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#‘i guess it goes to show does it not? that we've no idea what we've got until we lose it
s0fter-sin · 4 months
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AND I DON’T KNOW WHAT’S GOT ITS TEETH IN ME BUT I’M ABOUT TO BITE BACK IN ANGER
#take me back to eden is so ghost coded it kills me#like im shit at lyric interpretation ill fully admit that but it Screams ghost#‘i spit blood when i wake up sink porcelain stained choking up brain matter and makeup’#‘room feels like a meat freezer i dangle in it like cold cuts’ SCREAMING BITING BITING BITING#its the butcher hanging from a meat hook imagery for me lads i Cant#and my god the soapghost of it all#just ghost lashing out bc he cant understand soaps attention#rejecting his affection and his care bc hes never felt a kind touch without it becoming cruel#and i know we dont acknowledge mw3 but#‘i guess it goes to show does it not? that we've no idea what we've got until we lose it#and no amount of love will keep it around if we don't choose it’#losing johnny being the only thing that snaps him out of it and makes him realise that hes in love with him#‘no amount of self-sought fury will bring back the glory of innocence’ that realisation turning his love inward and fracturing into hate#he couldve been with johnny they couldve been happy together#so he cracks and destroys every enemy he comes across as he hunts down makarov#leaving price and gaz behind as he lets vengeance consume himself#‘i have travelled far beyond the path of reason take me back to eden take me back to eden’#but bc fuck mw3 soap lives and ghost finds him and they live happily ever after#coming out of my cage and ive been doing just fine.txt#ghoap#soapghost#ghostsoap#simon ghost riley#ghost cod#john soap mactavish#soap cod#take me back to eden#we’re a team. ghost team
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Friendly reminder that Gwen's father was most likely going to shoot her.
And Miguel might've legit saved Gwen's life.
Rewatching ATSV - This scene always just gets be HEATED. Everytime I catch something that makes me
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'Okay. Okay yeah, yeah - AHHHHHHHHHHHH-'
And this time I realized. Oh. OH.
Gwen's dad was PLANNING to shoot her - Or.. if we consider cop training, he was mere seconds away from actually firing on her.
And he would've had Miguel not been there.
In Gwen's confrontation scene - her father WAS actively threatened and afraid of her. And from what we see, he was VERY VERY close to acting on it, more than you think.
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The point in the scene begins with him pointing the gun at her, and as he speaks and Gwen begins to beg, he begins to gradually lower it.
Until she steps closer to him. And then he starts pulling it on her again.
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He is literally re-raising the gun at his daughter, because she took a step towards him.
So not only is she his daughter, she's also like... 5'6 and sixteen years old.
And he's still afraid of her, enough so that when she takes even one step closer, he is ready to threaten her life again.
You can hear the fear in his voice, and I don't doubt for a second he would pull the trigger - either on a warning shot, or a 'nonlethal' blow.
We've all heard cops say it before. 'I panicked', 'it was self defense'.
And Friendly reminder-
MIGUEL saves Gwen's life here.
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Now look at this first photo.
And before you keep reading, please guess what's really really REALLY bad about that photo. Just look.
Trigger Discipline.
If you don't know, trigger discipline is the concept taught to gun-owners in order to reduce accidental shootings and firings.
Trigger Discipline is the idea that your finger should NEVER be on the trigger of gun unless you plan to fire it in the next two-three seconds.
Otherwise, THIS is the proper position to hold a gun.
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Gwen's father is a cop. He's 100% been trained in trigger discipline. He knows not to do this.
Which implies - George Stacy was ACTIVELY PLANNING on shooting Gwen right then and there. As in, seconds away from pulling the trigger.
Raising a gun to his daughter at close range, finger on the trigger.
I think his actions can speak for themselves. He was going to shoot her.
And the only reason he didn't, was because Miguel saw this - and forcefully took the gun from him. (Like a proper Spider-man put some respeckt on his name)
George didn't care that there were TWO adults standing there as witness. He didn't care that he's not supposed to touch the trigger. In that moment, truly all he cared about was imprisoning Gwen - by any AND ALL means necessary.
And to top this off -
Friendly reminder, he never apologized. For ANYTHING.
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He doesn't apologize for pulling a gun on her. He doesn't apologize for forcing her into homelessness. He didn't apologize for accusing her of murder.
He doesn't even ADMIT that she DIDN'T KILL PETER.
All he does is quit and compliment her. No apology. No acknowledgment about how his identity as a cop turned him into a toxic horrible father. No acknowledgment that Gwen isn't a killer.
Just 'I quit'.
Had Miguel not been there - I'm very sure George would've posed a VERY real danger to Gwen's life.
He doesn't deserve to be forgiven. And really, considering his arc, glorification - and his failure to even apologize - it really goes to show that at some points ATSV really teeters on casual copaganda.
Also Miguel that was really really cool of you (you saving Gwen's life totally makes up for the whole chokeslamming Miles thing <3 /j)
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yumeka-sxf · 6 months
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I was surprised we got another Yuri-focused chapter so soon, considering we just finished the Mole Hunt arc...but it was a good chapter nonetheless!
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Chloe is a great character to help with Yuri's development, the reason being because she not only knows his true identity, but she also has known him for many years, as this chapter reveals. Unlike his superiors, Yuri seems more comfortable with Chloe, probably because she doesn't have authority over him, but she's also not afraid to point out his flaws. So yeah, I'm glad she's becoming a reoccurring character. Yuri really needs someone he can talk to with whom he doesn't have to hide anything from, but who also sticks with him despite knowing how cringe his personality is. I do hope we'll see more of Chloe bringing out Yuri's relatable side in the future.
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Speaking of which, Twilight has Franky (and Sylvia somewhat) who fills this role for him - someone he can talk freely with who knows his true identity, but they also sense the goodness in him that he tries to hide. Yor, however, doesn't have anyone like this, at least not yet. Olka filled that role well during the cruise arc, but it's very unlikely we'll see her again. While McMahon and Shopkeeper know Yor's true identity, their relationship with her has been very business-like, not casual like Twilight/Franky and Chloe/Yuri. It almost seems like Melinda could fill that role for Yor, except for the important detail that she doesn't know Yor's true identity...OR DOES SHE???
Anyway, back to today's chapter, we find out that Yuri can also withstand getting hit by vehicles, and both siblings can smell/sense the other's presence!? And yet, a slap from Chloe hurt Yuri more than getting hit by a truck?! I would say that's too much, but I guess it's not that unusual for characters in shonen series 😅But I have to agree with Chloe on this line...
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I also find it a bit sad that Yuri thinks Yor wouldn't like the idea of him having a girlfriend. I wish they discussed more about this, but it just goes to show that, as close as Yuri and Yor are, there are some very obvious things about each other that they don't know. Of course we as well as Chloe know that Yor would be happy if Yuri is happy with a girlfriend, or any friend really. But to Yuri, it seems like having an intimate relationship equates to not being diligent enough at his job, maybe? Or maybe he thinks Yor would see it as a betrayal of his dedication to her? Either way, he's flat-out wrong about that obviously. Hopefully he'll realize it someday.
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I cracked up when we got the glimpse of all the Yor photos in Yuri's house 😂 I hope Anya visits his home one day...would love to see her expression about this! (also he names his attacks after Yor too, I can't 🤣)
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Even though Yuri misunderstood what Chloe meant when she told him not to be so reckless, by the end of the chapter he did have a thought on his own about how getting rid of Loid would make Yor sad. Of course he tries to deny that by bringing up the gripes she supposedly had with him, and of course Yor, who's always so flustered about her feelings, can't straight up tell him that she likes/loves Loid. So back to square one I guess...?
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But even though this chapter may turn out like the last one and just be a standalone that doesn't lead to the next big arc, I can't help but think it's hinting at a "Yuri discovers who Twilight really is" scenario. For all we know that could be the first identity reveal of the series. It makes sense since, unlike identity reveals among the Forgers, this wouldn't necessarily result in the series heading towards an end. Even if Yuri discovered Twilight's identity, he could choose to keep it to himself for a while and nothing else would change. I don't like to speculate too much, but I feel this is a possibility with all the "Yuri vs Twilight" mentions we've had lately.
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As always, just gotta wait and see!
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911 7x05 CODA
"I guess it's a good thing you didn't insist on a plus one, Buckaroo." "Well... actually..."
Hen pauses the game the fourth time Buck's phone chimes.
"Are you going to answer that?" She asks, giving him a pointed look.
"No." Buck leans back against the couch's back with a huff. "It's Maddie again, asking what I think about the flower arrangements, or the centerpieces, or something."
"I thought you were banned from wedding planning."
"I am! Or- or I was, I guess, but now that she actually has to make the final choices she keeps asking me these things. And I would have an answer for her if she let me just arrange the clipboard I suggested."
"Oh, no, no, no. No clipboards for you."
Buck rolls his eyes. His phone chimes again and he stuffs it under a pillow.
"Just give her your opinion."
"See, I tried that, but then she goes and chooses the other one anyway."
"Then tell her the other one."
"And what if she does choose that one and then it's a mess? I think I'll pass. If I do anything that screws up this wedding Maddie and Chimney will never forgive me."
"I think you're being a little overdramatic, Buck. It's just a wedding."
"It's not! It's Maddie's wedding. It has to be perfect."
Hen seems to consider that for a moment, taking a sip of her tea.
"Yeah, I want it to be perfect too. For her and Chim. I mean, they deserve it. Even Karen's freaked out, she's been trying a million different dresses for the ceremony. I swear, she looks gorgeous in all of them, but she's never satisfied."
"Yeah, Eddie said something similar about Marisol. Apparently, she's nervous about meeting everyone else. I mean- again. Officially."
"A wedding date is a big deal. Makes everything very official."
"It- it does?" Buck blinks.
Hen smiles at him, in that way that's equal parts you're an idiot and you're unfortunately cute, sometimes.
"I guess it's a good thing you didn't insist on a plus one, Buckaroo."
"Well... actually..."
"Wait, you're bringing someone to the wedding?" Hen puts her cup down. "I didn't know you were dating anyone."
"It's, uh, kinda new."
"And you're bringing her to your sister's wedding?"
"I mean, it's not like it's someone new totally out of the blue, okay? I'm not bringing, like, some stranger I picked up on a dating app or anything."
"Who are we talking about?"
Hen's brow furrows with what could well be confusion or curiosity. And that's when Buck knows he can't talk his way out of the next part of this conversation. It's not a new idea. He's not that much of an idiot. He knew the rest of his teammates would have to learn about Tommy eventually, when they showed up to the wedding together, but having an actual conversation about it was not in his plans for a lazy Wednesday afternoon. Deep down, he wishes the alarm would magically go off right now and send them into some sort of emergency to get him out of it, but the silence in the fire house is deafening. So he has no choice.
"Well, I'm- I'm bringing Tommy as my plus one."
And then, just then, Hen's mouth twist with something like distaste or disappointment that makes Buck's entire stomach fall to his knees.
"Tommy?" She says, arching an eyebrow. "Buck, you do know that a plus one in a wedding is meant to be for partners, right? Not just to bring extra friends to the party."
"Wha- yeah, I know that."
"But you're still bringing Tommy."
Buck nods, then realizes that the fact isn't quite registering for her. So he takes a deep breath. Why is he nervous? It was different with Eddie. That was... well, he doesn't even know what he was so scared about when it came to that one. But this is Hen. If anyone will understand, if anyone will be supportive, it will be her. Still, he feels like his heart is about to jump out of his chest before he gathers the courage to say:
"I'm- I'm bringing Tommy... as my date. I- I mean, not a first date, of course. That- that would not be great. We've actually been going out for, well, a couple weeks. But, yeah, I really like him, so... I asked him, and he said yes. A- And Maddie wanted to meet him. And Eddie knows, but I don't know if Chim does, though Maddie has probably told him already. But I guess it would be weird if she didn't, right?"
"Wait, wait, wait-" Hen holds a hand up, finally, thankfully, putting an end to his rambling. "So. You are dating Tommy? Tommy Kinard?"
"Yes," he says and manages to sound a little more steady this time.
Hen's eyes stare into the distance. Buck can picture her entire image of him, of Tommy, of the two of them, rearranging in her head. He gives her a moment, and stays quiet, even though he feels he's going to burst into flames at any second. Finally, Hen turns to look at him again. Her eyes soften and she smiles in that very especial way that makes him feel seen and loved, the same that made him feel welcome in the 118 for the first time.
"Thank you for telling me, Buck. I know how scare it can be the first few times."
He ducks his head to hide the overwhelming emotion catching him by the throat.
"So... how long have you known?"
"That I- I maybe... well, probably... more thank likely like guys? I- I don't know. I guess always? But I also thought it was something normal, you know? That every guy felt that we. I never... until Tommy, I guess, I never really realized..."
Liar. A voice whispers inside him. Because he's been going a lot of thinking the past few days and realized there'd been times. Nights out with friends, dancing in the floor, or quiet evenings sharing beers, or afternoons at the beach, or late nights at the gym... there was his best friend in highschool, and the one guy he met in college who was maybe hitting on him and he was into it (before he dropped out and lost contact), there were moments in his travels that felt charged with possibility and the intrusive idea what if I just leaned in? and maybe other things he's not ready or willing to name, more recently, memories he daren't even touch on yet.
"I- I don't even really know what I am," he admits, squinting like the admission pains him. It does. "I just- I like Tommy. I liked kissing him."
"You've kissed?"
"Y-yeah, Hen, I did tell you we're going out."
"Right," she laughs. "Sorry, it's just... hard to wrap my head around the idea of the same womanizer kid I met a few years ago... but if this is you, even then, I suppose that kid was already... you."
"I don't know what that is, though. I mean, I like women, you know I like them. I just also..."
"Might be bisexual?"
"Bisexual? Uh, I guess. I- I don't know. I've never had to think about it before now."
"Hey, it's okay, Buck. You don't have to put a name to it yet. Whatever it is, you don't need to label it. Though... you might find it useful. I know how much you like to label stuff."
He chuckles at that, though a clipboard isn't going to save him now. Hen must feel his despair, because she reaches out to put a hand on top of his.
"Whatever it is, Buck, you don't need to know right now, okay? You just... let yourself feel it, and trust your instincts."
"My instincts kinda suck sometimes, though."
Hen laughs. "But your heart is always in the right place. I know it, Buckaroo. And this... this isn't something you can solve in a blink of an eye. It takes... exploration to know yourself, especially when you don't fit in the neat little box society expected for you."
"Right... I guess... I've been trying to find the answers, but I don't want to miss the journey while doing so."
"Buck, look at me," Hen says, softly, and waits for their eyes to meet. "I'm so proud of you."
Holding her gaze is hard when his eyes start to water.
"Thanks, Hen. I- I guess... I hadn't told you yet, because it felt very important. And I didn't- I'm not sure about anything yet, and I didn't want it to feel like I was lying to you, like I was pretending to be someone I'm not... or like I- I was taking up space that doesn't belong to me, you know?"
"Buck, if you think you might belong here, that you might be part of the community... then you absolutely have a place here, okay? Even if you don't know what to call it yet, even if you never do... and no one can tell you otherwise."
A new weight is lifted from Buck's shoulders. There's been a lot of that going around lately. Buck feels lighter than ever these days. Hen pulls him into a hug and he lets himself bask in her warmth, in the safety she provides. Someday, he thinks, maybe he'll be as steady and strong as her, so assured of who he is and what he can be. For now, he's just so thankful to have her.
"Now," he says, pretending not to catch the stray tear she cleans off her cheek as they pull back, "can we go back to me beating you in Mario Kart?"
"Oh, not a chance, Buckley. You are going down!" She chuckles, restarting the game before he can even grab his control.
"Hey, hey, hey, that's cheating!" He yells, pushing her with his shoulder as he tries to recover his first place.
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kanmom51 · 6 months
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JM's Production diary Documentary
And Live 23 October 2023
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So, I don't know how to do this.
