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cowboylikemeaaron · 11 months

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Masterpost on taylor and olivia's relationship (but taylor is at fault)

it's an ugly theory for taylor.. so if you can't handle criticism for her please don't read!

I'd like to start by saying I'm not an olivia stan, I've been a taylor stan for 10 years but this is the theory I found to be logical.

Firstly , let's look at this blind item posted on may 22/2023 because it's the spark for this theory

AA is taylor, AB is Matty healy, AC is olivia.

AD could be beyonce or Ariana but it is irrelevant

AE is deja vu and AF is hayley william

AG is good 4 u

So anyways now that we have layed the ground for the theory let's discuss

From olivia's dawn of time to April 2021:

Olivia has always talked over and over how she's the biggest swiftie on earth.. and in January 2021 taylor commented the famous "I say that's my baby and I'm really proud" and she was also sending Olivia gifts.

And then Fearless TV is announced, and the also famous reel of Olivia and Conan on White Horse TV

youtube

Also note that taylor sent olivia the Red ring and olivia talked about it which was in march 2021

So far everyone is everyone's bestie right and they're both in each other's business?

And it continues, and they meet in 11 May 2021 in the BRITs awards where they photographed together and it's all very cute

Now before we move on to the sour release let's talk about olivia for a little:

She was just 18 at the time, she was resembling to taylor's style in many ways:

She wrote about her personal life and had drama around her with her ex and how he cheated

She wrote all her songs and her style is close to Taylor which is fast songwriting and just gets the idea and write about it.

BUT also she differed from Taylor in the following and I'm here talking about late taylor pop album Lover because folklore isn't in the same category:

She made her album very short which helped in the streams

She chose the best singles for her album

She got viraled on tiktok with most of her tracks

Now keep in mind that lover technically flopped (IN TAYLOR'S EYES ONLY), and while folklore has just won AOTY, fearless TV also wasn't that huge of a success (which might be okay as i don't think she thought that the rerecords would make that much of a hit) and ofc evermore also flopped in her eyes (I just know that the willow flop incident is still hunting her), and as a Taylor fan we all know how crazy she gets when her albums aren't breaking all records left and right, and how especially in the lover era she was talking about how she's never gonna get more famous, but then ofc folklore happened, and she started gaining some new fans this time and also the rerecording thing boosted her, but in her head she had about 3 out of 4 albums that weren't up to her standard.

Panic in swift city:

Sour release May 21

Sour is released, olivia is breaking every record left and right and taylor's records, and her spotlight, and her fans because everyone saw that they were friends so they were double stanning. And ofc, miss swift who wrote nothing new would start to feel threatened right? She did.

Sour dropped and taylor had "non collaborative credit" on a song, which is "1 step forward, 3 steps back" that was sampled from new year's day, now of course Olivia got approval for this her and Taylor are besties, and when the album dropped taylor had credits for this one song, and knowing taylor which is also miss "get a good lawyer" she wouldn't let Olivia not write her credits on only one song if there was another..

Video below has olivia talking about the album and she mentions she got approval for 1sf3sb

youtube

Now let's talk about the first thing that could be shady:

May 28 2021: evermore vinyls release

So after 1 week of sour, taylor finally drops the evermore vinyls. Like imagine if the situation has been reversed and another huge artist drops something 1 week after taylor's album release? Girl would have eaten them alive. BUT ALSO, she could have scheduled it from early. But also also, she could have postponed it for 1 week. I can't really tell but it just seem weird to release them when Olivia is your baby right?

Which btw resulted in Taylor of course dethroning Olivia the next week. Yes it is weird.

July 9th 2021

Taylor and Jack got writing credit for deja vu which was a mega successful hit, which is weird.. why now? And they say it's because "cruel summer" influenced deja vu, which if you ask me doesn't make sense if you listen to the songs, but anyways it happened suddenly?

My theory is, taylor saw how sour preformed, and how big deja vu was and of course olivia has told her that cruel summer inspired that, and probably asked her if she was okay with it, and taylor said yes. But then she changed her mind with how well sour got and wanted a piece of the pie, so maybe she threatened a lawsuit? Maybe she just said she'd unleash the angry swifties? Maybe olivia just wanted to be polite? Who knows

After that and for most of the year, they stopped mentioning each other and it was radio silence.

December 6 2021:

Grammys change their rules, which meant that taylor wouldn't be getting a grammy for sour.. which of course made taylor even more mad because we all know how much she loves getting a grammy. Now ofc red tv was released and she was getting more loved by everyone and she was everywhere. But nothing is ever enough for taylor on a famous level, or a grammy level.

April 4,2022:

Taylor and Olivia are at the Grammy, supposedly they're still friends, taylor should be supporting olivia for her album with 2 taylor influence right? no. They don't interact all night and sour wins 3 awards and does a 2009 Fearless Taylor moment, while Taylor gets 1 award which is still huge, but Taylor gets jealous of Olivia being in the spotlight for 1 year, and wining all those awards and most of all, being compared to her all the time.

Keep in mind that swifties were dragging olivia left and right and they kept saying she was benefiting off taylor and she was a fake because they claim olivia betrayed taylor for some reason, olivia was (and still) gets hate everywhere and even snake emojis. Which is something taylor could stop with a tweet/story mentioning Olivia in any good way which will result in swifties stopping acting like assholes.

After and until now, olivia never mentions taylor, only Conan Grey who is olivia's bestie and also a diehard swiftie as he used to claim said that he didn't get a chance to listen to midnights which fueled swifties.

Now there could be 3 things:

1. Taylor was really jealous and threatened by Olivia so she cut her off and took the credit out of jealousy and probably in a not nice way in july 2021.

2. Olivia wanted to separate herself from Taylor because swifties were saying she's using taylor for clout (that's the most popular narrative)

3. Olivia is the shady one and didn't want to give taylor credit (highly unlikely because she was just debuting and she's a huge fan of Taylor)

Personally i do not think olivia or her team would let her be stupid enough to start a feud with taylor, we all know how this ends. And especially when Taylor is a role model to her. So why would she fight with taylor and risk her getting angry and get endless hate from her army that holds grudges till the end of time against anyone that comes near taylor? Additionally, I think even if there was a little tension, olivia still wouldn't cut Taylor off because she's useful to everyone who's her friend as i said swifties hold grudges but they also worship anyone who's her friend. So my guess is taylor is the one who started this thing, and regarding the second possibility, maybe olivia wanted not to be in the shadow but Taylor got hurt over this.

Let me know what you think!

#taylor swift #olivia rodrigo

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hillerskalibrary · 1 year

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YR week 2023 - FAQ

General

What is Young Royals week? A fandom event where all YR content creators are invited to create new content for the YR fandom. Each day of the week, there is a new prompt to inspire creators to come up with a short fic, a quick doodle, or something else entirely. The end result will be a sort of potluck of new content to read, admire, enjoy, share and discuss!

When does it take place? YR week 2023 takes place from April 24th to April 30th.

What pairings/characters are allowed? All of them. Whether it's about our beloved wilmon or that one extra with 5 seconds of screen time you fell in love with - as long as the main focus is on one or more YR characters, you're good to go.

What type of content is allowed? Fic, playlists, meta, headcanons, gifsets, collages, picrews, cosplay, drawings, ... if you can make a post about it, we can reblog it.

Participation

How do I sign up? Because we want to encourage as many people as possible to participate, there are no formal sign ups. If you wanna join, you can, simple as that!

What are the prompts? You can find the prompts here.

I'm not sure how to interpret X prompt. However you want, really! E.g. for the "fairytale" prompt you could rewrite a fairytale with your favorite pairing, or have a character reading a fairytale to his/her (future) children, or a superfluffy scene in which a character mentions "feeling like they're living a fairytale", or ... The prompts are there to inspire you, not limit you - so use them as you see fit!

I don’t have time to create something for each day / I don't feel inspired by the day X prompt. You are under no obligation at all to create something for each prompt. So whether you create something for one day or all days, or even three things for one day and none for the others - we're looking forward to see it!

I’m not much of a content creator / don't have time to create anything. Can I still participate? Yes, you abolutely can! After all, sharing is caring, and that goes double for fandom content. So like, kudo, reblog or comment, send your favorite author a sweet ask or reblog your favorite artist's entire portfolio - there are plenty of ways to show the YR week content creators how much we appreciate them!

Posting

Where/How do I post what I created? Make a new tumblr post* that either contains what you created, or contains a link to the content on a different platform (e.g. a post with your artwork, a link to a fic on ao3, ...) and tag it with #yr week 2023. We will then reblog it to the hillerskalibrary for more visibility!

*remember that only new posts show up in the tags, so if you reblog a post and tag it, we probably will not see it! if you do prefer to reblog rather than make a new post, make sure to mention (@) hillerskalibrary on the post itself.

When should I post? We will post each prompt at 10am GMT+1, which will signal the start of that day's posting. However, if you are to the East of us and it's easier for you to post early in your morning (so before the prompt post has gone out), OR if you're to the West and you post late (so when the GMT+1 day is already over) - that is just fine.

It's Wednesday and I only now finished the Monday prompt :(. What, you think people are gonna be mad they're getting more content? Just post it, you're fine!

I'm not on Tumblr - how can I share my content? Just submit it directly to hillerskalibrary, and we will post it for you, no problem!

Is there an AO3 collection for fic? Thanks to a thoughtful anon who reminded me - yes there is!

#yr week 2023

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ezamevolni · 1 year

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Treatment

It's almost a full day after Jk went live in the middle of the night, then went to do a double instagram live with Tae, and returned to Weverse again to do karaoke.

I'm active on both Twitter and Weibo and I saw quite a lot of crazed reactions ranging from 'deliriously happy Jk is alive' to 'fight the tyrant who locked him away'. At first most comments were happy tears over Jk resurfacing again, lots of shippers being excited they were fed, people going gaga over all the controversial (?) moments in his lives... then it slowly started turning into discourse, as usual, about the mistreatment of bts members.

I'm sorry but so far the replays haven't been subbed, we only have some partial subs from the few translators around, and a lot of what Jk said has been paraphrased and distorted into alarmingly untrue things. I don't know, so far it's only been a day. Maybe settle down with the panicking and worry, wait for context and verification, then it's never too late to organize hate campaign against Hybe.

And I feel a bit blindsided by all the anger and whatnot directed at Hybe because of Jk's live because...he's not being mistreated? He mentioned a few things that caused the alarm: he stayed inside for 6 days, he had been disconnected to the outside world, he hasn't been working on his album lately, was feeling physically unwell, slept in Bam's house...

It does seem like Jk is not in a good place right now, but it doesn't quite look like a predicament caused directly by Hybe and their iron hand on BTS. I would like to think that Jk doesn't have Hybe guards outside his door barring him from exiting, nor did they take away all internet or modes of communication in his house. Else how did he come onto Weverse live, saying he hadn't gotten permission but turned on a live anyway?

And Jk mentioned he had been home for 6 days then. 6 days before he finally turned on a live and interacted with fans. I don't know. Maybe he's just not in an emotionally great place during this time and turned on a live to reassure fans, and maybe to make himself feel better too?

I know most if not all, armys are Not Jinkookers. So I didn't really see many people making the connection between Jk's vulnerable state, drinking, flirting, and Jin's absence. That's fine, I'm also not making the statement. All I can say is I saw him being vulnerable in the middle of the night, and I hope the members, his family or people close to him can help him out of the slump.

Leaping to the conclusion that Hybe has put Jk on house arrest is seriously some kind of mental. Also, all the members are on their own schedules which naturally, I would assume has give for them to live their lives, play, work on their music, do whatever they want. They've lived in front of the cameras for nine years without stopping, and very clearly have expressed their desire for a new rhythm during Festa 2022. I really don't understand how everyone is equating 'members not being seen in public' to 'forced to not work'. Could it be by choice? By their own schedules? Yeah?

Armys are making 'introvert line' jokes all day long and when any of them don't post on sns (which they already don't even when super active back in the day), suddenly go code red they're being shelved on purpose. I can't with this fandom sometimes. Dramatizing and making a mountain out of a mole hill.

I wish more fans would just let them be. Stop yelling at the agency for assumption made up in their heads and in the midst, causing issues that may not be there in the first place.

