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100-yardstare · 1 year

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Fandom: Super Smash Bros

Summary: Many years of kingdom conquests lead King Bowser to a deal that he couldn’t refuse. The deal, long and forgotten, is now buried under his new life with Princess Ari. A pleasant day with his newly beloved goes haywire when he gets a visit from his creditor – Ridley, leader of the Space Pirates – whose hellbent on taking back the equivalent on what is owed: the Koopa Kingdom.

Authors Notes: This is an AU that @trashyourash and I came up with, where our inserts meet, Super Smash Bros fashion. This Metroid and Super Mario Bros crossover has the potential to expand into multiple chapters.

Rating: T

Word Count: 2,213

The paced clip clap of Princess Ari’s heels sent echoes from the royal floors of Bowser’s castle as she made her way to the dining hall. There was an odd smell of the typical volcanic fumes that made its way through the many windows and panels above her that clashed with the growing smell of a delicious dinner; it was truly only a scent that could be experienced in King Bowsers domain.

Ari’s stomach rumbled in anticipation of what was on the menu. Bowser’s henchmen never let her down before, and this dinner date was no exception, especially if Bowser himself had anything to say about it: “Only the best for my Ar-Ar, or I’ll smash your skull in!” she heard him say once.

Two small Koopa took notice of Ari’s arrival at the dining hall, and immediately took a respectful bow before working together to open the large doors. The opening of the entrance doors to the dining hall sent a slight draft to blow over her, with it carrying the delicious smells with it. Her eyes immediately landed on the elaborately decorated dining table, among it a red tablecloth adorned with a variety of foods for the occasion, and flowers freshly picked from what looked like the Gusty Garden’s Galaxy.

“Oh, Bowser, this is lovely!” Princess Ari exclaimed, her arms outstretched as she gestured towards the table.

Just as quickly as Ari’s excited expression of gratitude left her lips, a series of thumps rumbled from a door adjacent to Ari. Soon after, the doors burst open, as none other than Bowser himself entered the room.

“Babe!” He cried, a large smile plastered onto his expression. “You are here just in time; Kamek will be bringing out the Starbit cake shortly, and we’ll be ready to feast!”

Bowser quickly made his way towards the table itself, lifting a chair—directly beside his of course—outwards, and set it down, specifically for Ari. He gestured towards it, inviting his beloved to take a seat.

As Ari made her way over, the commotion had caused the other Koopa and henchmen to begin arriving in the hall, including Kamek, who lead a handful of henchmen carrying the Starbit cake to be planted on the table with the rest of the feast. Like a timely queue, once Ari had taken as seat at the table, everything was set, and the henchmen took a step back, bowing before Bowser and Ari.

“Your dinner, Sire… Princess…” Kamek said.

“It looks perfect, just as I told ya.” Bowser replied. He placed his large claw gently on Ari’s shoulder, and asked her, “Do you like it, Babe?”

“Bowser, you know I do,” Ari responded. Yes, it was over the top, and a bit unnecessary, but she loved being doted on by Bowser.

“I’m glad…” Bowser replied; his muzzle reached her ear as he gave her a smooch before taking a seat at his chair next to her. Once seated, he began to fill his plate, and help Ari set hers up as well before they both jointly began to partake in their dinner.

“I heard it’s gonna be a beautiful week at the Isle,” Bowser mumbled through bites. “Next time we oughta have dinner at your place.”

Ari lifted her napkin, patting her lips before responding, “You bet! The crowds aren’t supposed to come for another few months, so the season is ripe for fresh cuisine and space. We could hold the dinner outside wherever you want: Sirena Beach, Bianco Hills, you name it, Hon.”

“Ah, too many decisions,” Bowser grumbled. “Kamek, maybe you should flip a coin.”

“Yes, Sire…” Kamek noted. “What are your conditions?”

“Heads say we reserve the entirety of Pinna Park! Tails Sirena Beach and reserve the whole hotel!”

“Bowser, don’t you think that’s a bit much?” Ari said, although the instant she said it she knew better: she loved the idea. There was so much they could do besides dinner with all that space.

“Of course, Your Majesty,” Kamek nodded. With a twist of his wand in the air before him, a series of blue and green sparks would erupt before a single golden coin appeared and levitated within reach for him to grab. Kamek would take a second, putting away his wand, before he tossed the coin into the air.

