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#Acting Coach
playitagin · 10 months
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1949-Lindsay Wagner
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actingcareerexpert · 7 months
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Getting the casting directors attention
The first step to creating a killer self-tape is getting the casting director’s attention. With so many actors submitting tapes, you need to make sure yours stands out. The best way to do this is by delivering a memorable performance right from the start.
In addition to the 5 Elements To A Killer Self-Tape, here are a few more tips that will help you stand out: One effective way of grabbing their attention is through your slate. Your slate should be confident and charismatic, showing off your personality and unique qualities as an actor. But never over the top. Just friendly and to the point.
Additionally, pay close attention to lighting and sound quality in order to create a professional-looking video that draws in the viewer’s eyes and ears. Proper lighting can help highlight facial expressions while good audio ensures they won’t miss any important details in your performance.
Remember, catching their eye doesn’t necessarily mean going over-the-top with gimmicks or flashy techniques; sometimes simple choices made with boldness can have just as much impact on capturing their attention!
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filmcourage · 1 month
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What Denzel Washington Taught Me About Acting - Sheila Houlahan
Watch the video interview on Youtube here.
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frary-us · 1 month
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Toby Regbo's Instagram Story March 19, 2024
Toby rarely posts on social media but he continues to support his good friend & acting coach, Orlando Seale, by promoting his workshops.😊 Orlando played Scotsman Liam in Reign's 1x17.
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Secrets of Screen Acting
There are no secrets or techniques for screen acting. That’s the truth! As a school offering the best screen acting classes in Glasgow, take it from us. Our experience and knowledge comes from actually doing it at the highest level.
Acting is acting. There is no specific method for screen acting or stage acting. You simply calibrate to the different environments, that’s all. 
When you work on screen, you’ll be working with a group of highly skilled technicians. They will take care of all the technical aspects to bring the scene together. It’s not your job to worry about positioning yourself for the camera, making the scene dramatic and all these other things that so called screen acting ‘coaches’ or books tell you to worry about. 
You simply turn up prepared, take on the director’s notes and then act! That’s it. 
Oh and another thing, the whole concept of ‘do less’ for camera couldn’t be more flawed. When we watch TV and Film we want to see something believable and watching someone consciously ‘do less’ and suppress expressions isn’t believable. 
Think about your favourite film or tv show. Are the actors ‘doing less’ or are they truthful. The latter right? 
Watch behind the scenes footage of films and TV shows, you won’t see the actors doing any special techniques for camera. Being on set is highly pressured as it is, you don’t need to make it worse by having some made up technique in your head. 
All you need to do is learn how to act well. If you can do that, then you’ll be able to make the necessary adjustments and nail screen acting and stage acting with ease.
Sign up to our affordable acting classes in Glasgow. We’ll teach you how to act well to an industry standard and we’ll show you how to make the necessary adjustments to both screen and stage! 
Don’t fall into the trap of charlatans who claim to know the secrets. They don’t! 
All our short films are on our YouTube channels. We release films starring our students in cinemas like the Odeon and we have a feature film and a TV series on Prime Video. It’s safe to say that you’ll be alright with us! 
Best,
Tharan
Head of Acting,
Southside Performance Studio
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lgbtally4ever · 2 years
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I love this director!!!!
Cutie Pie—coaching a love scene…
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themoment-before · 2 years
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Do you have any tips or advice for teaching one-on-one acting classes. I’ve always taught group classes, but I’ve been asked to coach one student privately and I’m not sure what to do. What do you do with your one-on-one students? The student is 12, if that helps.
For me, it usually depends on what the student is working on. My typical approach (for high-school aged and older) is to coach students on specific pieces, similar to how voice lessons work. For any given piece we’ll do character work, environment work, objective work, dialect work if needed, those sorts of things. I also have some warmups from grad school that I use, mainly visualization/grounding exercises to help students get out of their heads and into their bodies.