Write about JM's documentary separate from his live.
Write about the two without being all over the place.
Because not too much happened, and yet so much did.
So, where do I start? How do I get through this?
At this point I have so many ideas running through my head for posts, so much so that I'm not sure just yet how this post will work out, given that everything intertwines.
I still have JM's previous live to work on as well. Yeah, kind of overwhelmed at the moment.
I guess I will just get on with it, but I do think that more than likely there will be things I will either save for another post or two or three, or forget something (that I can guarantee) or just post on repeat, cause some things we just cannot get enough of.
Let's talk about the documentary a bit.
We got to see the process of JM creating his songs. How they would start with the idea, the narrative. Then the melody, instruments and the vocals and then the actual lyrics.
JM's musicality, his talent, his creativity all showcased.
We also got to see just how nice Pdogg is. How much he loves JM, how respectful he is to him, not to mention how talented he is himself. As a matter of fact, the whole team that worked with JM were super nice and talented and they just all seemed to be having a good time, even while working to the bone.
Oh, and how none of them actually knew English, lmao.
In the documentary we were shown how JM and Pdogg chose the quote from the movie to use in the song. Only that it wasn't the one they actually used in the song itself. And that is because, as JM revealed to us in the live, they picked it without knowing what the characters were talking about, picking a convo between the characters that sounded nice to them at the time, something that would suit the song. All while the two characters were actually talking about a visa, lol. And JM, well, he found that super funny (which truthfully, it really is), so he repeated it a couple of times.
We also saw RM in the documentary sitting down with them talking about writing lyrics. Only for JM to share with us that:
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Which JM found to be very funny. I guess now it is, but back then... not sure he shared that same sentiment, lol.
He kept on laughing about him being an idea bank, lol. It's ok to acknowledge your genius, man!!!
Hobi and then Jin show up in the comments while JM is watching the documentary. And I was surprised at that point, given that I really did think JM wouldn't be doing this live, that it would have been pre-recorded. But it wasn't, and thank god for that, cause we all know what happened later on. Less than 1.30 minutes out of an almost 2 hour live, but gosh, what a 1.30 minutes they were, lol.
Anyways, Hobi shows up and JM goes all shy and even stops playing the documentary telling him to leave, that he won't continue playing until he does.
Guess who won that fight, lol. Hobi, of course. JM gives in and continues, once in a while saying they will go away at 9 pm (Jin came in to say that there is some kind of something military related, lol).
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Letter
Yes, let's actually start with the name of the song.
Cause for some reason, although they all talk about the song using the word pyeonji (Letter), all while the translation is Dear.Army. Like what the actual fuck? Why would they do that?
Well, we kind of know, don't we?
Someone (cough Hybe cough) is working super hard to cement the song is for the fans.
Please tell me, if this was a song completely meant for the fans, why this incessant need of the company to sell this to us? Why change the name of it in the fucking documentary, while JM and the others are literally saying the word "letter" translating it to "Dear.Army"? There is only one answer I can think of here. And you know exactly what that answer is.
I'm not going to go back to all the reasoning as to why this is way more than a song for fans, I feel like we've discussed this ad nauseam. I will only say that NOTHING we saw in the documentary contradicts what we think about Letter.
You can see, throughout the process how emotionally tasking the song is for JM. And yes, a song for ARMY could be emotional, I mean both JM and JK have immense love for ARMY, and we've seen JK burst into tears talking to army or about army, JM getting very emotional himself. But this, this was more. There are moments there when you can see the anxiety just bursting out of JM.
This song was just MORE.
Especially when you take everything you see in the documentary, JM's state of mind, his words, his behaviour, and add it all up with the lyrics, even more so the missing lyrics. Would be hard to explain how "dongsaeng" fits into "this is a song for army"... Add it to the hidden track. But not only it being a hidden track, it's a hidden track only on the physical CD. Not the digital CD. So, no streaming. A track for Army, for his fans, that not all of his fans get to hear freely? A track for Army that, hmm... maybe wasn't supposed to even be in the album?
We got more than 2 seconds of JK. That's worth a mention too, no?
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When I saw this I was: fuck fuck fuck fuck fuck.
Cause, no way under the sun, yes, pun intended, that this was about ARMY.
Army was NEVER REFERENCED AS THE SUN BY ANY OF THEM.
NEVER.
You know who was?
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The level of emotion we see from the two of them throughout the process... this was so personal.
I rewatched it again today before writing these lines. It's JK's body language, it's JM's body language, it's JM going in to cup JK's face when telling him he wrote a fan song, and JK's reaction.
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Dare I remind you that "Still with you" was classified by JK as a "fan song". Dare I remind you what our sentiments about that song are? Yeah, a fans song.
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And I will remind you, not that you need the reminder, who happened to state for all of us to see that he was JM's fan. Happening to do so during JM's promotions of Face and before JM's Face Live, which I do not think was a coincidence AT ALL.
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They are just precious. What else can I say?
There is this as well.
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Also, I don't think I'm the only one seeing this. JK at the end going in for a hug, but JM, reaches out for a hand shake and a bow.
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He bows.
Twice.
Now, the not going in for a hug could be one of two with JM. The first could be that it was too emotionally charged and that hug, in front of the cameras, will just be too hard. Too hard not to show the emotions. Too hard to break off.
Or, the second could be that by doing this, bowing the way he did do JK, he was showing us, the spectators, just how profoundly thankful he was for JK, and for his participating in the song.
Now that I think of it there could be a third reason. Which would be the combination of the two.
You know what I also noticed there?
That JK didn't bow back.
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So, that's more or less what happened with them in the documentary. Not too much talking, when there is it's subdued, understandably so, given this is all done in front of the cameras. But, there is an undertone of emotions there.
Oh, and did I mention we see JM wearing the very important, at the time, necklace throughout the documentary? On that day of recording as well.
And happy little coincidence them wearing the black and white bucket hats? Lol.
Ok then. By now we all know that JK joined the live. And he does it exactly when they started letter. Quelle surprise. Quelle coincidence. Or was it?
Observations:
JK is too skinny. JM thought so too all while grabbing his tiddy.
JK is really tired. Said he was practicing. Eyes red. He needs to eat and sleep.
JM was genuinely surprised by JK's appearance. Th way he lights up, he was surprised and giddy and excited, his whole body movement, practically dancing in his seat with glee.
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JK walks in holding his right hand in place. At first I thought maybe it was injured or hurt or unable to move, a cramp maybe, like the ones JM suffers from at times. But later on it looked like there was nothing wrong with his arm. So was that his way of holding himself back? Restraining himself? Containing himself?
JM signals for JK to talk into his mic,
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Pulls the mic up forward away from his chest, and as JK comes closer he lets it go and leans back for JK to move in.
And JK, well why? The mic is right there. Why does he lean in lower? To say hello to Army? Talking to JM's what? Not the mic, that's for sure...
There did not seem to be a chair there next to JM when the live started, and when JK was leaving JM had him take a chair with him. So, as JK came into frame were the staff assuming he's going to be joining JM for the rest of the live? Also making sure to hand him a mic?
And then, JM asks JK "why did you lose so much weight?", all while reaching out his arm, and JK moves forward towards him, and you can see JK's eyes moving down to JM's arm all while JM just goes for JK's chest. Just going straight for the grab.
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And JK, he loses it for just a second.
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Sniff, gulp, giggle...
And we are back.
JK laughingly tells us he just practiced. But kind of still dumbfounded I guess.
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And then I think JM came to as well (you know, awakening from the aftershock of his own actions, lol) and tells JK "time to go", or more so "get the fuck out of here as fast as you can and take that chair with you while you're at it, cause if you don't leave now I'm going to jump your bones right here right now".
Ok, so maybe he didn't say those words exactly, but that was the sentiment, lol.
JM apologises. Thrice.
For sending JK on his way.
And we get the hug. One of those Jikook in front of the camera hugs.
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And again JM rushes JK to leave, smacking his butt while he's at it.
JK grabs the chair, tells JM to enjoy watching with Army and tells us he loves us on the way out. And JM sitting there watching JK, giggling, smile plastered on his face, waving by. But that isn't the end of it.
Because as JK leaves JM follows him with his gaze, until he waves him goodbye and only then gets back to the documentary.
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And this is when we lost JM for a few minutes there during that part of the documentary, and even more so when JK was on screen singing or during their interactions.
And we also got this reaction to their hug.
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What was going through your mind at that moment JM?
After JK leaves there is not too much left until the end of the documentary. And then we have a JM giggles attack. And the man is telling us he's laughing about balloon placements, but seriously, do we really think that's it?
And yes, JM was as always his own shy self while going it alone, and yes, he was finding it hard where to go with the live once the video was over, but this was just more than just plain embarrassment or shyness.
Could there have been someone there waiting for him? Someone that has that kind of effect on JM perhaps?
I don't think JK was there the whole time. He really did leave when JM was waving him goodbye (if he hadn't have left JM wouldn't have been able to get back to the documentary the way he did). But possibly, very possibly, lover boy went to shower and came back in time for JM's ending.
JM tells us during that giggle attack that he will post a pic of the funny balloons only to later post a pic of 19 balloons, the ones in the front shaped like an S. And why do I feel like that was JK's doing? The S shaped balloons...
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Clearly the balloons were not placed that way at first.
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Someone did this. Question is which one of them. The S, the 19, not a coincidence.
I guess that's it for this post.
Like I mentioned, I know I probably forgot stuff, and there will probably several posts to follow.
But I just needed to get this one out there for you guys. And I guess we'll add on as we go (especially seeing that I've reached my image limit here, as usual).
To sum this up.
WOW!!!
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jennay · 6 months
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You were Wearing Converse
Request: Hey bestie! So I have an idea for a request and you can write it however you see fit (I trust you). Maybe reader is a new assistant for Bryan to help takes photos for the shows and Noah starts getting feelings as the tour progresses and gives reader little smiles and goofy faces when she’s taking pictures of him? Maybe it can lead to him getting the guts to ask reader out and they go on a date on an off day.
An: ok first of all I'm nervous. Second of all I love this and I hope you all enjoy. I had pictures for imagination of the photoshoot but the links weren't working 😭 thanks for bearing with me. If you want to be added to the tag list let me know.
Heres the picture of the duck drawing that was mentioned ( I don’t know who originally did it but I love them for it)
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Noah Master List
Words are about 3600ish
"You've got to be kidding me." You sigh as you browse through the photos on your laptop.
Bryan leans over to see what you're looking at. He compares his shots with yours. He settles back on the couch and crosses his legs. "Do you think he's doing it on purpose?" He wonders, his eyes studying the image of Noah making a face at you. "He never pulls that crap in my photos."
You keep scrolling, hoping for a decent one. "Every single one." You exclaim, getting frustrated. "This guy."
Bryan chuckles and shuts his laptop. "Damn it, Noah."
You shake your head and smile despite yourself. "If he does this tonight, I'm done." You joke. "I'm just walking off stage, and that's the end for me." You stand up, setting the laptop on the table of the tour bus. "I'm gonna go talk to him about it."
Bryan's eyebrow raises as he watches you head to the door. "Please be good. I don't want to fire you. We've done so good together on this tour, and if you piss Noah off, I'm gonna end up firing you!"
You swing the door open, smirking at Brian, "I'll be me…and we'll see how that goes. It's been nice working with you, just in case." You joke, "I'll wait till the show's over tonight...maybe that's a better idea." You sigh, "I guess I can stay and check the rest of these pictures and see if there's at least something good from the other three."
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That night, you felt adrenaline coursing through your veins as you followed the boys on the stage with your camera, capturing their every move as they rocked to the music.
The crowd was roaring, the lights were flashing, and the sound was deafening. You loved every second of it. You crouched low, zoomed in, and angled your shots to get the best views of them.
You moved swiftly and skillfully, dodging the wires and the fans. You made your way to Noah, standing at the edge of the stage, singing passionately. His voice was raw and powerful, sending shivers down your spine.
You snapped a picture of him, and he looked up at you with a grin. He flashed you the cheesiest smile he could manage, showing his teeth. His eyes sparkled with mischief and joy. You couldn't help but smile back at him, feeling a warm flutter in your chest.
Noah fucking Sebastian was a different person when you were behind the lens. He put on a show for Bryan's pictures, acting tough and cool. He flipped him off, smirked at him, and glared at him with dark eyes. He wanted to look badass for the photos, fans, and image. He played the role of the rebellious rock star perfectly.
But when it came to you, he let his guard down. He was more relaxed and silly. He made faces, winked at you, and stuck his tongue out. He didn't care about looking perfect for you. He just wanted to make you laugh. Half of your pictures were too goofy or blurry to be used for Bryan's Instagram posts or the Bad Omen's official account. But you didn't mind. You cherished those moments of genuine connection with him.
You shook your head, moving out of the way and to Jolly's corner. You could usually get pictures of him without any sass. He was more serious and focused than Noah, but he still had his charm. That was until tonight.
Tonight, he seemed to be in a playful mood as well. He joined Noah in making funny faces and gestures at you, trying to distract you from your work.
You looked across the stage to Bryan, who motioned for you to come closer to him. He had a smirk on his face that told you he had something planned. You wondered what he was up to.
Your eyes met Jolly's again, and you got the perfect shot of him and Noah standing beside each other. They looked like brothers in arms, ready to take on the world with their music. The only downfall? Their tongues were out of their mouth once again.
They looked like two kids having fun, not two grown men performing for thousands of people.
"Fuckers." You muttered as you jogged over to Bryan.
He pointed to Folio, and you nodded without asking questions; you knew Bryan would test your theory. He stayed closer to Noah and Jolly while you stayed near the drummer and bassist, snapping some of the best pictures you've taken the whole tour.
When you turned around, Noah was standing somewhat beside you. He winked in your direction, making your heart skip a beat. You felt entranced by him as he walked closer to you, melting with each smile he gave you. You took that as an opportunity to snap a few pictures of him up close.
For once, he cooperated and gave a fierce look that matched his voice and attitude on stage.
In the pit of your stomach, you felt a weird fear like Noah suddenly turned into a fire demon, brown eyes now black as he danced around the flames. His back faced you as he gave deathly growls into the mic, sending chills down your spine.
As the night ended, you felt better knowing you had a few shots that Bryan could use for his social media posts and promotions. You could save these for your portfolio and some personal memories of this fantastic night with Noah and the rest of the band.
You smile as you watch Noah address the crowd of people who have gathered to see the show. He thanks them for their support and tells them how much he loves them.
The house lights flip on as he and the rest of the band walk off the stage, leaving behind a trail of cheers and applause. You and Bryan are waiting for them at the back, ready to pack up and head to the next city.
Noah quickly walks over to you, his face glistening with sweat and his chest heaving with breaths. He still has that adrenaline rush in his veins, making him look more alive than ever.
"What did you think?" He asks you, smirking as if he already knows the answer.
"I think I'm happy you finally let me get some good shots and let me do my job." You say, playfully pushing his chest with your camera. "You're kind of a pain in the ass, you know that?" You tease him back.
Noah laughs, pushing his hair out of his face with his hand. His brown eyes sparkle with mischief and charm. "So I've heard." He says, leaning closer to you.
You can smell his cologne mixed with his sweat and feel a flutter in your stomach.
You want to be mad at him, but you can't. You've only known him and the band for this tour, but you feel a good connection with them. They're honest and genuine, unlike other artists you've worked with. They don't live off the drama of the industry; they just love making music and sharing it with their fans. And Noah... he's something else.
He's talented, charismatic, funny, and sweet. He always makes you laugh or blush with his jokes and compliments. He's also incredibly handsome, with messy hair, a stubbled chin, and muscular tattoed arms. You've caught yourself staring at him more than once and noticed him doing the same.
You give him one last smile before turning around to leave. You have a lot of work to do before the next show, and you don't want to keep him from his friends or fans.
"See ya later, Noah." You say over your shoulder.
As you turn around, you feel a gentle tug on your wrist, stopping you from moving forward.
