proposed.
"Calm down, I'm not here to hurt you. I'm Five Hargreeves. That being said, will you please put that down?" the voice of eighteen year old Five asked.
"I'm gonna find us a way home, I swear," Five promised.
"Marry me. I know it won't be the dream wedding you imagined but, I want you to marry me."
"I've found us a way home, Rina. We're going back to 2019."
"I'm never going to leave you."
"I swore to myself that I would always protect you, but, I realize now that I can't always do that and I need to learn to trust myself that you can handle things."
"Wouldn't mind a few more minutes breathing air through the old windbags and spending a little more time with you, my love."
"I love you no matter what timeline we're in or what apocalypse we stop."
"Please don't leave me, Karina. I love you."
~ * ~
Karina gasped and sat up, finding herself in a gorgeous white suite. But it didn't feel sinister like Hotel Obsidian or suspicious like The Commission. The suite felt soothing and peaceful.
"Where am I?" she muttered, going over to the vanity. She noticed though that her injury was gone.
Hair styling products and a case of makeup littered the countertop. There was a small jewelry case showing off a sparkling set. Karina frowned, turning to see a lovely wedding dress and a veil hanging from the bedpost.
"What?" she whispered, hearing a bicycle bell ring out in the hall. Karina went out of the room, seeing a little girl riding down the hall on a bicycle. "Excuse me?"
The little girl turned around. "Oh. You. I didn't expect you to be here this soon."
"Where is here?" Karina frowned. "I'm dead. Aren't I?"
"Well, not exactly. You've fallen unconscious. There's still a small part of you that's alive. Not much though. You're about on the brink of death."
"That's not comforting at all. Is that why this place is so empty? I'm not fully dead?"
"You're very perceptive."
"But am I wrong?"
The little girl slowly rode her bicycle over to her. "No."
"So, this is it? When I fully die, wherever I am will become chock full of people?" Karina bit her lip.
"Maybe. Maybe not. You might get sent back."
"Sent back? Sent where?"
"Back to life."
"Is that even possible?"
The little girl shrugged. "I don't know. All I know is you're here very early."
"Blame the guardian for killing me when I wasn't ready to die yet," Karina commented bitterly.
The little girl looked at her.
"What do I do now? Even in the afterlife I'm alone?" Karina sank to the floor. "I don't even have my parents?"
"You probably won't be here for much longer."
"How do you know that? You said I'm on the brink of death's doorstep. Who's to say that I won't die for real?" Karina sulked, feeling tears well up in her eyes.
"Hard to say."
"Of course it is!" Karina burst out, starting to cry now. "For all my life I've been running from people, trying to save people, and for what? I thought I was saving my mother, but I signed my teenaged years away. I thought I was saving myself, but I stranded myself in an apocalypse. I thought Five and I were saving the world, but instead we doomed our families. I've lost more than I've gained. I thought I'd at least be given the chance of reuniting with my parents when I'm dead, but even then I'm alone! And my husband is fighting for his life in that hell hole and who knows what he's being put through! I just want peace for once!" she cried even harder, not even realizing how much pent up trauma she had yet to release. "I never asked for my life to be so broken."
The air filled with her quiet sobs and all she wished was for someone to hold her. She didn't care who. She yearned for her mother, but she ached for her husband. She just wanted to know that she wouldn't be alone.
Eventually, her tears ceased and she miserably wiped her eyes.
"I'm sorry," she choked out, attempting to recompose herself.
The little girl nodded. "I hope you find comfort in knowing you won't be alone soon."
"Beg pardon?" Karina looked up at her in confusion.
"You're not needed here right now. You need to wake up."
"Wake up? How?" Karina slowly stood up, hearing a faint wind begin to whistle around her.
"Like this is all some surreal dream. You're waking up right now," the little girl told her over the noise.
"Wait! Where am I going?!" Karina exclaimed.
"Someplace better than here for the moment. You'll see!"
Suddenly, a bright light flashed and her surroundings vanished.
~ * ~
Karina found herself standing in a park. It was nighttime and a cool breeze swept through the trees. But, she didn't feel dead. She felt…
Alive.
"Luther?" Viktor sounded from behind her. "Luther?"
Karina whipped around to see Luther, Viktor, Diego, Lila, Ben, and Five.
"Oh shit. You can see me?" Luther gasped.
"Yes!" Viktor exclaimed.
"I'm alive? I'm alive!" he cheered.
"Yes!" Viktor gasped as Luther excitedly picked him up in a huge hug.
"Oh!" Luther was relieved.
Five glanced over and his whole face lit up when he saw Karina standing there.
"RINA!" he shouted.
"Five!" Karina inhaled and the two ran to one another.
Five grabbed her in a hug, spinning her around happily.
"Rina, my love! Oh my God, I thought I lost you! You're alive!" Five checked over her after he set her on her feet.
"Yes! I'm here, my darling, I'm here," Karina nodded with a growing smile.
Five beamed and smothered kisses all over her face, making her laugh.
"Oh, Five!" she giggled as he pulled back breathlessly, cupping her face and gazing at her. "I think you missed a spot."
Five grinned and pulled her in for a deep kiss, never wanting to let her go.
"Luther and Karina are alive!" Klaus cheered.
"Oh my God!" Lila perked up when she saw Karina.
"Karina!" Diego beamed.
"You're back!" Viktor smiled and went over to hug her.
"I am," Karina nodded as the happy couple rejoined the others and she hugged him back.
Viktor pulled back and looked at Luther in realization. "And, that's not all, big guy," he pointed to Luther.
"Huh?" he was confused, before he noticed his normal body. "Whoa! Oh shit! My body! Wait." He looked at himself in awe. "I look amazing."
"Luther's all svelte now," Klaus wiggled his brows.
"Wait. I gotta show Sloane!" Luther gasped.
Five was stunned as he looked at his left arm. "I got my arm back."
"Did you lose it?" Karina immediately grew concerned.
"Shhh. It's all right. I'm fine now, my darling. I'll tell you later," he immediately soothed her.
"This is so cool," Luther paused when he looked around. "W-Wait. Where's Sloane?"
"Oh, she was, uh…" Klaus glanced at him. "She was right behind me-"
"When Allison hit the bloody button," Lila finished.
"She's gone too," Diego noticed.
"You know, I don't know about you guys, but I have not felt this good in years," Klaus spoke as Five, Karina, and some of the others began to look around for the others.
"Does anyone know where the hell we are?" Ben questioned.
"The hotel. Or at least this is where it used to be," Lila responded.
"I think the old man did it," Five commented, glancing at Karina. "I think he reset the universe."
"You got your fingers back," Lila laughed as Diego held up his hand.
"Sloane? Sloane!" Luther was frantic now. "Hey," he went over and grabbed Five by his jacket. "I don't care about any resets, all right? I want my wife back. Where is she, Five?"
"Luther, calm down, maybe she's somewhere else," Karina spoke up nervously.
"Rina's right. I'm glad you're alive, but take your hand off me," Five told him calmly.
"Not until you give me an answer," Luther shook him some and Five glared at him.
"Okay, screw this," Five jerked forward, but he didn't go anywhere.
Karina inhaled sharply as he looked at her in a bit of a panic before glancing around at everyone in concern.
"Something's wrong," Five tried to blink again.
"That's right. You're about to get your ass kicked," Luther taunted.
"Yeah, kick his ass," Diego grinned and both Lila and Karina shot him a look.
"No, you moron. My power. I can't blink," Five remarked.
"Yeah, right," Luther slowly let him go.
Diego unsheathed a knife and tried to do one of his tricks, but the knife clattered onto the ground. "That's not good."
Viktor tried to summon his power, but failed. Ben strained to conjure his tentacles, however nothing happened.
"Okay. Come on," Klaus waved his hand around. "Alakazam…ghosties." He paused. "This means I'm mortal again? Aw man!"
Five looked at his left wrist.
"Your Umbrella tattoo," Karina softly noticed.
"It's gone," he glanced up at her.
"Wait, wait, wait!" Ben exclaimed. "How do we get 'em back, you idiots?"
"Shit," Klaus whispered.
"I gotta…I gotta go find my wife," Luther stuttered as he ran off.
"No! Luther, you can't go. You were dead five minutes ago. You're fragile!" Klaus whined in his wake. "I gotta go after him."
"No. Wa-Klaus, wait!" Diego tried to stop him, but Klaus left too.
"I'm out, bitches," Ben angrily snarled and stalked off.
"No, guys, wait!" Viktor looked around. "Come on. We should stick together and figure this out!"
"What are we supposed to do?" Diego pointed out.
Lila looked up at him. "Live our lives?"
He glanced down, taking her hand. He nodded and the two left as well. All that remained were Five, Karina, and Viktor. Viktor looked at them pleadingly, but Five sighed and shook his head.
"They're right. Live our lives is all we can do right now," Five admitted quietly.
"So, that's it? We all just go our separate ways?" Viktor was disheartened.
"For now, that is. I'm sorry," Karina hugged him sadly. "Goodbye, Viktor. I hope we'll see everyone again soon."
Viktor just nodded.
"Come on, my angel," Five gently slipped his hand into Karina's.
The two left the garden as well, off to try to navigate their way through this strange new world together.
~ * ~
Time is a cruel thief to rob us of our former selves.
We lose as much to life as we do to death.
~ Elizabeth Forsythe Hailey
~ * ~
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nnjthndr · 2 years
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I started watching dsmp in February of 2021. I never posted anything then bc of my social anxiety (and maybe that was for the best).
I watched the stuff before that. I watched so many streams Live the prison streams, egg saga, Wilburs revival, las nevadas, nearly every beeduo stream. I am not exageratting when I say I have probably spent like a thousand hours watching it.
The story of dsmp is weird. It's mc roleplay at it's best and worst at the same time somehow. It had so many good writing, banger lines, Cool stories, characters and concepts and yet it had unsatisfying endings, wasted potentials and an unnecessary amount of angst (a good ending isn't a bad thing ffs).
The problem with dsmp was, like any smp it completely depends on people playing the actual smp. And if they don't the smp simply dies. And dsmp was never something that could exceed a years time. Other smps that go on for a long time are more building and redstone focused (many of the dsmp members are not) or they have a wacky premise (dsmp does not)
The only reason people would log onto the Server was because 1) everybody was in quarantine 2) To roleplay
But then we could go outside again. And some of them didn't want to roleplay anymore. So they stopped logging on. And then some others followed suit. And slowly even people like foolish who streamed god knows how many fucking hours stopped. And so nobody was active anymore. Because what was the point of you being active if you're just gonna be alone in a fecking smp.
And so it died.
Or it should've died. Because unlike many smps that ended when people stopped playing it dsmp didn't. It could've. The story could've ended in so many different points before this and it would've been fine. But it didn't.
It kept going. It was like a suffering animal that needed to be put out of it's misery. But they kept it going.
They would do an event once like 5 months 10 people would join and nobody would log on again for another 5 months.
Lore streams would have 6 months between them.
They would say soon so many fucking times yet nothing would ever be soon, sometimes it would never happen.
Drm kept adding some new people which would get welcomed one day and the next day they were left alone (I feel really bad for those folks).
The very obvious miscommunication was so fucking irritating as it ruined a lot of peoples lore by them getting ignored or not being informed.
(The way some ccs ridiculed fans or even other ccs for liking or caring about lore was awful.)
And with all that I just wanted this smp to be put out of it's fucking misery (I wanted it especially for fans and ccs who gave a shit about this story)
I ended up dropping it at the end of 2021.
But the smp was dragged on and on and on...
And then there was the c!clingyduo ending. I did not watch the ending, dont plan on doing so ever. But from what I've seen other people say and from the recap I read. I can easily say: That the ending was BAD. I don't wanna go too indebt on it but what the genuine fuck was that message.
I am beyond dissapointed. I stopped caring about it long ago, my expectations were none but still, HOW can they fuck it up this BAD.
(Wilbur going to Utah is a better ending. HOW)
In the end I liked it and I hated it. (Some ccs are really cool and I really like their content beside the smp, follow them even now, some of them I would've rather I never knew them) Fandom was bizzare; one day I was having so much fun with the most creative and amazing fan content out there, one day I was questioning my own morality because of drama. It helped me through the pandemic as much as it damaged me mentally in ways. In the end though the positives outwayed the negatives, not by much, but today, I don't regret joining it (I think)
{Also The best and the only good part of that finale was when Jack Manifold said 'it's Manifolding time' and Manifolded all over the place}
These are a mere smidge of my thoughts. I have so many thoughts that I could write multiple essays of everything that I like and dislike about this smp. But honestly, what is the point.
AND FUCK SEASON 2
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ultimablades · 11 months
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Okay, finally going to jot down my FFXVI thoughts, things I liked and things I wish had been different. No story spoilers so this is more about gameplay/game design choices, but I'm going to put under a readmore to be safe.
Pros:
Loved the main cast of characters. For me, the characters are the most important part of a Final Fantasy game, if i don't like the main party I'm going to have a hard time staying interested in the story. I ended up loving Clive so much more than I was expecting and he's quickly become one of my favorite FF protagonists. He is full of love and his journey was important to me!! Outside of Clive, I fell in love with a lot of the other characters. The Dominants were all so different and had their own unique stories and it was fun getting to learn all about each one of them. And there were so many secondary characters I grew fond of, I was excited to see them again. Also, last note, the main villain design was good. That's all i'm going to say about that.
Along with the characters, I thought the main story was really good. I don't want to say too much about it because I don't want to talk about story spoilers in this post but there were so many epic highs that had me going "Now this is a final fantasy game," nothing hits quiet like SE money does when it comes to jaw-dropping story moments and cutscenes.
I liked the side quests, yes most of them were fetch quests/go kill this monster quest, but that's just how side quests in most games are tbqh. They gave really good lore about both the characters and the lore so I didn't mind doing them. Some of them i think should've been part of msq.
I enjoyed the gameplay, Eikonic abilities are so varied and different, it's fun to mix and match and play around with them. The stagger bar was a good edition, I know FFXIII had something similiar but this reminded me of FFXIV's burst windows in a way, cause I found myself holding my LB4's and eikonic abilites for when I knew a stagger was about to happen. Dodging and parrying were fun once I got the timing for them figured out. I also like that you can't just eat potions and face tank your way through fights.
In that same vein, I liked the look of our ascension grid. Like, just aesthetically, I enjoy the design of it.
The size of the zones was really good I thought. This was another thing that reminded me a lot of FF14, but you basically have a set number of zones that are more "open world," that you can run around in, do side quests, find hunts, kill mobs, etc. None of those zones were too big or too small and I think they struck a good balance between FFXV's massive overworld that could take a long time to traverse and the more linear, straight hallways of previous FF games. Between your chocobo and the obelisks (which are just FF14 aetherytes lol), it doesn't take long to get where you need to go.
Boss design in general was really good. It's hard not to keep making comparisons between FF14 because some bosses literally look like HD versions of their FF14 counterpart and do the same attacks, I'm not mad about it but as an FF14 player I kept going "Hey it's blah blah blah." But boss fights were fun! Especially some of the endgame ones really made me think about my eikon setup and what abilities I needed to use.
Eikonic battles in general I think were a lot of fun and the biggest spectacles in the game. They don't happen frequently enough that I got tired of it, the controls for the eikon are simplified so I think it would have been annoying to do them too much. But they always happened at a story high point, so you're like "OOOOHHHHHHH" when you're doing them. The high point of the game for me was an eikon battle.
Active Time Lore in general. I love it. I'm kissing it. I want it in every game moving forward.
I didn't personally use these but I love the accessibility features they added that do things like making dodging easier, auto-linking your combos together, etc etc. More accessibility features is never a bad thing! This story is good and I want everyone who wants to experience it be able to. And now they've made it so you can turn off the motion blur, which didn't bother me but I know it bothers a lot of people, so I'm glad they included it. Should've been there on launch but hey, better late than never.
Cons:
The pacing in this game can be.....rough at times, in a way that is very FF14. The highs of this game are soooooo high, they are so good, but then the lows are like trying to walk through mud. You will do the coolest boss fight of all time and then the next quest will be "go do this boring task." I don't mind downtime in a story – it's good to have an ebb and flow, you need the slower bits to enhance the epic moments. I just wish they had used their downtime better. Again, it feels very FF14 msq in that regard, if you have played FF14 than you will know what I mean. I mentioned liking the side quests and I wish they would've used some of that downtime to integrate those stories into the main one instead of having them be optional. There is some good bits about our main cast members that you can miss if you don't do the side quests, and I think that could've improved the pacing a bit – slows things down without making it feel slow cause we're still learning about our party members.