As the gold spun round and round, a violent rumble overtook the castle. This startled everyone in the room as the eyes of all took their gaze away from the golden coin and around the ceilings. The coin would hit the floor, sending a high-pitched echo of its drop throughout the hall, but practically going unnoticed, just before a second violent rumble overtook the castle.

“Where is Bowser Junior?!” Bowser yelled, assuming his son was up to trouble.

“Your Majesty, your son has been visiting the Yoshi Isles, don’t you remember?” Kamek responded. “He’s has not returned yet.”

A third violent rumble escalated everyone’s alertness, causing Bowser to stand up. “Well then go and investigate, Kamek! What do I even pay you for?!”

Kamek sighed, “You don’t pay me at all,” before twirling his wand around himself, disappearing from his seat at the table.

“Hmmm, it’s probably nothing, just another earthquake is all,” Bowser justified aloud.

“Bowsie… I don’t think that was an earthquake,” Ari responded, contemplating to herself that as long as she had been visiting, intermittent quakes quite like this were not the norm.

A fourth quake erupted suddenly, this time accompanying it the sound of an explosion.

“Sire!” Kamek yelled, his return just as sudden as the eruption outside. “We are being invaded!”

“What!? By who?” Bowser replied aggressively, his sharp teeth appearing as he grimaced. “Who would possibly—not only invade me—but try and ruin my dinner!?”

“It appears to be the Space Pirates… if I recall, didn’t you work with them some years ago before your conquest for the Power Stars?”

Bowser’s grimace disappeared, his eyes dilated, and he seemed to go silent for quite some time. It was as if he was remembering something important… something he hadn’t even considered for quite a long time. “Oh… shit,” Bowser finally mustered. “Oh, SHIT!”

“Bowser, what is going on!?” Ari fussed, sitting up from her chair now and slamming her hands on the table. “Who are the Space Pirates? And you never told me you worked with anybody like that before!”

“Babe, it was a long time ago when I was doing my kingdom conquest,” Bowser said. “I don’t have time to talk about it right now, but you… you gotta hide.”

“No, I demand an answer right now!” Ari screamed, but Bowser was set in his ways, and his muzzle was sealed.

Quickly, Bowser would pick up Ari, and jot across the dining hall to the door he had arrived through, setting her down just on the other side of the door, before closing it shut and locking it. “There is an escape corridor down the hall to the left,” he said through the door. “Take one of the airships and get out of here!”

He was met with the response of Ari pounding on the door, frantically screaming at him, “You tell me right now what’s going on!”

Another blast hit at that moment, this time, in the castle itself. Only a few seconds later did the dining hall doors burst open in a bright eruption, emerging from it a woman, a _human _woman, in modified Space Pirate armor, and with her a flood Space Pirate henchmen.

Bowser turned from the door, prepared to put up a fight as he stared down his unexpected guests, walking forward to face them before he stood bravely just a few yards before the invaders.

During the stare down, and the continued sound of explosions outside, the woman lifted her hand to the side of her face, pressing a device in her ear. “He’s here,” was all that she stated, before her arm lowered again.

Those brief few moments of silent confrontation gave Princess Ari enough time to drop kick the door down, inviting herself back into the picture as she witnessed the woman and Space Pirates now present in the room.

“Who is she!?” Ari fussed, her finger pointing at the stranger in aggression as she barred her teeth.

“Ari… I told you to get out of here,” Bowser responded, this time his tone softer, but with it a cautious air that she had not seen in some time.

A loud screech then filled all the halls of the castle, causing Ari to cover her ears. A swoop and a _thud _foretold the Koopa King and Princess that this woman and these… monsters, were not the only invaders that had arrived.

Ari could see just behind the woman, in the now darkened hallway, a set of glowing orange eyes in the abyssal darkness. As the huge figure grew closer, she could finally see an intimidating creature—a dragon—as his wings spread over the woman and Space Pirate henchmen before them.

“Bowser… we finally have a chance to chat,” the dragon spoke. “You are lucky I didn’t just decide to kill you just now.”

“I’ll kill you first!” Bowser replied in anger. “How dare you come on this special day!”

“How dare I?” Ridley replied, mockingly. “After all these years… you had so much time to repay your debt to me, and yet I have seen nothing. I’ve decided to take back what is rightfully mine, and since you obviously don’t have any means of paying me back, I’ll just take what is owed….”