"Wait," Noah calls out.
You turn around again, looking up at him with curious eyes. What could he possibly want? You wonder.
"Go out with me tomorrow." He stammers out anxiously, his eyes darting around the room. His face flushes with a deep crimson as he realizes what he just said. He looks at you with a hopeful expression, waiting for your answer.
Your eyes widen with surprise, your mouth dropping open. He was flirtatious with you, but you thought that was part of his charming personality.
You never expected him to ask you out on a date. "Me?" You gasp in disbelief, pointing at yourself. "No." You nervously laugh, covering your mouth with your hand. Your eyes widen even more when you realize what you said and quickly correct yourself. "I mean, yes. Sorry." You laugh again, feeling awkward and embarrassed. "I'm tired. I'm gonna go now. I'll see you tomorrow." You say, holding your camera close to your chest and rushing away from him.
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You were getting bored waiting for Noah to return. He wasn't late, but you were growing impatient, wondering what he had planned for the night. You had been on tour with him for a while now, and you were looking forward to spending some quality time together.
You looked around the room, trying to find something to do. Your eyes landed on a little yellow duck beside a Sharpie on the coffee table. You had an idea, one that might keep you entertained till Noah got back.
You sat on the couch inside the tour bus with your legs up to your chest, drawing on what you assumed was a toy duck a fan had probably thrown to one of the guys. You wanted to make it look as much like Noah as possible. You swiped on some scribbles for hair and his tattoos. You didn't consider yourself an artist, but you felt like it would get the point across.
As you drew, you thought about all the fun times you had shared with Noah. You remembered the first time you met him and how he had made you laugh with his silly jokes. You thought about all the adventures you had been on together and how much he meant to you.
You hear the bus door open and footsteps closer to you before Noah stands before you. "Whatchya got there?" He asks while pointing to the duck.
"Oh," you laugh, "I was just drawing." You set the Sharpie down and toss the small rubber duck to Noah.
He chuckles, turning the duck around to observe all the markings. "Is this supposed to be me?" he holds the duck up to his face and smiles softly. "Pretty much twins."
You both laugh as Noah sits down beside you on the couch. "Have you been waiting long?"
"No, I just got here a few minutes ago. Long enough to do my art project." you smile brightly. "So what's the plan, Romeo?"
"Well," he drapes his arm over your shoulder, "Matt's letting us use his rental for the night. I signed up for a cooking class, so there's the food part. Anything you want to do?"
You shrug. "I'm bringing my camera," you say, pointing to the table. "Maybe a little photo shoot is in order because with all the bullshit photos you've given me…. I deserve at least that." You giggle.
He nods knowingly, "OK, but I get to take some of you too. It's only fair."
You roll your eyes at him, "I don't know about that. Maybe if you're lucky, should we head out or?" You stand up, looking down at your casual clothing. "Am I dressed appropriately?"
Noah leans forward, a smile on his face. "If you aren't dressed appropriately, then I sure as fuck need to change."
You shake your head and let out a giggle. "You look good. You always do."
He stands up and follows you to the door, "Stop it." He blushes and tries to hide his face in his sweater. "Let's get out of here."
The drive to the cooking class wasn't awkward like you thought it would be. You spent a significant amount of time laughing and giggling like normal. Noah let you choose the music that surprised you, mainly because he made fun of everything you listened to. He listened with a smile, promising he wouldn't criticize your singing voice. He encouraged you to dance with him and act like an idiot.
As you both arrived at the cooking class, you felt a sense of excitement and anticipation. You were both eager to learn something new and have fun together. Noah was the perfect partner for this adventure.
He was charming, witty, and always knew how to make you laugh.
Throughout the class, you worked together, chopping vegetables, stirring sauces, and tasting each other's creations.
Debating which was better, you swore it was his, but he denied it, claiming yours was better. You were the more experienced one, after all.
You were thrilled to get your chance to shine finally. You had been waiting for this moment for so long. Photos. Photos that he promised you as compensation for all the crappy shots he forced you to take on stage.
"Oh, I see. You just want to keep a collection of my photos to stare at when I'm not around." He jokes as he follows you down the street.
"I want photos to show that I'm a damn good photographer and I didn't waste a year taking lousy photos of the lead singer," you retort, chuckling. "Come on." You gesture to the dim alleyway.
Noah stays close behind you and rests against the brick wall. His eyes drift to your side, and his jaw drops slightly. "A cat." He points under the fire escape, and instantly, you lose his focus.
You observe as he approaches the cat, making some sounds to attract its attention, and the cat seems fearless, allowing Noah to lift it without any mistrust of humans.
You grin as you witness the two, who have hit it off right away. "How did you-" You hoist the camera and capture a quick shot of Noah and the cat he names Layla. "I can't believe it just let you snuggle up. Noah, you're like a fairy tale hero." You tease, clicking another photo, this time nearer to the two.
Noah smiles from ear to ear, petting the cat. He inches closer to you, leaning in; he lets you pet his new pal. "She's adorable."
You reach out gingerly, "How do you know it's a she, could be a he, maybe it's Leo, not Layla…" You joke while peeking at him, smiling and concealing the grin that wants to show.
"He or she…is very adorable." He corrects himself, making the adorable part sound ironic. "OK, Snow White. It's getting dark can we get a few more shots?"
He looks at you with sandness, letting the cat down. He walks to the brick wall next to you and gazes at you with curious eyes, "Here?" He says, halting in front of the area of the building that has red and green vines crawling across the walls.
You nod, looking while raising your camera. "Take your sweater off." You say, squatting down.
"Trying to undress me now?" He chuckles but follows your request and flings his sweater at you.
"Noah!" You gasp as the sweater softly lands on your face. "You almost made me drop my camera." You fling the sweater over your shoulder, catching a whiff of his cologne. You back away a little, pressing the button to take the photos. "You're really loyal to the band, huh?" You point to his shirt that displays his band logo.
"Always loyal." He mockingly rolls his eyes, "It's not like I have a lot of options, y/n." He turns his head as if to spot something on the far horizon, and you seize this chance to snap a few more photos. He looks intense, and this man claims he doesn't have good angles; what a joke that was.
Suddenly, you hear a loud siren and see flashing lights bouncing off the walls.
A police car pulls up next to the alleyway, and a cop steps out. "Hey! What’re you doing here?" He shouts, walking towards you.
You freeze in panic, clutching your camera. Maybe the alleyway was a little suspicious at this time of night.
"We're just taking some photos, officer. Nothing illegal." He says, trying to sound calm.
The cop looks at you suspiciously, then at the cat under the fire escape. "Is that your cat?" He asks, pointing at it.
You and Noah exchange a glance, then shake your heads. "No, sir. We just found it here. It's very friendly." You say, hoping he won't ask any more questions.
The cop nods, then looks at your camera. “What do you got there?”
Noah steps in front of you as if he knows what will happen next and feels the desire to protect you from something happening to you. "We're not doing anything wrong here, right?" He questions.
The cop frowns, then looks at Noah's shirt. "Are you in a band?" He asks curiously.
Noah nods, smiling slightly. "Yes, sir. I'm the lead singer of Bad Omens."
The cop's eyes widen in recognition. "Bad Omens? My daughter is a huge fan of yours. She has posters of you guys all over her room." He says enthusiastically.
Noah laughs nervously, then looks at you. You smile back at him, feeling relieved.
The cop seems to have forgotten about the photos and the cat. He pulls out his phone and shows you a picture of his daughter holding an album of Bad Omen's from 2016. "Can I get an autograph for her? She would be so happy." He asks eagerly.
Noah agrees and signs his name on a piece of paper, writing a nice message, "Thanks for being a fan otherwise your dad might have arrested me."
The cop laughs at what he's written and thanks him profusely. "You two have a good night. And be careful around here." He says kindly, then gets back in his car and drives away.
You and Noah let out a sigh of relief, then burst into laughter. You can't believe what just happened.
You look at him with a mix of admiration and disbelief. "What the hell just happened?" You whisper, your voice is still shaky from the adrenaline rush. "That was…I don't even know what to say. That was insane."
Noah's eyes are wide with shock. He grabs your hand and pulls you out of the dark alley, away from the scene of your mischief. "Let's get out of here." He says, his voice urgent.
You nod wordlessly, following his lead as he walks quickly to the car. You feel his hand warm and firm in yours, and you squeeze it for comfort. "Noah?" You murmur, looking up at him.
He turns his head to you with a gentle smile, his eyes softening. "What's up?"
"You're holding my hand…" You point out, lifting your linked fingers. You feel a flutter in your stomach as you see him blush.
He clears his throat, "Oh, right, sorry. Do you mind?" He asks, looking nervous.
You shake your head, "No, it's sweet…" You say, smiling back at him. You spot a bench near the lake and point to it. "But I think we need to talk about this and what it means." You say, feeling serious.
He nods and follows you to the bench, sitting close to you. He wraps an arm around your waist and pulls you closer. "OK," He says, crossing his legs casually. "Let's talk." He says, grinning at you.
You take a deep breath, "Well, what happens after the tour ends? We live in different states and I travel for work just like you do for different musicians. I'm never in one place." You say, feeling worried.
He sighs heavily, "I've been thinking about this before I asked you out… How about you become a full-time member of the crew? You and Bryan are amazing and you don't disrupt our show. You do your work and you don't cause any trouble." He says, sounding hopeful.
He tilts his head to gaze into your eyes, anxiety flashing in his. He waits anxiously as you press your lips together and nod. "OK, well, I love that idea but, I have anxiety and I need to know this is realistic with us living in different states." You say, feeling uncertain.
He shrugs, "I think we can make it work if we really care. We can communicate and see each other. It's not hopeless." He says, sounding confident. "I've thought about this since the first time I met you." He admits.
"You don't remember the first time you met me! Lies." You giggle.
He smirks as he stares you in the eyes. "You were wearing converse and that cute ass summer dress. You came in to the studio and I almost had a heart attack."
You look at him with a shy smile, feeling your cheeks heat up. He leans in slowly, his eyes locked on yours. He brushes his lips against yours softly and gently. You close your eyes and kiss him back, feeling a spark in your heart. He wraps his arms around you and deepens the kiss, making you melt in his embrace. You run your fingers through his hair and pull him closer. He breaks the kiss and rests his forehead against yours.
"I really like you, Noah." You say, feeling happy. "But I'm terrified."
He smiles and kisses your nose. "I really like you too." He says, "I'm terrified, but at least we can feel like this together." He teases. "We'll make it work. I have a good feeling about it."
You snuggle with him on the bench allowing his arms to wrap around you and watch the stars twinkle on the lake. You decide to follow your heart and see what happens. In the long run, you knew this would be worth it. Noah was worth it.
Tags: @thisbicc @yumikitten @lma1986 @chemicallady @a-villain-vying-for-attention
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jingchu-time · 1 year
Text
Spoilers for all of DRDT so far (all the way to the end of Ch.2 - Pt.1)
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(This is my first attempt at a character analysis, so forgive me if it's a bit messy, I'll try to fit it up later. Also my first time using tumblr, intimidating but I'll figure it out.)
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(TW: Talks about parental death and neglect. Mentions of racism, not talked about in much depth)
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Intro:
Whit is one of the most interesting and mysterious characters in Despair Time. Despite being so well-loved by the fandom, his character is not taken nearly as seriously as I believe he should be. Objectively, Whit has one of the most in-depth characters, which isn't talked about with how often he gets reduced to a possible love interest for Charles. I also love their relationship (and ship it as well), but compared to Charles, Whit's other traits are ignored in favor of their relationship, which is unfair with how complex Whit's character actually is. Likes his backstory for example.
Part 1 - Whit's Backstory:
Whit's backstory is still shrouded in mystery, since it's only Chapter 2, but that isn't to say we know nothing about it. During Episode 4 of Chapter 1 Whit talks about his home life. He reveals that he's an only child, and briefly mentions that he thinks having a sibling would be cool, since he could be friends with them. This will be mentioned again later in the analysis, so keep this fact in mind. He then goes on to talk about his parents. First, he talks about his father, Lin or Steve. Whit says he doesn't see him a lot since he works overseas. All Whit is able to say about him is that he's quiet. Then Whit goes to talk about his mother, Elizabeth. Whit shows actual happiness when he talks about her. He doesn't go in depth, but he does call her pretty and sophisticated. He says he even bleached his hair to be like her. He clearly admired her a lot. He finally goes on to talk about his since nobody is ever in their house for long periods of time, he couldn't have pets. His home seems decent solely based on this information, but we have gained another part of it recently. In Episode 9 of Chapter 2 (what a jump) the secrets of all the cast are finally talked about. During the trial, Whit admits his secret is, "Your mother is dead. You always omit that truth." This isn't all that surprising when you consider how Whit deals with stuff like death (which well talks about in a different section) or his secret quote, "We tend to idolize the Dead."
So that's all of Whit's backstory, right? Insert *Sore wa chigau yo!" meme here. Is it all we've seen in the story, yes, but there was a Q&A done a while back that gave us an even greater idea of Whit's past. Anon asked if Whit was Biracial. The creator said yes, since his father is Chinese and his mother is American. It's also mentioned that for the first part of Whit's life, he was raised by his mom, so he doesn't have many Chinese experiences. What is mentioned next is what I care about the most. It's said that his father was very absent from his childhood (and life in general it seems). I think this makes it safe to say that Whit probably experienced some form of neglect from his father. He could barely say anything about him, the house is so empty that he can't even have pets, the way he talks about having a sibling. His mother is dead, and his father is never around. Whit was probably a lonely kid. The idea of having a sibling could fill the void because of his basically non-existent family. Also, regarding his mother's death, I'm gonna guess it was around his teen years, though I'm not sure.
Why mention his backstory first? Because this fandom never acknowledges anything about his past besides his dead mom when we clearly have more to look at. I also think this backstory can explain a lot of Whit's actions throughout the game. Speaking of…
Part 2 - Whit's role as comic relief, and how he (and Ace) subvert the stereotype:
Whit is easily seen as comic relief by most (I hope). Comic relief is a character used to defuse tension from certain scenes in shows/movies, plays/musicals, or video games. Whit is clearly made for the role, but another character, Ace, plays (or did play) the role as well. How can they both share the same role? You see, all roles have different stereotypes that are repaired with them. Comic relief is no expectation. I would say that comic relief tends to come in two types.
Characters who take absolutely nothing seriously. The lack of seriousness can be so bad that their jokes can fully screw over the tone of a scene, or story as a whole.
Using flanderization, which is just exaggerating a certain trait (or even sometimes traits) in a character. Character traits like paranoia, anger, happiness, or even sadness will become so amplified that you, much like the story, won't be able to take them seriously.
Whit and Ace fit these two stereotypes very well. After Whit's introduction in Episode 4 of the Prologue, Teruko calls him frivolous. A word, when used as a trait, is characterized by lack of seriousness or sense, which is a fairly accurate descriptor for Whit. Ace fits the second very well. Ace is characterized as both extremely aggressive, and as an extremely large coward through the entirety of the Prologue and Chapter 1. It's hard to take either character seriously at first glance.
Yet both Whit and Ace manage to subvert the stereotype and do interesting new things while doing it.
Ace goes through (negative but natural) character development after Chapter 1. He takes on a fully aggressive persona so that he's not seen as someone that can be easily killed off, the more intimidating the better. If he's seen as all bark no bite cowards, then he'll be an easy target. The cowardness is replaced by more anger and now the anger isn't funny now since we see it negatively affecting both the rest of the cast and Ace himself. He loses the role as comic relief by going through his natural character development. He subverts the trope by getting proper development, which leads to him losing the role entirely.
Whit subverts the trope by fully admitting that he's trying to be it. In Episode 4 of Chapter 1, Whit talks about how his constant joking is just him trying to lighten the mood. Whit wants to find a way to make the others happy, or at the very least lessen the stress they have because of the current situation they're in. He does this by joking and teasing. Whit subverts the trope by admitting he's trying to be the trope.
