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#;; not even going to deny it
titleofpersonage-p01 · 2 months
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carrotkicks · 9 months
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can't recognize. can't feel. can't. can't.
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turtleblogatlast · 4 months
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Big Mama must have lost some serious standing in the yokai underworld because it’s gotten apparent that she keeps being beaten by a small group of teenagers and the occasional rat man, and when it’s not them then she’s taking L’s from her own schemes working against her.
And in the ensuing power vacuum, the Hamatos accidentally become the most feared crime family known to all the big bads of the Hidden City.
After all, they’ve publicly outplayed Big Mama multiple times, a couple of them have taken out the heads of two of the most well known criminal organizations, one took out Heinous Green, two are responsible for the destruction of Witch Town, they have ties to both the infamous Baron Draxum and Captain Piel, they won the Doom Dome death race, they’re Battle Nexus Champions, they’ve displayed insane feats of power and defeated impossibly strong enemies, most of them have been to jail, and they regularly mingle with humans.
You can just imagine the notoriety they’d accumulate from word of mouth alone.
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dejwrld · 4 months
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the topic of colorism within the black community will never be understood until people understand that it's deeper than being bullied in high school and dating preferences.
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twstjam · 8 months
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Fuck the timeline, everyone please consider an au where the Knight of Dawn narrowly escapes from a fight that almost kills him and as he's limping through a forest to find somewhere to hide and recover, the woodland creatures find him and lead him somewhere. He follows, assuming they're leading him somewhere safe, but before he can reach it he collapses from his injuries. As his consciousness begins to fade, he sees Princess Meleanor looking down at him and he isn't surprised that she'd been waiting for his end, waiting for him to join her in the Underworld where he'd sent her.
Later in the evening, Lilia Vanrouge is startled by the door to his quiet little cottage bursting open. His prince and pupils have returned... and they have dragged the injured Knight of Dawn back with them. Silver runs up to Lilia and begs "Papa" to help the poor injured man they'd found in the woods, completely oblivious to how Lilia's blood chills and his mouth goes dry because his son this human child had so cluelessly brought an old enemy into their home who also happens to be his father.
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andromeda3116 · 9 months
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look, i know everyone said that the new interview with the vampire show was incredible but holy shit i was not prepared for how incredible this show is
like, not only is louis interesting now, he is incredibly compelling! his once-bland internal dilemma is now given actual weight because it's not just the same old Thou Shalt Not Kill But I Am Hungry story, it's tempered through his righteous fury at how black people have been treated all these years, how many people have wronged him and laughed and expected him to laugh along, how his ties to the community that once saved him are now turning to nooses around his throat, how his family that he once provided for and relied on have now come to fear him
that, combined with his explicit homosexuality, and with lestat being the only one who seemed to accept him and love him for all that he is, and how that is both comforting and incredibly toxic and combined with sam reid's insane charisma and mania and gravity as lestat that make it completely understandable why louis would still be drawn to him in spite of everything
and how they've used the changes from the original to this one to examine how memory shifts regarding someone who was so intense and formative in your life even if they were ultimately so controlling and abusive but still left such huge gouges in your personality like knives
like
fuck
this is the best-written show i have seen in a long time like this is top-tier writing holy shit
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my favorite thing about the sunshine court so far is how terribly unsubtle both jean and jeremy are
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misssclumsy · 1 month
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*people are using chat gpt for creating poetries*
*39873 poets jump out of the window*
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yashley · 5 months
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Say something true!