The crafting system in this game is a joke. It doesn't matter, it feels like a tacked on afterthought. You don't have to think about it at all. You will never want for crafting material and sometimes you will upgrade your gear only for a stronger item to become available at the shop after the next cutscene.
RPG elements in this game in general are pretty weak. There are no elemental weaknesses or anything of that nature, there aren't a lot of stats, so you don't really ever focus on that, you're just going to use whatever gear is strongest. The ascension tree for your eikonic abilities is cool but beyond that, you don't really have much control over Clive's numbers, you feel me.
In that same RPG element vein, you have no control over your party member's gears or stats as well. This makes sense because who is in your party changes depending on where you're at in the story. I wish I would've had more input in my party's actions though, outside of Torgal who is very easy to forget about, you can't give commands or plan attacks or anything like that. The party is just always AI controlled and will go off and do their own thing. Mainly, I wish there had been more party synergy. This is something that FFXV does incredibly well, and since I just replayed that game before this one, I think it makes it even more stark to me. in FFXV, you can issue commands to your party members called "techniques" and you can do thinks like link strikes that are unique to each party member that really makes it feel like you're fighting together as a team, even if the other characters are AI controlled. I would've loved something like that in this game, party members doing specific team attack when they're near Clive or piggy backing off specific eikon abilities as his. It's very easy to forget they're even there sometimes. I literally just realized as I was typing this, you party members don't even have their own health bars!!! They literally can't die!!! I also wish there was more banter between party members, though that may just be a personal want, cause I loved that in FFXV. Idk I love a good party dynamic in an RPG and there just. Isn't one at all in this game really lol.
This story is really dark at times and I wish there had been more moments of levity and lightheartedness to balance it out. Maybe they just felt like it wouldn't fit tonally but I find having those lighter bits in a dark story can make us care about our characters even more! The story isn't all doom and gloom but there are no classic FF moments of silliness, you know.
Purely a personal gripe – there is no fishing mini game, gotta ding it for that.
Overall though, the game is legit like an 8.5/10 for me personally, I love it. I had a good time playing it. I'm still playing it when I'm not raiding. I'm going to beat it on Final Fantasy mode. I recommend it to anyone who loves Final Fantasy because this is without a doubt a final fantasy story.
I think the things that I listed as cons will be forgotten by most people in six months to a year and what will stick with people is the spectacle that was the boss fights and a story about the deep bonds of love that make us who we are.
TLDR: Game good
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miss-smutty · 3 years
Text
Forbidden
Chapter 1
A/N- I've teased y'all for so long I hope this series is going to live up to expectations, I'm confident it will though because I'm addicted and it's been super easy for me to write - I'm up to chapter 3 so far so updates can be on time! There's a slight age gap between my professor Hemsy and OC Jess but she's twenty and completely legal. You know this is gunna be a giant tease fest for the first couple of chapters cos that sexual tension is fucking gold 🥵
Summary- Jess meets the man of her dreams and then stupidly leaves without getting his number. Will fate bring them together again?
Word count- 1.5 K
Pairing- Professor!Chris Hemsworth x OC
Warnings- Swearing, age gap
18+ only!
Disclaimer: This is an entire work of fiction/AU and has no affiliation to real life what so ever! This is a fictional story about fictional characters who happen to share names and faces with some real people.
Posted: 5th August 2021
Taglist:- @innerpaperexpertcloud @pandaxnienke @chickensarentcheap @jjpogueprincess @longlostinanotherworld @mostly-marvel-musings @darklydeliciousdesires @monet-belle
@skyfullofsong123 @swaggysposts
Chapter 2
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I pulled out a chair at the last available table in the unusually busy coffee shop, I thought I might've caught a break choosing the one outside of campus but alas I was wrong.
I was about to sit down when the chair opposite me slid out from under the table, my eyes lifted to meet with the most sparkly blue eyes i'd ever seen. The sight of him took my breath away. Literally.
I stood staring, frozen on the spot, my mouth slightly ajar as I looked him up and down. He was tall, so tall, definitely over 6ft and built like a dream. Thick thighs straining against his fitted trousers, wide muscular shoulders and I just knew there was a six-pack hiding behind that tight t-shirt. 
"Sorry. You were here first, I'll just grab a take-out." He smirked a side smile, amused at how I was so obviously checking him out but his sexy Australian accent distracted you from anything else.
"It's fine, I'm on my own. I don't mind if you want to sit there too." I mentally face palmed myself, drawing attention to the fact I was alone wasn't the best idea but then again he was alone too. "I don't bite." I added trying my best to flirt.
It seemed to work, he smiled at me as he sat down and I took the time to admire his handsome face. He was quite clearly a lot older than me, the laughter lines around his eyes a tell tale sign but he was still quite possibly the best looking man I'd ever laid eyes on. His hair was fair and the short beard framed his face perfectly but the one thing that stood out the most were those piercing ocean-blue eyes.
"So do you come here often?" I cocked my eyebrow at him over my coffee cup making him laugh at my reaction. "Sorry, it's been a while." He said nervously, running his hand through his hair.
"It's been a while since you spoke to a stranger or…?" I questioned casually.
"It's been a while since I spoke to an attractive woman." He finished, his eyes sparkling as he watched me almost choke on my drink.
"Oh, I err…. I don't think you're doing too badly." I absentmindedly circled my finger around the rim of my cup, crossing my leg over my other and accidently rubbing my foot up his leg. My cheeks felt hot and flushed as I looked up into his eyes and saw him smiling slyly.
"Evidently. We're already playing footsie under the table." He smiled widely, a genuine smile that stretched the corners of his mouth. I smiled back at him shyly, thinking of something to say to change the subject before I ended up looking like a tomato.
"What part of Australia are you from?"
"I'm originally from Melbourne but I lived in Byron Bay before I came to America." 
"Awesome. I've always wanted to go to Australia, the Spiders put me off though." 
"Yeah I think they put most people off but in heavily populated areas they stay pretty much hidden, I think it's the size that scare people." How have I made this conversation go from flirting to talking about spiders? And how do I get back to flirting?
"Are we still talking about spiders?" I raised my eyebrows questioningly and laughed at the innuendo, flicking my hair over my shoulder. I noticed something in his eyes when I did so, a hunger, just a little flash and then it was gone again. I'm sure I didn't imagine it though because his eyes lingered on my exposed shoulders.
I checked my watch subtly, not wanting him to think he was boring me but I had to get to class and couldn't be late again, not when this semester had only just started.
"I'm really sorry, I'm gonna have to run, I'm going to be late. It was really nice meeting you." I gathered up my bags, ready to leave.
"Already? You've only just got here." He looked disappointed, his smile fading. His mouth opened as if he was going to say something else and then closed again when he saw I was ready to leave. "It was really nice to meet you too, hopefully I'll see you again." His eyes sparkled as he looked into mine, standing from his chair to get the door for me. I felt fireworks when his hand brushed against the small of my back and his face lingered close to mine. The tension was unreal, like we were the only people in the room as his eyes hungrily stared into my soul, undressing me with his eyes. My heart stopped beating when his face moved closer to mine so I could feel his breath on my lips, the smell of coffee and his aftershave filling my nostrils. I paused, my feet routed to the spot, I wanted him to kiss me so badly but I moved away at the last minute. Surely he wasn't actually going to kiss me, we'd only just met, that would be ridiculous. Wouldn't it?
********
I spent most of class daydreaming about my tall handsome stranger and the way he looked at me but most of all how I didn't even get his name. Or his number.
Now I was feeling sorry for myself because it would just be my luck to meet the man of my dreams and then never see him again. So I'd moped about all day and avoided the invitations for drinks after class. Instead I'd
gotten home early, changed into some sweats and settled myself in front of the TV for the night.
"What's up with your face?" My roommate, Ellie said as she walked into our room, throwing her bags onto her bed.
"What're you talking about?" 
"Your face. Looks like you're chewing on a wasp."
"Feeling sorry for myself." I pout pathetically.
"Why, what've you done now?" She rolled her eyes, kicking off her shoes and throwing her legs up onto the bed. I felt so lucky to have a roommate like Ellie, during our freshman year she'd become my best friend practically straight away and now after two years together we were practically sisters.
I sat up in bed cross legged and faced Ellie, getting myself ready to spill my misfortunes of the day with her.
"Well, I went to Impresso's this morning to get my morning coffee before class." She nodded, showing her enthusiasm by also sitting cross legged on her own bed, facing me. "And it was packed full of students, there was only one table left. So I went to grab it as soon as I could." She raised her eyebrow at me, wondering where I was going with the story. "And I kid you not, the most attractive man I have ever seen, pulls out the chair opposite me." 
"Oh my god! No way. Did you talk? Oh my god, this is like the perfect chick flick. Carry on." I smiled at her excitement.
"I told him I didn't mind if he sat there, I mean of course I didn't mind, you should've seen him El. Oh, oh, oh I almost forgot" I flapped my hands, bouncing on the spot. "He was fucking Australian."
"Fuck off, you're lying. Drop dead gorgeous with the sexiest accent ever. How is this even real? Now remind me why you're sat there with a face like a slapped arse?" 
"I panicked when I had to leave, didn't want to be late for class and I didn't get his number, didn't even give him chance to ask for mine." 
"Wow! Ok, now I understand. What were you thinking?"
"I wasn't thinking, I was panicking and you know what I'm like when I panic." You sulk.
"It's ok, maybe you'll bump into him again."
"Yeah, right. I should be so lucky."
"Cheer up." she says throwing a cushion at me. "There's a party at Alpha Kappa this weekend, I'm sure we can find you someone to help get over your mystery man. Or under should I say?" She raised her eyebrow at me, smiling slyly and making me laugh. She always did know how to cheer me up and maybe a party is what I needed.
There must be some good looking boys around campus that could make me forget about my Australian hunk. Surely? I thought about the guys I'd seen around campus, the guys I'd seen at frat parties and that's definitely not what I wanted. How could a twenty year old boy match to the masculine, experienced man I met this morning. My mind was set, I'd dipped my feet ever slightly into the mature pool and that's what I wanted more than anything. There was always something missing with previous boyfriends and I was tired of all the game playing. I wanted someone who knew what they wanted and wasn't afraid to get it.
The only thing was, he didn't know I was only twenty and I had no way of finding him again. If fate did bring us back together, would he mind that I was still a student? That I couldn't even drink when we went on dates? 
Who am I kidding? Of course he would mind, he could get any woman he wanted, why would he want me?
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kyojuuros · 3 years
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I'm the one who wrote you the anon message regarding my feelings with the manga feeling like a 'rush job' despite being fine with the conclusion. Thanks for your response. I'm going to be brutally honest and say everything after chapter 106 (the War for Paradis arc), IMHO, should've gone differently in certain ways. For starters, it was WAY too long (33 chapters) and could've used more breathing room by splitting it into two and then start with a completely NEW arc that would've been DEVOTED....
to addressing ALL the plot points and possibly leading to a more satisfactory conclusion. Eren's character arc was fine but, IMHO, needed better build up, a long with a better conclusion with more focus on him in the REAL world, his REAL persona, and not the hard-ass act and Path shenanigans. The manga has a dark setting and it's suppose to be sad/tragic/depressing/heart wrenching but I don't like a terrible terms he left with friends, Hange and Levi. I'm sorry but there's really no excuse.
I bolded the part that really stood out to me because I feel exactly the same way. I don’t think making his thoughts and feelings a total mystery while completely turning him into someone who feels totally different from the pre-basement portion of the series was a good move, like, AT ALL. It’d be like if Star Wars was presented in chronological order (and let’s say you don’t know who Darth Vader is when you start) and saw Anakin and Padme get married, and then ~time skip~ to him attacking Padme and Obi-wan and becoming Darth Vader... and only seeing his descent to the dark side just before he sacrifices himself for Luke.
People who’ve followed me for a long time know I used to be a lot more involved in the meta community and I was always theorizing and making long-ass posts about character arcs and relationships and predictions on what I think is going to happen. It was a lot of fun and even if I wasn’t always correct, I was never so far off that it actually made me upset (or if I was, it was warranted and even comical... I used to think the Beast Titan wasn’t a shifter and that there was an underground tunnel that lead outside the walls lol). I think the last extensive meta/prediction I had written was after chapter 112 had published, and once I realized that I apparently had no fundamental understanding of Eren at all anymore I completely stopped trying. It wasn’t fun anymore. I didn’t appreciate that I could no longer understand my favorite character (of all time, at the time). 
But then I think back and I’m like, no... I did understand Eren. I understood him just fine before the time skip and that’s why everything after Marley frustrated me to no end because it was like he’d been ripped away from me and replaced with a fraud. I couldn’t even cry about his death because I’d become so emotionally removed from him by that point that it didn’t even matter to me anymore (and this is coming from someone who would cry about him a lot just listening to song lyrics or getting lost in thought or rambling with friends). It continues to frustrate me because I still love him as a character, and I don’t need to defend him (there is nothing defendable) but I wish I could feel confident in at least explaining his actions properly. I don’t mind that he became the antagonist, I just hate that I continue to feel like I can’t understand why.
I think that, had Isayama just told his story chronologically, and kept us privy to Eren’s POV, that we would have understood better. Seeing him descend into the darker side of himself would have made much more sense if we had actually witnessed it in real time. Giving us a random flashback here and there, barely getting his thoughts at all, and having the most underwhelming info dump in the final chapter (that STILL didn’t even clear things up properly, it just added MORE damn questions) was terrible for his character and the overall narrative. A character that used to give me so much hope (and I was in a very dark headspace when I stumbled upon snk) became a character that just made me feel disappointed.
Rambling over Eren aside, I also agree that the final arc should have been chopped up into 2 or more arcs (I generally treat the rumbling as its own arc at this point anyway). We should have gotten more from Historia. Levi should have interacted more with the 104th. We should have been able to see Hange blossom into their own as a confident commander (and not get killed just to make Armin commander for 5 minutes???). Armin and Annie’s feelings toward each other should have been explored more. Eren developing romantic feelings for Mikasa should have been explored more. Mikasa and the entire Azumabito/Hizuru subplot should have actually amounted to... literally anything. Ymir having a connection to Mikasa should have been explored much more (especially with the revelation that this was the most likely cause of the headache’s Mikasa has had since the 2nd chapter). I’m sure there’s plenty of other things I could think about that needed addressing, tbh. 
The story feels concluded but incomplete, if that makes sense. The themes were wrapped up and are easy to pinpoint and that’s good and all, but for a story that’s very character driven to not have properly built up/wrapped up certain arcs, relationships and character-centric plot points just makes it feel hollow. So I understand why a lot of people are very frustrated and upset and ready to put the story on the shelf never to be touched again.
I’m trying to give Isayama some grace since he admitted the scope of the story was beyond his ability as an author. I just wish that instead of barreling forward with a narrative that he knew he couldn’t execute properly, he would have reconsidered the trajectory of the plot altogether and written something that he knew he could feel confident in. I can think of many ways the story could have gone post-basement that would have been both more interesting and probably more satisfying, regardless if the ending was dark, bittersweet or happy.
It’s a story I’ll read and watch again, many times, I’m sure. I’m still looking forward to part 2 of the final season. I still want to make content for it. I still want to buy and display merchandise of it. I still love these characters and the world Isayama created. I appreciate and treasure all of the joy SnK has brought me over the years. I just... disagree heavily with his narrative choices in the final arc. I’d like to think that MAPPA will somehow execute it a little better (there are things WIT did that I liked better, though they did I things I also liked less, lol), but I’m not going to get high hopes just to get let down again. 
.... It appears I have pent up my frustrations a bit in an effort to maintain a positive presence. LOL
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bryan360 · 2 years
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Here’s my note before I’ll get started….
(DON’T YOU EVER COPY FROM MINE OR MY FRIEND’S WORK, CHARACTERS, AND STUFF IF ONE OF YOU ARE IMPOSTERS WHO HAD HABITS OF PLAGIARISM! I WILL BLOCK YOU FROM MY BLOG IF I SEE YOUR POST WITH MINE OR MY FRIEND’S ORIGINAL WORK BEING EDITED ALL OVER! I’LL EVEN SHARE IT ONTO MY BLOG SO IF EVERYONE WILL SEE THAT YOU TRYING TO COPY MINE OR MY FRIEND’S THINGS FOR NO GOOD REASON WHATSOEVER! That will be all….I mean it.)