“Get lost, I don’t have nothing for you!” Bowser yelled.

“Tell me who these monsters are, Bowser,” Ari whispered from behind him. “I swear, if you don’t tell me right now, I am breaking up with you.”

“Ari, please, not now,” Bowser tried to convince her.

“Oh, how sweet, I see you’ve finally found a ‘princess’ you’ve so much desired,” Ridley mocked. “I’ll tell her for you, if it wasn’t already clear to everyone in the room: I am Ridley, commander of the Space Pirates. Your King, here, owes me a debt that has yet to be repaid from his days of kingdom conquests. Since he so obviously has and will never have any intention of paying me back, I will simply take his kingdom. It’ll be a great place of operations… as a matter of fact, it is reminiscent of Lower Norfair, which I particularly prefer.”

“You can’t do that!” Ari yelled. “Bowser, tell him to fuck off and go somewhere else!”

“You will die, soon enough,” Ridley said maliciously, taking joy in the confrontation. “Lieutenant Kat, I give you my command… tell the troops to kill, and to have fun.”

The woman who had arrived, now obvious to Ari and Bowser, was the Lieutenant in question. Kat raised her hand once again to the comm-link in her ear, and said, “Ridley commands you to kill as you wish and take the kingdom.” She paused, only for a moment, as she processed her command. “And troops… have fun, and report back to high command once your task is complete.”

Ari screamed as she ran forward, her bravery outmatching her caution, as she pulled a knife from her clothing, having taken it from the table just before Bowser had tried escorting her out. Before she could even get close to the Lieutenant, Kat raised her right arm, shooting a single shot of a laser beam from a gun-like weapon mounted on her forearm, that hit the knife out of Ari’s hand, and sent it flying across the room.

Ari grabbed hold of the hand that had been holding the knife and hissed in pain.

“You know what they say: ‘don’t bring a knife to a gun fight’,” Kat said.

“Very well played,” Ridley commented towards Kat. “Bowser, your pet can play another time. Or not at all, actually… unless you can escape my army’s wrath.” He paused, continually amused with the situation. “I’ll give you five minutes for your princess to escape. If she escapes, she will be spared from my wrath. If not… I’ll kill her myself.”

“Ari, for the millionth time, I need you to leave, now!” Bowser ordered.

“As if,” Ari responded, blowing a tuff of her blue of hair away from her face. “What’s the point of going back to Delfino without you? You know you’re the only guy that has stuck with me.”

“Ari…” Bowser muttered.

“How sweet, two lovebirds, sticking it out to the end,” Ridley said sarcastically. “It’ll be fun to squish you both!”

Ridley’s wings raised as he sent a gust at Bowser and Ari before he opened his jaws and blew a hot wave of plasma upon them that engulfed the entire room. His troops before him scattered, heading for the other Koopa to begin the takeover, as the Lieutenant stood still in her spot, watching the flames, bright and eerie, burn before her.

Once Ridley’s flame ceased, Ridley and Kat watched as smoke and ember replaced the fire. The dinner table was destroyed, the food ash, and the room filled with soot, and crumbling.

Yet remaining was Bowser, covering his beloved with his body, and having withstood the attack.

Bowser wasn’t going down without a fight.

#super smash bros #metroid #super mario bros #bowser #ridley #self insert #oc x canon #kailey writes #trashyourash

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latinboxsports · 2 years

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Resendiz Breaks Rondon Super Middleweight puncher Jose Armando Resendiz (13-1, 9 KO’s) from Nayarit, Mexico kept the pressure right on Heber Rondon (20-2, 13 KO’s) from Buenos Aries, Argentina. Referee Gene Del Bianco waved off the contest as the blue corner wouldn’t come out for round three. “Championship Boxing” Presented by BoxLab Promotions, Warriors Promotions and GH3 Promotions 📍Caribe Royale Orlando 8101 World Center Dr Orlando, Florida 📸: Photo Credits: @damongonzalez_ for BoxLab Promotions @cariberoyaleorlando @boxlab_promotions @warriorsboxing @gh3promotions @wbaboxingofficial #Boxing #Boxeo #WBABoxing #Sports (at Caribe Royale Orlando) https://www.instagram.com/p/CjyiI0eO8Xw/?igshid=NGJjMDIxMWI=

#boxing #boxeo #wbaboxing #sports

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chouncazzodicasino · 3 months

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Tatona buon sabato,

Comincio subito con il dire che sì, intendevo 1919 con la poltrona, pardon. Mi piacerebbe bianca (ci sono molte sfumature anche di bianco tra le pelli) ma anche blu pavone è bellissima. Parliamo, al momento, di sogni dal momento che rimarrà in un negozio lontano da me (uh, a proposito della lava lamp, anche io ho avuto la fase viola e tutte le sfumature possibili).

