#Im Asian btw | Explore Tumblr Posts and Blogs

kaladinkholins · 4 months

Text

i know I've mentioned my interpretation of mizu's gender a million times on here but i don't think i ever fully elaborated on it.

so on that note i just wanna ramble about that for a bit. basically, it's my reading of the show that mizu is nonbinary, so let me dig into that.

putting the rest under the cut because it ended being pretty long lol. also here have a cute mizu pic of her being happy and most at ease with herself, symbolised by her letting her hair down. <3 ok let's proceed.

okay note that nonbinary is an umbrella term, and applies to a vast range of gender identities, but it's my personal preference to use it as is, simply because i'm not a fan of microlabels. more power to you if you are though, but anyway.

essentially when i refer to mizu as nonbinary it means that i interpret mizu as a woman, but not ONLY a woman. not strictly a woman. she is also a man. she is also neither of these things, she is something in between, while at the same time she is none of these at all. i've said as much many times, but i just don't want people to think that by nonbinary it inherently means a "third androgynous gender" that essentially turns the gender binary into a gender trinary. not only is that going against what the term nonbinary was crafted for (to go against rigid boxes and categorisation of gender identities), but also, not all nonbinary people fall under that category or definition, and that's definitely not the way i interpret mizu.

also, before anyone fights me on this, let me clarify further that gender means something different to everyone. it's not your biological sex or physical characteristics. but at the same time, gender is not mere presentation. you can be a trans woman and still present masculine—either because you're closeted and forced to, or because you just want to—and either way, that doesn't take away from your identity as a woman. same goes for trans men. if you're a trans man but you wear skirts and don't bind or don't get top surgery, that doesn't make you any less of a man. because gender non-conformity exists, and does not only apply to cis people! some lesbians are nonbinary and prefer using he/him pronouns while dressing masculinely, but that doesn't mean they're a man, or that they're any less of a lesbian. neither does this mean that they're a cis woman.

the thing about queer identities in general is that, like i said, they mean something different to everyone, because how you identify—regardless of your biological attributes and fashion or pronouns—is an extremely personal experience. so a nonbinary person and a gnc cis woman's experiences might have plenty of overlap, but what distinguishes between the two is up to the individual. there's no set requirements to distinguish you as one or the other, but it's up to you to decide what you identify as, based on what you feel. either way, by simply identifying yourself as anything under the LGBTQ+ umbrella, you are already communicating to the world that you are not what a conservative, cisheteronormative society wants you to be.

which is why i find all this queer infighting on labels to be so ridiculous. because we're all fighting the same fight; the common enemy is a societal structure that divides us into set roles and expectations purely based on our biological parts. that's why biological essentialism in the queer community is a fucking disease. because by arguing that women are inherently weak and fragile and soft and gentle and must be protected from evil ugly men, while men are inherently strong and angry and violent and exploitative of women, these people are advocating for the same fucked up system that marginalises and abuses women as well as effeminate and/or gay men.

anyway. i'm going on a tangent. this was meant to be a blue eye samurai post. so yeah back to that— the point i'm trying to make is that there's no one way to identify as anything, and everyone views gender in a specific way.

so with that being said, yes you can definitely interpret mizu as a gnc cis woman and that's a totally valid reading. however, interpreting her as nonbinary or transmasc also doesn't take away from her experiences with misogyny and female oppression, because nonbinary and transmasc folks also experience these things.

me, personally, i view her as nonbinary but not necessarily or always transmasc because i still believe femininity and womanhood is an inherent part of who mizu is. for example, from what we've seen, she does not like binding. it does not give her gender euphoria, but is instead very uncomfortable for her both physically and mentally, and represents her suppressing her true self. which is why when she "invites the whole" of herself, she stands completely bare in front of the fire, breasts unbound and hair untied. when she is on the ship heading to a new land in the ending scene, she is no longer hiding her neck and the lack of an adam's apple. we can thus infer that mizu does not have body dysmorphia. she is, in fact, comfortable in her body, and relies on it extremely, because her body is a weapon. instead, what mizu hates about herself is her face—her blue eyes. she hates herself for her hybridised identity, hates herself for being a racial Other. hates that she has no home in her homeland. these are not queer or feminist themes, but postcolonial ones.*

* and as a tiny aside on this subject, i really do wish more of the fandom discussion would talk about this more. it's just such an essential part to reading her character. like someone who's read homi k bhabha's location of culture and has watched this show, PLEASE talk to me so we can ramble all about how the show is all about home and alienation from community. please. okay anyway—

nevertheless, queer and feminist themes (which are not mutually exclusive by the way!) are still prevalent in her story, though they are not the main issue that she is struggling with. but she does struggle with it to some extent, and we see this especially during her marriage with mikio, where we see her struggle in women's domestic spaces.