Ho ho ho! It's that time of this year again for BryanVelasquez87 (Bryan360) and as to be expected from what I got in store for 🎅🎄Christmas is for my closer friend's gift I'll giving; even if it took me past weeks to get it done from hard days work. Guilty pleasure for myself that I wish I could go back of doing early weeks instead. Nevertheless, here it is as I bring to you my latest art gift made for my P-Pal @murumokirby360 and to his OCs.
Last year was a good one after Maxwell and his family giving gifts to them; like mostly 🐶Spot and 🐰Riya Speedster gotten their owned friend's clothes to keep and so on. Link Here
However for this year, thought it'll be a nice idea to giving them more clothes related stuff when trying to come up my latest art gifts to make. Nothing too expensive if they have much money to buy from store or at online; except for one thing that thankfully found in almost affordable price, but will get to that later. Other than that though, at least there's something they'll happy to give for their familiy and friends worth sharing.
🐰🖌Maxwell (to Spot): Yeah. Since you guys had already got our original and Autumn/Winter clothes to keep from last year, including Mikey with his Autumn/Winter clothes that he's happy to give one of your friends.
🐰👊💥May (to Riya): We wish we wanted to give you something from us this Christmas; especially if it means to continue our friendship and for our parents. Speaking of which, how about having your parents getting their owned original and Autumn/Winter clothes from mom and dad?
🐰🎤Windy (to Rita): That right, sweetie! For the first time that we decided to join in by giving away our clothes to you guys!
🐰📚🍌Scottie (to Bonn): Hope you'll enjoying what left to fit your actual sizes, but we don't mind if you can make them bagged clothes by using your fabric softener or something. 😅
🐰🎤Windy (to Rita): It's something me and Scottie to agreed on ever since you'll allowed your kids to have our kid's clothing and to yours to keep. Sounded silly that we used to think of from way back, but nevertheless that we finding enjoy to check out. How about repay you guys by giving away our original and Autumn/Winter clothes?
🐰🖌Maxwell (to Spot): Yeah and also 🥜Brown the Squirrel on behalf because reasons why not? He asked us to give away his clothes to you guys as to join in your group. This is something for his repay as well; especially being invited to have your sleepover party while wearing Jason Watterson's clothes as pajamas. Link Here #2
🐰👊💥May (to Riya): Just hoping there's anything me and Maxwell will be bringing our presents to give you guys, but why not altogether to give from one of our friend's clothes that we'll happy to bring in the near future; if you okay with this. Anyways, here's hoping that you guys like our presents that me and Maxwell brought to share on Brown's behalf.
🐰🎤Windy (to Rita): Not only that, we also have other accessories and footwear to keep on to your hands and feet while taking a long walk on the street. It's something that me and Scottie wanted to share that we should've been added a long time ago.
🐰📚🍌Scottie (to Bonn): Normally we just wanted to work things out to try those new gloves and footwear before revealing them. It's just that I'm not used to wearing one of those shoes in my past years; if you check through my recent bio from our creator friend made. Link Here #3
🐰🎤Windy (to Rita): Times had been change though as we gotten our new first look of me and my husband shoes that you've been wearing right now. These are slip-on shoes/sneakers. They're like any laceless shoes out there when you putting on for comfort feeling on your feet without getting into tight spaces.
🐰📚🍌Scottie (to Bonn): Yeah and we did happen to put on one of those before we decided to share with you guys. To be honest, It does fit perfectly for my feet without getting tightened; provided wearing socks first like we have. We even added image designs of our personal favorite things on each side of our shoes; included our signature writing names to our touchscreen gloves.
🐰🎤Windy (to Rita): Don't worry though as we have our names writing on one of our clothing tags from the inside; just to help to show what you have here is from us to give.
🐰🖌Maxwell: Don't forget about Brown's names in our Speedster friends owned clothes too.
🐰🎤Windy: Right, sweetie. 😅 Hope you'll gonna like to wear those on the near future postings soon. 👍🏼
🐰🖌Maxwell (to Spot): As for Cude and Murukir though? We're hoping we can give you Brown's clothes as well soon, but at least knowing about giving away these clothes can suit you during this holiday. From Cude's Gundam Ugly Sweater (as our creator friend mentioned from the beginning) to Murukir's custom made hat and scarf after our mom successfully knitting.
🦊⚽️Sam (to Cude and Murukir): Thought this will can work for both of you in style and it shows. Thank goodness about for Cude's Gundam Ugly Sweater that we actually brought in online, but in different sites than we can expected to check on Amazon.com. Link Here #4 Hope it'll still be fitting for your size and so does Murukir after our mom make a custom hat and scarf without a break. 😉
🐰🎤Windy: Mhm!
🐰🖌Maxwell: So what did think about our gifts we've giving to you this year? Hoping it won't be disappointing that we tried our best to come up to share. Anyways, have a good 🎅🎄Christmas Day as we promise to check yours. Merry Christmas of 2021 to you all!
🐰🦊Family: Yeah, Merry Christmas of 2021 everyone! 🎄
Spot and Riya Speedster (in their owned Brown's original and Autumn/Winter clothes), Rita and Bonn Speedster (holding their owned Windy and Scottie's clothes) Cude (wearing his Gundam Ugly Christmas sweater), Murukir (wearing his custom made lookalike hat and scarf) created by my P-Pal; @murumokirby360
@carmenramcat
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headinthestaticsky · 3 years
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The Phenomenon of the Immortal Sun: Jasper Hale x Fleur Swan, Chapter 2
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None of the characters in Twilight, all rights go to Stephenie Meyer.
Author notes: I've been using the new Beta post editor for tumblr, it mostly works well but sometimes my writing will suddenly go to a completely different part of the text. And then other times letters won't show up at all. It's strange haha. Also, did I use two Arctic Monkeys songs with only one chapter between them? Yes, yes I did. Tranquility Base and Hotel grew on me over time.
"Oh, the dawn won't stop weighing a tonne I've done some things that I shouldn't have done But I haven't stopped loving you once."
The Ultracheese by, The Arctic Monkeys
Before I could leave the room to Alice and Rosalie, Renee stormed off stomping down the stairs. I saw Rosalie, Alice, and Bella walk in, Rosalie and Alice were confused while Bella looked angry.
"Uh...what happened?" Rosalie inquired.
"Oh, little miss sunshine decided to tell mom I got married in Vegas!" Bella exclaimed.
"Bella you should've told her, you told dad."
Bella just scoffed and grabbed her dress.
"Just keep your nose out of my business don't make me..."
"You won't do anything Bella," Rosalie said, her voice reached a deadly tone.
"Alright, you two... I don't need my sister and my maid of honor killing each other."
"Ugh like I wanted to be one." Bella grumbled. I could tell Rose got an Idea.
"Aww Fleur you're right... Bella is just like her mother."
"Aww, thanks..." Bella started.
"It wasn't a compliment." Rosalie interrupted her.
Bella left the room, rolling her eyes on the way out.
"Rose... that is something I could say... I'm so proud." I said, wiping a fake tear from my eye.
She just laughed, Alice joined in.
"Come on Fleur, we need to get you in your wedding dress. I had a vision of Jasper, who knew he was so impatient." Alice teased.
When I got the dress on I looked at myself in the mirror, that was when the nerves set in.
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Rosalie and Alice seemed to have noticed my nerves and immediately took action.
"Fleur... don't get nervous, everything is going to go fine." Rosalie comforted.
"Yeah, I mean you don't' have to worry about tripping over your dress. You are a vampire now, your coordination is perfect now." Alice added.
"I know... I guess I just realized what I am going to do. I just want everything to be perfect."
"It will be Fleur, look we have to go, we'll see you down at the altar." Rosalie said, she dragged Alice down with her. I turned around to the mirror looking at my veil-ridden face. I took a deep breath and closed my eyes. I exited the room and walked down the stairs and saw my dad waiting for me. We hooked each other's arms and walked to the open glass doors, the walkway greeted me. Luckily it was curved so I couldn't see any of the guests yet.
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W"Whoa." I said.
"You didn't see any of this until now?" Dad questioned, humor was in his voice.
"No, Rosalie and Alice made me wait to see all of this until today."
"Well... come on kid, everyone's waiting for us."
"Yeah... let's go."
We walked along the short curve in silence, before the guest came into view I whispered something to my dad.
"Just don’t let me fall, dad."
"I never will."
When we finally came into view everyone stood up and looked at us. My eyes finally met Jaspers, and I didn't know if he was using his powers or if it was just him. But the nerves just left my body and I was at peace once again. I looked around the crowd of people observing me. Most of them were smiling and joy entered my body when I saw Leah, Seth, and Sam in the midst of them. My mother however didn't look too thrilled to be here. Her new husband seemed pretty clueless as to why she was acting this way. I saw Carlisle and Esme sitting in the front on the other side of the aisle, they both had smiles on their faces. We soon made our way to the end of the aisle, Jasper and I smiled at each other.
"Who gives this woman to this man, to be wed to one another?" The minister asked.
"I do, her father." Dad said, his voice cracked slightly. Jasper and dad shook hands, and he pulled him in for a hug.
"Take care of her." He said.
"I always will." He replied. Jasper and I interlocked hands and faced each other.
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(Ignore the bridesmaid dresses and groomsmen suits...I couldn't find a picture without anyone standing there.)
"Ladies and gentlemen, we are gathered here on this glorious day to witness the union of Fleur Swan and Jasper Hale."
"Please, repeat after me. I, Jasper Hale." The Minister started
"I Jasper Hale."
"Take you, Fleur Swan."
"Take you, Fleur Swan."
"To have and to hold."
"To have and to hold."
It was as if we were the only people standing in the room like we were floating in space surrounded by all the beautiful stars and planets.
"To have and to hold." Jasper stated, his eyes gazed lovingly into mine
"For better, for worse." I said
"For richer, for poorer." He replied
"In sickness and in health."
"To love."
"To cherish as long as we both shall live."
"I do."
"I do."
"I love you so much." He whispered
"I love you too." I replied, we finally kissed each other. When we broke apart clapping could be heard around the area.
"I now present to you all the new Mr. and Mrs. Jasper Hale."
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eagles-translated · 3 years
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Analyzing the writing of Eagles
Here's a post I've been wanting to make for a while! I've expressed my thoughts on some of the storylines in previous posts, but I've never done a complete post on the writing of the whole show. I've divided this post into separate parts, focusing on each season and its plot points. Keep reading to see my analysis of the writing in Eagles! 👇 Word Count: 18k
If you've stumbled upon this post from the Young Royals or the Beartown tag (tagged them since I've drawn some parallels from those shows), here's a brief summary of what Eagles is, which you can watch with English subtitles here. This post contains Eagles spoilers from 1x01 - 3x10.
Eagles is a Swedish TV show that revolves around a few teenagers living in the Swedish ice hockey town Oskarshamn while experiencing friendship, love, and rivalry on the ice.
To start this off I would like to say that I have no experience with professional screenwriting and if anything, this is just a way for me to procrastinate on actually writing my own projects.
I love experiencing new stories and when I discover one I really like it's just natural for me to branch off with "what ifs" and to start wondering how the story would've turned out if some things were changed. Sometimes it's with a storyline improvement in mind, and other times it's just out of plain curiosity.
You might feel like this post is leaning towards the critical side, and I can definitely understand why since there are a lot of small details that I've picked apart from all seasons. I added a section for each season with things that I thought were really well done so this post wouldn't be too negative.
I actually did enjoy all seasons and I feel like the quality of not just the writing but every single thing has steadily increased each year.
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Season 1: Tropes and clichés
Eagles premiered its first season in 2019 and was, despite many negative reviews, a big success among its target audience. Every episode on SVT Play amassed around 700 000–800 000 views and there didn't seem to be any doubt that the show would get renewed.
What the critics had issues with were that "Eagles rarely takes the unexpected path, and feels like a slightly soulless product of studied target group thinking a little too often," (Karolina Fjellborg in Aftonbladet) and "In Eagles, the characters seem to be locked in the role of a "teenager" but the humanity is missing. They've simplified the construction of the character," (Django Lorentzson in MovieZine).
Eagles was unfortunate enough to constantly be compared to SKAM in its infancy, and that's a tough comparison to live up to. SVT sort of shot themselves in the foot as they were the ones who contributed to it. While the show was still in the casting process, SVT wrote an article hyping the show up as a Swedish SKAM (which has since been edited, but led many to falsely believe that it would involve all the familiar SKAM characters with some hockey elements sprinkled in).
So, why exactly did critics think the first three episodes of the show were predictable and soulless? Well, it's pretty simple. They'd seen it all before. The setting, the characters, the storylines—just in different TV shows and movies.
Season 1 for me is nostalgic and very enjoyable despite its clichéd nature. I also felt like I'd seen the show before due to its generic storylines, but there is a reason why tropes are tropes and why clichés are clichés. It's because they're tried and true, and actually somewhat good writing tools as long as you expand on them. The keyword here is to expand—a story doesn't magically become good simply because you mimic something another writer has done. Tropes are fine to use but you can't just apply them and stop there. Everything in a story needs to be developed in order to be good.
It's safe to say that it's pretty much impossible to write a story without any tropes that have been used before. Striving to avoid clichés at all costs in hopes of making your story as original as possible is harder than it sounds, and almost impossible to boot. Here's a great piece of advice for aspiring writers written by a user on Carvezine:
[...] if you look down at your story and are worried it’s already been told before – don’t spend another second thinking about it. It has. A million times. The only difference is that it hasn’t been told by you. Accept that regurgitation is part of writing, and just do your best not to regurgitate the same way as the guy next to you. We’d all do well to acknowledge there is at least a portion of our stories that are really someone else’s. [...] Beyond that, write with the motivation that if you don’t get around to telling your story, eventually somebody else will.
Even the greatest books have storylines with some clichés. And that's not really a bad thing, either. Think about it. How many times have you decided to binge a TV show solely because it reminded you of another series? Or picked up a book simply because you love a good enemies to lovers romance, a battle between good and evil fantasy, or whatever it might be?
I found this article from Masterclass that perfectly describes what tropes are and why they're used. It's written from the perspective of novel writing but it is still applicable.
A trope in literary terms is a plot device or character attribute that is used so commonly in the genre that it’s seen as commonplace or conventional. For example, a trope in superhero stories is a villain who wants to take over the world. Tropes are popular for a reason—if something has been written about over and over again, there’s a good chance that it’s something readers enjoy reading! Tropes can be helpful, but a novel made up only of tropes will quickly start to feel stale and predictable to readers. That’s why you need to read up on tropes—and then innovate. Deliberately taking a favorite trope and turning it on its head is a great way to put your own unique spin on the genre and keep your readers interested.
Eagles, in its first season, didn't really do a lot of expanding upon the tropes they used and it's understandable that they were still trying to find their footing. I can also imagine it's difficult to do so when you only have eight 20 minute episodes in the season.
However... There definitely should've been more work put into these characters to make them their own. It's tricky, yes, but still achievable if you don't abandon them in their cookie-cutter form and try to actually decorate them with something unique and fresh.
So, how did they write their characters?
Felicia's character and backstory
To start off, Felicia is a famous influencer known for starring in a reality show next to her former NHL professional father. There's already a clear disconnect because it's hard to relate to a character with such a public past and large following. But it is 100% possible if you let the viewer know the character has humane qualities just like the person watching the show.
Look at Wilhelm from Netflix's Young Royals, another Swedish TV show. Wilhelm is the prince of Sweden, set to attend a prestigious elite boarding school, and is the heir to the throne. That doesn't exactly sound like a relatable scenario, does it? And yet the writers make it work because when we're introduced to Wilhelm we realize he's just like everybody else. He wants a normal life, he latches on to his older brother for support, he has anxiety, and he struggles between following his heart versus doing what his family is expecting him to do. A lot of these factors are relatable among the audience.
So, let's look at Felicia Kroon. She is in many ways portrayed as the main character of the show. Eagles starts off with her family having moved to Oskarshamn and the following episodes focus on her developing relationship with Ludde as well as her traumatic past. There's almost too much focus on Felicia here, and I'll get back to that.
Comparing Felicia to Wilhelm from Young Royals, they're both well-known teenagers with famous parents. Of course they have different circumstances considering Felicia is Instagram popular and Wilhelm is a blood royal, but in the grand scheme of things they're similar. Felicia is even referred to as a "Kroon princess" because of her last name Kroon bearing a resemblance to the Swedish word kronprinsessa, meaning crown princess.