And I think a lot of armys still don't know the difference between Bighit and Hybe. They're not the same thing. Hybe is the parent company funding a collective group of artistic agencies, while Bighit is one of the agencies under Hybe. Hybe could influence BTS through funding and resources given to Bighit, but I highly doubt BTS are being shortchanged with money. A lot of fans seem to think Hybe wants BTS gone, or that BTS has a strong desire to leave......each to their own. I don't think that's true. Are they diverting attention and using BTS as clout for their other groups? Yes, that's true and I don't like that. But that's not been done under the pretext of draining BTS, it just appears to be so as BTS are less active than before while other groups are on their debut rollout. In fact, I would say that the media play being bought by that new group is a strategic move by their agency, with no influence or knowledge from Bighit. The agencies under Hybe are all quite autonomous and even rarely collaborate. So.

BTW Jk's brother posted him with Bam in the morning, and Jk mentioned Bam having an appointment at the vet. So people are assuming Jk fell asleep at dawn and Jk's bro had to take care of Bam instead.

I say this endearingly, Jk is still such a kid.

#jungkook

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zyrafowe-sny · 4 months

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Jagodzianka's 2023 ao3 wrapped [writers edition]

click here for the original post by floydsin!

and here's my 2022 wrapped

How many words have you written this year? I've posted 33,388, and I kinda wish I didn't include 55 of them.

How many works did you publish this year? 31, though many were 100 word drabbles/drabble sequences (23 had less than 1000 words)

What work are you most proud of (regardless of kudos/hits)? I am going to cheat a little. I'm proud that I was a Whumptober completionist and posted at least one drabble a day every day in October. It actually cost me one or two subscribers, but it is what it is.

What work of yours has the most hits? arm-upgrading is a love language

What work of yours got more feedback than you expected? It's not my most kudosed fic, but I was a little surprised my Chickadee drabble beat out other drabbles of mine.

Favorite title you used LuLuRoe is my underappreciated punny title (combo of Lilith's nickname Lulu and the MLM LuLaRoe)

If you use song lyrics, which artist’s songs did you pull from the most? Umm...all unique, I'm afraid. We've got an old nursery rhyme (ashes, ashes, we all fall down), a scout song inspired by a 19th century poem (a circle's round), Green Day (is the cop or am I the one that's really dangerous), and OK Go (while our bone's keep looking back (this will be the one moment that matters)).

Pairing you wrote the most for this year? Ballister/Ambrosius, mostly movieverse

Favorite pairing you wrote for this year? Also Ballister/Ambrosius

What work was the quickest to write? Probably one of my many drabbles or smubbles, though it's highly variable how long drabble editing takes. Other than that — arm-upgrading is a love language was remarkably quick to write (for me).

What work took you the longest to write? Well, I started Ghosts of Christmas Past, Present, and Future in December 2022, put it on the backburner for many months, and made enough progress in November/December that I finally have the first chapter up. The first chapter of phantom limb pain has been in the works almost since late July/early August but wasn't posted until November (some interruptions when sick/busy but was never truly on the backburner even when I wasn't adding words).

How many WIP’s do you have in your docs for next year? Ahahaha. Unclear how many I will actually work on, but we're into double digits.

What’s your longest work of the year? LuLuRoe at 4,853 words

What’s your shortest work of the year? I posted 11 fics that were 100 words exactly.

What WIP are you taking into next year with you? Many! phantom limb pain (and 1 or 2 one shots in the series), Ghosts of Christmas Past, Present, and Future, The Tragic Tale(s) of Jody Scab, my unposted Prince Ballister AU, years from the land of the bird, and others.

What’s your most common “Additional Tags” tag? Drabble. Yeah, that checks out.

Your favorite character to write this year? Ack. Um. Maybe Luz Noceda? Though Vee and Camila are both up there.

The character that gave you the most trouble writing this year? Flapjack in an unposted WIP

What’s one pairing you want to explore next year? Possibly Aladarius as a new-to-me pairing to write.

Which work of yours have you reread the most? Probably Intervention.

How many kudos in total did you get this year? I got 1,383 on fics I posted this year — less than last year, but I wrote more niche stuff for less active fandoms.

Which work has the most comments? Party Like It's 2007 because of a long thread with theprincessofdenial. After that, arm-upgrading is a love language.

Did you do any collaborative works this year? Nope

Did you write any gifts this year? Yes! I wrote Hush Little Baby (Owlbeast) as part of the Fic Exchange Coven. LuLuRoe and The Tragic Tale(s) of Jody Scab were both written for theprincessofdenial.

Did you receive any gifts this year? Yes! Sugar Cubes from theprincessofdenial and First Step to Friendship from AnimationAdventures (organizer of the Fic Exchange Coven event!)

What’s your most common category? Gen my (still) beloved despite the unexpected Goldenheart plot bunnies

What do you listen to while writing? mostly the chaos of my household

Favorite work you wrote this year? Intervention is definitely high up there. Luz and Vee are both very dear to me, and I intended to write this missing scene from Blood Brother for months before I actually did. I poured a lot of myself into Luz — particularly my experience with executive dysfunction and depression —and didn't even realize it until I read some lovely comments. phantom limb pain is still a WIP, but I am proud of what I have so far and am proud that I am pushing myself out of my comfort zone of one shots. It took me months to post that first chapter — needed to be sure I was dropping enough breadcrumbs for future plot points and a rough go with COVID slowed me down significantly — but it's actually up and roughly twice as long as I expected. The second chapter still needs a lot of work, but I am chipping away at it.

Favorite line/passage you wrote this year? One of my favorites is this one from is the cop or am I the one that's really dangerous: Ambrosius says, "Because I love you," and Ballister's (aching, concussed) brain tries to comprehend love without trust, love with reservation, love that takes the twisted words of others over the bone-deep knowledge that comes from a shared life. I've been enjoying the "[Character] says, '[X],' and [Y]" construction. Adjectives in parentheses are also part of my brand, and of course we have the good old rule of three with the repetition of "love."

Biggest surprise while writing this year? I really, really wasn't expecting multiple multi-chapter WIPs, but here we are. I also wasn't expecting to write much shippy fic after writing mostly-gen last year (the smubbles were an even bigger surprise).

#ao3 wrapped #sometimes I write

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cyarskj1899 · 2 years

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D.L. Hughley condemns Kanye West's antisemitic remarks: 'He sounds a lot like a white supremacist'

Stephen ProctorThu, October 20, 2022, 12:04 AM

Comedian D.L. Hughley appeared Wednesday on Cuomo and weighed in on antisemitic comments repeatedly made by rapper Kanye West in recent days. Forty-eight hours earlier, Ye appeared on the show and refused to listen when Chris Cuomo pushed back against the rapper’s “Jewish underground media mafia” remarks.

“I think that ultimately, the only place you can hear the kind of rhetoric that Kanye espoused is in the farthest reaches of the blogosphere. If you sound like a white supremacist, you pretty much are one,” Hughley said. “And he seems to have a disdain for the same people that they do, which is people that are Black, and Jews. So I think he sounds a lot like a white supremacist.”

Earlier Wednesday, Howard Stern said that Ye’s mental state is no excuse for his repeated slanderous comments, and Hughley agreed.

“You can’t ascribe it to mental illness when he has access to some of the most powerful — rich, powerful white dudes in the world, and some of the most powerful artists in the world,” Hughley said. “So I don’t know what more support he would need.”

Back in March, following remarks Hughley made about Ye’s divorce from Kim Kardashian, Ye responded with a threat via Instagram, writing, “I can afford to hurt you,” among other things. But Hughley said he has been done with Ye for years, since the rapper said slavery was a choicein 2018.

“I was done with Kanye when he said what he said about slavery,” Hughley said, adding, “I think, ultimately, he’s indulged a lot because he makes great music. I would rather hear a horrible artist — I mean a decent artist who is a good dude than a great artist who seems to espouse all the rhetoric of a horrible man.”

Cuomo airs weeknights at 8 p.m. on NewsNation.

Watch Kanye West get upset when Chris Cuomo pushes back on 'Jewish underground media mafia' comments:

Kanye West doubles down on anti-Semitic rhetoric, slams 'Jewish underground media mafia'

On Cuomo Monday, rapper Kanye West doubled down on the anti-Semitic sentiment he’s espoused as of late. Ye’s Twitter account was locked in response to an anti-Semitic tweet he posted, and anti-Semitic comments were reportedly edited out of a recent interview he did with Fox News’s Tucker Carlson. On Monday, Ye offered the media uproar about him wearing a White LIves Matter t-shirt as a legitimate reason for his slander against the Jewish community. “When I wore the White Lives Matter t-shirt, the Jewish underground media mafia already started attacking me,” Ye said, before referencing canceled concerts, and public tiffs with Pete Davidson and Trevor Noah. He added, “They just immediately disrespect me. They keep the crazy narrative going. They never call me a billionaire.” Eventually, Chris Cuomo pushed back. “You’re trying to say that there isn’t a collective. Over 50% of the executives in Hollywood, the CEOs, are Jewish,” Ye said. “And these guys know each other.” “That’s different than saying it’s a mafia,” Cuomo responded, “and that they act as Jews in some way as opposed to just being businessmen.” Later, when the two were going back and forth and Cuomo attempted to explain to Ye what is wrong with what he’s saying, Ye broke into, “La la la la la la.”

Read more from Yahoo Entertainment:

Kylie Jenner reveals she had 'baby blues' and cried nonstop for three weeks after giving birth to baby no. 2

'Masked Singer' unmasks 'Sex and the City' star and 2-time Grammy winner despite powerful performances

Trump drops F-bombs and shares potentially sensitive information in newly released audio

Tell us what you think! Hit us up onTwitter, Facebook or Instagram. And check out our host, Kylie Mar, on Twitter,Facebook or Instagram.

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dangertoozmanykids101 · 3 years

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Please Disney - Don't.

Ok. It doesn't technically sound like they are technically coming out after everything Loki. And hopefully Redbubble is just being overly cautious?

"Redbubble, a platform which allows artists to sell their work on stickers, T-shirts, coffee mugs, and other items, sent an email to Twitter user @YourBoswell letting them know that a design they had uploaded was being removed from the platform because “it may contain material that violates someone’s rights.”"

"“The owner of these rights has provided us with guidance describing the type of content they consider infringing that should be removed from the marketplace,” the email continues. “In most cases, this means that the rights holder did not specifically identify your work for removal, but that Redbubble has detected potential similarity between your removed work and one or more words, phrases or images included in the rights holder’s removal guidance.”""

"The rights holder, in this case, is indicated to be Disney Enterprises, Inc. The art in question is green lettering that says “Low Key,” which is titled “Low Key Loki.”"

"This is causing some online to worry, as Loki is not just a character created by Disney or Marvel, but also a centuries-old deity still worshipped in the modern day."

I'm not trying to scare everyone, and I can't imagine they'll come after fanfiction (right?) But this sure makes me anxious. I've heard too many horror stories.

BUT NOW IS A GOOD TIME TO DOUBLE POST OVER TO AO3.

AO3 is fan run with lawyers fighting for the rights if fans and their fanfiction.

Is there a fan run safe place like this for FanArt yet?

KNOW YOUR HISTORY!

I wasn't lurking around until late 2017 / active early 2018, I think. It's interesting, scary, amd important to read up about the History of Fandom. It's truly fascinating!!! And I do feel so fortunate that AO3 is around. This reddit post has a great timeline listed out.

This is another good history lesson laid out in this article.

"For many though, AO3 was the advent of fandom coming together to defend their hobby and preserve their history, a place where the principles of fannish creativity would outweigh watchdog and advertiser concerns about controversial content."

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mrpenguinpants · 3 years

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Exuse me but do you have any info on how to start a blog for writing? I just made an account but I really do enjoy writing for others (commission money would also be nice) but I have no idea how to get others to read what I put out? How do I even set up a functional blog?

Hey anon!

Honestly, I am the last person you should ask because my own blog is a total mess but I'll do my best haha. But I do want to say that I'm so happy that you've decided to start writing! I'm sorry that this is super delayed and if you already made one I would love to be mutuals with you!

---

TLDR:

Functioning blog

Make sure you verify your email and that your posts appear in tags before you start writing.