#critical role#ygifs#imogearne#imogen x fearne#when you’re taking a picture of the most beautiful thing you’ve ever seen and the camera falls back and fucking decks you in the face#fearne going it’s ok you don’t need to confess I know~~ while imogen interrupts to say ‘’you’re a loser’’ they drive me NUTSkljsgdlkjs#also my brain is a little beehive cos these two Started with Fearne being the enabler to darker things while imogen was cautious#to fearne Seeing imogen about to be lost to ruidus and hardveering into panic that the power would never be worth losing her#to imogen hearing fearne hesitate and deny the shard and then telling fearne she should do it anyway#the way these two handle the other's Sways in darkness in such a Knowing way - ‘’Are you sure it wasn’t intentional?’’#there’s like this ping and before it was encouraging and now fearne is scared and imogen is enabling the risk#and it’s like either imogen is silently ensuring laudna’s safety by fearne taking the shard despite any risk#or imogen honestly believes that fearne is stronger even than the power she would embrace. There is no risk. Fearne will conquer this.#so it’s like is it ulterior motives or is it faith or is it hypocrisy or is it all three at once it's so good#imogen spending her entire life running from her power so isn’t it so much easier to tell fearne she can just do it while imogen couldn’t#or is it just her genuinely encouraging fearne from Knowing the aftermath of pursuing the power#but it's like imogen ...... why would fearne choose you over the possibility for power when she's never done that before#and is this insistence/encouragement going to actually reassure fearne or is it going to be another crack#and when they do the ritual fearne asks imogen to be the one to take her out and imogen tries to comfort her by agreeing#and fearne looks on sadly and nods#remembering when she was asked to be the one to take imogen out and all fearne knew was that she couldn’t#anyway imogen's face when fearne said you're in love with me imogen said NOT NOWDSHKJF
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insomnya777 · 14 days
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boat boys coded
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avvocarlo · 2 months
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it has been pointed out before but I like how the 9 news logo is there because that should be the typical response to anything they do
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babybells123 · 5 days
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Posted about how I don’t care for/want a Jon/d*ny romance on r/asoiaf - and now I’m getting cooked for trying to be “unique” because they’re actuallyyyy the fated soulmates lovers of the series that are HEAVILY foreshadowed bc blue rose wolf howl shadowy lover and every reply that’s agreeing with me is getting downvoted to HELL.
It also just got me thinking about how people will bend over backwards about the obvious foreshadowing evidence for romantic j*nerys because ‘Martin is smart like that and places clues everywhere, nothing is a coincidence’ only to dismiss anything and everything about Jonsa because it’s a delusional crackship and everyone is reaching and everything is a coincidence and George isn’t truly thinking of any of their parallels and foreshadowings and their narrative relevance etc ….. and when Jonnel and Sansa Stark are brought up , it’s to ‘prove’ that Jon / D*ny will marry because it means the Starks are okay with uncle/niece marriage.
I hate it here so bad.
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An analysis of Alhaitham's egoism in relation to Kaveh
(Update: The essay this is taken from is now uploaded! It can be accessed here and here as as a pdf <3)
Max Stirner's anarchist egoism is speculated to be the basis of Alhaitham's personal egoism, therefore I will be drawing upon Stirner's 'The Unique and Its Property' for this analysis.
Property and power are key principles within this philosophy. The egoist recognises himself as an individual, separate from the general collective of “humanity”, in which concepts such as freedom and property are governed to and over the people, for then the individual is not considered as such, rather they are a part of “humanity”, rather than a whole individual (Stirner, 170). This thinking is demonstrated within Alhaitham’s Story Quest, where he dismantles Siraj’s Hivemind by targeting individuals that compromised the Hive and reminding them of their own beliefs and preferences – the individual in themselves is a whole, and is not a “part” of a system (Stirner, 170).
In this, the egoist governs himself by what he owns and what he wants to own: “ownness is my whole essence and existence, it is myself. I am free from what I am rid of, owner of what I have in my power, what I control. I am at all times and under every circumstance my own”(Stirner, 106). This relates to the concept of freedom, which, for an egoist exists according to having the power to be free of something, for example, being freed of hunger, thirst, or societal expectations (Stirner, 105). This is reflected within Alhaitham’s description: “He lives free – free from the searching eyes of ordinary people,” but also extends to the power to own.
As power is considered something which the egoist owns, property then becomes something which the egoist exerts power over, and in this, can property be made use of by the egoist – all the while, the property remains an independent vessel (Stirner, 162). This is seen within Alhaitham’s view on his vision, in that it is “no more than a useful tool”, as it can be used to serve his own needs, and that since it in his possession, he has obtained it with his own power, it makes no difference to check on it as he continues to retain that power.