With younger students, they don’t always have a specific piece to work on, so I find it helpful to keep a sense of play in lessons and focus on exercises that help them understand how to connect with their emotions and their body. Sometimes we’ll take a small chunk of text and go through it with different emotions/states of being—“Say it like you’re angry! Say it like you’re confused! Say it like you’re cold!”—which helps them understand how these manifest physically/mentally in their own body. Helping younger students learn how to navigate and use their instrument is one of the best things you can teach them.
Another exercise I like for younger students is a visualization-based improv/movement exercise. I’ll give them a situation to imagine themselves in (ex. getting ready for school in the morning), and have them mime their way through it. I’ll guide them by asking questions along the way—“How cold is the water? Is your sweater scratchy or soft? How heavy is your backpack?”—to get them to flesh out the details of their environment. This helps them learn how to create a rich imagined world and make it feel real to them, reminding them that no detail is too small to make an impact.
I also watch for alignment issues with young students—posture issues, breathing too high, swaying, putting weight on one foot, etc.—because it’s easier to address them now than later on if they become ingrained. Building a grounded, healthy physicality for them now will help with their future training.
Since this is a student you’ve already been working with in a group setting, it’ll help that you’re familiar with their level of experience and general knowledge of acting. You’ll know which exercises they’re ready for, which may not work for them, and their openness to new techniques.
Always remember that the learning process goes both ways—they’re learning these new skills, and you’re learning how they learn. Working one-on-one is always more personalized than group theatre games or scene work, and sometimes your approach requires tweaking along the way based on how each student learns best.
You may find Viola Spolin’s book Theater Games for the Lone Actor helpful in your coaching; it’s full of acting exercises intended for one person to do on their own, though some exercises may need slight adaptation for use with younger students.
Best of luck on your coaching journey!
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davidaugust · 4 days
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Worked with an acting coaching client on a scene shooting soon, and among other things we played with knowing what your character is after while simultaneously not believing the other characters are being totally honest with what they're saying. Cool how perception and intention can interplay.
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macproject · 5 days
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Acting Coach Melbourne
Enhance your acting skills with MaryAnne, the one of the best acting coach in Melbourne. Her personalized coaching helps you to break your barriers. For more details visit our website. 
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jadeestebanestrada · 8 days
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Remembering showcases past
Melissa Weltner performs a monologue from Tennessee Williams' Cat on a Hot Tin Roof in Jade Esteban Estrada's 1st Annual Actors Showcase. One of my favorite photos of that glorious night.
Next class: May 15 via Zoom. DM for details.
Photo: Mary Lentz
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mielabong · 1 month
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Working hard isn't enough
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It's hard to accept that working hard isn't enough.
Especially if you're someone like me who makes every effort to be a hard worker or get better at working hard every day.
Sometimes hard work burns us out.
Hard work doesn't always speed up results or processes.
Hard work has no place in what isn't meant for us.
While we glorify hard work, sometimes it's not the smartest choice, because things like time or favor are outside of our control.
We can't brute force our way through things.
We have a limited capacity to how hard we work. We can't floor the gas for the entire duration of the road trip. What about the stop signs, crossing people or animals, sharp turns, downhill roads, or fog in our path?
We need stopovers, pacing, refueling, and sometimes a change of driver. We aren't objects like cars, yet these objects need stopovers, paging, and refueling. What more humans?
Where did we get the idea that hard work is king? That it's the best advice we can give anyone? That it's the only place we should pour all of our energy into?
Where is the space for us to advocate for nuance, tact, recovery, pacing, kindness, or prudence?
When weightlifters try to increase their weight, they don't start at the heaviest. They work their way there. They try to study the best way to lift and prep with less weight to get to the goal weight.
Likewise, we don't just work hardest right away or all the time. We have to look for ways to build skill so that the upcoming work is less difficult.
Sometimes, working hard, because it's exhausting, frustrates us, especially when we do not yet see results of our hard work. I know this from personal experience.
There's a very turbulent dissonance that takes place in the part of you that is so willing to give your all yet you're witnessing life events, people, or even your own mind or body not keeping up with you.
To work hard is only 1/10 of your our entire battle as actors. And I'm talking about a single battle, not even the whole war, the bigger picture.
