You know what I want to see, I want to see more of Steve, Eddie, and Robin being 1980s small town kids from Indiana, by which I mean;
Robin is The Source of Gay Knowledge purely because her parents host Hippie Christmas and she managed to sneak away to find a neat bookstore in Indiana once.
Her knowledge is not in depth. It's patchy, woven together through rumors, stories she heard or things she picked up from her parents' old pictures. She's got a handful of zines, one book, and some movies she managed to order for Family Video behind Keith's back.
She acts like she's Queen of the Queers because in Hawkins she pretty much is.
(Max and El ask her what a lavender marriage is once, something they overheard snooping around.
Robin confidentially answers that it's code for when one woman dresses up as a man, fooling officials into wedding two woman.
She does not live this down two years later when they find out what it actually means.)
Eddie doesn't spend every weekend in Indianapolis.
Gas is expensive, his busiest days of his "job" is Friday and Saturday, and he has no fucking clue what the hanky code is.
He's wearing that bandana because Metallica front singer James Hetfield has one on all their tour posters.
Eddie does make it down to a gay bar though, by accident. Rick needed some back up for a shady deal. Promised Eddie a boatload of free drugs to sell if he agreed to just stand there and look mean.
He was warned the bar they were meeting in was 'weird' and to not 'freak out' --which Eddie thought was hilarious given his nickname and general appearance, but whatever.
He doesn't understand when they get there, because it's just a bunch of hot men with hanky's in their back pockets everywhere.
Then he sees two women kissing and it clicks.
He can't out himself in front of Rick, but one of the bartenders playfully dresses him down for his own hanky, letting him know all about the code and teasing him through his embarrassment.
He's got an offer to come back and learn what color and which pocket his hanky should actually be in, a prospect Eddie was salivating at until Chrissy Cunningham up and died on his ceiling.
(He still wore the hanky, because the feeling of that bartender tugging it out and stuffing it back in might be the closest thing he's ever had to sex and he absolutely wants a repeat.
He's young and horny, sue him.)
Steve Harrington may not be academically smart but he's not dumb.
He figured out a while back that the basketball team as a unit probably crossed the queer line more than once--or at least it did before Hargrove came in.
( Brad Handly for example, went around slamming kids into lockers and screaming slurs like a fucking movie villain one Monday because the varsity team got dead drunk at Laura's party on Sunday and hey, look, there weren't that many girls there, okay?
They all had fucking hands and mouths. Everybody but Tommy was single and hot to trot. Nothing gay about it.
Its not even like they were kissing or treating each other like chicks. It was just Brad's first time and they got to tease him later for overthinking it.
Dude graduated soon enough after and given Steve was on the team as a sophomore, he hadn't thought about the guy and why he might be freaking out so bad in years.)
Robin's entire panic attack at Starcourt, and a few more after had Steve replaying that whole incident. Reframed it a bit, and, yeah.
In retrospect that had been extremely gay, actually.
It sat with him a lot easier than he'd thought it would. Partially because of Robin, but mostly because that's just who he was.
Stranger things had happened to Steve and this one didn't want to kill, maim or otherwise eat him, so it got filed under 'interesting facts he should never tell his parents if he wanted to keep his trust fund' and then he went about his day.
(Or he tried too, anyways.
It caught up to him when Eddie and Robin somehow figured out the other was queer and dragged him along to some bar Eddie had a standing invitation at, with demands for Steve to do what he did best.
Babysit.
Their magical trip was utterly destroyed when Brad Handly happened to be the very same bartender who had given Eddie the invite.
Considering Brad's immediate bark of laughter followed by a hug and introducing himself as "Steve's gay awakening", Steve ended up having to speedrun through Eddie and Robin both having a crisis for him.
It didn't help that Steve had politely, and laughingly, corrected Brad with a casual;
"Pretty sure that was Tommy man, but if it helps I think that tongue of yours gave Matt Burdon a crisis."
--which ended up with him answering a lot more gay sex questions with Brad than he cared too.
At least he, through Brad, was able to help Robin connect to some local lesbians and--after a second crisis from Eddie regarding how Steve managed to have more sex than "the resident town freak and guy who actually knew he was gay, Steve!"-- even helped Eddie out by catching the metalheads tongue with his mouth later that evening.
The last one landed him a boyfriend, trust fund be damned.)
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Just thinking about sokka as a character makes me lightheaded and in need of a long nap (as opposed to the regularly scheduled lightheadedness and need for naps) so I understand. Do you think the time he spends with suki and the kyoshi warriors/on kyoshi island ever help him untangle that web and maybe see Duty differently?
this is a good question. i mean, suki has a lot in common with sokka, and he recognizes her as his peer, someone who has his back as much as he has hers, and she also seems to possess a far healthier approach to her role as a leader, protector, and warrior. i actually think that if anything were to break sokka and suki up, it would be due to suki growing exasperated with how closed off sokka is, but that really depends on how their relationship (and sokka individually) develops after the war ends. in "the serpent's pass" they do manage to navigate their relationship in a healthy way, but post "boiling rock" they largely repress their trauma and pain and fear, and use hedonism and sarcastic detachment to cope, at which point they don't seem to actually communicate their anxieties, but rather mutually acknowledge that the world may be ending, they were both at their lowest points during "the boiling rock," and now that they've reunited they may as well just take advantage of the time they have now and distract themselves from the inevitable. so both modes are possible, depending on whether they choose to communicate or simply use each other as vessels for pleasure.