Ieri è andata per Darione nazionale. Sempre belli quei thrilleroni. Poi non paga ho visto anche Beau ha paura ed a seguire i suoi (del nostro caro Ari Aster) cortometraggi. Che ne penso? Famiglie disfunzionali che minano la certezza della sicurezza e del senso di protezione che dovrebbe esserci tra le mura domestiche. Se piace il genere, si apprezza. Dogtooth l’ho visto anni fa. Disturbante solo un filo meno di Miss Violence; ottimo suggerimento. Non ti ho mai chiesto, ma di Cronenberg che ne pensi?

A presto Tatona!

Ciao Tatì,

non ho visto nessuno dei cortometraggi di Ari, non sono in generale amante dei corti. Miss Violence l'ho visto ma, ammetto, distrattamente e non mi è sembrato nulla di che, per me Dogtooth migliore. Di sicuro lo rivedrò però.

Di Cronenberg adoro la Mosca, Videodrome, Il pasto nudo ed eXistenZ, quel genere di film con tanta fantasia, tanti mistoni e tanta plastilina. Gli altri o non li ricordo interessanti o non li ho visti, ma di base io non vado a "regista in toto" è difficile che mi piaccia tutto di un regista, vado a film, come nella musica vado a canzone.

Ciao Tatì.

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libroazzurro · 9 months

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A MO’ DI COMMIATO, CANZONI #13 - I VECCHI BEVEVANO VINO E GAZZOSA

I vecchi bevevano vino e gazzosa

e scacciavano le mosche,

mentre giocavano a carte.

È una cosa molto costosa,

dicevano,

fare violenza al caso,

e il cielo è alto e disteso,

e la terra, invece, è bassa,

e misura troppi medimni.

Perché?,

ci chiedevano,

e, poi, sorridendo, ci spiegavano:

agli dèi ripugna ciò che è manifesto.

Io non ci capivo niente,

anche se mi davo arie da grande,

e vestivo elegante,

e fumavo come gli eroi tristi

dei film in bianco e nero,

ma quel giorno, al momento giusto,

uscii dal bar,

avevo vinto al biliardo,

e sedetti a un tavolo,

il vento cadeva fra le foglie delle piante,

stanche,

che crescevano sull’asfalto,

mi scostai i capelli dalla fronte,

e poi per un istante

il cuore mi tremò forte nel petto,

poi finì la paura,

la pace fu perfetta,

crebbe il canto delle cicale

immenso nella calura,

e divenne continuo e infinito:

e così quello delle stelle.

Fu allora che ti vidi passare.

La vita è sovrabbondanza.

Ti riconobbi dal modo di camminare:

ogni grano elementare

(era una danza)

scintillava nel miracolo dell’aria.

Sembravi non guardare niente.

Ogni cosa ti guardava.

Fu per salvare questo momento

che distrussi tutto.

Testo di Pier Paolo Di Mino.

Figurazione di Veronica Leffe.