Make a masterlist and a pinned post with all your request rules. Future self will thank you.

If you write or read smut. Please put your age or if you're 18+ in your bio.

Credit the artists you use if you plan to make banners.

Writing blog

Limit the requests you take.

Tag correctly.

Put a read more if you feel your posts are long.

Personally, I use kofi for commissions but it's up to you.

Formatting is important.

Please, if you feel there is a glitch with your blog (you don't appear in tags anywhere, no one can see your blog, etc). CONTACT SUPPORT

You can make side blogs for all your reblogs/likes if you don't like clutter

New Account Issues

So you probably already noticed or know this info already but just in case, if your blog is new, your post won't appear in tags. This is because tumblr needs to verify you aren't a bot. Make sure you verify your email before anything and do some human activity (likes, reblogs, posts). When I made my second account, it took a day before I started appearing.

First Priorities - Functioning blog

1. Please. Make a masterlist and a pinned post describing all your rules for requesting. Especially the masterlist. Your future self will thank you.

2. My pinned post is long and gross so don't use it as a template but sectioning off your content (masterlist, taglist, etc) into separate posts that you can link onto your pinned post. But keep your request rules and whether your requests are open on your pinned post.

3. I'm not calling anyone out here since I don't mind it, but sometimes people won't read your pinned post or double-check if your requests are open. If you want to, in your bio, write if requests are open or not.

4. If you write or read smut, please put your age or if you're 18+ in your bio or pinned post. A lot of smut blogs will block you if you're a minor or if they think you're a minor.

5. If you plan to use banners (character portraits) in your writing. Please credit the artist. I use official genshin art because I'm lazy but please link to the artist's account/pixiv ID/or at least mention their name if you can't find either.

What now? - Starting a writing blog

1. Please. Limit the requests you take at a time. Whether you really enjoy writing or you can write really fast, please put a limit on it. You will hit burnout or get overwhelmed fast.

2. Tag correctly. This mostly applies to smut content but keep it in the smut category. Don't put it in the fluff tag or at least put a read more.

3. If your posts are long please put a "read more" tag. It helps for mobile users since scrolling can be a pain. There's no real word check but if you feel it's long, it's probably long.

4. Since you're interested in commissions, the easiest way is to set up a kofi and all your commission rules there. I usually do $1 = 100 words but stylize it to whatever your preferences are.

5. Formatting is kind of a big one that I don't see a lot of people talk about. The usual template is:

Title

Anon ask

Authors note - if you want to

Masterlist

Taglist - this can also be put at the bottom of your fic

Banner

Writing

6. I've been seeing this a lot lately, but with your tag list. Sometimes you won't be able to tag people. This is usually because either 1. their blog is new or 2. tumblr machine broke. Ask them to contact support to see if their account can be mentioned. If that doesn't work, contact support yourself.

7. This is a big one because I went through it and I don't want you to experience it. At some point, if your posts don't appear in tags for whatever reason. And I'm saying at all, nothing works. You just don't appear the second you post. CONTACT SUPPORT. For me, it was a glitch on tumblr and they got my blog back but I still lost months. I'm still pissed about it.

8. I made a side account for reblogs and replying to others because I hate cluttering my main with them. You don't have to do this but it's a way for me to try and keep everything clean.

Social Interaction - Gettings others to read your work

1. There's no good or real way to get people to read what you put out, they are only going to read it if they want to and that's fine. I know that's obvious but it's something to know.

2. You can make separate accounts on other writing platforms, I know a lot of AOE and Twitter have links to their tumblr.

3. Tumblr has an algorithm so your posts will appear in the tags you add to your posts. Your post might sometimes disappear from tags after a while but don't worry. That's because tumblr has to filter a lot of users. Just because you can't see it doesn't mean another can't either.

4. Don't be afraid to make mutuals with other writing blogs. Heck, I'll be your mutual right now. At the end of the day, we're all people.

5. Write what you want to write, when you want to write it. Don't make it feel like a chore for yourself, that you need to write every day to beat that algorithm.

6. Don't be discouraged if it seems that you aren't getting attention, and that's totally fine by the way to feel like that.

7. Personally, I think brainrot is the best way to get some type of interaction. Just spit some ideas out but leave the option for others to add to it. That's how I've met most of my mutuals/anons.

8. I'm actually kind of surprised that not many tumblr's do this but I always reply to reblog comments or stuff written in the tags. You can filter your activity settings so it's easier to see everyone's replies and just talk. You'd be surprised by how many people get back to you.

---

Just keep writing and doing what you like. I'm still learning tumblr myself so if anyone has anything to add, please feel free to. Goodluck anon! I hope to be able to call you by a name later.

#writing tips #blog tips #blog set up #writing #tumblr tips #super duper big mwah #lovely anon #anon ask

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yukipri · 2 years

Text

Fordo | Alpha-77

Clonetober 2022 #1

＊Fordo's hair/tattoos are the artist's personal design for him and are not official.

I had the terrible idea to attempt this project to post a clone every day for a month. I have no idea if I'll succeed, but I'll do my best!

That being said, I'm going to have to push myself hard to finish these. I'll need all the encouragement I can get! So if you like this project and would like to see all 31 boys, please consider reblogging my posts! It's the only way people will see them!

PLEASE DO NOT REPOST, EDIT, TRANSLATE, OR OTHERWISE USE MY ART. To share, please reblog! Reblogs and comments greatly appreciated!!!

❀ You can see the rest of my art through the Masterpost pinned to the top of my blog!

#Clonetober #YukiPriClonetober2022 #Fordo #YukiPri art #artists on Tumblr #Artober #Captain Fordo #Alpha-77 #Alpha ARC #Star Wars #Clone Troopers #TCW #Tartakovsky Clone Wars #Artist comment: Yes there will be a double post tonight because i started a day late #Also I am exhausted and my motivation is paper thin I WILL give up if I am not fired up lmaoooo #so genuinely please any encouragement is incredibly appreciated ;_;#And also yes Fordo's face is my original design <3

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vagabondedlife · 3 years

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Kei Fujiwara’s name is hardly recognizable to most fans of Japanese cinema despite her crucial role in director Shinya Tsukamoto’s early cult classics. As Tsukamoto’s “right hand” woman in the 1980s, Fujiwara became closely involved in his underground theater troupe, Kaijyu Theater, and contributed to the productions of the experimental and DIY films The Phantom of Regular Size (1986), The Adventures of Denchu Kozo (1987), and Tetsuo: The Iron Man (1989). Her credits include actress, cinematographer, prop artist, makeup artist, and set-designer (her apartment was used as a primary set). She also engineered Tetsuo’s iconic phallic drill.

Born in Kumamoto in 1957, Fujiwara moved to Tokyo in her early twenties and discovered theater troupe director Jūrō Kara, who became her mentor. After a decade, she created her own troupe called Organ Vital, which underwent a series of evolutions but remains her life work. Her new project this year is Ibunkitan, a form of micro-nomadic theater, whose kanji characters mean “strange-listen-machine-story.” A private person now living in the reclusive mountains of Nagano, Fujiwara rarely gives interviews, but seemed excited to talk about her rarely discussed directorial debut, Organ (1996).

An avant-garde exploration of violence, pain and pleasure with an operatic amount of coagulated blood and extrasomatic body horror, Organ follows two detectives after they break into an organ harvester’s warehouse and collide with yakuza gangsters, a drugged doctor, and his eye-patch wearing sister Yoko, played by Fujiwara herself, who also produced and wrote the film. A cherished work among hardcore fans of Japanese cult cinema, Organ is still ripe for rediscovery. The film’s offerings of a full-bodied sensorial experience and an abusive questioning of cruelty prove tirelessly relevant.

Fujiwara’s work was recently revived at FFFest in New York City with a double feature of Tetsuo: The Iron Man and Organ. Fujiwara prepared a special statement that was shared as an introduction. Following the screening, we had the opportunity to speak to the artist about her life, practice, and ideals in more depth. The conversation was held over the phone in Japanese.

NOTEBOOK: Is Ibunkitan a new Organ Vital?

KEI FUJIWARA: Yes, it’s a new Organ Vital. When I was young, I lived in the rural area. I always just read theater but never had the opportunity to see state-of-the-art theater. When I was in high school, I was always reading, and I picked up an Antonin Artaud book that featured this French term. It meant the vessels of life. When translated to English, I’m told it just becomes, “vitals of organ,” or something, but in Japanese it is called gozōroppu and to me signifies the corporal. That’s the name of my theater company, and it has always been that for me. Born into this three-dimensional world with bodies, we sense and express. That’s what’s interesting in life. Ibunkitan can be done in a very small space. We’ve done it in temples, in the corner of a shop, in salons. Our first performance was in March, and we’re planning to do another in November. We've been invited to perform my new Jomon-inspired piece in a live-house in the mountains in Nagano, so we’re preparing some woodwork for that now.

NOTEBOOK: You were working in Shinya Tsukamoto’s Kaijyu Theater production between working with Jūrō Kara?

FUJIWARA: Jūrō Kara, my mentor—when I was in Jōkyō Gekijo [Situation Theatre], he took a liking to me and wrote roles for me. A lot happened, and Kara said he would make a new troupe with me, but I had other plans, so I left once, and he said, “As my mentee, you can leave but wait for me to come get you.” That’s when I went to work with Shinya Tsukamoto on his plays and films. It was after Tetsuo: The Iron Man [1989] that Kara started the new troupe “Kara-gumi” and I returned to work with him.

NOTEBOOK: How was it that you began working with Tsukamoto?

FUJIWARA: I had just left Kara and after a while a friend said that Tsukamoto was looking for someone to act in his plays. He was Tsukamoto’s classmate and an actor, and he made the introduction. I found Tsukamoto interesting and talented. So, I began working diligently as his right hand after that.

NOTEBOOK: I wanted to ask you about Tsukamoto’s 1987 film, The Adventures of Denchu Kozo.

FUJIWARA: Denchu Kozo and Tetsuo were actually both shot in my apartment where I was living at the time. You know all those cats? I couldn’t rent a normal apartment, so I had to live in a cheap nagaya tenement house on the verge of getting demolished. I just needed a place to live that permitted pets. Denchu Kozo and Tetsuo’s interior shots are all at my place.

NOTEBOOK: Are the scenes projected in the TV monitor in Tetsuo from Denchu Kozo?

FUJIWARA: Yes. They’re from Denchu Kozo.

Above: Organ

NOTEBOOK: What turned you onto making Organ, if you were always only interested in theater?

FUJIWARA: That was because of my experience filmmaking with Tsukamoto. It prepared me for how arduous it would be. Theater is an impermanent art, and that’s why it’s such a luxurious art form. But film is like capturing a world in a crystal ball. The joy of creating film is like making your own universe. My staff members at the time— six men other than myself—were all talented, and I thought, “Everyone’s here, why don’t I just make it?” So, all the staff also became the actors, and that’s how we started filming. But it was so difficult at first. We used the atelier space we had and reformed it over and over and shot it like that. It was time-consuming. It became the warehouse set, the school set. It kept on transforming. We did it all in the same space.

NOTEBOOK: That seems like a very theatrical way of using space.

FUJIWARA: Yes.

NOTEBOOK: But first, you started writing it?

FUJIWARA: Yes, I first started writing it. I’m actually not very good at planning. I just think that if I put my mind to it, I can make it happen. So I wrote the script, and had the staff pool in their savings. Between the seven of us we had 200,000 yen, so I thought, “Great, if we have 200,000 yen and one reel of film is 5,000 yen, and even if we bought lights, we can make 30 minutes of footage.” As for the equipment, there are countless aspiring-filmmaker boys who have camera equipment lying around collecting dust, so we borrowed from them. As for the set, we were all used to making it for our theater. We were good at foraging free stuff to make things. That warehouse set in the beginning of Organ was made with an extremely cheap budget. Then we started filming. All those organs in that scene were worked from what was supposed to be our dinner for the day [laughs]. We used real food. We took some gelatin- and konjac-noodles and thought, “This can look like veins!”

NOTEBOOK: And then you had it for dinner?

FUJIWARA: Well, we ended up not being able to, because it was covered in fake blood! It was all about how little money we could spend and still make something, which was a valuable lesson for me.