like, to be clear, i do think their love is real and true and good, and also that their coping mechanisms are completely understandable, but when we see them together after the boiling rock, they are not only in the honeymoon phase of their first real relationship (at least in sokka's case, but i'm also assuming this is true of suki) but also that this "honeymooning" is exacerbated by a "fuck it we ball" attitude born of trauma and stress. so after the war ends, sokka and suki would have to have a real conversation about what they each want from their relationship now that they finally have the space to heal, and i obviously think that they'd stay together (although not in like a "committed monogamous marriage" way, lol) but that sokka would still be really cagey about actually divulging the details of what happened with yue and generally refuse to talk about anything he's repressed (i actually think suki would eventually learn about it through katara) and that would invite a strain of tension into their relationship that suki may or may not get fed up with (but i also think that if she did dump him, the next time they saw each other she'd immediately be like "im sorry for dumping you for being too depressed i shouldn't have done that" and sokka's like "it's chill i wouldn't be able to put up with me either" and then they get back together and have insane sex who said that).
but to answer your initial question, i do think being a kyoshi warrior is like, canonically/thematically speaking, far more valuable to sokka than being a southern water tribe warrior. becoming a kyoshi warrior is sokka's first step in overcoming the burden of conforming to a standard of masculinity that he cannot truly embody, and while he still subscribes to the patriarchal logic he absorbed thru hakoda, after meeting suki he no longer believes in gendered bioessentialism. what suki does teach sokka in "the warriors of kyoshi" is invaluable (she is literally his first ever teacher/training partner, everything he had learned up to that point he had to learn entirely by himself), but it's largely external: sokka learns how to fight, sokka learns that men and women are not ontologically differentiated, sokka learns to accept his feminine inclinations. and obviously, that is also hugely important to sokka, as someone who has defined his worth via his role as a warrior and as a man, but who feels inadequate in both roles. but it's primarily what suki teaches later that is truly valuable to his internal state: how to accept help, how to relax, how to rely on others, how to be in a partnership.
suki already does a lot throughout the show to incite growth in sokka, so it does feel logical to conclude that he would continue to grow by spending more time with her. however, i do think that as much as suki can help him unravel the tangled web of his psyche, there is a knot at the center that may never be broken, simply because sokka has spent the majority of his life operating on a level of cognitive dissonance that, if he truly recognized and acknowledged, would probably unravel him entirely. he cannot look himself in the eye, and i think it would only get worse after the war (to live past the end of your myth is a perilous thing). so the simple act of appreciating and loving suki does undeniably help him to unspool that thread, but he'll never untangle it entirely, because how can he.
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Here's some of the pulls that the re invoke gallery is missing, that I happened to have saved from my collection on the app years ago.
I also have a few more that I edited to be renders that I'll be posting separately.
These aren't quite as HD as the gallery's because they're just screenshots, nor are they transparent, but anyone is welcome to save, edit, and repost them, if you want them!
One-Eyed Owl SSR The Deadly Kakuja
Rize Kamishiro SSR Bewitching Bunny Girl
Shu Tsukiyama SSR The Gourmet's Rampage
Oggai SSR Newly Created Quinx
Big Madam SSR Leader of Madam's World
Noro SSR Transforming Threat
Ken Kaneki SSR 1 Year Anniversary
Nimura Furuta SSR Destroyer of All
Ken Kaneki SSR Protector of All
Hairu Ihei SSR Lovely Idol
Kurona Yasuhisa SSR Playful Angel & Devil
Toka Kirishima SSR Witch With Black Cat
[Image Description:
Image 1: A front shot of Eto in her kakuja form.
Image 2: Rize dressed in a sexy black bunny outfit with playing cards in the background.
Image 3: Tsukiyama sitting in bed, screaming, with his kagune out
Image 4: Hajime with four other oggai standing in a circle all shoulder-to-shoulder
Image 5: Big Madam laughing with her kagune out
Image 6: Noro's final kagune form, of two mouths with four kagune tendrils off them
Image 7: Kaneki dressed in traditional japanese clothes waving a sign that says "祝一周年" or "Congratulations on the first anniversary"
Image 8: Furuta's kakuja form from the finale, gliding to the right (to be paired with Kaneki's)
Image 9: Kaneki's kagune from the finale, leaping towards the left (to be paired with Furuta's)
Image 10: Hairu wearing a cute blue and white dress as she puts on a pair of glasses
Image 11: Nashiro and Kurona, dressed as an angel and devil respectfully, in a half-hug as they hold out their other hands toward the viewer
Image 12: Touka wearing a sexy witch costume and sitting around pumpkins, with Hinami dressed as a black cat laying in her lap. End ID]
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