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personal-reporter · 1 year

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Robert Doisneau a Milano

Pochi fotografi hanno unito realtà e poesia come Robert Doisneau, tra i maestri più amati dal pubblico e 130 scatti del reporter francese sono a Milano per una mostra che ne traccia un ritratto completo, in viaggio lungo cinquant’anni di carriera. Dopo Elliott Erwitt, Jacques Henri Lartigue, Inge Morath, Maurizio Galimberti e il progetto dedicato a Lee Jeffries, il Museo Diocesano Carlo Maria Martini prosegue il viaggio nella grande fotografia con una full immersion nell’universo di Doisneau, infatti fino al 15 ottobre nella cornice dei Chiostri di Sant’Eustorgio si possono ammirare preziose stampe in bianco e nero ai sali d’argento provenienti dall’atelier di Montrouge, dove il fotografo stampava e archiviava le sue immagini, e dove ha lasciato un tesoro di 450 mila negativi e un’incredibile mole di stampe d’epoca. Considerato il padre della fotografia umanista francese e l’iniziatore del fotogiornalismo di strada insieme a Henri Cartier-Bresson, nella mostra milanese Doisneau si svela tra scatti iconici e perle poco note con mille storie da raccontare. Non mancherà Il Bacio all’Hotel de Ville, la sua immagine più celebre, considerata un esempio di come la fotografia sia capace di fermare l’attimo, oltre al meglio della produzione del maestro tra gli anni Trenta e gli anni Sessanta, dalla guerra alla liberazione, e poi il lavoro, l’amore, i giochi dei bambini, il tempo libero, la musica, la moda. Ci sono personaggi come Jacques Prévert, Juliette Gréco, Pablo Picasso, André Malraux, Jean Tinguely, Fernand Léger, Alberto Giacometti, ma soprattutto una folla di passanti, portinai, ragazze e monelli sorpresi nella freschezza della vita di ogni giorno, che insieme restituiscono lo spaccato di un’epoca e della sua umanità. Completa il percorso un’intervista video al curatore Gabriel Bauret e la proiezione di un estratto dal film realizzato nel 2016 dalla nipote del fotografo, Clémentine Deroudille, per approfondire la conoscenza dell’uomo Doisneau con la sensazione di intimità che caratterizza le sue fotografie. Doisneau nacque il 14 aprile 1912 a Gentilly, un sobborgo di Parigi che segnò profondamente la sua estetica e il suo modo di guardare le cose. Diplomatosi incisore litografo alla scuola di Estienne decise di abbandonare quella strada per gettarsi nella realtà viva e cruda delle periferie, che all'epoca nessuno considerava, con un mezzo d'espressione al tempo ancora guardato con un certo sospetto come la fotografia. Lo sforzo maggiore fu quello di donare dignità alla fotografia, cercando di svincolarla da una considerazione professionale, occupandosi in primo luogo di soggetti che non interessavano a nessuno e che non avevano nessun valore commerciale. I suoi committenti di allora erano nomi come Renault e Vogue. ma furono ben presto abbandonati in favore dell'Agenzia Rapho. Il soggetto privilegiato del fotografo fu Parigi, ma di piccola gente, di arie di fisarmonica, di grandi e bambini, i cui sguardi trasudano umanità e tenerezza. Tra le produzioni di questo periodo si possono citare le celebri "Banlieues" tra le quali spicca la storica "Banlieue la nuit" del 1947, a quelle dedicate ai bambini: "Le dent" (1956), "Les Frères" (1934), "Les petits enfants au lait" (1932). L'artista preferiva definirsi come un pescatore di immagini e sentiva la necessità di immergersi completamente nella realtà. Robert Doisneau morì ultraottantenne nel 1994, dopo aver coronato il suo sogno, insieme ad altri colleghi, di dare un valore alla fotografia che prima non aveva. Read the full article

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beau-is-afraid-sub-italiano · 1 year

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Regia di Ari Aster. Un film Da vedere 2023 con Joaquin Phoenix, Patti Lupone, Amy Ryan, Nathan Lane, Kylie Rogers. Cast completo Titolo originale: Beau Is Afraid. Genere Commedia, Drammatico, - Canada, USA, 2023, durata 179 minuti. Uscita cinema giovedì 27 aprile 2023 distribuito da I Wonder Pictures.

Beau è un uomo paranoico che non ha mai conosciuto il padre e ha un rapporto tormentato con la madre. Quando scopre che la madre è morta, Beau intraprende un viaggio verso casa che ben presto si strasforma in un’odissea surreale.

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❏ STREAMING MEDIA ❏ Streaming media is multimedia that is constantly received by and presented to an end-user while being deliveEspejo, espejo by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method krom the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content. Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it krequently is. Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are all consideEspejo, espejo “streaming text”.

❏ COPYRIGHT CONTENT ❏ Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States. Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shaEspejo, espejo among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referEspejo, espejo to as rights holders.[citation needed] These rights krequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution. Copyrights can be granted by public law and are in that case consideEspejo, espejo “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreeBeau ha paurats with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent. Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities to establishing copyright, others recognize copyright in any completed work, without a formal registration. It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This arguBeau ha paurat has been supported by many examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.