Both Whit and Ace subvert the same trope in vastly different ways, which are both effective for both of them. This does lead me to a question. Why does Whit do this? Well…
Part 3 - Goals vs Motive, actions, and what differentiates Whit and Hu:
When discussing characters' popularity, Hu and Whit are basically opposites. Whit, as mentioned earlier during the intro, is one of the most popular characters in the DRDT fandom. Hu, on the other hand, has gained a distaste by a majority of DRDT fandom because of how she's acted during the course of Chapter 2. This is very interesting, since the two are fairly similar. This is probably surprising to many, since the two seem so, so different. Hu is a serious mom friend, while Whit is a jokester.
I won't deny their differences, but what makes them similar is actually really important. The biggest similarity between the two is their goal. "Help the others through the killing game". This goal is special to these two because while the others are all (mostly) actively trying to find a way to either get out or end the killing game. These two don't though. They don't make any active attempts to find a way to or escape like the others, or their attempts are way more subtle than everyone else. So, if they have the same goal, why do they go about it so differently? Motive. A goal is what a character wants, a motive is why your character wants to achieve their goal.
We already know Hu's motive. Her motive is feeling useful. I'll discuss it more whenever I get to making a Hu analysis, but Hu has self-worth issues, making her believe that if she isn't doing some then she is completely useless. The idea of being useless seems to scare her. The reason Hu wants to help the other through the killing game is because it will make sure she isn't useless. Her actions to achieve her goal are by giving all her love to certain people, since she's aware that she can give equal love to everyone. She'll do whatever it takes to keep those certain people safe and happy, even excusing their bad actions. She plays favorites so that there will always be someone that finds her useful.
Whit is very different in regard to motive, since we don't really know fully what it is yet. We can make assumptions, but we can't be fully sure yet. Our best answer currently is simply, nobody can. This leads me to the next section…
Part 4 - Whit's calm persona, and it's relation to his motive:
Whit likes to make others happy. Whit also likes to help others. I believe these two traits heavily influenced his persona. Whit doesn't show emotion. We've seen happiness, concern, surprise, regret, confusion, and neutrality. He legit says "Jeez" after watching Min's execution in Episode 12 of Chapter 1, which is very tame compared to the others. Then he says, and I quote, "Oops" after seeing Arei's dead body in Episode 8 of Chapter 2. That is not a normal/socially (and morally for that matter) appropriate response to a dead body. What does this mean? Well, Whit doesn't show a real hint of sadness, or what he has is a very closed off version. Why does this point matter? Well, Whit is doing what nobody in the cast can. Whit is able to be a kind while being a reasonable/neutral force in the killing game. Hu and Eden, while kind, are both easily swayed by their emotions. Whit is less swayed by emotions like that and is shown to be logical when it counts. Like when he reminded David that they only knew Xander for a few days, so there was no real way of knowing if how Xander acted was in or out of character during the scrum debate in Episode 8 of Chapter 1. Whit can manage the role of a jokester and calm person very well. However, his calm side has grown a lot over the killing game.
Whit has always been generally calmer compared to a majority of this cast. You can take his dialogue after the killing game was revealed during Episode 5 of the Prologue as an example. However, his persona is something growing in intensity over the course of the series. When Min was executed, Whit showed off at least some form of sympathy, compared to when Arie died. He barely acknowledges her death, focusing much more on comforting Eden. This is all odder considering that while he and Arei didn't always see eye to eye, he still had more connections to her than Min from what saw. While everyone else slowly descends into madness, Whit just keeps amplifying his calm persona.
How does this relate to his motive? At the very least, for Chapter 2, Whit's motive is something along the lines, "Because someone has to". Whit likes helping others. If he doesn't help the others through the game, literally nobody else will. Mainly because this cast is extremely mentally unwell. Also, having a goal and motive doesn't mean they'll be good at achieving said goal. Whit hasn't been particularly helpful despite his efforts, but I'll explain why this is a little later. Anyway, if you compare Whit and Hu's motive to help others, then it makes sense why they're so different. It also explains why Whit is more easily likable compared to Hu. Neither of them are bad, not by a long shot, but we still have to wait for more of both. I would like to move into my next section, since this section does reference something in there…
Part 5 - Whit's ability to see the best in others:
This is one of Whit’s lesser known traits, which is so odd because this trust is seen so much in his character. Whit’s main relationship is with Charles. He and Whit have lots of interactions. Like during the Prologue, where half of Charles’ introduction is him and Whit. Or during Chapter 1, where the pairs' friendship begins to develop. And Chapter 2, where we get to watch their friendship fully develop. At the start, both of them disliked each other. Charles disliked Whit for his jokester person and how often Whit would use him as an object for humor, which didn’t mix well with how much Charles hates being looked down upon. Meanwhile, Whit didn’t like Charles for his very rude and arrogant personality, which make sense considering how much of Whit’s persona(s) are based around being kind to others. What happens in Chapter 1 is what I’d like to discuss in relation to the topic of this section.
During Chapter 1, Xander tries to pin the blame on Charles by using Charles’s hemophobia. Charles’ phobia makes him breakdown when he sees gory or dead bodies because of his unresolved childhood trauma. After Charles gets lured into seeing Teruko’s dead body and runs away, he ends up running into Whit, who was in the cafeteria, mid-breakdown. At first, Whit assumes that Charles is messing with him, but ends up realizing he wasn’t. Whit ends up making the choice to stay and help out Charles. Levi brings up in Episode 9 of Chapter 1 that Charles could have been faking it. In a game where any wrong moves can lead to your death, Whit decision to stay and help could’ve gotten him killed if Charles had been. Yet Whit choice to stay, ignoring his own opinions about Charles at that point, decided to see the best in him. He chose to see the best in Charles despite only really having his intuition as a reason.
To continue this point, I’d like to bring up Teruko and David. Teruko is fairly straight forward, as during the dressing room scene in Episode 2 of Chapter 2, Whit says he doesn’t think Teruko or anyone else in the cast is a bad person. We get a small look into Whit’s thought process. He believes that, despite everyone acting callously, they aren’t bad people. They are human. They are just human with emotions and weaknesses, and that’s fine with him. He believes, even when Teruko herself doesn’t, that there is still a good person in her. That despite the current asshole she is being, she is still a good person, even if it’s a little deeper inside. This thought process also relates to how he handles David. Whit is the one who had David’s secret. David’s secret is, “You exist to manipulate others, others exist to be manipulated.” It is very hard to see this secret and believe whoever it’s about isn’t a bad person. But Whit having it actually makes this makes sense. Whit, much like Hu, likes to see the best in others. Unlike Hu, however, Whit keeps this fact to himself unless he’s having a moment of vulnerability. It isn’t hard to believe that he, despite how obvious the secret is, convinced himself that David wasn’t a bad person. Hell, we get some confirmation of this during Episode 11 of Chapter 2, when after David’s real personality is reveled, Whit makes a certain comment. “I was keeping that secret out of concern for your career. But if this is how you really act, then your career might be in trouble for reasons out of my control.” A majority of the fandom think he’s lying, and I won’t deny the possibility, but I feel like we should look at this comment from more than one angle. If we bring up the idea of him believing that the secret was simply worded badly, then it’s no wonder he of all people wouldn’t wanna take that risk. I don’t think anybody would want to ruin someone's whole career based on a secret that could be purposely worded badly. “...reasons out of my control”, this quote basically confirms that if David hadn’t gone insane in Episode 11, then Whit would have blamed himself for David’s career. Whit is a caring person, so this idea is very plausible.
If it was anyone else, then the idea would be unlikable, but it’s not unbelievable if you consider Whit’s character so far. A person who cares for others and has risked his life holding onto the idea of seeing the best in them. Whit is the only character who would hide a secret like that. Since I brought up Charles, Teruko, and David, that brings me to a different section…
Part 6 - Gaining importance through others:
This section should be fairly brief. Whit, while has not really been a major player, keeps having connections to characters who are. If most had to assign the DRDT cast cliché Danganronpa roles, then it tends to go Teruko is the protagonist (obviously), Charles is the support (stretching but okay), and David is the antagonist. Whit, as mentioned in the section before, is connected to all three. However, that isn’t all when it comes to his connections to major characters (this wouldn’t be a section if that was the case). Let me bring up Eden, Arei, and Hu. Whit has come to Eden’s defense twice now. First in Episode 5 of Chapter 1, when Arei and Arturo are insulting the cake which she was actually really proud of. Whit makes a joke about how cake=birthday song, which is able to distract the group from the insults and everyone becomes much less hesitant about eating the cake. Then in Episode 9 of Chapter 2, he buys Eden some time, since Teruko was asking about the note (that made Eden super suspicious), by bringing up the alibis. In Episode 1 of Chapter 1, we get to see that Whit and Arei were investigation partners. It’s not big, but is still a point of connection. Finally, he and Hu had a a fairly long talk about the killing game during the dressing room scene during Episode 2 of Chapter 2.
Whit keeps being given importance because of his connections with major players in Chapter 2. No matter how big or small. I honestly don’t have a good translation to the next section, so…
Part 7 - He is very different compared to the rest:
Whit handles most stuff in a very special way. Firstly, while a majority of this cast will become aggressive or start fighting with each other. Whit, however, is very different compared to the others in this case. Whit will make passive-aggressive or sarcastic comments. He is also very conflict avoidant, which will be dissected later for reasons. And second, his method of investigation. Compared to the majority of the cast, who go the logical route of investigating the body and scene of the crime in depth, then investigating other areas. Whit is one of the three character (the others being Charles and Rose) who don’t examine the body. This is odd considering that Whit doesn’t really seem to have a reason to not too, I think I know why, but it will have to be talked about a little later (I'm sorry, but this is the last time I promise). Anyway, as mentioned earlier, Whit is a very calm person. His type of calm (yeah type) is different from that of Hu or Veronika. Hu is calm but is very easily angered by her situation and constantly struggles to keep composure. Veronika is much more similar, but unlike Whit, Veronika finds joy in their situation. She finds the killing game fun and interesting, completely fine with her situation. She’s only calm because she doesn’t find the danger frightening. She’ happy because she hates being bored. Whit is only calm because, as mentioned many times, he had to be. Someone has to be calm and kind during their situation. One is more selfish than the other, and that makes them different. All the talk about Whit’s differences reminds me of one thing that only her has…
Part 8 - Whit’s intuition:
Before I get into Whit’s intuition, I want to talk about what intuition actually is. Intuition are just gut feelings. They are ideas that, while there i no logical reason to believe it, you just feel like you do. Whit’s intuition has been mentioned during Episode 4 and 9 of Chapter 1 and during his and Charles’ FTE. He claims, using his intuition, that one day, Teruko will be happy, that Charles isn’t faking the breakdown he is/was having, and that one day him and Charles were going to be friends. His intuition hadn’t been mentioned once through the first part of Chapter 2. I think this mostly because of the calm persona, He has to be more logical. This doesn’t mean his emotions won’t influence situations, but now he had to try to rationalize his decisions based on those emotions. He can’t just say it’s his intuition anymore, not with how the group is currently.
I still don’t have a good way to transition so let’s just-
Part 9 - Whit’s social life and conflict avoidance:
Whit isn’t a fan of fights, unless it for the sake of someone else. In Episode 2 of Chapter 2 (it’s a great scene okay), Hu and Whit are discussing how much the Mastermind knows about them. Teruko, being Teruko, finds a way to twist it into distrusting others. Whit then makes one of his passive-aggressive comments towards her. Then, only a little while later, Teruko is equally rude when Whit tries to call her a good person, and this time Whit keeps quiet. Whit won’t argue with someone unless what that other person is doing negatively effects others. His conflict avoidance is seen during Episode 4 of Chapter 2, where he refuses to try and break up any of the fights. His reasoning is that his talent isn’t couple counseling, therefore he can’t be the one to break up any of the fights. This is an excuse that Charles quickly shuts down. So yeah, Whit doesn’t like conflict, which is probably part of why he became a jokester in the first place, but we’ll come back to this though after the next section. Speaking of the next section…
Part 10 - The 4th wall (and finding information):
Whit is the character that shows the most awareness of the 4th wall. In Episode 8 of Chapter 1, Whit legit tells the audience to pause to read the list, since it would be useful. There is no way that he was directing that at the cast, since they can’t fuckin’ pause their lives. Then in Episode 10 of Chapter 2, Whit breaks the 4th wall, but in a far more subtle way. Whit says he doesn’t remember which secret Eden got, which leads to us, the audience, to be shown the list. Whit gave us a direct way to relook at the secret list, which is very weird since he could have just looked up and silently read the list. Something that Ace points out (kind of). Whit is the only character to show this much awareness of us, The weird thing is why would Whit want to help us? We’re the whole reason that he and the rest of the cast are stuck there, dying for our entertainment. So why would he want to help us? This is a question we’ll have to wait for an answer, since even I’m not sure yet. A downside of only being through half of the 2nd Chapter.
This section is the one I brought up earlier during Part 9, and will be connecting some of the mysterious points I didn’t expand upon earlier…
Part 11 - How does his backstory influence him:
You’ve probably noticed that despite his backstory being brought up first, I haven’t given it much though since. This is because I believed we all need a better understand of Whit before I could describe how his backstory affected all of what we’ve discussed. Before that, however, there is one part left.
If you remember, I said that Whit was a lonely kid. Along with what I said earlier in the backstory section this is also because of his talent and love life. Whit’s talent is something others have to pay for, mentioned in the Q&A earlier. He sets other people up as a way to earn money, which begs the question of why Whit took up the talent in the first place. Since we don’t have a proper answer yet, so we’re going to move one, just keep that as food for thought. Anyway, Whit is said to have a pretty bad romantic life despite his talent. He apparently just can’t find a partner, despite his efforts. This isn’t all that surprising when you consider that Whit isn’t all that socially competent at times. It’s hard to describe, so well use examples instead. During the FTE, Whit is shown to be completely shocked at Charles’ anger toward him. Whit hadn’t even considered the idea that the stuff he did earlier could be seen as negative. Even when it’d probably become obvious to anyone else at that point. Then, during the Computer Lab scene during Episode 7 of Chapter 2, Whit makes a dark joke about Min’s death in front of Teruko and doesn’t even think of the bad implication till Charles points it out to him. He is able to apologize and fix those behaviors, which is an interesting pattern of behavior. Not understanding a wrong till someone points it out to you, and then you improve it. Unless you point it out to Whit, he probably won’t notice the problem. I think these behaviors say a lot about his past and it’s effects on him.
Whit’s past would explain his social incompetence at times. His father wasn’t there to be a good example and his mom probably wasn’t there for his teen years, which is a huge time for development in minors. This leads to him not having the proper role-models.
(This is an off section, but I felt the need to bring it up. Whit is biracial, Asian American, American/Chinese, a race that faces a lot of discrimination in America. The DRDT creator is very well versed in his research of the topic and ideas he handles. Ace is a lovely example, including the higher chances of anxiety and chances for eating disorders they have. I won’t say I know anything, but I wouldn’t completely discard the idea of him facing discrimination in the past.)
So yeah, Whit was a lonely kid, why does it matter? It matters because if he is as much of a former loner as mentioned, then that would also explain why Whit keeps people-pleasing. (I think there is a want for acceptance, but a struggle to believe that it’s possible without the personas.)
His backstory also explains his seeing the best in others' mindset. People tend to think that the only way to look at negative events in life is through negativity, but that’s wrong. When you have nothing, then you’ll leach onto anything to hold onto, like optimism. This idea was used in the canon Danganronpa games with Nagito, and I think a similar principle is shared with Whit. Whit probably attached onto something positive because he literally had nothing else. Optimism, in that case, is the easiest answer. Whit deals with life, and the killing game by trying to find the good. Whit's life might not be great, but that doesn't mean he has to see it that way. It's probably why he keeps omitting the fact about his mother's death. Why look back on the past when there is so much left to do in life. He probably thinks this is what she would've wanted, based on his idolization of her.