NOTEBOOK: You’ve mentioned the Kenji Miyazawa poem, Ame ni mo makezu1.

FUJIWARA: Yes, I just really like Kenji Miyazawa. I like the way he thinks, and his philosophy. He’s a Buddhist, and as I haven’t studied Buddhism properly, I cannot say for sure, but I think his seimeikan, or view of life, is on par with that of Osamu Tezuka. Osamu Tezuka and Kenji Miyazawa are two gods with the same perspective regarding seimeikan. No matter how great their art is, Yoshihide Otomo and Hayao Miyazaki can never reach Osamu’s level. Osamu’s core is love. There’s only love. The way they think about life is totally different. I was reading manga before I was literate [laughs]. I like Osamu Tezuka, but also Sanpei Shirato. And in my teens, I liked Daijiro Morohoshi. He’s an extremely interesting person.

NOTEBOOK: Do you think that your films need to be discovered?

FUJIWARA: They need to lock in perfectly with someone’s desire to watch it, or else watching it has no meaning. It just appears as a confusing, grotesque film.

NOTEBOOK: Please tell us about your make up and special effects.

FUJIWARA: Since Tetsuo, my method is always the same. I don’t have any background knowledge of special effect makeup. I just have a gut feeling of what can and can’t be used. Tsukamoto had these drawing storyboards for Tetsuo, like the steel body and the drill penis. For the latter, Tsukamoto just wanted to make something simple and said it would be enough if we could just pretend like it was moving, but I thought it would only be interesting if it actually moved. I didn’t have any hi-tech skills, so I thought, “That’s it!” I took the nearest working electric fan, dissembled it down to its core, used all the rubber and tape I had at home, sprayed it up and got it to go, vroom [laughs]! It was the same for Organ. I used household products, mostly kitchenware.

Above: Organ

NOTEBOOK: What about your cinematography?

FUJIWARA: I had no background knowledge. The first time I started shooting was on Tsukamoto’s set. A lot of people who graduated film school and wanted to help were there, but Tsukamoto didn’t trust any of them. Just because you have technique doesn’t mean you can shoot well. He thought that the person wielding the camera needs a certain amount of power, of energy. So I, who had never touched a camera in my life, was given the camera and told where to press to get it rolling, and shot all of the scenes Tsukamoto was in.

NOTEBOOK: Do you still shoot with a camera lately?

FUJIWARA: Rarely.

NOTEBOOK: As the occasion for this screening was FFFest, Female Filmmakers Festival, could you comment about your experience as a female filmmaker?

FUJIWARA: Something men don’t have—there are two types: female filmmakers who focus their perspective on their immediate surroundings and daily lives, and those who focus on creating a worldview from the even more intimate bodily perspective. That’s what’s a little different from male filmmakers. Even in theater, most female directors write familial narratives, although I don’t [laughs].

NOTEBOOK: The podcast Ladies Horror Night, on the occasion of this screening, recorded an episode that raised the question of why you, a female filmmaker, didn’t include more female characters. I’m not sure about this pressure for female filmmakers to represent female subjects, as I think there’s power in the female filmmaker re-writing the male-centric story. Can you speak on this and how you came to write the police story in Organ?

FUJIWARA: When I think about seimeikan—our view of life—it appears to me that the moral judgment of good versus bad is not something universal, but just a rule that protects our lifestyle in society. It’s a regulation. We make regulations to protect ourselves. That takes the form of “good” and “evil.” But that’s not the good and evil that holds ground in nature. Animals kill other animals for their own predation, right? Humans, too, in the context of war, can kill other humans and become heroes. The concept of zen-aku, or the notion of good and evil, is just a societal regulation. The police represent upholders of this regulation. And then there are those who defy this regulation, who lie in a realm completely different from this conventional morality. Organ is a clash between these two groups. That’s how I formed the police narrative. As for why there are few female characters, well… In the case of females, expressing them requires—for many, not all—a focus on the micro world, the micro perspective, that is, if you pay attention to their priorities. In other words, if you have a goal and you want to finish something, but she says she needs to take a bath at this certain time and cannot participate, there’s nothing you can do. In my theater, only men can keep up with me. Because of this standpoint, if a woman were to express a woman, she would need to create a micro world. But when describing a police story, a macro worldview, the direction would lose focus.

NOTEBOOK: It would become more internal?

FUJIWARA: Right. That’s why there aren’t as many female characters. But the wife of Numata represents the reality for women. And also the female teacher who approaches the criminal but gets killed. Woman participated in this way. But it’s hard for them to take leading parts for the narrative. It’s hard to let them be there and have their perspective be represented, because their perspective is in a different dimension.

NOTEBOOK: What about the character you play, Yoko?

FUJIWARA: Yoko is outside of that realm. She’s an outlier. She doesn’t represent family or the household or the joy of daily life, because she didn’t enjoy any of those things. That’s why she can exist there.

NOTEBOOK: How did you direct your actors in Organ, was it different from how you usually direct them in theater?

FUJIWARA: It’s the same. The only direction I gave them in Organ was that they only get one shot. I don’t give actors multiple takes. If there’s a camera or equipment problem that requires another take or two, I’ll do it. But I won’t do it for the actor. The actor has one chance, the take. But, on the offhand that the actor makes a mistake and requires a take two, I tell them they need to buy their own film roll. That was the rule. So, no one ever made a single mistake. They were all dead serious, completely focused. They’re all broke and have no money to buy film.

NOTEBOOK: In that sense it’s theatrical.

FUJIWARA: Right, and I had one actress tell me that that it was brilliant. She said, “I do lots of work for TV and film, but everyone is so lukewarm and they do take after take, and think about it so leniently. But there’s none of that here. The one take is the real thing.”

NOTEBOOK: So, that urgency was good for the actors?

FUJIWARA: Right. They said they couldn’t afford to buy their own film.

NOTEBOOK: If you give theater actors the same direction for film, how does that work? The performances in Organ don’t come off as exaggerated; I doubt a viewer without knowing would assume they are all theater actors.

FUJIWARA: There’s no difference. In theater, my scripts are like music scores. The lines come out and dance, modulate, sing, calling on the innate sensation playing the instrument that is yourself on stage. The actor, with this music-score-as-script, has a multitude of possibilities of how to play it. In film, the scripted character is a part of the environment. They are simply material for the scene. I didn’t need to explain this to them, they naturally just became materials for the scene.

Above: Organ

NOTEBOOK: That’s a good transition into my next question: can you talk about your music and sound design direction?

FUJIWARA: Music is difficult. What I say doesn’t get across, because I was working with new people. They hadn’t even seen any of my theater. I like German bands, something strong and hard. But even if they mimic the Germans, the Japanese can’t avoid making music that doesn’t sound soft and weak. One day I said, “Make it more powerful, something that alludes to the power of nature, more animalistic and sturdily-built,” and they said, “Okay.” The demo they brought to me literally had animal sounds, like elephants wailing and dogs barking, and I was like, “…That’s not what I meant” [laughs]. It didn’t get across. But there were some interesting sound bites that I could use. But Japanese band musicians can’t get over their own softness. I think what they have is different.

NOTEBOOK: So you’re not happy with the results?

FUJIWARA: Well, I’m the type of person that thinks, que sera, sera. So I wasn’t satisfied, but…

NOTEBOOK: You’ve mentioned that you a very easily scared person. But in Tetsuo and Organ, your characters say, “I won’t be afraid.” How do you interpret this difference?

FUJIWARA: When I came to Tokyo in my twenties, the first theater directors I met said they’d never met anyone as weak and sensitive as myself. They didn’t think I could live on a few years longer, much less do theater, and that I might find myself drugged up in a brothel in the near future. Kara was the only person that ever said to me that I was the strongest person he’d met. In other words, the fear and strength that I have appears to others as a weakness that can barely withstand life, but it’s just my highly sensitive nature they see. In actuality, I’m very strong. I feel very easily, so that seems weak, but my capacity for empathy is just very large. I feel others’ pain and sadness so strongly that I throw up thinking about them. That’s why I don’t watch TV or read the newspaper. Or else I would be crying all day [laughs].

NOTEBOOK: Watching Organ feels like you’re making the audience feel this extreme pain you describe.

FUJIWARA: Yes, that’s the result of the film. My second film, ID [2005], is even more so.

NOTEBOOK: In addition to fear and pain, pleasure is another large theme. After the screening, someone told me your film was grotesque but something about it was so pleasurable. How do you maintain that balance?

FUJIWARA: I think humans, in order to live, can’t cut those away from existence. If you deny desire, you’re not human. The existence of such things causes our misery, too. Thus, desire and slaughter are inescapable. My fear and sorrow regarding this, and my questioning what are they anyway. That’s what I wanted to portray.

NOTEBOOK: What’s interesting about your portrayal of violence is that Yoko uses the gun as a weapon but doesn’t shoot from it. The one time she tries to shoot at her father, it wasn’t loaded. She mostly hits with it.

FUJIWARA: When I act a role, it needs to be real for me to imagine it. I can’t shoot a gun just like that. I need to feel it. Whenever I do something I feel a corporal build-up that can’t just be released by shooting away.

NOTEBOOK: Shooting it would be too easy?

FUJIWARA: An action needs to be taken. The body and the heart are connected. It’s not that easy.

NOTEBOOK: What was the biggest challenge in shooting Organ?

FUJIWARA: The most difficult challenge was the first scene, in the warehouse. When the doctor and yakuza fend off the police while trying to dissect the man. That shoot was in the middle of summer, but we had to close off the warehouse because it was a night scene. It was hot, smelly, only men, and everyone’s body odor was suffocating the room. That was really difficult. At the time there were seven of us, and now there are three of us, just Takahashi, Mori and I. In Organ, all the actors take on multiple roles. Whenever they weren’t onscreen they were doing lights or shooting. We shot it scene by scene in order. I remember towards the end of the film, during the scene in the tunnel, when my role Yoko comes in on a bike and there’s a fighting scene, we couldn’t get a permit to shoot. We were able to shoot outside the tunnel on the road but not inside. But I badly wanted to shoot inside so we went at midnight, and the characters got all bloody and we were shooting, and the police came. They thought it was a real yakuza fight and took off the safety on their pistols and were about to shoot at us. We thought we were done for. The character Yasuda, who later falls into the ditch and gets stabbed with a Japanese sword, was responsible for getting the permits and he had all the documents on him. So, he came out from the ditch all bloody and with a sword in him, screaming, “We’re shooting a film!” terrifying the police even more. While he was negotiating with them we finished shooting the scene. The police just told us to be safe and left, but it was all thanks to him for putting his life on the line. We really thought we were going to get shot. Usually film shoots have large crews and it’s obvious, but in our case, all the crew were also the actors, so it was hard to tell, and the lights were hidden.

NOTEBOOK: What about the camera?

FUJIWARA: Yes, but it was a small 16mm Scoopic, and the police were so focused on the bloody actors they didn’t notice it. The police were terrified, but it was a great location and I just needed to shoot there no matter what.

#link #in case they delete it

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not-poignant · 4 years

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1/2 I've had a discussion about commissioned fanart/fanfic with a friend lately, and we disagree. For me, it goes against everything I know ff to stand for to get compensation for it (though freely donated ko-fi by readers, that I can get by). But my friend asked, how ff is different from fanart? "Fanartist strive on ko-fi, patreon, etc, they regularly sell fanmerch... it's a discrimination against ff writers if they are not allowed to get the same support fanartists get".

And I get where she's coming from... but I still think FF are different, and I can't articulate why. =/ I know you feel similarly, your patreon is always strictly for your original creations. I'm wondering what your thoughts are about this? *Why* is fanart different? *If* it is. (Btw, you don't need to reply, I just figured I ask because you always seem to have such insightful comments and opinions. But anyway, have a great day!!)

Hi anon!

I apologise because I doubt I’m going to have a very clear answer to this. So I’m just going to highlight my wishy washy thoughts because that’s all I have.

* Firstly, I think there is a huge double standard for anyone who thinks it’s fine to accept money for fanart but not for fanfiction. Both are transformative works that take a lot of time and effort to make. Period.