on the other hand, though, she finds no trouble or discomfort in being a man or being around other men—even naked ones—and does not seem stifled by living as one, does not seem all that bothered or uncomfortable navigating through men's spaces. contrast this to something like disney's mulan (1998), where we do see mulan struggle in navigating through men's spaces, as she feels uncomfortable being around so many men, always feeling like she doesn't belong and that she's inherently different from them. mizu has no such experiences like this, as her very personality and approach to life is what can be categorised as typically "masculine". she is straightforward and blunt. her first meeting with mikio, she tells him straight to his face that he's old while frowning and raising a brow at him. she approaches problems with her muscles and fists (or swords), rather than with her words or mind. compare this with mulan, who, while well-trained by the end of the movie, still uses her sharp wits rather than brute strength. this is a typically "feminine" approach. it's also the approach akemi relies on throughout the show—through her intelligence and persuasive tongue, she navigates the brothel with ease. mizu, in contrast to someone like mulan and akemi, struggles with womanhood and femininity, and feels detached from it.

thus, in my opinion, mizu is not simply a man, nor is she simply a woman. she is both. man and woman. masculine and feminine. she has to accept both, rather than suppress one or the other. her name means water. fluid.

as a side note, while i do believe mizu is nonbinary, i also primarily use she/her pronouns but this is a personal preference. i find it's easier, plus it's what the creators use, and because, in general, being nonbinary simply doesn't necessitate the use of they/them pronouns. nonbinary is not just a third gender. it's about breaking the binary, in any which way, and that's exactly what mizu does.

also, i'd also like to mention that one of show's head of story even referred to her with the term "nonbinary", rather than simply "androgynous" (see pic below). and it's possible this could be a slip up on his part, in which he believes the terms are interchangeable (they're not btw), but regardless i find it a very interesting word choice, and one that supports my stance.

so anyway yeah that's my incredibly long rambling post.

TL;DR nonbinary mizu rights 👍🏻👍🏻👍🏻 congrats if you reached the end of this btw. also ily. unless you're a TERF in which case fuck off. ok i'm done.

#mizu blue eye samurai #mizu bes #blue eye samurai #blue eye samurai meta #sorry if this is redundant btw i just cant stop thinking thoughts :3 #btw i am a mixed* southeast asian who is also nonbinary. just in case that's important context #by mixed* i mean i'm asian+asian but diff ethnicities lol. i dont have a white bone in my body god bless<3 #my whiteness is purely learned thru cultural osmosis + bcs my parents taught me english as a first language (boooo 🍅🍅🍅)#also i live in the global south so i think EYE know a thing or two about being gnc in a society of rigid awful gender roles‼️#so likeee i think its ridiculous that its an either-or thing #mizu can be nonbinary while still being a woman of colour ¯\_(ツ)_/¯#also ummm as much as i love queer themes and gay people i wish people would talk more about the racial otherness / community aspect #as mentioned in the post above #you don't need to read bhabha's whole book btw but just take a look at some of his ideas and you'll get what im talking about #like the fact that the fandom mostly ignores those themes in the story makes me feel like :( :/#cuz to me THATS the thing that spoke to me most and its a shame that its just not talked about enough #i mean i know why thats likely the case. but still.#whoops im rambling again 🤪#fandom.rtf #shut up haydar #meta dissertations.pdf

62 notes · View notes

kaleidoscopic-quiddity · 9 months

Text

listen i know jack shit about the locked tomb but based off of a majority of the art ive seen of those two necromancing lesbians most of you couldnt actually bothered to do a quick google images search of what maori people actually look like and instead just draw them with white features over a Vaguely Brown skintone

#the locked tomb #gideon the ninth #harrow the ninth #nona the ninth #griddlehark #this isnt directed at any particular artist btw ive seen LOADS off ppl do this #and the tlt fandom arent the only guilty ones either #like im begging the pjo and tma fandoms to look up cherokee and south asian features respectively #bc if i see one more art of piper or jon with white features slapped on top of a brown base #i will actually start throwing bricks at ppl #og post //

128 notes · View notes

zvezdacito · 1 year

Text

⚠️ CW: imperialism, colonization, genocide, rape mention

I honestly hate to make posts like these because the common response are Yana bootlickers invalidating my say in issues affecting me and harassing me😭

But since I've seen not much people bring it up yet. In cased you didn't know New Year's Cater is fsr in Taisho Era clothing, which was an era of Imperial Japan. Thus, fashion from that era is seen as a symbol and glorification of Japanese imperial colonization and brutalization of Koreans, Chinese and Southeast Asians.