Definition and definition of film / film While the players who play a role in the film are referred to as actors (Beau ha paura) or actresses (woBeau ha paura). There is also the term extras that are used as minor characters with few roles in the film. This differs from the main actors, who have larger and more roles. As an actor and actress, good acting talent must be required that corresponds to the subject of the film in which he plays the leading role. In certain scenes, the role of the actor can be replaced by a stunt man or a stunt man. The existence of a stuntman is important to replace the actors who play difficult and extreme scenes that are usually found in action-action films. Movies can also be used to deliver certain messages from the filmmaker. Some industries also use film to convey and represent their symbols and culture. Filmmaking is also a form of expression, thoughts, ideas, concepts, feelings and moods of a person that are visualized in the film. The film itself is mostly fictional, though some are based on actual stories or on a true story. There are also docuBeau ha paurataries with original and real images or biographical films that tell the story of a character. There are many other popular genre films, from action films, horror films, comedy films, romantic films, fantasy films, thriller films, drama films, science fiction films, crime films, docuBeau ha paurataries and others. This is some information about the definition of film or film. The information has been cited from various sources and references. Hope it can be useful.

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lamilanomagazine · 2 years

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Livorno, presentata l'edizione 2022 del Cacciucco Pride

Livorno, presentata l'edizione 2022 del Cacciucco Pride L’allestimento del Cacciucco Village 2022, degustazioni e spettacoli dislocati in tutta la città e soprattutto il lancio della Cena dei 500: un evento gourmet a cielo aperto destinato a cinquecento commensali che si accomoderanno nella centralissima Via Grande, chiusa al traffico per l’occasione, per godersi la ricetta regina della cucina livornese. Si presenta così il CACCIUCCO PRIDE 2022 organizzato da Fondazione LEM – Livorno Euro Mediterranea e Proloco per il Comune di Livorno. Al centro dell’evento di quest’anno, dunque, l’allestimento di un ristorante en plein air in via Grande, da Piazza Guerrazzi a Piazza Grande, con cinquanta tavoli, una cucina centrale di smistamento e una brigata di servizio gestita dall’Associazione cuochi livornesi. Tutto questo per assicurare a cinquecento commensali, la sera di sabato 17 settembre, di poter degustare la ricetta più identitaria della cucina livornese. La serata evento avrà un costo di 35 € e prevede un’entrée, il Cacciucco e un dessert. In abbinamento col piatto forte, il Morellino di Scansano del Consorzio, vinificato per essere abbinato a piatti di pesce strutturati, come appunto il Cacciucco. A fare da apripista, invece, la ‘Regina Bianca’, la Vernaccia di San Gimignano, il vino bianco d'eccellenza di Toscana. A chiusura il dessert che sarà realizzato dal maestro pasticcere Sergio Cristiani titolare della omonima pasticceria insieme al figlio fresco di riconoscimento come miglior pasticcere under30 toscano, Lorenzo Cristiani, seguito da una degustazione di grappe. Durante la cena è prevista un’esibizione di grande impatto visivo e musicale, con arie di pianoforte che letteralmente galleggeranno sopra le teste dei commensali, con lo SKY PIANO. Uno spettacolo unico nel suo genere che sbarca in Toscana e precisamente a Livorno grazie all’evento Cacciucco Pride. La pianista Melissa Sgorlon suonerà il pianoforte, dal vivo, sospesa a oltre 3 metri di altezza, esibendosi in una performance emozionante. Il Cacciucco sarà magistralmente preparato dall'associazione Cuochi Livornesi, accompagnata dalle tre associazioni sommelier AIS, FISAR e SES che si occuperanno del servizio di degustazione vini in abbinamento alle portate. Partner d’eccezione, sarà Zona Market. L’azienda leader nel campo del cash&carry, fornirà gratuitamente i prodotti alimentari necessari per la realizzazione della cena. A presentare la serata sarà Gianluca Bonetta. Per prenotarsi alla cena, basterà collegarsi alla piattaforma DICE (PRENOTA LA CENA). Il partner per lo svolgimento della manifestazione e per la comunicazione sarà “AllaVigna”.... Read the full article

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fantasy-scifi-art · 2 years

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Art by Aries Bianco

#Aries Bianco #szj #Knight #Paladin #Fighter #Incomplete Armor of God #Shoes of Preparation #Belt of Truth #Helmet of Salvation #Breastplate of Righteous #Sword of the Spirit #Index #Redeemed5

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thecollectibles · 6 years

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Art by ARIES BIANCO

#art #digital art #Illustration #painting #ARIES BIANCO

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melis-ash · 3 years

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have you watched elite's season 4 finale already? what are your takes on caye and phillipe? no judgements here tho, just want to know your opinion on them

Hello, nonny! Yes, I did. My opinion about Caye and Philippe has several different aspects (which a litle bit conflict with each other).