There is a reason for the bias that I’ve observed. And that’s because most professional authors, creators, directors and scriptwriters have - for decades - been pro-fanart and anti-fanfiction, and some of that has trickled down into attitudes in fandom. Even today, pro-fic scriptwriters will say ‘oh I love the idea of fanfiction but legally I can’t read any’ while repeatedly reblogging or retweeting or sharing or even reposting fanart with delight. And that’s the ones who are pro-fic.

But over the decades, there have been plenty of famous authors and properties in particular, who were pro-fanart (though not pro ‘profiting off fanart’), but anti-fanfiction. Anne Rice and Robin Hobb come immediately to mind. Some of these people even commissioned fanart themselves, while taking fanfiction authors to court. The double standard there is huge. If you’re posting fanart on your page but hating on fanfiction authors as a professional, you probably need to examine your biases.

* Secondly, personally, I think it’s unethical for me to accept money for my fanfiction OR fanart. I have no double standard, they are both the same to me.

* Fanartists literally making entire livings off their fanart makes me uncomfortable. Particularly when they’re making more money than the original creator or the original property. I have less of an issue when it’s like, Marvel or Disney, but then, those huge organisations can afford lawyers and send C&Ds (Cease & Desists) and are powerful enough to shut down and destroy accounts (and sadly, artists). But in the case of smaller fandoms, unfortunately it means you can end up with scenarios where some fanartists are making much more than the creators who created the property in the first place. Imho, I don’t like that. But that’s a nuanced, complicated issue for which there are no easy rules.

There are definitely increasingly ways people can profit off fanfiction and do. I think it is immensely hypocritical for anyone who financially supports fanartists to then draw a dubious/mythical line in the sand re: saying fanfiction authors making a profit is wrong. I’m sorry anon, but it’s an attitude that’s literally ‘They can do it but you can’t lmao I have no reason sorry but I guess you don’t deserve to pay your bills for your fanworks but these people do because of their fanworks have a nice day.’

***

Sometimes I wish I really did feel better about making money off fanfiction. I think I’d be making more money if I did. But I just don’t feel okay about it, personally, in myself. I don’t expect anyone else to hold themselves to the same standard, a person’s gotta eat. I’m just lucky I can eat because of Fae Tales.

Fanfiction authors are definitely finding more and more ways to make money off their fiction, usually via Ko-Fi tips, or even just placing fanfic on Wattpad and getting money via that. Even through Patreon (though if they get reported, their account will be closed down and suspended). But the struggle is real. Meanwhile the big name fanartists get huge booths at all the conventions and are treated like celebrities making profits off of fanart, and are more likely to get professional offers re: jobs, including fanart in their portfolio. Try doing the same thing as a professional author. You’ll be treated as a joke.

Yes, the double standard is fucking annoying, and it’s also just crap. There’s probably a reason most people can’t think of a good reason why one group should get paid but not the other, for both doing literally the exact same thing in different creative forms. And that reason is ‘because there is no good reason.’

If fanartists can make a profit so boldly and wildly off of other creative properties, then fanfiction authors should be able to as well, without fear of criticism that’s directed specifically at them but not fanartists. That’s just...internalising the hate that professional creators put out into the world, and that hate came from a fear of their works being stolen by writers, but not by artists. There might be a secondary fear around it hurting fandom, but that’s something that most people don’t really talk about, and it’s not like anyone brings it up re: fanartists selling prints.

Imho, for me personally it’s complicated. I follow a set of rules for myself that I created over twenty years ago, and I don’t know if I’d have the same rules if I was only just starting out in fanfiction now.

But also I’m just grateful that my fanfiction is just always free, and I can do whatever I want without ever having to worry about the bottom line, or income. That’s very freeing for me on a literal level, and it means I can relax. I would lose that if I was making a profit off of it.

But yeah otherwise, in a world where fanartists get to make wild profits off of what they’re doing? It’s frankly just straight up unfair if fanfiction writers can’t. It’s a double standard that hurts people.

#asks and answers #pia on fandom #sometimes it's actually really hard seeing fanartists selling prints #knowing that they're going to make money #and knowing that i can't make money #off of my own fanfiction #like okay i *could*#but then i'd have to deal with people being like 'oooOOOoooo that's so wRONG'#while never saying it to the fanartist lmao #like i gotta say #living that double standard sucks. it's not like it's tempting to start making money off my fanfiction #with the current *general* shitty atittudes of fandom #so while i'm happy with my decision #i'm not happy with how fandom is on this issue overall #it's an unexamined double standard that means some people can afford more and others can't #and it creates financial inequality within fandom #Anonymous

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deepdonutkid · 3 years

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Social media and the Shelby Family

Let’s go from youngest to oldest…

Finn, as said in the first part, is an influencer, who likes to live his life online. He tweets a lot, he has a ton of insta stories and likes to keep his followers updated. Also he follows some trends like trying bubble tee or these weird tik tok dances. Finn even bribed his brothers to try some with him. They refused of course. Tommy said a no and walk right out of the room. John laughed and brushed it off. Arthur tried, but failed hilariously. Good for him, that Finn was teaching him the steps and not filmed the miserable attempt. Michael did and was actually good… and Ada did quite okay. Well, Polly wasn’t even asked, because Finn already knew her answer was no.

A lot of his pictures online are with his friends, especially Jesaja. They skate sometimes and film their tricks. (I added this, because I saw a video of Finn’s Actor- Harry Kirton- skating and I thought it also fit Finn) Whenever he is eating something instagramable, he definitely take a picture. Finn also take good selfies, but he only uses funny filters. So no Dog ears or sparkly flowers here!

He answers messages mostly direct, no waiting time, ‘cus this guy doesn’t play games, but as a Gen Z he would definitely be scared of phone calls. Especially if it’s Polly and there are already two missed calls. Then he just freaks out right away.

And to add a little funny extra: Finn tried among us on his phone and he is kinda sus!

His Whatsapp status would be: “my milkshake brings all the bees to my car. Shit… there are bees in my car!”

-.-.-.-.-

Michael is king of selfie. He knows he looks like god’s gift to the women and he plays that card. His phone is filled with all kinds of selfies. Little narcissist, here! Well, he needs to take a picture from every ankle to capture his beauty.

He also posts some stories on insta, but not so often like Finn. Michael keeps it casual. Just a few party pictures with friends or something super cool like new car.

But as we all know Michael Gray, he likes to play games with da ladies. So sometimes you wouldn’t even get a goodnight from him. If you tease him, he’ll tease back. Probably posts a picture with another woman. She is just a friend, but you’ll not know that. Yes, he can be mean, but if you’ll call him drunk and late at night, that you miss him, he’ll be glad to hear that.

His status would be: “P1 cleaner than your church shoes.” And yes, this is a weeknd lyric from the song starboy

-.-.-.-.-.-

Ada. Yes. I almost forgot her. How could I? She is gorgeous!

Already mentioned in part one… She knows her stuff pretty well. Technology… no problem for this gal right here. Ada can hack into stuff and write codes and programs, but this also made her very aware of data getting misused or stolen from bots. This is why she chose to keep distance from social media. She doesn’t use the gram or snapchat or whatsoever, but she uses secure text messenger and is likely to be found on a super dank meme page and to understand the memes you need the knowledge of years and years internet culture. And Ada talks to Finn and Michael about unprotected data and how they shouldn’t spill so much information about them online.

But she takes a lot of pictures from her kids, her husband, her cute outfits, her house and garden, their vacations. She doesn’t use a normal cloud and prefers to show you the pictures together. One after one and she’s making a comment to every single one of them. About that she could talk for hours.

Her status would be… well, she wouldn’t have any!

-.-.-.-.-.-

So… John-boy! Here isn’t much to say. He uses Instagram, but it’s a rare thing. John might follow some artist, so he is up to date for new concerts to go to and also some friends, but that’s it. On a good day which happens to be every half year he might post a picture, when he went somewhere. To get a new tattoo or if he went to see a game, probably soccer and rugby. If he gets the chance to travel, he’ll make pictures, but he totally forgets to post them or even show them to his family. He prefers to talk with his brothers about the experience of traveling and not starting a slide show.

What he is talking pictures of? Selfies are rare, but do happen, if they are a special request from a gal… and it’s probably shirtless, ‘cus he has got the body. Then again, he took pictures, if he was abroad, not on the usual roads, but only a few. While texting he might send a funny meme, if he sees any and thinks of you. And the occasional picture of “Look what I just got”… and it’s a Vinyl or a band shirt. Even though, he answers his family rarely, when he is in Birmingham, he’d be texting with his lady a lot, having this grin on his face, while Ada asks who he is writing to.

His status would be something like: “punk in drublic.” Which is a festival for said genre, but he just finds it funny. Likely to add “Y/N with an emoji of choice”, when he is in a relationship.

-.-.-.-.-.-

Tommy hates social media and refuses to try it for a long time, but Finn uses it so much, that Tommy had a little interest, what’s going on there. His youngest brother had a lot of explaining to do, which probably went like:

T: “How do I tell the person I like the picture?”

F: “There is the comment button.”

T: “No, I mean the… like thing.”

F: “Double tap on the picture, Tom.”

T: “Good, so… what’s next?”

F: “Nothing. What should happen?”

T: *shrug* “So, this is completely useless!” *deletes the app immediately*

And Tommy is also not the guy to answer private messages directly or often. Sometimes you said on read for days with this fellow, because he is super busy and doesn’t have the time to type. If you’re lucky, you get a quick okay. But if it’s important, he’ll call you right away and asks what happened, and if you need any help. With business he always answers straight and don’t like to waste time.

He doesn’t take pictures really. There may be some incidences where he hit the button by mistake. And there some photos of documents, which he need proof of… so he doesn’t have to rip out a page from a book like its 1920s. And all the pictures of his family has been send to him, he just don’t delete them.

His status would be: “Available” or “At work. Only important calls.”

-.-.-.-.-.-

Arthur… well… he has Facebook and uses it like anyone going on forty… really weird boomer mems, that might have been funny ten years ago. He sends them to everyone and they’re so annoyed by it, but he spares Tommy as his time is too important to waste on ‘funny pictures’.

Some gave him an Echo thing, the one with Alexa, you know, and he was so frustrated by it, that he threw the thing against the wall. Arthur couldn’t get past the set-up and got to angry. His family laughed about it, but it’s better this way.

Thanks to Finn and his little videos, Arthur became a meme himself, because his little brother filmed him while Arthur did something ridiculously stupid. That vid went viral. (Unsure what he did exactly)

His status would be: “Hey, there I am using whatsapp!”

-.-.-.-.-.-

I don’t know what to say about Polly and Freddie… so I leave them out now, but if you have something to add or whatever, feel free to do so!

