Everyone's like: "Percy gave up immortality for Annabeth, that's so romantic!" but that's not actually what happened. Sure, it's sweet, but Annabeth wasn't the main, let alone the only reason he passed up immortality (If we want to be pedantic, he didn't give it up, because that would mean he already had it, but anyway)
He passed up immortality because:
A) He never wanted immortality. His fatal flaw is loyalty. Do you really think living forever while everyone he's ever known ages and dies was an appealing deal to him? I don't.
B) He wanted the gods to stop ignoring their kids. That was the main reason, he openly stated it in the books.
I'm sure he thought about Annabeth, but saying he gave up immortality just for her is blatantly false and ignores his other motivations.
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Sanji wearing Zoro's earring instead of a ring like fawwkk they so would
There's something so special about Sanji having his third earing because, you know, the whole threes thing they got going on. Sometimes I see people write Sanji turning it into a ring and I do love that idea, Sanji modifying it and really turning it into something that's his instead of simply wearing something that used to be Zoro's.
But I feel like Sanji wouldn't wear rings because of how often he cooks. He'd probably want to take it off so nothing happens to it, and not being able to wear it 24/7 would bother him a bit. Also Zoro would definitely be petty about it if Sanji went to serve them lunch and his ring wasn't on.
When Zoro first gave it to him it was still an earing, I'm a firm believer that he just put it on him while Sanji was sleeping because he didn't want to make it into something dramatic. And Sanji does love it, but doesn't go with his Vibe. So he sits with it for a while and thinks about for a while before he settles on a necklace. He has Franky tweak the backing and put on a really nice chain and it looks very pretty. He has to change his wardrobe a bit because he wants to be able to show it off and that's hard to do if he's always wearing ties and shit. He starts wearing the first few buttons of his dress shirts undone so everyone can see it.
Zoro is happy with it because Sanji changing it to better fit him means he plans to wear it for a long time and that's what he wants. As long as he's wearing it and people can tell where it came from he doesn't really care how it's being worn.
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yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.
to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!
i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.
also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.
they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.
they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.
i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.
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channeling energy (Minthara x Tav)
It takes Minthara some time to come to terms with the force that Gan is.
Someone being so in sync with her and wasn't trying to kill her to take it all was like a fever dream. All the right words are said, almost all the right moves are made, Minthara found it unsettling at first. Many nights she wanted to push into Gan's mind to really find out if there was a dagger waiting for her. The one night her curiosity got the better of her and she did, it was illuminating and incredibly frustrating.
Gan felt Minthara's tadpole engaging hers as they got situated in Rivington. She knew it couldn't really be anyone else because it was a sensation she'd known before with Minthara given how she often intruded into her thoughts long before now. Minthara hadn't done it since before the shadow cursed lands when she last saw her after the party so Gan was a little annoyed at the intrusion now. She dropped the bag she'd been holding and stared at her, waiting for her to use her words. It surprised Minthara for a moment before she finally tells her.
She wanted to know if this was all a dream. If she had to be worried that they would eventually end up on opposing sides. Gan looks at her before finally agreeing to let her in. Minthara is hesitant at first. She had to admit to herself that her intrusion was not entirely about finding out if she was only a rest away from a dagger to her throat, not unlike how she'd once done to her. Whispers of companionship had also crossed her mind. She knew the elf was coupled with the vampire spawn. She'd seen them cavorting about but he was of no consequence to her, he barely registered as a threat, let alone a rival. Minthara did find it puzzling how such a formidable person had gotten tangled up with such a fiend but being on the surface had introduced her to many strange customs.
The two of them went into the barn, away from prying eyes, and allowed their minds to mingle.
Minthara pushed in, gently at first, bracing for whatever lie in the thick of it all. She found herself greeted by hesitation of Gan wondering if they should trust them then admirable scenes of the two of them side by side slicing and smiting their foes. It brings Minthara joy to see them removing threats to their claim. But then Minthara pushed further and saw something a lot more personal. The two of them embracing each other by firelight. Gan lying beneath her, hands palming her ass, running her tongue along the edge of her ear. Quickly nibbling its point as she slides her hand further down until it reaches warmth.
Minthara pulls back. It is a revelation indeed. She tells her that she is a little surprised, not that they had not connected physically before. But the vision Gan had shown her held far more intimacy than she anticipated.
She reached for her hand, letting her know her feelings were not one sided. Then she had to lay everything out - that she did not share those she cared about.