This all brings me to my last section…
Part 12 - His belief in privacy:
Whit is very adamant in respecting others' privacy. In Episode 1 of Chapter 2, Whit brings up the idea that everyone keeps the secrets to themselves until they have more time to work through it properly. This gets ignored by Arturo, who does it anyway. I've already gone into depth talks about privacy with Charles and David. What I wanna talk about is why Whit is so big on it. Because that is a question we haven't gotten an answer to. Why? Well, while I'm not sure, I think it has something to do with his past.
I have also lost my mom, like Whit. When I lost my mom, people wouldn't stop questioning me about it. Whit described his mom as sophisticated, so that makes me think she could've been fairly known in the community. Whit probably had a lot of strangers question him about it, despite his feelings about it. Mix this with Whit's pleasing other mentality, then his adamantly about respecting others' privacy. This is the only part of his mentality that goes against his more logical character. Charles even says he gave Teruko the secret he had because he wouldn't trust Whit to sacrifice someone's' privacy when it's necessary. Charles has a strong understanding of Whit's, so I'd trust him. This is the only part of Whit that he never changes, even when he has different personas on. It's consistent.
This concludes the final section to this analysis, so onto the conclusion.
Conclusion:
Whit is a character that gets overlooked by a majority of the fandom despite being pretty much universally loved. His past is so much more than what we've seen or is talked about. His caring nature is something that has so much hidden depths. And, unless he is the Chapter 2 killer, there is so much left to find about Whit.
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(Thanks for reading. Again, sorry if it's a bit all over the place. I hope I could shed some more light on Whit's character for ya'll. Have a good day/night.)
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yukidragon · 1 year
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Remember that pic that voltageous Posted of Jack all angey. Do you think Alice would ever be in similar situation like that? Btw I love your character Alice and all the headcanons and stories that make!
Aww! Thank you so much! I'm really happy that you enjoy my writing, ideas, and Alice. 💖
I presume you're talking about this lovely picture, right? Jack's pose is very appealing, but his expression in particular is striking. Between that, the composition of the scene, and the lyrics, a story is being told that has sparked so many thoughts.
I actually made a short thread on twitter discussing Alice and this picture's scenario. I think this is the perfect opportunity to expand on that idea with a bit of a ramble, and maybe do a bit of writing.
Quick reminder that this fandom is for Adults Only. Mature topics will be discussed like sex, cheating, and such.
In that spirit, let's really look at the picture and talk about it, shall we? I think the main thing that really caught my, and a lot of other people's attention is the look Jack is giving the person standing in shadow in the doorway, presumably MC. We've never seen Jack actually show such an angry expression to his sunshine outside of fan art.
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I mean look at that face. Jack is glaring daggers, at his sunshine no less! That is the look of a lover betrayed by their cheating partner if I ever saw it. Sauce does great work with their art and expressions. Full credit goes to them as always for their awesome work.
Speaking of which, consider joining the SnaccPop Studios patreon for more cool art that they haven't shared on twitter. Just remember not to share anything that's privately posted there.
Something I actually only noticed when really looking at Jack's face in close up, he has a slight distortion going on similar to what was applied to his sprites earlier in development. You can really see it in the slight blurring of his red marks.
As was mentioned on the official tumblr, Jack can touch and interact with things the more attached he is to his sunshine. In the demo, Jack picking up MC and making food is treated as a new development, showing how close they've become. MC can't touch him anymore when they distance themselves from him in the "no" route. When they could choose to "not make things weird" and keep Jack at arm's length emotionally, he started to feel cold and distant from them even though he was holding them close.
It was mentioned that Jack was given an intentional 3D/VHS distortion in earlier builds, which I think was to further emphasize that he wasn't quite real. MC is the one making him more real with their love and attachment. I suspect that the blur would've lessened and disappeared altogether as he became more real.
So now we see Jack with a hint of that distortion, glaring angrily up at the person casting a shadow over him in a darkened room. I think we can all guess this is supposed to be MC, and the lyrics give us a very strong hint as to what's going on here and why he's so upset.
It would seem that this picture is implying that MC was out all night at another love interest's place, likely having sex with them. They're choosing someone else to love, and Jack is probably barely keeping himself together as their attachment towards him wanes.
Jack has every reason to be pissed off in this scenario. Not only does this put him at risk, but this would make MC a cheater in the "yes" route. It's debatable if they would be one in the "no" route, since they did have sex, but it would no doubt still sting even if MC just regarded him as a friend with benefits.
It can leave Jack feeling hurt and betrayed. Remember how he questioned what more he could be doing in the "no" route? This is even worse. He tries to give MC everything - his love, patience, understanding, acceptance... even physical pleasure if that's what they want. Even still, they chose someone else to have sex with, showing even that wasn't enough to keep them.
So, yeah, this seems to be Jack having trouble remaining in MC's life while also feeling hurt and betrayed by them... and no doubt possessive and dangerous.
The lyrics might ask where MC was last night, but given Jack's supernatural abilities, I suspect that he knows exactly where they were, who they were with, and what they were doing... or rather who they were doing instead of him.
I suspect that Jack can go greater distances than a normal person can by walking while using his supernatural abilities. He might be able to track down MC or others he's targeted even at a distance. After all, he was haunting Nick for a while with those nightmares. If MC didn't come home one night, I'd expect Jack would go out looking for them.
MC probably got swept up with another love interest while Jack was at home waiting for them. They were late, so Jack went looking for them... and found his worst nightmare. He could've confronted them there and then, tried to stop them from what they were doing, but, as we've seen in the demo, when other people are taking MC's attention away from Jack, he has a difficult time bringing it back to him until they're alone or unless he exerts a little more pressure like the yes/no choice.
Given the situation, MC might have been way too distracted by their lover to even notice Jack... and I'm sure that it was emotionally devastating to Jack.
So Jack goes back to the apartment. He waits for MC, tries to figure out what to do, but he's hurt, betrayed, panicked... What more can he give them? What more can he do for them? What more do they want from him? What can that other man give them that he can't? He has to do damage control, make them feel the need to make it up to him and want to be closer to him, but he's also hurt.
Jack can't even confront the rival at that moment while they're with MC. His sunshine might see. Even if his jealousy and betrayal might make him not care, he can't risk them wanting him to go away.
So Jack waits for MC to come back, to confront them. No doubt he'll play his few remaining cards of guilt for leaving him behind and forgetting him for a night, while struggling to keep himself together, both emotionally and metaphysically.
Finally, when MC comes home the next day, it's to the scene in the picture.
Now... with all that said, considering how I've repeatedly stated that Jack and Alice are my OTP and I want to give them a happy ending in Sunshine in Hell... I think you can guess that this cheating scenario isn't going to happen between Alice and Jack, hahaha.
I did a post before about what a fight between Alice and Jack might look like, and how far it might go. It's very unlikely that it's going to go as far as what Jack's face is telling us here with all that anger he's showing, especially for such an implied awful reason.
For one thing, Alice wouldn't cheat. She wouldn't do it even before Ian cheated on her and showed her just how much it hurts to be cheated on. She also wouldn't be having sex outside of a relationship. Alice is on the aro/ace spectrum. On top of that, she has issues when it comes to sex. Between SA trauma and her first and only consenting sexual partner being, shall we say, less than attentive to her needs... she isn't interested in sleeping with people after the breakup with Ian. She needs to take it slow in order to trust a partner enough with that level of physical and emotional intimacy.
For Alice, sex with another person is something she can only do with a partner that she loves with the intention to make them happy and feel good. Sure she enjoys masturbation, but when other people have been involved, the sex has been, well... not great. The primary satisfaction she got from sex with Ian was his pleasure. Sadly, he never managed to make her orgasm, and it was actually uncomfortable and painful for her at times. She really did herself a disservice not advocating for her wants and comfort, but she didn't want to make Ian feel bad for a poor performance when it was too easy to hurt his feelings. Really, their troubled, one-sided sex life and lack of open and honest communication are a couple big reasons why her relationship with Ian deteriorated like it did.
I've mentioned before in some past posts, but the sexual intimacy Alice shares with Jack is going to start off slowly, and only after they're together in a romantic relationship. Because he takes her needs and comfort into account, she's pleasantly surprised to discover that sex with her partner actually can be pleasant, especially with a partner who makes sure she has multiple orgasms, and her libido increases as a result.
However, this newfound interest in having sex only applies to Jack, since Alice falls into the demisexual part of the ace spectrum. She loves him, and he's her partner. He makes her feel safe and good enough to actually want and enjoy sex.
If someone else hit Alice up for a one night stand, that would be a big pile of "NOPE!" from her. Even a friend propositioning her would make her feel wildly uncomfortable. She's just not comfortable with casual sex or sex without romantic attachment. Without that deep emotional connection of love, trust, and intimacy, sex is something intimidating and unwanted for her.
While I did consider a what if scenario where Alice and Shaun get together, that was a slow burn that took a long time for Alice to trust Shaun that intimately, and she never even knew of Jack's existence. How he would be as a lover and how that would affect her relationship with sex would be speculation best left for another post.
Jack isn't about to give Shaun or anyone else a chance to win Alice's heart when he's around, and with how much he fulfils her needs emotionally, she doesn't feel the need to consider getting into a relationship with anyone else.
Would Alice potentially get together with Nick if circumstances were right? No idea. I'd have to see more of how he interacts with others, especially his partner. I do know that him asking her out at work made her wildly uncomfortable and was definitely working against him. It's hard to say if it could work out between the two in an AU, even without Jack around.
Would Alice ever sleep with Ian again, even if just "for old time's sake" or "to say goodbye" and end things between them for good? Oh hell no. The only enjoyment she got out of sex with Ian was making him feel good because she loved him and trusted him with that level of intimacy. Needless to say, the trust is gone. Even after she tried forgiving him for cheating, she couldn't handle sex with him anymore. Ian is never getting into Alice's pants ever again.
That's all to say that even though Alice might improve her relationship with Ian, stay good friends with Shaun, and possibly befriend Nick if things go favorably... she's not going to think about sleeping with any of them, and certainly not with someone she doesn't know at all. Even then, she wouldn't even consider cheating on her partner.
So this situation of Jack waiting for Alice to come home, furious and upset that he caught her cheating, just isn't going to happen.
It would take a lot to make Jack angry with his sunshine, and I can't think of anything Alice would do to provoke that sort of glare from him.
Now, with all that said, would there be a scenario where Alice didn't come home one night and made Jack worry about where she was... maybe even worry about what she might be doing and who she was doing it with? I think so. Some places don't have landline phones, and Alice can't afford a second cell phone for Jack, so if she winds up unable to go home, she can't call him to let him know. It certainly provides some potential for drama... especially when Alice has a chronic illness that sometimes flares up beyond what her medication can handle.
So, as I said in the twitter thread, it sounds like a scenario just begging to be written out in a flashfic, so how about we do that now, shall we? Funny enough, as I was writing it, I wound up with something of a sequel to a previous flashfic I wrote a little while ago. I hope you enjoy this piece of hurt/comfort fluff between Jack and Alice!
@channydraws @earthgirlaesthetic @sai-of-the-7-stars @cheriihoney @illary-kore @okamiliqueur
...
Alice was late. She should have been home over half an hour ago. The dinner Jack made with love in anticipation of her return had already gone cold.
Jack tried not to let the ticking of the clock get to him. He tried not to overthink what it could mean. He tried to ignore the twisting inside his gut that kept him looking at the clock despite himself. It hadn’t been that long since Alice was supposed to be home. It wasn’t strange to be a little bit late like this. After all, that gosh darn manager of hers was always springing overtime on her after she was supposed to clock out, or she had to stay longer to clean up some mess Carol left behind for her to take care of.
But Alice wasn’t at work. She wasn’t a mere ten minute walk away. She left in her car after lunch, saying that she had errands to do without ever telling him exactly what those errands were.
Like a fool, Jack let her go anyway. He let her kiss distract him from asking questions. Her, “I love you,” left him feeling too happy and flustered to think too much about why she wanted to go alone. She promised to be home in time for dinner, but that promise had been broken half an hour ago.
Jack wished that he could call Alice and check on her, find out what was keeping her and when she was coming home to him. He had her cell phone number memorized, but he didn’t have one of his own that he could use to call her, and the apartment had no landline phone.
Where was Alice? What were the errands that kept her away from him? Why was she late? Jack could kick himself for not getting a straight answer before she left, or for not trying harder to go with her. She could be anywhere by now, be with anyone.
Including that darn Ian.
The nightmare from the night before flashed through his mind. Jack could still vividly remember the helplessness he felt trapped behind the screen as Alice kissed Ian and professed her love for the fake pretending to be him. The memory made his insides twist into knots.
Jack gave himself a hard mental shake. “What am I thinking?” he muttered under his breath, chiding himself for the very thought. It was almost as if he was suspecting Alice of cheating on him. That was absurd. How could he, Sunny Day Jack, think something like that of his sunshine? Sunny Day Jack didn’t get jealous or possessive of anyone, and he certainly wouldn’t suspect his beloved sunshine, the sweetest and kindest person in the world, who loved him just as much as he loved her, on the basis of her simply being out late.
He wasn’t a fake pretending to be Sunny Day Jack like Ian intended to do with that farce of a reboot that lied about being the first and only SunnyTime Crew Show.
Ever since Jack heard about the show and Ian’s part in it, he had been on edge, and the nightmare he experienced didn’t help. The only bright spot in everything was Alice. He still vividly remembered the way she comforted him that night, promising to always be there for him as she held him close and sang the sweetest song to soothe away all his woes and worries.
So why wasn’t she here now?
“I better check to see if she’s okay,” Jack mumbled to himself. He promised to be there when Alice got home, but she also promised to be home forty-five minutes ago, so it was only fair.
A rest stop was far from an ideal place for a woman traveling alone to lie down in her car, but at least it beat pulling over at the side of the road in the middle of the desert. Unfortunately, Alice didn’t have a lot of options at the moment. At least the tinted windows blocked prying eyes as effectively as they did the scorching Texas sun.
Pain tore her attention away from potential threats outside the car and turned her attention inward. Alice bit back a whimper, instead hissing ragged breaths through gritted teeth as she did her best to ride through the intensifying sensation of jagged blades cutting and twisting through her insides. The pain rolled in like the tide until it flooded her senses and made her eyes sting with tears, leaving her helpless but to wait for it to recede again to something a little more bearable.
Eventually the pain lessened, at least enough that her breathing came a little more easily. Still, Alice took care to move as little as possible from the reclined front seat while she carefully lifted up the cell phone that she held in a death grip. Through watery eyes she saw that ten minutes had passed since she took her medicine.
Only ten minutes. Fuck. It was going to be at least twenty more before Alice started noticing any real difference. She wished that she had better, faster acting painkillers for these attacks, but there was nothing she could do about that now.
Shit. It had been weeks since Alice last had an attack like this. Why did one have to happen while she was out on her own like this? Why couldn’t it happen at home? At least there she wouldn’t be alone and so vulnerable. At least Jack would be there to take care of her.
Alice was supposed to be home almost an hour ago. If it wasn’t bad enough that things had dragged on way longer than she anticipated, her chronic illness decided to flare up at the worst possible timing - right when she was driving down the middle of the highway. It was all she could do to force herself to keep driving until she was someplace at least relatively safer to park.
“Fuck,” Alice hissed as she carefully lowered the phone, wincing how even speaking made her insides twinge in pain. Jack was probably worried by now, and she couldn’t even call him. She was too used to having him always around; she never considered something like this happening. She could kick herself for taking for granted that it had been so long since her last attack.
Helplessly, Alice couldn’t do anything but wait for the medicine to take the edge off the pain. As another intense wave rolled over her, it was all she could do not to give in to the instinctive urge to double over as pain tore through her insides without mercy. She knew well from experience that any pressure on her abdomen would only make this hell even worse. She clawed instead at the seat’s cushion and her thigh in a desperate attempt to distract herself from the pain as she tried to keep her breathing even.