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In this sense then, Alhaitham has constructed his life around this form of egoism, in that anything he wants, he has, such as his job as the Scribe, his house, the interests he pursues, the people he enjoys. In order to maintain this way of life, he will deal with, or be rid of, anything he deems as "harmful".
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With this, the egoist seeks satisfaction in themselves through the satisfaction of another. Ownership, in relation to another person, can become love, which like all things the egoist has power over, is ultimately theirs – as in their love for a person (Stirner, 187), which is given willingly by the egoist, for loving a person is done for the satisfaction that love brings: “But I love them with the awareness of egoism; I love them because love makes me happy, I love because love is natural to me, it pleases me,” (186).
In loving another comes sacrifice, which the egoist can give into without compromising himself, as he himself sets the “purchase price of [his love]” (187) according to the happiness attributed to the loved one, as in return, the egoist shall also receive happiness (186). To enjoy someone, in an egoist fashion, is to be able to sacrifice all possessions and ownerships without foregoing the sense of an individual, of “ownness”, as the egoist would then lose his objectivity:
“I can deny myself countless things to heighten his pleasure, and I can risk for him what would be dearest to me without him, my life, my welfare, my freedom. Indeed, it forms my pleasure and happiness to feast on his pleasure and happiness. But me, myself I do not sacrifice to him, but rather remain an egoist and—enjoy him. If I sacrifice to him everything I would keep without my love for him, that is very easy… But if I sacrifice others to one passion, I still do not…  sacrifice my particular worth, my ownness. Where this nasty incident occurs, love looks no better than any other passion that I blindly obey.” – The Unique and Its Property, 185
It is relevant to note that just as the egoist receives happiness from a loved one’s pleasure, so does an egoist suffer from a loved one’s despair. Just as the egoist would sacrifice something of their own to provide happiness for a loved one in order to exact their own happiness, so too would an egoist sacrifice something, or act, to eradicate the root problem of a loved one’s misery, as this, in turn, would then resolve their own misery:
“If I see the beloved suffering, I suffer with him, and I find no rest until I’ve tried everything to comfort and cheer him…. It doesn’t follow from this that the same thing causes suffering… his tooth gives him pain, but his pain gives me pain. But because I cannot bear the sorrowful crease on the beloved forehead, therefore, then for my sake, I kiss it away. If I didn’t love this person, he could go right on creasing his forehead, that wouldn’t trouble me; I’m only driving away my troubles. – The Unique and Its Property, 186
The phrasing of “driving away… troubles” is particular to note here, due to similar usages of language used within Alhaitham’s Character Stories, in relation to him acting in accordance with his self-governed rules and serving his own self-interest by: “[acting] on his own will and deals with anything that appears harmful in his eyes”.
Kaveh, however, interprets Alhaitham’s egoism as a detached, pragmatic view of humanity, in which the individual isolates themselves not only as a means of prioritisation, but by elevating oneself over others by refusal to intermingle and to cooperate for the benefit of others. Not only is this a harmful opposition to Kaveh’s view of individuals sharing their knowledge and talent in order to pursue a better society, but due to Kaveh’s experience of Alhaitham’s personal egoism, it is harmful to Kaveh personally. Kaveh refuses to prioritise himself over others because he has seen a negative consequence of egoism, in which he has been “cut to the quick” and it has ended one of the few stable relationships in his life.
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By Kaveh seeing Alhaitham’s comment about his altruism as malicious, Alhaitham has elevated himself over Kaveh, since Alhaitham does not have the same struggles as him, and has trivialised Kaveh’s trauma. To Kaveh, Alhaitham’s prioritisation of the self actively harms others as it desensitises the self to the emotions of others. Therefore, Kaveh opposes the egoism which Alhaitham advocates for, since he interprets it through his own lived experience. Hence, by Alhaitham asserting egoism over Kaveh as a means of Kaveh prioritising himself, it only reinforces Kaveh to strive to consider the feelings of others, as well as to not prioritise his own way of thinking if it undermines someone else’s.
In actuality, Alhaitham’s frustrations with Kaveh lie in his belief that Kaveh’s talents are incongruous with his values, and that if Kaveh were to prioritise himself, he would save himself suffering and enable himself to discover his “true self”, unrestricted by others placing labels onto him.