The students of their respective schools treat their attendance as a big deal when they first arrive and then Wilhelm and Felicia start spending time with the "popular" crowd despite not really fitting in there.
I personally found it easy to relate to Wilhelm but difficult to relate to Felicia. Some people may feel differently, but her character is basically a popular party girl who attracts the attention of one of the school's star players and is "welcomed" by the popular crowd on her first day of school. I put welcome in quotation marks because Klara, the leader of the girl group, isn't exactly the most welcoming person but she does welcome Felicia to the school. My point is, Felicia doesn't have a lot of relatable traits in the first episodes.
Felicia then goes on a date with the guy she's met, Ludde. Okay, so there haven't been that many layers to her character yet. We're at the third episode and so far she's been kind of flat.
Near the end of the third episode, we get some depth to the character and we hear her back story.
Felicia: [...] We don’t have a good relationship, my dad and I. And that’s probably why we moved from the beginning, because he’s an idiot. We’ve never been close, but… Elias and he have been since they’ve had hockey. [...] And mom has been really involved, so… And I… They’ve never really cared about me. And… And I haven’t really been a problem either. I’ve had good grades, good friends, and… I don’t know why I’m telling you this. I don’t talk about it to people. [...] I just felt so fucking lonely and invisible. I was worried all the time, couldn’t sleep, panicked because I couldn’t sleep… So I started going out more. It went overboard. It started affecting school, my grades slipped… I started taking things to be able to concentrate. Everybody does stuff like that. And then I still couldn’t sleep, so… I started mixing with sleeping pills. And there’s always wine and booze at our place. I don’t want this to come out, that’s really important. Ludde: Of course, I’d never tell. Felicia: One night, something happened that made me… Act out of control more than usual. I woke up the next morning in the hospital. So they sent me to rehab. It was really rough for mom and dad that I was suddenly in focus. When I woke up, dad wasn’t even there. Ludde: What made you take too much that night? Felicia: I’d forgotten my phone at home, so I ran up and got it while my friends were waiting in an Uber. Then I came into the hall and I heard noises. You know, like, when somebody is doing it. Ludde: Okay. Felicia: And I thought it was really weird because mom wasn’t home. So I went into the living room… Dad was fucking my mom’s best friend. On the rug below the couch.
This gives Felicia more layers and does separate her from every other "popular pretty party girl" trope that you see on TV. But this is a huge info dump, and that's a problem. I would've liked to see this happen on-screen instead of only being told what went down. The golden rule of Show don't tell, as people like to say.
Show, don’t tell is a writing technique in which story and characters are related through sensory details and actions rather than exposition. It fosters a style of writing that’s more immersive for the reader, allowing them to “be in the room” with the characters. In his most commonly repeated quote, Chekhov said, “Don’t tell me the moon is shining. Show me the glint of light on broken glass."
This back story could've been more impactful that way if, perhaps, the show began with Felicia in a hospital bed with a strong headache and hazy flashbacks of that night where she saw her dad sleeping with another woman. Then we're introduced to her mother and brother sitting next to the hospital bed tired and worried, and Felicia notices her dad isn't present. They tell her Felicia is being sent to rehab and then there's a time-jump before we see the Kroon family having moved to Oskarshamn.
That's just an idea I threw together at the top of my head, but you get my point. It would've been more interesting if we knew from the beginning that Felicia had a traumatic past like this, leading the viewer to want to know more about what actually happened.
We did get a brief flashback at the very beginning of the show—we see Felicia partying with her friends and taking some pill before lying unconscious on the ground. There's also a glimpse of Ludde's car accident with Andreas yelling at him to get out of there.
That segment only lasts for around 45 seconds and it's easily forgettable upon your first viewing of the show. It's also hard to even recognize Felicia in the dark nightclub setting with the flashing lights. Some dialogue in that short scene could've made it more memorable, because I found that when I first watched season 1 I remembered Andreas yelling at Ludde despite that being drowned out by the music.
Ludde's backstory was way more well-done, in my opinion. We see him having crashed the car and bleeding from his head. He looks terrified and almost frozen by fear, needing to be pulled out of the car by a panicked Andreas yelling at him to bring Ludde back to the reality of the situation. We see Andreas yelling and pointing, telling Ludde he needs to run now. It's more powerful when we get to see it.
And in episode 8, when we learn the truth of what happened, it's not a long and dragged-out monologue. It fits into what's going on in the story. Felicia and Ludde have known each other for a few months now and are much closer than they were on their first date. They've had disagreements and fights, but at this moment they're in a good place.
And it feels like the right moment for Ludde to come clean about what happened to him.
Ludde: Hey… There’s something I’ve been meaning to tell you. Felicia: What? Ludde: About… My brother. It’s not really as everybody thinks. Felicia: What do you mean? Ludde: That night when he crashed… It wasn’t Andreas who drove the car. We were on our way home from one of his buddies. We’d had some fun drinking. And then… I’d just started learning how to drive. So I nagged and nagged at him. Felicia: So you were the one driving? But he’s an adult- Ludde: He was drunk as hell. He was going to leave the car, but I thought it was so cold and it was only three blocks away so I thought that I could drive. Felicia: And what happened? Ludde: It was slippery and really dark… And a car came. I hit the brakes in time, but it… Yeah. Right after he pushed me out of the car and yelled that I should run home straight away. He really didn’t want me to get into trouble. So, yeah… It was fucking bad luck. I want to just gather everybody and scream that it was me. Felicia: Hey… I love you. Ludde: I love you too. I love you so fucking much.
As Ludde is telling Felicia what happened as the other car came, we see a silent flashback of it along with Ludde's voice narrating. We see Andreas pulling him out of the car and yelling. Cutting to this scene that we've already seen in the beginning but might've forgotten about is a smart choice and makes the story Ludde is telling more real. We see it unfolding as Ludde is telling this to Felicia. It's a powerful scene.
We then see Felicia hugging Ludde from behind, a sign of support with no words needed. She tells him she loves him and Ludde says it back. It's an honest and sweet moment that comes at a perfect time in the story. It's not too early like Felicia's backstory was.
I sort of understand why Felicia's backstory was info-dumped because it was right before the drama of Mats accidentally spilling the beans to Klara's family. They wanted the audience to know what happened to her early, so they could move on to the plot point of Felicia thinking Ludde was the one who told everybody.
But we don't need every single detail of Felicia's story. Let it come organically. The only thing that was really needed was for Ludde to know that Felicia had struggled with drug use and was sent to rehab for this storyline to work. The reason why could've been saved for later, and it would've made for a more interesting reveal. Maybe just have Felicia allude to seeing something that night, but don't tell the viewers right away what it was.
In 1x06, Felicia is incredibly upset when she hears that her dad was the one who told Klara's family what happened to Felicia in the US. And rightly so.
Felicia: Don’t you get it? You ruined everything! Mats: What? Felicia: You told the whole damn town about me! About the US! Mats: I really didn’t mean to disclose you- Or disclose us. Sorry. Hey, sorry. Flisan, please. Hey. Felicia: Did you tell them you fucked mom’s best friend too? Yes, I saw you.
If this had been the moment where we first find out what Felicia saw, it would've been more surprising. Our reaction would've mirrored Mats's, and it would've been more heart-wrenching to know that Felicia was traumatized by an affair her dad had only to be cheated on herself in the very same episode.
Ludde's problematic nature
One of the scriptwriters of Eagles, Fanny Ekstrand, was interviewed in the behind-the-scenes documentary Edvins Skådisdrömmar. In this interview, she states:
Ludvig, he's the one who's been the easiest to retain the personality of. Because he's so... He's calm and friendly, but he makes dumb decisions. Ludvig isn't a typical hockey guy. He has a bunch of other qualities—music being one of them.
I found myself slightly disagreeing with this take, despite knowing Ekstrand is literally a part of the writing team and most likely helped shaped Ludde's personality. I just interpreted Ludde's character (at least in season 1) differently.
I also didn't find him that much different from any other typical hockey guy just because he happens to have another interest. That's a bit like saying Archie Andrews from The CW's Riverdale isn't a stereotypical jock because he also plays the guitar.
In season 1, we see Ludde break into the rink because he wanted to test out the ice. He just loves hockey that much. He also uses it as a way to express frustration and anger, which we saw in 1x05. He flirts with the new girl in school and in the beginning he even uses it as a tactic to gain a position on the main hockey team. This was confirmed by the creator Stefan H. Lindén in his Q&A, where he said:
My idea has always been that Ludde was blown away by Felicia and that he really likes her but that they both initially interacted and met to go swimming because Felicia knew it would piss her dad off and Ludde knew that it might throw Elias off since they were competing for the same position in the team.
I would say that the characteristics of a typical hockey guy would be someone like Adam—obsessed with the sport, flirting with girls, going to parties, and just spending a lot of time in the rink. Ludde checks off all of these points. However, I will give this the benefit of the doubt since season 2 Ludde seems to change a lot and it's easier to interpret him as the calm and friendly guy he was supposed to be in season 1.
So to me, Ludde wasn't calm and friendly at all. In season 2, yes, but when we're first introduced to him?
Ludde shows anger issues and violent tendencies in 1x05 when he head-butts Elias and breaks his nose. It's violent and messy. He then yells at Felicia to leave when she's trying to communicate with him and belittles her drug problems solely because she's rich. To me, Ludde wasn't a nice person in 1x04 either when he let his friends make suggestive comments about Felicia and what she was like in bed.
Omar: I can tell you one thing - you’re not borrowing my towel today cause I don’t know where that dick has been. Adam: It’s nice when she sucks, right? Omar: Can’t you tell us some more, does she bite you or is it just really, really nice? [...] Adam: Is that what you sound like when you’re coming? What does she sound like?
This was described as "locker room talk" and the writers probably wanted to show an authentic view of what being a hockey player is like. I understand that. But it's a little problematic when it's later swept under the rug and treated like something that we're just supposed to accept.
Elias: [...] it’s not very fun to sit in a hockey locker room where people are talking about how nice it is to fuck my sister. Felicia: Ludde would never say anything like that, you know that. Elias: He wouldn’t? It’s a locker room, Felicia. That’s the only thing they talk about.
It did not sit right with me how Felicia seemed to be the one Elias blamed in this scene, and Ludde and his friends never faced any real consequences for what they said. Elias did lash out at Ludde, but there was no severe consequence for Omar and Adam's comments.
Compare this scenario to another Swedish show, Beartown on HBO. Beartown is similar to Eagles and focuses on a hockey team in a small town with one of the star players hooking up with a girl who's recently moved to their small town.
This girl is raped by the hockey player. And because of his status as the star of the team, he has almost the whole school behind him. The girl however is labeled as a lying slut. It's unfair and frustrating to see it happen, but it's authentic and done in a way that doesn't glamorize the ugly side of hockey culture.
Eagles is not as dark as Beartown so this comparison might be a little unfair. Beartown's whole storyline did revolve around this incident while in Eagles the hockey culture is treated more as a side thought. It's like they decided to throw in a taste of what goes on in a locker room just to create drama without really addressing it further.
Beartown did a much better job of portraying the problematic and toxic elements of hockey culture without making it seem like it's just something normal that we should accept. It was honest and raw. If you haven't seen the show, this short video does a great job of depicting how much thought was put into the toxic hockey culture, winning mentality, and subsequently hockey players thinking they're entitled to do whatever they want.
So, to respond to Ekstrand's quote from Edvins Skådisdrömmar—I did not experience Ludde as a "good guy" who only makes dumb decisions at all. In season 1, he's a bad person for letting his friends sexualize a girl he likes and letting her brother hear their disgusting comments. He's a bad person for fighting with her brother and later yelling at her, saying her drug issues are insignificant despite acting supportive of her only two episodes earlier.
I don't mind conflicts like these because they drive the story forward. I didn't particularly like Ludde in season 1 because of the reasons I just stated, but they're necessary to create drama and make the show interesting.
It's just weird to me how one of the writers is saying that Ludde is a calm person and a good guy when that is not at all how I interpreted his character.
Eagles is a show targeted towards a young audience, among them probably a lot of easily influenced pre-teens. What kind of message does this send to them when the guy letting his friends sexualize a girl he's slept with and on top of that laughing at their inappropriate comments is referred to as the good guy?
Klara is mean... What else?
From the moment we're introduced to Klara, it seems obvious that she'll play a living and breathing version of the infamous Alpha Bitch trope. She's also a prime example of the basic Popular is Evil trope and has her own Girl Posse consisting of Sara and Amie.
Klara feels threatened by the arrival of a potential new popular girl, Felicia, and does everything in her power to bully Felicia to show dominance. She barely shows any good sides of herself.
The only instance I can think of where we sort of see season 1 Klara in a positive light is when she talks to Amie in 1x05 about their friendship and then accompanies Amie to her audition for the school band.
Klara: Ever since Felicia started at school… It’s felt like you only hang out with her and that you’ve forgotten about me. She like took you from me. Amie: But I haven’t forgotten you. Klara: No, but do you get what I mean? Amie: I get it, but I haven’t forgotten you. Klara: No, I know. Amie: I know, but it just turned out that way when school started. Klara: Okay. Amie: But I’m sorry. Klara: It’s fine. Amie: Are you sure? Klara: Yeah. You can make it up to me when you go on your world tour.
Klara is really supportive of Amie's musical endeavors, but she also uses her support as a way to alienate Felicia from the girl group. It's very on the nose and kind of feels suffocating in the way it's written.
Klara: Amie, did you remove the clips? Amie: Yeah, she said they weren’t good. Klara: She’s just jealous. It’s so obvious. I mean, I’m jealous. You sing absolutely amazing. I don’t know, I just think it was really rude of her to sit in the cafeteria and criticize you like that Amie: Yeah, maybe. But she apologized. Klara: But still. That clip of you in the bathroom… Like… Sorry, but I’d be so mad if someone had posted something like that of me. I mean, you were standing there without makeup, completely non-fixed up. And the whole thing with her filming you without you knowing. That’s really weird. You don’t do that. Don’t you think so?
I'm sure there are plenty of people who act like this in real life. And maybe that's part of the problem, because Klara in season 1 really isn't an interesting character. We've met this person before and we know exactly what she's like. There's nothing new to discover. So season 1 is essentially just Klara being petty and rude every chance she gets, and to me it felt like a large part of her character was written just to stir up drama.
In 1x06, we see Klara backstab Amie by filming her making out with Ludde at her Halloween party. But I thought it was established in 1x05 that Klara feels like Amie was taken from her? And if Klara actually cared about Amie and didn't want to lose her as a friend, she wouldn't just stand by and watch with her phone recording the whole thing. It doesn't make a lot of sense.
Klara even made that whole point about how it was really weird of Felicia to film Amie without her knowing. So why would Klara do it, when she expressed that's weird and not something a normal person does? Is that supposed to be foreshadowing? Because if so, that's a clear contradiction and not how foreshadowing works.
When Sara happens to see the video on Klara's phone she immediately says that Klara should delete it.
Sara: What is that? Did they know you were filming? Klara: No, of course they didn’t know. Sara: Oh my god, Klara. You should probably delete it. Klara: I’m going to! But it’s crazy, right? Sara: Yeah, god. But seriously, delete it. Klara: I’m going to.
So Klara says she's going to delete the video. But it's still unclear why it was filmed in the first place if Klara insists that she's going to delete it. It's not like she filmed it just to show it to Sara either, since Sara wasn't meant to see it and only saw it by chance while swiping through Klara's photos on her phone.
It doesn't make sense for Klara to film a video like that of her best friend that she's supposed to care about. It doesn't make sense for Klara to film a video of anybody without their knowledge when she previously made a big deal about how you shouldn't do that.
What Klara's character is, is a bad attempt at the classical mean girl. She's clichéd, boring, and full of tropes.
Even her eventual character development is riddled with tropes like the Heel Realization where a character realizes they're actually one of the bad guys. This realization seems to come in 1x08, where Felicia calls Klara out on her behavior.
Felicia: You know what, Klara. I’m so fucking tired of your fucking comments. You didn’t get to be Lucia this year. Poor you! Was dad unable to fix that? Cry then, Klara. Cry. You’re so fucking mean. Everybody here is tired- Everybody here is scared of you. Even those who liked you once, they can’t take it anymore. Klara: That’s not true. It’s not true. Felicia: Yes, everybody is scared of you. You know what? Look around. Show people some fucking respect. Klara: Well say something, Amie! Amie: What is there to say? She’s right.