Working hard has a time and place, but not everything in the process of pursuing our passion requires that much passion and fire. There are going to be glacial, frustrating, unaligned, downward-spiraling, entangled, (inhale), almost hypnotically listless moments that absolutely have no place for you to "work hard" out of.
Yes, work hard and go to as many auditions as you can, but if you don't work just as hard on ensuring rest, you'll fall into a pit of such poor, burnt out health (physical, mental, or existential) that one day, even just one audition, will hurt.
I speak from experience.
We have so much we have to do as actors! We need social skills, empathy, studiousness, and life experience. There's so much to do that we can't possibly barrel through everything. How do you even brute force through life experience? I mean...??
Because life is unfair by nature, we cannot brute force our way through the industry on hard work alone.
The ugly truth is, hard work is not sustainable.
The goal is not to become a hard working actor. The goal is to be an actor who knows how to work hard when needed.
Please remember that you are an actor, not a horse or some machine known for working hard. Working hard is not the only choice you have. Don't work so hard that you one day run out of the capacity to do so when you need it most.
Pace, dear actor.
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jeffblimchat · 2 months
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At the 10:19 mark Send acting audition help inquiries to [email protected] to make your dream work. Affordable charges than the one in Broadway Plus. You can also DM Uncle Jeff on his active social media accounts (Twitch, IG) No silly messages pls. Just acting audition help business ONLY. His rates are 75 dollars per hour, 50 for half.
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Private acting classes stand out in their ability to cater specifically to the needs, strengths, and weaknesses of an individual. Unlike traditional acting workshops or group sessions, a private setting allows for an intimate exploration of one’s capabilities, under the meticulous guidance of a seasoned coach. 
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acingtheact · 3 months
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cyarskaren52 · 4 months
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They performed as if the rent was due and the home was about to face foreclosure
Murray Bartlett and Nick Offerman, The Last of Us
Photo : Courtesy of HBO
Guest stars Offerman and Bartlett took center stage — and broke our hearts — as they chronicled Bill and Frank’s romantic relationship from gruff start to heartbreaking finish. Offerman’s performance as the secretly sensitive Bill was a revelation that proved the comedic actor’s got some serious dramatic chops. And Bartlett’s easy earnestness as Frank made for a loving counterpoint that perfectly complemented Bill’s defensive cynicism. Together, what a dynamic, moving and eminently watchable pair! — Kimberly Roots
Photo : Courtesy of Prime Video
In the Amazon comedy’s fifth and final season, Borstein — who has already picked up two Emmys for her role as Midge’s indefatigable manager Susie Myerson — was tasked with playing her gruff, potty-mouthed alter ego through multiple decades amid some extreme emotional highs (Susie breaks Midge!) and lows (Susie breaks up with Midge!). And there was nary a false note in her work. In fact, the Susie-centric, Friars Club roast-themed sixth episode ranks among Maisel’s finest hours, in large part due to Borstein’s remarkably restrained comedic and, ultimately, heartbreaking performance. — Michael Ausiello
Photo : Courtesy of Apple TV+
Think back to Ted Lasso’s earliest episodes and ask yourself if you ever thought you’d be cheering in Jamie Tartt’s corner. No? Us either. And yet, there we were in Season 3: gutted for Jamie when Zava usurped him as AFC Richmond’s star player; anxious as we waited for that final goal against Man City to hit the back of the net; and utterly charmed by Jamie’s three-season metamorphosis, an arc that satisfied so deeply because of Dunster’s endearing approach to it. In Ted‘s third season, Jamie was all at once an effortlessly cool football superstar, a soft-hearted mama’s boy and perhaps the most devoted friend in Richmond’s entire clubhouse — and Dunster made us believe every version of him. — Rebecca Iannucci