#peaky blinder headcanon #peaky blinders #tommy shelby #arthur shelby #finn shelby #john shelby #ada thorne #ada shelby #michael gray

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kim-lexie · 4 years

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record of youth.

seriously when i say i was awaiting this drama, i was WAITING. park bogum’s dramas are always stellar and next level. he knows how to pick them, so as soon as i knew bogummy was on the project you best believe i was counting down the days to the release. they got an incredible cast and this drama did not disappoint. and now that it is over i will miss these characters that i have found myself attached to over these past few weeks. i would 10 out of 10 recommend this gem.

plot synopsis.

this drama is a record of the moments between a group of people in their 20s. (get it?! basically a record of their youth in their 20s) jeong-ha an aspiring makeup artist with a day-job as a makeup assistant and a youtuber street artist at night. hye-jun an model/aspiring actor, who is deciding what to do with his little time before enlistment. and hae-hyo as hye-jun’s best friend also in the same career field. with this as our backdrop it follows jeong-ha a fan of hye-jun as they meet and grow in their relationship.

thoughts. *spoilers ahead*

i must say that i loved the premise of this one. it was just unique that i was able to see some new sides to this aspiring actor dimension as well as see the side of the makeup industry. but also familiar with the aspects of the family and wanting to do what is best for those around you.

i thoroughly loved seeing how hye-jun’s family grow into their new role as he became more famous to see that it was not going to go to their heads. his family, and eventually his brother came to find this answer after the shine of it went away. as they stayed in their house, and even hye-jun wanting to do more where he had been planted was beautiful and made me love his character more.

i cannot say how much i loved hye-jun’s mother. she was the sweetest most precious bean. keeping her husband honest. supporting both of her sons, and encouraging her father-in-law’s new dream. all while working for a well-off family and slaying it. what a queen. we stan. i think that if jeong-ha and her had met at that family dinner (they spent episodes try to plan) it would have been a different story. they would have been the best of friends. because they are both encouraging people with their own dreams to see their people succeed in life.

i loved the grandfather’s role in all of this. from being quite and timid because of unfulfilled dreams. and hye-jun allowed him to dream and realized that he was not finished yet. to having him go to modeling classes, and get head shots, to winning awards for his modeling after a few years. truly inspiring. and i loved that completed character arc, because we all live for those great shiny stories.

loved his father’s redemption from being critical and cynical and slapping hye-jun at one point to eventually being his father’s manager, to apologizing to his son. yes, yes. and same with his brother, writing malicious comments back saying only i can be rude to my brother and no one else, to asking for forgiveness.

it was interesting to have the juxtaposition of hye-jun’s family with hae-hyo’s family because the dynamics were so different. and we saw how the two mother’s approached their sons very differently. and hae-hyo’s mother saddened me throughout the drama because of her lack of trust in her son. and when hae-hyo came to find the truth behind his career it devastated him.

i wish we had seen more of jeong-ha’s family because the relationship with her mother was so drawn and weary i understand why there was not a ton in it. but her father seemed so nice and encouraging of her, i would have loved to seen him more. as well as getting the families together in general. we never got to see jeong-ha meet his mother. and i am so sooooo sour about that. because we all know they would have been the best of friends.

i feel like jeong-ha’s family explains a lot about her approach to things from her living alone and owning a house of her own at a young age. to the way she wanted to hold on to the friendship with hye-jun. to her ending their relationship because she wanted to not be a burden on him. it kind of all fits. and i wish we had more development from her. she constantly mentions that she loves living unpredictably now because hye-jun literally turned her life upside down and made her grow, which she did grow alongside him. but still she was so dead set on not burdening or sharing how she honestly felt that she didn’t allow herself to fully fall in love. but then again it also speaks to what is love to you? is it never depending on your person and doing it all alone because that is all you’ve known, or is is understanding that you both will have hardships and need to be honest with each other to help one another get through those moments in life...unfortunately she did not see it to be the latter.

the siblings here took on an important role in this drama. from hae-hyo’s sister hae-na dating his best dude jin-woo, to gyeong-jun taking on new roles and the family realized hye-jun’s importance. they both came to be extremely important in the family relations and dynamics changing. and i must add that i wish we saw more of the relationship between hae-na and jin-woo because they were cute, and i liked them. also while i’m on my soap box i must say that at the end i was kind of wanting min-jae and gyeong-jun to end up together, because they are seriously opposites and they would make a quirky pairing.

their workplaces were interesting, and i must say that i could have done without all the focus on tae-su, the horrible ex-agent of hye-jun, and his artist do-ha. like we get it you don’t want him to be successful because he dumped you. also could have done with out the focus on the journalist for the tabloid plot like okay we get it you’re out to get our man. you need to get a life. and if we removed these nonsense plots that did not add too much to the overall story of our characters we could have gotten so much more, i.e. a FAMILY DINNER. sorry really just sour about this.

their relationship was soooo cute. i loved how it developed from her being like ‘nah boo you got it wrong i’m not a fan of you’ to finally owning up and being like ‘yeah, honey you’re the one’ to being like ‘i want to stay friends, and not ruin this beautiful thing’ to hye-jun confessing being like ‘you’re my boo’ to them finally together. it was great, i loved it. wish i didn’t get second male lead syndrome so early on, because you could see that hae-hyo liked her too because she was honest and raw compared to all the people around him, kind of like how hye-jun was with him.

but yeah it was a great ride, and i freaking knew the writers would screw over the beautiful story i had in my head and have them break up because their timing was off. but in reality i think it would have been fine. like seriously girl, he is enlisting you will be a better person in 2 years no need to fret saying, it’s not our time i want to be a better person because you’re already a better person. so the double standard she put up was there, because our boo was a nobody when she met him. but you know with that open ended ending i totally say they got back together, had a good ole family dinner, everyone got along great and they lived happily ever after. i did love how they added the same scene again at the closing because he was saying goodbye to us for the time period because he was a part of our ‘record of youth’ just as we were in his.

i must say i kind of liked the time jumps that this drama stacked up. like it was interesting to see the ending the episode prior, then get to see the events from another’s perspective that led to the prior event. kind of liked it in the end. at the start i was really confused, but i caught on eventually. also wish we got more of a time jump into the future with them together, but you can’t always get what you want.

it is also important to mention how much i loved all the guest appearances. like i know that isn’t that important for our characters, but seriously it was uplifting to see the familiar faces every so often in this drama. from park seo-joon, to seo hyun-jin and lee sung-kyung. i thoroughly enjoyed it. also loved seeing the random tidbit of fake dramas that hye-jun was in, like boo i would definitely watch those...

the ost.

‘go’ by my boo seungkwan. we stan because this is literally a gem and i play this all day every day. it’s encouraging and makes me want to smile and jump around.

‘shine on you’ by whee in. this one delivers all the feels from the precious good moments to the tearful moments.

‘what if’ by kim jae hwan. THIS ONE. I LOVE IT. this man’s vocals are stunning, and i loved this one. it was beautifully utilized in the drama to express the special moments that they were having. and made me nostalgic for the past moments they had because they did not realize all they had. and makes you want to treasure the now you’re living in.

‘just you’ by j rabbit. they have such sweet vocals and i loved this dreamy track.

now don’t get me wrong these songs were great, however i would have LOVED a park bo-gum on a track. like seriously. like for real, the voice of an angel would have made a lovely addition.

anyways, i really loved this drama and i tried my best to be cohesive about my thoughts but i’m writing this late the day it ended so i’m still little emotional that it is over. and i shall patiently await for my park bo-gum to come back from enlistment and i shall watch all his dramas once again.

i will also post my weekly play-by-play because i knew i would have a lot of feelings and thoughts to short through with this one. so if you want you can check it out here.

#record of youth #tvN #korean drama #drama #review #2020 #park bo gum #bo gummy #sa hye jun #park so dam #ahn jeong ha #byeon woo seok #won hae hyo #kwon soo hyun #kim jin woo

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hiccanna-tidbits · 3 years

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Hiccanna--100 OTP Questions, Part 2

So I said I would finish this OTP question meme someday--and I decided, entirely on random impulse, that “someday” is today!!! My Hiccanna-centered account has not been producing enough Hiccanna content lately, and this simply WILL not do.

QUESTION SOURCE: https://the-moon-dust-writings.tumblr.com/post/159857601812/100-otp-questions