Klara needed a wake-up call like this. It's just unfortunate that she goes back to her mean girl behavior and posts the video after Amie insinuated that Klara wasn't a real friend. Klara already knew that Amie felt that way since she said Felicia was right in her assessment of everybody being scared and tired of Klara. So wouldn't it have made more sense for Klara to post the video right after that moment instead of during Amie's performance?
Or rather, why not pull a Subverted Trope and not have Klara post the video at all after she realized how horrible she'd been acting? That would've made me respect her so much more and be a great introduction to her character development in season 2.
The Halloween Incident
To me, the whole Halloween episode was questionable. First off, we never got actual confirmation of what happened in that room between Amie and Ludde. Some viewers insist that they only made out and others believe they went all the way. Here's what the creator of the show, Stefan H. Lindén, had to say about this in a Q&A post he did:
I think if you went into the writers room of Eagles and asked all of us what really happened in that room [between Ludde and Amie at Klara's Halloween party] we would all have different answers.  I know what happened, but I’m not sure we will ever truly know for sure, unless Ludvig or Amie eventually are open enough to admit to anyone what really happened.
This is kind of a vague answer, but that's fair considering that when Stefan did this Q&A the latest episode that had been released was 2x05 and he probably didn't want to spoil anything. However, looking back at this answer knowing how the season turned out I still feel like it's unclear what happened. It's also strange that Stefan seems to be saying that they never actually decided what happened between them since the writers "would all have different answers".
1x06 was just an odd episode for me overall. Lots of things felt rushed and underdeveloped. Let's not forget that this episode also contained, in my opinion, some of the weirdest lines in the whole show (along with Elias's strange monologue about plague vampires).
Ludde: Hey, I only have like 3%. Do you have any power? Adam: Are you wondering if I have a power bank in my shorts? It’s coming-
Ludde: I like shellfish. (said to Amie, wearing a lobster costume)
Up until this episode, Ludde has shown zero interest and attraction towards Amie. We are basically told that Ludde only hooked up with Amie because he was so drunk that he practically had no idea what he was doing.
In 1x02, we see a drunk Amie try to kiss Tobbe and upon getting rejected she moves on to make out with Adam. She gets overly friendly when she's drunk so the fact that she makes out with Ludde later is... Weird, but not entirely out of the realms of possibility.
Ludde on the other hand is moping about Felicia all night. He regrets how he yelled at her at the end of 1x05 and it shows. He's trying to drown all his problems in alcohol and it seems to be working, because when it enters his system he seems to be on top of the world.
What I found kind of ambiguous in this incident was if Ludde even remembered what happened that night. He was drinking so much compared to Amie, who doesn't really need as much alcohol before she reaches her "overly friendly" state. I thought for sure that Ludde was oblivious to the situation when he woke up in his bed the next day and immediately messaged Felicia.
There are just so many questions to unpack here that were never answered. What prompted Amie and Ludde to go into that empty room? Why did Ludde come with her? Why didn't Adam seem to care about this, when he'd been sitting next to Ludde and taking care of him most of the night? And as I wrote before, why would Klara film this video of her best friend when she previously expressed that was a weird thing to do?
There's just too much in 1x06 left unanswered. The Amie/Ludde hook-up was a badly executed plot twist because there wasn't anything hinting that this would happen. It just came out of nowhere.
Unbalanced screentime and Elias's wasted potential
A large portion of season 1 was dedicated to Felicia. This was kind of a let-down for me since I thought more focus would be placed on Eagles as a hockey team (after all, that's what the show is named after). I also thought more attention would be on Elias since he's the talented star player who's supposed to live up to his father's legacy.
The show starts with a couple radio hosts hyping up how Elias Kroon, son of the legendary Mats Kroon, is going to join the Eagles hockey team.
Host #1: [...] It’s finally official. New center in the junior team - Elias Kroon, son to the legendary NHL-pro Mats Kroon, who has now chosen to move home from the US to his hometown where Elias will play in his father’s old club Oskarshamn Eagles. Host #2: This is so freaking cool. Who doesn’t want a Kroon on their team? Host #1: We hope that he’ll take a spot on the A-team.
But we don't learn a lot about who Elias actually is in the first episode. The attention is on Felicia and her interest in Ludde.
Elias is so discarded that he barely has anything to say in the first couple of scenes we see him in. Here are all his eight lines in 1x01, and I'm not even joking.
Elias: Yes. Elias: Shut up. Elias: Ow. Elias: It's fine. Elias: Really? Elias: Fucking hell. Elias: I'll stay here. Elias: No, it's fine.
In 1x02 he has even fewer lines. Three, to be exact, and all he says is that his injury is a sprain and that it's fine. Essentially just an echo of two of the lines he had in the previous episode. It's nothing new.
There's a way to have a character stand out when they don't have many lines, but Elias just fades into the background with every other extra. There's too much time spent on having other characters talk about Elias than us actually getting to know him. So when we do meet him, it's pretty underwhelming.
Compare Elias to his sister who gets so much more attention from the writers. I don't really understand why either, since I thought Elias was a much more interesting character than his influencer sister. Felicia's character only seems to revolve around a guy. I wonder how many times we've seen that before?
In 1x02 we see the Eagles hockey team play their first game, but Elias is unable to play and has to sit in the stands for what was supposed to be his debut match. Why? Because during a hockey practice session in 1x01, Adam rams his stick into Elias to purposely injure him. I mean, fair enough. Adam is trying to get Ludde on the main team since he and Elias are competing for the same position. The shot of Adam smiling after Elias sprains his wrist is a bit too on the nose, but whatever.
What this does is minimize Elias' presence in season 1 by a lot. We don't see the son of the legendary NHL professional play an actual game until 1x05, which is more than halfway into the season. It's kind of disappointing but I understand the injury is done to dramatize his situation.
Elias barely gets his own storylines in the first few episodes. He just has things done to him instead of acting on his own. When we do see him on screen he gets injured by Adam, reprimanded by his father, and later told he can't play in his debut game.
His sweet side (or any side of him, really) isn't shown until 1x03 when Amie wakes up at the Kroon house and Elias reassures her that they didn't do anything together and that she can borrow Felicia's clothes.
Elias doesn't really do much for the plot until he hears Ludde's friends objectify Felicia and he starts a fight with Ludde and confronts Felicia about it. That's when it feels like Elias is actually a part of this show instead of just being an extra shoved into the background. His actions are finally affecting the plot.
Elias's potential in season 1 was hugely wasted. The only episode where we actually got to see him shine was 1x07, when he travels to Karlskrona with Amie. We find out he doesn't want the hockey arrangement his dad has planned for him and that he's actually a pretty goofy guy who likes making jokes (and eating green candy).
If less time was spent with Felicia and the distribution of every episode's 20 minutes was more balanced, season 1 could've been massively improved. It got much better in season 2, but season 1 suffered and made many people think that Felicia was a basic and unentertaining character.
The side characters and their comic relief
So one thing that I found really disappointing with Felicia's amount of screentime is that we barely got enough time for the other main characters, let alone the side characters.
What I mean here is that the only people we really know on the Eagles hockey team are Ludde and Elias. Ludde's friends, Adam and Omar, just feel like comic relief sidekicks. We don't really know what they're like, besides the fact that they like to make jokes and mess around.
This issue is largely created by the short running time the episodes have along with season 1 only having eight episodes in total. That's definitely understandable. It did get better in season 3 where we see Ludde having a deeper conversation with Adam and Omar and they finally don't just feel like the comic relief characters, but actual people with layers.
Ludde: I’m going to quit hockey. Adam: Are you serious? Omar: What the hell are you saying? Ludde: It’s not the same anymore. I’m not passionate about it. I… Yes, it sucks, but… I’ve thought about it for a while now. Omar: We make jokes about it and all, but… Yeah. It wouldn’t be the same without you. Kingelikingen. Adam: I get that it’s a tough choice. But yeah… You’ll work things out. You and Felicia. You always do. Ludde: You guys are pretty awesome sometimes, actually.
This scene was really sweet, and I wish we could've had moments like this between the guys in season 1. Just one scene to show that they're not just the "typical hockey guys". It feels like Ludde was the only person on the team in season 1 who wasn't just a background character. Even Elias, who you would assume should be at the forefront, isn't properly developed until 1x05 where we see him defending his sister and starting a fight with Ludde. Otherwise, it very much felt like Elias was kept in the background.
There are also guys on the team called Herman, Simon, Näslund, Ekbäck, Hoffmann, Berglund (even Montell, which was a fun nod to the show's director)... But who are they, actually? Do you even remember their names? To be honest with you, I don't. Because they're just names—not actual characters.
None of the other guys on the team get any depth. They're just sort of there as extras and to give the audience a sense of comedy with their "hockey team shenanigans". This was illustrated in 1x08, where Adam and Omar make their teammate Liam do a "sexy dance" on a table because he lost his virginity. Or a more extreme example—Jönsson, who only exists to be the comic relief and the unlucky guy who just can't catch a break.
In 2x04, Jönsson is told by Jack to do extra time in the gym and gets told off when he only spends a few minutes on the exercise bike. Later, Jack also makes a joke about how he should get Jönsson a defibrillator. In 2x09 Jönsson invites Ludde, Adam, and Omar to come to his mom's place to hang out. After he's left, Adam makes a comment about how there's no way he's going to "rot" in Jönsson's apartment that doesn't even have a balcony.
Don't get me wrong, these scenes aren't bad and I don't mean they should've been scrapped. Comedy can absolutely have its place in a show like this. Let's take the scene where Ludde flashes a couple of unfortunate old ladies on his first date with Felicia as an example. It feels like something a teenage boy would do to try to make a girl he likes laugh. It's a brief scene and it's nice to see Ludde being able to goof off only moments after talking about Andreas. We know that's a touchy subject for him.
However, it feels slightly overdone sometimes with how almost everybody on the hockey team is only there for comedic purposes and to fill space. It's more refreshing when they're shown to be multi-dimensional. I wish this is something that the writers would've considered when the show is literally titled after the hockey team, yet most of the hockey players are hardly in the story.
To add to this, it felt like Sara and Tobbe completely disappeared from the story in season 2. With Sara we understand that she probably didn't want to hang out with Klara anymore after knowing she filmed the Halloween video and posted it on Instagram, so that's fair. But it would've been nice to see Tobbe stick around in season 2, and I'll get back to why I think that.
The potential of season 1
When I look back on season 1 I feel really nostalgic. No matter how many small details that irked me, I can't deny that the setting of the show is beautiful and I really appreciate the depiction of it. Instead of showing Oskarshamn as a boring small town, we're shown the beauty of it which is incorporated into the storylines.
Some examples would be Ludde and Felicia's first date at Gunnarsö and walk through Havslätt, the gorgeous view of the Oskarshamn harbor from Klara's house Villa Högklint, and Badholmen where the school band performs and we later see Elias and Amie walking by in season 3. All these places are listed on the Eagles Oskarshamn site and I feel like they did a great job tying the storylines in with the locations.
Another aspect of season 1 and its writing that I really enjoyed was Elias and Amie's budding relationship. They just have a natural chemistry together and the dialogue between them also felt authentic and sweet.
Season 1 is just a very polished teen drama overall compared to some of SVT's previous series.
Back in 2007-2010, SVT used to air a soap opera-style show focusing on a few teenagers living in Gothenburg that was called Andra Avenyn (translation: Second Avenue). I was only seven at the time but I watched this show religiously as it aired three times a week. Just mentioning the show brings a lot of nostalgia.
Andra Avenyn amassed around 500 000 viewers per episode and was, just like Eagles, nominated for a Kristallen television award. But how good was it, really? If I take off my rose-colored glasses for a second and actually consider the show's highly dramatized storylines and unlikely scenarios, it had a tendency to drag on (which usually happens with soap operas). It didn't offer a realistic view of teenage life and on IMDb it currently sits at a rating score of 5.6 stars out of 10.
Comparing this old teen series to SVT's newer one, Eagles season 1 was a huge improvement and continues to be the most popular teen series that SVT has aired so far.
This idea and all the characters have lived in Stefan H. Lindéns mind since 2008, while Andra Avenyn was still on the air. It's actually amazing how high the quality of most TV shows has risen since then. Eagles has a rating score of 7.4 out of 10 stars on IMDb and has become internationally known in a way that Andra Avenyn never was.
Eagles season 1 laid the groundwork for SVT's most successful teen series of all time, and that's a huge achievement.
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Season 2: "Subverting expectations"
When Eagles came back for season 2, the script made it kind of obvious that the writers had listened to the critique of season 1 being predictable.
I did find season 2 a huge step up from season 1—the directing was so much better and when it came to the script we got a deeper look into all the characters that they hadn't really scratched the surface of in the first season. My main disappointment however was that it felt like they threw in a bunch of weird plot twists just for the sake of "subverting expectations".
The core idea of subverting expectations can be great if done correctly. You lead the audience to believe they know what's going to happen, but then you surprise them with an unexpected and clever twist.
A post in Cinematography written by Mason Leaver defines the phrase of "subverting expectations" as:
[...] a method of surprising the audience with some element of a story, be it the plot, themes, characters, etc. This goes beyond a “twist” in a film. Expectation subversion actively works within the genre of a story, and attempts to reinterpret or subvert the conventions of that genre, breaking patterns in surprising and interesting ways. However, this method of surprising the audience is not always well received- it can sometimes be the source of heavy criticism from fans of the tropes which have been subverted.
This included "unexpected" relationships such as Elias/Klara and Amie/Ludde. The former actually worked, but the latter? Not so much.
Amie's crush on Ludde—make it make sense!
Amie and Ludde were my biggest issue with season 2, and it felt so out of character of Amie to be head over heels for Ludde. They work great as friends but romantically they're a huge mismatch.
But they have music in common, I hear you say. Yes, they do. But having a shared interest doesn't mean people are automatically a good match. You have to consider their chemistry and overall compatibility.
Before actors are cast in a show or movie where their characters will be romantically involved with each other, it's common to do what's called a chemistry read. Here's a neat description from an article in Backstage written by Caroline Liem:
Chemistry is the complex emotional or psychological interaction between two people. If this were a romantic article, it would be about love. Instead, we are discussing the astonishing rapport between two actors, and how that connection is achieved in order to book [...] the role. A chemistry read is an opportunity to read with actors being considered for a role opposite yours, usually lead roles. The main purpose is to see how you instinctively connect and work with the other actor.
This obviously wasn't done for the actors playing Amie and Ludde, since there didn't seem to be any intention of having their characters be involved in a romantic relationship.
That was even confirmed by Stefan H. Lindén in his Q&A of season 2, where he said that a love triangle between Ludde/Felicia/Amie was planned but later scrapped.
I can confirm that from the beginning of development of the series and the first version of the storyline a triangle drama was at some point intended for season 1 but later removed  – however when creating the characters, Ludvigs skill in music and arts was always there from the beginning so by knowing that, we always knew that interactions would appear between them. When looking back at Season 1, in the first scene by the lockers when Amie tells Felicia who Ludvig is, she does know exactly who he is and she is well aware of that his friend Tobias is a music guy that Amie wants to get to know. Also when looking at it, when I was the same age as Ludvig and Amie I, and I am sure a lot of people can relate to it, fact is that we never really knew if it was love or friendship in the beginning.
Knowing that the triangle drama was scrapped for season 1, it makes sense why it seems so arbitrary. There was no groundwork laid down for this pairing before it was hastily thrown together in 1x06 for a cheap plot twist. This continues in season 2, where Amie and Ludde start spending more time together. Yet it's hard to see Ludde as a potential love interest for Amie in the way the writers want us to. They still come off as friends despite having hooked up at a party.
I mentioned that Tobbe should've stuck around for season 2 and here's why. Tobbe was written to be the leader of the school band that Amie later joins, and he was friends with Ludde before the video was posted. He would've been a perfect fit for the Amie/Ludde music storyline but he's completely absent. He had the potential to be the person who could've helped them with the song a little and then later picked up on whatever there was going on between them.
I think the Amie/Ludde storyline could've hugely benefitted from a scene between Amie and Tobbe, where Tobbe asks if she actually has feelings for Ludde and we get to hear exactly what Amie is feeling. Maybe she's torn, not wanting to get together with Ludde because of how much they hurt Felicia, but at the same time finds it hard to suppress her feelings. A scene like that would've allowed us to get into Amie's head and make the Amie/Ludde storyline much clearer.