Dominique Fishback, Swarm
Photo : Courtesy of Prime Video
We’re still thinking about Fishback’s fascinating turn as Dre, a hyper-fixated fan who embarked on a cross-country murder spree in her idol’s name. The actress impressively matched the show’s chaotic plot with an equally riotous performance, portraying Dre as mild-mannered in one moment and delectably unhinged in the next. We were especially blown away by Fishback’s transformation into Dre’s alternate persona Tony in the finale, appearing unrecognizable with just shorter hair and a downward vocal inflection. Swarm may have illustrated the perils of extreme fandom, but consider us obsessed. — Keisha Hatchett
Photo : Courtesy of Apple TV+
Ford’s natural charm and charisma were on full display throughout Shrinking‘s debut season. Even the quietest of quips and Paul’s mildest of irritations were transformed by the actor into big laughs and major moments. And despite the oodles of comedy the screen vet delivered, he also flexed serious dramatic muscle. When his character’s Parkinson’s disease raised concerns with his daughter, lingering resentment came to a boil, giving the actor plenty of meaty material to chew on. The living legend’s performance sizzled, frequently catching us off-guard, and elevating everyone and everything around him. — Nick Caruso
Photo : Courtesy of Peacock
Simone’s profound yet absurd journey in the Peacock show was as impactful as it was entertaining, and that’s because of Gilpin’s divine performance as the wry nun. The actress skillfully navigated each twist and turn of the show’s ambitious story with stunning clarity; even if we didn’t fully understand what was happening, we knew exactly how Simone felt each step of the way. Gilpin has always impressed with her exceptional talent, but it was this memorable performance that converted us into lifetime devotees. — K.H.
Photo : Courtesy of FX
Idris’ raw and deeply unsettling turn in the FX drama’s final season is a huge part of why Snowfall is also one of our picks for the Best Shows of 2023. As Franklin’s desperation to retrieve his stolen money intensified, so did the actor’s performance, resulting in one of the richest and most devastating turns we’ve seen all year. — K.H.
Devery Jacobs, Reservation Dogs
Photo : Courtesy of FX
Jacobs proved herself to be one of the Hulu series’ most versatile performers. When her character Elora wasn’t grappling with grief or trauma, the actress spent the show’s swan song going toe-to-toe with uproarious guest stars and exploring what it meant to be young and directionless. She aptly juggled complex emotions when Elora met her dad for the first time and made the difficult decision to leave the reservation for college. With her exceptional comedic timing and on-screen vulnerability, Jacobs will forever be remembered as the Rez Dogs’ beating heart. — N.C.
Natasha Lyonne, Poker Face
Photo : Courtesy of Peacock
We loved Lyonne’s raspy-voiced sarcasm on Orange Is the New Black and Russian Doll, but she may have found the role of a lifetime in Peacock’s charmingly retro mystery. Lyonne channeled classic TV detectives like Columbo and Jim Rockford as amateur sleuth Charlie Cale, who has a supernatural sense of when someone is lying. But she put a modern spin on it, too, with an endless supply of smart-ass one-liners, and she also let us glimpse the wounded soul that Charlie hides underneath all the punchlines. Here’s hoping she sticks around as long as some of those classic TV detectives did. — Dave Nemetz
Photo : Courtesy of Amazon Freevee
You might say that this was hardly a performance, since Marsden essentially played himself in an elaborate prank that convinced one unsuspecting dude he was a juror on a totally fictional court case. You’d be wrong, though. Marsden’s very presence on the jury helped sell the prank — who would make that up? — and he gleefully poked fun at his movie-star persona with plenty of shameless name-dropping and diva-esque demands from the jury box. He even formed a touching bond with the unsuspecting juror Ronald, cementing this as one of the very best performances of Marsden’s career… since Sex Drive, at least. — D.N.