Lets write long post.)) Sorry for mistakes and typos, English is not my first language and I`m not really good with grammar.

1) Caye and Philippe story is feminist retelling-reverse of the Beauty and the Beast, where main characters didn`t became couple and The Beauty left her Beast not for Gaston other romance, but for her own path. And their relationship helped the Beast to realize his past mistakes and make to want to fix it, even if it`s too late . Comparing with many other things in that season that storyline was not bad. Really. There MANY problems with s4, I think the best stolyline had Rebe and Mencia, it was really good, and in my personal opinion, despite many flaws, Caye and Philippe storyline is second one for me. Kinda it was not really good, but it had plot, idea, composition and message. Writers knew very clear, what they tried to say, and despite obvious lack of screen time, they handle it, and this story, despite it doesn`t connect with main plot, resonate with main storyline on the level of their ideas. (About it later.) I know, Georgina is feminist, so I wonder, could she give some advice writers? Kinda “it can work better if...” something like it.

2) Personally I`m very disappointed how OOC was Caye in that season and how few screen time she had. For me Caye from s4 feels like too much different person than in s2-3. I wanted character development for her, but something more slow and realistic. S4 Cayetana feels like all her character development happened between s3 and s4 (and partly in special, which really was very good), and I don`t believe in it. Caye from s4 is good character, but there is no real connection with Caye from s2-3.

I knew, she was very upopular character in s2-3, so maybe creators afraid to gave her too much screen time. But also they still wanted she was part of story and write redemption arc for her. And honestly, anon, these two thing can`t work together well. When you write redemption arc for well written nuanced character that Cayetana was in s2-3, you need give character enough screen time and nuances. But it seems, s4 writers don`t care enough about writing S1-3 characters in character. In s2-3 Caye was bad girl, but also she was comedy relief (but s4 has very few comedy moments), she had family (where the fuck her mother and granddad now? We know only that her mother cannot work in Las Ensinas, but don`t know, why), we saw, that she did`t sleep almost, because she learn in Las Ensinas, worked as janitor and still hung out with rich kids. (I think I began feel compassion for her, when realized it). It that seson she almost has not other scenes than with Philippe. OK, she was pariah in school during previous year, but if writers began that things with Caye and Rebe friendship, can they continue it. Rebe and Caye both had problem with their love interests and they never discussed it. Only time they speak about Philippe was in 402. Also Benjamin fired Azucena, and wanted to expel Samu and Omar, but Caye still works there? And Benjamin still protects her even? Why? I mean, after whole thing with scam in s2. Maybe it because protection of Polo`s mothers, but it never was said in s4 even. It seems, Benjamin knows things about her story with Polo (like he knows about Philippe`s past), and it could be really interesting possiblity to bring on scene that aspect of situation and Benjamin`s character and him and Caye interaction.

Also there is something with Georgina`s acting in s4, in most of scenes she acts as different character, so maybe it was and her (as actress) decision too. I wrote before, she is feminist, and maybe she wanted to bring more feminists vibes in s4 Caye, because it makes storyline works better? Given how few connection with previous seasons on script level her s4 story had, it make sense even, it`s just feel OOC for me, because Caye is not feminist at all. She is strong and ambitious, but she is not type of women what call themselves feminists, and when she said “I became my own Fairy Godmother” in s2, she meant that she was forced to do it. Caye was girl who wanted to be princess from old school Disney animation. In s3 she wanted to live and study on Polo mother money in London and was fully OK with it. When she refused their proposition, it was because thoughts, that Polo could be alive and even more or lesser happy in other school without those her messages, haunted her. Plus when Polo died, he thought Caye was with him more because his money than because Polo himself. I remember, in her first scene Caye read The Second Sex, but it was spectacle for her schoolmates. And when she spoke with them about her fake rich life, it always was “look how rich and glamour I am”. Partly she spoke in this way because she knew very few about rich people`s life, but also there were some of her dreams. She wanted to be rich and and be part of this glamour life. In s3 she became in some way, and she had a lot of possiblities to understand how many shit, pain and tragedies can hide for glamour facade. Theoretically she knew it before. But she was exctremely poor, so it was a little bit difficult for her to think about it too much.