To add, this storyline was in desperate need of more interest from Ludde's side. There needed to be some indication from him that would make Amie believe he liked him back, even if that wasn't the case. All we get is Ludde complimenting Amie's song and then a hug in 2x05 when Amie says the record label in Stockholm wanted a meeting. And apparently, that was enough for Amie to think Ludde was interested in her despite him blowing off the Stockholm meeting and Amie hearing Ludde say that the Halloween incident was a mistake.
Ludde and Amie don't really mesh as well as Elias/Amie do or even as well as Ludde/Felicia do. Elias and Amie had sparks flying from the very first scene they shared. That pairing is one of the main reasons why the show became popular internationally, and why is that? Because of the actors' chemistry.
Amie and Ludde are a clumsy attempt at throwing together two people who don't really work together with the intention of "subverting expectations". And I suppose that's what the writers wanted to depict—an awkward crush that doesn't really make sense, which I'm sure many people have experienced as a teenager. That part is fine. But what I didn't like about this storyline is that Amie had no good reason to believe Ludde would be interested in anything with her beyond a platonic friendship.
While season 2 was airing, I was convinced that Amie wasn't actually in love with Ludde. She was just lonely after the aftermath of the Halloween video and mistook her feelings for Ludde as love when she just appreciated his company. Here's what I wrote:
So as we know, Amie kissed Ludde in episode 6 when he was in the hospital after having been injured during the hockey game against Karlskrona. She immediately seemed to regret having done that and ran out without an explanation, leaving Ludde alone and confused. I honestly don’t think Amie has any romantic feelings towards Ludde. I think she might mistake her feelings for a crush or something, when in reality she’s just lonely and appreciates Ludde always being there for her and giving her compliments on her musical ability. Ludde was complimenting Amie at the hospital, saying she was amazing, and I think Amie was just really touched by that and maybe wanted to thank him somehow, and ended up kissing him. And then she freaked out and left because oh my god did she really just kiss Ludde. It was an uncomfortable and awkward situation and that’s probably why she ran out. However, I really believe that if she had just stayed to explain and apologize, Ludde would understand and they could’ve just laughed it off. But this is a drama show so of course that wouldn’t happen! Do I think the writers are making them into a couple? No, definitely not. They know that season 1 was sort of predictable and cliché, so they’re making season 2 as different as possible by including these unexpected pairings such as Klara & Elias and Amie & Ludde. But Amie and Ludde won’t ever be a couple, because Ludde is still very much hung up on Felicia. I don’t see them as a couple either - yes, they have music in common, but they work way better as friends than in a relationship.
In Edvins Skådisdrömmar, which is a behind-the-scenes documentary of Eagles season 2, writers Fanny Ekstrand and Michaela Hamilton discuss the writing of the show in the documentary's third episode. The third episode is mostly focused on the lead-up to the scene where Amie kisses Ludde at the hospital. Adrian Öjvindsson, who plays Ludde, says:
Filming the kissing scene was [...] awkward and weird, actually. And that's how it ended up. Yandeh and I haven't really had any intimate scenes. In this case you could take in that it was weird, because that's also what the scene wanted to depict.
When Edvin reads the script, he describes the scene as a "nightmare" scenario. I agree. And the lazy build-up to this Awkward Kiss trope doesn't make it any better, because just like the Halloween incident this doesn't make a lot of sense.
It's supposed to be awkward and weird, just like Adrian said. But he also mentioned one of the most important details: Yandeh and I haven't really had any intimate scenes.
Before this kiss scene, there was nothing that indicated any chemistry between them. No accidental hand-touching, no longing stares, no nothing. Just a friendly hug. A proper build-up to the kiss scene would've made it feel less out of place.
The love confession from Amie to Ludde in 2x10 really threw me off as well. The confession to me made no sense and honestly felt like a prank call. There was no feeling behind it and zero reason for Amie to believe that there was a chance Ludde liked her back.
At the end of 2x08, Felicia goes to Ludde's house after he's confessed the truth to the police about the Andreas situation. Amie happens to overhear the conversation and she hears Ludde very clearly say that he's not interested in Amie.
Ludde: Felicia, there’s nothing between us. Between me and Amie. It was really the biggest mistake of my life. Felicia: Goodbye, Ludde. Ludde: Felicia, please!
Amie, now having her heart broken, crosses Ludde's name off the contract while crying. She knows he doesn't feel the same. So why would Amie even bother to call Ludde up to tell him she's "in love with him"?
Amie: [...] Hey, Ludde… Ludde: Yeah? Amie: It feels really weird to hear our song now. Because I know who the lyrics are about. And… And I… I really like you. Or, well… I’m in love with you. I just need to know how you feel. Or if you feel anything. Just tell me. Ludde: I’ll always want to be your friend, Amie, but… It’s Felicia I’m in love with.
This moment is on par with the awkwardness from the hospital kiss between them in 2x06. The second-hand embarrassment with this one was really rough, and what I don't understand is why this was even added to the script when Amie had already gotten the confirmation that Ludde didn't think of her in a romantic way. This storyline could've ended in 2x08 after Amie overheard the conversation between Ludde and Felicia.
It really didn't need to drag on for the whole season, essentially making Amie's whole storyline in season 2 about a guy. Her moment of finally getting signed to the record label was ruined when it could've been regarded as a fresh start if the storyline had just ended where it should have.
What this storyline did instead was ruining my favorite friendship of season 1, which was Amie/Felicia. This mess made it so hard for them to reconcile and they didn't end up properly addressing it until 3x09, spending almost two whole seasons mad at each other. It sucks that the writers decided to drag out their fighting and disagreements for this long when they could've instead shown two girls in solidarity who don't let a guy get between them and their friendship.
Amie apologized in 3x03 for how she hurt Felicia, but Felicia made it clear in 3x06 that she still harbored ill will towards Amie for what happened at Halloween (which in the timeline of this show was more than a year ago).
Felicia (to Amie): Are you going to start slobbering with [Elias] now too? Just give me back that sweater first, I don’t want slobber on that. Thanks.
I talked about how much I disliked the Amie/Ludde storyline in this post, with my main reason being that it really messed up the character dynamics that were established in season 1.
This storyline [of Ludde and Amie hooking up]—along with Amie falling in love with Ludde—is by far my least favorite one because it messed up the whole character dynamic. I feel like Amie and Felicia won’t ever go back to the kind of friendship they had in season 1 before the Halloween incident because the trust was so broken, and Amie really should’ve tried harder to apologize to Felicia like Ludde did instead of going after her best friend’s ex in season 2.
If there's just one thing I could change about this show, I would 100% get rid of the Amie/Ludde storylines. There is nothing that annoyed me as much as those storylines did.
Amie's musical ambitions
I've talked about this a bit before in another post because this was something that really bugged me about Amie's character in season 2. Here's what I wrote:
I honestly still feel like Amie’s whole storyline with sending in a rather basic demo written by two teenagers with little to no experience and then getting praised on it [by the Stockholm music producers] with comments such as “it’s going to be a real summer hit” felt so unrealistic to me. Maybe they only said that so Amie would accept their offer or something, but that’s still very strange because she would have still said yes without a doubt. I can understand that they thought Amie was marketable as a person and there was this bonus with her having gone viral before on Felicia’s Instagram, but that demo did not seem good enough for me to be immediately released as a single and then have them decide on the spot that Amie would be given a contract. I mean, come on. It never felt earned because we never really saw Amie struggling with her songwriting journey to achieve this dream. Sending in one demo to one record label and having them immediately want to make a whole album with you just doesn’t happen in real life unless the song is extremely good or you have a very unique voice. Amie is really talented but there are hundreds of people just like her, if not thousands. I was never convinced by her getting signed so quickly in season 2. I understand that they wanted to establish her as a successful artist [at the beginning of season 3], but that felt so rushed. I was so sure that the record label would screw her over and steal the song rights to record it with another artist who was already established, and that we’d have to see Amie work even harder to achieve her dreams. But we didn’t get that at all. Where was the struggle? [...] Of course I wanted to see Amie achieve success (and I was happy when she did), but the journey there was so bizarrely easy. She didn’t start to seriously work on making her music career become a reality until season 2. Amie had dabbled in music prior to that, like when she auditioned for the school band and did that performance of Follow, but she didn’t truly start to work towards it until season 2 when she decided to have her work sent to professionals in the business. And then, just five episodes later, she gets contacted by the record label in Stockholm. To put this into context—season 2 took place somewhere around March, and episode 5 around three weeks into April. So when Ludde first started helping Amie it took less than two months for her to get signed. You could argue that the song was just that good or that Amie is just that talented, but it never felt like a realistic storyline to me.
It's tricky to write a storyline like this when you only have ten 20 minute episodes in the season and a limited amount of screentime for every character. All that is understandable. But it's strange that they didn't opt for a time jump to really sell this storyline and make it believable.
Eagles uses time jumps a lot, but somehow this particular plot point was omitted from that and kind of glossed over. I don't really understand how they expected us to buy this storyline. The viewers aren't stupid, and more effort should've been put into this storyline.
In the post where I wrote this, @gajana18 also had an interesting thing to add:
[...] it's equally unrealistic that this huge record company would be hounding Amie, a teenage onehit wonder essentially to come back to the label- don’t they have other bigger artists?
This is a very strong point. Considering how Amie kept expressing that she wanted to finish school and then proceeded to ignore their calls, it's weird that they didn't just decide to discard her contract when Amie clearly wasn't taking her singing career as seriously as they wanted her to.
So, back to season 2. Maybe they could've gone with the record label stealing the rights to Amie's first song and screwing her over. This fuels her to try again and after a time jump of a few months we see Amie having worked really hard on a new and better song. Maybe even a whole album. And this time, she's learned from her past mistakes and improved her songwriting. This time, she's successful in her endeavor and it feels so much more earned after knowing the struggles she's been through to get there.
I also feel like a storyline like that would've made people sympathize with Amie more in season 2. It was really hard to root for her when she had nearly screwed Ludde over by not giving credit to his songwriting and saying "fuck him" when he didn't return Amie's feelings.
Klara's character development
When we're introduced to Klara in season 1, she's a stereotypical mean girl with wealthy parents who is the popular girl at school and has her own followers.
In season 2, the writers decided to develop the character. We find out Klara has issues at home and her mom is barely there. When she is, her parents will start fighting. Klara is feeling really lonely and doesn't really hang out with her friend Sara as much as she used to.
I appreciated the added depth, but it seemed like a drastic shift. The changed perspective could attribute to that but when you step back and really look at s1 Klara and s2 Klara, they're like two completely different people.
Maybe Klara's reputation suffered after she posted the Halloween video? Maybe she had a change of heart after Felicia finally confronted her during Lucia? I mean, I guess.
But what most fans (including me) didn't like about Klara in season 2 was that there were no clear consequences for her after she posted the Halloween video. Klara still hangs out with what seems to be the popular crowd and she has people to go out with. In a post I wrote last year about my thoughts on season 2, I wrote this:
I actually wish that Klara would’ve become more ostracized from her school friends to emphasize how alone she is, but she seems to still be pretty popular so that was kind of disappointing. I thought the fall-out of her posting the video would be worse, but I guess not. Anyway, I like that they’re taking a disliked character and making her into a better person. Feels like it’s been done a few times before, but I still appreciate them doing it. I hated s1 Klara for being so one-dimensional, but s2 Klara is well on her way to being a pretty good and nuanced character.
Her character development sort of comes a little out of nowhere, though. Her reputation wasn't ruined by posting that video and she didn't really lose any friends besides Sara (she had already lost Amie prior to posting that video considering what Amie said to her after Lucia in 1x08).
So what prompted Klara to become this whole new person who actually considers other people's feelings in a relatively short amount of time? Here's a conversation between Felicia and Klara in 2x07.
Felicia: Was there anything in particular you wanted to talk about? I understand that we’re not best friends just because you and Elias are together. We’re not here without a reason, right? Klara: No, I get that this feels weird for you. And if you don’t trust me after everything that’s happened - or that I’ve done. Felicia: Klara… Klara: I know that I haven’t acted like the world’s best person. And I regret that. Sorry.
But why does Klara regret her past behavior? What made her realize she hadn't acted like the "world's best person" if the ramifications from posting the Halloween video were so minimal?
Was it the relationship with Elias that made Klara change? No, I don't think so. When they first start talking at the bar in 2x03, Elias tells Klara that he doesn't always agree with Felicia and that he has his own viewpoints. In 2x07, he says Klara wasn't the one who messed up, but rather Amie and Ludde. And in 2x09, the script tells us that the Elias/Klara relationship seemed to bring more change to Elias rather than Klara.
Felicia: What did you do to him? Klara: What? Felicia: He’s smiling. Elias is like a whole new person since he met you. Klara: Stop. Felicia: I mean it!
So what made Klara change? In 1x08 she's mocking Felicia's drug problems and posts a video that will for sure ruin Amie's reputation. But at the start of season 2, she's suddenly become more withdrawn and considerate of people's feelings.
I can only name one factor that actually makes sense, and that's the fighting between her parents. Klara seems to turn into this quiet child when she has to listen to her mom and dad yelling at each other. This is something that didn't really begin until season 2, when Ola's company GECED started going under. This storyline was very well done.
But the other things, like Klara's reputation and friend group which you would assume would be affected, remain as they were in season 1.
Jack's sudden character change
Jack came into season 2 as a charming and charismatic character, seemingly fooling everybody into thinking he was a good guy. He knew the Kroon family from before and both Felicia and Elias were none the wiser when it came to the eventual reveal of his true colors.
Here's what Stefan H. Lindén had to say about the Jack character in his season 2 Q&A:
Bringing Jack in was actually originally not my idea, it came from my writer colleagues after that they revised my storyline notes for Season 2, while I was still down in Oskarshamn shooting Season 1. We had always intended for a character to come in and raise the stakes but I never imagined it to be Jack. When we started to develop the character, we all started liking him so he was kept in the story. Like with any new character we never really know who they are and what [the] point of them for coming in is [...]
Personally, I feel like the point of Jack's character is pretty obvious. When he first comes to Oskarshamn he is very much the embodiment of the new love interest coming in to date the girl who has broken up with her previous lover, while the previous lover still loves her and does anything he can to get her back although she's dating someone new. Jack is the Romantic False Lead trope who later becomes an alpha-dog Jerkass.
What I found interesting about Jack compared to Klara (in season 1) is that Jack isn't just a bad guy. He's very clever with his manipulation tactics and can easily charm people with his good looks and charisma.
When Felicia accuses Jack of cheating in 2x07, he manages to spin the whole thing around and make Felicia apologize to him and say it was stupid of her to believe he would cheat on her. I talked about this in a post while the season still aired, before Jack's true colors were revealed. Here's what I wrote:
I still don’t know if Jack really is cheating on Felicia with Olivia (the girl that texted him) but I would say he is. Jack is incredibly confident and charming, which makes him able to easily lie and manipulate people. We know he’s not an entirely good person since he’s already lied to Elias about not knowing that Mats would bring him back to Eagles. I wouldn’t be surprised if he really did hook up with Olivia and ended up being a really good liar. The fact is that not only did he deny it but he then shamed Felicia for blaming him and causing a scene, ultimately shifting the focus in the argument to her and making Felicia feel bad that she even confronted him in the first place. Jack says that maybe they shouldn’t even be together, which causes Felicia to backtrack and apologize. It’s actually pretty impressive how Jack was able to spin that around to blame Felicia and make her apologize.
Jack is able to take a small detail and use it as ammunition to get what he wants. In this situation, he brings up the girl in the Stockholm club that Felicia partied with and also kissed.
Jack: You shouldn’t accuse me, either. Felicia: What? Jack: I saw on Instagram, you and some girl in Stockholm. Have I whined about that? Coming here and blaming me for things, it feels really immature. Felicia: Fuck. Sorry, Jack.
Jack wasn't bothered by that at all. It happened before Felicia and Jack were even an official couple, and all they had done was hooking up at a party while Felicia was high. Jack, having cheated on Felicia, couldn't care less about the random girl Felicia kissed. That was just something he used to manipulate her.
When we discover that Jack is actually cheating on Felicia, he immediately reverts to a one-dimensional "evil" character. He's become the 2.0 version of Klara in season 1—written in just to stir up drama.
This "master manipulator" version of him just goes down the drain and Jack turns into a manchild who starts petty fights, files a police report because Ludde pushed him, and says to Felicia "I'm gonna tell on you!". Alright, maybe those weren't his exact words, but you know what I mean. It's a sudden shift and you start wondering how Jack was able to hide this version of himself so well before.