Gan runs her thumb across the back of her hand, along a freshly healed scar. She understood that Minthara felt that way but she could not live like that. She told her how she grew up in a family with many parents who all loved and embraced each other freely. She found it incredibly selfish to want to consume someone wholly when you are capable of loving many as love and the capacity to love was not finite. The irony wasn't lost on Gan how she could be unapologetically selfish in so many aspects of her life but loving and sharing herself with others was not one of them. She understood that Minthara felt how she did but she was not one to hoard her affection for others. Gan grabbed her hand and pressed a kiss to her palm as she stood up.
She valued Minthara, not only as an ally but as someone she was starting to care about in a sense, but she would not be made to conform to someone else's definition or expectations. And so Minthara takes that knowledge and response in stride.
It was not her way and she knew the surface folk moved very differently than those in the Underdark. She couldn't fathom having to share her affections with others because when she loved, she only wanted to love one.
But time and insight had a way of bringing clarity. When they were engaged they were no less attended to than the spawn was. Even if it hadn't been in a romantic capacity at the time, Minthara felt no less important to her. Minthara slowly came to see what Gan meant. It may not have been her way but it was a sight to see and to be a part of. So when she finally decided she was willing to partake, she did so with the full knowledge that she wouldn't feel lesser.
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a mismatched mess: a fitz and molly essay
In my re-read of ROTE, I am struck again by the profound mismatch between Fitz and Molly. Neither complements the other, and their relationship is fraught with tension and incompatibility. However, what really compels me to write this is what seems to be the prevailing sentiment within the fandom that places the blame squarely on Fitz’s shoulders. I believe that this perspective is an oversimplification and rather unfair to Fitz. The demise of their relationship was not unilaterally caused by Fitz; rather, it was a shared unraveling.
I will be focusing solely on events up to the end of Royal Assassin, avoiding spoilers for subsequent books. I will put it under a read more as it will be long...
I want to disclaimer that while I may appear fairly critical of Molly's behavior, I do not think she did anything particularly wrong and do believe her emotions and reactions are largely justified. It is just precisely because of who she is (and who Fitz is) that I believe they are a bad match. Additionally, I think Fitz's wrongs have been hashed out extensively so I will only briefly touch on points I disagree with and not elaborate overmuch on his failures in their relationship.
I will begin with their first reunion in Royal Assassin. Fitz has just returned to the Keep after being on his deathbed for several months. Each person he encounters barely recognizes him through his wasted and sickly appearance. Fitz, embarrassed by his weakness, pulls a foolish move: he claims to be drunk when a passing serving girl—none other than Molly—crosses his path. His attempt to save face and avoid interaction turns futile. And yet, despite the evidence that Fitz is clearly sickly in appearance, Molly's first reaction is not concern. It is not to hear his side of the story nor to find out how he has been, nor consider anything that he may have gone through. Instead, she is focused only on her own experiences, and her own feelings and thus responds only with pure outrage and begins firing off accusations with misplaced anger.
Without basis, she accuses him of courting her and then abandoning her. I think many take this claim at face value, because "Fitz should have known what he was doing" (as Patience also intoned). However, let's consider the books have established a three-year age gap between Fitz and Molly. Thus, in Assassin's Apprentice, Fitz would have been begun "courting" Molly at around the age of 13-15 while Molly was 16-18. Even without viewing this through a modern lens, this claim feels like a stretch to me. Imagine expecting a young boy, barely schooled in social norms, to understand that strolling through town with a childhood friend equals courtship. No words or actions passed between them that indicated anything more than friendship. I believe Patience's scolding and instructions were fitting and commendable. However, Molly’s internalization of this narrative against Fitz seems misplaced and unfair, given her knowledge of their shared history and relationship.
Then, after he shares his concern for her about what he saw in his dream. She accuses him of purposely scheming and attempting to deceive her; that he must have heard her whole story in the tavern and is just making fun of her. This is again a very unfair characterization for her to place on Fitz; nothing she knows about him should indicate that he would do something like this at her expense.
She has a right to be upset that Fitz kept his true identity from her. But he also had a right to do so. She gave him no grace and despite his apparent weakened state, she did not allow him to give any explanations. Worse, because of how Fitz is, he immediately accepts her view of the situation and berates himself for not realizing the courtship, despite having had no tools of his own to recognize that. This pattern continues throughout their relationship.