"Twst isn't the only game that does this though, I've seen lots of other media use it as an aesthetic fashion choice! You're overreacting/trying to stir up trouble" Yeah unfortunately this, along with Nazi imagery, are still very glorified in Japanese pop culture. Purposeful or not, it being downplayed as just a cutesy Japan aesthetic in popular exported media (their soft power), helps downplay the severity of what Japan did in this era and make it easier for the government to sweep it under the rug.

When it's brought up for popular anime like Demon Slayer by Korean, Chinese or even some SEAsian people, it's not usually heard because anime fans are so quick to shut us down or even joke about Imperial Japan being in the right despite all the cultural genocide and mass rape committed to spite us☠️ Like I said this only ends in harassment and mockery of us so I wouldn't be saying stuff like this just for fun☠️

They changed Trey's Vargas camp v-neck ingame after already releasing the promo image already so I hope they can fix this too😭

I hope if even not from me, you will at least share this information around for those who aren't aware and tell them how and why it's wrong. Hopefully if enough people bring it up they will notice and change it, if not, then at least do not roll for cater specifically ig😭 Other characters are wearing kimonos from eras without problematic implications on this scale afaik

#twst #tw colonization #tw imperialism #tw genocide #tw rape #tw nazi mention #cater diamond #sebek zigvolt #vil schoenheit #ruggie bucchi #if someone brings up 'ooo but china did this to' in response to this just because im chinese im kwording you on the spot btw #like even if ur hate china they arent the only ones who were affected by this you'd be hurting other asians too☠️

405 notes · View notes

gokupowers · 1 year

Text

Bay area stuck (Asian HCs)

#my art #homestuck #hs #dave strider #rose lalonde #john egbert #jade harley #yes this is ultraniche #yes these are asian stereotypes. bc i love my community i can criticize them. jay park dave is a bad person btw i do not endorse him hes #he's literally evil #theyre all annoying indiciduals :)#im a big believer in blasian dave and rose . this was . just because the idea was so fucking funny i couldnt help myself #jade is tamilian south indian #bay area stuck #i do not condome any of these individuals. theyre all annoying

267 notes · View notes

lunar-serpentinite · 7 months

Text

AU where the Potters are actually South Asian and their earliest ancestor, Linfred of Stitchcombe, was actually an immigrant from what is now known as Tamil Nadu. He came from a family of potioneers and healers who were known for their relationship with snakes and their ability to understand the language of serpents (known within Europe as Parseltongue) but their variant of Parseltongue was believed to be a blessing from their patron deity Aravan.

The Descendants of Nandhini

The Descendants of Nandhini, more commonly known as the Descendants of Aditya by outsiders, refer to a family of Tamil wix who occupy a heavily warded and hidden territory within part of the Western Ghats in Tamil Nadu, India. They are traditionally healers and agriculturists who work closely with snakes of both Magical and mundane origins. Their affinity and bond with snakes lead them to develop the Magical ability to speak and understand the language of serpents.

They are named after the first member of the family who mastered the language of serpents, Nandhini. Nandhini was a Tamil witch who lived at the height of the Chola Empire, specifically during the mid-900s. Nandhini was her parents’ third child and only daughter. When Nandhini began to display perfect fluency in the language of serpents, it was viewed as a sign of favour from their patron Aravan and Nandhini was then announced as the family’s next head. However, she was to disguise herself as a man and go by the name Aditya as well as take on a wife for the rest of her life.

From Nandhini, new traditions were developed. One tradition was the secretive way of succession for the title of family head. While the family head remained a male in official records and to anyone who asked. But in reality, a woman held the actual title of family head. The hereditary Magic and Relics of the family was bestowed upon the eldest daughter of the main line, which she would then pass down to her eldest daughter when the daughter came of age. This is one of the family’s best kept secrets and is still kept close and hushed up to this day.

Another tradition was keeping long-living Magical serpents as familiars and protectors of the family and carriers of hereditary knowledge. These serpents were regarded around the same level as the family’s elders and the family often spoke with them for advice or knowledge.

The descendants of Nandhini, like the other Magical families of Tamil Nadu at the time, lived in harmony with their mundane neighbours. Mundanes were aware of and lived with Magic despite being unable to wield it themselves. This carried on until the start of British colonization in India. The Magical families of Tamil Nadu escaped colonization by a breath’s width by using Magic to completely hide themselves from the rest of the world. The descendants of Nandhini in particular worked with their snakes to “camouflage” their biggest family compound within the Western Ghats, with the snakes themselves acting as the living “boundaries” of their territory who also act as natural deterrents for anyone who comes too close.