I wish Jack was here.
“Alice?”
Alice flinched at the sound of her name. For a moment, she thought that she only imagined it, but that unmistakable voice came again from just outside the car.
“Alice?” Jack repeated a little louder this time, his worry only increasing. He could feel Alice’s pain leaking through their connection even before he saw the agony twisted in her expression through the car’s tinted window. “Are you okay? Can you unlock the door?”
Relief washed over Alice almost as intense as the pain as she realized that Jack really was there. She tried to keep her movements minimal as she dropped her phone on the center console beside her car keys before pushing the unlock button.
No sooner than Jack heard the click than he threw the door open and leaned inside, practically covering her like a blanket, though he was careful not to put any of his weight on her. “Don’t worry, sunshine, I’m here.”
“Jack…,” Alice forced out through ragged breaths, her voice cracking with pain. “I-I’m s-sor-”
Jack shushed her gently. “It’s okay.” He touched her cheek delicately, afraid of making things worse. “You don’t have to talk if it’s too hard for you right now. I’m not going anywhere, sunshine. Don’t worry… I’ll take care of you.”
Alice held her fist up and bobbed it up and down, which Jack recognized her as signing, “Yes.”
Jack managed a small but encouraging smile at that. “Is it your illness acting up again?” When Alice nodded her hand again, his heart went out to her. He knew about her chronic illness, particularly that it couldn’t be cured. Her medicine managed it most of the time, but sometimes it wasn’t enough to stop an attack from leaving her debilitated. “Do you need to go to the hospital?”
Alice grimaced and brought two fingers up before bringing them down on her thumb in a definitive, “No.”
“I see… that’s good at least,” Jack said, the words coming out in nearly a sigh of relief. “Do you need me to bring you any medicine?” Another negative indication. “I see… You took some already, is that right?” A nod of her fist. “Good, good… Then we’ll just wait here until you’re feeling better.” When her fist moved again in the affirmative, he took her hand in his and gave it a gentle squeeze. “Don’t worry, I won’t go anywhere.”
Alice returned the gesture, but her gentle squeeze quickly turned into a crushing grip as the pain intensified again. She forced herself to release him, but Jack refused to let her go and placed his other hand to secure her grip on him.
“It’s okay,” Jack said soothingly. “You can keep squeezing me if you need to. If it helps you deal with the pain, you can squeeze as hard as you like.” He offered her a lopsided smile that would have been more playful if his eyes weren’t so filled with concern for her. “Don’t worry, I can take it.”
Reluctantly, Alice tightened her grip on his hand again until her knuckles turned white as she rode through the latest wave of pain. When she could breathe a little more easily, her hold on him slackened, and her mind began to focus on the situation.
How did Jack find her? How did he get here? She was in the middle of nowhere, miles from home. Was this part of his supernatural abilities too?
Upon remembering where they were, Alice felt a shiver run through her, and her eyes darted to the darkened parking lot. She could see Jack with her, someone big and imposing, but anyone who happened to come by would only see a vulnerable short woman lying down in her car, illuminated by her car light. It was practically an invitation to rob her, steal her car, or worse. Could Jack stop someone if they decided to take advantage of the situation?
Jack caught the frightened thought right away. “Hold on, let me get inside.”
Just like that, the car was soon locked and dark once more, with Jack seated in the now reclined passenger seat so that he could be as close to Alice as possible. He took her hand in his and with the other hand he stroked her forehead, brushing sweat and strands of her hair away from her watery eyes.
“There now,” Jack said, his voice soft and soothing. “You’re safe here with me, Alice. Don’t worry, I won’t let anything bad happen to you. We’ll wait here until the medicine starts working. When you feel ready to go, I’ll drive us home.”
Alice furrowed her brow before deliberately raising her eyebrows as she pointed at Jack.
Jack chuckled as he caught the simple signed question. “Yes me, silly. You’re in no shape to drive, and you need to rest. We’ll switch seats as soon as you’re feeling a little better.”
Alice frowned a little, as what she wanted to say required too much movement for her to accurately convey her meaning without the risk of causing the pain to intensify.
Fortunately, she didn’t have to, as Jack picked up on her fears immediately. “Don’t worry, it’s too dark for anyone to see who’s driving the car.” He paused to chuckle. “Or ‘not’ driving.” He bent down to kiss her forehead and smooth the furrows from her brow. “You don’t need to worry about anything like that. All you need to focus on right now is feeling better.”
Alice sighed at the gentle kisses he pressed upon her flushed skin, though her breathing was still ragged and harsh. She nodded with her fist again as she focused on Jack, his gentle presence soothing her far more than the medicine.
Jack leaned back just enough to see his sunshine’s face. He wanted to hold her close, but he knew about her condition, particularly how pressure on her abdomen, especially in the wrong spot, could make it so much worse. It made him careful how he touched her, softly stroking her brow and letting her squeeze his hand until the pain subsided.
When silence settled in between them, Alice grunted. She wiggled her fingers in front of her mouth before pointing at Jack and raising her eyebrows.
Jack nodded in understanding as he smiled gently at her. “Of course, sunshine. I can talk as much as you want. Don’t worry about needing to respond either. Just focus only on me and my voice. Don’t pay attention to anything else.”
Alice squeezed his hand again, but gently and intentionally this time. His voice, soft and smooth, flowed over her like water on a burn. It didn’t magically make her pain disappear, but hearing him talking to her and feeling his gentle touches grounded her, reminding her that she wasn’t alone and vulnerable. She had Jack with her now.
“That’s right, Alice,” he said. “I’m right here. I won’t let anything happen to you, sunshine.” Gently, he dabbed away at the wetness that still lingered in her eyes. “You don’t have to worry about anything anymore. I promise, I’ll always take care of you… forever.”
As the pain started to ebb again, Alice managed a weak smile. She held up a hand in a particular gesture that made Jack’s heartbeat quicken when he realized what she was signing.
“I love you too, Alice,” Jack said before pressing a soft kiss on her lips, which she weakly returned. “I love you so much, Alice… my sunshine.”
The pain radiating from Alice was horrible, and it took all of his acting skills to make sure that she didn’t realize that Jack felt it too. He could feel it even more clearly with how close they were like this, but he refused to leave his sunshine to suffer alone. The worst part was that he was sure that the pain he felt at that moment was only a fraction of what she was experiencing.
“You’re so strong,” Jack said, his voice hushed with admiration. “You’re doing so well. I’m so proud of you.” He kissed her forehead again and was rewarded with a soft, but pleased sigh from her in return. “That’s it, just focus on me. You don’t have to face this alone anymore. I’m right here. I’m not going anywhere.”
Alice squeezed his hand again in gentle affirmation as she closed her eyes to focus on his soothing voice and gentle warmth.
Despite the situation, relief washed over Jack, and he could feel some of the same emotion coming from Alice as well. A small pang of guilt crept in underneath it, but he hid such feelings from her. She didn’t need to worry about the irrational fear he had before, that silly split-second when a part of him feared the worst, no matter how impossible that was. It felt laughable now to think that this precious ray of sunshine in front of him could’ve been doing anything as awful as cheating on him, not when he could practically taste her love and gratitude for him as clearly as the pain that - mercifully - was starting to wane.
Jack knew that it was silly to let some stupid nightmare influence him like this, no matter how awful it was. Alice didn’t deserve to be suspected of such a thing, not even for an instant, and especially not during a time when she was suffering so much. She needed him. For as much as he hated that she was suffering, he couldn’t help but feel relieved by that simple truth.
A flash of inspiration struck Jack, chasing away his gloomy thoughts. “Oh! I know. How about I sing a song for you? Would you like that, sunshine?”
Alice opened her eyes again and answered with a soft smile and another bob of her fist.
“Now how did it go…?” Jack turned his eyes up towards the roof of the car as he thought back to the song Alice sang for him. He didn’t remember the first part, but he could improvise, making up new lyrics for the same sweet melody that she shared for him. It was their song now, in his mind, and he made sure to let his sunshine know with his version of the lyrics that he would be here for her no matter what storms and pain may come to help her shine bright with happiness.
Alice couldn’t help but smile crookedly as Jack changed the song, but somehow she liked his version better. She made a mental note to tell him later when she felt well enough to speak again. For now though, she let his gentle voice cast its soothing spell over her, filling her with love and slowly chasing away the pain.
Jack continued to sing until he was certain that Alice had fallen asleep. He pressed another sweet kiss to her forehead and used his influence to make sure that she wouldn’t wake up until she was safely back home in bed with him.
“Sweet dreams, sunshine.”
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pebblysand · 6 months
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Hello Pebbly, I had a question I wanted to ask after reading the last chapter of Castles. What is the relationship like between Ginny and Hermione? I feel they are not as close as some people portray them in other fics. Thoughts?
hmmm. i obviously can't really comment on other people's works (although i would say that @whinlatter's beasts which i read recently does do that ginny/hermione relationship very well) but i do see them as a bit "complicated."
i think on the one hand, they're "friendly". mostly in the way that they were girls of the same age who shared a bedroom basically every summer, probably whispered "secrets" to each other until the wee hours of the morning, about boys and sex and their parents being annoying or something. the way girls do. they also seem to be quite "close" when it comes to more serious topics: we see that when ginny gets ousted from the order meeting in ootp, she's confident in the knowledge that hermione will tell her everything (although, i have always wondered whether that was just teenage bravado rather than fact). hermione also seems to know a whole lot about ginny's feelings towards harry and seems to give her advice, which obviously shows that they've probably had numerous conversations about it. when it comes to castles, ginny also clearly knows hermione well enough to know that when she goes to crash on harry's sofa after their fight, it might also be because hermione wants to mess with ron's head and make him jealous. that means they've talked about ron's feelings, there, too.
on the other hand, i also think that both ginny and hermione are people who keep important stuff close to their chests (which i know is an unpopular interpretation when it comes to ginny, who many people think is very good at talking out problems, and if that is your interpretation, then good for you, i don't mean to challenge it, i have had this conversation too many times, please let's just agree to disagree and move on) so i do think there is a bit of distance, there. whilst i think hermione might have reluctantly passed information to ginny about the order, she 1) probably filtered it into what she herself deemed "age appropriate" and 2) probably didn't pass on stuff that was personal to harry. for example, i don't think ginny ever knew about the prophecy, pre-war. she probably guessed it, cause she's not stupid, from the stuff harry said as well, but i don't think hermione would have told her. and, i don't think that post-war, hermione would talk to ginny about bellatrix, for instance. similarly, i certainly don't think ginny would tell hermione about amycus (i actually toyed with that idea for a while back when i wrote act 2, and it just wasn't working, imo).
i kind of see the two of them as circumstantial friends or "summer" friends. we've all had those. they get on and like to chat as the only two teenage girls at the burrow, but i don't think they're particularly close the other ten months of the year, when they're in school. they will talk about boys and teenage stuff like gossip, drinking, sex, etc. but i think when it comes to serious things, ginny's much more likely to confide in demelza or luna, and hermione in ron or harry. i also think that hermione finds it hard to connect with other women, probably due to the trauma of being often taunted by them, and so i think even if ginny isn't like that, hermione would sometimes find it hard to communicate.
many people have written metas about this but i also believe that especially coming out of the war, the trio have a very co-dependent dynamic where it would be hard for ginny to find her place within it. i don't buy - at all - the idea of the trio becoming a "quartet" after the war, going on double dates and all that. i think harry and ginny have the kind of relationship where it's them both, then harry and his friends, and ginny and her friends. they all "get on" but i don't think they share friends (and, that's okay. hot take but functional couples don't actually need to share everything.) and, i think ginny isn't jealous of hermione in the way that ron is jealous of harry - i don't think she has any insecurity about harry and hermione being more than "siblings", but i do think that especially in the early days of castles, when she and harry are just sleeping together and being "fun", she knows the trio, to him, is the "deeper" stuff, and that annoys her/makes her insecure a bit. i reckon it's only after she and harry establish a different kind of post-war connection that she feels less awkward about it.
i also think that when it comes to the "summer friends" hermione and ginny used to be, the war's thrown a wedge in that. even if you don't take ginny/amycus as canon, they've both had drastically different experiences of the war (both very legitimate, but still) and have both experienced things that are very difficult to talk about. they both have a tendency to self-isolate so it can be hard for them to communicate. i think that during the "eighth" year in hogwarts, there are a lot of attempts and near-misses, with them probably sometimes snapping at each other, trying to connect but never quite making it (as is actually shown in beasts). having said that, i don't think they're on bad terms. hermione is clearly very worried about ginny during her party/sleeping around phase, and during the abortion crisis, the fact that harry takes ron's side and ginny very explicitly says she will not take sides is very telling.
i think they're just very different people and frankly, had harry not brought them together, i don't think they'd be friends. ginny doesn't understand hermione's rule-abiding mentality and her coping mechanisms, and hermione doesn't understand ginny's wilderness that sometimes borderlines on self-destruction. but i also think they respect each other. ginny respects hermione's intelligence and her unwavering support of harry, and hermione respects the stability ginny's able to give harry and her place as his partner.
ultimately, i think they're "cool" with each other. but i don't think they're bffs.
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queermentaldisaster · 4 months
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if we’re talking ghoap coded sleep token songs, you can’t go past take me back to eden
“my my, those eyes like fire, i’m a winged insect, you’re a funeral pyre” - soap being so alive, a personified spark that ghost can’t help but be drawn to him
“i spit blood when i wake up, sink porcelain stained, choking up brain matter and makeup” - speaks for itself but “choking up brain matter and makeup”, ghost waking up from nightmares with his eye black smeared all over his face from his thrashing
“room feels like a meat freezer, i dangle in it like cold cuts” - the ghost of it all, butcher hanging from a meat hook imagery my beloved
“i guess it goes to show, does it not? that we've no idea what we've got until we lose it, and no amount of love will keep it around if we don't choose it” - this is so mw3, ghost finally realising he loves soap too late (but fuck mw3, soap just goes on a mission and ghost misses him so much that he’s hit in the face with the strength of his love)
“i don’t know what’s got it’s teeth in me but i’m about to bite back in anger” - ghost not understanding soap’s attention, his kindness, he’s never felt a touch that didn’t turn cruel and lashing out before it can, all to protect himself
“i will travel far beyond the path of reason, take me back to eden, take me back to eden” - ghost doing anything for soap, going against orders, going awol if he gets captured, he’d do anything for his eden (again fuck mw3 but ghost leaving the 141 to hunt makarov down on his own)
....what do you want me to add to this? Because oh my god, anon, you wonderful asshole. /aff
‘Take Me Back To Eden’ is just...perfection. I can see everything you've described with these lyrics just listening to the song. This is one of the most Ghoap coded songs I've heard so far.
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thatfreshi · 7 months
Text
"You Better Tell Me" (Uni AU P. 5)
You get invited to the rooftop for a smoke sesh with Shadowheart and Gale
tw - weed (reader does not partake), athletic injuries, hints at grooming
@justporo
Soon after, the group fizzles out, starting with Shadowheart saying she doesn't want to be late to church. You weren't really expecting the whole religious thing with her, but hey, if it floats her boat. Gale says he has to meet with Mystra about his thesis project, and Lae'zel heads back to the room, leaving you free to do whatever you want.
So, you spend the day walking around looking for your classes, getting used to campus, finding the cozy places to study. The library is extravagant, filled with books from the past century, with a full online database. You even stop by the pool, which is full of swim team athletes preparing for the upcoming season.
After walking around all day, you come back to the dorm room, exhausted. Shadowheart however, is leaving.
"Oh, Tav! You should come with me! Gale and I are having our weekly smoke sesh. You don't have to smoke, but we like to chill out and talk about all the shit we've heard recently."
Without even really thinking about it, you put down your bags from the bookstore and follow her out the door.
"I thought we couldn't smoke on campus?"
She smirks, leading you to the staircase.
"Well, that's the nice part of being best friends with one of the RAs, their master keys work on the roof door."