In 3x05, Jack sees Ludde and Andreas after a hockey game and fumbles trying to find any insult he can to hurl at Ludde. Everything he says from that point on is just line after line to really solidify that Jack is the bad guy. You didn't forget that, right? Here, let's have Jack call Felicia a druggie so you know just how shitty he is. And have him call Andreas a junkie later for good measure—there, that should be enough for people to understand that Jack is the villain here.
Jack: Johansson! Ludde: What the hell are you doing here? Jack: What does it look like? Ludde: I guess it’s you I should thank for the victory. Nice work. Jack: What is Felicia doing these days, then? Does she miss me? Ludde: Hey, you’re shutting up now, do you get it?! Jack: Jesus Christ. Do you think you can save her? What do you think she even sees in you? You two play in different leagues, Ludde. Ludde: You have no idea what we’re like. Jack: Come on! You should leave her. While you can. She’ll just pull you down into the dirt with her. You’re no hero, Ludde. Isn’t she still doing drugs? Once a druggie, always a druggie, right?
Jack is a horrible person, but at least he was able to pretend to be a good guy in season 2. And that was actually really fascinating. I wish we could've seen more of Jack's manipulative side that he showed in season 2 instead of making everything coming out of his mouth be a half-assed attempt at insulting the other person. That's a pretty boring villain, in my opinion.
Jack's backstory of his father being an alcoholic and him starting to resent the whole Kroon family because they had everything growing up while he didn't is interesting. It would've also made more sense if his anger was only directed towards the Kroon family since they're the ones he grew up with. They're the ones he was after the whole time.
His anger towards them feels cheapened when Jack also starts insulting Andreas (who he's probably never met before) for no good reason. It's like Jack's human qualities are just gone and all that's left is this empty shell made to start fights. His backstory didn't really make anybody sympathize with him, either.
The improvements of season 2
What I liked about the writing in season 2 was that they explored new ideas and had some solid storylines (besides the mess that was Amie and Ludde). Elias and Klara actually worked pretty well as a couple, even if they were pretty much the 2.0 version of Felicia/Ludde as the "wealthy, popular pretty girl starts dating the star player on the sports team".
Felicia finally gets some more depth. The scene at the end of 2x02, where Felicia and Leila park their car near the harbor and just start crying, is so powerful.
2x05 is also one of my favorite episodes of the show, as well as the ending montage of the 2x10 season finale. In Gameday, we had a very touching scene between Felicia and Mats where they finally communicate. It's not the most understanding conversation but it's a start. It's an interesting contrast between their talk in 1x06 where Felicia revealed she saw Mats cheating on Leila versus the talk they're having now.
Another one of my favorite scenes is when Felicia and Ludde meet up at their bench in 2x10 after Ludde has called her up asking Felicia to come if there's any chance of them getting back together.
The dialogue is simple and to the point. There's no long-winded love confession for the sake of drama. It's a moment that the whole season has been building up for, and when we finally get there we realize that this is how love should be.
Easy and simple.
Ludde: You came back. Felicia: Yeah, I did. Ludde: Do you remember our first date here? Felicia: No. I’ve forgotten. Ludde: I was so freaking nervous. Felicia: Everything you said… Did you mean it? Because you hurt me, Ludvig. And I… I’ve really tried to hurt you back, but… It’s not possible. I can’t… Not love you. Do you think… Do you think it can be us again? Ludde: What do you think? Felicia: I don’t want anything else.
Ludde admitting how nervous he was on their first date is sweet and shows us how much they've been through. Felicia is struggling to find the words to say and she's acknowledging how hurt she was, but still can't seem to find it in her heart to hate Ludde. It's honest.
Another plotline that I think was a little underrated in season 2 is the GECED company going bankrupt and Ola, Klara's dad, is under investigation for financial crime. This isn't a storyline you would usually see in a teen series. It's much more serious. It also gave us a really touching and poignant scene in 2x08 between Ola and Klara sitting on the floor of his office, where Klara has to comfort her father who starts crying.
Ola: When you were little you used to sit like this. On the floor, while I was working. You had your own room, but you wanted to sit with me. “Help daddy work”. Mom’s doing the right thing by leaving for a while, don’t blame her for that. Klara: What, you can’t just leave because things get a little tough. Ola: Maybe you should get away for a while too. You know, I never wanted you two to… That you… Everything’s gone. Klara: It will be fine. It will be fine. Ola: Sorry. I’m sorry.
In 2x09, Klara is at a party when she notices a bunch of missed calls from her dad. She immediately senses something is wrong and rushes home to find her dad having attempted suicide. It's executed very well and I really liked the more serious tone they went for in season 2.
It set up season 3 perfectly, which continued with the darker themes but balanced them very well with the more light-hearted moments.
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Season 3: Finding one's footing
Season 3 was a highly anticipated season. I thought the season 2 finale was masterfully done and it left me wanting more. When season 1 finished on its cliffhanger of the video leaking, the focus only seemed to be on that.
But with season 2 there's Felicia/Ludde getting back together and Ludde having been sued by Jack, Jack threatening that he would leak all of the Kroon's family secrets, Klara's dad passing away, Elias deciding to get on the train and go to the draft combine anyway, Amie having finally become a recording artist but being isolated and heartbroken... There's so much to unpack, and it's a lot more interesting than the ending of season 1.
Where's Jack?
Jack is supposed to be the main villain but he's gone for most of the season, failing to show up until 3x05. In the season 2 finale Jack makes a huge deal about how he's going to destroy Felicia's life. He's threatening her in a very violent and abusive way.
Jack: [...] I know a lot about you, Felicia. And your nice family. It’s enough for me to leak to one news site. I can destroy you. Do you get it? I’ll tell them everything. The drugs, the cheating, your abortion! Felicia: Shut up! Jack: Hey. Huh? Did you seriously think I wanted to be with you? The little Kroon princess, who has gotten everything for free her whole fucking life! You and Elias! Like spoiled brats! You don’t understand what it means to fight for something!
In 2x10, Jack decides to report Ludde for assault but he doesn't follow through on destroying this family that he hates. If there's anything Jack seems to despise above all, it should be the Kroon family, right? So why did he fight back with Ludde but not the Kroon family?
I expected Jack to leak all the Kroon secrets at the beginning of season 3, but Felicia seems strangely calm at the funeral which I'm assuming only takes place two weeks or so after Ola's passing in the season 2 finale.
Then, a whole year passes with no indication that Jack is ever going to leak anything. As season 3 was airing, I commented on how strange this felt in an ask I received:
One of my main questions about the time jump is the whole thing with Jack saying he was going to ruin Felicia’s and the Kroon family’s reputation in the press. It seemed like nothing really came of that? I’m pretty sure that detail hasn’t been abandoned entirely and that Jack will come back (we’ve already seen a glimpse of him in the third episode), but it feels strange that Jack threatened to leak all her secrets and then just never did. I got the impression that Jack was a person who, when having his pride wounded, would do pretty much anything to get back at the person who insulted him. And yet there’s no mention of where Jack has been during that time or what he’s been doing. I feel like I would be pretty paranoid about this if I was Felicia, but we don’t see this haunting her until episode 3 when she sees a flash of Jack before realizing it was just some random guy. It seems strange that Felicia was relatively at ease during the funeral (which I assume took place not long after Jack first threatened her) and after the time jump. We don’t really know what’s been going on during that year, but Felicia seems to be fine and like she hasn’t had any thoughts of Jack at all. Maybe she assumed that his threats were empty and that he wouldn’t actually leak anything to the press, which is reasonable but at the same time I don’t understand why Jack has yet to do anything after a year. He was really pissed off in the season 2 finale, after all.
Going to repeat one of the things I wrote here because it deserves to be mentioned twice, and this point is one of my biggest issues.
I got the impression that Jack was a person who, when having his pride wounded, would do pretty much anything to get back at the person who insulted him.
I feel like this was kind of a plot hole that wasn't explained. Jack is ruthless and doesn't hold back at all when his true colors come out. He has no problem talking about the sexual relationship he had with Felicia in front of her father. Jack is just that horrible.
So what prevented him from ruining the Kroon family's lives earlier, when it seems to be the thing he's wanted for years?
Michael's predictable predicament
Michael first appears at the end of 3x04, where he calls Amie up to tell her he's her father.
Man: Hey! Sorry for calling so late. Is it Amie? Amie Condé? Amie: Yeah. Man: I saw you on TV the other day. I’m Michael Condé. I’m your father.
In the next episode, we get a voice-over of the continued conversation between him and Amie.
Michael: [...] I understand if it’s shocking. I’m in Oskarshamn for work for a few weeks and— Could we meet up someday?
So, it's clear what the writers are going for here. It's the estranged father who returns into the child's life when they've become successful. We're made to believe it's a Daddy Had a Good Reason for Abandoning You trope when Michael meets up with Amie and tells her why he left.
Michael: So Petra, she— Has she said anything about me? Amie: Well… That you moved from Sweden before I was born… That you’re working as a lawyer. That you didn’t want to see me. Michael: I was… I was young when we met. Your mom and I. And everything went really fast. I was in love, but she had feelings for somebody else. And when she found out that she— That she was expecting you, then… She didn’t want me there. She said I wasn’t father material. To some degree she might’ve been right, but… I wasn’t much older than you are now. I had just gotten into a law school in Berlin. When I finally came back to Sweden, then… She didn’t let me see you. I had already lost you by then, but I want you to know that I— I’ve thought of you. And about a week ago, I… I’m seeing you. On TV. There you are. With my last name. I’m so proud.
However, it's pretty easy to identify the holes in Michael's story. To be honest this whole storyline was predictable from the very start. Before Michael even came into the story, I made this post which pretty much summed up Michael's whole character when we didn't even know he existed yet (this was when 3x03 was the latest episode that had aired).
I don’t think we’ve heard any mention of Amie’s dad in the whole series except for 3x02 when Amie was being interviewed and was asked about the Condé name where she said that while Samuelsson was from her mother’s side, and Condé was from “the other side”. I found her word choice a little interesting. I don’t think Amie’s dad has passed—but rather that he’s alive and just chosen to not be a part of her life, which is why Petra seemed to be a little offended when asking Amie why she didn’t want her last name anymore. This might also be why Amie said “the other side” rather than “my dad’s side” because they have an estranged relationship. [...] I’m not really sure if they’ll do anything with Amie’s dad (maybe they’ll go for that trope where the parent who previously abandoned their child returns after the child has accomplished something big/something major happened and the parent wants something from them for personal gain?).
When we actually get to meet Michael and hear his explanation of why he left, I wrote this post pointing out some of the holes in this storyline.
Michael meeting Amie only after she’s become famous is a little suspicious, but it’s understandable if he previously thought she didn’t want to meet him and then sees her with his last name on national television. Obviously he would contact her after that. I feel like there were some question marks with Michael’s whole story though, and the fact that his work just conveniently happened to send him to Oskarshamn after he’d just seen Amie on TV. Maybe I’m missing something here, but how did he know Amie had gone back to Oskarshamn if he saw her living as a pop star in Stockholm? Was this information about Amie quitting the tour and going back to her hometown even online? If Elias (who actually witnessed Amie saying she was done and quitting) seemed taken aback when he saw Amie in Oskarshamn, then how did Michael know?
I do think Michael will return for season 4 though, so hopefully this storyline will be straightened out a little. We don't really know what Michael has been up for the past few years and if he has a family of his own. Maybe he'll contact Amie again to tell her she has some younger half-siblings?
They ended on sour terms, but if Michael does have his own family it's something Amie deserves to know and she can decide whatever she wants to do. I'd also like to see a Michael/Petra reunion, but I'm getting a little ahead of myself.
This storyline wasn't bad, and I do appreciate we got to find out what the situation with Amie's dad was. I also liked how I was able to sympathize with Michael. He's not entirely awful, even if he did put a lot of blame on Petra. It's one of those situations where you don't really know what it's like to be in Michael's position unless you've experienced it, and it's very realistic.
Plot holes
Some of the plot holes of season 3 that I've already mentioned are how Jack waited a whole year before leaking the Kroon family's secrets and how Michael conveniently knew Amie was in Oskarshamn when nobody seemed to know she was coming except her mom.
I actually don't mind that it was never explained how Michael got Amie's phone number either, because that's usually pretty easy to find with a Google search. Things like addresses, economic status, and even your criminal history are easily accessible in Sweden when googling someone's name. So finding someone's phone number is probably fairly easy as well.
On the other hand, one of the most glaring plot holes appeared in 3x08. In this episode entitled Lost, the Kroon family is frantically searching for Felicia who has gone missing. Leila and Elias knock on Petra's door to see if Amie is there and might know something about Felicia's whereabouts. Petra tells them Amie isn't there and they leave.
Someone left me an anonymous ask which I answered in this post, pointing out how it was strange that Elias didn't just call Amie to ask her when she wasn't at home. We know Elias has her number because they've been talking on the phone and texting each other several times before in the season.
In 3x08, when Elias and his mom go to Amie's house and ask Petra if Amie has seen or spoken to Felicia or whether she's home, I couldn't help but wonder, uh Elias why not just call Amie and ask her if she has seen or spoken to Felicia? [...] if Elias had called her and she heard how frightened him and his family were and police being involved she would have told him and then there would be no point in the 3x09 episode really.
This is a very strong point. You could argue that maybe Elias just didn't think of that but if they went out of their way to visit Amie's house only to not find her there, it would seem like calling her instead would just be a logical next step in the situation? Here's what I wrote in response to this ask.
This is an issue I had with 3x08 and 3x09 as well. I had a hard time actually enjoying the moment between Felicia, Klara, and Amie knowing that her family was getting increasingly worried for her and even thought for a short moment that Felicia was lying dead at the bottom of the ocean. All that could’ve been avoided. To add, it didn’t make a lot of sense to me that when Klara finally decided to call someone she called Amie instead of Elias. An ex-friend of Felicia’s instead of her brother who could’ve helped a lot more. What was Amie supposed to do when she showed up at the hotel, exactly? I know there was the thing with Klara only knowing Amie’s number off the top of her head, but there is no reason why she couldn’t have gone down to the reception while Felicia was sleeping and asked to use a computer just to get a quick message to Elias. Like, “hey, Felicia attempted something bad but she’s safe with me, we’re at this hotel in this room but she didn’t want me to call anybody, I don’t know what to do”. That would’ve been so much better than keeping quiet about the situation for nearly 24 hours. I know that Klara probably has trauma from leaving her dad at the hospital after his suicide attempt and that she probably didn’t want to go against Felicia’s wishes. I understand the first part 100%. But Felicia was in a very bad place emotionally and was thinking that her whole family hated her when that wasn’t the case. I feel like in a situation like that you kind of have to be the bad guy just to ensure the family that Felicia was safe. Even if everything turned out alright in the end, it could’ve gone so much worse if Felicia had wanted to be kept hidden for longer. [...] Elias calling Amie would’ve been an easy solution to this whole debacle but we would’ve lost the drama. It’s still somewhat of a plot hole though, like you said.
I understand it was done this way for dramatic effect, but that doesn't really patch up the plot hole.
I also found it strange how many people turned on Felicia after Jack ruined her reputation in the press. I talked about this in an ask I received.
I don’t understand why the public turned on Felicia so harshly. And Leila too, for that matter. The way Jack told the story about how these two women had things done to them should indicate that they’re not the ones to be blamed. If I read this article and found out an 18-year-old girl got pregnant by a “violent criminal” who forced her to abort and then abused her I would not be angry with the girl. I would be angry that she was physically abused and also outed on her sexuality for being bi. If I read this article and found out Leila had been cheated on by her husband repeatedly with her best friends, I wouldn’t be angry at her. I would not agree with the decision to turn to alcohol (same as Felicia turning to drugs), but I wouldn’t blame them. And I feel like a lot of people should’ve been on Leila’s side after finding out the reason why they divorced. I don’t understand why people are saying they’re disappointed in Felicia and calling her fake when she’s been through so much trauma in her life. I feel like if this actually happened in real life, all the blame would be shifted to the men because they’re the ones who—in this story—are painted as the bad guys (with the exception of Jack, considering he was anonymous).