The Magical families remained isolated from the outside world for the entirety of the British’s colonization of India and even lasted a couple of decades after. However, they have managed to reestablish connection with the other Magical families as the years passed by. During their time of isolation, the caste system was slowly dissolved and forgotten and many Magical Tamil families abandoned their castes and titles in favour of simply calling themselves the descendants of their oldest recorded ancestor. In the present time, Magical Tamil Nadu are large joint family groups scattered geographically but are well-connected by an intricate communication system set up by their ancestors. They are still mostly disconnected from the rest of the Magical World but not as much as it was during the colonial era.

The descendants of Nandhini in the present time mostly use the language of serpents, Tamil, and Sanskrit as their main languages. However, their members also show fluency in Middle Tamil and Classical Sanskrit. The latest generation of the descendants are currently learning present-day English.

BRITISH BRANCH — THE POTTERS

During the 1200s right as the Chola Empire began to decline, a group of the descendants of Nandhini led by someone now known as Linfred of Stitchcombe found their way to the British Isles. Though considered “eccentric” by his British neighbours, Linfred was nonetheless well-liked due to his helpfulness and affable nature. He and his family were known for their excellent healing remedies and strange plants, but they were warned by their ancestral snakes and the local snakes to hide their affinity for snakes and their knowledge of the language of serpents for their own safety.

This branch eventually adopted the surname of Potter by demand of the British Ministry of Magic, though there wasn’t any significant reason behind the choice of surnames. Though they are Potter on paper, they still proudly refer to themselves as descendants of Nandhini and would often use Nandhini as another surname in addition to Potter. They kept in contact with the main branch throughout the centuries until the main branch seceded during the British colonial period.

Despite their positive reputation in the British Magical community and their position of being essentially Purebloods, the Potters preferred to marry within their South Asian community. The other British Pureblood families attempted to marry into the Potter family for generations especially after the Potters rose to the top of their respective industries, but they remain unsuccessful to this day. It is because of this refusal to marry into the British Pureblood society that the Potters were exempted from the Sacred 28, not that they cared anyways.

The Potters amassed wealth, prestige, and influence through their revolutionary contributions and breakthroughs for British healing magic and potions. Eventually, they also started to build up a business in Magical pottery and ceramics. The potions they sell are often packaged in custom ceramic bottles made by their own company. Their business partners are exclusively businesses owned and run by South Asians and South Asian immigrants and have recently begun to open their connections to other BIPOC-owned businesses as well. As of the present day, the Potters are one of the leading names in both the potioneering and Magical pottery/ceramics industry.

The Potters usually send their children to Hogwarts School of Witchcraft and Wizardry where they would usually be Sorted into either Slytherin or Gryffindor. However since they have reestablished their connection with their main branch in Tamil Nadu, the recent generations have been considering sending their children to their ancestral home for schooling instead.

During the mid-18th century, the Potters began to republicize their affinity and connection with snakes and their usage of the language of serpents as a way of preserving their connection to their family back in their motherland and as a silent protest against the growing negative perception of snakes and serpent-speakers in the United Kingdom. It was noted by Magical linguists that the language of serpents that the Potters knew were far different than what Europe had called “parseltongue”. This variant of “parseltongue” became known as Potters’ parseltongue amongst the European populace, though the family themselves have never used the term themselves.

Despite having lived away from their main branch for centuries, the Potters still maintain almost all of the family traditions. The family is patriarchal on paper but matriarchal in practice. Their family manor in Gloucestershire had an entire green space for the ancestral snakes that they have brought from Tamil Nadu and their other snakes that they have adopted and bred. They continue to revere their patron deity Aravan, whose image decorates sacred spaces within the Potter family estate.

In the latest generation, the Potter family is closely connected with the other Magical South Asian families within the United Kingdom and the rest of Europe. They also have close ties with the Black family who claims ancestry from ancient Egypt and Persia. The current heads of the Potter family, James and Lily, have both married Regulus Arcturus Black who is the second son of Orion and Walburga Black. James also considers Sirius Orion Black his best friend and the couple have appointed Sirius as the godfather of their eldest child Hariharan "Harry" James Potter.

#harry potter #desi harry potter #desi james potter #harry potter au #the black family #jegulily #your faves are now bipoc im not sorry #everything is approved by my south asian mom friend btw #theres more where this came from #my stuff : nandhini's legacy au

100 notes · View notes