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This is a personal frustration which Alhaitham would not compromise himself to assert onto a person he was indifferent to, due to his belief of not getting involved with other’s fates. However, he has been observed to ‘subvert’ his own rules to accommodate Kaveh. Through egoism, it can be seen that rather than ‘subverting’ these rules, Alhaitham adheres to them as an egoist, since he sees Kaveh as his mirror, they offer each other a contrasting perspective he believes they need to have a complete, objective vision of the world.
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This is necessary for Alhaitham to consider within his own life, and therefore has extended his house to Kaveh, in order to expand his scope of thinking, and to consider perspectives he otherwise would not entertain. Kaveh’s ideals, his beliefs, and his philosophies explicitly interest Alhaitham, in contradiction with Kaveh believing that Alhaitham is disdainful of his perspectives.
In this way, Alhaitham enjoys Kaveh. He willingly pays for some of Kaveh’s tabs; pays for crates of wine for the two of them; and goes out of his way to pursue interactions with Kaveh. Just as Alhaitham is to Kaveh, Kaveh is an old friend, as unchanged in his beliefs as he was in the past and thus is a constant: “the most unshakable part of one's past is a friend that will never change”’.
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Alhaitham strives to act in accordance to his own egoism and therefore assesses what “appears harmful” to him, in relation to these rules, so as to be rid of them. This can be extended to Kaveh, as Kaveh falls under what ‘belongs’ to Alhaitham, in the sense that ownership equates to Alhaitham’s enjoyment.
Alhaitham wants to have Kaveh in his life due to the alternate perspective which Kaveh offers him, thus expanding his horizons and granting him knowledge he otherwise would not obtain. As well as this, Kaveh is seen to be considered part of Alhaitham’s way of life that he wants to protect. In line with Stirner’s egoism, it follows that as Alhaitham enjoys Kaveh, as in, ‘owns’ the contentment Kaveh elicits, he therefore is affected by Kaveh’s self-inflicted grievances. Therefore, Alhaitham sees Kaveh’s altruism at the expense of his own wellbeing as something “harmful” to be dealt with, as this not only causes Kaveh inward misery, but also detriments Kaveh finding his “true self” (Alhaitham Character Story 3), which the egoist pursues above all else.
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oifaaa · 5 months
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Can't believe it took me 450 episodes to realise the crocodile is Luffys mum thing isn't actually canon but is actually just a fan theory
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destinywillowleaf · 6 months
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one of a kind living in a world gone plastic
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baby you're so classic
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@most-tragic-character-tournament
(all my thoughts in the tags)
#anyway i found their theme song and lost my mind#tragedyshipping#lloyd garmadon#ninjago#antigone#tagamemnon#pollshipping#i'm gonna be thinking about this for the next hour before i go to sleep#i just wanted to make a playlist for them i didn't think i would find a perfect fit#they have taken over many of my braincells and i can't even complain this is the enrichment i needed#all i'm saying is the idea of a movie trailer for these two is taking shape more and more and this should 100% be the accompanying song#not even a full trailer because that would take forever but like. a 30 second TV spot. family drama. them not really getting along at first#(e.g. glaring at each other while being forced to dance or something)#but then warming up to each other on the road because road trips have my soul when it comes to movies ok#i want them to stargaze in the bed of a hotwired pickup truck while on the run from people who demand bloodshed (a poll winner)#the slow(?) burn of not wanting to be in this mess to actually enjoying spending time together to something more#(trailer/commercial ends on or just after “baby you're so classic” with the cut to the title and in theaters date)#maybe most of the tv spot is them arguing and making life hell for one another but it's hard to deny there's something more brewing#(one of the reviews is just ''A modern classic'' because i think i'm funny)#i really want the title to be a play off of them meeting through the tragic tournament but it's completely different from the tone i want#''tragedy: null and void'' is a fun one#i've never been the greatest at titles if they don't hit me like a truck#anyway hi folks i'm sorry if you have no idea what's happening and see this in your tags
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spencer-is-dead · 6 months
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Get yourself a man who can do both
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