I got another anonymous ask sent in after this, pointing out how the anger directed towards Felicia was considerably more about her drug use rather than the abuse she endured. Here was my response to that:
[...] the drug use should’ve been understandable considering the stuff Felicia had been through was also written in that article. I don’t know. I can understand people unfollowing her if they didn’t want their young children to be exposed to all the controversy, but it’s still strange that everything Felicia received was hate messages. Did everybody just skip over the part where the anonymous source stated that Felicia was violently forced to have an abortion by an ex-criminal and probably did so out of fear for her life? Yes, we know this is fake, but why didn’t anybody seem to mention this? [...] they seem to have written this storyline with the idea in mind that the public was against the whole Kroon family. Felicia got comments such as “So fucking disappointed in you and your family”, “What a nasty fucking family”, “You and your family are so fucking disgusting”. So I think Leila received plenty of hate for drinking instead of divorcing her husband sooner and basically turning a blind eye to all the problems her family went through. That’s what Jack told the press, at least. The anger seemed to be directed towards every member of the Kroon family and that didn’t make a lot of sense to me.
Again, this is something the writers did to dramatize the situation and they kind of forgot to consider that what Jack actually told the journalist wasn't as incriminating for Felicia and Leila as it were for Mats and Elias.
The magic of season 3
What season 3 really excelled in, to me, was delving into some more serious topics as well as showing the gradual development of Amie and Elias' relationship. Amie and Elias are the prime example of how a slow burn is so much better than having a couple get together too fast, like Felicia and Ludde did back in season 1.
While season 3 was still airing, I wrote a post dedicated to questions I had received about Elias and Amie. Here's one of the things I said about them:
I think Elias’ interest in her really started to grow after he saw how caring Amie was to Felicia, and later on connecting with her on how they both ended up back in Oskarshamn after following their dreams which didn’t exactly turn out the way they expected. Yes, Elias has always sort of been watching and admiring Amie from afar, but that interest didn’t start growing until he actually got to know her. The experiences they had in the US and Stockholm, respectively, probably changed their mindsets and in my opinion it makes so much more sense for them to get together now than it would’ve in season 1 or season 2.
I still believe that Elias and Amie are the best-written couple of the whole show (at least so far), because they just make sense. We'll see what season 4 has in store for them because we have yet to actually see them in a romantic relationship, but I feel like their personalities and characters just fit together really well.
Another thing I really appreciated was the depiction of Felicia and Ludde's declining relationship. Things like that happen so easily, and I liked how we see Felicia do this huge gesture of planning a picnic for Ludde in 3x04 but there were still underlying problems between them. It's like that in real life too—no matter how big of a romantic gesture you make, communication will always be the number one priority in any relationship and that's where Felicia and Ludde fall short.
The obvious disconnect between them when it comes to money is also important. It's been like this from the beginning, but season 3 gave us an actual conversation about it.
Felicia: Please, I can’t talk about this. Seriously. It was stupid of me to bring this up from the beginning. Fuck, I get such anxiety talking about the future— Ludde: You get anxiety? I’m the one walking around with no money in my account. Mom and dad had to get a loan to pay off mine and Andreas’ fines. I’m playing on a shitty old synth, and living off you like some leech. That’s anxiety. Felicia: Everything isn’t about money. Ludde: Says the one who has money. Felicia: Move out then, if it’s so fucking hard to feel like a leech.
This felt very realistic. Of course a person like Felicia wouldn't think money is everything when she's never experienced financial issues. She's able to move out into her own one-bedroom apartment as soon as she's turned 18, it seems, and doesn't worry at all about the cost of furnishing and decorating it. She didn't even pay for it herself, because Mats mentions he's the one on the mortgage loan. It seems like Felicia has never had an actual job either, and that's starting to worry her because she has no idea what she should be doing.
Felicia: [...] I don’t know what I’ll be or what I’ll do in the future. I don’t know that. Ludde: You’re still an influencer— Felicia: Don’t say I’m an influencer, please. Do you think I want to be that my whole life? It’s not even a career. I'm— I’m graduating next year, and I… My grades suck, and— I have no plan. I only have you. Not like that—I have you. That’s what I have. I want to be here, in Oskarshamn. I don’t want to go to the US and chase some dream and be a hockey wife. That’s not a life. Sometimes I wish neither of us had a plan, just us together here.
Felicia's character finally offers something interesting here, which I've waited for since season 1. She's not just a party girl anymore who has issues with drugs. She's a privileged teenager who is co-dependent on the guys she meets and who has anxiety about the future, to the point where she wishes she could stay in Oskarshamn in her little apartment forever stuck in limbo.
She has to face a harsh reality when Ludde decides to break up with her, and later on when her name is slandered in the press and people all over the country are sending her hate messages. Her own family is furious with her and Felicia has nobody. She's pushed away a lot of people and her mental state is just crumbling in front of our eyes.
It's a strong storyline and actually very well executed. Almost everything gets taken away from her, and at the end of 3x07 you can almost feel what Felicia is feeling. We've been with her through this whole journey, almost, and we understand why she feels like suicide is the only answer.
It's tough to watch that final scene of 3x07. It's greatly amplified by Alva Bratt's superb acting, but the writing of the journey there is also amazing. It's very difficult to write a sensitive storyline like this.
Overall, I don't have a lot of critique towards season 3. I loved most of the episodes. I elaborated on this further in a separate post:
[Episodes 3x04 and 3x05] showcased what Eagles should be all about so well, which is relationships plus the struggles you go through as a teenager in a small town, and then of course hockey. The hockey game episodes are really good, even if I don’t think 3x05 topped 2x05 (the game where Ludde got tackled and knocked out). I loved the contrast in Date night of the budding relationship between Elias and Amie and then that fight between Felicia and Ludde on the cliff. [...] It was interesting to see how this sweet gesture from Felicia turned into a fight between the two of them. I thought that was very realistic, because no matter how big of a gesture Felicia made to apologize there were still underlying problems that they needed to talk about. I also loved the “non-date” between Elias and Amie in this episode. It was cute to see them goofing off before the movie started and then talking about it on the way home. I liked how Elias could connect to her on how they had both returned to Oskarshamn. The recent episodes that dropped last week (3x08 and 3x09) were very strong and discussed some important subject matters [...] They were dark, but not necessarily bad because they needed to happen. However, I have to say that I prefer Eagles when it’s about hockey and teenage relationships. 3x04 and 3x05 made me kind of nostalgic for season 1 and I liked the vibe they both had.
Eagles season 3 is in my opinion the best season of the show so far, and we haven't seen any signs suggesting that there is any reason for season 4 to not be even better.
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Season 4: Hopes and wishes
Considering how each season has been increasing in quality bit by bit, I have pretty high hopes for the writing in season 4. I'm excited to see how the transition from teenager to young adult will be portrayed in the main characters, and what their future will hold for them after they've graduated.
My main questions are if Felicia and Ludde will find their way back to each other or if they'll remain broken up (that would be realistic as well), if Klara will reconcile with her mom, what's in store for Elias's hockey career, and if Amie will leave her label and maybe opt for something more independent.
I also want to see how Felicia deals with the new home she's checked in to, and if Ludde will in fact go to the school now that it seems Andreas will be getting into trouble again.
Amie and Klara are kind of wild cards here, because it somewhat feels like they've already reached their happy endings. Amie is famous and successful in her pop music career, and Klara has found her place as a businesswoman following in her father's footsteps. Maybe these developments should've come in season 4 instead of rushing them.
Nonetheless, I have faith in the writers. The writing suffered a little in seasons 1 and 2 but it has gotten better. Most of the things I pointed out about season 3 were just small details in an otherwise stellar season.
In conclusion...
This post was critical, but I tend to be critical of every show I watch. Eagles is still a very special show for me and having grown up in a Swedish small town myself I'm very fond of the show and its characters.
So huge thanks to the creator, Stefan H. Lindén, for making this show a reality and also to the director Carl-Petter Montell for contributing to the writing in season 3. And of course the writers of the show which include Michaela Hamilton, Fanny Ekstrand, and Anton Nyberg (plus Amanda Adolfsson who helped write 1x02 and 1x05 and Simon Ekbäck Nordström who is credited for helping with the hockey scenes in 3x05).
I hope you guys enjoyed this long, long post and major kudos to you if you read this far!
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violetfaust · 3 years
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I'm interested in hearing more about why you think Margot should've been Rumbelle's daughter. Sounds interesting, but what would that mean for her enchanted forest life? I think her being Robin Hood's daughter would've been fine if not for Zelena
Okay, Nonny, since you sent this a few days before Mother's Day, I'm gonna finally take the opportunity to try to sum up and speed-run the Belle's Daughter Margot feelings that have haunted me for THREE YEARS. Buckle in; this will be more than you or anyone asked for.
Disclaimer 1: It's been, well, three years, so my memory of Curious Archer and their story is not perfect; could be off on some details here. And Disclaimer 2: I really loved Tiera Skovbye as Robin/Margot; she did a lot with not much screen time, and she and Rose had fabulous chemistry. So although she was well cast as Robin Sr.'s kid, Tiera would be perfectly believable as a Rumbelle daughter, too--maybe give her some low-lights and call it a day. We keep Tiera as Margot in this rewrite. Okay: onward.
(Since one of the few things that would have to change about Robin if she were Rumbelle’s daughter is her name, I’ll just mostly use her Hyperion Heights name “Margot” throughout this post for simplicity.)
First and foremost, the foundation of everything: Margot is so like Belle! She is so like her. They have the same love of adventure, a similar sense of humor. She took Alice on a date to a bookstore. Most of all, she has Belle’s ability to see past “the mask of the monster” to a person’s heart. There was a great scene where Tilly explained that she didn’t want Margot to see her “bad days” because she thought it would be “too much,” and Margot said words to the effect that she was there for the bad as well as the good.
Obviously, people don't have to grow up to be exactly like their parents (Belle and Rumple sure didn't)...BUT. In fiction, one of the fun parts of next-gen stories is for the audience to see how their favorites' personalities are passed down. It's just more fun to see a Henry who has parts of Regina/Emma/Neal than one who doesn't; it's fun to see Lucy resemble little Henry. And it would be fun to see Margot be like her parents (she is very like Robin Sr; not so much Zee). Seeing a character who has so many of Belle's traits becomes just more...fun...when she learned them FROM Belle.
The family feud Rumple/Hook angle turns Alice and Margot’s relationship up another roman tic notch. A classic trope! It’s about reconciliation and love remaking and erasing those old grudges. Which is even more important when we’re supposed to believe that the evidence of Rumple’s final redemption is his saving Rook.
On a more macro level: the entire claim that OUAT is "a show about hope" COLLAPSES because it ends with the annihilation of the Stiltskin family. Rumple, Belle, and Neal are all dead; Henry doesn’t acknowledge them as his family; and Gideon is a friendless and forgotten orphan in another world. I did my rants about this three years ago, but long story short: the show’s not about hope unless it’s hopeful for EVERYONE. And having at least one of Rumbelle’s children alive and happy at the end (with her True Love and friends and acknowledged as part of the family) would fix that. My objection has never been that Rumple (and even Belle) die, but the way it happened.
And of course, Rumbelle needed to have at least one other child because Kitsowitz managed to deny them even one single shared happy moment surrounding Belle’s pregnancy with Gideon and his birth. Even if the audience didn’t get to see it (and we could have gotten a glimpse in Beauty), we deserved to know it happened.
Finally: Zelena did not belong in S7, period. I know it was fun for her fans! (Although apparently there weren't enough of them to positively affect the ratings, meow.) I do know! But it was bad storytelling. She served no point in the larger season arc, and the serial witch killer plot that was invented to serve her was one of the worst and most stupid things Kitsowitz came up with in seven years, and ate up time that could/should have gone to develop other characters. (Driz and Ana come immediately to mind, instead of having them shunted off to another universe, but also Henry/Cinda/Lucy and of course Rumple since his plot was coming to a close.) Zelena didn’t even get any significant growth herself, or develop her relationships with Regina or Robin. She still didn’t express regret for the horrible things she did to characters we love (Rumple, Neal, and Robin Sr.); the only result of all that screentime was to give an unrepentant rapist a love story with a person--we barely see and have zero investment in. And even that was ultimately negated at the end of the season, because in the finale Zee’s back in Storybrooke sans Boo Bear.
So, all that said: what would have to change about Margot’s, and Curious Archer’s, FTL storyline to give us Margot Gold?
Her name—but actually very little else. (And frankly it would have been more respectful to have Belle name her daughter after Robin Sr., who was actually her friend, than for Zee to name her kid after the man she raped, manipulated, and ultimately got killed—but that ship had sailed.)
Belle and Rumple could have given their daughter any number of fairytale names after people they know, aka fresh take on a Disney character. My favorite possibilities are Aurora (and then Curious Archer could have been Curious Beauty, and done a riff on the Sleeping Beauty story as part of their FTL backstory, with a built-in TLK) and Merlin (very pretty for a girl, I’ve always thought).
But the character herself would have been very much the same: she could be Rumbelle’s jock daughter, trained in archery and swordsmanship by family friends (Merida/Mulan/Charming), but always feeling out of place in her family of scholars/sorcerers/nerds.
I am SO sorry for the length of this--there's even more under this cut!
Robin/Margot felt insecure about trying to live up to her father’s name; Rory/Merlin/Margot could have similar anxieties trying to live down her father’s Dark One rep. There could even be a similar story where she was born with magic (like Robin was) but loses it or chooses to give it up—something that would estrange her further from her family. Or, if she was Merlin, she could keep her magic but be reluctant to use it, and part of Curious Archer’s Hyperion Heights arc would be both Margot and Tilly discovering and accepting their magic. (Sapphic sorceresses for the win.)
Now, one of the cutest things about Alice/Robin’s FTL dynamic was Robin being a girl from the Land Without Magic finding her feet in an enchanted forest, with Alice’s help. But it would only take a little finessing of S7 Rumbelle’s story to get that for Rory as well. (Of course, any decent story would have a LOT of finessing of Rumbelle’s plot so that Belle didn’t die and put Rumple on a suicide mission, but again—assuming the ship has sailed…)
Say that Rory is five to six years younger than Gideon. The Rumbelle family spend a dozen years or so traveling the realms, but then Rumbelle decide that they want Gideon and Rory to be comfortable in the LWoM with their extended Charming family, so they settle back into the Pink Palace so the kids can get a LWoM education. They still take occasional journeys, often Rumbelle going to save some hapless souls, but Rory grows up primarily in SB with very few, vague memories of all the fascinating places they visited when she was a small child. This feeds her hunger for adventure along with some envy of Gideon for having so many more fairytale experiences—another thing that makes her feel like a misfit in her family. So, presto, when she moves to FTL she and Alice have pretty much the same meeting/adventures.
One of the key notes of Rumple and Alice/Tilly's relationship, showing his growth and making it so special, was how he chose to set her free of being the Guardian or whatever, allowing her to be free and get what he never had, the chance to grow old with the woman she loves. And that would be weakened if Rumple knew that by choosing Alice's happiness over his own, he was also choosing his own daughter's happiness (because we know Rumple picks his kids over himself ever time). But--he doesn't have to know WHO Alice's True Love is when he makes that choice. He could just know that there is someone, or simply realize that Alice deserves her freedom for her own sake. (Rumple's daughter also getting happiness would be a side benefit that he didn't learn about till later, and have the added perk of Rumple actually getting a narrative reward for doing something good. Which almost NEVER happened! Bonus.)
Finally: I do understand that Robin's presence on the canvas was important to fans of Robin Sr.--getting to know he's remembered and having someone carry on his legacy. Of course I get it--Rumbelle and their family not having that is my biggest complaint (of so so many).
But we don't need a grown-up Robin Jr. to be Robin's legacy. Let her stay a cute background kid with perennially baby Prince Neal. There's already a character, one we're invested in, to carry on for the Hoods: Roland. And again, it would be satisfying for the audience to learn that a five-year-old orphan wasn't shunted off from what family he had left (Regina and Henry) into another universe and never heard from again. If Kitsowitz didn't waste time with Zelena, they wouldn't have needed the idiotic Jack-is-Hansel-the-serial-killer twist, and we could have have had Roland filling the role of Henry's best friend/little brother (and therefore Lucy's fake HH dad--God, that plot was bad all the way back in season 1; why Kitsowitz why?). We'd see Roland onscreen, part of the family, at the end of the show, perhaps with his own True Love (Drizella, maybe, or better yet Gideon) and happy future.
So, that's it: the combination of Margot Stiltskin-Gold and Roland Hood tightens and heightens the storytelling throughout S7, closes some plot holes, and actually fulfills some of the show's stated themes. Who knew!
Anyone else want three years of OUAT theory vomit? 😋 Shoot me an ask!
(I actually have another one, god help us all, but I might save it till Father's Day...)
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