Zahn McClarnon, Dark Winds
Photo : Courtesy of AMC
AMC’s Dark Winds with Season 2 amassed more of the acclaim it richly deserves — much of which is born of what McClarnon brings to the role of Joe Leaphorn. As the tribal police lieutenant, McClarnon with the nuance of an artisan brings forth many facets, including dead-serious intensity, understandable fear, camaraderie (and even the occasional dollop of biting wit), and the warmth of a family man navigating all manner of drama. We care about the cases because McClarnon’s performance makes us invested in everything that Joe cares about. — Matt Webb Mitovich
Ebon Moss-Bachrach, The Bear
Photo : Courtesy of FX
Season 2 of Hulu’s culinary dramedy offered a feast of great performances, from unexpected guest stars (Jamie Lee Curtis!) to cast members hitting new heights (Ayo Edebiri!). But the most satisfying of all was Moss-Bachrach’s heart-wrenchingly vulnerable turn as Richie, the tough-talking bastard who actually got his act together and transformed himself into a world-class restaurant employee. Sure, he was salty throughout, but it was a joy watching him discover his life’s purpose — and sing Taylor Swift along the way. — D.N.
Elizabeth Olsen, Love & Death
Photo : Courtesy of Max
Coming off 2021’s genre-spanning WandaVision, Olsen confirmed with Max’s true-crime miniseries that her range is indeed boundless. Though Candy Montgomery’s life took a notoriously tragic turn, Olsen played Candy in those early episodes with a magnetic charisma and surprising humor, making her eventual pivot to axe murderer all the more heartbreaking. But Olsen then transformed the housewife into an anxious, withdrawn version of herself as her trial began, and a crucial therapy scene in which Candy mined her childhood trauma proved Olsen can literallydeliver the goods with her eyes closed. — R.I.
Bel Powley, A Small Light
Photo : Courtesy of National Geographic
The Morning Show alum was immediately lovable as Miep Gies, one of the people who risked everything to help Anne Frank and her family hide from the Nazis. Watching her take Miep from floundering young woman to steely member of the resistance was riveting, thanks to Powley’s choice of making Miep utterly unable to hide any of her emotions. Her turn in the finale, particularly when she blended devastating loss with a determined hopefulness as Miep comforted Otto Frank, was nothing short of a masterclass. — K.R.
Ramón Rodríguez, Will Trent
Photo : Courtesy of ABC
You don’t deliver a freshman season that earns a rare average grade of “A+” from TVLine readers without having something really special going on. For ABC’s Will Trent, that added oomph came from a stellar cast led by Rodríguez. Readers of the Will Trent novels by Karin Slaughter may have needed a minute to process the TV series’ casting, but Rodríguez from go brilliantly encapsulated both the investigator’s insightful strengths and his haunted, personal weaknesses. The season finale, in which Rodríguez cycled Will through an array of intense feelings, cemented his perfection in the role. — M.W.M.
Photo : Courtesy of HBO
Everyone brought their A-game to the final season of HBO’s riveting corporate drama — Jeremy Strong and Kieran Culkin could easily be on this list, as well — but Snook blew us away with her final episodes as scheming sister Shiv Roy. She was still quick with a cutting insult, but she also dove deep into Shiv’s true feelings as she faced unprecedented crises: first, the sudden death of her father Logan (with Snook submitting a career-best performance) and then the sad decline of her marriage to Tom. The worst of times for Shiv, though, brought out the very best in Snook. — D.N.
Patrick Stewart, Star Trek: Picard
Photo : Courtesy of Paramount+
This old dog still has a few tricks left up his sleeve. The 83-year-old Stewart could’ve just glided through Picard’s final season on cruise control, but instead, he submitted some of his best Trek work yet as Jean-Luc dealt with the massive shock of learning he had a child he never knew about. His emotionally charged confrontation with Beverly about their son Jack made for mesmerizing TV, and he was downright spry as he led the reassembled Next Generation crew on one glorious final mission. — D.N.