As if on cue, Gale shows up behind the two of you.
"Good evening."
Fumbling with his key ring, he opens the door for the two of you to get onto the roof. It's a little chilly this high up. The lights of the city are apparent over the edge of the roof.
"You got Tav to join us?"
"I guess so. We're just cool Gale, we have to accept it."
The two laugh as Shadowheart takes a small plastic baggie out of her tote bag. Like clockwork, the two get to work rolling.
"You want one?"
You shake your head at him.
"No thanks. Honestly just hear to listen to all the gossip."
"See, I knew I liked you."
Shadowheart smiles, taking out her lighter.
"So, what do you want to know?"
You're all sitting on top of one of those electrical boxes, one that clearly isn't in use anymore. You hesitate, knowing you probably will get weird looks for your question.
"Lae'zel... what happened to her leg?"
Gale sighs, and Shadow goes to pull up a video somewhere in her camera roll. The two don't speak, instead showing you a video of a track meet from the previous year. You watch as Lae steps the wrong way, taking a nasty fall, the video picks up the scream she lets out on the track. Gale is the first to speak up.
"She fucked up her entire leg. Started as a sprained ankle, but she tried to keep going. Ended up tearing up her hamstring, and eventually tore the connection between her leg and her foot. Couldn't walk for months."
"Lae'zel doesn't like to talk about it though. She was supposed to be in the Olympics next year, but no amount of physical therapy has worked. As much as she pisses me off, I feel bad talking about it sometimes. Her whole family is full of famous athletes, and now she can't even play her sport anymore."
You weren't expecting the conversation to get so sad so fast, but it is tragic. The idea that you spend your whole life working towards something, and you can lose it all so fast.
"That fucking sucks."
Almost immediately changing the mood, Shadowheart lets out a gasp.
"Wait. Okay before I show you all this: Gale, Tav and Astarion fucked."
His eyes immediately fill with shock.
"I'm sorry. You, and that man, had sex? When?!"
"Ugh, last night. It was stupid and complicated, and then this morning I screamed at him."
"Yeah, and then he left crying. I don't think I've ever seen him cry."
The guilt bubbles back up again, unsure if you did the right thing. Before you can ask the group why they all hate him so much, Shadowheart shows you a paparazzi picture.
"Apparently this was taken earlier today. Looks like somebody's mad at Daddy, boohoo."
You almost ignore her mocking tone. It's Astarion and Szarr in the photos, having what looks like an intense argument at an outdoor shoot.
"You think he'd figure out how to stop complaining by now."
Gale takes another puff, coughing a little.
"Why are you guys so mean to him?"
Shadow almost doesn't know how to answer you.
"I mean, you've met him. He's just some rich kid piece of shit Tav."
"You should've seen him, at the party."
Gale perks up.
"What do you mean?"
"I don't know, the whole thing just makes me feel sick. Like something isn't right, but I don't know what. I met one of the other models, Aurelia, and she was being super cryptic and scary."
The two are fully staring at you now.
"And I met Szarr. He's a full-on creep, gave me this weird kiss on the hand. It was gross, but Astarion? He was like tense. I don't know, it just felt wrong."
"Yeah, but Astarion's been modeling for like six years now. I'm sure he knows the industry well enough to avoid people if they're truly bad people."
It's clear Shadow has made up her mind, but you're still not so sure. Before you can say anything else, she's trying to look at Gale's phone.
"Who are you blushing at?! Is there some lover I don't know about?"
He snatches his phone from her.
"Okay, I'll tell you if you stop trying to take my shit. I may or may not be seeing someone, as of today. BUT, she wants to keep it private for now, so no you can know!"
"Come on, please! I'm your best friend."
"As soon as I can, I'll tell you. But for now, please respect her privacy."
Shadow dramatically rolls her eyes, taking another hit.
"Fine, but as soon as I can know, you better tell me!"
The three of you talk about some other random stuff for the next hour or so. Within that hour, the photos of Astarion and Szarr are wiped from the internet, much to Shadowheart's disappointment. You tune out for a lot of the conversation, thinking about just how much shit you've already gotten yourself into. Although, you'll most definitely be back for next week's smoke sesh. Besides, you need all the help you can get with just how wild this place seems to be.
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agentofteamvaliant · 10 months
Text
Musicals Aren't Supposed to Have Encores | Luke Dunphy x fem!reader
Based on season 4 episode 14 of Modern Family: "A Slight at the Opera."
Warnings: None? Two eighth-graders kiss a few times... does that need a warning?
Word count: 2,052
Summary: Luke and Y/n step up to new roles in "The Phantom of the Opera" performance their middle school is presenting. Cam doesn't know what to do when the audience calls for an encore at the end of the show.
A.N.: Notes vs notes became a very hard thing to keep track of while writing this. Because I had notes, as in musical notes that you sing or play. And notes, as in theatre notes, directions as to what to do, and ideas of what needs to change. The struggle of being both a music kid and a theatre kid is real.
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"What do you mean Genevieve is sick?" Cam exclaimed to the girl's mother over the phone, "First our Phantom falls ill, and now our Christine? Does the world think our theater department is filled with actors?... No, of course, I'm sorry. I hope she feels better soon."
Theatre never goes exactly as planned. You're bound to have bumps along the way. Cam was prepared for that. He had backup props and backup lavaliers. What he hadn't prepared for was for both his Phantom and his Christine to get sick.
Having already found and lost hope in having Luke play the Phantom, Cam felt he was running low on ideas and patience. So, he turned to his assistant director/stage manager: Y/n.
"Well, Y/n. What do you think?" Cam asked.
"About which?" she replied, "We've got a couple problems right now."
"Either. Any. All. I don't know," he was obviously at the end of his wits.
"I think that you should show Manny the video you have of Luke so that he can see what you want him to be doing," she offered.
"Alright," Cam agreed, calling Manny over to watch the recording, "And what about Christine? I hate to say it, but Genevieve was the only soprano we had who could--"
"Luke has to do it," Manny cut in, before rushing off to undo the damage he had done.
"Well, that solves that problem," Y/n said cheerfully.
"I doubt any of them even know all the words, let alone the right notes, the right timing..." Cam trailed off, "Luke could you run 'The Phantom of the Opera,' please?"
"The whole show?" Luke asked, surprised.
"No, the song," Cam clarified with an exasperated shake of his head that looked much more like Mitchell's mannerisms than his own.
"Uh, sure, yeah. I don't know my cue without Christine's part, though."
"Y/n, could you sing Christine's parts until I figure out a replacement?" Cam requested turning to her.
"Well, I don't normally... but I guess I could... I do know the words, and the notes, and the timing and blocking... Sure." She replied.
The two walked over to the piano to practice. Y/n hadn't gotten more than four lines in when the whole theater was staring at her. Cam realized that maybe his Christine had been hiding in plain sight just like his Phantom. Her vibrato was perfect. Her voice paired perfectly with Luke's. Y/n and Luke looked up shocked when the entire ensemble came in perfectly on cue to find that Cam was conducting them like a choir. Y/n smiled at Luke, as they turned so the entire cast was rehearsing together. When they got to the part where Christine climbs up in notes, everyone's jaws hung open. Y/n herself was a tad surprised at how cleanly the notes came from her chest. Sure she loved to sing. Sure she had practiced this entire musical what felt like a million times. But to hear it in a theater. To hear how creepy her friend Luke could sound, perfectly portraying the Phantom. To hear the song all around her. It felt unreal. Especially when she got to the E6. She knew that for Genevieve they had lowered it, but she also knew that she could hit it. So, she ditched the note Cam had given the original Christine and chose instead to follow the regular notes of the song.
"Y/n," Cam started once the song was over, "You need to play Christine. Your voice is perfect. You know all the directions I gave. You understand what I'm trying to do with this show. Please, we need you as Christine."
"Okay, okay," she replied quickly.
They were very lucky that the costumes, which had been brought in for different actors, fit Y/n and Luke almost perfectly. Everything after casting Y/n had been rushed chaos. She had called her mom to bring her a pair of white heels since the original shoes didn't fit. But she neglected to tell her mom why she needed the shoes, simply insisting that the show sounded amazing and her family just had to come. Standing backstage, Y/n and Luke were talking while she used safety pins to shorten his cape. They didn't exactly have a replacement stage manager after all and she had offered to continue with both roles.
"You look really pretty," Luke commented as she stood up and handed him his pinned cloak.
"Thank you," she replied, a slight blush creeping onto her cheeks, "you should wear suits more often, you look quite dashing. I'd lose the mask though, your face is too cute to be covered."
Now it was Luke's turn to blush. He knew that Y/n was good at flustering people, of course he did, they had been best friends for years and she was his long-time crush, but he had never found himself on the receiving end of her flattery.
"Hey!" She called out quietly to one of their castmates, "That's not where that prop goes. Go put it on the prop table where it belongs."
"You know we're supposed to kiss, right?" Luke asked when Y/n turned back to him.
"Yes," she answered, "Poor Genevieve and Marcus, do you think that's why they're both sick? They had to kiss so much in rehearsal."
"Oh yeah, poor things, they had to kiss someone over and over again," he said, sarcasm dripping off every word.
"Careful," Y/n chided, "I'll kiss you over and over again."
"Like that's a threat," Luke snarked, before remembering who he was talking to, the confidence leaving him at once, "--I mean, we should probably practice at least once. Just, so we're on the same page. Know what to expect."
"Hmm, probably," she said slowly, before grabbing his hand and pulling him toward her.
Y/n kissed him gently, sweetly. And then it was over, and Luke decided he would do whatever it took to be able to kiss her again.
"Alright," Cam called, all the actors gathering around, "Uh... Luke, Y/n if I could talk to you for a moment after we're done. Alright, everyone, this is going to be great, there's nothing more we can do at this point. I know we've had a few hiccups, but I think we've come out stronger. So, good luck. Just, don't think about the audience. Be loose, speak clearly and enunciate, and have fun. Break a leg!"
When he had dismissed everyone else, Y/n and Luke walked over to Cam.
"Ah, good," he began, "I just want you to know how proud I am of you. And I wanted to make sure you didn't have any questions. Last minute confusions?"
"Nope," Luke said.
"None," Y/n confirmed.
"Good, good. And the kiss, I know we didn't talk about it. You're both alright with it?"
"Yep."
"Yes. We made sure to go over that with each other. We're on the same page. We know what to expect," she clarified, smiling at Cam, before looking at Luke with what he swore was a smirk.
"Wonderful. Then I'll go introduce our show, and we will begin," Cam said before leaving with a flourish.
The show was going perfectly. The audience was already captivated and they were only five songs in. When the iconic opening notes to "The Phantom of the Opera" began to play Y/n could feel people shift in their seats. She felt the pressure to perform the song well but didn't find herself nervous. One glance at Luke told her he felt the same way. Hearing how their voices melded together perfectly, Y/n was filled with giddy happiness. She couldn't have really explained it, but it pushed her further. When she began her climbing notes they were even stronger than they had been earlier.
They had taken an intermission between the two acts, and Y/n was enjoying some lemon honey tea, while a speaker next to her played "Something to Believe In" from Newsies. Luke was sitting in a makeup chair, across from her with his own cup, fidgeting as prosthetics were being applied to his face. In between taking sips of tea, the two were softly singing along to their favorite musical number, causing the poor kid trying to do Luke's makeup to continuously snap at him for moving his head.
"And if I'm gone tomorrow"
"What was ours still will be"
"I have something to believe in"
"Now that I know you believed in me."
Out in the audience, Haley had arrived during intermission and was now entering the theater with everyone else.
"I left the house as soon as I got your text," Haley exclaimed to Alex, "I can't believe Luke is playing the lead!"
Backstage, Cam called quietly: "Curtain's up again in five! You're doing great, y'all!"
Finally, they were reaching the end of the play. Alex was clinging to Haley's arm, practically holding her breath. By that point she had all but forgotten that her brother was playing the Phantom, having become deeply invested in the story. Not until Christine was standing, turning the Phantom to face her, did Haley lean over to Alex to whisper: "Can you believe that's Luke?"
Then, Christine kissed him.
"Oh my gosh," Alex exclaimed lightly to her sister, "They like each other."
"Who?" Haley replayed, "The Phantom and what's-her-name?"
"No, Luke and Y/n."
"Oh, yeah, duh. They have for years."
Then, Christine was kissing him again.
The curtain came down and then raised again, leaving the cast to bow. They led the audience in applause to the sound crew, the lighting crew, the musicians, and then Cam who joined them on stage. The curtain went down again, but the audience's applause didn't die down with it, rather it picked up. A few parents in the audience called for an encore, and soon the entire theater joined in.
"We don't have an encore," Cam quickly whispered to the cast, "Musicals aren't supposed to have encores. But they seem to really want one, does anyone have anything?"
"We do," Luke said, looking at the girl next to him.
"We do?" Y/n questioned, her eyebrows raised.
"Sure, 'Something to Believe In,'" he told her, before turning to Cam, "From Newsies."
"Are you sure?"
"We know the whole thing by heart," Y/n assured him.
Cam walked out in front of the curtain.
"Well, ladies and gentlefolk. You asked for an encore, so an encore you will receive," as Cam spoke, Manny ran to tell the pianist what the encore would be.
Cam continued, "But first, I'd like to thank my terrific cast for getting over humongous hurdles, especially my incredible leads, who only stepped into their roles today, having previously not been a part of the cast, but the crew. And who, just now, pulled an extra song out of their hats, like theatre magicians,"
He looked at the pianist asking, "We're ready?"
The pianist confirmed he was, indeed, ready.
"This is 'Something to Believe In' from Newsies," Cam said with a smile, before walking off stage.
The curtain had risen again, revealing that the mobile set pieces had been removed. There stood Luke and Y/n, the former of which had changed slightly: he had ditched his suit jacket, rolled up his sleeves, messed up his hair, and was standing so the audience could only see the normal side of his face. Their plan was to run the scene from first line to exit, and that's exactly what they did.
Sitting in the audience, Alex and Haley quietly squealed to each other. For years, they had been having monthly movie nights, just Haley, Alex, Luke, and Y/n. And each month, they watched one of four movies. Newsies being one of those movies. They had often joked that Y/n was like Katherine, joining another family. And each time "Something to Believe In" would start, someone would say it must be one of the best love songs ever, and the rest of the kids would agree.
Boy, did the two actors have fun with it. The nudging, the kiss. The playful looks turned to silent flirting. Everything they wanted to do in their own lives, and the song required all of it. When the curtain lowered for the final time, the audience erupted in cheers. Backstage, Cam ran to Y/n and Luke, engulfing them in a hug only a proud director/uncle could give.
I don't own Modern Family or any of its characters/plots. I don't own The Phantom of the Opera or any of its characters/plots/songs. I don't own Newsies or any of its characters/plots/songs.
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deer-carcasses · 2 months
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"Great Alastor, altruist, died for his friends"
a deeper look into Alastor's solo part of the final song
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The entire soundtrack has been stuck in my head since the show ended, but Alastor's part of the final specifically has been playing on a loop in my brain since I first heard it.
The slow downward pan from the Vee's feeling like they are now finally able to take over the city to the upward pan with Alasto's song starting was a fantastic choice, the contrast in their emotions, in the music, and still it all fit perfectly together.
"This place reeks of death," is such an underrated opening for this song in my eyes. We know Alastor is a cannibal, we've seen him eat a dead deer before, [^1] which would point toward him not having a problem with the smell of death and decay, but he goes out of his way to mention it smells of death. I don't think he truly meant the smell of death in this scene though. He might be talking about the death of his career if he had gotten killed in his fight with Adam. The line "Great Alastor, Altruist, died for his friends" is not him referring to himself as an altruist, it is the headlines he already sees if he truly would have died, seemingly for his friends, for the hotel. The way he follows it up with "Sorry to disappoint, this is not where it ends" shows this. It's him stating how absurd it is, but that this would be the story everyone would be thinking should it have happened. But I also feel like he says it because he knows there's the tiniest of truths behind it. Why did he fight Adam alone? Why did he fight in the first place? For the hotel, for his friends. As much as Alastor hates to admit it, he has gotten closer to the people in the hotel for sure, especially when we look at how he interacts with them all. He seems friendlier, even if it's just for show and to keep up his facade, but he truly does act like he at least cares a little but about them. The look he has while even saying it speaks volumes, he looks truly terrified of the implication that hell could see him as an altruist in this fight.