3) So I think more mention of Caye`s story from s2-3 could make her and Philippe story better. Philippe himself have same problem as Polo in some way: he is rich guy, and his mother indulged him too much. Caye saw how Polo`s mother indulged him and saw where it ended. Not good for Polo and many other people. Marina and Polo could be alive and Samu`s family could live with him in Spain, if Polo`s mothers raised their son better. Even if Caye don`t care much about Guzman or Samu and she never knew Marina, she had enough time between seasons to reflect of situation. So with more s2-3 reference that “matter of education thing” Caye says to Philippe`s mother could sound not only as sort of feminist slogan, but as something very personal and painful for Caye. She was in love with boy, who was spoiled too much by his parents (like Philippe), and it brought a lof pain him, his friends, Caye. I don`t say there are not at all attempts include previous Caye experience in s4. For example, when Caye does google research about Philippe and finds nothings, she is still suspicious because she know, how easy money could erase some thing. Also that thing with Pilippe`s mother. I think after conversation with her,Caye realized that Philippe`s and Polo`s promblems had very much same roots. But such moments really have not enough space. Guzman had at least one scene, where he speak about his reflection on s1 evens (where he compares Mencia and Marina). I would like to see something like it with Caye.

4) Many things in Caye and Philippe storyline feel offscreen. We know they regularly talk in school, but see very few of it etc. Actors have good chemistry, and since they both like fashion design, it feels enough for beginning of communication, plus Caye had crush on Philippe long before they met, plus she was first who was really friendly with him in new school (in some way it`s repeat of Caye and Polo story, but with more positive vibes). But I want to see more illustration, why Philippe fell in love with Caye so much.

5) Now about Philippe himself. I saw many hateposts and hatecomments about him, and it`s really funny, because I constantly see how many people in this fandom love Polo and think he deserved better, despite Polo is murderer. Yes, he killed Marina out of emotion, but she is fucking dead. She will never resurrect. Guzman will remember till grave that his best friend killed his sister and then was killed by Guzman`s ex-girlfriend, because policy failed to handle their job well. Samu`s brother was forced to left Spain because it. But it took 2 seasons for Polo to understand he needs go to policy and confess he killed Marina. Caye didn`t understood how wrong her actions were till Polo`s death. I don`t know how long was Elodie`s rape, but at least Philippe didn`t need someone`s corpse to realize his mistakes. Inside standart of this show that guy isn`t hopeless. “Everybody deserve second chance” was important point in Caye`s story in s2-3, so now I wonder how writers will play this card in s5 in relationship between Philippe and Caye.

Also I want to say I was wrong, when doubted in Pol Granch acting, he`s good additon to Elite cast.

6) Caye x Philippe storyline and main storyline. In that seson Elite brings of scene, in additon of another murder and drug traid, sex crimes. Prostitution, rapes. It`s interesting, that connection here takes place through Ari, girl, who has serious problem with sexual behavior, when she`s drunk. She`s know it`s perfectly, but also she knows, that when woman says “no”, it`s means “no” and end of story. I really like her role in Caye and Philippe story and I hope in s5 there will be at least some scenes with her and Caye. Also interesting point were Ari`s word that she never report to the police without prove. It feels ambigous. She knows, Phillippe is not angel at all. But also there is other side of coin. I think, she also knows, reputation can be ruined very easy. During s4 there was subplot with discussion club. And Samu speak that ex-criminals cannot become somebody else, even if they wants. Their reputation in society was ruined. In final of Philippe story he sent Elodie his confession. So maybe writers tried to write about theme “can criminal, who admitted his mistakes, to became somebody else?” through season and I think they will continue it in s5.

Sorry if this all sounds muddled and too long. Maybe later I will make some additon into reblogs to this post, I don`t know.

#elite #elite netflix #elite spoilers #elite s4 #cayetana grajera #philippe florian von triesenberg #cayetana x phillippe #polo benavent #polo x cayetana #georgina amoros #pol granch #ari bianco commerford #elite meta #text post

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