And this, in essence, is what makes Fitz and Molly such a toxic pair. She accuses him of things he does not intend or cannot change, and he, like a sponge, absorbs them as truth, eroding his own perspective and identity. And on the other side, I believe Molly deserves someone who will challenge her. Someone to stretch her boundaries, broaden her horizons. A companion who could wholeheartedly dedicate their life to a family and business together in partnership. Because, while not necessarily a flaw, she has blinders on and focuses largely on her personal happiness and fulfillment. She does not want to bother with thinking of the realm, the raiders or the help other families may need. This is a chasm between her and Fitz, whose heart bleeds for his people's misfortune and feels a duty to his station and Kings. Instead of embracing and appreciating Fitz's compassionate heart and will to make the Six Duchies a better place, she frequently berates him and minimizes his feelings by accusing him of only being a mere king's pawn unable to think and choose for himself.
Especially as readers, we know this isn't the whole truth. We’ve witnessed Fitz’s tears for a dead child cradled in his arms, felt the fire of vengeance burning within him against the raiders. Molly has not, and yet, it does not seem she cares to know. To each of Fitz's explanations, she complains and argues. While we only get the taste of a few of these encounters, Fitz comments that it is a frequent topic of contention between them.
Molly wants Fitz to fit into her mold and she wants what makes her happy to be what makes him happy. She longs for the days when Fitz was only Newboy. She says she just doesn't understand the things he tells her, and yet I feel this is the same "not understanding" that Fitz employs with the Fool; in fact, it is very much understood, it is just not what they want to acknowledge as truth. Because Fitz is not Newboy, and because she subconsciously blames Fitz for not being Newboy, she thus does not put in effort to know and accept Fitz for who he is. I do not consider her calling Fitz as Newboy throughout Royal Assassin a simple nickname; to me it speaks of Molly desperately trying to reverse time and put Fitz back in the box she liked him best in.
I think exactly how little Molly knows Fitz is further illustrated by the Nighteyes-as-Fitz scene. It is a weird and, in some ways, humorous scene, but what struck me is how Molly appears to know Fitz so poorly that she did not sense anything amiss about an intimate encounter with a literal wolf in Fitz-clothing.
Returning to Fitz's identity and 'lies' throughout their relationship, I personally do not believe that Fitz owed her the truth of his identity from the beginning. It was a deeply personal matter and I believe it was not wrong for him to keep it private. As a young boy, he felt his status as a bastard was deeply shameful, and it is no wonder he would not share it. In my opinion, he would have a duty to disclose if he had truly begun to court her, however he was never given this chance.
So, did he continue to lie after his identity was revealed to her? I do not believe so. He shares much with her about what he does, and about Verity and King Shrewd. It is not a question to me that he would not be able to disclose every detail of what he knows; his knowledge of his kingdom's affairs and his identity as an assassin are not entirely his secrets to share. There are surely modern equivalents of this as well. It is hardly unusual to be unable to share some portions of one's work with one's partner. However, Molly deems this as unacceptable and unforgiveable, despite her lack of interest in what he does— a further inherent incompatibility in their relationship. Instead of offering understanding and support for the isolation that Fitz must feel for being in such a position with his Kings, she resents him for things he has no real power to change. Keep in mind if he had left the Kings' protection at the time, his life would surely have been threatened as Chivalry's was lost. Molly should be able to understand this, and yet she cannot see past her current unhappiness.
In her time at the Keep, Molly also puts a large amount of pressure on Fitz. She is out of her element, she has had a traumatic experience, she knows no one at court. And so, she often complains to Fitz that he doesn't spend more time with her. In a very unhealthy way, she attempts to force him to be everything for her at the Keep— her only social outlet, her support, her protector. Due to this, her resentment for Fitz and his choices grows with every moment he is not with her, and she spends much of their time together asking him to turn away from who and what he is to start a life together.
In the end, both hold the other up as idealized versions one could never hope to fulfil; Molly wants Fitz without his royalty or passion for his people. Fitz yearns for Molly, stripped of independence, her self-driven, entrepreneurial nature tucked away. In their relationship, they offer only moments of fleeting comfort punctuated by feelings of sadness and blame. They cannot fulfill each other's expectations. Molly is unable to bolster Fitz's confidence in himself and the peace and acceptance he desperately craves remain elusive. And likewise, Fitz cannot offer Molly purpose or allow her the sense of security she desires under which to prosper her business and family.
And so, these two are ill-matched and ill-fated, clinging through each other to the last vestiges of a childhood they wish they did not have to leave behind.
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