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At first, his smile was an angry snarl, aggression about being humiliated by losing this fight clearly written all over his smile. But then it turns genuinely afraid like he fears the mere concept of being seen as a decent person, not even a good person, just decent enough to fight for the people in the hotel.
He digs his nails into his scalp, dragging his hands down the side of his face, but not at the prospect of dying, but at the idea of what would've come after he had died. [^2] At the idea that all of hell would know he not only died but died for someone else. Before this thought of what other people in hell would think of him, he looked more angry, enraged that Adam even dared be an opponent that Alastor had to run from in order to get out of there alive. His reaction is surprisingly human considering how Alastor normally holds himself. Sure he was alone ignoring the eyes following him around his destroyed radio tower, [^3] There's no one here that he would have to lie to, but he knows better than anyone that you're never truly alone in hell, so it still surprised me how honest he was with the viewers in this moment. It's the most we see of him that doesn't seem to be a character, a facade.
His whole persona is this blatant mask he wears constantly, obvious to everyone who knows him. He even admitted to Charlie that his smile is not real in the slightest. But it works. Every scene where Alastor was talking before his Breakdown Ballad in the finale, I second-guessed every single word that left his mouth. Wondering if it all is a performance. I see a lot of people online with the same thought, looking at everything he says twice, trying to see any hidden meaning, any clue as to what he truly wants to say behind words that, if said by any other character, would've been the least interesting thing ever. And even then, his fake smile keeps in place, even if the actual emotions behind it are clear as day, while alone in his destroyed tower. It might be to fool himself like he fools others, but I think his smile is not able to be dropped, let it be part of his deal or part of his punishment, Alastor will never be seen without his smile. [^4]
Overall i feel like Alastor does care about the Hotel staff and guests to a certain extent. I can't fully trust it, and I'd be less than surprised if I were to be wrong, but there are scenes where he seems too much like he cares.
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Moving along on the song, the next lyrics are rather straightforward forward "I'm hungry for freedom like never before. The constraints of my deal surely have a backdoor" circling back to what I mentioned above. His current goal is to escape this deal that is constricting his powers, powers that would most likely have saved him from the injury he sustained. The next and final lines"Once I figure out how to unclip my wings. Guess who will be pulling all the strings?" strongly point towards how he is unable to use his full strength, that his full potential can't be reached while he is still under this deal he made. The thought of Alastor not being at his full potential in his fight with Adam is on some level truly terrifying, a Sinner can reach these kinds of powers in hell that he is able to fight someone like Adam, the first man, someone with approximately the same amount of power Lilith must have? I've just today talked to a friend of one about it. Yes, Alastor lost the fight, but he held up quite well and was a worthy opponent to the point that Adam had to seriously take a second, stop joking around, and concentrate on the fight to get a single hit on Alastor. All of this while Alastor also got a few hits in, not as strong as the ones he had to endure later on, but still. They were hits.
Regardless, in the end, Alastor came very close to dying, and that was for a cause that wasn't just for himself. Seeing what Adam did to the Hotel (or Sir Pentious while we're at it), Alastor has to honestly be glad he even survived that blow directly to his chest. There surely was some plot armor behind this decision, but it's still believable when we trust the theory that Alastor made a deal with someone far more powerful than anyone expects.
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This show, and Alastor specifically, has taken over my thoughts completely.
[^1]: in my eyes his being a cannibal points to how he has a need for superiority. To always prove his worth. In his days alive he was a serial killer, a hunter, and now in hell, he has aspects of a deer, a prey animal. The cannibalism is purely to show that he is still on top, that he is superior even to those similar to him, to those that are the same as him. He might have characteristics of a prey animal, but he stays the hunter.
[^2]: this strengthens my theory that Alastor is also afraid of dying whiteout escaping the deal he is currently still bound to. I touch on it in this post a bit more clearly, it's almost at the end of the post.
[^3]: I'd like to link everyone to this post for some thoughts on the eyes in this scene. It's incredibly well written and I couldn't have phrased it better.
[^4]: the closest we ever get to not seeing him, or more part of him, not smiling is shortly before he vanishes from the fight with Adam. His shadow can be seen frowning in the background before quickly correcting itself. It's a blink-and-you-miss-it kind of situation.
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spirited-avvay · 18 days
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I guess it goes to show, does it not?
That we've no idea what we've got until we lose it
And no amount of love will keep it around
If we don't choose it
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Izzy thoughts at first (then LONG ramblings about the S2 Teaser)
TLDR: I think Izzy is going to run away from Ed, get Stede, and help him become a better pirate. Also: WHY IS EVERYONE SO HOT
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1.) Look at him. So *happy* to be the Goth he truly is!
I love that Izzy doesn't trust Ed not to hit him here. If you look, Ed's not that close to his face, but Izzy just *can't* trust him right now.
Izzy in the same face makeup as the rest of the crew (AHHHHH HE'S SO HOT. I want him. I want to be him. ETC). What made Izzy put on the makeup? How long do you think Izzy lasted before caving in? I'm 50/50 between him immediately giving in, or stomping his feet. I love that he clearly put some time into it. That's full coverage right there.
[IS THAT A WIP ON HIS HIP? My CalicoHands heart.... Someone correct me if I'm wrong...please correct me if I'm wrong. I will be thinking about this for a month, thank you.]
We also see him dying his beard with Kohl? Might just be the lighting. Also: take note of that lovely ring around his necktie. My theory is that this is episode 1, right near the beginning of the episode.
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2.) THE LAD <3 MY MAN! GOD, he looks refreshed. Rested. Slightly stressed. This is why I think he was staining his beard in the last GIF, just comparing colors.
RED ALERT: THE RING AROUND HIS THROAT IS MISSING(or he's not wearing it in this shot, or we can't see it thanks to the lighting).
Izzy just deciding to leave is so fucking powerful to me, as a show of Izzy's growth in what looks to be 1/2 episodes. I don't think Ed hurt him, I think he genuinely got sick of this shit and left... He might have just run off once he got a *hint* that Stede might be alive, and decided to risk it. (Or fell off the ship during that storm...could you imagine the angst). FIRST MATE IZZY HANDS TO CAPTAIN STEDE BONNET/EDWARDS? Yes, please!
[My Stizzy/Steddyhands author heart is ready to read those fics. Because there is no way in hell these idiots will work out a throuple. As I'm 90% sure Ed just doesn't see Izzy.]
My theory for the scene specifically: Stede's crew takes over a ship, and Izzy is there to help. We see Izzy walk into the room, probably to update his Captain about the raid, and a guy goes in for the stab. The "I did a punch" Is because Izzy is training him. AHHH :3 CHEWING THE BARS OF MY CAGE
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3.) I saw a theory that the reason Izzy covers his hand with a glove is because he's been branded as a deserter from the Navy(usually a 'D' tattoo on the hand). Most of Ed's crews wouldn't respect him if they knew that Izzy had turned coat. This also explains why in Ep 9 he hated the idea of Ed turning himself in. In all the scenes in the teaser, we still see him in a glove, even after he ditches the symbolic ring.
ALSO HI SHIRTLESS IZZY, SORRY TO IGNORE YOU! Why is he shirtless? It's the Caribbean, I get that it's hot, but nothing? Does the man not own any other not-black tops? Not that I'm complaining, of course! I am very happy with this artistic decision.
I still think he's going to lose his foot/infection is going to spread thanks to his toe(losing a metaphorical and physical balance thanks to Ed). They're suspiciously covering his foot with a barrel or it's out of frame in most shots. So this training might be 1/2 Izzy helping Stede, and 1/2 Izzy regaining his balance. I also think this is on Stede's new ship, as that doesn't really look like any room we've seen on the Revenge.
STEDE IZZY FRIENDSHIP ARC. :D
(Now, the thing is. Does Izzy find out about Lucius hiding before he leaves? My guess is no, Izzy doesn't know, and is going to take that info right to Stede to reveal in a sensitive moment.)
(YES. I am in love with the Izzy-candle-imagery! My man is a dwindling candle, long may he burn. He doesn't need to use his fingers and cause himself harm when lying/having feelings about something, he can just use his sword)
=============================================
NOT IZZY STUFF THAT I LOVED
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GET EM ROACH!!!! I just love this shot so much...no clue why. The flowers, the shock on Roach's face, the tiny ass canon.
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I love him in this trailer, THIS IS HIS GLOW UP, and am happy Jenkins looked at straight people no-homoing S1 and went 'STEDE LOVES ED! HE LOVES HIM SO MUCH' all teaser.
"I don't care what anyone says, he's actually a good guy!" OH STEDE. This is exactly what I expected from you, and I am so excited to see this play out. I hope Izzy is there to help him manage his money, if not, pray for him.
Stede getting a Pirate Outfit that TWIRLS is so him... I'm so happy for him! This is what I always thought Stede would enjoy about 'dressing up' in a pirate world. He can have elegance, color, and function! THIS is his glow-up, the longer hair, the ATTITUTE<3(Prince better be in this season's soundtrack, please).
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WE'RE GETTING A STORM BABY!!!!! My favorite trope in OFMD fic I haven't yet written ;). They're so fucking scary, the reason most pirates didn't last a year is due to storms vs. most other threats. I'm excited this season will explore a bit more of the realities of living on a ship! I write OFMD horror because 1700'S SHIPS ARE HORRIFIC.
ALSO HI JIM!!!!! My two favorite characters, all get a decent screen chunk of teaser time. THEY ARE SO FUCKING HOT IN THIS TRAILER. GENDER. FUCKING. ENVY. (RIP Lucius fans...He'll be at the end of S2 Episode 1...probably).
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MY HANDSOME WIFE! I fucking love Ed in this trailer so fucking much. If you follow my page, as much as I am an Izzy lover, Stede and Ed are close behind. I love that Ed is clearly heartbroken, and dissatisfied even with the violence he's supposed to love. He's got that Blackbeard mask on tight, and it's not coming off. Also: He looks hot while doing it.
His work wife leaving is probably going to fuck him up more.
I don't think Ed has a TON of screen time, mainly just due to Taika's schedule at the time. But I'm excited to see him sad.
ALSO: Did Ed color the doll so he's wearing a lace bralette? Cause that tummy (at least in this GIF) looks skin-toned. AHHHHH! He would rock that. I just know he'd rock that.
SIDE NOTES:
-HI SPANISH JACKIE/SWEDE- The ship I didn't know I needed till now.
-OLU! I hope you have such a good season, babe. You deserve it. Jim is obviously loving this.
-Frenchie having cat claws makes me so happy.
-WEE JOHN IN DRAG!!!! YEESSSSSSSSS!
I'M HYPED!!!!!!!!!!
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egg-emperor · 7 months
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WHAT DID I FUCKING SAY Y'ALL????
youtube
Eggman isn't the overly physically affectionate gushing and throwing arms around people type, it doesn't suit his demeanor and behavior and I'm glad to see that hasn't been suddenly forced with Sage. And that's even aside the way she's still actually not a physical being in the way she's a digital program so he'd surely just phase through her anyway since I'm pretty sure there isn't a solid physical sense of touch actually going on here between them, but again that's besides the point anyway-
This isn't over the top and uncomfortable OOC like in fanon. I like how it's a subtle and small gesture, with him extending his arm with hand out to her but looking away and forward. He's quiet, solemn, and reserved. His demeanor and body language is very important. He takes a breath that seems like a "sigh well, here goes" kind of way then mumbles it, not much, just small words of praise towards her doing the very things he created and praised her for before- doing what he wants her to and serving her purpose as his protector like she protected him in the fight, and calling her his daughter also has the same effect in encouraging her and he knows it, as well as how it's appealing to him for his pride as he said in the memo.
Also wow his bear paws are so fucking big do you see what I'm saying god damn lol I wanna hold them so bad too ahhgufdbkgshj 🥰 Speaking of, this is literally exactly how I imagine such gestures with him in my self sh!pp!ng too and I think anything different would be OOC, this is the way that works in any form I think
It's very important to acknowledge that he's not shy at all, that's the last word to describe him. He has the highest self esteem, self love, and confidence and it's all genuine. It's just that hyper affectionate super warm and mushy gushy-ness, be it through feelings, words, or actions isn't his thing. The most he's ever going to hype someone up close to it is in a performative manipulative way to urge them to continue doing what pleases him, and he forces it in some cases more than others, you get varying degrees.
But I like how it's on the more subtle side here a lot because it's even more telling of his true character. When he's acting like this it aligns with that reasoning again but with a new look at his style of showing it in a physical subtle manner, with his behavior being similar to the scene where she saved him in Cyber Space and said he was proud of her for it- only it was only through words then. We've now seen how he can show this verbally and physically and I like it a lot, it's the only way this can work and they did it. This is the best outcome.
Let me elaborate further; I truly believe that he doesn't know how to feel the typical conventional idea of "love" for anyone but himself because he is the biggest egotist and narcissist in all of existence and is extremely selfish and y'all seem to be forgetting what that entails for his behavior and personality feelings, and mindset with his self absorption and low empathy. There are no sudden exceptions to this, Sage is literally just another perfect example of it, nothing has changed with him.
The only way he can value anyone that isn't himself is in what they can do for him, what's in it for him is always his mindset, so it's the same thing of self praising, self serving, and self-centered, just being served through another person appealing to that through serving him, agreeing with his outlook, and having a willingness to serve and good use to him. And guess what? That's still the exact reasoning behind it with Sage. This is known and true in the prequel comic, memos, and Flynn's words and hasn't changed.
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And why wouldn't he be pleased with her for this and praise her for it when it goes along the exact lines of that?
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It's in character because Sage is the one giving some thing to him, protecting him, serving him, and showing loyalty, support, and respect for his desires. She does exactly what he wants as she's created for and is genuinely willing and enthusiastic about it unlike a lot of other creations of his. Eggman still hasn't done shit for Sage except praise her when she does what he wants but then becomes grumpy and snaps at her every time she does something he doesn't.
In fact he does it again in this scene too where he's seemingly really jealous and pissed when he notices her looking at Super Sonic with admiration lol
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It's selfish on Eggman's side and selfless on Sage's side, so it works.
That's why I still wouldn't put the word "love" to Eggman's side of the dynamic because I feel it has connotations that don't accurately define his feelings. Though you could at least say he "loves" and "cares" for her "in his… own way" as Sonic put it, because there's actually selfish and unsettling reasons behind it as Flynn himself put it too. But it's not hyper affectionate, unconditional, or genuinely selfless like people are acting like it is. And it's so much more interesting that way and fun to analyze.
Eggman commending Sage for her work and for serving her purpose makes sense and is in character. It's nothing different to the reasons I said the standard base game ending was. The only difference is a hand hold presented in the best way. He finally has a creation genuinely enthusiastic and willing to serve him and being her creator and father gives him a lot of pride for being the one to create her and make her that way and his success and pride in doing so with the ways she benefits him and values his selfish desires are what his value is factually rooted in in the game.
So overall yeah, I really like how Eggman and Sage and their dynamic were handled in this update. They'll probably be a lot more in depth thoughts to come because I'm short on time right now, this is a mini essay in itself but l have tons more like always lol. But for now, since nobody seems to understand my take on their dynamic despite me just relaying what the game itself showed and repeating what Ian Flynn says, let me just remind you of my actual summarized take on how I see it is and how I cleared up misconceptions people have about my take on it here.
And everything we saw in this update aligns with and doesn't contradict any of what I've perceived and analyzed and discussed throughout my Sonic Frontiers tag on my blog! Very pleased. 👏
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