LINK TO PART 1: https://hiccanna-tidbits.tumblr.com/post/635744326176129024/hiccanna-100-otp-questions-meme-part-1 51. Does either of them know how to fight? I mean...canonically yeah, they both do??? Lol I mean Hiccup has his fire sword and obviously would know how to fight with the weapons he makes/invents, and Anna literally just instinctively grabs a sword to protect her buddies in Frozen 2 and I mean we all really love Sword Anna anyways and also she PUNCHES A MAN OFF OF A BOAT so long story short yes they can both fight 52. What do they do for Valentines Day? Anna rents a rom-com and pulls Hiccup down onto their couch to watch it with her, and he kinda internally groans because he figures it’ll be something super sappy and cheesy and Anna will just be squealing with delight the whole time. Legit as soon as the first scene begins, Anna begins brutally roasting the main couple. Turns out it’s a really terrible rom-com and Anna rented it solely to make fun of it. Hiccup is like “aight this definitely wasn’t what I was expecting but I’m on board” Also Hiccup gets Anna like 3 boxes of fancy chocolate because...do I really need to explain? Anna gets Hiccup a particularly aesthetic floral arrangement for their kitchen table, something she knows damn well he secretly likes but would never admit XD 53. Who swears more? Anna, for sure. This tends to surprise people, but Anna is actually a notorious pottymouth when she gets comfortable XD Hiccup has a pretty big and borderline pretentious vocabulary, and so he tends to express his frustration in more...articulate ways when things don’t go his way. Like he’d stub his toe and just say “wow, I’d literally rather saw off my other leg than have to deal with this right now” while Anna, in the same situation, would let loose every curse word known to man XD 54. Who has the better comebacks? Hiccup, absolutely. His smart-ass comments to every conceivable situation on earth go absolutely unmatched. Anna can’t help but envy how he can almost instinctually pull out a near-perfect snide remark within seconds, whilst she, at best, thinks of the ideal comeback in the shower 3 days later. 55. Who would start a fight with another parent at a bake sale? I feel like Anna would seek out the most passive-aggressive, bitchy, entitled Karen and just wait with barely-concealed anticipation for her to say something super awful so Anna can just nail her in the face right in front of all the other moms Hiccup and their kids, meanwhile, can’t help but be awed at their wife/mother’s impressive Right Hook 56. Who reads buzzfeed? Anna. Hiccup keeps being like “you know half the stuff on there is total bullshit, right?” and Anna just shrugs like “who cares? It’s entertaining!” 57. Who is the hopeless romantic? Anna, good god, ANNA. After the whole Hans debacle I imagine she’s a bit more subdued about so openly showing this part of her personality, but at heart she just can’t stop being a romantic. Once Hiccup catches wind of this, he naturally makes a point of frequently surprising her with Grand Romantic Gestures and such, which makes Anna’s entire face go bright fuckin red as she cries out “NO STOP WHAT HAVE I DONE TO DESERVE THIS YOU’RE TOO NICE” 58. Do either of them know how to do a handstand? Nope! They’d both fall on their faces and it would be hilarious. 59. Who can rap better? I love the idea of them both being looped into a rap battle somehow and Anna just dreading it immensely because she figures they both really suck and then when it’s their turn Hiccup comes out and busts out the BEST, MOST SAVAGE RHYMES Anna has ever heard COMPLETELY ad lib and the poor girl just goes completely catatonic with shock for like 10 minutes. 60. Do either of them want to go sky diving? See initially I was gonna say Hiccup definitely would not because it would give the poor boy an anxiety attack, but then I remembered he basically skydives in canon??? And Anna strikes me as a bit of adrenaline junkie too, so fuck it--yeah, I think they’d both enjoy it. 61. What do they usually text about? They talk a lot about movies, games, books, and shows they both like, I imagine--Hiccup especially likes to overanalyze them to ridiculous extents and Anna thinks this is adorable. The rest of the time, they send each other dumb memes and talk about random animal fun facts. Anna likes to brag that her boyfriend knows more lizard trivia than anyone else on the planet, and how many lizard facts does YOUR boyfriend know? Probably little to none, you big loser. 62. Who is the dramatic one? Anna is INCREDIBLY dramatic. Although Hiccup certainly does have a “dramatic flair,” as he puts it, I still think Anna can out-dramatic him, at the end of the day XD Although perhaps admittedly not by much. 63. Is either one confrontational? Anna certainly can be. She’s usually pretty friendly, but if she ever feels like she’s being challenged, demeaned, mocked, or generally not taken seriously, she’s ready to go to WAR. She certainly not as soft as she might look! I imagine there’s situations where someone is being a dick to either Anna or someone else and Hiccup has to physically hold her back to keep her from just decking them XD 64. What is their favourite cuddle position? Probably just good old-fashioned spooning. Hiccup actually really loves being the little spoon (because Anna just makes him feel so damn safe), but he is loathe to admit it. They also have one I like to call the “Needy Cat,” where Anna just goes and completely drapes herself over Hiccup when he’s sitting on the couch. He’s usually in the middle of doing something else, and is forced to find ways to play video games/read his book/watch his show around Anna XD 65. Who are their favourite musical artist(s)? Hiccup has exactly 3 music moods--pretentious classical stuff (to listen to while working on inventions), obscure underground 90s hipster bands no one’s heard of (to play air guitar to when no one else is home), and some more well-known emo/alt rock stuff (to sing along to in the car dramatically). I can see him liking Panic! at the Disco, The Killers, Fall Out Boy, Linkin Park, that kinda stuff. Anna, meanwhile, likes the trashiest, most generic-sounding pop music and refuses to apologize for dancing to it in the car XD She is most DEFINITELY a Swiftie, no question. She also likes some “edgier” bands like Paramore and Hey Monday. She went through a hardcore Avril Lavigne phase in middle school and she still totally listens to her but is embarrassed to say it. Also I feel like Anna would be into 90s/early 2000s boy bands??? She relates to the boys’ endless pining and just flips the genders in her head so the songs are about Hiccup (before they start dating obs) XD I AM DEFINITELY NOT SPEAKING FROM EXPERIENCE HERE, NO SIR 66. What are their parenting styles? Anna would probably be like...kind of stern, when she needs to be, but intensely nurturing as well, if her relationship with Elsa is anything to go by. Hiccup would be a pretty laid-back, chill dad who would probably try too hard to be cool and make no end of absolutely horrible dad jokes XD They both lowkey seem like the kind of parents who would end up letting their kids get away with a lot though lmao 67. Who would be the more laid back one? Hiccup probably. I mean, he IS the pacifist/diplomat guy, besides have you MET Anna??? Girl absolutely has NO chill. 68. Who listens to more vulgar music? Anna, surprisingly! Hiccup just kinda enjoys what he enjoys and doesn’t really feel the need to “prove” anything by listening to songs that swear a lot. Anna purposely listens to vulgar music to feed her hidden rebellious side and because it makes her feel badass XD She honestly kinda hates being written off as 100% wholesome and innocent all the time and will readily pull out the “I’M NOT A SWEET LITTLE FLOWER I SANG ALONG TO THAT SONG THAT JUST SAID FUCK SEE” line whenever given even the slightest chance XD 69. Do either of them have secrets even the other doesn’t know? Kind of depends on when in both their timelines they meet. If they meet in the middle of HTTYD 1 or Frozen 1, they probably wouldn’t tell the other right away that they have a dragon and an ice-powered supersister, respectively XD I definitely think they would as they came to trust each other, though. Also I read a headcanon that Hiccup has burn scars from the Red Death incident where he lost his leg, and that’s why he wears so much armor and generally long sleeves--and I kind of love that. So maybe Hiccup would be cagey with Anna about how he lost his leg and that whole incident for a while before he finally opens up to her about it. Other than that I feel like they’d be pretty honest with one another, other than maybe trying to hide the more embarrassing parts of themselves to impress the other person XD 70. Who is their go to couple for a double date? Jackunzel, obviously! They’d probably all go to an arcade or an amusement park or something else pretty fun and high-energy. 71. Do they tip the waiter/waitress on their date? I mean yes, they’re not huge assholes????? 72. How do they work out a fight? I imagine Anna tends to get more worked up and yelley and loud, while Hiccup doesn’t raise his voice much at all but can say some damn cutting things if he wants to. Since Anna probably gets angrier, I imagine she apologizes first, whether or not the fight was actually on her or not--it’s just kinda this girl’s default to apologize for everything XD She’d probably say sorry for yelling and probably overreacting, while Hiccup would also be EXTREMELY apologetic if he realized he crossed a line with one of his jabs at her. I imagine a lot of what they fight about is Anna doing some impulsive Dumb Shit^TM and Hiccup just being like “oh god DAMMIT that’s DANGEROUS you can’t just go WORRYING me like that!!!” and Anna getting offended because she kinda views this as him being a little overprotective and not trusting her to make her own decisions. Ironically, Anna occasionally also gets mad at HICCUP for doing Impulsive Dumb Shit, so he’s not always nearly as much the Voice of Reason as he thinks XD Hiccup also sometimes gets mad at Anna for not taking better care of herself (take it from a fellow ADHDer--we tend to Wallow in Despair sometimes, or straight-up forget to do basic care things like eat lunch XD)--I have an IRL friend who reminds me a lot of Hiccup and he’s ALWAYS getting on my case about not eating enough, not drinking enough water, constantly berating myself, stuff like that. I imagine Hiccup sometimes slips into Mom Mode with Anna when she gets in a bad spot, which she appreciates after the fact but kind of annoys her at the time because she wants really badly to be independent and all that. Basically TL;DR most of Anna and Hiccup’s fights can be resolved by Anna and Hiccup agreeing to next time Use A Brain Cell before they do a thing, or Anna agreeing to take better care of herself XD 73. Who brings home an illegal pet? In literally every AU possible I like to think that Hiccup brings home some variation of illegal pet XD I mean, it’s probably just a dragon (”just a dragon” is never a string of words I imagined myself using in that order like what do you mean JUST a dragon lmao) in a standard crossover timeline, which he basically does in canon, but I do love the idea of a modern AU Hiccup showing up to their apartment with some kind of weird exotic monitor lizard from Bali and being like “I found him in an alley, he’s gonna live with us now” and Anna is like “D: Is someone gonna arrest you???” And Hiccup is like “Nah, no cops followed me home” and Anna’s like “Okay!!! :D” and then goes to PetSmart to buy a big fluffy bed for her new scaled friend XD 74. What side of the bed do each of them sleep on? I honestly don’t think either would care much, and they usually sleep in a tangled-up mess anyways so by morning you can’t really tell who started on which side XD 75. What is their favorite photo of them two together? One from before they got together: I’m just imagining a big group photo with the Entire Squad (Rapunzel, Jack, Merida, Moana, etc.), and Anna has her arms laced around Hiccup’s neck and her chin on his shoulder and a GIANT smirk on her face. Meanwhile Hiccup is laughing and trying to push her off, but his cheeks are BRIGHT fucking red and he’s trying really unsuccessfully to hide it because he’s a pale boi. Anna loves it because you can so CLEARLY see Hiccup’s blush, and she loves to tease him about how flustered he got around her. Hiccup loves it because it reminds him of what was probably the first time Anna was THAT openly cuddly with him, and how exhilarated and giddy he felt the first time he had her that close to him. 76. Who takes longer in the bathroom? Probably Hiccup, if only because I HC him as a bit of a germophobe who is a tiny bit obsessive about washing his hands sufficiently. 77. Who has more songs on their ipod? Anna, mainly because literally every time she hears a song she likes she’s like “!!!!! Gotta download it!!!!” LITERALLY EVERY TIME. And she wonders why her ipod is always running out of space XD 78. What movie did they first see together? As of the Modern AU Hiccanna one-shot I wrote ages ago, Revenge of the Ancient Dragon Masters! XD If we’re talking movies that actually exist, I imagine it would be a Marvel movie, a Star Wars movie, or some super-fancy-CGI high fantasy epic. 79. What do they like to see each other in? You mean like...which of the other’s outfits would they find the sexiest??? Aight, I’ll take a stab at this. Anna gets literally SO fuckin thirsty every time Hiccup wears his dragon rider outfit (the one from HTTYD 2), like it shows off his cute skinny body in the most perfect possible way whilst making him look like a badass and oh how Anna DREAMS of feeling him up in that! (One day, she finally gets to! XD) She’s also very into the scale armor from HTTYD 3 when she’s in...a very different kind of mood XD As for Hiccup, his favorite outfits of Anna’s are probably her coronation dress and her queen dress, mainly because he loves how she looks in green. He also really likes her travel outfit from Frozen 2, mainly because it’s sexy AND practical and damn, he’s gotta admit, that’s a nice shade of purple and she absolutely SLAYS in it XD 80. Who makes jokes during inappropriate times? Honestly both of them??? Like neither are great at picking up social cues, and Anna canonically DOES do this in Frozen! (Remember her comment about ice-selling being “a rough business to be in right now”???) I can see both of them attempting to lighten a tense mood by making an ill-timed joke, hoping to make things less uncomfortable, and they end up making everything MORE uncomfortable XD Honestly sue me, I love the idea of these two idiots bonding over how terrible they are with social cues in general 81. At what age do they discuss the possibility of children? I imagine not til like...their early 30s, if ever. Like I mentioned in the first part of the questionaire, I actually am not sure if they would even want to have kids at all, but if they DID decide to, it definitely wouldn’t be until they’re older and have settled down a bit, and have (somewhat) gotten both of their lives together. 82. What do they love about each other the most? Hiccup loves Anna’s energy and optimism, and how she’ll basically cheer him on and believe in him with all her being no matter how high the odds are stacked against him. And oh boy does he LOVE how hard she can kick ass when push comes to shove, and how goddamn overprotective she is of him. The sword skills and the general willingness to punch problematic people in the face are definitely up there as well. She’s like the perfect blend of fun and badass, and there’s never a dull moment with her for him. Anna adores Hiccup’s connection with animals and general animal skills, especially with the more less-loved and “scary” of the world’s creatures (i.e. dragons lol). She also loves and admires the shit out of his intelligence and inventiveness, and wishes she could make contraptions half as cool as what he turns out. And, of course, she loves that he’s a pretty humble dude who's actually pretty insecure about his accomplishments, and isn’t some cocky guy wanting to shove them in everyone’s face. And, of course, she loves his sarcasm and his dry sense of humor, and few people can make her laugh as hard as Hiccup can. Before she met him, she had no idea pessimism could be this entertaining XD 83. Who is the one that sees the big picture, while the other focus’s on the small details? Hiccup is very detail-oriented--he has to be, in order to make any of his contraptions work! Anna is very much focused on the big picture and gets stressed and exasperated trying to keep track of details--she figures she’ll either sort through the details as she goes, or Hiccup will help do it for her XD 84. What would they write on their partner’s social media’s for their anniversary? One of my IRL friends wrote “Happy anniversary bro, you’re pretty great” on his girlfriend’s instagram for their anniversary, and she wrote back “Happy anniversary, you’re a good buddy, I love you” and I just XD That’s the EXACT kind of weird dorky nonsense I can see Hiccup and Anna doing for their anniversary tbh 85. Who is bad at math? Anna, bless her soul, needs a calculator for literally EVERYTHING. Hiccup kinda trained himself to be decent at doing math in his head, since he often has to calculate measurements for his inventions and whatnot, but Anna is absolutely atrocious at it and generally would like overly-complicated numbers to not be anywhere near her. 86. Who googles everything? Probably Anna, mainly because she’s pretty forgetful and doesn’t trust her own memory half the time so she feels the need to verify everything on the internet XD 87. Who does stuff on impulse? Anna 100% canonically does, although Hiccup has some shades of this too more than he would ever admit, in fact, for someone claiming to be the Voice of Reason 88. How do they comfort each other when they are helpless to do anything about the situation? Hiccup’s approach is probably just to try and distract Anna and take her mind off of it, which he’ll do by either trying to make her laugh, telling her a story, or explaining one of his inventions to her (which she never gets bored with btw, because everything that boy gushes about is fascinating to her <3). Basically he figures if he entertains her enough, it’ll take her mind off of whatever is freaking her out and she won’t fixate on it as much. Anna’s approach is more to accentuate the positives in a bad situation (although like I mentioned in Part 1, not really in a condescending “count your blessings, it could be worse!” kind of way, but more in a “I hope he’ll feel better if he focuses on happy things” kind of way, if that makes any sense?) and also focus on when Hiccup DID do great and utterly kick ass and tell him he’s always better than he thinks he is. 89. What is an inside joke they have? If anything, him calling her “Tiger” as a pet name (which I think I mentioned briefly in Part 1??? Can’t remember) is this, because in my mind it developed because whenever Anna is about to do some Dumb Shit, or punch someone she really shouldn’t in the face, Hiccup has to physically hold her back like “Whoa, slow down there, Tiger!” This happens so frequently that eventually it just gets shortened to him nicknaming her “Tiger” and all their friends are kind of baffled as to why XD 90. Who makes the other smile with almost no effort at all? Hiccup barely even needs to start talking in funny accents or imitating his dad before Anna is just DYING laughing. She thinks he’s the funniest damn person on earth. He honestly gets a kick out of her impressions too--she can do some pretty amusing ones, if that deleted coronation dress-up scene from Frozen 1 is anything to go by. So the feeling is mutual!!! They’re super good at making each other smile and laugh with little to no effort!!! 91. What is their favourite holiday? I feel like Anna especially would get REALLY into Christmas/Yule, mainly because of how much Elsa can spice it up with her powers. And judging by the OFA short, Arendelle gets very hyped for the holidays in general, so it’s probably hard NOT to have a good time. Anna probably also like Mayday a lot because the dancing, the spring cheeriness, and the flower-related festivities are definitely to her taste. Hiccup just likes the energy and general vibes, and would rather sit back and relax and watch Anna dance around and have fun XD Also dun best believe they BOTH get hella into Halloween, because they’re dramatic motherfuckers who loves to dress up, and it gives Anna an excuse to buy a shitton of chocolate and eat all the leftovers XD 92. Who is the one that is calm and collected while the other is angry and destructive? Lmao Anna is definitely the “berserker” of the two of them. She DOES tend to get destructive when she’s angry, if being ready to fight a giant-ass snowman and smacking a wolf in the face with a lute is anything to go by. Hiccup is definitely the calm and collected one, and very rarely gets genuinely angry. 93. What is their favourite board game to play? Does Dungeons and Dragons count??? I can totally imagine Hiccup being hyped up over that or some other super nerdy RPG game and being so enthused to show it to Anna, who just falls even more in love with him after seeing how EXCITED he gets about it. Of course he’s super eager to teach her, and TBH Anna has a really hard time getting it at first because DAMN these rules are COMPLICATED, but after she finally gets the hang of it, she realizes she absolutely LOVES DnD and RPG games in general (I mean...have you SEEN OFA??? Girl gets just a little TOO into reminiscing about her old play-pretend toys XD) and she and Hiccup constantly geek out about it together. 94. Who accidental sets something on fire? Anna, 100% also this is an ever funnier question if applied to Hiccanna in my Fire!Anna AU 95. Who has the car ready while the other is robbing the store? Anna is waiting while Hiccup robs the store, if for no other reason than that Hiccup is much better at Stealth Mode than Anna is XD Anna’s uncoordinated ass would probably knock over like 5 shelves’ worth of merchandise before reaching what they were actually trying to rob XD 96. What artist/group did they go to for their first concert? I M A G I N E D R A G O N S lmao Look what can I say Anna likes the Imagine and Hiccup likes the Dragons 97. Who sleep talks? Hiccup. He mumbles about dragons a lot. Sometimes he jolts awake randomly and just yells out “THE DRAGONS ARE IN TROUBLE!” and Anna has to calm him down after she dutifully manages to not burst into laughter at this. Doubly funny if this takes place in a Modern AU. 98. Who is the more social one? Anna! Hiccup generally prefers to either keep to himself or hang out with animals. 99. What are their karaoke songs? For some reason I feel like anything by P!nk??? Idk why, but I can see them like rocking out and singing along to p!nk songs together and getting really into it. Also basically anything by The Killers and, at Anna’s request, The Chainsmokers (Hiccup thinks this is very basic music indeed but goes along with it for her sake XD). AND “Whatever It Takes” by Imagine Dragons. And they sing it LOUD. 100. Who would get up on stage and make a fool of themselves just to make the other laugh? Highkey both of them??? I kinda feel like Hiccup moreso though, if his little comedy routine imitating his dad in HTTYD2 is anything to go off of. He definitely wouldn’t be averse to making an idiot of himself to amuse Anna, especially since she’s so damn cute when she laughs. Anna, for her part, loves returning the favor, and is all about trying to do all sorts of Goofy Antics to amuse her boyfriend. And she’s overdramatic af, so she gets WAY too into it XD