Meryl Streep, Only Murders in the Building
Photo : Courtesy of Hulu
It took no time for the three-time Oscar winner to escape into the role of a struggling stage actress, wowing us with her well-honed dramatic chops as she delivered Loretta’s audition in the premiere’s opening scene. A season-long arc would afford her the opportunity to be comedic (for instance, when Loretta flipped over a potential part in Grey’s New Orleans: Family Burn Unit) and romantic (in her scenes opposite Martin Short aboard the Staten Island Ferry). She got to sing her heart out (see: “Look for the Light”) and lay it on the line (when Loretta was confronted by estranged son Dickie). Suffice it to say, we were dazzled. Death Rattle Dazzled. — Ryan Schwartz
Photo : Courtesy of FX
We know her as Ted Lasso’s perky publicist Keeley Jones, so it took some getting used to when Temple went Minnesota Nice as meek housewife Dot. Within minutes, though, Temple sold us on Dot’s Midwestern roots — and showed us she’s not as meek as she seems, either. Temple is perfectly chipper as the happy homemaker and also holds her own packing heat in Season 5’s high-adrenaline action scenes. Plus, she hints at the many skeletons still hanging in Dot’s closet, making her a fascinating mystery we’re still working to unravel. — D.N.
Ali Wong and Steven Yeun, BEEF
Photo : Courtesy of Netflix
The feud was messy, but the performances were divine. As two characters who clashed, bickered and set out to destroy each other, Wong and Yeun wowed us with turns full of humanity and humor. Amid the series’ campy comedy, both actors dug deep into their character’s insecurities, showcasing blind rage, anxiety and sadness as they wrestled to accept the lives they had created. In a series that ran the gamut of emotions, genres and tones, the two actors combined their skillsets to elicit some truly next-level work, and as promised, this BEEF was flamin’ hot. — N.C.
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TVLINE'S YEAR IN REVIEW!
Performer of the Year: The 20 Finalists
By Team TVLine
December 13, 2023 7:00 am
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Not even a months-long actors strike could stop the steady stream of phenomenal TV performances we were gifted in 2023.
All year long, Team TVLine has recognized the small screen’s most compelling work via our Performer of the Week column, honoring actors from broadcast, cable and streaming series as they brought their characters to dazzling, devastating life. But now, we’re tasked with naming a Performer of the Year â€” a decision that seems almost impossible, given the abundance of talent in the last 12 months.
To make the choice a bit easier, we’ve narrowed down the field to the 20 finalists below (named alphabetically), a list of nominees that doubles as a “ballot” of sorts. (Note: As is TVLine tradition, any contenders comprised of multiple co-stars — for example, BEEF‘s Ali Wong and Steven Yeun — compete as and will be considered one finalist.)
On Wednesday, Dec. 20, we will crown one of the nominees (and only one!) our 2023 Performer of the Year, dethroning the 2022 victor, Better Call Saul‘s Rhea Seehorn. And while our esteemed panel of judges won’t necessarily be swayed by the Comments section, we’re itching to see if our 20 finalists line up with your favorite performances of the year. 
Keep scrolling to see who’s in the running from this year’s shows, then drop a comment with your thoughts on who might be named Performer of the Year 2023.
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Why Southside Performance Studio Over Others?
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We are the only acting studio in the UK that is dedicated solely to helping people achieve their acting goals on a part-time basis.
No matter who you are and what your level is, we will be able to cater for you. It’s never a ‘one size fits all’ approach at Southside Performance Studio. You’ll be able to train under your own terms. Your strengths will be acknowledged and your weaknesses will be taken care of. No one goes unnoticed at our studio. You can also train when you want without having to make compromises to your life.
What makes us unique is our understanding of the industry and it’s requirements. Our training structure is designed to meet these requirements. All our courses are practical. After only three months of fundamental training, you will be moved onto our production courses which will then sharpen your skills and also give you credits in theatre, TV and Film. Not only that, we cover all the essentials skills too like voice acting (voice reel included in the course), accents, screen and stage combat, audition training, writing, monologues, self-tape services and many more.
By the time you’ve completed 2 years of consistent training with Southside Performance Studio, not only will you be able to join Spotlight UK as a professional actor, you’ll also have a solid set of credits, a phenomenal showreel, crisp voice reel and an array of skills that you’ll be able to list on your Spotlight CV. In this hugely competitive industry, this will set you apart from the rest.
You tell me? Where else would you rather train? What other acting schools in Glasgow offer what we offer?
Get in touch with us to begin your acting journey.
Best, Tharan Head of Acting Southside Performance Studio
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