#hiccanna #hiccup x anna #anna x hiccup #hiccup #anna #otp questions #hiccupxanna #annaxhiccup #rotbtd #rotbtfd #httyd #frozen #crossover #hiccup haddock #princess anna #queen anna

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michelles-garden-of-evil · 3 years

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Ian Martin’s Strange Paradise, Part II: The Top 5 Worst Things

Last week, I listed my top five favorite things about the first 44 episodes of Strange Paradise, when Ian Martin was headwriter and when the show had a very different feel to it than in the final four weeks of the Maljardin arc. But no creative work is perfect, and, despite my fondness for this show, I’d be lying if I said I didn’t think that the writing for early Maljardin had several glaring flaws. Unlike Danny Horn, I don’t think that Ron Sproat was a better writer than Martin (actually, I consider Sproat the worst writer on SP), but that doesn’t mean that I don’t also feel that his writing needed some improvement. Note that this entry is specifically about the writing during this period, so things outside his creative control (e.g. the Conjure Man’s questionable casting) will be excluded from the list.

That said, here are my top five least favorite things about the writing in the first nine weeks of Strange Paradise:

5. Cheesy dialogue

More specifically, (1) bad jokes and (2) slang that was already outdated when these episodes originally aired in 1969. This one is #5 because, while these lines are cheesy, I can’t hate them because most of them make me laugh. Even my personal least favorite of Jacques’ jokes, the “pose” line from Episode 18, is kind of funny in an ironic, anti-humor sort of way, like the dad jokes that have become fashionable in recent years. While there are some jokes in this show that I find genuinely funny--Elizabeth’s Song of Solomon joke, for instance, or “the lady doth detest too much”--most others are the epitome of cornball. Sometimes you hear both in the same episode: Episode 21 is loaded with Devil jokes/puns that would be unforgivably corny if Colin Fox didn’t possess enough charisma to sell them, and yet the same episode also features a genuinely hilarious double entendre. The good jokes sneak up on you, sometimes amidst a hurricane of bad ones.

As for the slang, some comments that I’ve read mention that it was largely out of date even in the late sixties. My good friend Steve (with whom I often discuss SP) has told me that “you might not be aware of how campy that slang sounded in 1969 since you obviously did not live through the Sixties--this happened with a lot of TV shows during that period, the most egregious examples being the various ‘evil druggie Hippie’ episodes of DRAGNET.” Apparently Martin became infamous for using outdated slang later on when he wrote for CBS Radio Mystery Theater, putting lines like “I dig a man who’s far-out!” and “I think bein’ around here’s gonna be kicks!” in the mouths of some of his younger characters. Even if he had used up-to-date slang, it most likely would have still aged poorly (as slang typically does), especially for generations born after phrases like “the most” and “making the ___ scene” fell out of use.

4. Slow pace and excessive repetition

This one is also low on the list, because slow pace and repetition weren’t flaws when the show originally aired, but instead have aged poorly because of advances in technology that made them unnecessary. Before the advent of the programmable VCR, you had to be able to catch the program you wanted to watch on time or have someone you knew catch it on time and record it--which, in 1969, would have meant an audio-only tape recording. This meant that only the most fortunate and/or most loyal viewers would have been able to watch Strange Paradise every day, making it necessary to recap all the major events in subsequent episodes for those who missed out. This is also likely the reason why early SP (like most soaps of the time) has a relatively slow pace: if too much happens in one episode, you have to recap more and the people who missed the big episode are more disappointed.

Nowadays, with DVRs, video streaming, and DVD sets--not to mention certain legally-questionable means--it’s nearly impossible to miss an episode of your favorite show (with few exceptions), making extensive recap largely obsolete. Screenwriters can cram as many plot points as they want into one episode and no longer have to write five episodes of the other characters reacting to the news if they don’t want to.

Even so, just because the constant recap served a function at the time doesn’t mean I have to like it. It gets annoying hearing the same plot points reiterated episode after episode. Like I said while reviewing Episode 21, “if someone were to remake this show for Netflix or another streaming service, they could safely ignore about 75 percent of the original scripts and condense the remaining 25 percent quite a bit without omitting anything important.”

And don’t even get me started on the lampshading of absent cast members, like in Episode 9 when Jean Paul and Quito wasted two minutes searching for Raxl just to slow the plot down. It’s nothing compared to Ron Sproat’s “we must search for Quito” filler episode in Desmond Hall (Episode 78), but still, those scenes were pointless.

3. Extreme artistic license with certain historical/cultural details

Although Ian Martin did a surprising amount of research on certain subjects for Strange Paradise, there are some subjects where he either didn’t do enough research, or (more likely) made extensive use of artistic license. The first one is his portrayal of Jacques’ wife Huaco as an Inca princess despite their marriage occurring over a century after the fall of the Inca Empire. I discussed this all the way back in Part II of my review of the pilot, where I invented the theory of Jacques traveling back in time to marry her, but other possible explanations include Huaco being a 17th-century descendant of Inca royalty (as the Quechua people are still alive today), extreme artistic license, and/or critical research failure. I don’t know if we would have eventually gotten a good explanation if Martin had continued writing the series, but we would need a damn good one for the approximate equivalent of having a 21st-century character marry the Russian Grand Duchess Anastasia. I’m willing to suspend my disbelief and accept it considering that this is a fantasy series, but it still creates a lot of plot holes that need to be filled.[1]

Another example of artistic license about which I feel more ambivalent is the conflation of voodoo with the Aztec-inspired indigenous religion of Maljardin, which I’ve discussed before both in my Episode 23 review and Part I of this post series. I’m not sure if this is genius--religious syncretism is a real phenomenon throughout the Caribbean and Latin America, and some people today do syncretize the vodou Serpent God with Quetzalcoatl--or just an instance of Martin playing fast and loose with facts. I would like to think it’s the former, but it could just as easily be the latter (hence why I referenced it on both lists--I have mixed feelings about it).

2. Annoying inconsistencies

Does Raxl know that Jean Paul is possessed by Jacques Eloi des Mondes? Does Vangie? Why does Jacques’ portrait disappear in some episodes after he possesses Jean Paul, but not in others? All three of these things vary from episode to episode, and change annoyingly often as the plot demands. Steve and I have also discussed this subject in the past, and he believes that Martin used this device to make the story easier to follow; if that’s the case, it appears that he used Raxl and Vangie as audience surrogates, especially for new viewers or people who didn’t tune in every day. But surely there were other ways to do that without creating continuity errors? It may have served a function, but that doesn’t make it good writing. What Martin is essentially doing is filling and reopening the same plothole, episode after episode.

Regarding the portrait, I don’t know how much to blame Martin’s scripts for this inconsistency and how much to blame the directors, as I don’t have access to any SP scripts beyond the pilot script and the Vignettes. However, I’m going to assume that he’s at least partially to blame, because at least the pilot script mentions the disappearing portrait (which literally disappears in all three of the Paperback Library novels), Also, while none of the characters ever mention the portrait vanishing (unlike in the tie-in novels), some of his episodes have characters looking at it while Jacques is controlling Jean Paul and commenting on the uncanny resemblance. See also the diegesis tag for more discussion and analysis of the disappearing portrait.

1. Tim’s subplot

It should surprise none of my regular readers that Tim’s subplot is my #1 least favorite thing about the first nine weeks of Maljardin. I’ve already written an entire post about why I dislike this subplot, so I’ll keep my discussion of it here brief. Jean Paul saves the life of artist Tim Stanton when he hires him to paint Erica’s portrait, but then does nothing to make the commission easy for him--which is not a bad set-up for a plot in and of itself, but the execution is terrible. Tim chooses to use Holly as his model despite her barely resembling Erica, and Martin mostly uses their subsequent interactions to drive the old, tired, clichéd plot where two people who bicker and hate each other at first eventually fall in love (or at least he appears to be setting that up[2]). The payoff for the Holly portrait subplot finally occurs in Episode 33, but it’s underwhelming (not to mention barely recapped) and the already bland Tim quickly becomes a background character. In short, his subplot is a boring waste of time and should have either had more payoff or--preferably--been scrapped altogether.

That concludes my list of the worst things about Ian Martin’s Strange Paradise. Stay tuned for my review of Episode 45 within the next two weeks.

{<- Previous: The Top 5 Best Things }

Note

[1] Interestingly, there is a possible (if unlikely) historical explanation for Huaco’s sister Rahua having “skin as white as goat’s milk” and “hair like ripened wheat.” An early Spanish account of the Chachapoya people (aka Cloud People) of the Northern Andes describe them as “the whitest and most handsome of all the people that I have seen, and their wives were so beautiful that because of their gentleness, many of them deserved to be the Incas’ wives and to also be taken to the Sun Temple.” Assuming the Spanish account isn’t made up, this proves that reality is sometimes unrealistic.

[2] Thankfully, given the soap opera genre, it’s unlikely that Tim and Holly would have stayed together forever, even if they had eventually fallen in love during their painting-and-bickering sessions. Even so, that doesn’t make it a good subplot.

#strange paradise #ian martin #maljardin arc #review #analysis #arc review #list #bruce gray was a good actor but tim stanton is zzzzzzzzz #even jean paul agrees ;)

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